#antonia canova
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zoeandsubaloveart · 1 year ago
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Le Tre Grazie (detail)
Antonio Canova (Italian sculptor, 1757-1922)
Photographed by Aurelio Amendola (Italian photographer, born in 1938)
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empirearchives · 2 years ago
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What I wanna know is why Wellington put that statue there. Like was it some kind of power play to show off how he vanquished Napoleon, or did he just think it was a really nice statue?
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Sorry I wasn't listening to you, I was thinking about the Duke of Wellington's personal 11-foot-tall statue of nude, totally jacked Napoleon.
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Twitter thread! (and yes Kate Beaton's "Nemesis" comic comes up)
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tatteredpantaloons · 1 year ago
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My 3rd bg3 character! Templates from here and here.
Artwork featured:
Sheet with abstract pattern, 19th century
Ant detail from Sword Guard (Tsuba) by fittings maker Kanō Natsuo, Japanese, 19th century
Monk Holding a Lotus, China (Xinjiang Uyghur Autonomous Region) ca. 6th–7th century
Loving Couple (Mithuna), India (Orissa), 13th century
Detail from An Emaciated Horse Led by His Master, late 16th century
Detail from Perseus with the Head of Medusa by Antonia Canova, Italian, 1804–6
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hreog-like-frog · 1 year ago
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The Three Graces, Antonia Canova, 1817.
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lark-in-ink · 1 year ago
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[Theseus and the Minotaur, Antonia Canova]
hi um my liege y-you asked me to um. report back to you when the prisoner you sent into the labyrinth had been, um, dealt with by th-the minotaur. well y-your highness t-there seems to be a bit of an, ahem, issue. no, no the prisoner is still in the labyrinth, y-yes the minotaur found them. i-it just ah, um, it appears that the. it appears that the prisoner and the minotaur are, um, they're-
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eevonhon · 2 years ago
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The Three Graces \\ In Greek mythology, the 'Graces' represented mirth, elegance, and youth and beauty. This is now considered one of Antonia Canova's most iconic marble sculptures. Not sure why it took me so long to finally visit @vamuseum. • • • #throwback #evtravels #vamuseum #victoriaandalbertmuseum #elizabethtower #marblesculpture #marble #sculpture #art #antoniacanova #london #visitengland #chuk22 #bbctravel #england #uk #unitedkingdom #vsco #lightroom #GalaxyS21Ultra #thetravelintern #travelgram #evgoestouk #withgalaxy (at V&A Museum) https://www.instagram.com/p/Co00z1BpZgS/?igshid=NGJjMDIxMWI=
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stardustinjune · 4 years ago
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Quick sketch, with heavy reference from "Psyche Revived by Cupid's Kiss" by Antonio Canova for beauyasha week! Hope a classical sculpture is okay instead of a painting for day two!
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waltersartmuseum · 6 years ago
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Art of the Day: Portrait of Edmonia Lewis (1844-1907)
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This carte de visite ("calling card" style photograph) is the only known photograph of the American sculptor, Edmonia Lewis, taken in Rome, where she had a studio. It probably dates from around 1874–76. Despite overwhelming odds, Edmonia Lewis found international success as a sculptor in Rome, settling among other American expatriate artists and actors, since in her words, “The land of liberty had no room for a colored sculptor.” A curiosity for many, the diminutive Lewis (she was barely over four feet tall) was the daughter of a Haitian father of African descent and a “full-blooded Chippewa” mother. Born in Greenbush, New York, she lived with her mother’s Chippewa relatives until her half-brother sent her to Oberlin College in 1859. Arriving in Rome in 1866, Edmonia Lewis occupied the former studio of the revered sculptor Antonia Canova (1757–1822), around the corner from the photography studio of Fratelli D’Alessandri on Via del Corso, No.12. This photograph was purchased locally at an antique store in Baltimore. Perhaps Lewis brought “calling cards” with her to Baltimore in 1883 when she came to install and unveil the bas-relief "Adoration of the Magi," commissioned for the Chapel of St. Mary the Virgin, Orchard Street, Baltimore. Learn more about this object in our art site: http://bit.ly/2AOvUuW
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thetableintheback · 3 years ago
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[id: a painting of three men wearing white coats standing in group. a diagonal line across the frame cuts them off and replaces the lower part of the image with a photograph of a white marble stature showing three bodies posed similarly to the men in the painting, making it look as though they are connected. /end id]
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Ubaldo Oppi, Three Surgeons, 1926 VS Antonio Canova, The Three Graces, 1812-1817
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cristopherworthland · 6 years ago
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A corner view of the study in Angela Westwater and David Meitus’s Jed Johnson-designed Fifth Avenue apartment several years ago features a mural by artist Jane Kaplowitz based on a sculpture by Antonia Canova. African headdresses and a Navajo mask on a Bugatti stand frame a leather Citizen chair from Hugues Chevalier. The photograph is by Rob Wynne, the oil on paper by Susan Rothenberg. Photo by Thibault Jeansons for House & Garden. * #angelawestwater #davidmeitus #collectors #artcollectors #livingwithart #jedjohnson #alanwanzenberg #antiquities #bugattifurniture #classicallyinspired #janekaplowitz #murals #artdeco #interiordesign #prewarapartment #robwynne #susanrothenberg #thibaultjeanson https://www.instagram.com/p/BtG2zRHlqLA/?utm_source=ig_tumblr_share&igshid=dlcekvydt18j
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sagestreet · 6 years ago
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The Sculpture Code Parallel (‘Doctor Who’ and ‘Sherlock’)
Many metas have been written about Madame Vastra and Jenny on ‘Doctor Who’ and about how these two ladies were created by Moffat as intentional foreshadowing for the eventual outcome on BBC ‘Sherlock’.
