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#answers for ts
mdgart · 6 months
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I love your art. What program(s) do you use for your work?
Beth
Hi Beth, thank you! I don't use anything fancy at all. I'm still working with CS6 (downloaded from some resource blog around here like 10 yrs ago) and a very old wacom tablet...cause i'm a dinosaur. Oh and Lazy Nezumi Pro. If you don't use a program that already has a built in pen stabilizing feature, I highly recommend buying the license for it. It makes a hugeee difference 💜
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laylakeating · 4 months
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@rinacentral — EVENT 1: FAVOURITES 🩵 ↳ rina and a song from each taylor swift album
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Janus is def the annoying ex that still try’s to flirt. Like he still ain’t over it and will go out of his way to bother you or annoy you while still wanting you back.
*cough* *cough* Anxceit..
Like in the incorrect quotes v4 he does a little wave at Virgil and acts so damn seductive when he’s talking to him. IM TELLING YOU HE WANTS VEE BACK-
That Snake is so damn Gay for that Emo Spider manz was fr pouting for him to open that sliding door
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carlyraejepsans · 8 months
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Did you like sans’ punishment shack?
"sans pretends to be a superhero under his brother's creative guidance and makes bootleg products of his own supersona in his secret base to sell when he's off the clock" is perhaps the most hysterically sans thing about this entire goddamn au
also, about halfway through their segment i was like "man, wouldn't it be funny if papyrus tried to give the costume a speedo when they were still brainstorming the design and sans had to gently rederect his idea elsewhere" and then the game was like "ACTUALLY sans was the one 100% on board with the speedo, it's with alphys' catboy costume that he had to put his foot down". and i just had to step back and slow clap. i can recognize when I've been outsansed
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kedreeva · 1 month
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This might be an odd thing to ask but my friend just had to do their first cull (quail) and is feeling a little freaked out by it still. Do you maybe have any advice for like, coping with that?
I'll put this under a cut, since it involves animal death
I guess it depends on what they are freaking out about, the physical sensation of any part of it (for instance, if they did a butcher job to use the meat, instead of a euthanasia job for burial or something) or the empathy part of it (taking a life personally).
If it's the former, rub your (general you) hands on some kind of rough surface (like a bristle brush/dish scrub brush), trim your nails short, and take a long, hot shower, and light a smelly candle. It won't particularly stop you from thinking about it, but it will make sure that the actual physical stimuli that remind you (ghost sensations on nerves, any remaining scent of blood or offal or dander, sound) get pushed back in memory behind the new sensations and/or removed.
The empathy part is harder, and there's just not a lot you (again, general you) can do about it, and I think that's okay, actually. It SHOULD freak you out the first time you take a life, and it should freak you out a little every time after that, because it gives weight to this action that this action wholly deserves. You are ending a life that you were responsible for starting, and that's heavy and deserves respect. This is the reality of breeding and raising animals for use, and at the end of the day, your friend will have to sit with that, and decide if they're okay with it if they want to keep doing it. There's no shortcut in this matter.
Some of the things I do made it easier to come to terms with for me. The first is to do my best to produce animals that WILL have a use (as opposed to producing just to produce and not having a plan for what to do with them), and the second is to use as much of what you produce as possible. For me, this means either selling the birds to others for use, or using the meat/bones myself and giving the rest back to nature (usually my crows come and eat offal the same day I do butchering). I find it easier to handle if I set the expectation from the start that a bird will be a use animal not a pet animal (ie, food or eggs or whatever that I intend to invest time and care into, compared to a companion I would emotionally invest in as well)- being able to compartmentalize this distinction is essential, and there are also going to be times when you have to make the sucky decision to end an animal you got emotionally invested in anyway (illness, injury, old age, behavioral changes, etc) because you're human and that's what we often do. I'm also more comfortable culling if I know the animal will have/has had a quality life (both because the meat will be better and because they deserve it). Lastly, it helps to remind myself that I produce some animals for a purpose and when I cull they are either fulfilling that purpose (used by me/others) or they are incapable of fulfilling that purpose (free to go to others/rest). Keeping them longer than that is, imo, a disservice to them.
I'm sorry there's not an easy fix-it. I hope that your friend is able to recover and keep raising quail, if they enjoy the rest of it.
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fizzfnagsfFizzfangs. in the gay little hideout thing. or whatever else i dont care i just want to see them
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boys night‼️
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qqueenofhades · 1 month
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So now that we have reporting that Trump is literally on the phone with Netanyahu trying to get him to avoid agreeing to a ceasefire in case it helps Harris (which, it goes without saying, is utterly repulsive on both their parts), are all the protestors yelling about SHUTTING DOWN THE DNC (after Biden called for a ceasefire and end to the Gaza war from the podium last night) gonna go protest outside Mar-a-Lago or nah?
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delimeful · 1 month
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nothing in this world (i wouldn't do) (6)
warnings: captivity, restraints, panic attacks, unethical science, experimentation, wounds, injury and blood mention, character being kind of an ass, fear, bird ex machina, lmk if i missed any  
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Virgil woke up to find he was surrounded by darkness and completely unable to move.
Seeing as the last thing he remembered was being poisoned into unconsciousness by a demon slayer with mad scientist leanings, this was about as far from reassuring as an awakening could be.
For a disoriented moment, he tried to check for the baby crow, which mostly just involved him listening closely for any loud, raspy-voiced swearing. Naturally, there wasn’t any, because he’d blacked out and the slayer very clearly hadn’t wanted Roman’s bird anywhere near him.
Bizarrely enough, he felt a little morose at the baby crow’s absence. Maybe because she was the only creature who had figured out that despite being a monster, he wasn’t actually a threat to humanity.
