#anyone who says they aren't can fucking fight me

[elumish]

So, what, things are bad so we say, fuck it let's make them worse?

Okay, frustrated 4:30am response aside, here's my real answer:

I don't think it's laziness, and I never said it was. It's disillusionment with the system, and apathy, and ideological purity, and people convincing themselves that protest votes are actually effective, and people thinking that if they don't vote then their hands are clean of the results, and a million other things.

Whether people felt the impacts of what he did or not, Biden implemented the most progressive set of policies and passed the most progressive set of laws we've had in a really long time. He was quiet about it, I think genuinely to his detriment and to the Democratic Party's detriment, but he did. He passed the biggest climate bill in forever. He put protections in place for trans people, which will be torn apart by the upcoming administration. He was vocal in his support of unions. We got Finland and Sweden into NATO which obviously can't be attributed wholly to Biden but sure as hell wouldn't have happened under Trump, a man who wants to get us out of NATO.

Now, I have big issues with some Democratic policies, including how far right we've swung on immigration and our Israel policy, but the Democratic Party has been actively pushing to increase our civil rights for decades, while the Republican have been trying to preserve the status quo or drag us backwards, depending on the issue.

The parties are not the same.

And yes, they tried courting the Never Trumpers--because the goal of an election is to win votes, and those were potential votes to win. But that doesn't mean that they were somehow running a Republican campaign. And maybe this is jaded of me, but having the Vice President actively try to undermine her President by publicly fully contradicting major policy decisions was not actually going to be helpful for the country.

Now, though, the party might move to the right--because if you look at who showed up and voted, especially for the presidency, it was a hard swing to the right. And the most obvious lesson to take from that is that the voting population has swung right, and so the party should as well. Obviously, I hope that isn't the case, and I will do what I can to be vocal about how I think the party should keep fighting for progressive causes and policies, but it would be an unsurprising and logical outcome of how voting turned out.

And just to say: pundits on CNN aren't the Democratic Party. They're just people paid to say things. The question isn't what pundits say--it's what the party actually does. And that's why we (the voting population) have to be the ones to actually speak out and say, don't abandon trans people.

Harris was one of the only candidates we've had in a long time with no scandals, and she ran a remarkable campaign in an extremely short period of time. She was not a flawless candidate by any means, but chances are that if it had been basically anyone else the results would have been an absolute bloodbath up and down the ballot. At some point, people need to show up and vote.

I have some much less nice posts currently saved in my drafts that I am clinging on to my self control enough not to post, but I will say this:

This is why you show up and you vote. This is why you show up even when you don't agree with every policy, when you think both candidates are too far to the right, when you think your vote doesn't matter.

We will be spending the next 4+ years living with the consequences of people's decision not to vote or to vote for a third party or to vote for the racist authoritarian rapist felon over an extremely qualified Black/S. Asian woman.

Want a better candidate? Start working on finding and supporting them tomorrow. But in two years, and in four, and in every election in between and after, show up, fulfill your civic responsibility as an American citizen, and vote.

[clipsie]

There are two animes I plan on watching the English dub for. Maybe 3. I want to rewatch the Apothecary Diaries to prepare for season two and so I'm going to watch the dub.

Dandadan I'm hearing is an A+ dub so I'll be rewatching with the dub in the future.

I'm also going to the Dragon Ball Daima dub premiere next week so that's fun!

[renniferno]

like listen i'm not saying the current system is perfect, it fucking sucks and i know it you know it it was set up by shitty people in shitty times and contains all this shitty leftover bs.

but destroying the system is not the answerrrr yes it sucks that if we want to fix anything or make it better we have to work within the shitty rule set!!! put on your big kid pants. voting is like taking out the garbage. if you don't do it because it stinks, it gets worse.

[eowyntheavenger]

Americans, these are things we are NOT saying in 2024:

"Voting blue won't solve anything." Yes it will: if enough of us do it, it will solve a problem called Trump's second term in the White House. We unfortunately live in a two-party system. If you refuse to vote, you're effectively voting for Trump. I shouldn't need to explain this to people, yet here we are.

"It doesn't matter who's president. Both candidates are the same anyway." No, they are REALLY not. Biden was never my first choice, and his shipments of arms to Israel are despicable, but don't try to tell me even for a second that a second Trump term would be the same for the world as a second Biden term.

"But voting blue won't fix [fundamental underlying problem in America]." Voting for Democrats cannot fix every issue, this is true. But by saying this and ONLY this you are discouraging people from voting by making them feel hopeless. Voting is one of many tools in our arsenal, not the only tool, but an important one, and it does matter.

"You shouldn't vote blue, you should do [other thing] instead." See above: you can vote and protest and organize at the same time. It's not either/or. You can do it all. Stop discouraging voters from exercising their rights under the guise of leftism.

"Voting is just legitimizing government power. It makes you part of the system." Literally just shut up. Women and people of color didn't fight for their voting rights to have you say things like this. If you live in America and you can legally vote, then you should fucking vote, and vote blue. There is no neutral option.

"Voting blue just makes you complicit in [this bad policy]." Inaction, and allowing Trump to have a second term, is worse for the entire world than any Democrat policy. Yes, even that one. Voting is not about finding a perfect unproblematic candidate. It is about choosing the lesser of two evils.

"Voting doesn't work because—" STOP IT. STOP DISCOURAGING PEOPLE FROM VOTING.

You know who wants you NOT to vote? Trump supporters, that's who. You should be suspicious of ANYONE who is suggesting that your vote doesn't matter, or that both candidates are the same, or that Biden's policy on XYZ means you shouldn't vote for him. Trump supporters aren't trying to get your vote by saying, "Vote for Trump!" They're trying to get your vote by DISCOURAGING YOU FROM VOTING AT ALL.

I don't like Biden either, but Trump is unequivocally worse. Voting doesn't fix everything, but it is the minimum fucking requirement of living in a democracy. Voting for president has real, tangible, immediate impacts on people's lives, and choosing not to vote is not the rebellion you think it is, it is just relinquishing your voice. So fucking vote. THIS IS A GROUP PROJECT AND DAMN IT WE ARE NOT FAILING BECAUSE OF YOU.

[yeyinde]

Been on something lately with Price + someone more reserved/avoidant when it comes to sex.

Someone who doesn't have any real, tangible desire for intimacy. Romance. Outside of a few summers spent rutting against their pillow, chasing the spiralling ends of a hazy daydream with their fingers stuffed inside their panties, chanting be normal, this is normal, you want this in their head as they think of vague shapes, shadowed anatomy; a featureless silhouette rutting between their thighs, they just don't have that drive to pursue something like this.

And it's over drinks when it comes out (too many, of course; but Price has this way of needling under your skin, patronising you with just a shallow lift of his brow whenever you order water: a sly, subtle challenge in blue, one you feel obligated to meet—). Tipsy, loose lipped, you confess that you just don't really get the appeal. It's fine, you whine, fingers tapping out an off-rhythm beat on the worn wood. When it's just fantasy, but the idea of it, of sex and romance and everything else that comes after is a little too much.

A shame, he says, but he listens. Takes in your words with a gruff counter of his own, volleying back his own desires until they swallow yours whole.

And when he finds out you never really learned how to touch yourself—something he finds truly sad, detestable, really—he takes it upon himself to teach you the wonders of it. Of sex.

(with him. Only him, of course. Because you not wanting to fuck anyone else is perfectly fine. Great, even. But not wanting to fuck him? Well. He'll fix that character flaw with his own hand.)

He takes you home. Drunk little thing. Can't even handle your liquour, mm? He's really gotta do everything for you, doesn't he? But you go willingly, stumbling after him like a little puppy until he pulls you down on his lap, back flush against his broad chest, and slips his hand down your pants. Shush, don't worry, doll. Just relax. He'll show you what you're missing out on.

Bullies desire, want, into you with the rough slide of his hand, cooing mockingly in your ear when your body reacts to his touch. See? told you you'd get nice and wet for me, mm? Now, let's make this pretty pussy cum, love. Shush, don't fight it. Just give in. That's a good girl—

He sees you as something he can mould. Break. Tame.

A pretty project to force into the role he wants with every fibre of his being: a wife. In the truest sense of the word too because as much as he wants an adorable little mantelpiece to put behind stained glass, worship when it's convenient for him to do so, he wants someone to mould their existence around him. Soft edges to his harder ones. Kisses on his forehead before he leaves for work. Dinner on the table when he gets home. Knees locked tight to your ears, waiting for his cock every night.

And you're the perfect fit for the role, aren't you? Sweet girl. Just needed a firmer hand, didn't you? Someone to tell you what to do, what you need.

There's nothing wrong with you, he says, slipping his thick fingers through your swollen, wet folds, pads tight against your sopping, pulsing hole. It's more cum than slick that leaks out of you now, and he hums around an exhale when he pushes it back in, feeling the way your body responds. Fluttering, flexing, trying to pull him in deeper. Reacting to his touch perfectly.

Like you were made for him—

"Jus' needed me to come along and give you what you needed, mm? Don't worry, I'll take care of you from now on."

[jonnywaistcoat]

What’s your opinion on the contrast between “silly” and “serious” spaces? Do you think people can have very serious interpretations about a genuine piece of media and also be goofy about it? I’m asking this particularly because I’ve seen people in the Magnus podcast fandoms fight about people “misinterpreting” characters you, Alex, and the many other authors have written. Are you okay with the blorbofication or do you really wish the media you’ve written would be “taken seriously” 100% of the time?

