#anyone can guess who my main is without even trying

[galehowl]

I've been playing DST for years, actually

[dolche-tejada]

You know, I think this ending would have been slightly less of a fucking disappointment if the heroes hadn't been so unfairly favored by Horikoshi compared to the villains. I mean, seriously

Deku destroys every bone in his body multiple times throughout the story and is warned that if he continues, he'll permanently lose the use of his limbs ? Everything's fine, his body's just got used to being reduced to a bloody pulp somehow so there's no consequences for him. In fact even when he literally loses his arms to Shigaraki, he gets them back two minutes later thanks to Eri because guess what ? Her horn still works even when cut off from her body. How convenient.

Gran Torino gets his ribcage obliterated by Shigaraki ? Don't worry guys, he'll survive that despite his old age and injuries, and this to have no particular role in the plot afterwards.

Bakugo dies heroically trying to buy time before Deku arrives ? Lmao, did you really believe it ?? No of course not, Edgeshot just uses his last-minute Deus Ex Machina to save his life at the cost of his own and- Oops nope he's fine too, my bad !

Hawks murders a criminal fleeing for his life in cold-blood ? The best Hori has to offer is him completely free and in charge of the HSPC.

And no, losing his quirk isn't a real consequence for him because not only it literally played a major part in saving the world with Vestige!Hawks raising an insurrection among AFO's quirks, but also because his quirk has always been the element through which people exploited him.

Endeavor abused his family for years and completely destroyed his eldest son ? No jail time and no media backlash for that, the only blame he received was due to the heroes' failure to stop the League during the Raid Arc.

And don't even get me started on this bs about facing hell or whatever for what he's done : He's literally free and wealthy ; he have Rei, Fuyumi, Shoto, his sidekicks and Hawks on his side ; and all the difficulties he's apparently going to suffer are off-screened.

Deku had to sacrifice OFA and his future hero career to save the world ? Guess what, Bakugo invested all his time and money to make him an Iron-Man suit and now he can still be a hero with everyone else.

There are plenty more examples of this but I think you get the idea. Now let's take a look at the villains' ending :

Toya is now a piece of charcoal kept artificially alive for the few years he has left, unable to move a finger, and whose few minutes a day during which he can stay awake will be spent talking to his father who abused him as a child.

Toga, a literal teenager, killed herself to save Ochako and because she knew it's still better than rotting at Tartarus her whole life.

And not only did she die but she did by bleding to death. Let me repeat for those who have trouble grasping what I've just said : In a manga where the heroes can survive having their heart blown to bits, being impaled Kakyoin-style or smashed against buildings like a fly on a windshield, one of the main antagonists died of a fucking hemorrhage…

As for Shigaraki, after learning that his very birth and all the tragedies of his life have been orchestrated by AFO, after all this development and narrative promises about him being saved in the end... Deku just kills him.

Because despite all his speeches about saving him, it seems like the best he could do was beating him both physically and mentally until he crumbles to dust…

Compress on his side is apparently locked up for life and kept alive by machines too.

A begging Kurogiri tried in a desperate attempt to save Shigaraki, only to be unceremoniously blown up by Bakugo and dying off-screen without anyone giving a shit, including Aizawa and Mic.

And Spinner will now spend the rest of his life struggling with the extra quirks inside him that affect his body and mind, while having to cope with the thought that his boyfriend best friend and companions have either died alone or are locked away for life in horrifying circumstances.

Clearly not the same as with the heroes...

Now don't get me wrong, even if they suffered just as much from the consequences of their actions or the plot as the League, this ending would still be a disaster in terms of writing but AT LEAST it wouldn't reek that much of hypocrisy.

[pinkeoni]

Will is Going to Die by Sacrificing Himself

...and come back to life. To me, it seems pretty obvious, but I'll explain why.

Will has been characterized as someone who puts others before himself since season one, even if it means costing him his life. The entire series starts off with Will casting fireball instead of protection during their Dungeons & Dragons game, putting his character in danger for the sake of the rest of the party.

This self-sacrificial nature is echoed in season two, but two a much more extreme end, when Will instructs everyone to close the gate to stop the Mind Flayer, despite knowing that doing so will kill him.

While we don't see this same self-sacrifice from Will in seasons three and four, we do see two related characters make their own sacrifices, possibly hinting at Will's future fate.

First we have the other character named William, Billy, sacrifice himself at the end of season three in order to stop the meat flayer.

Then in season four, we have Eddie sacrifice himself while the same song that played for Will after he came back to life in season one plays in the background— "When It's Cold I'd Like to Die" by Moby.

There are also little ways that we are told/shown of Will's selfless nature, such as giving a girl his tonka truck because she was sad, or giving Mike his painting under El's name. While this trait could be seen as admirable, I think it will ultimately be his undoing.

But why would Will need to sacrifice himself?

Well, we know that despite all of this time, Will still holds a connection to Vecna, and likely to the Mind Flayer and the Upside Down himself. Putting a stop to all of these things is going to be intrinsic to Will's arc next season.

I don't know how many people know about Noah's letterboxd, but he has been rewatching the Harry Potter movies.

Perhaps for personal enjoyment, or perhaps to study for his character?

The comparisons between Will/Vecna and Harry/Voldemort have been made before, and the Duffers are derivative of other sources if anything.

I think that this could be likened to a horcrux situation. At the end of season four, we saw Vecna be totally flambéd by the older teens, and yet, he's still kicking, and Will is the one to tell us this.

If the brain dies the body dies, but also, could the brain latch on to another body in order to keep it alive? Similar to how Harry had to die so that Voldemort could be defeated, I believe Will might have to die (at least temporarily) in order to take down Vecna/MF/UD.

We know that the show is bringing back "Should I Stay or Should I Go," which is going to prompt an important question that Will needs to find the answer to, should he stay or should he go? While this could also relate to his romantic endeavors for the season, I think that the song could be alluding to Will's choice to sacrifice himself in order to save everyone else.

What I think will probably happen is this: At some point in the season, Will is going to learn what has to happen, and he is going to go off to sacrifice himself without telling anyone so no one can stop him. (I'm guessing that Will can't just off himself, there's probably a specific way that it needs to be done).

Something I realized while making this post is that Mike is always the one who figures out what needs to be done, or brings up Will's sacrifice to others. My guess is that Mike is going to find out what Will is up to, and try to stop him. Emphasis on try, because I think this death is inevitable. However, bringing the show back full circle to season one (and because ST can never keep a main character dead), he will come back to life.

[dovveri]

kidnapping 101

synopsis: who dared kidnap you? you were the mafia boss of your city who the hell had the audacity to pull a move this big?

warnings: guns, kidnapping, swearing, mafia stuff yk but like its comedic? so its not srs or angsty

w/c: 2.6k

a/n: put off posting this bcs i wanted to add more plot more word count but then that anon said they dont read long fics anyway so i cbb. it's implied momo x reader but it can also just be everyone friends yay

.ࠢ࠘ ⸝��ࠡࠣ᠊߯᠆ࠣ࠘ᡁࠣ࠘᠊᠊°.~♡︎

you had a straw bag pulled over your head and felt hands shoving you into a hard wooden chair, hands tied behind your back. you huff, unbelieving of the situation you've found yourself in, but try to keep yourself collected enough to assess the situation and to not let your attackers know they had caught you by surprise.

you doubt anyone could guess you were a mafia boss in your day life. you were just another university student after all. funnily enough, university students were also your main customer base, they needed cheap, accessible drugs, and you provided. though they never dealt with you personally, you were worth much more than rookie errand runs and simple intimidation.

so how the fuck did these people find out who you were?

you were captured coming out of the university library, you weren't even up to anything illegal today. you just wanted to get away from all the responsibilities underground and actually get some study done for once. you didn't get to catch a glimpse of your assailants before you were drugged and fell unconscious.

you strain your ears, trying to hear the muffled whispering going on.

"-what? what do we do now?"

"how am i supposed to know?!."

"i don't know you're smarter than me!"

"ugh oh my god i can't believe nayeon put us up to this. did we really just drug someone?! wait fuck- look she's waking up-"

the bag is pulled off your head and you snarl unceremoniously, blinking to adjust to the dim light in the room, quickly surveying your surroundings and tugging on your restraints to check on them.

huh. they were only loosely tied up, you could get out of these easily.

you squint at the two girls in the room, they had to be around your age, but you had never seen them before. they weren't on any of your watchlists and you'd know if they belonged to rival mafia gangs.

"who are you?" you demand, voice authoritative and loud, forcing them to shrink back into one another, unsure of what to do.

"w-who are you?!" one of them squeaks out.

you blink.

"you two drugged and kidnapped someone you didn't know?"

they exchange glances, before looking back at you, "well... when you put it like that..."

"momo!"

"what?! she's right sana! what are we doing?!"

"i don't know!"

"neither do i!"

you watch them bicker, fiddling with your restraints and slowly undoing them without catching their attention.

"okay that's enough. who asked you to capture me?"

their faces whip back to yours, one of them, momo, speaks up again. "um... i'm pretty sure we're not meant to tell you that."

"nayeon right?"

she gasps, "are you a mind-reader?!"

you scoff, "i heard you talking when i was waking up."

momo mutters to herself, blushing for having thought otherwise.

"who is nayeon?"

sana speaks up this time, "our friend."

"and your friend asked you to... kidnap me for what reason?"

"erm..." they look at each other again, silently communicating and nervously flitting their eyes around the room, "we're not entirely sure."

"are you two her slaves or something?"

"what?! no!"

"then why are you doing whatever she asks?"

"because she's our friend!"

"right... slaves."

they frown at each other, unsure of themselves.

"so you both don't know who i am?"

