#any hater will be blocked

[lucky-fy]

Please enjoy :)

Two more with spoilers below

[aprillikesthings]

Ngl, one of my absolute fave bits of popular post-spop-canon headcanons/fanon, is Catra becoming Glimmer's advisor and close friend.

It's one of those "oh, of course" kinds of things. Catra is extremely knowledgeable about the land that was under the Horde's control, far more than Hordak ever was. (He shoved that work off onto Shadow Weaver and then Catra.)

And...admittedly this includes land that became Horde-controlled under Catra's leadership. She still knows a lot about it. Geography, trade routes, that kind of thing.

But also, we know Etheria is, in general, not big on retribution or punishment--that was something only the Horde did. Instead people might be wary of you for a bit but if you prove yourself to have changed for the better, it's all good.

(This is so obviously not limited to Catra--Adora, Scorpia, Shadow Weaver!, Entrapta--they all worked for the Horde at some point, and/or did shitty things, and were all given a chance to be better. Whether SW was actually better is its own essay lol, but the rest of them. Yeah.)

So Glimmer making a public point of having Catra as her advisor would also be a very public way of saying "The past is in the past and we can all work towards a better future together."

[lesbianwyllravengard]

i still have yet to play bg3 so i still dont go here yet but Wyll seems literally like one of the most compelling characters of all time and im not even joking. I havent even played the GAME but his character arc haunts me /pos. people are literally just racist to say that he isn't compelling

LITERALLY. He's utterly fascinating. He is a folk hero, a legend, the fantasy equivalent of superman. He's a warlock who is secretly pacted to a devil. He hates devils. He's an incredible liar. He's incredibly sincere. He's silly. He unironically enjoys puns and clowns. He over-exaggerates his Blade personality because it amuses him. He sometimes doesn't know where The Blade ends and Wyll begins. His hero-ness is a performance; not to hide ill intent, but to hide a broken man, to hide weaknesses and fears. It's who he is. It's always been a distant thing, a mask. It's who he thinks he must be. He loves freely and openly and will let anyone know it. He's only ever wanted to know he's loved. He still thinks his father's inability to trust or believe in him was all his fault. He still thinks that every bit of suffering he's ever experienced was all his fault. He thinks admitting to suffering would be disrespectful to the lives he's saved. He thinks he has to suffer or else his sacrifices were worthless. He thinks it couldn't be a sacrifice if he didn't suffer for it. He would take any suffering if it meant lessening someone else's. He is the first person to stand up for someone's life and safety, the first person to defend someone's worth and autonomy. He is the last person to do so for himself. He is of the least importance to himself.

He needs to be needed, because if he's not needed then what good is his power and the soul he sacrificed for the pact to get it? And if he can't be needed then he throws himself into the fray without hesitation because his purpose has always been to sacrifice himself so others may live. His life has always been one of sacrifice. His life has been recompense since the second he was born and his mother passed as a result. He saves lives to make up for it. It will never be enough to him. It will always be everything to those he saves. He just wants to be seen for who he truly is. He thinks if no one can see him for who he is then maybe it isn't who he is, and maybe he's fooled them all, fooled himself into thinking he can be a better person, be the hero they need. He wants to be known by someone. He's terrified of someone looking deeper. He sees others for who they are. He's a monster hunter who does not hunt the typical definition of "monster", who knows that monsters are not the ones with fangs and horns in his group of friends but the men who look harmless yet cause endless death and suffering to others. Not even the threat of his life was enough to get him to harm an innocent.

He wants to be chosen. He cannot fathom that someone would choose him. He chooses others over himself every time. He has so much love for others. He thinks he must constantly earn love. He is shocked when someone simply loves him. He thinks he cannot love and lead at the same time. His only role model was a father who could never put his son before his city. He is capable of immense anger. He is capable of immense kindness. He purposefully chooses the latter; he works hard to not let his anger consume him. He's still angry over things that happened a near decade ago. He thinks feeling hurt is the same as being angry and so he can't be hurt. He's always hurting. He takes pride in his achievements and he does not underestimate himself. He's not religious. He devotes himself to his cause with the dedication of the most pious believer. He stands by his friends in any battle, against any struggle. He stands against them if they choose to threaten lives. He holds on to those he cares about with bloody knuckles and teeth bared because loss has always been the hardest pain for him to bear. He has lost everything. He gives every part of himself to others. He cannot lose anyone else. He thinks he can do anything because he refuses to believe any alternative. Because he could not survive any alternative. He thinks his intent is as important as his actions, and so he must always intend to do the right thing.