And follow up question, what do you think about the whole “it’s up to the reader (or in some cases, listener) to make their own conclusions and interpretations and that does not make them wrong”, versus the “it was written this way because the author intended it this way, and we should respect that” argument?

This is a question I've given a lot of thought over the years, to the point where I don't know how much I can respond without it becoming a literal essay. But I'll try.

My main principle for this stuff boils roughly down to: "The only incorrect way to respond to art is to try and police the responses of others." Art is an intensely subjective, personal thing, and I think a lot of online spaces that engage with media are somewhat antithetical to what is, to me, a key part of it, which is sitting alone with your response to a story, a character, a scene or an image and allowing yourself to explore it's effect on you. To feel your feelings and think about them in relation to the text.

Now, this is not to say that jokes and goofiness about a piece of art aren't fucking great. I love to watch The Thing and drink in the vibes or arctic desolation and paranoia, or think about the picture it paints of masculinity as a sublimely lonely thing where the most terrible threat is that of an imposed, alien intimacy. And that actually makes me laugh even more the jokey shitpost "Do you think the guys in The Thing ever explored each other's bodies? Yeah but watch out". Silly and serious don't have to be in opposition, and I often find the best jokes about a piece of media come from those who have really engaged with it.

And in terms of interpreting characters? Interpreting and responding to fictional characters is one of the key functions of stories. They're not real people, there is no objective truth to who they are or what they do or why they do it. They are artificial constructs and the life they are given is given by you, the reader/listener/viewer, etc. Your interpetation of them can't be wrong, because your interpretation of them is all that there is, they have no existence outside of that.

And obviously your interpretation will be different to other people's, because your brain, your life, your associations - the building blocks from which the voices you hear on a podcast become realised people in your mind - are entirely your own. Thus you cannot say anyone else's is wrong. You can say "That's not how it came across to me" or "I have a very different reading of that character", but that's it. I suppose if someone is fundamentally missing something (like saying "x character would never use violence" when x character strangles a man to death in chapter 4) you could say "I think that's a significant misreading of the text", but that's only to be reserved for if you have the evidence to back it up and are feeling really savage.

I think this is one of the things that saddens me a bit about some aspects of fandom culture - it has a tendency to police or standardise responses or interpretations, turning them from personal experiences to be explored into public takes to be argued over. It also has the occasional moralistic strain, and if there's one thing I wish I could carve in stone on every fan space it's that Your Responses to a Piece of Art Carry No Intrinsic Moral Weight.

As for authorial intention, that's a simpler one: who gives a shit? Even the author doesn't know their own intentions half the time. There is intentionality there, of course, but often it's a chaotic and shifting mix of theme and story and character which rarely sticks in the mind in the exact form it had during writing. If you ask me what my intention was in a scene from five years ago, I'll give you an answer, but it will be my own current interpretation of a half-remembered thing, altered and warped by my own changing relationship to the work and five years of consideration and change within myself. Or I might not remember at all and just have a guess. And I'm a best case scenario because I'm still alive. Thinking about a writers possible or stated intentions is interesting and can often lead to some compelling discussion or examination, but to try and hold it up as any sort of "truth" is, to my mind, deeply misguided.

Authorial statements can provide interesting context to a work, or suggest possible readings, but they have no actual transformative effect on the text. If an author says of a book that they always imagined y character being black, despite it never being mentioned in the text, that's interesting - what happens if we read that character as black? How does it change our responses to the that character actions and position? How does it affect the wider themes and story? It doesn't, however, actually make y character black because in the text itself their race remains nonspecific. The author lost the ability to make that change the moment it was published. It's not solely theirs anymore.

So yeah, that was a fuckin essay. In conclusion, serious and silly are both good, but serious does not mean yelling at other people about "misinterpretations", it means sitting with your personal explorations of a piece of art. All interpretations are valid unless they've legitimately missed a major part of the text (and even then they're still valid interpretations of whatever incomplete or odd version of the text exists inside that person's brain). Authorial intent is interesting to think about but ultimately unknowable, untrustworthy and certainly not a source of truth. Phew.

Oh, and blorbofication is fine, though it does to my mind sometimes pair with a certain shallowness to one's exploration of the work in question.

[multigenderswag]

I'd like to talk for a bit about the genre of post that's like "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]?" I think these sorts of posts do address a lot of important points, such as:

Even if you're genderqueer and going "gender isn't real! smash the binary!" there's a real possibility you haven't unlearned or might still be upholding some very transphobic sentiments, and you should do some introspection about that

Some people only want acceptance for their trans identity but don't want to do the work to deconstruct what gender looks like, stop holding other people to their own gendered expectations, and unlearn their internalized bigotry about different trans identities

Sometimes the [trans identity] is specifically relevant to the identities referenced, such as people who will do surface level acceptance of "boygirls" but then call multigender people problematic for using "contradictory" terms like male lesbian, or asking "are you normal about intersex people?" to point out the prevalent intersexism in the multigender community.

But if the [trans identity] or intersex identity being asked about isn't related to multigender community issues, it seems a little strange to consistently single out labels like boygirl and fagdyke that tend to be used by multigender people in these posts. All kinds of trans people can be transphobic about other trans identities. All kinds of trans people are capable of fighting for their own acceptance but not anyone else's. But these posts are pretty frequently just about boygirl fagdykes.

It reminds me of posts about a "theyfab named Sock being transmisogynistic." Are there transmisogynistic FTX nonbinary people? Yes, no one is immune from perpetuating transmisogyny. But these types of posts are still exorsexist.

Similarly, though I'm not saying the pattern of "sure you're a boygirl fagdyke genderfreak but do you respect [trans identity]" is necessarily exorsexist or transmultiphobic, since like I said they do address important points, some of which actually are multigender community issues. But people do use those types of posts to be really transmultiphobic and exorsexist, but in an "acceptable" way, because the boygirls are transphobic so it's okay to hate them.

Some examples in the notes of this sort of post asking 'are you normal about trans women?":

This assumes that multigender identities are only an online thing, only a young person thing, that all multigender people look cis in real life, that no multigender person has experienced real transphobia.

Again, this assumes that no multigender person "looks like a freak" for their gender, that they never struggle with transphobia offline. And straight up saying they have a "huge issue" with girlboy genders.

Multigender labels aren't "performative titles," they're our genders. This person is just straight up admitting they think our genders are fake, that they're only "titles" and not real fucking identities.

"I tend to Not like multigender people" okay so we're just saying the quiet part out loud now

By all means, keep talking about intracommunity transphobia. It's important. But don't throw multigender people under the bus to do so.

[phas3d]

Hello love<33 i saw ur requests were open if it hasn't been done before can i request a Potter! Reader x Slytherin boys like the reader is Harry's twin sister?

Absolutely inlove with your writing btw🫶🫶

Potter!Reader || Slytherin Boys

type :: fluff

tw/cw :: abuse mention (tom, mattheo)

contains :: draco, tom, mattheo, theodore, lorenzo

notes :: i love this idea so much, i didn't think it would be this fun to write for - also i know neville technically killed voldemort BUT, just go along with me when i say harry killed voldemort

DRACO MALFOY

Getting a crush on someone was already hard enough for Draco to do

To be able to look past someone's flaws and finally see the beauty inside of someone

But all of that was quickly ruined once he found out you weren't just Harry Potter's sibling but his TWIN?

He genuinely gets so upset and angry not only at you but himself

He's not sure how to handle this information

But at the end, he decides that he can't stand the idea of dating Harry Potter's twin and possibly growing to be Harry Potter's brother-in-law

So he tries to avoid you at all times

But he can't, his body just won't allow him

And also, you're really good at finding him

In the end, he learns to accept it but Harry and Draco still bicker and fight

Even when you guys are 20+ years old, they still fight like siblings - which is actually perfect since they're brothers in law now

TOM RIDDLE

After Harry defeated his father, aka Voldemort, and brought "peace" to the world - he's hated his guts

Because although Voldemort was a mass murder, genocide supporter, blood racist, classist, backstabbing, asshole... That was still Tom's dad

But even then, Voldemort wasn't a great father. He was actually the worst father to ever live. For all of Tom's childhood, he was brain washed and tortured to believe his father was amazing, and sadly it worked on him

So finding out that his s/o, which was already an EXTREMELY rare sight since he can't tolerate anyone, was Harry Potter's twin....

Oh, he goes fucking insane and runs away to the forbidden forrest to "process" all of his emotions (he kills almost every animal in there out of pure strength)

Falling for the person who's related to your father's killer is not easy to handle

So,,, honestly I think Tom would break up with you and never give you a shot again

But, he still owns you - he just can't be with you duhhh

If you ever try to move on or get a new boyfriend, he simply make them "disappear"

It makes you isolate yourself from the dating world - but thank god Tom is there to offer to be fwb!