"no. should we?"

you're interrupted then, the door to the room opening loudly and another woman striding in.

she pauses when she sees you, blinking slowly, and then she turns on her heel, eyes ablaze and in panic.

"guys who the fuck is this?!"

"how are we supposed to know?! you asked us to kidnap them!"

"what the fuck?! i didn't ask for you to kidnap anyone! i asked for you to steal the answers to the exam next week!"

"no you didn't!"

"yes i did!"

"that's not what you said momo!" sana turns to momo, pointing a finger at her accusingly.

"wha- nayeon you told me you needed to interrogate the person who wrote the exam!"

"that was a joke momo i didn't mean literally!"

"you need to specifiy!"

"what?! why would you think i meant kidnap them?! that's not normal!"

"i thought you were doing it for the thrill or something!"

"sana! why didn't you stop her?!"

sana shrinks, hiding behind momo, "i dunno you've asked us to do some pretty weird stuff before nayeon... it wasn't that out of line."

"what!? like what?!"

"don't put me on the spot! i can't think of anything right now! like- like- like that time you asked us to set off fireworks and we ended up setting the school on fire!"

"that wasn't- you weren't meant to build a bonfire in the middle of an empty classroom! of course the fire would catch!"

"that was my idea...." momo pouts, looking adorably embarrassed.

nayeon sighs, turning back to you, "i'm sorry for all this. this has been a major misunderstanding. are you- do you want us to do anything for you? you won't take this to the police or anything right..?"

you chuckle, the situation absurd to you, how two girls managed to kidnap the most powerful mafia boss in the city by accident.

your thoughts are interrupted by hushed bickering behind nayeon.

"what are we gonna do about the drugs?"

"i don't know give them back to the person that gave them to you."

"they looked scary though..."

"momo why did you accept drugs from a random person anyway?"

"we needed a sedative to kidnap them!"

"you did what?!" nayeon flips around again, eyes comically wide.

momo flinches, backing up into sana who yelps when the other girl steps on her foot in haste, "erm- we- uh..."

"you drugged them?!"

"well-"

nayeon's flipping around to you again, going as far as to bow down and get on her knees, putting her forehead to the floor and apologising profusely, "i'm so sorry! i'll take responsibility for their actions please don't take this the wrong way we really didn't mean to and this has all just been a big misunderstanding-"

you can't help but burst into laughter, shoulders sagging in relief now that you realise you're not in any real danger and your identity was still safe.

they look between each other a little confused, still concerned you were going to turn them in or ask them to do something for you that would be less than ideal. you think it's very cute honestly, you were always surrounded by too-serious mafia security and people asking you what to do, it was refreshing to be around people who knew how to let loose a little. money was important to you as a mafia boss, but you wished your organisation knew how to have relax a little more, the bad guys were always meant to be more lively after all.

"sorry- this is just quite funny, i don't think i've laughed like that in a long time."

they exchange nervous glances again, keeping their distance. you stand, having undone your restraints long ago, stretching a little with a curious glint in your eyes.

sana and momo gape at you, "h-how did you- were you always- didn't we tie you up?"

you shrug, shaking your hands loose for effect, "they weren't hard to undo."

"o-oh... wait who are you again?"

you stretch out a hand to the three of them, "l/n y/n. nice to meet you all. and you can relax, i won't be pressing any charges. you're safe."

"r-right..." nayeon comes forward and shakes your hand gingerly, letting it go as soon as she could and shrinking back next to the other two.

you raise an eyebrow, "so where'd you get such a strong sedative momo? it's alright if i use your names right?"

"y-yes of course." nayeon responds for her, but momo looks back at you, thinking before she replies.

"erm... well i was kinda just asking around outside the campus bar- obviously i didn't say we were going to use it to kidnap you, i just thought uni students might have some sort of access to like party drugs or whatever. i didn't realise it was going to knock you out like that-"

"and who gave you this drug?"

"erm... he was one of the older students i think... the most notable thing about him was his hair. he had big orange hair, curly, it made him kinda look like a clown."

your eyebrows crease together in a frown, so that's why the drug had worked so well. it was one of your own. you were only asking momo to see if there was suddenly new competition around campus for your drug business, but it seemed kim heechul, one of your drug pushers, had made moves of his own.

"what did he say to you?"

"he just told me what kind of drug it was. he didn't even ask me to pay actually- that was the main reason i took it. he just said if i was looking to have a good time this would be the perfect drug for it."

your mind works quickly, piecing the pieces together, anger bubbling up inside you at the realisation of one of your employee's actions.

"a-are... are you okay y/n?" momo looks concerned, stepping forward hesitantly.

you purse your lips, "i'm sorry momo. i just need to make sure... you didn't take any of this drug for yourself did you?"

she frowns, "no. why are you asking?"

you breathe a sigh of relief, "that's good. you three may not know this, but the drug you used to sedate me was mine. i kind of... control the drug market at our uni. i probably should've said that in my introduction to you all. i'm a mafia boss. it's also why i'd never go to the police and turn you in, that'd probably be exactly what they wanted... me to waltz right into a police station where they could hold me indefinitely."

they stare at you in shock, slowly coming to their senses.

"wait so... why would you tell us this? are you not afraid we'll turn you in?"

you laugh, "no. because we're at what you'd call an impasse. you turn me in and i turn you in. so the best solution for both of us is to do neither."

"oh..."

"anyway, i'm sorry you had to go through that momo. the ass that gave you those drugs has already been on a short leash. he probably intended for you to take the drugs and to take advantage of you while you were out. i may run one of the biggest crime organisations in the city but i still have morals. i mean- don't get me wrong i can see why he'd want you you're drop-dead gorgeous but if it were me, i'd just ask you out like any other normal person."

they stare at you while you ramble, still trying to process all the information they were learning, and trying to match their stereotype of a mafia boss in their heads to the girl their age dressed in an oversized hoodie and fluffy pyjama pants in front of them.

momo squeaks, "o-oh!"

"-like you're kind of adorable and really you're just my type which also grosses me out because why do i have the same type as that clown kim heechul- like you don't gross me out sorry i didn't mean for it to sound like that although i think it's quite well established by now that i think you're really attractive so it's definitely not you and kim heechul is definitely getting shot and-"

"woah! woah woah slow down i don't think anyone needs to get shot- um and it's okay you don't need to apologise- i probably should've known better than to take free drugs from a random person on the street..."

you frown, "don't say that. why don't you come under me? i wouldn't want anyone taking advantage of you like that again. and you won't have to worry about stupid stuff like whether or not it's your fault for being adorably innocent, you'll have my full protection."

momo blinks, looking at sana and nayeon for help.

you misunderstand, thinking she's worried about her friends, "your friends can join too. it's decent money, and i won't make any of you do anything you're not comfortable with. i get it y'know? i'm only able to pay for college because i do this, and i'm good at making other people do the dirty work. dangle some drugs and money and people will do anything for you."

nayeon lets out a sound of disbelief, "...this is a joke right? like surely this is a joke. sana pinch me."

sana does exactly that, but nayeon yelps, "not that hard!"

"you asked me to pinch you!"

"yeah pinch me not crab claw me!"

"i just got my nails done it's not my fault!"

before you can laugh at their antiques the door behind them slams open, people rushing in with guns pointed. there's a few screams before hands are clamped over mouths and you feel yourself be surrounded.

you react instantly when you see one of the intruders grab momo by the neck, pointing a gun at her head. you lurch forward, pushing past the people surrounding you, knocking the gun out of their hand and hitting the back of it into the person's head, rendering them unconscious with the force of your blow.

you quickly check on momo, helping her up and inspecting her neck, fingers tingling from where your skin meets.

"boss- what- are you okay?"

"shut up! i was fine! god can't i have a single day to myself without you numbskulls barging in?" you bark with your fingers still daintily checking momo's neck for any marks.

"you- you were kidnapped boss we were just-"

"i'm fine now aren't i? i can take care of myself. i don't need you all watching my every move! i'd like to have some privacy to myself every now and then." you turn back to the bodyguards looking awkward and shuffling around in their bulky protective wear and guns.

"y-yes boss. sorry boss."

"wait for me outside." you sigh, flicking your wrist in annoyance, "and find kim heechul. i need to have a word with him." you add as an afterthought.

they shuffle out the door they came through, mumbling apologies and tripping over themselves. you roll your eyes, refocusing back on the other women in the room.

"i'm sorry about that. are you guys okay?"

they stare at you, faces tinged with red, nayeon speaks up first. "so you weren't joking..."

you shake your head, "and i'm serious about coming under me too. i'm kinda afraid to say it but if word gets out that i was kidnapped, some of my rivals might go out looking for you three and try to recruit you for themselves. they'll treat you a lot worse than i will. and they generally won't take no for an answer..."

"but you'll take no for an answer?" sana chirps in.

"like i said- i don't want to force you to do anything you don't want to."

nayeon and sana look between them, but momo shrugs, smiling up at you, "i'm in. i like you. you're funny."

you grin at her, justifying the immediate connection you felt with her just by being able to anticipate the kind of person she was.

"well if momo's in i'm in." sana agrees happily, slinging an arm around momo.

they look towards nayeon who rolls her eyes and groans, "someone has to make sure the two of you don't kidnap the wrong person again right?"

they all break into laughter and you join them, feeling like you had people you could almost call friends for the first time since you'd started your mafia business.

[cirilla-fiona-riannon]

You've Got Some Nerve Trying to Buy Me

Translations may not always capture the exact nuances or tone of the original text. Expect grammatical errors and inaccuracies.

Not proofread.

Two nights before Silvio's birthday一

A bunch of nobles and merchants showed up at his villa for the party, and there I was, facing him, not as his fiancée, but just as another businesswoman.

Silvio: "........."

Emma: "........"