He does not tolerate his boundaries being pushed or his father being disrespected. He tolerates any judgment because he thinks he deserves it. He defends his status as the Blade of Frontiers. He thinks the fear caused by his devil form is a fault of his own that he must work to fix. He hates the patriars and their farce diplomacy, their lethal hypocrisy. He thinks his father is infallible. He does not hold himself to the same regard as he holds everyone else. He thinks its okay if it only hurts him. Anything is okay as long as it only hurts him. He has to keep fighting to prove he can be a hero. He is so, so tired. He cannot for one second admit to wanting for anything, because once he starts he might not be able to stop wanting. He cannot accept that he deserves to not suffer, too, because if he does he might not be strong enough to continue suffering so others might suffer less. He might not want to suffer. He thinks he cannot regret any decision he's made, he cannot regret his pact, because it would be a dishonour to the good he's done with it. He thinks that saying he regrets his pact would be saying he regrets every life he's saved with it and he would never regret saving lives so he cannot regret his pact. He's accepted that his freedom will always be the cost of saving lives. He desperately wants to be free. His life has never been his own, to him. He thinks every choice he's ever made was his own, alone.

He is very complex. He simplifies himself to be easily accepted by others. People fall for it easily. He just needs one person to look closer. He's afraid of what they'll find if they do. He doesn't keep his cards close to his chest, he meticulously chooses which cards to hold at all. Which parts of himself are worth losing if need be. How much of himself he has to keep close in order to keep being himself. He has seen the worst that the world has to offer. He chooses every day to be kind, to see the best in things, in others. He chooses to care. He holds onto his pain because it's proof that he cares. There are several pathways that don't connect quite right in his brain which you'll notice after a few conversations with him. He is wise beyond his years. He is my favourite guy ever

[nonbinoclard]

harry with a tramp stamp has just been simmering on my brain’s back burner for weeks thank you @httpsawesome for the wonderful concept

[slutpoppers]

Shakkoumon, simply being iconic and badass.

[coeluvr]

I MISS YOU

[devilst0at]

Me and my fictional 60 year old Satanic dollmaking serial killer boyfriendwife <3

(More selfship art cause I’m actually mental)

This is a new addiction I can’t stop drawing us together help. In the second one we are listening to T. Rex together ❤️

Only reason I cut these is cause they’re mildly embarrassing but I know my last post was enjoyed so 🧍

[muirmarie]

Me: I joke about writing the same McCoy centric story over and over again in different ways

Me: and like. I love doing it and imma keep doing it because it makes me happy.

Me: but also. I do sometimes wonder if it's like. A little Much.

Me: like maybe I should branch out or something

Me: [reads another fundamental and extremely insulting misread of McCoy's character by someone who is clearly making a Choice to cast McCoy as the villain, because they have to get him out of the way of spirk, because they're too???? idk immature??? to realize that even when you're in a relationship with one person, other ppl can and SHOULD still be important to you]

Me: lmao I hope I AM too much actually!!!! I hope it is 100% obnoxious how much I love that doctor!!!!! Time to write more versions of the same story of McCoy being forced to realize that he is loved and cared for!!!!!!

Me: I KNOW MY NICHE AND IMMA DIE IN THAT NICHE, THANKS

[liedownquisition]

Jason Todd's timeline and "Age"

So, there's a lot of discussion of Jason Todd's age esp as relative to other sidekick vigilantes, particularly Tim and Mia. I believe the exact words are usually something about a "grown ass man beating up/trying to kill teenagers."