(this was his plan all along. he will never stop loving you but he doesn't have the guts to fully commit to a relationship anyways but he still wants you - so fwb is the easiest solution for him to avoid the guilt of actually dating you whilst still getting to own you in some way)

MATTHEO RIDDLE

He's the exact opposite of Tom, he actually really respects and likes Harry

After Harry killed Voldemort, he felt so free. It was like Harry got rid of the shackle that was keeping him down for so long

Unlike Tom, Mattheo always knew that what their father was doing was wrong and cruel - but he was forced to go along with the family's plans because he'd be punished if he didn't

Not only that, Mattheo and Harry both play Quidditch and are good rivals - he loves the competition

So he actually gets along fine with Harry

When he finds out you two are actually TWINS he's so shocked like omg

He wonders what would have happened if you ate Harry while in the womb or smth

And he also wonders why you and Harry aren't exactly identical (you are identical... mattheo just doesn't understand why harry has glasses and you don't....)

Doesn't mind bringing Harry on a couple of dates - But when Harry does come... it's basically like you're third wheeling

Your cute dates are ruined because these two dumbass men decide to do stupid stuff

Like for example, a cute date of mini golfing got ruined because Harry and Mattheo decided to see who could chuck their golf ball the farthest

They ended up breaking multiple windows...

Or when Mattheo took you out to go ice skating but it got ruined because fucking Harry surprised Mattheo with hockey gear

The two ended up playing hockey,,,, just a 1v1,,,, and crashed into so many bystanders that they just shut down the rink

They are now brothers for life... you must deal with this

THEODORE NOTT

When he finds out you're twins, he takes such a big sigh of relief

"Oh my gosh, that why you guys always hang out... I thought you might have been dating."

Instantly, you want to vomit in your mouth

Theo has little to no history with Harry, besides bullying Harry during their first few years at Hogwarts

But Theo was never a good bully... especially when he was younger

Because he was still learning English and had the THICKEST Italian accent that you barely understood him

One time in their 2nd year, Theo came up to Harry and insulted his nerdy glasses

But Harry simply tilted his head, "Sorry, no espanol."

From that day, it's a strong inside joke between all the Slytherin boys and Theo can never escape it

Harry's unintentional roast made Theo study English 10x times harder than he ever did before

So he's kinda grateful to him in a way but he does wanna get back at him

He's super chill around Harry and the two get along fine and dandy but nothing too special

They both respect each other a lot actually and don't cross any boundaries with each other

Since they're kinda similar actually: quidditch players, pull tons of bitches, decently smart, and "foreign" in some way

Basically: coolest in laws ever

LORENZO BERKSHIRE

Oh my fucking god these two suck each other dicks

The amount of glazing they do for each other is CRAZYYY

When Enzo finds out you're twins with Harry - he's so happy because Harry and Enzo are actually really cool with each other

They both play quidditch together sometimes, play the same games, and they love the same shows

You basically lose your boyfriend... to your brother

Everywhere you two go,,, Harry is invited against your will

Going to watch a movie? Harry and Enzo are gonna share a blanket and leave you in the cold

Going to an arcade? Harry and Enzo will play every single game against each other and even take selfies of their wins

Fuck, even going shopping, the two banter and chat while you try on clothes

One time they got bored of waiting for you to try stuff on so they LEFT YOU and went to go get MATCHING T-SHIRTS???!?!??!?!?!???

Of course,,, you and Enzo do get alone time - some times

But you honestly love seeing how strong Enzo and Harry's bond is because it makes you happy that you picked the perfect boyfriend for your family

It's even better when Harry get his yearly girlfriend (that he will eventually leave heart broken)

So now you can go on double dates!!!

And hopefully the girl that Harry is with is cool, so that way you can also share a strong bond just like Enzo and Harry

But you can't get too attached.... your brother is a man-whore after all... 😞

[taro-pdf]

Humans are Space Orcs: Disability in Aliens and Humans

All language is Universal Interplanetary Language unless otherwise specified. Written like a play.

[Kell, human, in the staff break room of a planet-sized spacecraft where they work as a technician. An alien walks in and jumps. Kell doesn't notice.]

Alien, under their breath: what the fuck since when did we have a human on board?? I thought we employed fynta as security…

[Kell turns around and sees them. They wave. The alien stares. Kell puts down their cup and types something on their watch.]

Kell (text to speech, aka TTS): hey, what's up? can I help you?

Alien, under breath: jfdklas;jdjdfls what am I supposed to say to a human???

Kell (TTS): Kell, human, they/them, I've been on board three orbits and I haven't hurt anyone yet. I you can relax.

Alien: Um, Neka, sateen, he/him. And you relax can as well. Human voices aren't harmful to my species.

Kell (TTS): kind of you to offer, but I don't speak, and I can't hear either. My glasses are transcribing your words for me.

Neka aka alien: Oh neat!

[Kell looks at him in suprise.]

Neka: I mean, a lot of my species is deaf. Our world's pretty loud, and hearing is a recessive gene. My parents sent me up for adoption when they realized I wouldn't be able to do anything on-planet because the noise literally hurts, but at least they did't operate to "fix" me.

Kell (TTS): My parents tried to "fix" my hearing but it didn't work out. I can speak with my hands though. [signs in ASL, then types] like that. It's one of the human sign languages.

Neka: WHAT I speak a sign too! [signs in Sateen] You probably don't know that one, but I can do a bit of Universal Traders' Sign as well. it cool I have something in common with one of the scariest species in galaxy!

Kell (traders' sign): Nice to meet you. I promise not all humans are the fighting machines we are said to be.

Neka (traders'): It's been to long since I spoke anything close to my first language. um... you're the first human i've see off a security team and not holding weapons... can you tell me about like everything about humans? I've heard so much.

Kell (traders'): Of course! A lot of it is exaggerated, but there's always some humans who live up to the stories. Let me tell you about them.

[familyvideostevie]

you have me, you have me only

joel miller x reader you get (minorly) injured on patrol. joel does his best to patch you up and not worry too much. | jackson!joel, hurt/comfort, wound-patching, some blood, a jesse cameo, joel being joel, all that good stuff. | 4.2k a/n: part of the just and just as verse. not too soft but not too angsty, either. just another day after the end of the world, you know? thank you @mrsmando for your eyes on this! <3

___

"Almost there," you mutter. "Fuck."

The icy winter wind dulls the stinging in your palms to a numbness. The leather gloves you've had for half a decade stay tucked in your pockets. You don't want to ruin their lining with dirt and blood.

"How's the head?" 

Jesse pulls up alongside you in a trot. The adrenaline from your patrol-gone-wrong pulses heavy at the top of your spine, your vision sharp and the whole world a little too loud around you as Jackson comes into view at the bottom of the hill. Your head, like the rest of you, throbs.

"I'll live."

He scoffs and his horse snorts as if agreeing with him. In truth, you're more pissed than injured, though it certainly looks like you lost a fight. Jesse's cheekbone will no doubt bloom purple tomorrow and his lip is still bleeding sluggishly. His jeans are splattered with gore, same as yours.

"Thanks for back there," he says.

You shrug and wince when it pulls at the skin of your side where you fell. 

"You, too," you tell him with a grimace. "That was quick thinking with the brick."

You like him -- he's good at his job and he's a good friend to Ellie. You know Tommy and Maria are not-so-subtly training him to run this place someday if he wants to. As a patrol partner, you can't ask for much better. He knows all the routes and he's a good shot and his mom knows everything there is to know about everyone in town and sometimes he passes tidbits on to you.

But knowing your shit doesn't mean a damn thing in this world, sometimes. You can still get ambushed by infected on patrol and it can still fuck up your day.

He waves you off. "I just can't believe an elk chose our station to fucking die in."

"Tommy is going to shit himself when you tell him," you laugh. It pulls at your ribs. God, is there any part of you that didn't take a beating?

"He'll just be pissed he wasn't here."

Your horses reach the bottom of the hill and Jesse hesitates, the green scrap of cloth in his hand. The red one indicating an injured party peeks out from his pocket.

"Are you sure you don't want to go to the clinic?"

"I'm fine," you say firmly. "I can patch up at home."

He eyes the cut on your forehead and your scraped palms but caves under your glare and waves the green flag.

"Joel makes the same face," he mutters. "Ellie does, too. Freaky."

The gates open and you grunt when you get off your horse, palms back to stinging.

"Joel's two expressions are pissed and annoyed," you say. “Not hard to pick one up.” You press the back of your hand to your forehead and it comes back tacky with blood. "Fuck."

"I don't think you'll need a stitch." Jesse holds his hand out for your patrol rifle and pats the neck of your horse. "I'll debrief and get these guys settled. You go home."

Normally, you'd protest. But you really just want to take a hot shower and sleep for twelve hours, so you nod and shoulder your pack carefully.

"Make sure you tell Tommy about beating a stalker to death with a brick," you call over your shoulder. "He'll be impressed."

Jesse laughs.

Snow crunches under your boots on the way home. Fuck, you're exhausted. The adrenaline fades with each step and the aches become sharp pains. There aren't too many people out today on account of the cold but you nod and wave, ignoring the double takes at the blood on your clothes.

It'll be a pain in the ass if you can't patch the ruined knees of your jeans. Maybe you can convince Joel to carve something for the woman down the street who can sew better than anyone in town. Finding new pants is damn near impossible.

You’re practically dragging your feet by the time you reach your house. The mailbox labeled Miller, the wind chimes gently swaying on the porch, all of it puts you at ease. You made it home.

The porch steps groan as you climb them and the front door opens from the inside as you reach the top. Joel steps out, hand still on the knob when he looks up and sees you. His eyes widen.

