#anthology contributions

[akakumoeteru]

This is the piece I contributed to 春綻盛意, a private WX spring wedding anthology I was invited to. You can see the other participant works by browsing this hashtag on Twitter or visiting the project account here!

[a-a-a-anon]

appreciation post for Lise Mayer!! she co-wrote The Young Ones (and The Bachelor Boys book, additional material like when they did Comic Relief, etc), which is well known. but she also wrote for other things in the alternative comedy scene like Rik Mayall and Ben Elton's comedy tour (source: BBC Breakfast Time interview)! and, something I didn't know until recently: she co-wrote/wrote for Kevin Turvey! she's not credited in his television appearances, but see below for sources.

i really loved the podcast episode she did with Alexei Sayle about TYO, you gain a lot of insight into her perspective! she also mentions misogynistic treatment like being asked to go make tea when they were doing script readings, not getting invited to a big BBC party because it was presumed she'd be Rik's plus-one, and getting groped at the BBC bar. it pissed me off on her behalf and partly prompted this post.

some specific accolades/accreditation/fun facts:

Rik crediting her with writing/conceiving the Kevin Turvey non-joke "All right, biting political satire: What do Lech Walesea and Menachem Begin have in common? They’ve both got foreign names! What do you mean it’s not funny?" (x)

Alexei Sayle in Thatcher Stole My Trousers crediting Lise with co-writing Turvey: "Lise was, like Linda for mine, a vital part of Rik’s career, co-writing both The Young Ones and Rik’s character Kevin Turvey..."

a 1987 source for Lise co-writing Turvey: "The assumption that women do not write comedy scripts was one with which Lise Mayer, co-writer of The Young Ones television series, has also had to contend. She started writing for Rik Mayall’s Kevin Turvey in the television series A Kick Up the Eighties..." (x)

Rowland Rivron (comedian who toured with The Comic Strip gang and lived with Rik and Lise) in What the f*** did I do last night?: "[Lise] also had the unenviable job of standing at the side of the stage when Rik was performing, and jotting down anything he said that was unscripted. If it got a laugh, it would be woven into the next night’s routine."

the only time i've ever seen a Rik Mayall/Ade Edmondson/Lise Mayer writing credit: for a poem called Distance which was collected in this anthology! Rik and Ade seem to have acted it out (or at least a version of it) in this 20th Century Coyote performance

Rik on Lise writing TYO: "‘She discovers different things: the comedy of embarrassment and awkwardness – she draws out the cheating and stealing that goes on in the house.’" (x) (Lise also says her "favorite comedy was always the comedy of embarrassment" in the Alexei Sayle podcast)

Rik: "... Lise Mayer wrote this great scene where I find a tampon in a handbag and it's my birthday party and I think it's a present because my character is Rick, who is such a git, he didn't know." (x)

Helen Lederer in Not That I'm Bitter, writing about being on The Young Ones: "[Lise] was known to be the brains behind it all, particularly the more surreal elements…"

she and Rik chose the bands (x)

Lise: “We’d have a table read at which point we’d discover that the script ran over an hour long, and then I’d have a sleepless night editing it.” Alexei: “You did that?” Lise: “Usually me, yeah…” (she later explains they'd present the script Monday and rehearsals were Tuesday, Wednesday-so she literally had one night to edit!) (x)

facts from the blu-ray commentary tracks:

Rick's yellow dungarees in Interesting were based off a picture of Lise in a similar pair

Lise wrote an essay about the tampon joke in Interesting so that the BBC didn't cut the scene (though they still edited it)

Paul Jackson (producer) credits Lise with arguing "you are seriously telling me that we cannot refer on television to something that happens to 50% of the population for about 30 years of their life? and we're not allowed to even refer to it" to make an executive back off about the tampon joke in a meeting

Lise came up with Neil's flowerpot covering in Nasty

Vyvyan/Vivian's name comes from Lise having lived in Vyvyan Terrace, Bristol

Lise thought of the cast switching costumes in Bambi (one of my favorite moments!!) (/end of commentary track facts)

this is guesswork, but i've seen Ben Elton and Rik Mayall's handwriting and i'm pretty sure the editing/handwriting on the bottom left on this script must be Lise's, which gives insight into what/how she wrote: (x)

i feel like it's easy for people to overlook or minimize Lise's impact, something that happens to female creators far too often. i hate when women's identities are framed around their association to a man-girlfriend to Rik in this case-which was the norm whenever i saw Lise discussed in articles/books/online discussions about TYO. it's important to know she was a writer and co-creator with her own identity and (underappreciated) contributions. The Young Ones (and Kevin Turvey, and things we don't even know she goes uncredited for) would not have been the same—or wouldn't have even existed—without her!

