#any and all tips welcome
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rain-nap-draw · 4 months ago
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Doodling today :) Used a reference for shart pose
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ladyzayinwonderland · 1 month ago
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friends, romans, mutuals, what are some ways you find joy in this time of early nightfall?
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littlestormofmess · 10 months ago
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hello ! i know it's been more than a week since wad but i wanted to do a little something for: @danrifics (who started all this !!), @dnphobe @manchesterau @phan-tasia @less-amazing @phulge @hmfakeaccount and @oriharakaoru who bought tickets for 150 people (!!!!) to watch the show + the afterparty !!
as it was probably the case for everyone else that entered the giveaway, it wouldve been hard to buy a ticket myself, living on the other side of the world where the economy is very much fucked up kdhdk so thank you guys so much for this opportunity !! its also the first time i get to see one of these guys' live shows, well, live; and it was very exciting to get to experience it alongside so many people, i had lots of fun !!
anyways, all of you guys are more than welcome to request doodles in my asks/dms, if you so wish😌 could be dnp, could be anything ! (mostly) if not, *pushes this little guy toward you* there ya go. have a lovely day !! 🧡
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emperorofthedark · 2 months ago
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The weather system is functional... I think. I want to include heat risks (sunburn) and storm risks (struck by lightning), but I haven't done that yet. I did figure out how to link temperatures and weather conditions to the different seasons, so it won't be cold or snowing in June. I haven't tested it extensively because there really isn't anything there yet, but I hope it's all good. Working on the river crossing system now. I think the frozen in winter bit works (it seems to reliably freeze when the temperature is under 32 degrees), and it would appear that the river conditions (safe, moderate, risky, deadly) work with a 20% chance of someone drowning in risky conditions and 40% chance in deadly conditions, and drowned party members are successfully removed from the roster.
Excited to move on to injuries and deaths.
Disclaimer: This is very basic placeholder shit ripped directly from Oregon Trail II, so that I can test codes. And of course there will be pictures, but I have to do some major CC shopping and decorating, so I don't have any taken just yet. I just wanted to share what I have done so far.
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bucksangel · 2 months ago
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anyway i have a job interview on wednesday (it's for a personal assistant position) so please wish me luck because i need a job so fucking badly
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gothsuguru · 7 months ago
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once i get back into the groove of things i’m gonna pick up some hobbies 🙏🏼
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waverlyyhaught · 2 months ago
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Are you Spanish ???if not How do you know how to speak Spanish
I'm not Spanish, just a boring American lol. I'm currently teaching myself Spanish! Discovering Mafin back in early April sparked my interest in the language again. I studied it a lot in school so a lot of my learning is relearning everything I use to know, but I still have a lot more to learn. Watching Sueños de Libertad every day has been helping a lot!
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nellandvoid · 4 months ago
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ok for my fellow artists i need some words of wisdom/advice. how did yall start sketching on tablets/electronics?? like i can sketch on paper and then do lineart on procreate easy peasy, but the second i try to sketch on procreate it just kinda falls apart lmao
and like even if you don’t use procreate specifically i was curious if there was anything i could do to make sketching electronically easier? any advice is greatly appreciated!!!!
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padfoot-and-leo-ao3 · 4 months ago
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Check out my fic on Ao3! There's just one chapter right now, but I'm working on it! I'll probably post every week or so. Still working on my bigger projects as well!
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wonder-worker · 9 months ago
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Margaret of Anjou’s visit to Coventry [in 1456], which was part of her dower and that of her son, Edward of Lancaster, was much more elaborate. It essentially reasserted Lancastrian power. The presence of Henry and the infant Edward was recognised in the pageantry. The ceremonial route between the Bablake gate and the commercial centre was short, skirting the area controlled by the cathedral priory, but it made up for its brevity with no fewer than fourteen pageants. Since Coventry had an established cycle of mystery plays, there were presumably enough local resources and experience to mount an impressive display; but one John Wetherby was summoned from Leicester to compose verses and stage the scenes. As at Margaret’s coronation the iconography was elaborate, though it built upon earlier developments.
