#anyone pls enjoy

[stiffyck]

I should be allowed to get a "skip pointless and stupidly forced romance" button in everything I watch ever

[tapeworrmart]

Red Dead Revenge (low honor Arthur)

[pigeonstab]

@wickjump your Crepic M'am. I'll let you come up with what they're saying..

[doctorwhommm]

got silly with this one ◡̈

[seiwas]

sellllllll it's meeeeee. hehehehehehehehehhehe

so for ur writing exercises.... deku + light? please? pretty please?

:3c

heheh heheh hehe niku. this will be the death of me. me writing izuku for the first time 🥲 i will only do this for you </3

contains: established relationship, spoilers for the end of the manga, aged up deku but sometime in between the final outcome (he doesn't get the h*** s*** from bakugo yet), mentions of sex and scars

deku + light

izuku only sleeps with the lights off.

it isn't uncommon; many people you know can't sleep with even just a sliver of light turned on somewhere in the room. but the difference with izuku, you learn, is not that he's unable to stand the light―it's that he refuses to.

you quickly pick up on it the first few times he sleeps over.

he fidgets in bed, pretty badly, actually. the nightlight you sleep with glows a warm yellow, illuminating the side of your face and coating him in its afterglow. you chalk it up to nerves, how he pulls at his sleeves and adjusts his position constantly; he is, after all, one of the most anxious people you know.

and this relationship―it's new. heck, even you feel a little jittery with his arm wrapped around you.

the rhythmic tapping on your hip only increases pace. you don't think he realizes it, so your hand gently reaches for his, intertwining your fingers as you turn around in his arms.

he's close, nearly touching you nose-to-nose; the proximity leaves you fuzzy, a little ticklish, so you giggle, a soft "oops," as the freckles dusting his face almost glisten under the warm light.

"hi," you whisper, meeting his eyes; they stare back at you wide in surprise, "can't sleep?"

he looks almost guilty at your question, as if you’ve caught him with the one thing he's been trying to keep from you.

"just—" his voice comes out louder than intended, prompting him to chuckle nervously as he readjusts his volume, "just winding down, sorry."

you inch closer, nuzzling his nose lightly, "it's okay."

"did i wake you?" he asks, cheeks flushing pink as his eyebrows furrow in immediate concern. his expression is something caught between stifling a grin and feeling sorry.

you shake your head against the pillow you share, strands of your hair tangling with his. "just winding down," you tease, watching as his gaze turns softer, eyelids drooping heavier.

sometimes, you think, izuku holds the world in his eyes―a deep, dark green, the color of life. most times, they look at you with wonderment, bright and alive; photos from inko tell you they're the eyes of his inner child.

on nights like this one, however, they hide a depth in them weighted by what you can only assume is time, and all that has happened to him in such a short span of it.

you try your best to understand what lies beneath them, knowing full well he'll never tell you outright what truly bothers him.

"is it the light?" you bring up, some time after laying in silence.

"hm?" he clarifies.

"do you have a hard time sleeping with the nightlight?"

his eyes widen briefly once more, as if shocked that you've caught him again. these split second reactions are ones you've learned to be attentive to when it comes to izuku.

"no," he tries to lie, but you know better as you turn to your nightstand and reach for its switch, "you don't–"

"it was hurting my eyes," you quickly make up an excuse, tucking yourself closer under his chin as you cut off his attempt to deny it again.

finding out that the light was the problem was the easy part—

you'd begun to notice much earlier on that izuku was barely rested on the nights he'd spend at your place. it was only when your old nightlight broke that you began to notice him waking up much later than you did, groggily rousing from a deep sleep.

—what was hard, was figuring out why.

at first, you suspected it was his scars.

"s-sorry, it's not—" he'd warned you, right as your hands gripped the hem of his shirt the first time you were about to have sex, "—it's not nice."

you didn't care though; you still don't care, and you've made that abundantly clear to him since. you love izuku and all his parts―all the nicks and jaggedy pieces of skin that make up who he is.

when you eventually ask him about it, with a request that he be honest with you for once, he tells you that it is and it isn't―the reason why he exclusively sleeps with the lights off, that is.

it's an odd, comforting relationship he has with his body—that he is simultaneously grateful and sorry for how its become a canvas, both painted and marred to symbolize japan’s historic last stand.

you find out the real reason when you catch him staring at his hands.

he does it often, when he thinks you aren't looking—his fists bunched up in the same way he used to watch the power of one for all course through his fingertips; the same way he used to prepare them in battle.

there’s a faraway look in his eyes that lingers, you notice—a little wistful if anything.

