#any society fans out there........

[danneelswife]

allie and cassandra pressman | brutal

all i did was try my best this the kinda thanks i get?

(youtube)

[torgawl]

i am begging people who keep pushing the wriothesley is a father figure to the melusines/sigewinne agenda to read his lore. begging. he's not a father figure, in fact, he's like their borrowed grandkid. the melusines adopted him, not the other way around!!!

[figofswords]

saw some tags on one of your posts and u have a cat name midna?? 🥺 I love that 🥺 can we see a pic pretty please

oh boy do I EVER have a cat named midna. and she is Deranged

(bonus: rare photo of midna being NOT a maniac + tiny baby muppet midna)

[lord-squiggletits]

Part of why I hate this fandom's take on Autobots vs Decepticons is ppl (mainly 'con fans honestly) who can't have any nuance of the situation whatsoever and love to write plots like "oh the humans are racist and abusive towards Cybertronians so this is how Megatron is right" no actually I don't think colonialism/imperialism and racism are justified so long as you can point the finger and say "they were the aggressors first" or "their hands are no cleaner than ours bc their society sucks too" sorry. Please come up with better sociopolitical narratives in your war story.

[spotsupstuff]

here's a neat vid, go watch it if you haven't yet

there's Some things that i don't completely agree with personally, like attributing the Third sin to Materialism rather than Connection (i'd argue that the Ancients had no big issue with being materialistic, considering their golden attires and such- and that going with Connection overall better addresses both the core of Materialism and relationships overall) and then attributing the word Dynasty specifically to asian cultures but that's more history/word definition beef more than anything djgklsjlcgjkd

oh how i'd love to have a debate with this guy about Ancients...

[the-busy-ghost]

"Oh it would have been more satisfying if the humans had invented a technology which defeated the Martians rather than have them killed off by accident just when humanity's impotence in the face of disaster seems to be confirmed". I

To me that's just a fancy way of saying "Yeah but humans could totally handle the Martians and the writer has a duty to reassure the audience of that!"

Sir we cannot even handle climate change and I'm sorry to tell you that it's not entirely due to a lack of technological expertise

[universalheart]

apocalypse

[flowermist7432]

lately when im talkin about a media i hate (usually due to the creator) I have to ask myself "Do I actually dislike (insert thing) in the media, or would I have felt differently and enjoyed it if it was present in a DIFFERENT media" and if that answer is yes I do think this would have been fire in another project- then I have to find out what I actually dislike and put it into words. Examine my feelings/biases, etc. It helps exercise my ability to be critical without being seen as unfair.

(warning, ramble in tags!)

[crowtobio]

i hate that all of my a//3 thoughts are so unbelievably niche bc i think there are maybe two (2) people who have a fucking clue what any of it means and its driving me insane

[nightly-ruse]

I think about animal fiction with ferrets so much. I just want to give them a society and culture and have them be slinky creatures of the swamps

I love them

[abimee]

i cpul;d go on forever about amaurot. the specific people. thinking about the descriptionds for the philos and aidos minion and having a moment ill brb

[anothermansjeans]

naur bc i have thoughts....

[lesbianbishounen]

i hate talking about genai bcus its fucking everywhere and even talking about that fact feels redundant but i cannot help but think about how people's arguments for why it could be good feel so indicative of how many americans think about the day to conveniences we have.

like people will say stuff like "oh wouldn't it be nice to have someone who can't draw be able to have art or voices or music for a game or other project they're working on when they're not an artist or voice actor and can't afford to pay one" and like yeah sure it would be nice. devoid of context its a fun little novelty that wouldn't hurt. it'd be a welcome convenience for them but the entire problem is what the cost comes at.

Setting aside the fact that we don't live in a world where that tech will just be used for small personal use, the stuff it comes at the cost of is the whole issue, massive water and energy consumption, people in other countries paid pennies to filter through all the horrific stuff that gets submitted to machine learning datasets. but the people touting this stuff as a great convenience that'll "democratize art" or whatever don't care about that, and it feels like the same mindset of people who refuse to boycott any company that's doing harmful shit.

Who cares if people in another country are dying, i get my convenient caffeine fix. Why should I care about the reason why I get to have out of season fruits year round, it makes things easier for me. Why would I want to take public transportation and change my behaviour, my car is easier. Why should i tolerate any level of inconvenience for the sake of another person or trying to cause less harm. Just complete and utter apathy towards what the negative effects of the things that help you are.