[idontmindifuforgetme]

i love anthologies. anthologies are so sexy

[marlynnofmany]

Where Wormholes Come From

As much as I was enjoying my Engine Rings™ cheesy snacks — and that was a great deal, since I’d just discovered them on a human-run space station — it wasn’t so much of a distraction that I didn’t notice worried voices as I walked past the cockpit.

I paused in the doorway to see Wio in her chair, tentacles adjusting the controls with nervous speed while Kavlae stood and pointed at one of the displays. I had no idea what that screen showed. But the two pilots sure seemed to, and it didn’t look good.

“Are you sure it’s organic?” Wio was asking.

“It has to be!” Kavlae said, head frills flaring. “I’ve never seen this kind of reading on anything else. Not even new technology.”

Wio muttered something unintelligible, tapping buttons and turning dials. She didn’t react when I folded my bag of crunchy snacks and shoved it in a pocket.

I leaned into the room. “Is something wrong?”

Kavlae looked up at that, the picture of blue-skinned concern. “Possibly,” she admitted. “Dangerous, at any rate. I was making a final sweep for the end of my shift, and I think I’ve found a fresh wormhole.”

I waited for more information, but didn’t get any. “Why is that bad?”

“Because it clearly wasn’t made with any technology I’ve seen,” Kavlae said with a melodramatic sweep of a hand. “There are organic traces and rough edges. This is fresh.”

Before I could repeat my question, Wio chimed in. “And a fresh wormhole might mean the worm is still around, among other things.”

“Uh,” I said. Apparently my Earth-bound education about space travel had missed a key point. “I did not know wormholes are made by actual worms. I thought people built them? Or they just happen?”

“People do build them,” Wio said. She finished messing with the controls and twisted her tentacles around each other. “And the way they ‘just happen’ is because of the space worms. Which we don’t want to get anywhere near.”

Kavlae waved me forward. “You’ve got good color vision, right? See if anything long and wiggly shows up on these scans. It’ll be subtle; they’re probably in deep.”

I stepped up to the row of small screens under the main one, full of questions. “Deep in what, hyperspace? Why do we want to avoid them? Are they predatory? Or territorial, or easily startled?” The main screen just showed the usual stars, but the little ones were a riot of charts and diagrams. Kavlae pointed at the one that was an incomprehensible swirl of yellow and green.

“Yes, hyperspace,” Wio said.

“They’re not predatory,” Kavlae said with certainty.

“Well, how do we know?” Wio countered.

“There have been studies!” Kavlae said. “They eat the fabric of space-time itself, not spaceships.”

“What about the chewy center of those spaceships?” Wio retorted.

“There have been studies,” Kavlae insisted.

Part of the green image did look a little wormy. I wondered whether I should interrupt, not sure if I was imagining it, then I remembered Eggskin the medic’s offhand comment on how good human eyesight was in picking out shades of green — just like edible vs non-edible plants back home. Maybe the two pilots really couldn’t see something that I could.

“Is that—” I started.

“Anyways, it’s not the space worms you need to worry about,” Wio spoke over me. “It’s the space moles that follow.”

The universe has perfect timing, because that was the moment a clear green line appeared on the chart, straight as an arrow and moving fast.

Kavlae squeaked, pointing at the screen.

Wio made a popping noise that I recognized as a swear word, and pressed several buttons at once.

A snakelike shape the color of starlight erupted into sight on the main screen, glowing as it curled back down a brand new wormhole, right in front of our ship. Which stopped in its tracks, all three of us yelling in surprise.

But that was nothing compared to the enormous black shape that clawed its way out of the starfield in hot pursuit. It was a different shade of black from the void of space, but I couldn’t say which. All I made out in that adrenaline-filled moment was claws, teeth, and terrifyingly large.