He was on patrol today, too. You left at the same time but he had a shorter route and must have gotten back a while ago.

"Are you coming to meet me?" you say with a grin that's genuine despite the way your body pulses with pain. He does this sometimes -- milling around the gate, chatting with people on the wall as he waits for you to return. You never really feel like you're home until you see his face.

Joel does not smile back. His eyes rake over you the same way he surveys a room, cataloging all of the important things. The gash on your temple, the rips in your jeans, the way you're favoring your left side. The blood, too -- it's everywhere, you're sure. Palms, knees, collar. Jesse helped you wipe your face before you rode back so that you could see without blood in your eyes, but you must look pretty fucking rough.

"Jesus," he says. His hand twitches like he's going to reach for you. "You okay?"

"I'll be better when I'm not standing out in the cold."

His nostrils flare and he heads back into the house, you on his heels. You dump your pack and sit down heavily on the bench to take off your boots. Joel beats you to it, lowering to one knee with a slight groan, fingers working at your laces.

Normally he'd ask how patrol was, how Jesse did, if you saw anything interesting. Instead, his cheek twitches like he's clenching his jaw so hard it hurts. He unties your double knots with practiced ease and his silence fills the entryway of your house.

In another life, the sight of him on one knee would set your heart aflutter. As it is, you want to run a hand through his hair and smooth the worry lines on his forehead. You know him and this is how he handles it -- he chews on blame that doesn't belong on his shoulders until he can fix it.

"I'm fine," you say softly. You open and close your hands, resting them on your knees. You got most of the gravel out but there's dirt and god knows what else embedded in the tender flesh. Joel pulls off one boot with a firm hand on your calf and then the other before finally looking up at you.

"You wanna explain...this, then?"

His hand waves up in your general direction. There's no tremble in his palm but his brows are furrowed, his shoulders set in that way of his, like he's bracing for bad news. You have a rule about not lying to each other. So if you say you're fine, you're fine. Achey, bloody, and gross, sure. But you made it home in one piece and now you'll let him take care of you and he has to be okay with that.

But you don't mind reassuring him. He worries, and you know the feeling.

You shrug and fail to hide your wince. Joel wraps a hand around your ankle and squeezes lightly.

"I've had worse," you say. "I'll tell you about it if you patch me up."

He softens a little and sighs. It won't do anything to remind him that he can't go back in time and stop you from getting hurt. Joel knows he can't fix everything, can't keep everyone he loves away from harm, can't save the world. Won't, if it comes at the expense of the people in his heart.

But you can give him something to do -- a way to make it better. You could probably bandage your hands and your forehead and the rest on your own but it'll help him just as much as you if he does it.

Life in this world is a constant give and take. You have to be okay with some things, with cuts and bruises and ruined clothes if it means you survived. There's no safety, not anymore.

"Alright, c'mon," he says, standing with a groan. "Upstairs, 'fore you bleed on the furniture."

He holds out a hand for you to stand but you show him your mangled palm. Joel clicks his tongue and grips your forearm gently instead as you rise.

"Gotta clean that," he says.

"That's the plan." You leave your coat and pack behind in a heap and head for the stairs. "A hot shower sounds so fucking good right now."

Joel stops you with a hand on your elbow and you turn on the bottom step. He traces the cut on your forehead with light fingers and you try not to wince.

"Shower," he says.  "I'll patch you up after." His tone leaves no room for argument.

You ghost your fingertips along his jaw and smile at him.

"Yes sir, Mr. Miller, sir."

More tension melts from his shoulders and he rolls his eyes at you. You laugh all the way to the bathroom, even though it hurts a little.

It's been a while since one of you returned from patrol with any sort of injury. Winter means the hoards are sluggish and easy to track and tends to keep groups of people from coming to the valley and making trouble. Today was bad luck and could have been much worse.

You both know how quickly all of the good in your lives can be snatched away. Everyone does.

But you just can't dwell on it. Joel knows it, too, and letting him fuss over you in that way of his will remind him. You're home. You're okay.

You leave the bathroom door cracked as you shower under the gentle spray. Your various injuries sting but you manage to clean the scrapes on your knees and hands and wash the blood from your skin and hair, the water rusty brown as it swirls around the drain. 

Joel knocks when you're almost done and the hinges groan when he steps into the bathroom.

"Leavin' you clothes," he says, voice raised so you hear over the spray. "You okay?"

"Still alive," you call back. "Almost done."

The water starts to turn lukewarm so you switch off the stream and drag back the curtain. Joel is nowhere to be found but he's left you loose shorts so your knees are exposed and a big, faded graphic t-shirt that you brought home for him as a joke last year as well as fresh underwear and warm socks. You gently pat your skin dry with an old and scratchy towel and do your best with your hair before sliding them on. 

Joel knocks again and this time he has the bag with all of your first aid stuff in his hands. The steam from your shower rushes out into your bedroom and you shiver.

He jerks his chin at the counter. "Wanna get up there?"

You haul yourself up with a groan and he stands between your knees, arms crossed and head cocked.

"What're we dealin' with, here?"

You look down at your messy palms and rattle off what hurts.

"Cut on my forehead, bruised rib, probably, fucked up hands and knees, and..." You look up and find Joel running a hand down his face. "That's it."

"You sure?"

You glare at him. He glares back. His eyes drift to your forehead gash.

"Cut could use a stitch." 

He's still tense, you can tell, probably will be until he wakes up tomorrow and you're still next to him in bed. Until the wounds turn to scabs turn to scars. Maybe not even then.

"I think I've had enough cuts over the years to know what needs a stitch."

His eyebrows rise just a little bit, turning his expression from interrogative to exasperated, but he knows better than to tell you to do something when you’ve set your mind against it.

"They're offerin' medical degrees on the Creek Trails, now?"

"Joel."

He holds his hands up in surrender. "Fine," he says. "Let me feel your ribs."

You raise your arms a little and he slides his palms under your shirt and up your torso, pressing gently as he goes. Braless as you are, he brushes the underside of your breast, and your breath hitches. His eyes are soft with quiet amusement but he doesn't tease you.

"Your hands are warm," you murmur. He reaches the place on your side that took the brunt of the impact and you hiss.

"Sorry," he says. "Doin' real good. Deep breath for me." You obey and he withdraws, satisfied.

"Nothin' broken," he says.

"Told you."

He hums and pulls out the precious few disinfectant wipes from your first aid kid. You can get Joel to do a lot of things just by asking, but arguing with him about wasting supplies on you never works. He washes his hands in the sink and glares are you like he knows what you’re thinking.

"Forehead first, then hands, then knees," he says. "Okay?'

You nod, eyes fluttering shut. He grips your face with gentle fingertips to keep you still.

"How was your patrol?" you ask him.

He makes a noise low in his throat that's halfway to being a laugh.

"C'mon," he says. "You don't want to hear about mine. I know you're dyin' to tell me what happened."

The alcohol wipe stings as he swabs at your forehead and you tense. Joel's thumb rubs slow circles at the corner of your mouth and you press your knees into his hips.

Funny how you've had broken bones, been stabbed, shot, pretty much everything over the last twenty years but it's the small stuff that hurts the most. Stubbed toes, sliced fingers, alcohol wipes on shallow wounds. Some things just don't change.

"Okay," you say. "Well, you'll never believe it, but a damn elk decided to die in the station where the logbook is."

You tell him how you and Jesse rode up and saw the blood trail immediately and heard the moans and groans. You kept the horses on the other side of the fence and checked the first floor and the overlook, but the elk had weaseled its way under the collapsed staircase.

It smelled like death, rust and decay heavy in the air. The animal must have died just after the last patrol.

But it wasn't the problem. It was the group of Infected it attracted -- two runners and four stalkers. You have no idea where they came from but, since you were on patrol, the priority was eliminating them. The runners were easier, although one of them was responsible for the gash on your forehead when it managed to push you into the wall. You and Jesse cleared them quickly, one bullet each.

You thought you got all of the stalkers. One of them was munching on the carcass and went down fairly easily with your good aim. Jesse helped you clean your forehead so you both could clear the passage to get to the upper level and sign the logbook. The corpses went over the side of the station into the forest below. The Infected had eaten so much of the elk that it wasn't too heavy, though you both were sweating and dirty by the time you finished.

"Lemme guess," Joel says. You open your eyes as he carefully pulls the wound closed with two butterfly bandages before he gestures for your hand. He holds your wrist gently and tilts your palm side to side, looking for dirt. "There were infected inside the station, too."

"Look at you," you tease. His eyes flick to yours for just a second, intense as always. "It's like you were there."

"Smartass," he grumbles. The disinfectant stings on your palm, too, but you keep talking and keep your gaze on his face.

"Jesse climbed the rope up to the control room first but had to fend off a stalker at the top so he didn't see when another one grabbed my ankle and pulled me down mid-climb, which fucked my hands. The fall is how my rib got bruised and I tore up my knees fending it off."

Joel's cheek twitches. He wraps one of your palms in gauze and turns his attention to the other.

"Fuckin' hate those things."

"Me, too. When I got to the top, finally, Jesse was tugging a pipe from the head of a corpse. There was one more -- it jumped out of that supply room on the side, the one where Ellie found a bong, once, I think. I dodged it but my gun jammed and my hands were bleeding."

"Should've been wearing gloves."