(The wig totally completes the disguise. Even he shouldn't recognize me like this.)

Silvio: "What are you doing here?"

(He totally recognized me!)

Emma: "I have no idea what you're talking about. I'm just here for some business negotiations."

Silvio: "Hey, throw this one out."

Emma: "Wait, please don’t, Prince Silvio—I mean, ahem!"

I cleared my throat exaggeratedly to cover my slip.

He looked at me with a mix of exasperation and annoyance, his expression hard to read.

(Calm down. He might have noticed, but the others probably haven't yet.)

(In any case, I haven't lied.)

(I'm here to negotiate business with him.)

Emma: "You're just brushing me off without even hearing me out? You seem pretty different from what I heard."

Emma: "I heard you were a man who took business negotiations seriously."

Silvio: "Oh?"

(The atmosphere changed.)

Silvio: "If you say it's all business, I won't hold back. Don't complain if every single hair of yours ends up being mine."

Emma: "I came here with that resolve from the start."

(I was right to guess that he'd take on anyone in a business meeting.)

(It's going to be fine. If I stick to my plan, everything should go well.)

------------Flashback-----------

Earlier this morning一

Emma: "What? No letter again today?"

Carlo: "Yes, I'm sorry."

Carlo, who had just returned from Silvio's villa, bowed his head apologetically.

Emma: "Sorry if I came off like I was accusing you. It's not your fault."

Carlo: "But I promised I'd bring a reply! And yet, here I am like this."

(Carlo looks really tired. He must be very busy.)

(A schedule that requires him to stay holed up at the villa must be quite demanding.)

Five days ago, Silvio suddenly declared that he would be staying at his villa for a week for a business meeting. Without giving any particular explanation, he retreated to the villa, as he had announced.

Carlo had been acting as the messenger, exchanging letters with Silvio, but since two days ago, the replies have completely stopped.

Emma: "There's nothing wrong, is there?"

Carlo: "Um, there are some issues, but I think the main thing is just that he's super busy."

(If that's the case, I can't really complain.)

(But it's still lonely not being able to see him for a week. The whole villa retreat thing was so sudden.)

Carlo: "Lady Emma."

(I shouldn't let Carlo see me like this. I don't want to make him feel awkward.)

Emma: "I'm fine! Could you please deliver today's letter to Prince Silvio?"

Carlo: "Yes, of course."

Carlo: "........."

(What is it?)

Carlo: "Lady Emma, how about going to see Prince Silvio yourself?"

(What?)

Emma: "But Prince Silvio said not to come to the villa."

Carlo: "Yes. I've been strictly told not to bring you, but that doesn't mean you can't go there yourself."

Emma: "What do you mean?"

---------Flashback Ends--------

(So, I ended up making a plan with a somewhat desperate Carlo.)

(And now here I am, barging into the villa.)

Silvio: "So, what is it that you want to sell? If it's something trivial, I'll throw you out immediately."

His gaze was sharper than usual.

It looked like other people at the party had noticed the conversation, and their attention started to focus on us.

(I'm getting nervous.)

(But there's no turning back now.)

Emma: "Before that, let me first discuss the payment."

Silvio: "Ha?"

Emma: "If you like my product, I'd like to request your birthday as the payment!"

Silvio: "Huh?"

Despite his incredulous tone, the room was buzzing with excitement.

A little farther away, Carlo nodded vigorously with his hands clasped in front of his chest.

(I can cook Silvio's favorite food and help him with his work.)

(As long as it's something that makes him happy, I can offer it as my product!)

Silvio: "Look, you..."

Merchant 1: "Please wait."

Merchant 1: "Shouldn't the opportunity for this business negotiation be offered to everyone present here?"

(What?)

Merchant 2: "You're right. We would also like to celebrate on the day if permitted."

(If permitted? What does that mean?)

(I thought every year, merchants and nobles would crowd in to celebrate his birthday.)

Despite my confusion, voices of agreement rise from the merchants.

Merchant 3: "If we can have Prince Silvio's birthday, I don't mind giving this up."

Merchant 4: "Same."

(Crap. What should I do? Everyone's getting into it!)

Merchant 1: "Prince Silvio, what do you think?"

With the words of one merchant, all eyes turned to Silvio.

Silvio: "Damn it, talking about buying someone's birthday and whatnot. You guys are saying whatever you want."

Silvio: "Since when did I become a product?"

(He's right. His birthday isn't a commodity.)

(Every year, he makes time to celebrate with me despite his busy schedule.)

(This year, I thought I'd go to him to ask for time, which is why I proposed this negotiation.)

(But if I can buy his time, it opens up a whole new situation.)

As I reflected on my own naivete and was about to back down,

Silvio: "Well, it’s not so bad to be on the receiving end once in a while."

(Huh?)

Silvio: "As you all said, the opportunity for business negotiations should be given equally. So, we’ll decide it by auction."

Silvio: "The one who bids the highest for me will get my entire birthday."

(WHAAAAT!?)

Part 1 ╎ Part 2 ╎ Part 3 ╎ Part 4

[sapphic-agent]

So. I finally read this fuckass comic that's been talked about again recently. I'd only ever heard about it before so I decided to check it out. I'm gonna go through some of the pages and give my two cents because why not?

I'm not gonna lie to you guys, I don't get how Katara is "out of character" here. This is very reminiscent of Book 1 Katara, who was playful and teasing and immature and acted like, y'know, a kid. I know Bryke might have you thinking otherwise, but she shouldn't baby Aang all the time.

Especially because he is supposed to be practicing and just... isn't doing it. This was her way of lightheartedly trying to motivate him, which I think is pretty on brand for her.

You could make the argument that Katara is being dismissive here, but honestly? The subject clearly makes her uncomfortable. She was kissed (without consent) before a major battle by someone she saw as a friend. Of course she was uncomfortable. She has every right to not want to talk about or acknowledge it.

Calling that out of character is not doing Kataang shippers any favors when the most common criticism against them is their tendency to brush aside Katara's autonomy.

(At first when I saw this panel, I thought maybe she was being a little abrasive towards him. But... She's the same way with Toph in The Runaway. This isn't behavior that came out of nowhere. Why is it that it's only a problem when it comes to Aang?)

I guess a better question here is, is Aang out of character? For me, it's actually yes and no.

I think they made him overly mopey. Like yes, he's had his moments in the show, but drawing hearts in the dirt? What kind of shit is this??

Not to mention his weird little monologue inside the rock ("Who's really playing games here, Katara?" Are you actually serious, Bryke? Idc what anyone says, those words would never leave Aang's mouth). It feels like a bid to make him more sympathetic so that the reader feels bad for him. I'm fine labeling that OOC.

However...

Do I think Aang would purposely physically hurt Katara? No. Do I think Aang would get so caught up in his emotions that he stops being mindful of himself and his surroundings? Well.

Both times you could label an accident. But both times resulted from Aang being careless and being unable to regulate himself. Now, you could make the argument that this is OOC because Aang learned and developed past this point. And I would agree, if we were talking about Book 2 Aang or even mid to late Book 1 Aang.

But honestly, character regression is very on point for Book 3 Aang. Especially post DOBS. Most of you already know about my beef with Book 3 Aang, so I won't get into that.

Now, I do think that Aang would be a little more apologetic and guilty considering how regretful he was in Book 1. But him prioritizing his own feelings instead of how he affected her? Completely on-brand. In EIP he was upset about how he messed up his chances with Katara, not that he kissed her without consent and upset her.

But even if this couldn't fit Katara and Aang as characters, even if they were outlandishly OOC and completely different from the characters we knew, that doesn't really matter. This comic is official and canon. Just like the comics where Aang ignores her in favor of his weird fanclub and she swallows her hurt and puts up with it. Just like LOK where Aang is a neglectful father and Katara is a mild mannered housewife.

You can dislike this comic and criticize its portrayals all you want. But it's still canon. You can't ignore canon, especially when your main argument for Kataang being better than Zutara is that it's canon

[pix-writes]

outside sex w/ Ford 🫣

Ford & outside sex, tried to make it as gender neutral as possible for this one, hope you enjoy!

(18+ MDNI under cut!) NSFW with lots of fluff on the side 😉

I feel like Ford would actually be really into having sex outside, though I don't think he's the kind of person into voyeurism at all! He wouldn't like to have anyone else looking at you in that way and he certainly wouldn't want to be at high risk of getting caught - it's a turn off!

But he does love nature, he loves being in the woods around the falls and knows lots of beautiful and quiet, largely secluded spots as well as all the magical and dangerous sections of the area to avoid. He would like to take you to such pretty locations as a date activity. He's a romantic deep down 🥰 having a picnic by a smaller lake that was formed off of the bigger lake within gravity falls, not a well known spot, watching as the day grows towards sunset? Hearing people far off on the main lake packing up after a full day of activities, tourism and fishing? Sharing some wine and dessert together should you be so inclined? Wonderful! The perfect place to have both a view and not be interrupted.

It starts off as just cuddling and making out on the grass, as the date progresses, but the intimacy builds to more than that, getting a little heated. Something about it sparks something in Ford, he imagines taking you out to more private places, just you and him alone in tranquil nature, where you won't be seen or have to worry about volume (at least maybe, not as much as when you're in the shack). Maybe you could even go camping.

Ford takes you hiking over the falls and ends up getting himself hot and bothered by the vision of you in front of him 😅 when you're walking in front of him, he gets the best view of your ass 😉

And when you need to break for a few minutes, dewy with sweat and out of breath from exertion, his mind is going to other activities in which he's seen you like that.