DISCLAIMER: This particular post is specifically regarding the "grown ass man vs teenagers" statement, I have posts regarding the "tried to kill them" portion and other stuff like "seriously Jason Todd is like being shot by a marshmallow gun compared to what goes on directly before and after him in these incidents, also you don't bitch about the right stuff, also a lot of you prop up characters who are Objectively Worse, and no that's not hate on your fave it's just me calling out hypocrisy". It just takes time to find digital copies of the panels I'm using. NOTE I AM NOT JUSTIFYING HIS ACTIONS. I'm just saying y'all blow it out of proportion for petty character hate. Like, shit, they're superheroes. Jason's soooo fuckin' tame. He's not even framed as a big deal to the teens it's only the adults that think it's that much of a problem.

Courtesy readmore post cut:

Now, to start off, we all know Jason died at 15 & a few months off from 16 (if you want me to dig up panels, sure, but I figured at this point that wasn't in question). Tim at this point is somewhere between 12-13, and we have this panel in Lonely Place of Dying which takes place a few months later:

So that's a ballpark of 2-3 years between Jason and Tim.

But Tim's age is really fucky and they keep de-aging him tbh. We can extrapolate that his confrontation with Jason was between the ages of 16-17 bcs it's after the arc where he has his incredibly shitty 16th birthday in Robin Vol2 #116 and before Red Robin where he's stated to be 17. This would put Jason between 18-19 at the time. (If you really want me to find panel sources for Tim's birthday and his age in RR then, sure, but I don't think they're necessary. I used it more as a guidepost for Jason's age, since we have a clear idea of what the age gap is.)

At least, on paper.

Mia for her part I've had a hard time finding like, on panel mentions of her age and if anyone can direct me to it being explicitly stated I'd love that. I'm rereading old comics but it's a LOT of comics to hunt down & dig through. To my understanding she was fifteen when Ollie first met her, and there's at Minimum of about a year and a half between that to her meeting Red Hood, more likely at least two? because there's at least few months between that and her joining the Titans, the Doctor Light stuff, then One Year Later, and then returned to Star some 3 months after Ollie came back to run for mayor? And then Jason not too long after. So, two years feels safe. Puts her at 17-ish, Jason at 19-20

Once again, I specify: on paper.

People would happily point out at this point that the upward stretch of a 4 year age gap is a "huge gap in maturity." And yeah, under normal circumstances, I'd agree.

But, and this is going to get contradictory bcs I found Two different timelines (BOTH written by Winick, lmao), and depending on how you read it it could be up to three different possibilities. Let's Start with Batman Annual #25: Daedalus & Icarus.

Timestamp before Jason's resurrection, which is pretty well known at this point:

Next, him waking up from a coma afterwards, when he escapes the hospital:

Now the above could be interpreted as either 1 year after he died if we're assuming that it's using the same "start" point to count as the resurrection (unlikely), or one year after he came back (more likely).

Next, the timestamp right before a guy recognizes him and sells him out:

And, finally, the timestamp before being put in the Pit:

That is, count it up, between 3-3 1/2 years where Jason was dead, in a coma, or otherwise not particularly... cognizant of the world around him. His ass is NOT developing emotionally, socially, or mentally like this, which pretty handily bridges the gaps there. Taken at face value, Jason's maturity level is going to be, unironically, younger than Tim's in the wake of these setbacks.

Now, if we go to Lost Days issue 1, it doesn't specify how long he was dead, nor how long he was in a coma, so we'll just carry those two over, what we DO have is this from just after Talia brought him home:

This puts him as being on the streets for five months, so we're at just shy of two years so far. And then we have this:

Which is right before Talia puts him in the Pit.

So, in summary: 6 months dead, 1 year coma, 5 months on the street, and something like 1-1 1/2 years with the League which...

Actually puts us on almost the exact same timeframe either way. 3 to 3 1/2 years. It just changes whether Jason was on the streets or with the League for longer.

And is utterly incomprehensible because comic timelines are a freaking nightmare.