Well, that parallel is even more in-your-face-kinda obvious than a lot of people realise.
Remember all those sculptures in the episode ‘The Blind Banker’ (TBB) on BBC ‘Sherlock’?
I had previously written a long-ish meta (x) about what sculptures exactly were picked by 'Sherlock’s’ set designers for that episode (TBB) and how they represent 'Sherlock’s’ gay subtext.
So, seeing as these sculptures play such an important role for the gay subtext of the show ‘Sherlock’, do we really think it’s a coincidence that the exact same sculptural types were chosen for ‘Doctor Who’? And not just for any episode of ‘Doctor Who’, but specifically for the Vastra/Jenny episodes AND SPECIFICALLY FOR THE HOME THESE TWO LADIES SHARE in Victorian London!
I mean, they have literally taken the sculptures from the most subtext-laden episode of ‘Sherlock’ (TBB), an episode that is all about codes and ciphers, and put them in Jenny and Vastra’s love nest, a re-imagined 221b Baker Street if ever I’ve seen one.
Look here: 
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This screencap is from TBB (‘Sherlock’). In the aforementioned ‘Sherlock’ sculpture meta (x), I had elaborated on this Venus sculpture: It represents the half-hidden, yet also in-plain-sight kinda subtext of the show BBC ‘Sherlock’. (That’s why it’s literally covered in code.)
To make sure we get that joke about it being half-hidden, yet also in-plain-sight, the set designers specifically chose the ‘Aphrodite of Knidos’ by Praxiteles (x) – a sculpture of the ‘Venus pudica’ type. (Sculptures of the ‘Venus pudica’ type are, by definition, half hidden and yet also naked and bare, for everyone to see.)
Now look what Madame Vastra and Jenny have got in their home (in a veritable 221b Baker Street copy!):
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(Continued under the cut...)
The sculpture on the right hand side is NOT the ‘Aphrodite of Knidos’ we know from that certain ‘Sherlock’ episode, but it belongs to the EXACT SAME sculptural type: it’s a ‘Venus pudica’ style sculpture, too.
I mean this beauty here:
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This masterpiece is the ‘Venus Italica’ (x) by Antonia Canova (BTW, amongst sculptors, this genius is a particular favourite of yours truly). And yes, just like the one on BBC ‘Sherlock’, this one is a ‘Venus pudica’ style sculpture, too.
‘Venus pudica’ style sculptures are, by definition, half covered and half naked, ie, half hidden and half out in the open and nakedly in plain sight.
They draw all their erotic attraction from this little game of showing and hiding at the same time...like, you know, the whole subtext game that’s going on with Madame Vastra and Jenny, that is half-hidden and half in-your-face. Moffat is coquettishly playing with us, half revealing what he’s doing and half being coy about it.
Oh, and by the way, have I mentioned this is a statue by Antonio Canova? Haven’t we seen this artist represented on BBC ‘Sherlock’, too? 
Oh, yes, we have! 
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In s3 of BBC ‘Sherlock’ they included a particularly nice Canova sculpture, one that represents love, too. Just like a Venus. (I had previously written a meta about it here: x ).
Unfortunately they also cut off that Canova sculpture’s head and presented it to us as a bust. But with Sherlock pretending to be all-brain, a head without a body, so to speak, the fact that we’re shown only its head was a fitting choice, I think.
Do you think those sculpture parallels between ‘Sherlock’ and ‘Doctor Who’ are cool? Well, wait for it. You’ve seen nothing yet.
There’s more!
The other statue in Madame Vastra’s living room (the one on the left hand side) is ALSO a ‘Venus pudica’ style sculpture. One that is so well-known I’m sure you will all immediately recognise it:
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It’s the ‘Venus de Milo’ herself (x). The beautiful. The one and only.
Ta-daaa!
Another ‘Venus pudica’. Same subtext.
Oh, and remember that the episode TBB of ‘Sherlock’ had two (!) ‘Venus pudica’ style sculptures in it, too! Just like this episode of ‘Doctor Who’.
Apart from the ‘Aphrodite of Knidos’ mentioned above, that ‘Sherlock’ episode also showcased a second (!) Venus, a ‘Venus Anadyomene’, in those museum scenes. As a matter of fact, it was a sculpture very similar to the ‘Venus de Milo’ used on ‘Doctor Who’.
It was sitting right between Sherlock and Soo-Lin Yao, when Soo-Lin almost dropped the tea pot (!):
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Nice placement right between Sherlock and his character mirror Soo-Lin. Right above her hand with the tea pot (!)...just in case we didn’t get the whole “Venus + tea (gay love)” subtext...Haha!