We screamed in three different octaves as the ripples in space hit the ship, rocking it even with the artificial gravity. I heard something crash down the hall. Other people were yelling. They didn’t matter.

The space mole really was going after the worm, not us — it plowed back down into the surface of reality, digging in a way that shouldn’t have been possible. And it was so, so fast.

The mole disappeared with one last kick of a barely-seen foot or tail or something else. The starfield rippled and shook like the surface of a pond. I realized I was clutching the back of Wio’s chair. Alarms were going off on the console.

After a moment in which nothing else jumped out at us, I managed to convince my fingers to let go. Kavlae collapsed into her own chair. The little screen was calm yellow. Without a word, Wio changed our course to somewhere presumably safer.

Running footsteps sounded in the hall, leading to a traffic jam of concern in the doorway: all tentacles and frills and very wide eyes. A calm but stern voice cut through the chatter. The crowd parted to let Captain Sunlight through, every inch the levelheaded and unflappable role model who wasn’t about to let some turbulence and screaming rattle her. She was wiping what looked like orange soup off one yellow-scaled hand. But she did it with dignity.

“What happened?” she asked.

I answered first. “Space worm and a space mole.”

“Really,” the captain said while the hallway exploded into conversation.

“They almost hit us!” Kavlae exclaimed, waving arms and frills from where she sat slumped in her chair.

“Any damage?” Captain Sunlight asked.

“Nope,” Wio said, with surprising cheer. “And I have better news.” She manipulated the controls some more, then sat back as a framed image appeared in the middle of the main screen. “I got a recording.”

Everyone exclaimed about that while the captured footage played. I was torn between watching it again because it was amazing, and watching the little yellow screen for more hints of green. I tried to do both.

“Well done,” Captain Sunlight said. “I know just the scientists to give first shot at that recording. And knowing them, this may end up in a very lucrative bidding war. You just make sure you get us to our destination safely!”

“Absolutely, Captain!” Wio said with a twirl of a tentacle. “I will keep a close eye on all the readouts.”

“I’ll help,” I volunteered, eyeing a suspicious green tinge that was probably nothing.

“I will take a nap,” Kavlae declared. “Then come back early.”

Wio waved her toward the crowded doorway. “Take your time! You need some rest after that. Don’t worry; we’ll scream if there’s anything important.”

“I’ll remind you that we do have an intercom,” said the captain drily.

I replied, “Screaming’s faster.”

Wio said at the same time, “We’ll scream over the intercom if there’s anything important.”

Captain Sunlight huffed in amusement. “Of course you will. Right! Everyone else, go check the ship for damaged items. Mur, help Mimi in the engine room. Paint, go with Eggskin; medbay first, then kitchen.” She rattled off more assignments to make sure all the important rooms were looked into. Then she ushered everyone on their way, and headed back to whatever she’d been doing. Probably cleaning up spilled soup.

With a glance at Wio, I took Kavlae’s chair, hands folded carefully in my lap. The snacks in my pocket crinkled. I left them there — I wasn’t about to make a mess in the cockpit, nor would I touch a single thing.