[oxyfem]

my nightmare is knowing that if i was a character in some sort of media people would hc me as butch bc i wear pants and combat boots constantly

[fuckyeahisawthat]

Controversial opinion among Dune book fans maybe, but I loved the changes they made to Chani's character. Making her a fedaykin who is already an experienced fighter before Paul arrives was a brilliant choice. Dune Part Two is a war movie, and this puts her at the center of the action, side by side with Paul, and gives her a much more active role than she has in the book.

We got a hint of where things were going in the beginning of Dune Part One. The first thing we ever know about movie Chani is that she's a fighter. She serves as a voice for the Fremen, telling us the story of their struggle from her point of view. I wrote here about the difference this change makes compared to other adaptations of Dune, what a perspective shift it is to have the world of Arrakis introduced not by an outsider, describing it as a dangerous but valuable colonial prize, but by one of its native inhabitants, who tells us before all else that it's beautiful, her home that she's fighting to liberate. I am so, so glad that the second movie followed up on this characterization.

I never found Chani and Paul's love story in the book particularly convincing, because why would this woman, who already has a prominent and respected place in Fremen society, even give the time of day to her deposed would-be colonizer, let alone fall in love and have children with him? Without a compelling reason for Chani to love Paul, she ends up feeling like a prize to be won, and "indigenous culture personified as a woman to be wooed (or conquered) by the colonizing man" is a trope we've seen and don't need to repeat.

But as soon as you tell me it's a barricade romance I get it. Cool cool cool, I know exactly what this relationship is now and it makes sense. Movie Chani doesn't respect or even particularly like Paul when she first meets him, and she doesn't think he's the fulfillment of any prophecy. She comes to respect him, and eventually love him, through his actions. He's brave--sometimes recklessly so. He fights well. He's willing to stick his neck out on the front lines with the other Fremen fighters. He can (after a little help) hack surviving in the harsh desert environment. He's not too proud to learn from others. He seems to genuinely want to be her equal in a common political struggle. All these qualities make sense as things she values.

Fighting side by side as equals is just about the only way I can see movie Chani falling for Paul. And it fits perfectly with the film's pattern of reversals that Paul's capacity for violence would initially be one of the things Chani likes about him, only for her to be repelled later when she sees what he becomes.

And as for Paul, well, he's had people deferring to him his entire life. Someone who doesn't take any shit from him is probably refreshing. He seems to like people (Duncan, Gurney) who challenge him and engage in a little friendly teasing--and aren't afraid to go a few rounds in the sparring ring.

It's easy to speedrun a romance when you're spending all your time together in mortal danger fighting for a shared political cause. Especially if you then start winning in a war your people have been fighting for decades. Are you kidding me? That is the perfect environment for intense battle camaraderie to turn into romantic love, and lust.

It makes sense that this version of Chani never believes Paul is any kind of messiah. Of course a character like movie Chani wouldn't believe in or trust some outside savior to liberate them. She's been working to liberate her own people for years. The more Paul invokes the messianic myth, the more he starts sounding once again like someone who plans to rule over them, and the more uncomfortable Chani becomes. In this way she becomes a foil to Jessica, the two of them representing the choices Paul is pulled between. It's a great way of externalizing the political and philosophical debates that often happen within characters' heads in the book.

And of course this version of Chani would leave Paul at the end of the film. It's not just the personal, emotional betrayal--although that stings. What common cause does she have with someone who just declared himself emperor and is sending her own people off in a war of conquest against others? Given the important role she plays in Dune Messiah, I am super curious to see how they get her back into the story, but girl was so valid for being willing to just gtfo. Given that she has the last shot of the whole movie, I'm sure she'll be back somehow, and I can't wait to see what they do with her character in any future installments.

[thewriteadviceforwriters]

How To Plan A Book Series: Ultimate Guide

Writing a book series can be an incredibly rewarding experience for authors, but it also requires careful planning and execution. A well-crafted book series can captivate readers, build a loyal fan base, and provide a steady stream of income for writers. However, planning a successful book series is no easy feat.

It demands a deep understanding of world-building, character development, and plot progression. In this ultimate guide, I'll help you explore the essential steps to help you plan a compelling and cohesive book series that will keep your readers hooked from start to finish.

Develop a Compelling Premise The foundation of any successful book series is a strong premise. Your premise should be unique, engaging, and have the potential to sustain multiple books. Consider exploring a complex world, a captivating concept, or a character with a rich backstory that can evolve over the course of several books. Ask yourself: What makes your premise stand out? What will keep readers invested in the story for multiple installments?