The statue is a bit dark here. 
You can see it better in one of the scenes in the museum’s restoration room:
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This second Venus on BBC ‘Sherlock’ is incredibly similar to the ‘Venus de Milo’ used as the second statue in Madame Vastra’s living room. Hell, if it weren’t for the missing head this statue on ‘Sherlock’ could BE the ‘Venus de Milo’, too.
In other words, we get two (!) ‘Venus pudica’ style statues in BOTH ‘Doctor Who’ AND ‘Sherlock’.
Both times one of the statues is an obvious ‘Venus pudica’ and the other one is a sub-type: a ‘Venus Anadyomene’. 
What a weird...uhm... “coincidence”...*cough*...;)
And all of that doesn’t just happen in ANY ‘Doctor Who’ episode. It happens in one of the episodes that have Madame Vastra and Jenny in them, the characters that are just basically Sherlock-and-John templates.
What’s more, it happens in the ‘Doctor Who’ episode ‘Deep Breath’, an episode that has the most blatant, most brazen, Sherlock-y subtext I have seen in any of the Vastra/Jenny episodes.
The intentional wink-wink parallels to ‘Sherlock’ in ‘Deep Breath’ are so in-your-face that the notion that this could all be just some giant coincidence is simply laughable.
THAT is the episode in which they’ve parked two giant ‘Venus pudica’ type statues in Jenny and Vastra’s living room. 
It’s just...I just wanna throw up my hands here and say, “I give up.” Because subtle this is not.
Oh, and by the way: Nicely placed, those two statues on ‘Doctor Who’. Note the shot composition here, with the two sculptures positioned behind Vastra and Jenny, respectively:
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It’s a nice little hint, I grant you that.
Jenny (aka John) mirrors Canova’s ‘Venus Italica’. And Madame Vastra (aka Sherlock) mirrors the ‘Venus de Milo’.
Canova’s ‘Venus Italica’ is best known for keeping half of herself covered up. Because Jenny (aka John) hides half of himself? :)
And the ‘Venus de Milo’ is, of course, best known for the mystery of her missing arms. Because Madame Vastra, aka Sherlock, isn’t doing anything with his hands right now, ie, isn’t acting on what he’s feeling?
Nice.
Also, the shot composition is really, really reminiscent of the one in this infamous shot in ‘Sherlock’s’ THoB:
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Coincidence?
In any case, both shots, the one in ‘Doctor Who’ and the one in ‘Sherlock’ seem to convey the same type of meaning: 
We have two characters and their respective mirrors positioned (at an angle) in front of one another, ergo, both characters and their respective mirrors share certain traits.
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Oh, and by the way, that is literally the moment Jenny serves the tea (gay love). Oh, man, Moffat! The tea thing again? And right in front of the two ‘Venus pudica’ statues? Really?
Let’s not even mention the suggestive fact that the whole fun about those two Venus statues is that they both have, well, a naked bum, a very naked bum, and that, in this shot, Jenny is...well, uhm, presenting her behind, as it were...whilst Clara (the other Sherlock!mirror) is staring right at it, Jenny’s bum, I mean. Let’s not even go into that...
Now, you could, of course, argue, “Sage, these statues on ‘Doctor Who’ aren’t about Sherlock at all. They are statues of two half-naked women, after all. This is Jenny and Vastra’s house. And this episode does emphasise the fact that Vastra enjoys being surrounded by feminine beauty. After all, beautiful women ‘brighten up the room tremendously’, according to Vastra.”
Fair enough...Vastra and Jenny are of the Sapphic persuasion.:) So, maybe the two Venus statues there just mean that the sight of beautiful half-naked women is something the occupants of this household enjoy.
Well, yeeeeah....EXCEPT...those aren’t the only sculptures in that drawing room.
What’s this I spy with my little Sherlock-trained-eye?
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Yep, this is most definitely NOT a woman! 
Not only is this a man. It is THE man. Any gay man art nerd knows this is the epitome of male beauty. This is the gayest statue of all statues.:) It’s the head of the most beautiful man in the world: the ‘Apollo Belvedere’ (x).
So, if Vastra and Jenny just enjoy being surrounded by female beauty what is this sculpture doing there? It’s a sculpture that has had an enormous impact on gay (male!) culture.
So, what is this lithe and lissome lad doing in a household of luscious lesbianism?
It is not the sort of thing ladies who, erm, enjoy the company of other ladies put in their homes.
And look...What have we got here in TBB (‘Sherlock’)?
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Oh, yes! That’s him again. The ‘Apollo Belvedere’. 
In TBB, the ‘Apollo Belvedere’ sculpture was more or less a stand-in for Sherlock himself. (All cut-off heads on BBC ‘Sherlock’ are stand-ins for Sherlock’s character. And this extends to all the different sculptural busts on the show, too.)
In my sculpture meta (x) about ‘Sherlock’, I had pointed out that, in TBB, the ‘Apollo Belvedere’ sculpture meant that Andy (a John!mirror) was, at that moment; pining after Soo-Lin (a Sherlock!mirror). Andy (=John) was reprimanded here to stay away from Soo-Lin (Sherlock) by his boss (another Sherlock!mirror with dark curls and all). 