Starting at Bablake gate, next to the Trinity Guild church of St. Michael, Bablake, the party was welcomed with a Tree of Jesse, set up on the gate itself, with the prophets Isaiah and Jeremiah explaining the symbolism. Outside St. Michael’s church the party was greeted by Edward the Confessor and St. John the Evangelist; and proceeding to Smithford Street, they found on the conduit the four Cardinal Virtues—Righteousness (Justice?), Prudence, Temperance, and Fortitude. In Cross Cheaping wine flowed freely, as in London, and angels stood on the cross, censing Margaret as she passed. Beyond the cross was pitched a series of pageants, each displaying one of the Nine Worthies, who offered to serve Margaret. Finally, the queen was shown a pageant of her patron saint, Margaret, slaying the dragon [which 'turned out to be strictly an intercessor on the queen's behalf', as Helen Maurer points out].
The meanings here are complex and have been variously interpreted. An initial reading of the programme found a message of messianic kingship: the Jesse tree equating royal genealogy with that of Christ had been used at the welcome for Henry VI on his return from Paris in 1432. A more recent, feminist view is that the symbolism is essentially Marian, and to be associated with Margaret both as queen and mother of the heir rather than Henry himself. The theme is shared sovereignty, with Margaret equal to her husband and son. Ideal kingship was symbolised by the presence of Edward the Confessor, but Margaret was the person to whom the speeches were specifically addressed and she, not Henry, was seen as the saviour of the house of Lancaster. This reading tips the balance too far the other way: the tableau of Edward the Confessor and St. John was a direct reference to the legend of the Ring and the Pilgrim, one of Henry III’s favourite stories, which was illustrated in Westminster Abbey, several of his houses, and in manuscript. It symbolised royal largesse, and its message at Coventry would certainly have encompassed the reigning king. Again, the presence of allegorical figures, first used for Henry, seems to acknowledge his presence. Yet, while the message of the Coventry pageants was directed at contemporary events it emphasised Margaret’s motherhood and duties as queen; and it was expressed as a traditional spiritual journey from the Old Testament, via the incarnation represented by the cross, to the final triumph over evil, with the help of the Virgin, allegory, and the Worthies. The only true thematic innovation was the commentary by the prophets.
[...] The messages of the pageants firmly reminded the royal women of their place as mothers and mediators, honoured but subordinate. Yet, if passive, these young women were not without significance. It is clear from the pageantry of 1392 and 1426 in London and 1456 in Coventry that when a crisis needed to be resolved, the queen (or regent’s wife) was accorded extra recognition. Her duty as mediator—or the good aspect of a misdirected man—suddenly became more than a pious wish. At Coventry, Margaret of Anjou was even presented as the rock upon which the monarchy rested. [However,] a crisis had to be sensed in order to provoke such emphasis [...]."