Create a Detailed Outline Before you dive into writing, it's crucial to create a detailed outline for your entire book series. This outline should include the overarching plot, major story arcs, character development, and key events for each book. Having a solid outline will help you maintain consistency, avoid plot holes, and ensure that each book contributes to the overall narrative. Don't be afraid to make adjustments as you write, but having a roadmap will keep you on track.

World-Building: Crafting a Vivid and Consistent Universe One of the hallmarks of a successful book series is a richly developed and immersive world. Whether you're creating a fantasy realm, a futuristic society, or a contemporary setting, pay close attention to world-building. Establish the rules, customs, histories, and geography of your fictional world. Consistency is key, so ensure that the details align across all books in the series. Consider creating a "bible" or a comprehensive guide that outlines the intricacies of your world, making it easier to maintain continuity.

Develop Compelling Characters Great characters are the heart and soul of any book series. Your protagonists, antagonists, and supporting characters should be well-rounded, multi-dimensional, and undergo significant growth and transformation throughout the series. Craft backstories, motivations, flaws, and strengths for each character, and ensure that their actions and decisions drive the plot forward. Remember, character development is an ongoing process, so be prepared to explore new facets of your characters as the series progresses.

Establish Recurring Themes and Motifs Themes and motifs are powerful tools that can add depth and resonance to your book series. Identify the central themes you want to explore, such as love, redemption, power, or identity. Weave these themes throughout the series, allowing them to evolve and deepen with each installment. Motifs, like recurring symbols or imagery, can also create a sense of cohesion and add layers of meaning to your narrative.

Plan for Cliffhangers and Resolutions One of the key strategies for keeping readers engaged in a book series is the strategic use of cliffhangers and resolutions. Cliffhangers create anticipation and leave readers craving for the next installment. However, be cautious not to overuse this technique, as it can become frustrating for readers. Balance cliffhangers with satisfying resolutions that tie up loose ends and provide a sense of closure, while still leaving room for the story to continue.

Consider Pacing and Narrative Structure Pacing and narrative structure are crucial elements to consider when planning a book series. Each book should have its own narrative arc, with a beginning, middle, and end, while also contributing to the overall story progression. Vary the pacing between books to maintain reader interest, alternating between action-packed and slower, more introspective sections. Experiment with different narrative structures, such as multiple perspectives, non-linear timelines, or frame narratives, to keep the series fresh and engaging.

Manage Continuity and Consistency As your book series grows, maintaining continuity and consistency becomes increasingly important. Keep detailed records of character descriptions, plot points, world-building elements, and timelines. Regularly refer back to these notes to ensure that you're not introducing contradictions or inconsistencies. Consider creating a series bible or a wiki to help you keep track of all the moving parts.

Plan for Character Growth and Evolution In a book series, characters should undergo significant growth and evolution. Plan for character arcs that span multiple books, allowing your protagonists and supporting characters to face challenges, make difficult choices, and emerge as changed individuals. This character development will not only add depth to your narrative but also keep readers invested in the journey of your characters.

Anticipate and Address Potential Plot Holes As your book series expands, the potential for plot holes and inconsistencies increases. Be vigilant in identifying and addressing these issues during the planning stage. Regularly review your outline and notes, looking for any logical gaps or contradictions. Enlist the help of beta readers or critique partners to provide fresh perspectives and catch any potential plot holes you may have missed.

Consider the Overarching Story Arc While each book in your series should have its own narrative arc, it's essential to plan for an overarching story arc that spans the entire series. This overarching arc should tie together the individual books, building towards a climactic conclusion that resolves the central conflict or mystery. Ensure that each book contributes to this larger narrative, advancing the plot and raising the stakes for the characters.

Plan for Marketing and Promotion Finally, as you plan your book series, don't overlook the importance of marketing and promotion. Develop a strategy for building buzz and engaging with your audience throughout the release of each book. Leverage social media, author events, book tours, and other promotional opportunities to keep your readers excited and invested in your series.

Remember, writing a book series is a marathon, not a sprint, so be prepared to invest time, effort, and dedication into crafting a truly remarkable literary journey. Hope this helped!

Happy Writing - Rin T.

Hey fellow writers! I'm super excited to share that I've just launched a Tumblr community. I'm inviting all of you to join my community. All you have to do is fill out this Google form, and I'll personally send you an invitation to join the Write Right Society on Tumblr! Can't wait to see your posts!