You tap his leg with your foot and ignore him. Not taking your bait about the bong means he’s still pissed. "And then Jesse killed it with a brick."

"I taught him that," Joel grumbles.

He ties off your other palm and as soon as he's done you frame his face. Joel allows it, allows you to stare at him for a few seconds like you're memorizing him. You're telling the story like it was a fun adventure -- and it was. You're plenty capable and he knows it, too.

But you were scared. You don't tell him that right now, instead grounding yourself in the man in front of you. His hands are rough and dangerous to most, but tender and careful to you. The broad, firm line of his shoulders, always braced for the next hit.

The gash on the bridge of his nose, the lines at the corners of his eyes. His beard, greyer every year. You swipe your thumbs along his cheekbones and he sighs.

"Lucky me," you say softly.

You lean in to kiss him, just a light press of your lips to his. His wide palms rest on your bare thighs and he kisses back with a kind of desperate firmness, as if he's proving to himself that you're real. That you're here in front of him, under his hands, in his care.

Joel drags his lips along your cheek.

"Knees," he says.

He steps back and releases your thighs with a squeeze. He treats more of your torn skin, a frown back on his face.

"I do want to hear about your patrol, by the way."

He shrugs. "Not much to tell," he says. "Didn't even get to shoot anythin’.”

You swing your foot back and forth, tapping the side of his thigh with every pass.

"But you had the nice route," you whine. "Tell me what the lake looked like."

"Quit distracting me," he grumbles.

"Like you don't have the steadiest hands in all of Jackson," you say softly.

He snorts. "Are you flirtin' with me?"

"I'm always flirting with you, Joel Miller."

You lied to Jesse earlier -- Joel has hundreds of expressions. He just keeps most of them for you. For Ellie, and Tommy, too. You know every one of them by now.

The look on his face now says he's thinking about kissing you again, maybe just to shut you up.

You grin at him. "Tell me about your patrol, now, seriously. Unless talking and using your hands at the same time is too much for you."

He smirks back. "Think we both know that ain't true."

"Now who's flirting?"

Lazy heat curls in your belly but fatigue stops it from turning into anything. Joel must see that in your eyes because he simply taps your chin with a knuckle and starts talking.

You start to slump as his Texas drawl wraps around you. He tells you how the lake was still, how he and Astrid saw bear tracks but no bear. How he found a tape for Ellie that he's going to give her tomorrow, how he wore his gloves today like you've been telling him to.

Some people might say that Joel is a man of few words. You thought he was the quiet type when you first met him, another stoic survivor in a world that demands hardness of everyone. But not shy, never shy. Just...waiting. Watching.

He and Ellie can shoot the shit for hours -- a dynamic they've fallen back into easily enough since they started spending time together again. He's funny, he's clever, he's annoying as shit when he wants to be.

And Joel is quite the storyteller. If you had to guess you'd say it comes from having to entertain Tommy when they were kids, from getting Sarah into bed on his own over and over. Keeping Ellie occupied, keeping her talking when things were scary and hard and fucking awful.

It's just another way he takes care of people.

"Still with me?" he says. You realize your eyes have closed. When you open them you find Joel looking at you with tenderness and a spark of amusement. The tense line of his shoulders is nowhere to be seen. "All done. Tired?"

"And hungry."

He washes his hands and throws away the various wrappers and blood-stained wipes.

"Sure you're awake enough to eat?" he teases.

You roll your eyes at him. He laughs.

"Joel," you say, catching his elbow. "Thank you."

"C'mon, now."

He looks like he wants to argue with you for saying it but reaches for you instead. He traces the cut on your forehead just like he did at the bottom of the stairs, brow drawn again. You can't tell what he's thinking as he drags his thumb down and around your eye, cupping your cheek fully for just a breath before releasing you and stepping towards the door.

"I'll heat some soup."

Dinner is quick and quiet, your energy sapped from you to the point of exhaustion. Everything aches, despite Joel's thorough care. When he suggests turning in early you don't protest.

He takes longer than you to get ready for bed. You slide under the worn duvet and wait, trying very hard to keep your eyes open. Your bruised ribs throb in time with your heartbeat and when Joel finally turns off the light and gets in bed next to you in his threadbare sleep pants he practically hauls you into his embrace.

You go willingly, tangling your legs and laying your head on the juncture of his neck and shoulder. You press your palm to his chest, fingers threading in the coarse hair. His heart thuds and it grounds you.

"I didn't get any good gossip off Jesse," you whisper. "On account of the whole surprise-infected thing."

He yawns. "S'pose it's a good excuse."

"Can I tell you something else?" you whisper. "A secret?"

Joel hums, lips brushing your temple as his hand snakes up your sleep shirt to press against your lower back.

Even though you know each other down to the bones, some things remain inexplicable. Parts of your pasts that linger in the darkest parts of you, the parts that stay shrouded until the moments like this. You don't have to be brave in the quiet hours of the night, entwined with him as you are. It's the safest place you'll ever be. Safe enough that you can crack open and let Joel in, let those steady and worn hands keep you together.

"I was scared today," you say into his neck. "When the stalker dragged me off the rope. I panicked, I --"

You don't tell him how your initial thought when you hit the ground was of him, how you closed your eyes tight and thought of your name from his mouth, of his smile when you come through the door. The stalker had its bony fingers digging into your ankle and you wondered if you'd ever feel Joel's hands on you again.

Death will come for you sooner or later and when it does it'll be Joel's face that you hold in your mind before it all ends.

But today, you kicked death until its stupid fucking mushroom skull caved in.

Joel presses his lips to your temple. You can feel his heart beating faster, as fast as yours. It's the only thing that betrays his own fear.

Wounds in this life often go deeper than the skin. When Joel comes home with bloody knuckles and shuttered eyes it's one thing to stop the bleeding, to bandage him and get him to eat something. It's another to hold him, to coax out the story, the fear. To follow him downstairs when he has a nightmare, to look for him in every room. It's all part of what you do as partners, as lovers, as people in this world. You take care of each other.

Neither of you can fix a lot of things. But you can ensure the scars heal into something light, something you can barely see.

You can hold each other in the dark.

"Scared me, too," he rasps. A secret for a secret. "Lotta damn blood."

You kiss the underside of his jaw. "Can't get rid of me that easy."

Joel pulls you closer, somehow, mindful of your side.

"Rest, now," he says. "You ain’t goin' anywhere."

It's a command, a promise. You hum your agreement and let sleep drag you under.

thank you for reading <3 reblog, send feedback, general masterlist here!

[sweetestcaptainhughes]

Moments in Time - Quinn Hughes Edition

Word Count - 2300

Summary - The eight times Quinn Hughes showed his love through the ring camera that he didn’t even want in the first place.

Warnings - none pure fluff I know a true shocker if you aren't new here

Author's Note: Hello everyone as always thank you for reading. This is apart of a "Moments in Time" series that I wrote eight moments each of the Hughes brothers. The fics are individual stand alone pieces, they can be read in any order, or you could only read the one brother you want.

Jack Hughes Edition. Luke Hughes Edition.

I have to give credit to my girl Kay @icebound-imagination for not only helping come up with the original idea! But literally stayed up late one night to help me detail plan all three Hughes brothers fics because I didn't want any repeated ideas. Kay also wrote some of the concepts and hers are noted as "Kendra's Version."

Main Masterlist

When you mentioned to Quinn the first time that you wanted to get a ring doorbell he gave you that famous “what the fuck” Quinn Hughes look. But then when you told him about how you really just wanted it in Vancouver because of how much time you spent completely alone in the apartment. To this day, you swear you’ve never heard Quinn agree to anything so fast. Truthfully you just wanted to watch your neighbor’s new puppy growth. But you knew that if there is anyone who hates you having to be completely alone for so long with no family around it’s Quinn. So really it was best of both worlds, Quinn felt more at ease with the ring camera and you got to watch the next door neighbor be ridiculously cute everyday on the way to their walks. 

 Early Morning Goodbyes

Quinn had to leave early many times throughout the season. Although he always kissed you goodbye on the cheek, because you were still deep in sleep you both knew you wouldn’t remember it. Learning this after the first time he did kiss you goodbye before leaving for a roadie and you didn’t remember it at all. To say you were mad at Quinn for not saying goodbye, you gave him the silent treatment for two whole days, only to discover you were the one in the wrong. 

So the next time he had to leave home early due to an early flight for a roadie or hell, even an early morning skate. Of course he still kissed your cheek and whispered his goodbyes. But he started saying bye on the ring because he knew that way you’d see it when you were actually a functionable human being to society and would remember it. 

2. Getting a notification

The main reason that Quinn agreed to getting a ring was because of how you said that you would feel safer when he was on long roadies. The first time that you came home from work and he was on a roadie, he was waiting for the notification to come on his phone. As soon as it popped up he clicked on it quickly, ignoring his teammates and the movie they had playing in the background. “Hi baby.” he said softly he didn’t wanna startle you. After a long day all you wanted to do was crawl into bed, “hi Quinny” immediately hearing his voice and feeling better. 

“What are you doing? Aren’t you supposed to be doing some team bonding?” Resting your forehead against your doorbell but looking directly at the camera.

“Oh I am Barbie is playing right now it was Brock’s turn to pick.” A soft laugh leaves both your lips at Quinn’s comment, your laugh continues when you hear Brock in the background telling him to “fuck off.” Quickly Quinn tells you that he’s gotta go but he will text you. 