The ‘Apollo Belvedere’ (the epitome of male beauty) was standing right between Andy and his boss, as this conversation was happening, as if it were symbolically representing their topic of conversation. So, yeah:
The ‘Apollo Belvedere’=Sherlock.
In ‘Deep Breath’ (‘Doctor Who’) the exact same ‘Apollo Belvedere’ bust makes an appearance again. 
Note how, in this shot, the placement of the ‘Apollo Belvedere’ behind Clara underlines the parallel between them:
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They are both shown in profile, facing the same direction. As if to underline that THEY ARE THE SAME. The ‘Apollo Belvedere’ is Sherlock. And Clara, too, is a Sherlock!mirror. The curly hairstyle they both sport here highlights that fact even more.
Not enough for you? It gets even better:
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The ‘Apollo Belvedere’ is shown in the same frame as Clara again – remember that Clara was a blatant Sherlock!mirror throughout her entire run on ‘Doctor Who’ – while Clara is scouring the newspaper for what will turn out to be an ad for ‘Mancini’s’ (!). And to top it all off, she’s holding a Holmesian magnifying glass in her hand at that very moment.
The ‘Apollo Belvedere’ bust and the magnifying glass alone made me almost hyperventilate from a ‘Sherlock’ subtext overload.
The shot of the ‘Mancini’ ad transitions into a shot of Clara’s happy face, a face that’s smiling because of her sudden discovery (!) of a secret message...ahem...
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And in that all-smiles-at-the-secret-message shot, Clara’s head is overlaying the sculpture. She has practically merged and become one with the head of the ‘Apollo Belvedere’.
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As I said, the ‘Apollo Belvedere’ is basically Sherlock.
Clara is Sherlock here.
And at a moment of discovery, at that! The discovery of a secret, hidden message.
That’s beyond brilliant, isn’t it? Somebody on that set must have had a lot of fun with these.
Needless to say that Clara’s transformation into the ‘Apollo Belvedere’ happens right above a tea pot (!):
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Because, you know, how else would we know what all the sculptures meant if they weren’t coming with a handy tea pot right next to them and all. Duh!
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Anyway...
This abundance of sculpture subtext was not enough for whoever was having their Sherlock-y field day in that episode of ‘Doctor Who’:
The ‘Apollo Belvedere’ turns up one more time in ‘Deep Breath’. And it’s NOT in Madame Vastra’s living room.
It’s at ‘Mancini’s’. Yes, you may scream now.
Yes, it’s at freakin’ ‘Mancini’s’! How much Sherlock-Holmesier can it get?!!!
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Note how the ‘Apollo Belvedere’ bust is positioned right next to the Half-Faced Man here.
I’m sure lots of metas have already been written about how the Half-Faced Man in ‘Deep Breath’ is an obvious Sherlock!mirror, what with his eye thing and the fact that he will take a literal fall a few moments later. (Also...Big Ben!) 
And let’s not even mention the fact that the Half-Faced Man had turned into a stitched-together Frankenstein’s monster over the course of several centuries...you know, like the iconic Sherlock Holmes character, who, over the course of 130+ years, through adaptation after adaptation, has become unrecognizable to anyone who fell in love with the original Arthur Conan Doyle stories. Nice joke, that.
Yes, the Half-Faced Man in ‘Deep Breath’ is a Sherlock!mirror. But I’m sure you all knew that already.
But please take a look at the placement of that ‘Apollo Belvedere’ here again. Same as with Clara: both in profile, both facing the same direction:
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And to top it all off, the Half-Faced Man then moves right in front of the ‘Apollo Belvedere’, basically taking the place of that sculpture, merging with it and becoming one with it...just like Clara had done earlier:
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The Half-Faced Man is the ‘Apollo Belvedere’ is Sherlock.
But he’s a stitched-together, monstrous version of Sherlock. One that doesn’t know what’s real, what’s original about him anymore. It’s possible that nothing is left of the original man. Everything has been stitched-on and replaced at some point. What a really nice meta joke about what became of the iconic Sherlock Holmes character as he wandered from one adaptation to the next. There’s nothing real left about the numerous Sherlock Holmeses we have seen over the decades.
And ‘Doctor Who’ tells us what HAS to happen to a Sherlock like this. He has to die. 
He has to fall. 
He has to die.
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(And right on top of Big Ben, at that. That’s a particularly nice fandom present by Moffat, seeing as we’re all speculating that the old homophobic version of Sherlock will symbolically ‘die’ as Sherlock kisses John right there on top of Big Ben or something.)
But does this mean that Sherlock Holmes has to die as an iconic character, too?
No, obviously, it doesn’t.
Because the Half-Faced Man isn’t the only Sherlock!mirror in those scenes!
The other one is the Doctor himself. (The Doctor has been a Sherlock!mirror again and again. And never more so than in the episode ‘Deep Breath’.)
How do we know the Doctor is a Sherlock!mirror here, too? 
Well, the Half-Faced Man isn’t the only one who’s positioned right in front of the ‘Apollo Belvedere’:
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And this time it’s the Doctor who’s mirroring the ‘Apollo Belvedere’ bust as he’s shown to us in profile, facing the same direction.