“do you miss it?” you finally ask. he gives you the same shocked look he does every time, as if he’s been caught with a secret he’s been trying to hide.

he’s learned a fair bit about you now, too, though—lying to you is futile when you’ve perfected reading his truth. he stares at his fists again as you take a seat beside him, moving to give you space. you rest your head on his shoulder gently, waiting.

“sometimes,” he admits, but you know it’s an understatement.

“i think about the vestiges a lot. i miss them the most, i think,” he continues, clenching his fists tightly, “i always try to reach out to them, but i guess it doesn’t work that way.”

“i… i try to replicate the right conditions every night, but…” then he lets go, stretching his fingers out wide. the scars on the surface ripple through his skin, telling its own story.

you hum, acknowledging what he means. silence sits with the two of you as you take his hand in yours, slowly unfurling his fingers until his palm reveals itself to you. it’s rough to the touch, seasoned with hard work and all that he’s been through.

“is that why you prefer the dark?” you ask softly, after some time.

it's not often that you stay up later than izuku does. when you do though, you catch him shifting in bed, moving from side-to-side. you pretend you aren't awake, but you hear him mumble their names, dwindling in volume as he dozes off to sleep.

he stares at his palm for a moment before he admits quietly, "yeah." his brows furrow as if contemplating whether to say more, but he shakes his head, dark green strands swaying to the beat of his embarrassed chuckle, "nevermind, it's silly."

"it's not."

you intertwine your fingers, sandwiching his hand between yours. a slight sheen glosses over his eyes as he tilts his head up to look at you. he draws in a breath, before it spills over.

"it's..." he finds the words, and you squeeze his hand in comfort, "it's easier to believe it was all real when the lights are out, and that maybe it can happen again."

[luck-of-the-drawings]

EDYN TIDESTRIDER, CHALLENGER OF THE UNDERSEA, RIVAL OF THE DEEP. WHAT WOULD YOU DO IF YOUR BROTHER WAS CHOSEN TO BE A WEAPON OF THE GODS? HOW WILL YOU UNDO WHAT THEY HAVE DONE TO HIM?

[sunflowers-and-scales]

TRICK OR TREAT THING IS SO CUTEEEE

trick or treat !! 🍭🍭🍭🎃🎃

ohhh yeah so u got me! do i owe u a gold star or smth now i forgor…

i drew you uendo. anyways here is he. and she. and the other ones.

[dreamingumbrellas]

why tua s1 is a masterpiece and 2-4 give me a migraine

i gotta use my english degree for something so lets talk about it

i’d like to note beforehand, that i’ve only seen about half of season 4. but given everything i’ve heard about it, i’ve decided to avoid watching it for my own mental wellbeing. i really haven’t enjoyed the last three seasons much, mostly i’ve been dredging through because of how much i love season 1. it feels painfully like seasons 1 and seasons 2-4 are for completely different fucking shows–particularly in tone.

i think tua season 1 attracted attention to its unique themes that are lost in the rest of the series. the primary themes are of trauma and dysfunctional family dynamics. it’s a story about seven severely abused siblings learning to cope with their trauma and reconnect as adults. season 1’s tone is somber. it shows us glimpses of the characters’ childhoods, and how it affects them in their adult lives. the characters in season 1 were, most importantly, flawed! they were assholes, because trauma turns people into assholes sometimes! 

you can directly trace back the siblings’ character flaws to the shit reggie put them through. Luther was the golden boy, which put too much responsibility on his shoulders and isolated him from his siblings. As a result, Luther is ultra-loyal to his dead father, in obvious denial of the abuse he endured because he was never able to form an identity for himself outside of reggie and the academy! he is the only one that never moved on. and then reggie turned luther into (for lack of a better term) a giant monkey without his consent, causing him to hate himself and even further alienate himself from the rest of the world. 