That was the first night you guys had a full blown conversation through your ring camera when he was on a roadie. But it became a little tradition every night when you got home if Quinn was out of town. Even if at the time he was in the middle of a game or an interview, everyday you would ring the doorbell and say “Quinny I’m home.”  

3. Drop the attitude 

Quinn and you didn’t fight often but when you did it was usually something serious. Today was not one of those cases, it was just one of those days where you were in a bad mood all day and you couldn’t pin point why. But every little thing Quinn was doing was getting on your nerves, to the point of you wanting to scream. From procrastinating on unloading the dishwasher, to being indecisive about what he wanted for breakfast. By the time you were trying to take a nap and he was yelling on Facetime with Jack and Luke you had hit your breaking point. 

Storming into the living room and telling Quinn that he needed to leave the apartment because you needed time alone before you went insane. Quinn told his brothers he’d call them back and hung up. He tried to ask you what was wrong but you insisted that you needed him to leave. So he left but not without leaving a message on the ring camera. 

“I don’t know where this attitude is coming from, baby. But what do you need for it to go away? Like do we need food? Are you hangry? Do you need cuddles and some quiet time? Cause whatever you need imma give it to you if you drop the attitude. Cause I don’t like when you want to kill me.” 

4. Celebrating 

Every home game that you went to it wasn’t unusual for you to uber from the apartment to the stadium. But you would always wait until Quinn was ready to leave to go home to the game. Tonight there was a home game and you were planning on going. But this week has been so long at work, you were debating on just watching it on T.V, ultimately you did decide to take an uber to the game. Never have you been so happy to not miss out on a game live. It was an insane game that turned out to be a shutout with no other than baby goalie as starter. 

Quinn and you both decided to go to the local bar to celebrate with the team and other wags. After Quinn had 2 beers, and you lost track of the amount of rum and cokes Petey was giving you. Quinn decided it was time to call it a night. Once you got home, your not sure if it was the alcohol you both consumed or just still on a high from the game. But Quinn insisted on practically sprinting down the hallway to your apartment while you cheered about the game. Quinn has never felt so lucky the night when the ring camera was able to catch such an intimate private moment that neither of you would have remembered that morning without the video proof. 

5. Playing pranks - Kendra’s Version 

You had just settled onto the couch, a warm bowl of popcorn balanced in your lap as your phone screen lit up. You picked it up and checked to see you had a notification from the front door’s security camera. It was Friday night, which meant you weren’t getting any deliveries and your husband, Quinn, was home in the shower. 

Curiously you click into the app, seeing what the footage showed. And it wasn’t much. But what you could see was some blonde hair and a toque. You knew exactly who that hair and that hat belonged to. What on earth was he doing? 

Your finger hovered over the screen as you decided what to do about your husband’s teammate when the camera showed a flash of a stylish jacket, one that was definitely not the style of the blond hair and toque wearing teammate. Which meant his literal partner in crime was with him. And then it was like someone smashed their finger onto a fast forward button. 

You were getting ready to use the two way microphone to ask what was going on when you heard a crashing noise. Your finger hit the button quickly as you yelled out “What on earth are you two blond himbos doing out there? Brock I swear to god if you’re leaving your laundry for me to do again I’m throwing it in the Pacific!” 

You were too busy screaming to notice you weren’t the only one who heard the ruckus Dumb and Dumber had made. Quinn must have seen the security notification when he got out of the shower, heard your screaming, and now he was angrily stomping towards the front door and opening it up to figure out what was going on.

Brock, who must have tried to hide from the camera, was leaning against the door. Except the door was ripped open by your angry husband and Brock came tumbling backwards into the foyer. His signature smirk and deep voice trying to play innocent. “Hey Huggy.” 

You decided it was time to get off the couch and look for yourself. As you pushed past Quinn and Brock you leaned against the door frame. This was when you noticed the white stuff all over and that Petey was doubled over in laughter.

This left Brock to be the one to fess up their master plan, “Well we figured it would be Quinn that would see the camera not you. He’s ALWAYS checking it in the locker room. After me and the Swede had too many tonight we wanted to have some fun. And what’s more fun than pranking the captain? We wanted him to open the door to pie him. Get glitter stuck in his playoff beard. You weren’t supposed to catch us, Y/N.” 

You looked back at Petey, now understanding why he was sparkling under your porch lights.

“Sorry about the plant,” he wheezed. 

You could feel Quinn’s glare get darker. Brock however was unaffected by the quiet brooding man. “Petey will pay for it because he makes more money.” 

6. “Where the fuck you going in that dress?”

Quinn wasn’t as overprotective over you as people assumed he would be with his girlfriend. He trusted you and he also knew that you knew how to keep yourself safe when you were out with friends for a girls night. But at the same time he didn’t like it when you went out when he was on a roadie. Quinn made the comment about how when he’s a plane ride away it gives him anxiety when you're out with friends drinking. He said that he would feel terrible if something bad happened or even if you needed a ride home and he couldn’t come to you because he was on the other side of the continent. Since you weren’t a big partier anyway, from that night on you did tend to only go out if Quinn was in town. Never wanting to be the reason you brought your boyfriend to the breaking point with his anxiety. 

But it was your best friend having her birthday and you couldn’t not go. It had completely slipped your mind about your new ring camera and how Quinn was basically addicted to checking it especially when he was on the road. After coming over to get ready at your place. Finally you were ready to order the uber and as you were locking the door, you heard Quinn’s voice “Where the hell are going in that dress?” You could tell from his voice that he was definitely a little annoyed. It was probably because he knew even from the shitty ring camera quality that this was your go to clubbing dress. 

“Hi bubs. It’s Y/B/F birthday tonight.I know your out on a roadie which is why I didn’t tell you.” You said as you bent down so that your face was lined up with the camera. “I am realizing now that wasn’t my smartest idea. I promise I won’t be out long okay? I’ll text you as soon as I get home, Quinny.” Quinn could hear the guilt in your voice and it made his heart break a little. 

“It’s okay baby girl. Just be safe okay. I love you. Also your making me miss you even more cause you look really really fucking beautiful in that dress.” As much as you tried to hide your blush you knew that you were failing miserably. 

“Thanks Quinn. I love you.” as you stood up and blew a kiss to the camera.

7. Fidgety Hughes 

Sometimes Quinn’s fidgeting was out of this world insane even for him. Whether it was that he sometimes let himself get lost in his head and didn’t realize how bad it had gotten. Or if shaking his leg or tapping his fingers on thighs calmed his anxiety. But sometimes his fidgeting was just adorable and this was no difference. Quinn was trying to unlock the door but his hands kept fidgeting probably due to the rough practice or maybe it was just from being tired. But after dropping his keys the fourth time you couldn’t help but chirp him through the camera. 

“I hope you can handle a puck better than those keys Hughes.” Quinn couldn’t help but smile at your voice through the camera.

“Oh I can name a lot of things you tell me all the time I handle better than these keys.” playing along with your antics but with a flirty tone. But then of course he dropped his keys on the floor for the fifth time. 

“Come on get it together bro.” you chirp.

“Don’t be such a brat, unless you need a reminder of who you beg to help you when you have an itch.” 

8. Long Week

Quinn knows that you’ve had a long week and been very stressed because of it. So he stops at the store on his way home and grabs all your favorite snacks that he knows you will want later when you come home from work. He decides to ring the camera to tell you that he got all your favorite snacks and will be ready when you get home for a movie night or whatever you want. Even if it’s The Office which he never even saw a single episode until he met you and you forced him to. He also tells you that he already placed an order to your favorite restaurant for takeout.

[callmearcturus]

The vinyl comes with... this. This is not the lyrics to the songs. I'm gonna transcribe it, because I think the first time you listen should be with this.

You are about to listen to an album by the Glass Animals. You don't always listen to albums from beginning to end, but maybe you will this time. It was written for you. (Linear Notes by Gabrielle Zevin)

SHOW PONY

You are a child. Before you were a child, your parents were children. Most origin stories begin with love, and yours is no different. Once upon a time, two people fell in love, and then it ended. It's the first love story you were every told, and it teaches you the one certainty in life is that all things end. From this point forward, you are not a romantic. They call you the cynic, and to protect yourself, you take on many forms.

WHATTHEHELLISHAPPENING

You are kidnapped. You are in the trunk of a moving car, fetal position, darkness, screech of the tires against the road, the scent of gasoline. You don't know how you got there, but it isn't the worst place you have ever found yourself, and in a way, it feels inevitable. You know you could die, so you find yourself thinking about all the people you have ever loved. The trunk is like a womb. You could live here forever but eventually you'd get lonely. Your relentless need for company is your hamarita.

CREATURES IN HEAVEN

You are a psychic. You ask your lover if they want to know the hour and the day that the two of your will part. They laugh at you, and they say they don't believe in psychics. You suspect that their failure to believe in your gift might be the problem that leads to the demise of your relationship. But who cares? This relationship ends in three months, and you may as well enjoy it. Evanescence can sometimes be a profound pleasure.