The Doctor is Sherlock here, too.
But a better, more real version of Sherlock. That’s the version that will survive. It’s the original. Not the stitched-together monster.
The entire conversation between the Half-Faced Man and the Doctor here is all about identity. The question of Who-am-I.
Seriously, re-watch it and listen to the dialogue there. It’s quite clever.
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They are both Sherlock.
But one of them is the stitched-together, monstrous product of the centuries. The other one is the real deal.
That’s why, throughout the episode, there is so much emphasis being placed on the fact that this Doctor is really THE Doctor. That he might look a bit different, but that he is really THE MAN. That he is the same man. The real, the original one. That he’s real underneath, no matter what face he has right now. That point is really driven home a few minutes later in a phone conversation that Clara has: This is the real, the original HE.
And Moffat tells us here that it’s THIS ONE who’s Sherlock. This is the one who will survive. The real Sherlock. The one underneath. It doesn’t matter whose face he’s got right now, it matters who he is underneath. It matters that he is real (which in the case of ‘Sherlock’ will probably mean that he’s gay).
The other, the monstrous version, however, is the product of centuries of adaptations that added on their own ‘dead body parts’. It’s the version that can never be true to what the real Sherlock is all about. That’s why this one has to die.
And this entire statement is just subtly underlined by the same sculpture that had already been used in the episode TBB of ‘Sherlock’ to symbolically represent Sherlock: the ‘Apollo Belvedere’.
It’s ingenious.
Okay, there’s a lot more to be said about this episode of ‘Doctor Who’. But I’m really tired right now and can’t type anymore. I get tired more quickly since the surgery.
Anyway, I hope you enjoyed this little excursion into the art world.
Here’s (as always) the link to my master meta page: x (although I’m afraid I haven’t updated it in a while, so checking out my ‘sherlock meta’ tag might be a better idea if you’re looking for something).
All the ‘Doctor Who’ screencaps in this post were taken from here.
All the ‘Sherlock’ screencaps in this post were taken from here.
Tagging: @ebaeschnbliah @tjlcisthenewsexy @gosherlocked @possiblyimbiassed @fellshish @88thparallel @spenglernot @monikakrasnorada @the-7-percent-solution @raggedyblue @sarahthecoat @sherlockshadow @loveismyrevolution @inevitably-johnlocked @jenna221b @mrskolesouniverse @green-violin-bow @loudest-subtext-in-tv
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publicidadesp · 4 years ago
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Biomédico Filemon Silvano é anunciado como novo secretário da Saúde de Piracicaba
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Médico Augusto Muzilli Junior foi anunciado como subsecretário do setor. Com novas definições, governo de Luciano Almeida chega a 23 confirmados para chefia de pastas, setores e autarquias. Filemon Silvano, novo secretário de Saúde de Piracicaba Divulgação/ Prefeitura de Piracicaba O novo prefeito de Piracicaba (SP), Luciano Almeida (DEM), anunciou o biomédico Filemon Silvano como o novo secretário de Saúde da cidade, neste domingo (3). Como subsecretário da Saúde foi anunciado o médico Augusto Muzilli Junior. Filemon Silvano é graduado em Biomedicina pelo Centro Universitário Lusíada (Unilus) e pós-graduado em Patologia Clínica pela Faculdade União das Américas. Como biomédico, realizou análises de exames do hospital Unimed, onde era responsável pelo controle de qualidade de exames. Trabalhou por seis anos no Hospital da Unimed Piracicaba, onde gerenciou o Serviço de Apoio à Diagnose e Terapia (SADT), compras, licitações, tomada de preços, elaboração de relatórios administrativos, orçamentos, aprovação de compras, gerenciamento de médicos, insumos, giro de estoque, projetos e planejamento estratégico. Nos últimos quatro anos, foi Secretário Municipal da Saúde da Prefeitura de Rio das Pedras (SP). Augusto Muzilli Junior, novo subsecretário de Saúde de Piracicaba Divulgação/ Prefeitura de Piracicaba Augusto Muzilli Junior é médico formado pela Escola Paulista de Medicina, com especialização em Angiologia e Cirurgia Vascular Periférica pelo Hospital Heliópolis, em São Paulo. Possui mestrado e doutorado na área de Fisiologia, ambos pela Faculdade de Odontologia de Piracicaba (FOP), da Universidade Estadual de Campinas (Unicamp). É membro efetivo da Sociedade Brasileira de Angiologia e Cirurgia Vascular, da Sociedade Brasileira de Flebologia e Linfologia e da Union International of Phlebologie. Por quase 30 anos, foi professor de Angiologia para o curso de Fisioterapia da Universidade Metodista de Piracicaba. Nomes já definidos Luciano já havia anunciado nomes de outros secretários e chefes de setores