When the path becomes steep and treacherous he feels a certain sense of fulfilment/pride (?) that you need his help to traverse it, giving you a hand to pull you up or catch you, that you put your trust in him and his reassurances that you'll be fine and you can cross without falling, is something that helps him to feel useful and more secure. I guess it also feeds a certain masculine role (trope?) in him too (mostly in a pure way rather than a negative/toxic way), in being useful and capable to you in such a physical way. In fact he might even be a bit handsy when he helps you, if he's feeling playful enough or if the trip is tiring you out to try and lift your spirits:

Ford places a hand over your ass as you stumble when he helps you up a high step, drawing you into pressing up against him. "Careful, my dear." 😏

"Stanford Pines, you are a tease!" 😑

"I don't know what you're talking about." 🫠

There's a limit to Ford's patience and you can figure it out, most likely, in this scenario! If he can get you somewhere he considers safe and far away enough from any others who could possibly stumble across you, he'll take you as soon as possible.

Or, I kind of imagine a scenario where you're in the woods adventuring, helping Ford with his research of the anomalies, when things inevitably go wrong and you end up in some moderate dangers in fighting and escaping the latest monster of the week, when you end up coming to a stop to catch your breath, the danger now behind you - the tension is palpable!

Both of your heightened states of emotion mean that one of you runs hands over the other looking to see if they're hurt, almost getting into an argument over the details of how things went wrong or how you managed to come so close to getting hurt, maybe Ford ends up frustrated at you not listening to his instruction and taking a risk, either way that underlying tension snaps. There's tears in his eyes -

"You're so stubborn! How could you put yourself in that position?!"

"I saved you from being hurt! I thought I could've lost you back there!"

You end up being pressed up against a tree as Ford roughly kisses you, feeling under your clothes, squeezing and pinching at your sensitive areas as you moan into his mouth. You know what both of your actions are saying; you care about each other, you felt like you might not have gotten out of this alive, but here you both are.

You don't mind being rough in fact, you want it, you want to feel each other, you want to feel alive. You don't care if you get scratched up by the uncomfortable surfaces, and you are almost certainly going to be scratched up.

No matter who is the instigator here, Ford ends up the one to flip you around and push you up against the tree so he can take you from behind. Neither of you even bothered to undress, clothes pushed up or aside or pulled down just enough to access what you wanted.

And god forbid any forest gnome stumbles across you now, as Ford would probably turn them into ashes if they interrupted you! 🤭😳

Don't worry though, more TLC is applied after, once you manage to get back home, Ford being more gentle and tending to any cuts and bruises.

[cosmicatta]

An analysis of Portgas D. Ace through the light novels

Yes, I'm here again with my bullshit. After reading the Law novel, I was very excited to get my hands on the Ace ones too. And because I feel very intensely about him, I couldn't help turning my reading experience into a character analysis essay. Again.

So here we go!

Some notes before I start:

The edition I've read of this novel is the official Spanish translation by Planeta. When quoting and mentioning numbered pages, I'm referencing that edition.

I originally posted this on Twitter as a thread! If it sounds familiar, that might be why.

I've also posted an essay/thingie about Law's novel here!

These are just my personal impressions, I'm not trying to tell anyone how they should interpret the novel or Ace's character. I'm just doing this for fun!

Much like the Law novel, these are kind of a “prequel” to the source material. The story starts with Ace getting stuck in Sixis Island, where he meets Deuce, and follows their journey as Ace builds his own crew and later ends up joining Whitebeard.

The difference is that Ace’s novels, unlike Law’s, rely a lot more on canon events that we already know happened, because they’re mentioned or briefly shown in the manga (especially in the second volume). I’ll go a bit more into detail about this later, but either way, we can say that the novels are very canon-compliant at the very least.

Also, it’s important to point out that volumes 1 and 2 are written by different authors. I do think this has an impact in the way the narrative flows from one part to another, but it still reads like a cohesive story as a whole.

Overall, it offers a very different reading experience from Law’s novel. I guess the biggest contrast here is that we already know what’s going to be Ace’s tragic destiny, so the narration can’t really feel too hopeful.

Even if the story is lighthearted and adventurous most of the time, the tone that surrounds it all is bittersweet. And the core points of Ace’s journey are always marked by his fatal wounds: love, identity and the concept of deserving.

There is no real resolution for any of these themes throughout the novels; there can’t be, because we know Ace will only reach true understanding right before his death.

In this sense, I think the first volume does a better job at capturing that feeling of “tragic hero” that the story seems to go for, without necessarily getting too grim about it. And there’s a few things about it that get lost in the second part:

Volume 1 is written in first person, but it’s not Ace, the protagonist, who narrates the story. It’s Deuce. I think this is an interesting decision because it allows us to see Ace from the outside, through the eyes of someone who loves him.

And what we see from Deuce’s perspective contrasts with the image that we know Ace has of himself. This is especially interesting for 2 reasons:

He shows what Ace craved for all his life but didn’t know he already had until the end: love and respect.

He’s offering the readers a version of Ace’s identity crafted by an outside viewer, which is also what Ace keeps doing all the time: defining himself in relation to others.

These are going to be the main ideas that shape Ace’s journey from the start and what both novels try to explore.

Although Deuce and Ace’s relationship doesn’t start off in the best way, from the beginning Deuce sees a light in him that he has never known in anyone before. This even reflects in the way he describes Ace physically:

(Quotes roughly translated from Spanish):

P. 27: “He played with his radiant black hair.”

P. 129: “His pupils glowed with the colors of the sea floor.”

But what is most emphasized about Ace throughout the narration is his kindness and gentleness—he shares his fruit with Deuce while he’s starving too, he has a place for all kinds of rejected outlaws in his crew, he helps Isuka even though they’re supposed to be enemies, he gives the rice crackers he’d just bought to some children in Sabaody, etc.

Ace just goes around giving away his endless love without thinking too much about it. It’s in his nature. And people love him in return.

P. 66: “What does it mean to be a captain? To me, it means people love you. […] Ace was born to be a captain.”

There’s a small episode that I find very interesting in this sense—right before attacking him, a bounty hunter declares:

P. 67: “Ace! I love you!”

Ace assumes the guy only said that because his head would have granted him a ton of money. But it’s still a weird way to word it. It’s as if Ace was a shooting star that everyone couldn’t help but admire in awe, friends and enemies alike.

But, as I said before, Ace seems to be completely unaware of this, despite the very explicit ways in which people show him appreciation.

It’s at this point that we start to see the conflict between Ace’s “goals” that he set for himself and his true desires (though this will be explored in more detail in volume 2).

Although he keeps claiming to be in search of fame, he doesn’t really seem to be that interested in it. He only reacts to his own popularity when his loved ones do, because that is what he actually wants: acceptance, validation.  

P. 82: “Whenever the number increased [Ace’s bounty], we celebrated it. And him, in seeing us all so happy, celebrated too.”

What Ace is doing is just constantly looking for the answer to that dreadful question he asked Garp as a child: “Did I deserve to be born?” And he tries to find clues in his crewmates’ faces, in his enemies’ words, in the way the whole world around him reacts to his existence.

But what’s interesting is that he’s not just passively contemplating, he very actively tries to earn that right to live, in his own twisted way.

Yes, the world had already decided who Ace was even before he was born, but now it’s his turn. Now he can try and recreate his own image for them to see. And if he has to be a monster, it will be in his own terms.

It’s not about fame, it’s about identity. Because Ace’s identity has never been truly his own.

This is a very delicate subject for him, especially when he realizes that his bounty is growing at an abnormal speed, indicating that the government probably knows who he really is. And so, he is tormented by the idea that, despite all his efforts, he can’t escape the portrait that others have painted of him without permission.

Even those who don’t know the truth about his origins feel free to decide Ace’s worth as a human being. In this regard, his fight with Vice Admiral Draw is notable—he judges Ace not as Roger’s son, but as a regular pirate, and yet he still reaches the same conclusion and says the words that Ace fears so much:

P. 148: “You don’t deserve one more second in this world. It is because of you that so many people live in fear. […] If you didn’t exist, no one would be unhappy.”

Ace wins this fight, but he leaves with an open wound that never closes and only seems to get bigger with time.

And with this, the first volume closes in a very bittersweet tone:

P. 159: “Ace didn’t believe he deserved anyone’s love. […] But Isuka didn’t think the same, and she wasn’t the only one. The problem was that Ace wouldn’t realize. […] He was like the Sun. Everyone adored him, his enemies respected him. Ace was the center of everything. But, like the Sun, way too bright, he was always alone. […] Ace had created a home for us. But what about him? Could we find a home for him, where he’d be able to smile in peace from the bottom of his heart?”

The second volume starts where the first left it, with Ace and his crew entering the New World.

I have to say that I didn’t like this one as much as the first because, for a book that’s supposed to be about Ace’s relationship with others, it kind of falls flat at some points in that sense. Sometimes the novel seems more concerned with describing action scenes that aren’t really that interesting, or events that we already know from the manga without adding much to them.

Also, I feel like I have to mention that some scenes and description choices were a bit questionable (casual misogyny, etc.), but overall the book was still enjoyable to me.

The style and structure is a bit different from the first volume too—for starters, it’s written in third person, although the perspective is a bit all over the place sometimes. The POV keeps switching back and forth between different characters, which could a useful and interesting approach, but you need to know how to do it right, and I’d say it was a bit messy here.

But there is a good side to this, which is that we get a peek into Ace’s thoughts too sometimes.

And we see, as volume 1 already hinted, that his motivations are unclear even to himself. He insists that he wants to surpass his father’s fame, but he isn’t interested in titles or riches.

P. 61: “I don’t aspire to be the King of Pirates or anything of the sort.”

P. 74-75: [In response to “What brought you to the sea?”] “I guess I expected to find out at the sea… Though there’s something I do want to achieve. […] I’ll make sure everyone knows my name.”