WONDERFUL NOTHING

You are a prizefighter who is in love with a boxer. You say, "It's a bad idea." (JAB, JAB, CROSS.) And the boxer says, "It's only a bad idea if it gets in the way of our work." (SLIP.) And you say, "Promise me you'll never pull any punches." (CROSS. CROSS. HOOK.) The boxer swears they won't. (SLIP. JAB.) But when you fight, the boxer always pulls their punches, and you never do. You're pretty sure this makes you a bad person. You're a prizefighter, and you do not love this boxer or anyone enough to pull punches. (JAB. CROSS. HOOK.) Just before throwing the knockout punch, you whisper, "I love you so fucking much."

A TEAR IN SPACE

You are a sock. You are an earplug. You are a miniature glass horse. You are easy to misplace. You are you, so you think you matter. You are nothing. No one even notices when you left the party.

I CAN'T MAKE YOU FALL IN LOVE AGAIN

You are an astrophysicist. You believe you can use sound waves to control time and space. A song is a time machine, you tell your colleagues. If you sing the right song, you could transport the lover to a particular time and place. You could reverse time, and if you could reverse time, you could make them love you again. Your belief in science occasionally makes you pathetic.

HOW I LEARNED TO LOVE THE BOMB

You are a damsel, and you are in love with a monster. You're not sure how it happened. You'd been warned about such creatures by the fairy tales of your youth. But in bedtime stories, the monster always presented as monster. The beast was hirsute, the vampire had fangs, the wolf in your grandmother's clothing was clearly not your grandmother. But your monster is clean cut and has good teeth. They knock at the door. You invite them in, and just like that, you are fucking a monster. You should be upset about it, but you aren't. The thing they don't tell you about monsters is that they are sexy as hell.

WHITE ROSES

You are Proteus. You are a god and you can change forms when the situation calls for it. This is hand for work, but difficult when it comes to relationships. You have occasionally been guilty of taking a form that you knew would make you lovable to some unsuspecting mortal. But it always ends the same way. A terrible row at an inconvenient time-- say, just before you're about to leave for the airport-- and then, you're forced to reveal yourself. You don't always mean to change forms, but it's second nation for you to shift a bit here and there-- pretend you like a certain band, express an enthusiasm for sport. Are you shapeshifting, or are you concealing yourself, and is there a difference in the end? Still, you love making people fall in love with you. Every time you do it, you promise you'll never do it again. And they you do it again.

ON THE RUN

You are an escape artist. You are handcuffed, straitjacketed, loaded into a zipped and padlocked duffle bag, wrapped in chains, tossed into the bottom of the ocean. It is billed as "The Greatest Escape of the Greatest Escape Artist, and the Culmination of a Career of Death-Defying Acts!"

The spectators on the pier anticipate your deliverance. They are sure you'll surface because you always surface. They aren't fearful; they are waiting to be dazzled. What they cannot know is how bored you are of dazzling.

You exit the bag, careful to take the props of your confinement so there will be no remains. You swim to another, distant pier. You don't see the people on the pier cry. You don't read your obituary. It's no longer your concern.

A week later, you are homesick, and you concede that your plan has failed. You miss the people on the pier and your cat and your bed and your favorite restaurant and your wristwatch. You don't remember what problems your faked death was going to solve so you can't say if it solved them.

The greatest power in the universe is nostalgia, and it that's true, maybe the people on the pier will forgive you. maybe you could come back from the dead. Now wouldn't that be the greatest escape ever?

LOST IN THE OCEAN

Who are you, anyway?

Why are so many songs addressed to you?

It's simple, you think. The songs are for you because I love you so fucking much, and when you say you, you mean all the yours: the parents and the child, the damsel and the monster, the escape artist and the crowd on the pier, the sock and the one who forgets the sock, the prizefighter and the boxer, and the world that contains all these people. You are all the lovers you failed, and all the ones who failed you. You are the lovers you haven't yet encountered-- there will be many because this world is filled with people to love. You are the singer, and you are the song. And you conclude that the only way to resist the ephemerality of all things is by singing love songs to you, whoever you are, wherever you are in the universe.

[stevieschrodinger]

I do not have time to write this, but I really need to write it down.

All the events of Stranger things happen as normal - one crucial difference, Eddie gets involved, but not in the same way. He's an innocent by stander who never made friends with the kids. He's a vague background character to the action. He's an extra on set, effectively, and when he drops out of school and leaves town abruptly, someone might notice, but no one really questions it.

Years later, the only thing that feels real about the whole thing are the scars Steve still carries on his body. Sometimes, sometimes, he has to call Robin, just to check it was all real. That he hasn't lost his mind. He still flinches when a light flickers, to this day his ears ring for hours after a loud noise. He has headaches.

The only people he can talk to about it are Robin and the kids; but he feels bad. The kids aren't kids anymore, and they all seem to have just...gotten on with their lives. Seemed to have grown and evolved past it all, even though Steve regularly still wakes in the night, sweating and fighting with his bed covers. He doesn't put that on them, he sounds happy on the phone, and he is, loves hearing about their lives, their relationships, their plans and their own kids.

Robin has a girlfriend, she's happy and settled. Steve's the only one who seems...stuck. Like he cant move past it. He bums around. Stays with Nancy for a while, then Robin. Visits Argyle, makes loose acquaintances and sofa surfs. Drifts, aimlessly, through life.

It's about time in his cycle to visit Robin, but the relationship is serious this time and she nags him to find his own place to stay near by - loosing patience with him when he fails to be motivated and finding it for him herself. It's tiny, the kind of place where the bed is also the couch and the TV rests on a short run of kitchen counter because there's no where else. Feels okay though.

Steve gets a job. Spends a day on foot, door to door, walking through town; lands in a record shop of all places, even though CD's have now well and truly taken hold and vinyl isn't much of a thing. It's dark inside, the walls painted black, the bare brick red. A couple of people browse through, but Steve heads right for the counter.

There's some screamo rock stuff playing that Steve doesn't recognize, but it's quiet, so it's okay.

Behind the counter, someone Steve half recognizes from another life. Eddie Munson, Freak of Hawkins High. What are the odds.

Eddie isn't who Steve remembers. He's angry now. Bitter. Has a horrible scar that creeps up his neck and onto his face, pulling the corner of his lip down. Steve does his best to ignore it. Begs for work.

Eddie employs him, but only because he thinks it's fucking funny how far the king has fallen. Now the king works for the jester.

Steve does his best at the shop. Cleans a lot. Gets on well with the customers, charms plenty of sales.

Eddie walks with a cane and seems to hate everyone and everything; but nothing so much as a cold morning. Seems to be in more pain than usual.

Steve wants to ask, Eddie tells him it was an animal attack. In 86.

Steve's seen some of the scars by now, caught glimpses of how bad Eddie was hurt; helped Eddie even when Eddie was spitting angry about accepting any help.

What the fuck kind of animal could do that much damage in Hawkins?

You wouldn't believe me if I told you.

And Steve puts it together then, instantly and viscerally realizes in his bones what must have happened. No one ever believed Eddie. Why would they? How could anyone think that monsters coming out of the walls, out of the floors, out of glowing red portals could be the truth?

And Steve says, did it's face peel apart like a flower?

And then he tells Eddie. He tells Eddie everything. He shows Eddie his own scars. Tells him about every monster they ever come across. It was one of the demo dogs. Like Dart. Steve knew it must have been, but Eddie confirms with a description.

And then Eddie cries, because he finally has a explanation. He's not crazy. For the first time in his life, someone believes him.

[darylbae]

daryl headcannons for when someone is the reason u get hurt

𝐝𝐚𝐫𝐲𝐥 𝐬𝐞𝐞𝐢𝐧𝐠 𝐲𝐨𝐮 𝐠𝐞𝐭 𝐡𝐮𝐫𝐭 𝐡𝐞𝐚𝐝𝐜𝐚𝐧𝐨𝐧𝐬 🩰

it would more than likely happen on a run, a run of which you weren't so eager to go on. daryl didn't protest you going on runs, he knew you could hold your own, but he knew how much you'd rather stay inside the walls of alexandria. so when you'd been forced away, scavenging for who-knows-what, you'd inevitably run into some walkers. you'd plunged your knife into the skull of one, the commotion had you surrounded by walkers, but you'd successfully fought them off and found some high ground. taking a breather and cursing whoever forced you out today, you clutched the knife to your chest before crawling back down to find the rest of the group. jeremy, a newcomer to alexandria, had accompanied you and a few others today, and had the wise idea to just make a run for it. which you had no choice but to indulge in, because you couldn't split up. a small horde had come stumbling over, and jeremy had clearly panicked, he hadn't found his feet as a fighter yet. he'd backed up, into you, knocking you off your feet and shoving you into two walkers, which you'd quickly dealt with. however you were fairly certain you'd landed on your weapon, the blade digging into your thigh. "holy shit," rosita gasped, leaning down to support you as you got to your feet, "we need to get back, don't take the knife out." "i'm so sorry," jeremy apologised, but you were too focused on your breathing to notice him. it was a long stumble back to alexandria, and you'd had to rely on rosita and laura to carry most of your weight. you were growing paler by the minute, and you felt nauseous. you'd collapsed onto one of the infirmary beds and let out a big huff. "what the hell happened?" you heard, the sweet, gruff sound of your man barging in and taking your hand. "what happened, sweetie? talk to me." his voice was softer with you, and only you. "stupid mistake. i landed on my knife." you mumbled, but your voice was too quiet for anyone to make out what you were saying. "no, this asshole pushed her into walkers." laura exclaimed, and you were too tired to fight this fight. daryl had grabbed jeremy's collar, face scrunched up in rage. "the fuck did you do that for?" rosita tried pulling daryl off, but everyone knew what he was like when it came to you. "you hurt my girl, huh? you think you can just get away with that shit?" "i'm sorry, man. i didn't mean to." daryl let go, forgetting everyone else in the room and standing beside your bed. he had a hold of your hand, whilst the knife was being pulled out. "it's okay, sweetie. i got you." you'd passed out, everyone had cleared out a while ago, but daryl remained at your bedside. you weren't out for long, just sleeping off exhaustion and pain. and daryl just watched as you slept. he loved seeing the slight pout on your lips as you slept, the occasional moan as you stirred, he could watch you like his favourite movie. "hey." you croaked, reaching for the water at your bedside but daryl beat you to it. as long as he was round, you wouldn't lift a finger. "hey," he mumbled back, "how you feeling?" "like i just got stabbed. but i handled it." you smiled proudly, and daryl couldn't help but grin, pinching your chin softly. "you fought off the walkers, huh?"