e autarquias em outras quatro datas, antes de assumir o mandato: Nomes anunciados em 11 de dezembro: Agricultura e Abastecimento: Nancy Thame Desenvolvimento Econômico: José Luiz Guidotti Cultura: Adolpho Queiroz Presidente do Fundo Social de Solidariedade: Andréa Cristina Alves Mateddi de Almeida Chefe de Gabinete: Daniela Antonia Leite Ferraz Nomes anunciados em 18 de dezembro: Secretaria de Governo: Carlos Alberto Lordello Beltrame Instituto de Pesquisa e Planejamento (Ipplap): Daniel Rosenthal Procuradoria Geral do Município: Fabio Ferreira de Moura Secretaria de Esportes: Hermes Ferreira Balbino Nomes anunciados em 21 de dezembro: Educação: Jo��o Marcos Thomaziello Diretor de Comunicação Social: Antônio Carlos Bonassi Administração: Dorival José Maistro Finanças: Artur Costa Santos Obras: Paulo Sérgio Ferreira da Silva Empresa Municipal de Desenvolvimento Habitacional de Piracicaba (Emdhap): Sérgio Maluf Chaim Serviço Municipal de Água e Esgoto (Semae): Maurício André Marques de Oliveira Assistência e Desenvolvimento Social: Euclidia Fioravante Nomes anunciados em 23 de dezembro: Secretaria do Meio Ambiente (Sedema): Marcos Yassuo Kamogawa Secretaria de Trânsito e Transportes (Semuttran): José Vicente Caixeta Filho Comandante da Guarda Civil de Piracicaba: Sidney Miguel da Silva Nunes Subcomandante da Guarda Civil de Piracicaba: José Claudinei Canova Prefeito, vice e vereadores eleitos tomam posse em Piracicaba Veja mais notícias da região no G1 Piracicaba
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thosestorieswealreadytold · 5 years ago
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venus victrix; antonia canova
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sex-death-rebirth · 7 years ago
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Perseus Triumphant by Antonia Canova 
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•Venus Italica •1822-1823 •Antonia Canova #art #artist #artists #arthistory #sculpture #sculptor #sculptors #sculptures #venus #venusitalica #canova #antoniacanova https://www.instagram.com/p/B1V_WjyHw5w/?igshid=qqeid2uejyiz
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piranot · 4 years ago
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Necrologia do dia 17 de julho de 2020 em Piracicaba e região
Jair Pinto de Moraes (Poia) Faleceu ontem, nesta cidade, contava 70 anos, filho dos finados Sr. Sebastião Pinto de Moraes e da Sra. Anna Stocco de Moraes, deixa o filho: Ricardo Gomes de Moraes. Deixa demais parentes e amigos. Seu sepultamento foi realizado ontem às 16h00 no Cemitério da Saudade em jazigo da família.
Joanna Morales da Silva Faleceu anteontem, na cidade de São Pedro – SP, contava 92 anos, filha dos finados Sr. José Morales e da Sra. Maria Canova, deixa os filhos: Lenita Morales da Silva; Jair Pedro da Silva e João Carlos da Silva, já falecido. Deixa netos, bisnetos, demais parentes e amigos. Seu corpo foi transladado para a cidade de São Bernardo do Campo – SP e seu sepultamento realizado ontem, tendo saído o féretro às 10h30 do Velório do Cemitério Vila Pauliceia, para a referida necrópole em jazigo da família.
Luiz Ramos Faleceu anteontem, nesta cidade, contava 81 anos, filho dos finados Sr. Joaquim Ramos e da Sra. Benedita Camargo Ramos, era casado com a Sra. Luiza Jacinto Ramos, deixa os filhos: Joaquim dos Santos Ramos, casado com a Sra. Suzana Oliveira Ramos e Fábio José Ramos, casado com a Sra. Melissa Barbosa Ramos. Deixa as netas: Adriele e Maira; demais parentes e amigos. Seu sepultamento foi realizado ontem às 10h00 no Cemitério Municipal da Vila Rezende em jazigo da família.
Rosilda Caprecci Dainez Faleceu anteontem, nesta cidade, contava 74 anos, filha dos finados Sr. Olivio Caprecci e da Sra. Zulmira Pereira Caprecci, era viúva do Sr. Gilson Jorge Dainez, deixa os filhos: Rosilvana Catarina Dainez Maestrelo, casada com o Sr. Luiz Fernando Maestrelo; Gilsiane de Fátima Dainez, casada com o Sr. Luis Alexandre Cardoso da Silva; Wilson Jorge Dainez, casado com a Sra. Elisangela de Cássia Luiz Dainez; Claudemilson José Dainez, casado com a Sra. Tereza de Fátima Oliveira e Simara Iris Dainez Bortoleto, casada com o Sr. Luis Fernando Rossi Bortoleto. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 12h00 da sala “A” do Velório do Cemitério Parque da Ressurreição, para o Cemitério Municipal de Laranjal Paulista – SP em jazigo da família.
Marino Marcolino dos Santos Faleceu anteontem, nesta cidade, contava 78 anos, filho dos finados Sr. José Marcolino dos Santos e da Sra. Cisilia Amélia de Jesus, deixa os filhos: Agnaldo Marcolino dos Santos; Rogério Marcolino dos Santos; Jean Marcolino dos Santos e Daniela Marcolino dos Santos. Deixa netos, demais parentes e amigos. Seu corpo foi transladado para a cidade de Rio das Pedras – SP e seu sepultamento realizado ontem, tendo saído o féretro às 13h00 do Velório Municipal, para o Cemitério Municipal em jazigo da família.