Part of the reason why Ace despises the title of “Pirate King” is very obvious—it was his father’s title. But this disinterest also reveals the true reason why Ace thinks he wants the fame: it’s not ambition or vanity; it’s, again, his way of crafting his own identity.

In reality, although he directs his resentment towards his father, it’s not him he really hates, but the world that built a monstrous myth around his figure, a myth that Ace inherited.

P. 80: “This world killed Sabo. Unless you’re someone like Roger, whose execution brought a new era, it doesn’t matter if you live or die. […] Even if I can’t win their recognition, even if they hate me, I’ll become a pirate and take revenge on them all. […] One day, people won’t say ‘Ace, Roger’s son,’ but ‘Roger, Ace’s father.’”

Again, if he must be a monster, he’ll be one he’s created himself.

But it becomes clear in this volume that he has no idea how to do that. He wants to change the world, but has no plan to do so, and doesn’t even understand what that means exactly.

And here’s where Whitebeard is key, as we already know. He sees through Ace, and eventually makes him reevaluate his own ambitions, until he ends up admitting that he has no idea what he’s doing.

P. 159: [Thatch asks him] “You want your reputation to surpass that of the Pirate King, but you’re not interested in the One Piece. You don’t want to break the code either. What the hell does your flag even represent?” [And Ace answers] “I don’t know. Honestly, I thought I did, but not anymore.”

P. 224-225: “Whitebeard inviting him to be his son had seemed to him like another ‘father’ attempting to take control of his life. But […] now he understood the word ‘son’ a little differently.”

Though there’s no real resolution to Ace’s big questions in life, he slowly starts finding his own place and learning to accept the kindness he’s given, even if he doesn’t fully understand it yet.

P. 229: [Deuce asks him] “Do you think you’ll find what you’re looking for with Whitebeard?” [And Ace answers] “Yes. […] Because here I feel at peace.”

The book finishes with Ace offering his back to get Whitebeard’s Jolly Roger tattooed. With this, he’s constructing his image around the figure of a different father, one that he’s proud of. He still builds himself in relation to others, but is now more benevolent in doing so.

This is the first step of a healing project that we know will never be fully complete. And because of this, despite the ending having a hopeful and gentle tone, it’s still a bit heartbreaking. Like the first act of a tragedy.

There's a lot more interesting stuff to talk about in the novels, like the way Ace talks about Luffy and Sabo, and how it becomes clear that they are what really made him want to live and keep fighting. But this is already way longer than I originally intended, so I'll leave it here.

So, if you read this far, thank you! ♥ I hope you enjoyed it or at least found it somewhat interesting.

[number1villainstan]

I just saw Dune Part 2 (2024) with some friends so here are some Thoughts i guess

I feel like on the whole these movies are trying to either downplay or cut out a lot of the misogyny/sexism in the book, although Herbert's view of gender roles is so pervasive in the book that it's hard to change without completely changing the worldbuilding (the Bene Gesserit especially) and/or certain characters and getting second-order effects that weaken or change the main plot. But they did a good job at least making it much less in-your-face and offensive than in the book. One of Chani's lines is about how "men and women are equal" in the Fremen, and while I don't really think that's supported by how the movie depicts Fremen I can see and respect where they're coming from

It's still a very male-dominated movie, but it's honestly pretty faithful to the book, and like--what are you gonna do? It's Dune. You can't exactly just genderbend Paul and get the same story, at least not when the Bene Gesserit are still what they are

wait now i'm thinking about an AU where the Kwisatz Haderach turns out to be a trans man. ideally you'd get both the canon critiques of white savior mythos/the Messiah trope and a deconstruction of the sexism and strict gender roles of the society of the Dune universe. also ideally you'd get a whole bunch of other queer characters in the same AU. you could also do an AU where the Kwisatz Haderach/a potential Kwisatz Haderach turns out to be a trans woman, or even nonbinary, but i feel like those would make for very different stories cuz AGAB/ASAB seems to matter like A Lot in the Dune universe

the movies did manage to completely get rid of the homophobic parts of the Harkonnens' characterization though. i did like that

although it was still using disability/deformity as shorthand for Ugly Evil Guy which :/

but enough about the Problematic Elements(TM) let's talk about the actual story

Chani was a lot more politically and generally assertive in the movie than I remember her being in the book, although it's been A While and she was also very much a Main Character who had thoughts and opinions and importance outside of the male characters she was affiliated with (as much as anyone can escape the political black hole that is Muad'dib but) AND! she actively advocated for Fremen self-governance in the beginning! although she didn't keep it up cuz she got sucked into the Paul black hole. this may have happened in the book it has been like two years since i read the first book and it was very disjointed reading cuz College(TM). I also liked the ending part, where it was implied that Chani was leaving, on her own, because she was angry with Paul, which implies More Character Development. (Also they didn't seem to do the Fremen polygamy/concubines thing in the movie, which was a good call, i feel like that part of the book was maybe informed by anti-Arab racism)

Jessica was incredible, of course. Love me a good ruthless woman. Her main character trait/motivation was definitely Paul's Mother but her main personality trait seems to be incredible ruthlessness. there is no madonna/whore complex to be found here no sir

(i may be wrong about that part but eh)

And of course the Harkonnen Blood reveal. the story definitely sets up Atreides as The Good Guys (fair, just, merciful, looking out for and caring about the people under their rule) and the Harkonnens as The Bad Guys (cruel, unjust, power-hungry and traitorous), which makes the reveal that Jessica and Paul have Harkonnen blood an incredible symbol of Paul's corruption arc. He goes from "I must do anything possible to avoid the holy war" (the Atreides way) to "CONQUER ARRAKIS AND ELIMINATE ANYONE WHO STANDS IN MY WAY" (the Harkonnen way) over the course of...technically years, in the book, although that wasn't super well communicated in the movie I feel--in the movie it was only months, cuz Alia hadn't been born yet by the end. And right before we see the worst of it we end up learning that Jessica, his mother, was a daughter of Baron Harkonnen. Jesus fuck.

there's definitely some Not Great elements about using ancestors/blood to determine morality but still

princess irulan was introduced! as an independent character and actor in her own right oh my god! although she still falls prey to the sexism infusing the original material

the dune books (at least the first two) are in this weird state where there are very strict and specific roles/walks of life that female characters are allowed in (domestic/family life and religion) and men dominate Everything Else and nobody every questions that, not to mention the whole thing about how apparently even the very female religion/psychic field is supposed to be dominated eventually by This One Man who can do it better than all the women, and yet all of the female characters are well-developed and feel like people. ykno aside from the complete lack of protest in being shoved into a sexist role

anyways irulan got more development than i remember from the books, i loved that, and that we got her POV too. these movies are really working to uplift and spotlight the female perspectives that were often somewhat sidelined in the books and i love that

also stilgar's (blind?) faith REALLY came through which i liked

overall, yeah, the movie was great. it's very faithful to the spirit of Dune while addressing some of its flaws/datedness--it understands what its message is and what it's saying, and the way it's constructed really hammers home the critiques of imperialism and racism the original was built on

I think this is gonna end up a trilogy, based on only the first book, and it very much seems like the third (and final?) movie is going to specifically focus on the war against the Great Houses after the Emperor falls, which iirc was kinda glossed over in the book/between Dune and Dune: Messiah. I can't wait to see what they do with it

[yazthebookish]

This might be a bit long but the Gwynriel Reddit thread inspired me to let my thoughts flow about Gwyn and Azriel.

P.s. this will include some HOFAS spoilers.

I've said this before but SJM choosing to end Azriel's chapter with Gwyn is a choice. It's the beginnings and the endings of a chapter that authors tend to put a lot of thought into—so her ending the chapter which felt like her nudging readers' to Gwyn's direction is intentional.

Gwyn was not just a random addition, given their interactions throughout ACOSF their scene in the bonus chapter didn't feel out of place (even if readers' didn't expect to see her in it).

People try to invalidate the bonus chapter as much as they can but HOFAS had proved once again that they are important and canon (though I do think SJM and her publisher need to include these in the main books because they are crucial).

"You depend so much on a bonus chapter that a lot of readers don't have access to"

True but that doesn't mean the next book can't fill in the blanks because Azriel and Gwyn were already interacting in ACOSF, so having that romantic development in the next book (and the possible reveal that they're mates) + ON PAGE will still make it up for the readers that never read the bonus chapter. Like, CC4 will definitely bring up the fact that Ruhn and Lidia got married (despite it happening in a bonus).

I always considered the bonus chapter as a teaser for what will happen in the next book, Sarah confirmed she sprinkled little crumbs and I quote "I want to hear all your theories after you read the book and his [Azriel's] bonus scene, the crumbs have all been scattered, little bread crumbs everywhere" and it will keep readers guessing until the next book is out. So you won't know for sure how relevant or significant the bonus chapter is and the crumbs she scattered until you read the next book.

With that being said, Gwyn's cameo in the bonus chapter didn't come without some interesting clues: Azriel's shadows didn't warn him she was around, they were curious about her and she smiled at them, they danced and sang around her, Azriel revealed he sings because she asked, she thanked him with a smile and he felt settled even his shadows calmed.

We never saw his shadows react to anyone the way they did with Gwyn. They seem drawn to her, they danced, they sang, and while there are many theories about it but I absolutely do think if the shadows would be drawn to someone it would be Azriel's mate.

"Azriel and Gwyn had no romantic development and he didn't think about kissing her and all that"

But did every SJM couple start that way? No. And someone expressing the desire to kiss and hook up with someone is not always an indication of endgame (I can count multiple couples who kissed but weren't endgame).

The crumbs we had of them in ACOSF sets the groundwork for a romantic relationship to build in the next book—because who doesn't want to read about them both falling in love on page?