"oh, you should've seen me out there. i fought off four, took some high ground, then jeremy pushed me into two more, but i got them both just as i landed on my knife." "that's my girl." you smiled, the feeling of his calloused hands holding your cheeks, drinking in every drop of you there was to offer. "so glad you're okay." he whispered, his thumbs swiping under your eyes. "hey, you aren't getting rid of me unfortunately. i still have yet to find some rings for us." you'd been together for a while, but daryl knew. you were it for him, the world had ended but he'd found you, there was nobody else he wanted to survive with. "well we gotta keep looking then, get some sleep." he instructed you, patting your head and folding his arms. little did you know, he'd found some rings just over a week ago, he wanted to keep you distracted in search for some rings whilst he planned his own way to propose. you knew you were going to marry daryl, but he wanted there to be an element of surprise, he wanted to catch you off guard and maybe get a few tears out of you. he wanted to find the perfect time to make you his. and after seeing you hurt today, he wanted you to be his wife now, as soon as possible, to prove his devotion to you in a time where you weren't sure if you'd live to see tomorrow.

[gallusrostromegalus]

Secret tunnels: who built them, and who uses them?

So there aren't "Secret" tunnels in the Seireitei.

There are "These are SUPPOSED to be secret tunnels to evacuate the nobles and central 46 in an emergency but you have a better chance of keeping a fart secret in an elevator than you do of any kind of construction project in Seireitei" tunnels.

There are "Well we definitely built this for a reason but it's been eight fucking centuries and fuck if anyone alive remembers what the hell it's for" tunnels.

There are even quite a few "this tunnel is a secret because it wasn't *built* by anyone, it's the by-product of centuries of dubious infrastructure and construction shortcuts and no small amount of subsidence. This is just a gap waiting to collapse, but sure. You can try your luck" tunnels.

---

If there was ever a Master of these Sort-of-Secret tunnels, it was the 5th captain of the 11th division, Tokagero Kenpachi.

Certainly, Unohana and the fourth division collectively are the lords of the undercity now, but Unohana is a busy woman with lots to do topside. So in 1438, she Very Generously allowed the 11th to maintain the sewers and underground infrastructure while she figured out vaccines.

Tokagero regarded this as very kind of Unohana, because Tokagero was a water monitor of gargantuan scale, and regarded the dark and twisting undercity as her natural habitat. Which it may well have been, because that's certainly a space where an already large lizard might be exposed to Kido Corps magical waste or other Suspect Substances and grow to be large enough to swallow the fourth Kenpachi whole and assume his title.

Tokagero and the 11th had many a fine hunt in the undercity, after hollows that had escaped from noble-backed Bloodsports, to fugitives, to other strange creatures of the urban abyss, including a worrisomely large koi fish that Tokagero decided to grant dominion over the undercity's waterways as one Supernatural Beast to another. There was some wagging of tongues that Tokagero was backing out of a fight with Daikoi, but that was quickly silences by Tokagero flicking her own tongue and reminding everyone that she never packed provisions for these trips.

One day however, Tokagero discovered something bizarre.

Ice.

She'd been on the hunt of an escaped war criminal when she found him in an odd corner of the sewers with a very large hole where his head used to be, as if shot with an incredibly powerful projectile.

Weird.

She thought she felt a crackle of reiatsu before, but this was unlike any Kido spells she knew, and her quarry was not the type to do himself in.

Weirder still was the frigid patch of ice smeared against part of the floor an wall beside him. This bastard had no proclivity for Kido and did not carry an ice-type weapon, so where had it come from?

---

"Youre back early." Jugram frowned at Lille Barro as he came in from the unusually intense blizzard outside castle silbern.

"Sewers 're haunted." Barro grunted, hefting his massive gun off his shoulder.

"Pardon?" Jugram blinked.

"Sewers 're haunted." Barro repeated, rolling his eye. "The sewers near the primary spy portals are PACKED with shinigami on the hunt for something- one of them nearly ran into me. So patrols will have to wait."

"Ah." Jugram nodded. "...coffee?" The second-in-cmand offered Barro, for lack of anything sensible to say.

"Hm?" Barro blinked, looking up from hanging up his strange hat. "Oh, yes. Please. Sorry, it's been a while since an enemy got that close and it's unnerved me. I keep feeling like I've forgotten something..."

"Just so long as you didn't leave the portal open." Jugram teased, confident in his commrade's competence.

[withahappyrefrain]

I ALMOST MISSED THIS?!

“You’re a sweetheart” “Believe me, I’m really not” + Jake Seresin pls? 🥰

FE YES THIS IS SO HIM also would you like a little Jake and Venus AU? We got some language and sub!Jake here aka my favorite

Jake Seresin had a routine.

Step one, find who he wanted to talk to have for the night. Not someone who was clinging to the corner (they were for Bob), but also not the life of the party. He didn't like to share.

Step two, make eye contact. Sometimes Jake would be able to make it happen with the power of his lustful stare. Sometimes it meant playing pool at a different table or going up to the bar.

Tonight it meant going up to the bar, to order his drink loudly, ramping up his accent and 'yes m'am's to Penny. He didn't mind, he loved the spotlight.

Once eye contact was made, he could move on to step three. Bring her a drink.

He noticed she had ordered a gin and tonic at the bar. Jake practically strutted to her table, feeling confident that he would be walking out of here with the woman of the night in less than an hour.

"Howdy darlin'. I've always been told a lady should never have an empty glass. May I?" Jake pointed to her first drink, which was nearly empty.

She pursed her red painted lips together, looking Jake up and down, as if deciding whether he should be allowed to stay. At least, that's how Jake felt under her strong gaze. He tried not to falter, fighting the urge to close his free hand into a fist.

Finally, she spoke. Her voice was seductive, dripping with honey like a trap to lure Jake in.

"Aren't you a sweetheart?" Her coy smile gave Jake the confidence to sit down at her table. Though, he couldn't help but chuckle at her words.

"Believe me doll, I'm really not," it was said with a wink as he handed her the drink.

"Oh, I think you are," she winked back, causing Jake's heart to skip a beat, "However, I'm not a doll."

"Then what shall I call you? I was also thinking Goddess," Jake smirked.

She playfully rolled her eyes, "Sorry to break it to ya, but you aren't the first to call me that. My name actually means Venus."

Venus. How fitting, with her full lips and big eyes and hair full of curls. Jake couldn't think of a better name. If she was Venus, he would be her Mars, her fiery, passionate lover.

Just for tonight.

"I'm Jake," he stuck his hand out. He was a gentleman, after all.

She hesitated, just long enough to see his large hand begin to tremble before taking it.

Her skin was soft, though her grip was firm. She never broke eye contact, holding her own. This woman, this goddess, was different, confident. Jake couldn't help but wonder why she wasn't out on the dance floor or talking to other pilots.

"So Venus, what brings you here? Other than faith," He asked with a charming smile.

"Work was hell and my coworkers kept saying I should go here to blow off some steam," she shrugged, "I'm just looking for a sweet man."

Jake leaned back in his chair. Her words didn't match her mischievous tone. And there was that word again, sweet.

Sweet was not what anyone had ever used to describe him. Hot, charming, driven, successful. But never sweet.

"Well Venus," he shrugged as he looked up at her, "I don't know if I can offer you that. But what I can offer is a night you'll never forget."

"Shouldn't sell yourself short, Lieutenant," she giggled before taking another sip of her cocktail, "But why don't we just see where the night takes us?"

Jake expected the night to end one of two ways; either on top of her or going home with someone else.

What he didn't expect was to be underneath her in his car, her manicured fingers stroking his cock as he whined into her neck.

"That's it," She encouraged, "You deserve it. Been so fucking sweet to me."

Jake groaned, not caring if the whole bar heard him. He continued mouthing at her breasts, not caring about the tank top she had on.

"Made me cum with your fingers, let me get off on your thigh," She admired the stain he now had on his khaki pants, "What will your teammates think Lieutenant?"

"Don't....Fuckin' care," Jake gritted between his teeth, hips jerking up towards her.

"I knew you were a sweetheart. Makes up for your ugly as sin car," Venus chuckled.

Jake didn't care about her comment on his car. Truth be told, he didn't care too much about whether he came or not.

Truth was, he was too busy thinking of what engagement ring to get his Venus.