-Nicola Coldstream, "Roles of Women in Late Medieval Civic Pageantry", Reassessing the Roles of Women as 'Makers' of Medieval Art and Culture
#historicwomendaily#margaret of anjou#my post#henry vi#yeah I don't necessarily agree with Laynesmith's interpretation (that it was essentially Marian with an emphasis on shared sovereignty)#which she herself says is 'admittedly very speculative'#as this book points out that interpretation tips the balance too far on the other side and has a somewhat selective reading#It's also important to remember that this interpretation was not really reflected across wider Lancastrian propaganda at the time#which isn't really talked about - let alone emphasized - as much by historians but remained focused on the King#For example: look at the pro-Lancastrian poem 'The Ship of State' which hails Henry VI as a 'noble shyp made of good tree'#and emphasizes how he was widely supported and defended by many great Lancastrian lords and the crown prince#but not Margaret who was entirely absent#also look at the book 'Knyghthode and Bataile' (presented to Henry) and Fortescue's various pro-Lancastrian texts in the 1460s#even the recording of that Yorkist trial which was iirc reported in the 1459 attainder#all of these were entirely conventional and highlighted the presence and importance of the King. Margaret was not emphasized.#so either the Lancastrians were impossibly inconsistent about what message they actually wanted to convey about the role of their own queen#or the Coventry pageants were not actually meant to emphasize Margaret in the lieu of Laynesmith's interpretation#and would not have been viewed in such a manner by contemporaries#I think we should also keep in mind that we don't really know what Henry VI's condition was like at the time of MoA's entry to Coventry#we know he had been injured in St. Albans and had only just recovered from his second illness#this is especially important to consider since we know he had also arrived at Coventry before Margaret but much more discreetly#and was not welcomed by any pageants that we know of. This is VERY unusual and can be best explained if we consider the fact that he#may have simply not been in the right state (be it physical or state of mind) for it at the time#in which case the pageants for Margaret should be viewed as more of a improvisation/cover-up/temporary measure to bolster prestige#or Henry may have deliberately taken a more discreet role to emphasize the position of his heir - especially important after the long wait#imo I think Kipling's interpretation (ie: that they addressed Margaret but really referenced the prince & heir) makes a lot more sense:#'Coventry [...] regarded Margaret's entry as a kind of triumph-by-proxy: the Queen entered the city but Coventry received its Prince'#though I think he tends to view Margaret as more of a cipher (and has a very questionable view of Henry VI) which I also don't agree with.#The pageants very much DID focus on and reference her but they most prominently emphasized her 'motherhood and duties as queen'#ie: I think Kipling and Laynesmith tip too far on opposite sides and I think this interpretation takes the most realistic middle ground
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little-red-fool · 10 months ago
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Height dysphoria’s back again.
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sanjisboyfie · 1 year ago
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┊ ⋆˚  about this blog !
— first and foremost, this is a male reader blog !!! i only write male reader inserts, the usage of she/her pronouns will never, ever be applied to any of my works that involve an insertion of yourself into the scenario. that being said, i don't really think i can/will enforce that those that read my work are only those that use he/him prns. so let's say, if those who use she/her pronouns decide to read my work, i won't purge them off of this page (i don't think i spend that much time on here to even do that) and burn them at the stake. all i very POLITELY ask is that: you don't interact malignantly with me or my posts. i don't tag my work "x fem reader", only "x male reader" and "x reader" so there shouldn't be any worries of my work "cluttering" (<- lmmmffaaoooooo) your tags of "x female reader"
— of course this ^ can be subject to change and become stricter if i start gaining negative attention from fem-alligned readers. so NOT SAYING IT'S SET IN STONE because that how i feel about this just right now.
— i plan on using this blog to just broaden the reach of one of my fanfics (keep safe) with the occasional posting of a smau/modern!au post every now and then.
— every now and then i might post a yandere drabble, oneshot, headcanon, etc just wanted to put that here since i know that it's not everyone cup of tea and wanted to disclaim this. some of the yandere headcanons already exist on here, but i think (i hope) i tagged it all appropiately....(i hope)
alright, that's all thank you for reading <3 jaime
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full-time-femboy · 5 months ago
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So... shot in the dark
But I'd love to have some kind of income while I'm in between jobs
You know, bc its generally helpful in this economy
So I'd like to just say for anyone who likes my art and might want to support me while getting something back in return,
I'm opening my commissions ✨️
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Will Do:
Furries
Humans
Ponies
Fanart
Nudity
OCs
Self ships/inserts
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Won't do:
Heavy gore
Detailed robots/mechanics
Real people
Hate speech/imagery
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I only have PayPal available on Ko-fi, but I will also accept Cashapp
Any bit of support means a lot to me
Thank you for reading this far! I look forward to drawing your ocs and favorite characters!