And yes, Sarah is capable of writing a love story from scratch in a single book (e.g., Tower of Dawn). Another example is how ACOMAF started with Feyre being in love with Tamlin and halfway through she started to really fall in love with Rhys.

The whole Azriel/Elain/Lucien triangle is messy as it is, so I don't think SJM would turn it into a square by inserting Gwyn. SJM could've chose not to give Gwyn and Azriel any ties in any way whether it was him rescuing her, him training the Valkyries, and again, including her in his own bonus chapter (hell even her boss:guardian Clotho made an appearance).

But she did and based on her pattern with her male love interests in particular, she doesn't really insert a new female or have females fight over the male love interest. I don't ever see Elain and Gwyn fight over Az, each might have an issue with Az on their own but do I see them argue with each other over Azriel? Absolutely not.

And if you look at the sequence of the scenes in his chapter, it gives a better idea of how it was planned:

1. Starts with Azriel reflecting on his loneliness while everyone left.

2. Elain shows up and they interact, Azriel gives her the necklace and they almost kiss.

3. Rhysand interferes and Az stops the kiss and tells Elain it was a mistake.

4. Az and Rhys argue and ends with Rhys ordering him to stay away from Elain and dismissing him.

5. Az leaves to the House of Wind wanting to work off the frustration but finds that Gwyn already occupied the training ring.

6. Gwyn and Az interact and he leaves the scene feeling settled down and his shadows calmed.

7. He wakes up, goes to the River House and finds Elain's necklace, he pockets it with the intention of returning it to the shop after the snowball fight.

8. Instead of the shop, he goes to the library to ask Clotho to give the gift to Gwyn and refuses to leave with it.

9. Going back and forth, Clotho eventually agrees and said she will tell Gwyn a friend gave it to her and she thanks Az for the joy it will bring to Gwyn.

10. Az leaves but the mention of Gwyn's joy sparked something in him that it brought a slight smile to his face, he buried the image in his chest where it glows quietly.

Both interactions with Elain and Rhys ended with him feeling miserable, but both interactions with Gwyn and Clotho ended with him feeling lighter and better—and to me that shows me how intentional SJM was with creating these parallels (including the shadows skittered back vs the shadows danced and sang).

Instead of Gwyn and Clotho we could've had Mor or Nesta or Amren, but SJM chose Gwyn and Clotho. Like, it could've ended after Rhys's argument but again, it's a writer's choice.

That's why no matter how many times I reread ACOSF my mind doesn't change much because SJM is not that subtle.

[stitchwraith-stingers]

sorry for never shutting up about how people treat hazel but ohh my god shes my fave character atm.... i get to be mad!! she has good enough information that you can play around with headcanons freely

the only moments people wouldve brung up is when dev is in the episode, there was no reason for the episode that showed her tendancy to overthink and be emberassed over small mistakes by wishing a do-over and over again, having to realise that running away from the idea of creating a problem wont help her in the long run JUST so people could go "omg haha dev has a crush on her" i could litterly not tell you what the general concensious on most episodes are because i dont know peoples opinions on them because in general they dont discuss them beyond his scenes

fanart too, ive personally muted the dev and devzel tag and when i look up #hazel wells i want you to guess how many posts i find that arent hidden! spoiler alert its barely any of them, listen im not saying im shocked at the fact The Characters Made As A Duo are drawn as a duo, its whatever and while im not personally a fan in general i really do get the appeal, but you have to admit that at some point it gets really suspicious when the only fanart you can find in one character is only with the more popular one, over 200 fics in the hazel tag on ao3 and theres only 20! without the dev tag! (10 more then when i last checked, crazy! go read fly bird, fly now), and my main problem is is that hazel is shown to be her own person OUTSIDE of their friendship, infact wouldnt you know it shes the protagonist herself! the fact that most aus ive seen are focused on dev/dale/peri is whats most confusing to me, "oh but theyre so interesting to work with"

really! youre telling me you cant think of a fic / au idea on her own? miss "i was going to have a previous godparent who didnt listen to me at all", miss "i am very anxious and i overthink to the point where my desicions", miss "i had an encounter with my evil shadow self when i was a fairy" (shout out to fairy bound au btw, im a big fan), miss "my mom doesnt fully know how to handle children inspite of being a therapist and tells me im handling things mature so i feel like i should be", miss "with the fact that im terrified my friends are making fun of me behind my back, i didnt know how to talk to anyone and a cafetiria made me so overworried and i speak to my rocks could imply the fact that i was outcasted at a young age", miss "my brother who has been my anchor and i has taught me everything i need to know has left me and hes also struggling to adjust to everything and we were insanely close to the point where the reason this whole thing started is because of him", miss "i regularly help my dad hunt a ghost that doesnt exist but it makes him happy", miss "i am litterly friends with the coolest kid in elementary school", miss "my landlords are litterly doomsday preppers and our parents want me to get along with their werido twins", miss "i didnt even hestitate to kill myself if i had to save potatoes for humanity after i pissed off mother nature", miss 'i got called out on projecting my past bonding expiriences on my best friend by some werid demon posessing her body right infront of me' none of that makes you want to think of something about her on her own? not even a spark of an idea? its almost like you guys watched exclusively 6 episodes and watched 5 minutes out of them at most

hazel is very interesting and shows her own struggles, she likes puns and fries and rocks and anime and horror movies (and apparently mushrooms if you count that one scene), she tries to problem solve so that no one is unhappy (patty being alive so winn wasnt upset, trying to get the band and orchestra together, accidently haunting her house and wishing her dads day was extra special, trying to find a dinosaur she spontaniously teleported his own job), she has multiple episodes showing her insecurities and how she tries to hide it so she doesnt look like a bad person, but inspite of it all is a understanding person and a peacemaker and doesnt like arguments, hell shes even such good autism represntation im 99.9% sure it wasnt intentional at all

dont even get me started on the takes ive seen in the finale, listen the finale has alot to be said and it definatly wont be everyones cup of tea (i think them trying to refrence every episode felt so chaotic personally) but regarding people with the ending is still giving me a headache, "she shouldve used her wish on him" that wouldve been so boring and predicable, say what you want on what she actually used it for but i think you guys should realise that for the kid whos regressing back into his bad copium mechanisms should get to face his concequences, 'hes 10 and neglected so thats why he acted like that' and 'she doesnt need to put up with how he treats her and hold his hand and be his personal therapist' can both coexist, people being pissed that she lightheartly agreed that he fucked up when HE admitted it is crazyyy CRAZYYY (also the fact ive seen someone say 'her moms a therapist she shouldve known' ???)

this isnt even touching on "hazels other relationships like her friends and family arent developed enough so thats why ppl dont care that much" while that is a valid critism i have with the show in general i still dont think applys to what im specifically talking about to demonstrate dale has appeared in THREE episodes (four if you want to stretch it), meanwhile hazels parents have appeared more often and im barely seeing them in fanart "but dale has a backstory!" so do those two have a whole episode explaining how they met "b-but dale is interesting as a role as a villain!" the guy is barely a villain [so far atleast], but also is being a therapist and a parascienists already not an interesting enough? are you guys suddenly not able to make as much headcanons expanding apon them as you did with dale? thats the thing that confuses me the most, whats stopping you from giving random information from your head to anyone else?, (i didnt know how to word this point so hopefully this makes sense)

listen im going to say it right now MOST OF THIS IS DEFINATLY UNINTENTIONAL AND NOT EVERYONE IS DOING THIS ON PURPOSE but some of u guys might really need to uncover some biases on why you think the black girl should coddle the rich white boy when he wasnt treating her well at the time, if that makes sense

[buddiebeginz]

Saw this ridiculous thread on twitter that really deserves to be taken apart so lets go:

First of all while it's obvious that Buck is attracted to T*mmy (and at this point likes him a lot considering they're now dating) in 7x04 the the main person who's attention he was trying to get was Eddie's. I did an entire breakdown of that ep btw for anyone who is still confused about what was really happening there.

------

1.

Buck goes to see Maddie after the basketball incidient and this is how the conversation goes

Maddie: You didn't mean to hurt him did you?

Buck: I don't know. I was pissed you know. Seeing him and T*mmy being such good friends after only two weeks. I felt left out and I guess I was trying to get his attention.

I know that you B/T shippers desperately want to see 7x04 as Buck sent the entire episode being super smitten over T*mmy but that is just not the story that show is telling. The entire conversation that Maddie and Buck are having in this scene prior to T*mmy even being mentioned is about Eddie. Buck and Maddie are talking about Eddie's injury and how Buck thinks Eddie won't want to talk to him after what he did. The focus is on Eddie. Also it doesn't make any logical sense for Buck to be so upset and emotionally invested over some guy he barely knows. He's upset because he thinks Eddie his best friend can so easily replace him in his life.

------

2.

You're defending T*mmy because you say he left the date not wanting to pressure Buck...yet he almost outed him in front of Eddie (someone T*mmy knows is important to Buck). By the time they were on their first date T*mmy already knew how new all of this was for Buck and how nervous he was, I mean the man was talking about how he was an ally ffs while he was on a date with a guy. And while Buck's comment about finding some hot chicks was embarrassing and I get T*mmy not liking it he should have had a little more understanding given where Buck is in his journey. Instead he made it worse by making that crass closet comment.

It's also just plain rude to go on a date with someone and then ditch them in the middle without making sure they have a way home and without any real explanation (I'm not talking about more extreme circumstances like your date just being an ahole btw). Sure T*mmy told Buck he didn't think he was ready but that was really all he said. Buck was likely left feeling like he was being punished for having a moment where he acted out of fear. T*mmy could have shared an Uber with Buck and talked to him on the way home and they could have seen if they wanted things to continue. But it was like at the first sign of Buck needing more support he bailed.