diego never left the ‘number 2’ headspace. he fights with luther even into adulthood. despite how much he claims to hate his father, he became a vigilante likely as an effort to finally be good enough for his dad. and lets not forget (unlike the writers) about his stutter–something that formed in childhood and came back as an adult when he was triggered with memories of his childhood. he’s inherently defensive because reginald pit the siblings against one another constantly.

allison is a narcissist–though, when we meet her in season 1, she’s more of a narcissist in recovery. she’s recognized how her childhood affected her and wants to become a better person to make up for the mistakes of her past. what mistakes again? well, she used her powers on her daughter because 1. she was never told no. reggie encouraged the usage of her powers, and the household where she grew up was violent, manipulative, and competitive. she had no sense of real normalcy, so she never learned how to build a happy, healthy family for her daughter. to cope with her trauma, she clung to her fame–this is shown both in adulthood and childhood flashbacks–leading her to become a movie star, and not accept her own faults.

klaus, well, klaus is the most obvious example of trauma. mostly due to reggie forcing his powers on him when he was a young childhood. locking him in a mausoleum for hours on end. he became a drug addict as a result. living on the streets, in and out of rehab, and stealing for money. we see him struggle constantly throughout season 1–through his interactions with ghosts (when its very possible he wouldn’t have developed such a fear of them if it weren’t for reggie), with flashbacks to his childhood and (later) to the vietnam war. his inability to take things seriously and his self-destructive behavior are both coping mechanisms. his siblings don’t trust him because of his lying and kleptomaniac tendencies.

five is a character whose development is utterly abandoned after season 1. he was only thirteen years old when he accidentally travelled in time to the apocalypse, where he remained for 45 years. i remind you of this because the writers won’t. he survived those years for his family! because he felt immeasurable guilt for leaving them! he was so lonely for these years that he developed a romantic attachment to a mannequin (something only referenced for a joke in later seasons). he was in an extremely vulnerable position when he was recruited by the handler (a character who was very creepy in her own right) and he was forced to use his childhood ‘superhero’ skillset to essentially become an assassin, a job he loathed himself for. all so he could have a chance to save his family. five is cocky, sarcastic, and yes, wants to save the world, but we forget that he wanted to save his family first. he was willing to sacrifice the world if it meant saving his siblings. and even once he returns to the present, he experiences ptsd flashbacks to his time in the apocalypse. five is severely traumatized and stuck between childhood and adulthood, has lived for far too long and has done too many terrible things to be a child, but is stuck in a childs body and never got the chance to emotionally mature past the age of 13. this in no way resembles the five we get in later seasons.

in season 1, ben is a tragedy. he is the character that haunts the narrative (literally). his death was the reason the family split up. he experienced an incredibly traumatic childhood, forced to slaughter people against his will. all so that he could die tragically young (we’ll get into his cause of death later). he’s stuck following klaus around for years, unable to interact with anyone else. he watched his brother deteriorate in front of him with no way to help. he’s angry about his death and sometimes takes out his frustrations on klaus. but at the same time, he was ‘the kindest’ of all the siblings. he cares deeply about his family, but can’t do anything about it.

i think it’s easy to forget that the initial focus of the show was viktor. viktor, who was told how unremarkable he was again and again. who was isolated not just from the world but from his own family as well. who was drugged up from an incredibly young age and forced to ignore his emotions. yes, the umbrella academy was abusive. but being isolated from his siblings was just another form of abuse. he grew up to resent his family on a lot of levels, writing his book as a method to vent his frustrations but only ended up in driving his siblings further away. viktor went through a lot of shit in season 1, and resulted in him ending the world. but did his family kill him? no. because that was the point of the entire show. that despite their trauma and how much they might resent one another, the siblings still loved each other more than the rest of the world put together. 

everything ive outlined are the elements that make up season 1, and are almost entirely forgotten about later. but by losing the integrity of the characters, they lost the narrative. the point of the umbrella academy was never saving the world–it was about a broken family reconciling with one another despite everything. these points of trauma are taken seriously. it was the complexity of these characters, at least in my opinion, that attracted attention towards them. and sure, we didn’t love every character all the time. remember how much luther was hated in season 1? but it’s because he was realistic. these characters, and the shit they went through, weren’t a joke. and the season ended off in a way that forshadowed these elements being explored more in depth. remember how it ended?