If we're being generous, then that would put Jason at a minimum of 19, maybe toeing the line of 20 for UTRH, again, on paper, because like hell are you convincing me he did less than a year's worth of training abroad throughout Lost Days. Yeah maybe they trained him in fighting while he was catatonic, muscle memory and all that. But the other teachers that we KNOW of? The bombs, guns, probably something to get him up to date on handling all that tech we see him using, Egon, potentially arguably All-Caste if you want to draw from n52...

but you'd have to knock at least a year and a half off of his internal/personal development from death & coma, at minimum. Maybe you could argue he was somewhat developing while in his "the lights are on, but nobody's home" phase, you can't say it's at the same level as a normal person might when going about their day to day life, and it's difficult to measure. But he's not hitting the kind of milestones that he should be for his age. I wouldn't put him at anything less than two years behind. So if we use our upper estimates on Jason, and lower estimates on both the developmental setbacks and Tim/Mia's ages that gives us:

Jason toeing 20, mentally 18, fighting Tim at 16. 2 year gap, kind of stretching the physical age gap if we assume Tim had just barely turned 13 when he showed up to be Robin. - OR LESS

Jason maybe 21, mentally 19, fighting Mia at 17, two year age gap again. Honestly, still not that big of a difference - OR LESS

And, to be frank, that's not even counting the mental development issues that come from the intense physical trauma from dying - and I swear to fuck don't give me the "He's not the only one who died he's not special" speech.

HOW MANY OF THE OTHERS YOU'RE USING AS A GOTCHA LOST, *GESTURING AGGRESSIVELY ABOVE*, LITERALLY MULTIPLE YEARS OF THEIR LIFE.

Not counting adults, of course. Barry lost years, Hal lost years, Ollie I think also lost a couple years? but A) they came back still adults, bodies pretty much the same. B) While Jason's body didn't go through a magic growth spurt in canon, it did still grow esp while with the League.

I'll eventually get around to Titan's Tower & GA#72 (tbh, there are other people who've already done Titan's Tower and it'd probably be better than what I do, so I'm more going to focus on the latter, but there IS a specific part of the former that drives me nuts that I don't see brought up a lot), and maybe if we're feeling spicy all my issues with UTRH starting with how Winick is just as guilty of retroactively writing Jason as being inherently a bad penny since his Robin days as any of the other "modern" writers. Like, bud, Severe enough Head Trauma is legitimately enough to change someone's personality, not to mention trauma. It wouldn't hurt your narrative for that eerie difference, the Shade of What Once Was if you're really going for RH being Like that.

Final addition: I swear to god if you use my post to start up some kind of petty-ass ship war or flame other characters I will immediately turn off reblogs and replies I am Not Dealing With That Shit, please and thank you.

Anyways, @glitter-stained, your interest made me decide to actually put the work in now to pull it up rather than passively gather stuff to dump whenever discourse pushes me over the edge so, here ya are. Looks like you did have it closer on the mark than I did.

[sweetmoons]

Id pay good money to see one of the streamers body Snapchat, I dont care which streamer I just want that mf GONE

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[katerina-q]

Grrm about romance:

"Well, but that's a different tradition of romance. I don't — I'm a romantic writer in the tradition of The Great Gatsby and Romeo and Juliet, and, you know, the Beauty and the Beast. These things don't necessarily have happy endings, but aren't the most powerful romances the unfulfilled romances — the romances where people go their separate ways, but they'll always have Paris, like in Casablanca, one of the films I showed here. You know, they go separate at the end, but they'll always have Paris." And she basically said, "No, you're wrong. They have to be happily ever after together for it to be romance, otherwise it's just sad." -grrm

He basically confirmed Rhaegar × Lyanna and i would say even Jaime x Brienne

I love this

[uitzinnigmp3]

'but that's not true at all!' / 'that's not true. hey.'

[yujeong]

At the end of the day, this is what's most important to me.

[carlyraejepsans]

i browse the main frisk tag on tumblr for you bastards. i sort by RECENT.

[zorosroronoas]

'i hate movie!jean!' god knows movie!jean was barely given a personality, bless her. there's barely anything to hate. you hate her bc she's simultaneously the object of desire of the guy you have a crush on AND she doesn't fucking choose his ass.