------

3.

My personal feeling on the first kiss is that T*mmy really should have given something of an indication of his intentions before he kissed Buck.

Speaking as someone who is bi if I was into another woman and they were giving off the kind of vibes Buck was I wouldn't just jump in there and kiss them. I know they try to make everything more sexy for tv and it's the oldest trope in the book to have the hot guy grab the main's face and lay one on them but given all of the signals Buck was sending out T*mmy really should have gotten more confirmation beforehand.

I'm not accusing T*mmy of anything and clearly Buck liked the kiss and it was also clear in that loft scene he was attracted to T*mmy. Still the vibes he was giving off were also really nervous an unsure and he talked about Eddie 90% of the time literally moments before the kiss. Why jump in an kiss someone who seems that nervous and probably is into someone else? I don't know it's just issues I have with that scene.

----

4.

When it comes to a lot of the discourse I see around between Buddie shippers and B/T shippers I feel like a major difference is in how we perceive the show. I feel like a lot of B/T shippers mostly just take the show at face value. If something is written a certain way and presented that way to you on the screen you take that as exactly what the story is saying but you're missing the more subtle messages in the writing.

Like the whole scene with Buck, T*mmy, and Eddie in the karaoke bar had a lot going on beyond just what the dialogue was saying and it was likely missed by those who weren't paying attention.

Yeah T*mmy was on call and yeah that could be a reason why he didn't dress up. Although as many have pointed out there's plenty of things he could have worn that would have made it easy for him to quickly change and get to work and still put an ounce of effort into something that was clearly important to Buck.

But the not dressing up wasn't even the biggest issue it was that when Buck seemed hurt by the fact that T*mmy didn't care enough to dress up T*mmy was just like it's not that big of deal get over it (in the demeanor with which he responded). Obviously it was just a silly bachelor party one Chim didn't even show up to and no one else even dressed up for it (besides Eddie) but for me it's another red flag showing that T*mmy doesn't listen to Buck and doesn't have his back like a (potential) partner should.

Also you can defend T*mmy all you want but very deliberate choices were made with this Buddie and T*mmy scene. They chose to have Eddie arrive first and call a lot of attention to what he was wearing. Right before they had T*mmy come in and have that whole convo about his lack of costume to Buck.

Multiple times in the episode they pointed out that Buddie were wearing a couples costume and that Eddie is the one who picked it out. Not only were they matching in the bachelor party outfits but if you look at their outfits in the later scenes while looking for Chim they're coordinated like spouses there too.

They chose to have Eddie be the one to stay with Buck when everyone else left. They chose to have Buddie partying alone when they could have easily had T*mmy there. Especially when you consider this is a much shorter season every scene and every ep means even more than it would in a normal season. If they were trying to build B/T and get the audience to warm to them showing them partying even showing B/T partying with Eddie would have been a great time to do that instead they only focused on Buddie.

-------

5.

I'm happy for B/T shippers that you got your kissing scene at the end but here's what I saw. In a very overstuffed episode they chose to have a ton of Buddie stuff including having Buck and Eddie show up together multiple times while everyone was out looking for Chimney. Meanwhile B/T got one small scene (which included Eddie) in the beginning and one kiss at the end away from everyone else (that immediately cut to Eddie and Chris). The kiss didn't even feel like it's main purpose was to further develop the B/T relationship, it felt like it happened more to serve Buck's bi storyline so he could come out to everyone.

Also others have pointed this out but just because B/T have physical chemistry doesn't mean they have romantic chemistry. They seem like very different people. Too different in my opinion. In what little scenes of conversation they've actually had I just see two people who won't be compatible long term.

Juxtapose that with Eddie and Buck and just how much alike they are while at the same time being so uniquely themselves. How they're able to call each other out when they need to like when Eddie pointed out how it was maybe not the greatest idea for Buck to come out at his sister's wedding.

You can dislike Buddie and ship B/T all you want but you can't deny how all Buck and Eddie have to do is stand near each other and they exude chemistry and compatibility. People who don't even watch the show assume they're together and there's not even one scene of them kissing. Yet the main reason people ship B/T is because they're two hot guys who've kissed twice. There is no other real point of substance there. Now tell me again which fandom is guilty of fetishization here?

----

6.

You can call us the delusional ones all you want but EVERYTHING is screaming in your face that T*mmy isn't going to last forever. I don't even care if he comes back for season 8. T*mmy and B/T have a giant ticking clock over them and sooner or later their time will be up. There is no way Tim, the writers, ABC, Ryan, Oliver, etc would pass on the phenomenon that Buddie will be once it goes canon. The show already gets a ton of attention just from talking about the possibility of them going canon. Every single article where they even mention Buddie gets attention.

It's hilarious to me that you say the actors and showrunners are what rooting for B/T? In all the the interviews they talk about Buddie now. Tim literally was saying he cares about Buddie too in his response to a fan the other day. He literally said he included Buddie scene specifically for our fandom. Oliver is always posting and liking stuff related to his scenes with Ryan and Buddie. When Ryan gets to do interviews he gushes about Buddie and Oliver. Meanwhile B/T which is supposed to be the canon ship in this important queer storyline they're doing barely gets mentioned. Let me know when that same energy is being given to your ship.

[harukamitsuki]

I need Bakugou stans to realise that it's not that I hate him as a person. It's that I hate him as a character.

A lot of my favourite characters are unrepentant assholes, or assholes who are set to or have already been redeemed. Vegeta from DBZ, Ouma Kokichi from DGR: V3, Dio from JoJo, Laxus from Fairy Tail, Greed from FMA: B, Bill from Gravity Falls, and the list that goes on.

If a character is a terrible person, that's fine by me. But if the author tries and fails to redeem them, yet still acts as though they are suddenly this amazing person, that's when I have an issue with it.

Bakugou was originally written to be a minor antagonist, and that would have been fine, if Horikoshi didn't suddenly go "I drew him crying so imma fix him".

Redemption is such a complex yet simple thing to do. So when you try to do it and fail spectacularly, um, yeah, I do not enjoy that character or your writing.

That is my main issue with Bakugou. I do not think he deserved any redemption, not because he's a bad person, but because there is nothing to convince me that he could change.

He gets one scene where he goes, "boohoo I lost and everyone is stronger than me" then cries, and that's supposed to be enough for him to become a better person? That is nowhere near enough.

There was no moment that made me believe he genuinely regretted and took accountability for the abuse he put Izuku through in middle school.

"He changed!" That's not my issue. I don't care that he's changed. I care that I don't believe in it. If there was a plausible reason as to why he changed, then I would be fine with it. Maybe I'd even enjoy him!

The fact that he's changed doesn't mean shit if it's not believable.

"That was in middle school!" Okay. This one pisses me off the most. That was a year pre-canon? Oh, wow, I guess that's completely fine! It's not as if characters are the way they are based on their past. Oh, Itachi killed the Uchiha clan before canon! Okay, maybe comparing a massacre to bullying is a bit unfair. Still, just because it happened a year ago, it doesn't mean it never happened. It doesn't mean that he's changed considerably.

"Izuku doesn't have any lasting damage and forgave him!" And? Just because your friend forgives their bully, it doesn't mean you have to forgive them. And, again, I do not believe Bakugou's apology was good in anyway. He was trash-talking Izuku, blaming All Might for Izuku's behaviour, and didn't accept any culpability for what he did to him. He didn't tell anyone else what he did to Izuku. Also, if Izuku really didn't have any lasting damage from the bullying, then why did Bakugou's apology make him calm down? If he didn't care about the bullying, then why is he so relieved by the apology? BECAUSE HE WAS AFFECTED.

"Bakugou was being abused!" ... NO HE WASN'T!! Mitsuki is not abusive. Yes, she hit him round the back of his head. After he threatened her. Anyone with Asian parents can tell you that her hit does not hurt. Not only is it somewhat normal in Asian families, but it also doesn't hurt. We have no evidence that she is abusive. Horikoshi knows how to set up abusive families, as seen with the Todorokis. This not that. Either way, even if she was, being abused doesn't mean it's okay to abuse others. You can hurt without hurting others.

"It's the school and teacher's fault!" No, it's not. Part of the fault lies with them enabling him, but Bakugou is already fifteen when the series starts. His mother clearly doesn't agree with his attitude. The school is only partially to blame. Bakugou should have learned by himself what is right and what is not. In fact, he clearly does know considering he doesn't want any of that stuff on his records in case U.A. rejects him.

Again. I don't care if he's a terrible person. I care that he's a terrible character.

So the next time someone says that I'm stuck in Season One, take a moment and think about what you're saying. Bad people in fiction are entertaining. Bad characters are not.