But that yellow-and-green swirl, oh I would be watching that very carefully.

~~~

The ongoing backstory adventures of the main character from this book. More to come!

[mariocki]

Shadows of Fear: Did You Lock Up? (1.1, Thames, 1970)

"And they didn't make much mess?"

"No, not really. They forced that door. Smashed the cabinet, slashed a sofa. And kicked a hole in the bedroom door."

"Ah. Big mistake."

"What is?"

"Never lock inside doors. Anything you can to keep them out - but when they're in, let 'em get on with it."

"I'll remember."

[tinynightmarewoman]

James leaves the toilet seat up!

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[posthumus]

sick and twisted that stephen SONDHEIM did an arrangement for "fear no more" but i don't even like it. everything in the world is so fucked up

[cartersvilleareawriters]

Tomorrow, November 1, 11:59 pm, is the DEADLINE to contribute your short story or poem to the CAW 2024 Anthology, 𝑻𝒉𝒆 𝑪𝒓𝒐𝒘 𝑺𝒑𝒆𝒂𝒌𝒔 𝑽𝒐𝒍 𝑰𝑰. Visit cartersvilleareawritersgroup.com or find us on Facebook for ALL of the details!

[ebmmedia]

[unproduciblesmackdown]

oh you mean our "offical nonbinary f&f character Cam Stone 101" entry in the lambda literary lgbtq+ anthology award-winning 2 trans 2 furious: an extremely serious journal of transgender street racing studies?

[acy-art]

any ideas on who this guy is? he keeps popping up in my research and its making me confused

[akakumoeteru]

Happy birthday, WWX! This is the piece I contributed to 芍香縈夢, a private WWX birthday event anthology I was invited to. You can see the other participant works by browsing this hashtag on Twitter or visiting the project account here!

[rain-writeswriting]

Woooooooo! It's here! I can't wait to see what everyone's done!

The wait is finally over! We proudly present the Hetalia World Stars Fan Anthology!!

The anthology can be viewed in this google drive. There is a high quality and low quality pdf.

I also just want to thank everyone on the mod team for their hard work helping me with this project, and an even bigger thank you to @raven6229 for putting the entire thing together!

Lastly, thank you to all of the amazing people who contributed to this MONSTER of a love letter to Hetalia. 364 pages of content is no small feat, you guys are great.

hasta la pasta - frukmerunning

[mortalityplays]

Unprintable: Artists Against Authority

I am absolutely beside myself with excitement to announce the launch of Unprintable.

Unprintable is an online free shop, where original artwork and arts resources are released into the public domain.

Everything listed here is free to use, copy and remix any way you like. You can print off hi-res artwork to decorate your apartment, or to use in your own projects. You can use the writing in your own zines, anthologies or performances. You can put it on a t-shirt. You can read it on the radio. You can paint it on a truck. It's up to you, entirely and forever.

The collection will be updated continuously, on an unfixed schedule, with contributions from a wide range of named and anonymous artists and activists. You can read the FAQ for a full rundown of what Unprintable is and why it exists, but these are the really important parts:

Can I download/print/use the work listed here? Yes. Can I use it for [X]? You can do whatever you want with it forever. But what if I want to [Y]? You can do whatever you want with it forever. Why do this? A few reasons: 1. We want a space to just share things, no strings attached. We recognise that copyright is an irrational system that was designed to protect the profit interests of publishing middlemen and IP hoarders. In fact, copyright is often weaponised against the creators it pretends to protect. As long as it exists, we are unlikely to win any other form of protection for our work, and we are profoundly limited from engaging in the kind of communal artistic and storytelling practices that were the norm around the world for thousands of years. 2. Radical art is often unprintable. Profit motives make people cautious. A lot of print-on-demand or local print shop services will refuse artwork with controversial, sensitive or political content. This is very frustrating when these themes are the focus of so much of our work (and indeed our lives). Rather than waste any more breath trying to explain why a trans artist might want to print the word ‘faggot’, we can give our work away for free. Got a printer? It’s yours. 3. It feels good. Sharing is joyful. It’s the reason we love making things in the first place. We don’t write poems because we look forward to filleting them for consumption, or layer colours so that we can sell a canvas by the ounce. We have only ever wanted to be able to support ourselves so that we can make, but that relationship is deeply dysfunctional under capitalism. We made these things, and we want you to have them. It doesn’t need to be complicated.

I'll write up some more posts introducing the launch collection soon. In the meantime...be free, enjoy, explore, have fun!

https://free.mortalityplays.com

[firstfullmoon]

Hanif Abdurraqib’s contribution to Sad Happens, an anthology exploring sadness & tears, edited by Brandon Stosuy

[thecatsreaderslibrary]

Congrats To Our Author Candace Gish & Her New Anthology, Book 2 Has Been Awarded 5-Star Editorial Book Reviews By Reader's Favorite.

Our Mothers, Our Daughters Divas That Care Collection by Candace Gish Non-Fiction – Anthology – Contributing Authors Kindle Edition – https://www.amazon.com/dp/B0BZ59BSBN Reviewed on 04/25/2023 Reviewed by Emily-Jane Hills Orford for Readers’ Favorite Our Mothers, Our Daughters by Candace Gish reminds us that the relationship shared between mother and daughter is deep. It’s not always…