with the seven siblings holding hands as the world exploded around them. and for only a few seconds, we saw them transform back into their child selves.

now, this plot point (whatever it might have been) was instantly cancelled and forgotten about in season 2. but it really makes you think about the season we could have gotten: the characters being forced back into their childhood, having to confront the root of their trauma and essentially, all their problems. they could look back at what happened to them with a mature perspective and worked through it, realizing that they were not each other’s enemies. they could have made up for lost time, helped eachother heal, and ultimately prevent the apocalpyse by being family. you know, something that would have actually wrapped up the narrative nicely.

so, what happened?

the shows original themes of trauma, and repentance, and family were abandoned in favor of humor and spectacle. it seems like the creators misinterpreted what made the first season so successful. sure, the first season had a lot of funny moments and great fight scenes. but it was the emotional depth and complexity that made the show what it was. but worse than that, it continued to spit in the faces of the characters trauma, downplaying it in almost every way possible.

klaus’ relapses were played for comedy. his fear of ghosts was drastically downplayed with the use of cartoonish ghost-buster ass looking ghosts. five’s ptsd was never acknowledged again; his coping mechanism, dolores, became a joke. luther lost all character complexity entirely, instead becoming a himbo (who we love, but, still). viktor rarely brought up the feelings from his childhood, and nobody acknowledged his tell-all book again.

one of the things that infuriated me the most was the incorporation of reginald in later seasons. lets remind ourselves of some things: he purchased seven children, treated them like objects without names, trained them tirelessly and deprived them of a childhood, traumatized them by turning them into murderers, pitted them against one another, and literally tortured them. and that’s only the things we see him do on screen. you cannot convince me for a second that any of the siblings would ever be able to be the same room as that man without having serious flashbacks. I don’t believe for one second that they’d work with him, trust him, or empathize with him in any capacity (except maybe luther) except they do, consistently. even five, who is easily the smartest member of the academy, and extremely protective of his siblings.

and- LEST WE FUCKING DISREGARD- reginald MURDERED ben.

the moment that happened on screen felt like the last shovel of dirt on tua 1’s grave. supposedly all the siblings REMEMBERED this incident in seasons 1-3. and yet they went to their fathers funeral, spoke to him (relatively) civilly, and teamed up with him after seeing for themselves their father shoot their brother in the back of the head for seemingly no reason. not only did they apparently not hold this against their father, but they never mentioned it once in three seasons.

and yes, i know, there is a very simple reason for this. it was obviously made up at the last moment for plot convenience. but the implications for this being retconned in are damning for the characters. by writing this in, the writers decided that the siblings commitment to one another is meaningless. that the foundations upon which this show was created, are fucking meaningless. they threw away not only the individual complexity of each character, but also their relationship as a family.

[teeth-draws]

Chase suffers in love but the other Norms still let him come to their little photoshoot

[toxiccaves]

By request, here's some of the English dubbed clips I've been posting to twitter. Incase anyone doesn't have access to a VPN, here's a preview of the English dubbed voices for MCB. Still would like if they put the voice actors in the credits for the dubbed version!

You can watch the English dub here.

[saffron-gold-stardust]

Corvus gets his name.

[katoska]

Theory why Betelgeuse left Lydia's side to "go to the little boys' room" and took over for Richard at his booth for a bit:

Yes, he could have dealt with Jeremy without playing dress-up and taking over Richard's job, and didn't have to enable Richy to get a little more family time in the process. They could have saved Astrid just fine without that, so it seems unnecessary, for him to do that. OOC, even. Except

2) Richard wouldn't owe Betelgeuse a big favor for said taking over of his job and enabling the extra family time with Lydia and Astrid. Also, ofc, for saving his daughter from trading places with Jeremy. Betelgeuse did all that at great cost to himself: A Code 699 violation (see screenshot of transcript from reddit below) gets you extra time working as a civil servant, it gets your topside privileges revoked, and it voids any marriage you entered into, so his contract for payment from/marriage to Lydia was meaningless (well, if it had been a marriage certificate rather than just an agreement to get married in the future. and if he'd actually signed it. and then possibly only if he'd signed it before entering the Netherworld so there'd be a marriage TO void, rather than... not signing it at all... *sigh* he totally burned that half-signed and not-yet-binding contract himself bc he understood she wasn't ready to marry him yet, is what I'm saying, but I digress).