[mamawasatesttube]

hi! i wanted to know if you had any thoughts about possibilities for the interactions between kon & matrix? as she was supergirl when he came into the scene and i know they interacted at least a little

they did! this is gonna get kinda long, my apologies, but lets gooo.

so kon and mae's relationship is... fascinating. they started off pretty sweet, with her being a warm and friendly presence when he started off as superboy - she invited him for dinner with lex, and all that, plus helped him with the stinger bridge incident. i often also think about the bit during the trial of superman arc where he tried to teach her to play magic the gathering with him:

however. their relationship took a significant turn for the worse shortly after this, during the arc in which knockout groomed kon into a relationship and manipulated him into helping her run from accountability for a murder he thought she was falsely accused of committing. the press turned very negative about kon aiding and abetting her escape, and mae showed up to confront him about it:

superboy (1994) #28

now there is a LOT to say about this arc and this issue, but there are two main things that stand out to me the most. firstly - this is pretty much a textbook example of what NOT to do when someone is in an abusive relationship, i.e. throw an ultimatum that they have to listen to you and leave immediately. it's how to drive them further into their abuser's arms, and that's exactly what happens with kon and knockout (she even literally tells him he doesn't need anyone but her, which is a classic abuse tactic. isolate the victim from his other would-be support.) ironically, this is also exactly how mae herself reacted when clark and the kents objected (much more gently than she did here!) to her relationship with lex luthor. it is so textbook "what not to do when someone you care about is in an abusive relationship" that i really wonder if kesel did it on purpose. i can't say he did with any confidence, though, given how victim blamey the rest of the narrative gets towards kon and how much he clearly still has a boner for knockout even after this arc ends, but... it is fascinating, i guess.

secondly, though, as much as it sucks, i would say this is completely consistent with mae's characterization in her own run (supergirl '96) which starts not too long after this. mae fuses with linda, which means... she and kon never actually work this out between them. however, mae is consistently characterized as someone who means well but can be hotheaded, judgmental, and prone to being pretty holier-than-thou when she jumps into situations without assessing them fully beforehand, like when a priest of a scam church in her name dies in front of her because she ignored him having a heart attack, not realizing he was trying to reach for his pills and begging her to help him reach the bottle he'd dropped, because she thought he was just scared of her and pleading for mercy. so her harshly judging kon for being in an abusive relationship, having recently escaped her own with lex luthor (in supergirl 1994), is in line with her characterization; in fact, it's entirely possible that she's so angry with kon here because it's the misplaced remnants of her anger at herself.

this is pretty much the last nail in the coffin for kon and mae's relationship. as long as mae is the more dominant personality in the linda-mae fusion (i.e. the first 50 issues of supergirl vol 4), she and kon don't really interact much anymore, and when they do it's without the warmth their relationship used to have (the "skyhog!" moment, hilarious as it is, comes to mind). HOWEVER, once mae and linda separate, and linda becomes supergirl, she has other opinions on it:

young justice (1998) #38

kon and linda have a much better relationship than kon and mae - this is the first time kon talks to her since her split from mae, and from there on, their interactions are pretty warm! linda gives him advice on how to patch up his friendship with robin after their fight on apokolips, and takes some inspiration from their conversation to patch up her bond with buzz, too. i won't get too far into linda & kon since that's not what you asked about and this is already a long post, but i do love them dearly 🥺

tl;dr my thoughts on kon and mae are mostly like, i think she saw herself in him in a lot of ways (the naivety, for one), but she didn't always like what she saw, and that put some significant strain on their relationship. there was love to be lost between them, like, in sb94 #28 kon even mentions they were just working together and helping free superman from false accusations, and mae is trying to reach him; she just doesn't go about it in the best way and it blows up in both of their faces, and her run establishes that she's got a proud streak and doesn't really like apologizing. so it's.... complicated! oof.

[aernthetransfrormer]

Identity Debates #4 Radqueers

I'm going to be making a few posts about "controversial identities" I want to here argument both for and against it. You don't personally have to believe the argument, just something you've hear/come up with. Also, this is the last post. :)))

The main reason I'm against rad queers is because a large part of them support MAPS/YAPS as if they're not just pedophiles. I'm also kinda offended by transabled, transabuse, etc people because I actually have those expirience it, I don't understand why anyone would want to transPTSD. I don't have PTSD, but I do have trauma. It's kinda offensive to be like, "I wish I went through that :c" No. YOU. DO. NOT. Being transharmful is worse in my opinion, Just because YOU SHOULD NEVER WANT TO HARM ANYONE!!!! You can be trans age I guess because you agere, transspecies, BUT WHY TRANSHARMFUL? THE WORST PART IS I'VE SEEN A LOT OF PEOPLE TRANSITION AND PURPOSFULLY HARM PEOPLE! I sometimes tell myself it can't be that much of a large part of the community, but it's so much it's still bad imo

The only thing I am okay with is trans race adopted people/anyone who's family is a different race so they celebrate things and act like people of a race they weren't born into. I do have a problem though with people who are transrace just because they think it's cool. As a Mexican, it's kinda racist??? You can celebrate the holidays, enjoy the food, and everything else without becoming the other race. None of them should try to physically change themselves though. Just like I said in my other posts, I don't have a problem with the cringe part of it, just those offensive and objectively terrible parts. Being transspecies is like being alterhuman. Who really cares? I don't care about those parts, but there's so much bad I am against radqueers. The argument that they aren't hurting anyone doesn't even work because they are being discriminatory AND SUPPORT PEDOS???

I would say # Rad queers interact! but I'm gonna trigger way to many people into pointless arguments. If you aren't VERY triggered, please tell me anything you have heard about supporting radqueers. You don't nesacarily have to agree with it though. Edit: A few people have responded and I am understanding a bit more why people are radqueer. I still don't think it's that good though, not THAT bad either though. 1. I still believe transharmful is bad because you should never want to harm anyone. 2. I know paraphilias are something people actually struggle with and they deserve support, but they shouldn't be celebrated. At least not in the way like LGBTQ+ is. 3. I do mostly agree with at least what most people have responded with. 4. do understand using transID for introjects who want to be more like their source, but I personally believe it's best to separate from your source. Having wayyyy to many Wilbur fictives, me (host) and all of them have had some existential crisis from not understanding whether or not I am the source. (obviously no but its still stressful) 5. I still don't understand transdisorder/transable. I understand why people use them, but I still don't think it's good most of the time. It's still offensive imo. This is because wishing you had it worse isn't something to be proud of, it's kind of an insult towards people struggling with those things. YOU CAN EXPIRIENCE THINGS THAT MAKE YOU IDENTIFY AS RADQUEER BUT ITS NOT ALWAYS SOMETHING TO BE PROUD OF! specifically paraphillias, transrace, transdisorder, and transabled. You can expirience them and I agree we shouldn't have stigmas against paraphilias, but you shouldn't be proud of it (at least like LGBTQ+ is)

btw, I wouldn't consider radqueers as LGBTQ+ because LGBTQ is about struggling with gender and/or sexual and romantic orientation but radqueers don't have to do with either

ANOTHER EDIT :0 Radqueers... aren't actually that bad. Thank you to everyone who answered. Tbh, I'm mostly neutral on it in like half the cases lol. As long as it isn't hurting anyone, YAY! lol idk what to say I'm not against radqueer identities, I just personally think there are better options. like 70% of it is alright and the rest is... eh, kinda bad? I think transharm identies are okay but I still don't really know about trans race, transabled, and other things that are kinda biggoted. I understand why people use the labels, but I don't think it's right? Idk if that makes sense. I think it's better to just accept yourself first.

[uriekukistan]

aita for abducting my nephew’s boyfriend and using his body as a vessel? 

i (1000+M) was minding my own business as a set of 20 cursed preserved fingers when some brat (15M) ate one of my fingers to save his friend (15M). i tried to make him my vessel, but he resisted, and ended up being more of a cage than anything. i also realized later that he was also my nephew, but i’ll get to that in a bit. 

i was getting pretty bored in there, since he wouldn’t let me out to massacre local populations, even after eating another one of my fingers, but then i got my opportunity. he asked me for help defeating a powerful curse, so i took advantage of his pathetic state to get out and wreak havoc in the world. i ripped his heart out (literally) for good measure so he couldn’t come back without dying, but that idiot came back anyway and died.

while i was wreaking havoc though, i found out that his little friend had a really cool jujutsu technique! i thought he would be an interesting opponent, but he wasn’t really using it as well as i thought he would :/ i thought it was kinda unfair that he got to have such a cool technique when i could use it better and especially since i’m stuck in this brat’s body who has no technique, so i cooked up a plan to get my hands on it and brought the brat back to life.

some time later, i got the opportunity to massacre civilians again. well, technically, i was exorcising a disaster grade curse i guess. massacring civilians was just an added bonus. well, the brat didn’t take that very well and was saying all this shit about wanting to die, which i thought was kinda ungrateful, since i saved both his life and the life of his boyfriend. granted, i had ulterior motives for both, but still! 

anyway, he somehow figured out that i had a plan for his boyfriend, and he started running away with his half brother (150M). i was especially worried that i lost my chance when this guy (17M) briefly killed my nephew, but he brought him back to life. 

one thing i’ve never understood is love, so i was a bit confused, but relieved, when my nephew’s boyfriend found him and managed to persuade him to help him out with some game my frenemy (1000+X) set up. some super nauseating bullshit about saving him and not being selfish blah blah blah.

i bet a lot of you are wondering how this 15 year old brat is my nephew when i’m 1000 years old, so since i brought up my frenemy, i should just tell you they’re a bit of a weirdo. basically, when i was in the womb, i consumed my twin to survive, but their soul still existed in the universe. somehow, my frenemy got their hands on his soul, and when he was reincarnated a thousand years later, he took over the body of his wife and had a son with him. that’s my nephew. i think they did it just to spite me, but they also helped me cheat death by becoming a curse, so i can’t complain too much.

back to the main point, i finally got my hands on my nephew’s boyfriend and made him my new vessel. i was right! his technique was sick! and the look on that brat’s face was priceless!

it took me a while to break my nephew’s boyfriend down enough to use his body and technique effectively, but it was kind of entertaining to watch, and now i can move freely! the only problem is now i have all these sorcerers swarming around me like flies trying to defeat me, and it’s getting a bit frustrating, if not tiring. every time i think i take one out, another one shows up, or they just stand back up. 

they all seem seem pretty mad at me. i’m not really sure why. first, it’s the right of the strong to prey on the weak. second, it’s not my fault that my nephew wouldn’t just be a good vessel and let me massacre civilians, and it’s also not my fault that his boyfriend had a cool technique. i think i did what anyone would do in this situation. aita?