#anthony sanchez

[sethnorth]

Anthony Sanchez

[cheerfullycatholic]

[magic-can]

Anthony Sanchez is set to executed for a crime he likely didn’t commit on September 21st - around four weeks from the time of making this post. If there is doubt about someone’s guilt, all of the evidence should be thoroughly examined and DNA testing should be done to definitively rule someone out or find the one responsible for the crime. Anthony isn’t being given that chance which is objectively unfair given the information that has since come to light.

[plumbus-central]

💙💜💙💜💙💜

[spaceghostswim]

this video made my night =] the voice actors of Uncle Rukus and Rick & Morty do a bit!

[screenbeanz]

Without a Trace. Random Agent Jack Malone GIFs.

CLICK to ENLARGE THE GIFs.

[thesoftboiledegg]

View this post on Instagram

A post shared by garyanthonywilliams (@garyanthonywilliams)

[nerds-yearbook]

Timothy Dalton's last James Bond film Licence to Kill was released on July 14, 1989. It wasn't meant to be his last film, but due to legal issues, another Bond film wasn't able to go into production until 1995 and by that time Dalton was ready to move on. For the most part, the movie took on a more series tone for the character and story keeping more to the Bond of the books as was the case of Dalton's previous film The Living Daylights. It was the first Bond film not to be titled after one of the Ian Fleming Bond books, but the story pulled from many elements from Live and Let Die and The Hildebrand Rarity. David Hedison became the first actor to play the role Felix Lieter (Live and Let Die - 1973/Licence to Kill - 1995) more than once and the only actor play the role against two different Bonds (Roger Moore and Dalton). Besides being Dalton's last film as Bond, it was also the last Bond film with Robert Brown as M and Caroline Bliss as Moneypenny, and the last Bond film worked on by writer Richard Maibaum, director John Glen, and title designer Maurice Binder. The film also featured Robert Davi (Franz Sanchez), Carey Lowell (Pam Bovier), Talisa Soto (Lupe Lamore), Anthony Zerbe (Milton Krest), Frank McRae (Sharkey), Everett McGill (Killifer), Wayne Newton (Professor Joe Butcher), Benicio Del Toro (Dario), Anthony Starke (Truman-Lodge), Desmond Llewelyn (Q), Priscilla Barnes (Della Churchill), Don Stroud (Heller), Grand L Bush (Hawkins), and Cary-Hiroyuki Tagawa (Kwang). While not the most finacially successful Bond film at the time, like On Her Majesty's Secret Service, the movie has grown in fan appreciation over time. ("Licence to Kill", Bond Film, Event)

[graphicpolicy]

Preview: DC's Batman Smells Robin Laid an Egg #1

DC's Batman Smells Robin Laid an Egg #1 preview. Jingle bells, Batman smells, Robin laid an egg, the Batmobile lost a wheel… and you know the rest! #comics #comicbooks

[thenerdsofcolor]

Here’s Your First Look at ‘Outer Banks’ Season 4 Part 2

Here’s Your First Look at ‘Outer Banks’ Season 4 Part 2 @carlaciagrant @JDaviss28 @madelyncline @rudeth @DrewsephStarkey @obxnetflix @netflix #OuterBanks #OBX4

[nfcomics]

DCS BATMAN SMELLS ROBIN LAID AN EGG no.1 (one shot) • cover art • Santa Fung [Dec 2024]

EIGHT HOLIDAY TALES OF HEARTWARMING CHEER! 🎄

Jingle bells, Batman smells, Robin laid an egg, the Batmobile lost a wheel... and you know the rest! Read these six merry tales about characters from the DCU set during the holiday season. Be enthralled by Dr. Midnight's literally silent night, become captivated by a Deadman story written by Marv Wolfman, and ponder the question: in a world without the Joker's torment, is it really a wonderful life? Probably not. DC's Batman Smells, Robin Laid An Egg, is a heartwarming new holiday anthology coming as a gift to you this this holiday season!

🖊 Written by Marv Wolfman, Alexis Quasarano, Drew Maxey, James Reid, Calvin Kasulke, Rick Sanchez, Dorado Quick and Zipporah Smith 🖌Art by Paul Pelletier, Andrew Drilon, M.L. Sanapo, Marianna Ignazzi, Marcial Toledano Vargas, Anthony Marques, Aaron Conley, Francesco Francavilla and More

Retail: $9.99 US

[cheerfullycatholic]

[walking-sons-of-the-dead-anarchy]

[longlistshort]

Anthony Freese “State of Emergency”, 2023 vinyl and “Termination”, 2023 3D print

(L to R) Jay Giroux “Slow Burn”, 2023, waterborne acrylic on aluminum sign panel mounted to MDF; Ryan Lagasse, “This Isn’t Sunshine”, 2023, acrylic on wood; Blake Bailey, “Solar Pressure”, 2023, linocut relief print

Ryan Lagasse “This Isn’t Sunshine”, 2023, acrylic on wood

RJ Martin, “Cold projections”, 2023, digital print on signboard and “Truth in blue”, 2023, 3D print

Jay Giroux, “Drug Store”, 2023, acrylic on primed MDF

(left) Edgar Sanchez Cumbas, “Where There Is Brown There Is Gold”, 2023, digital print embellished with wax, acrylic, and charcoal on Arches cold press 140lb paper; (right) Joana Hila “Equilibrium of Insect & Flora”, 2023, mixed media

The works above are from Department of Contemporary Art’s latest group exhibition Degrees, organized with Tampa’s Greater Public Studio. It explores the multiple uses of the word “degrees” including in climate change, education and history. Artists included in the exhibition- Blake Bailey, Anthony Freese, Jay Giroux, Joana Hila, Ryan Lagasse, Richard Martin, Julia Parrino, Alex Roberts, and Edgar Sanchez Cumbas.

About Degrees from the gallery’s website-

In this exhibition, we unravel the layers of meaning behind ‘Degrees’. From the nuanced shades of truth that shape our perceptions to the tangible degrees of temperature that influence our environment, the exhibition creates a dynamic dialogue between different dimensions of this concept.

Situated in a pivotal battleground state, the exhibition also contemplates the intricate relationship between degrees and the pressing issue of global warming. Delving into the political discourse, we examine how degrees of belief and denial intersect, particularly in the context of climate change debates.

Furthermore, the exhibition prompts contemplation on the notion of an art degree. What does it signify? How does it define one’s creative journey? These questions guide us through an exploration of artistic qualifications and the degrees of expertise they represent.

A journey through art history reveals the connection between degrees and lines, as we delve into the associations between angles, perspectives, and the progression of artistic movements. This collection invites you to ponder how degrees of inclination can shape artistic expression and historical narratives.

Join us in this immersive exhibition, where degrees of interpretation converge, offering a multi-dimensional encounter with the concept of ‘Degrees’.

Tomorrow (10/26/23) from 6-9pm is the last chance to see the show.

[plumbus-central]

tfw ur pregnant and trying to network and secure funding for the study and creation of a teleportation device ur building with ur childhood best friend in his garage and also its the 80s