1) Lydia wouldn't have gotten closure for her ex's death without it. Closure which she sorely needed, because the fact that Richard's body was never found plus her seeming inability to see his ghost (Richard: "I know you two can't see me, but I check in on you all the time") add up to her having been in denial of his death. She couldn't see his ghost because she really really did not want to see proof that he was dead. So now she gets to move on from him. Which is very convenient for B. Especially as Richard is unlikely to be able to visit her anytime soon even now that Lydia has accepted his death and should be able to see him again, but I'm getting to that.

Still 2): Anyway, B doesn't do favors. He does business. If people are allowed to take over for others at their jobs in the afterlife, but those jobs are also a form of punishment where you have to "do time" at them for a specific duration, then those work hours are a currency that you can give away or trade. You can, if you find someone who is willing, get someone to do your time for you (hell, you can even get a naive Breather to trade their actual Life for your afterlife existence).

So yeah, I don't think Betelgeuse took over Richard's booth just out of the goodness of his heart. I think they made a deal, one that means that B will be topside again much sooner than the Deetz' will expect so he can get back to trying to seduce Richard's ex (hey, Richard always supported lost causes, so... 😆), while Richard will be stuck at work, unable to visit the Living for a long and unspecified amount of time. Not that his family's gonna notice, bc they never used to see him visit them, anyway.

And yeah, according to someone from reddit who decyphered that page in the Handbook, there's a bit about how the Deceased who violated Code 699 has to cease Trading, if applicable.

But I think that only goes for post-conviction of the crime, not as an automatic consequence of the crime, as B was also still able to visit the Living World to attempt the church wedding. Which, actually, is yet more evidence that this latest marriage attempt was more for the sake of declaring his feelings and testing the waters (and showing off, and getting rid at the competition) than him trying to actually get, and stay, married. Cause the church wedding would have been voided by a conviction, too.

Anyway, that's my theory on B's incredibly considerate, and therefore incredibly suspicious, detour to Richard's booth and letting Richard have his heroic moment.

And tbf, Lydia and Astrid are Richard's family. So it wouldn't even be unreasonable to expect Richard to pay for the legal trouble B got into from saving them. Like, I'm sure he'd have done it anyway, but if B can pass on that buck then ofc he's gonna.

[blakbonnet]

Season 2 is great on 40% budget but our Unicorn man deserved a nice goodbye and proper apology from Blackbeard. That is my only complain.

I think Ned Low deserved an apology actually because he worked so hard on his record and then no one even acknowledged it, yknow? Like ed should've apologised to him for breaking his record on half a whim (and when they said whim prone it was actually a nod to Ned and nothing about blackbonnet), because he's such an important character who followed them and everything, and he actually had ed's true interests at heart the entire time when he called him a low born dirtbag, I feel like those words could be taken to mean as words of concern and love, and he never got a proper apology and that's my real complaint from s2 tbh

[jupiter--dream]

If you saw the amount of sanses & sanscest ships I headcanon as sapphic you'd hurl

[oneluckydragon]

✨🌸 Sunshine on your skin, flowers in my soul 🌸✨

🌊🫧Summary → In the midst of his reconciliation with Team Wish, Dusknoir begins coughing up flowers. This unfortunate brand of bad luck should be a cosmic joke. A spiteful punishment that the world has brought down on him out of malice, out of vengeance for his past deeds. A cruel, agonizing curse manifested with the single unjustified purpose of preventing him from realizing happiness, ever seeking redemption, ever righting his multitudes of wrongs and moving on with his life. But that's not true, and he knows it deep down. Knows it in the very core of his soul like the flood of petals building in this throat.

This is his fault because he is a coward, and that's all he has ever been. A backstabbing, lonely coward.

And now he is going to die because of it.

[AO3]

[CH. I -- Word Count -- 13,290]

🌒💫 Return → the act of going back to a place, person, or memory

[CH. II -- TBA]

[rallentando1011]

hehe, guess who’s trying out a new marker set and is developing a new strain of obsession over a show they’ve already hyperfixated on for years?

bet you’ll never guess who… anyway here’s my version of me possessed as Bill n a couple billford sketches from class ;P