Reblogs are appreciated
Please DM me if interested 💜
I also do NSFW commissions as well, if you're looking for something a bit more, spicy 🔥
NSFW comm info below ⬇️
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Won't do:
Heavy gore
Underage characters in nsfw situations
Scat or water sports
Fat fetish stuff
Forced feeding/stuffing
Anything that I am uncomfortable with
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aaandbackstabbed · 1 year ago
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You know that feeling where you have never ever ever been able to draw people not to save your life especially not faces but you get really into a fandom and you really want to contribute to the beautiful fan art of your favourite character (which there isn’t much of as it’s a small fandoms even worse she’s a lesser character) so you then decide “oh I’ll just try myself.”
And then crashing realisation that there’s a reason you haven’t tried before and maybe I should just stick to my lane.
But it’s too late now so here I am spending years of my life trying find references pictures because I cannot draw without one unless I want Goldie to look like she snuck on to earth.
And I’m this close to giving and probably would have if not for my overwhelmingly stubborn nature
I must continue. Failure is not an option.
No? Just me?
Send help *holding back tears*
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scribbling-dragon · 2 years ago
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i haven't forgotten about the mer scott fic i said i'd write. i prommy. but i am also considering waiting until the next eps drop (mainly because i want to write martyn, and want to see how their interactions play out a little more)
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here-there-were-dragons · 8 months ago
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every time i think the "staff can do no wrong and any form of complaining or expressing literally anything other than "yaaay love it <3" with no further comments is bashing and literally evil we should never say anything that could even potentially be interpreted as mildly critical ever because ~some artist who worked hard on this is probably reading the forums and might feel bad if we ever express anything but praise~ also we must be constantly positive at all times unless we're passive-aggressively shaming someone for having an extremely polite and apologetically worded criticism and if you ask the staff for literally anything you had better be prepared to preface it with 3 paragraphs of apologizing for breathing air" attitude is bad on tumblr, i take one look at the forums, and holy fucking hell is it SO much worse on site
#i go for years at a time without ever bothering to look at fr forums#and then every time i do i remember why i stopped#it feels like a goddamned cult on there and every time i dip my toes i come out feeling slimy and sick#as if i just spent an hour being aggressively gaslit by my extremely manipulative grandmother#what the fuck is wrong with everyone#i'm glad i decided to keep this creepy fucking fandom at arm's length and mostly just lurk years ago#that place is not a healthy environment for anyone to be in#flight rising#legitimately the single worst fandom i've ever had the misfortune of being adjacent to#and in such a creepy and insidious way too#they'll call you an entitled whiny baby to your face and then convince you it's your fault and you're a horrible person for feeling offende#it feels like being neck deep in the absolute worst kind of preformative sj spaces#you know the ones where everyone interacts primarily via callout posts and there's discourse over if crossdressing is cultural appropriatio#that kind of toxic sj space type energy#but somehow combined with like this weird feeling of being in a mormon church in a deep south town#where all the “nice grandmas” will try to put poison in your food if they find out you're gay or voted blue even one time#and it's somehow gotten SO much worse since the last time i looked on there#they've got people literally apologizing for existing what the fuck how is this normal to any of you people#this is so far beyond toxic positivity it's like. crossbred with passive-aggression and shaming and metastatized into something new entirel#it's terrifying. i hope flight rising never shuts down just so that whatever the fuck this is can stay semi-contained.#pro tip: the more a fandom is universally convinced it's Wonderful and Welcoming the faster you should run the other way#actually good fandoms don't have to constantly reassure themselves and everyone that they're great and perfect and toxicity-free#nor do they react with immediate borderline violence to the slightest suggestion there might be anything wrong with the fandom culture#anything wrong other than “people like you who think there's something wrong with our perfect community” anyway#on that note also any fandom that insistently calls itself a “community” just. yeah. no.#get out while you still can.#fandoms work on corporate logic if they're trying to convince you they're your family or friend that's not just a red flag#that's a whole damn red fabric store
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