#antique lady
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theamandacollection67 · 9 months ago
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1918
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shewhoworshipscarlin · 2 months ago
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Godey's Lady's Book, 1849.
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mote-historie · 1 year ago
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Evening gown by Lucile aka Lucy, Lady Duff-Gordon, Les Modes Paris, 1914
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alexvandrya · 8 months ago
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5/28/2024
Jsk, Nun collar, veil - Moi Meme Moitie
Headdress - Antique Beast
Underskirt, Socks - Lady Sloth
Shoes - Demonia
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foundwithlove · 1 year ago
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monkeyssalad-blog · 1 month ago
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NSU-Fiat 500 C Belvedere
flickr
NSU-Fiat 500 C Belvedere by Vintage Cars & People Via Flickr: A cheerful brunette lady peeking out of the sunroof of a German-built Fiat in summertime. Note the stuffed zebra mascot in the rear side window. The car is registered in the city of Hamburg with black number plates of Allied-occupied Germany. Country of origin: Germany
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brunuhvielle · 25 days ago
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windowstothepast · 1 year ago
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Lesbian Couple, early 1900s
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x-heesy · 5 months ago
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ʟ ᴏ ᴠ ᴇ
Ladies' hats made around 1910-1911
White Lilies by Peder, Anne Troll 🎶
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pastlivesfinery · 8 months ago
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Lady’s Magazine, 1834
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illustratus · 2 years ago
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The Signal by John William Godward
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theamandacollection67 · 3 days ago
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Aunt Cassie
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sunnytheopossum · 8 months ago
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I just realized I forgot to draw “Unnamed Groundskeeper” for my Marble Hornets character lineup… I am deeply ashamed and full of regret and will correct this injustice immediately. Thank you, friends, for your understanding of this great sin. Here he is; I promise I will never make the same horrific mistake ever again.
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xpuigc-bloc · 3 months ago
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Paul Delaroche
The Execution of Lady Jane Grey
1833
Collection of the National Gallery, London.
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boymanmaletheshequel · 2 months ago
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Rate my vanity setup! I collect antiques and my bathroom is one of my more sacred places, both physically for myself, and spiritually for the love gods i worship like Freya and Aphrodite, so I have some very prized pieces in here! These include:
- A Victorian silver plate hairbrush and mirror set engraved “R” for the grandmother of the person I bought it from, Catherine Renkin. (C. 1890s)
- A Victorian Gorham sterling silver and tortoiseshell comb. (C. 1887)
- An Edwardian French ebony and sterling silver pocket brush (c. 1912)
- A sterling silver plate Victorian jewelry box with pink satin lining I use for my stickpins and bar pins (c. 1889)
- An art deco leather, brass and velvet jewelry box (c. 1930s)
- a Greek key pattern porcelain mini wash basin pitcher (c. 1918)
- Victorian hand painted forget me not porcelain toothpick holders I use for hat pins (c. 1890s-1900s)
- Johnson and bros blue fade delft porcelain soap dish. (C. 1882)
If you want to see the other side of the vanity, lmk!
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galleryofart · 2 months ago
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A Tale from the Decameron
Artist: John William Waterhouse (English, 1849–1917)
Title: The Decameron
Date: 1916
Medium: Oil on Canvas
Collection: Lady Lever Art Gallery, The National Museums, Liverpool
Description
These scenes of medieval storytelling, painted in 1916 and 1917, distil many of the qualities of Waterhouse’s work. Their fanciful subject, colour and attention to detail echo the work of the Pre-Raphaelites. Their composition, elegance and figures remind us of works by the Victorian classicists.
In The Decameron we see most of the members of the group sitting, listening intently to the latest tale. In The Enchanted Garden, Waterhouse illustrates one tale specifically. This is the fifth story from the tenth day. It concerns Dianora, wife of Gilberto, who is pursued by Ansaldo,whose fame for feats of arms and courtesy was spread far and wide. Dianora is exasperated by Ansaldo’s insistence so she devises what she believes is an impossible task in order that he will prove his love. If he does complete the task she will be his lover. Dianora asks Ansaldo to produce a May garden, full of blooms, in January. Assisted by a magician, Ansaldo achieves this seemingly impossible task leaving Dianora distraught. In an anxious state, she explains to her husband the bargain she has made and he, conscious of that Ansaldo has fulfilled his part of the bargain advises her that the agreement must be kept. On hearing of Dianora’s honesty, Ansaldo decides to release her from the obligation. Waterhouse has chosen the great moment of discovery and realisation by Dianora for this painting.
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