Teresa de Fátima Jesuino do Amaral Faleceu anteontem, nesta cidade, contava 65 anos, filha dos finados Sr. Antonio Jesuino e da Sra. Eugenia Bonifácio Pereira, era viúva do Sr. Antonio Pinto do Amaral Filho, deixa a filha: Jussara Pinto do Amaral. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 14h30 da sala 01 do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
Odair Domingos da Rocha Faleceu ontem, nesta cidade, contava 72 anos, filho dos finados Sr. Manoel Durvalino da Rocha e da Sra. Maria de Lurdes Messias Rocha, era casado com a Sra. Ermelinda Crisostomo da Rocha, deixa os filhos: Rogério Aparecido Rocha; Susete Maria da Rocha Gomes; Suselaine Cristina da Rocha Sampaio, já falecida; Edenilson Manoel da Rocha e Everaldo Odair da Rocha. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 17h00 da sala 03 do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
Adahilda Ferreira Freire Faleceu ontem, nesta cidade, contava 81 anos, filha dos finados Sr. José Firmino de Brito e da Sra. Maria Ferreira de Brito, era viúva do Sr. Raymundo Freire Filho, deixa os filhos: Maria das Graças Freire; Francisca Freire de Brito Gil; Françuar Freire de Lima; Francivan Freire de Lima; Raimundo Freire Neto; Reijania Freire de Brito; Rogério Freire de Brito; Romério Freire de Lima e Regilandia Freire de Lima Batista. Deixa netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem às 10h30 no Cemitério Municipal da Vila Rezende em jazigo da família.
Gilma Macedo de Andrade Faleceu ontem, nesta cidade, contava 60 anos, filha do Sr. Alípio Rieveste de Macedo e da Sra. Maria Lopes dos Santos, já falecida, era casada com o Sr. Jorge Santos de Andrade, deixa os filhos: Janison Macedo de Andrade, casado com a Sra. Samila; Janice Macedo de Andrade, viúva do Sr. Antonio Cavalcante e Jeorge Macedo de Andrade, casado com a Sra. Carol. Deixa netos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 14h00 da sala “02” do Velório do Cemitério Municipal da Vila Rezende, para a referida necrópole em jazigo da família.
Darcy Campanholo Faleceu ontem, na cidade de Charqueada – SP, contava 89 anos, filho do Sr. Luiz Campanholo e da Sra. Duzolina Montibeller, era viúvo da Sra. Tereza Marissa Campanholo, deixa os filhos: Antonia Ap. Campanholo Callegari, viúva do Sr. João Batista Callegari; Jose Antonio Campanholo, casado com a Sra. Tereza Eliza Piedade Campanholo; Maria de Lourdes Campanholo, casada com o Sr. Velo Botene e Renato Ap. Campanholo, casado com a Sra. Rose Campanholo. Deixa irmãos, sobrinhos, netos, bisnetos, demais parentes e amigos. Seu sepultamento foi realizado ontem, tendo saído o féretro às 16h00 do Velório do Cemitério Municipal de Charqueada – SP, para a referida necrópole em jazigo da família.
Alfonso Clarete Furlan Faleceu ontem, na cidade de Saltinho – SP, contava 66 anos, filho dos finados Sr. Alfonso Furlan e da Sra. Maria Angela Franzol, deixa os filhos: Giovana Furlan; Cleder Furlan, casado com a Sra. Livia Coelho Furlan; Gleison Furlan, casado com a Sra. Aline Furlan e Cleise Furlan Fuzzato, casada com o Sr. Lucas Tadeu Fuzzato. Deixa neta, irmãos, cunhados, sobrinhos, demais parentes e amigos.Seu sepultamento será realizado hoje, saindo o féretro às 10h30 do Velório Local, para o Cemitério Municipal de Saltinho – SP em jazigo da família.
Marcelo Aparecido da Silva Faleceu ontem, nesta cidade, contava 41 anos, filho do Sr. Osvaldo Aparecido da Silva, já falecido e da Sra. Marilda Aparecida Zerio da Silva, deixa o filho: Guilherme Gimenez da Silva. Deixa irmão, cunhada, sobrinhos, demais parentes e amigos. Seu sepultamento será realizado hoje, saindo o féretro às 10h30 do Velório da Saudade, sala “03”, para o Cemitério da Saudade em jazigo da família.
Pedro Maciel Faleceu ontem, nesta cidade, contava 65 anos, filho dos finados Sr. Francisco Maciel e da Sra. Hermínia Raimundo Maciel, deixa os filhos: Luciene Maciel e Paulo Cesar Maciel, já falecida. Deixa netos, irmãos, cunhados, sobrinhos, demais parentes e amigo. Seu sepultamento será realizado hoje às 09h00 no Cemitério da Vila Rezende, em jazigo da família.
MATEUS FELLI NETO Faleceu anteontem na cidade de Piracicaba, aos 71 anos de idade e era casado com a Sra. Marcia Silvana de Almeida. Era filho do Sr. João Felli Neto e da Sra. Alice Alves Silveira Felli, ambos falecidos. Deixa os filhos: Alexandre Felli, Alessandra Felli, Alberto Felli e Álvaro Felli. Deixa também netos, demais parentes e amigos. O seu sepultamento deu-se ontem às 12:00 hs, saindo a urna mortuária do Velório “C” do Cemitério Parque da Ressurreição, seguindo em auto fúnebre para o Cemitério Municipal de Pereiras, onde foi inumado em jazigo da família.
MARIA MARTIM Faleceu anteontem na cidade de Piracicaba, aos 75 anos de idade e era filha do Sr. Jose Martim Fernandes e da Sra. Natalina Buffani, ambos falecidos. Deixa os filhos: Marcio Rodrigues de Lima, Roseli Rodrigues de Lima, Mauricio Rodrigues de Lima, Leni Rodrigues de Lima e Marquinho Rodrigues de Lima. Deixa também netos e bisnetos. O seu corpo foi transladado em auto fúnebre para a cidade de Rio das Pedras e o seu sepultamento deu-se ontem às 13:30 hs, saindo a urna mortuária do Velório Municipal de Rio das Pedras, seguindo para o Cemitério Municipal naquela localidade, onde foi inumada em jazigo da família.
HERNANDO LOPES DE OLIVEIRA Faleceu ontem na cidade de Piracicaba, aos 81 anos de idade e era filho do Sr. Alfredo Nunes de Oliveira e da Sra. Maria Lopes de Oliveira, ambos falecidos. Deixa as filhas: Tania Maria de Oliveira Artuni, Fatima Rosana de Oliveira Artuni e Elaine Cassia de Oliveira Garcia. Deixa também netos e bisnetos. O seu corpo foi transladado em auto fúnebre para a cidade de São Pedro e o seu sepultamento deu-se ontem às 13:00 hs, saindo a urna mortuária do Velório Memorial Bom Jesus – Sala 01, seguindo para o Cemitério Municipal naquela localidade, onde foi inumado em jazigo da família.
JOSE GERALDO MILANEZ Faleceu ontem na cidade de Piracicaba, aos 56 anos de idade e era casado com a Sra. Alexandra Germano. Era filho do Sr. Jose Milanez e da Sra. Maria Aparecida Corazza Milanez, falecida. Deixa irmãos, demais parentes e amigos. O seu sepultamento deu-se ontem às 13:30 hs saindo a urna mortuária do Velório da Saudade – Sala 05, para o Cemitério da Saudade, onde foi inumado em jazigo da família.
VIVIANE DO CARMO PEREIRA Faleceu ontem na cidade de Piracicaba, aos 45 anos de idade e era filha do Sr. José Pereira, falecido e da Sra. Penha Rita Pereira. Deixa os filhos: Lucas Pereira e Matheus Pereira. O seu sepultamento deu-se ontem às 09:00 hs no Cemitério Municipal da Vila Rezende, onde foi inumada em jazigo da família.
NAIR FERNANDES FRANÇOSO Faleceu anteontem na cidade de Piracicaba, aos 81 anos de idade e era viúva do Sr. Avelino Françoso. Era filha do Sr. Andrelino Henrique Fernandes e da Sra. Maria Martinha de Jesus, falecidos. Deixa os filhos: Adalgisa Viviane Françoso da Silva casada com Décio da Silva Junior, Walquiria Keila Françoso Rocha casada com Fabio de Almeida Rocha e Marcos Ivan Françoso, falecido. Deixa também 02 netos. O seu sepultamento deu-se ontem às 10:30 hs no Cemitério da Saudade, onde foi inumada em jazigo da família.
RUBENS CANDIDO NUNES Faleceu ontem na cidade de Piracicaba aos 68 anos de idade e era filho do Sr. Sebastião Candido Nunes e da Sra. Gercides Spadão Nunes, falecidos. Deixa os filhos: Andre Luiz Rodrigues Nunes e Adriano Rodrigues Nunes. Deixa 03 netos. O seu sepultamento deu-se ontem às 17:30 hs, saindo a urna mortuária do Velório da Saudade – Sala 04, para o Cemitério da Saudade, onde foi inumado em jazigo da família.
CUSTODIA PADILHA MENEGHIM Faleceu ontem na cidade de São Pedro aos 82 anos de idade e era viúva do Sr. Samuel Meneghim. Era filha da Sra. Benvinda Padilha, falecida. Deixa os filhos: José Roberto, Anselmo, Agnaldo e Marco Antônio, falecido. Deixa netos, bisnetos e demais parentes. O seu féretro deu-se ontem às 14:00 hs saindo a urna mortuária do Velório Memorial Bom Jesus – Sala 02 seguindo em auto fúnebre para o Crematório na cidade de Piracicaba.
ARIOVALDO APARECIDO ANTONIO Faleceu ontem na cidade de Piracicaba aos 57 anos de idade e era filho do Sr. Amador Antônio e da Sra. Maria Apparecida Luiz Antônio, falecidos. Deixou o irmão: João Roberto Antônio. O seu sepultamento dar-se-á hoje às 09:00 hs, saindo a urna mortuária do Velório da Saudade – Sala 07, para o Cemitério da Saudade, onde será inumado em jazigo da família.
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