Or maybe it was just because being immobilized in a dark, silent place was totally freaking him out, and he would have taken any company so long as it meant he hadn’t been locked away forever or buried alive.
(Could he still die from a lack of oxygen? Would he be stuck underground, conscious and alone, for the rest of time? He couldn’t even call out for help.)
His body was unresponsive, and nothing his brain was coming up with was remotely helpful, so Virgil focused on his breathing, trying to keep his count steady as he inhaled and exhaled air that could be rapidly running out—
By the time the slayer entered the room, Virgil had already hyperventilated himself into unconsciousness a few times, each time utterly convinced he was dying.
The man didn’t bother saying anything to him or even sparing him anything more than a glance, simply walking around the space and lighting several lamps at a brisk pace, but Virgil felt a vast, sweeping sense of relief fall over him regardless.
He wasn’t buried. He hadn’t been left alone to rot away in the dark.
He was… extensively strapped down to a waist-high table in the center of the room?
A significant amount of his relief started to fade. Right. He’d been caught by a slayer who wanted him dead or worse, and was now entirely at his mercy— assuming he even had any for demons.
There was another person in the room, too, and they scurried about so quickly that it took Virgil a few moments to identify them as the wary stranger who had sent him to go find their brother. They were wearing the same uniform as the slayer, now, which answered basically all of Virgil’s potential questions about the situation.
“Subject ABN-V3, Log 1,” the slayer started, and Virgil’s eyes flicked over to him curiously. “The subject regained consciousness approximately half an hour after halting the regular wisteria toxin doses, indicating remarkable poison resilience, comparable to a Lower Rank.”
There was the distinct scratch of hurried writing, but the slayer’s hands were unoccupied as he circled Virgil’s prone form. The younger slayer must have been an assistant.
There was a muted pressure on his hand, which refused to even twitch, even as the pressure grew heavier. The slayer hummed, pulling away. “In contrast, regeneration ability appears relatively slow. Internal organ function has resumed, but exterior nerves and muscles remain paralyzed.”
His organs had been paralyzed?! Virgil’s breathing stuttered, and he wrestled with the instinctual panic for a moment. His lungs were clearly working now, so he should just keep breathing and not pass out again.
When he looked back over, it was to the sight of the slayer staring directly at his face with a detached sort of curiosity. That composed mask of his may have dropped for a few moments in the clearing, but it was fully repaired and glued in place now.
“Do you have anything to say?” he asked, which was a little startling.
Virgil blinked at him for a moment, and then very quickly recalled that blinking was about all he could do. His hands weren’t cooperating with him, and even his head felt too heavy to shake or nod at the moment.
An irritated rumble started up in his chest for a moment before dying out, and he heaved a low sigh, already exhausted. He’d burnt through all his default terror while panicking in the dark, and now there was barely anything left to scrape up for his impending dehumanizing death.
The slayer only watched him impassively for another long, silent stretch of seconds before turning his attention away.
“Subject’s nonverbal behavior remains consistent with previous encounter,” he narrated, which succinctly explained why he’d bothered to verbally prod Virgil in the first place. “No secondary manifestations present in the room. We’ll proceed with direct regeneration testing while the paralytic is still in effect.”
There was a metallic clink, and Virgil’s gaze flicked over to a tray covered with tools he could only guess at the purpose of. Most of them were sharp-edged.
At least he wouldn’t be able to feel them. Yet.
The slayer picked up a thin blade, and Virgil squeezed his eyes shut, in an attempt to not have to see whatever was being done to him.
The narration of that calm, clinical voice couldn’t be as easily blocked out, so he found out regardless.
His healing factor had improved a lot since being turned into a monster, but it wasn’t anywhere close to the level he’d seen from some of the other demons he’d fought, so he wasn’t surprised to find that the first thing he felt when the paralysis began to wear fully off was pain.
The wounds weren’t serious, at least. He hoped that didn’t mean they were saving more lethal ones for when he could actually feel them, but he wasn’t optimistic about his odds.
(Unsurprisingly, it seemed like most demon slayers really hated demons.)
The slayer seemed strangely perturbed by the way the methodical injuries he’d inflicted hadn’t healed yet. Apparently, vastly accelerated healing was the norm for most demons, so this was just another way in which Virgil was a freaky outlier. Virgil could have told the slayer as much himself if he’d been able to sign.
Not to say that he’d regained all his vocabulary. With his limbs strapped firmly down, his post-poison communication was limited to signs that he could form with just his hands, and no accompanying movements. Fingerspelling was tedious, but at least it was possible.
“S-L-E-E-P,” he’d signed when the slayer had been theorizing on his apparently deeply unusual slow healing. “L-O-N-G.”
It took a few repetitions for his captor to pay it any mind, but once he did, his expression immediately creased with doubt. Virgil let himself look irritated about the reaction, because really, what was the point in pretending? He was screwed either way.
“If hibernation periods could heal demons, there would be longer stretches of inactivity between attacks,” the slayer said, frowning down at him. “It would make my job much easier if that were the case, but it isn’t.”
Since when was Virgil the representative for all of demonkind? He’d barely even spoken to other demons, since generally their interactions tended to start and end with them trying to kill each other. This was his supernatural sleeping schedule, not theirs.
Generally, he only slept like that when he was injured. If he wasn’t hurt in a fight, he didn’t get tired. He signed as much to the slayer, and earned a disbelieving scoff for his efforts.
Virgil had only been dozing lightly so far, seeing as he was currently trapped and about as far from safety as he could possibly get, but the disbelief rankled, and he huffed before pointedly closing his eyes as though to prove it.
He thought maybe the slayer wouldn’t allow it— there probably wasn’t much to scientifically observe when your subject is sleeping— but to his surprise, the man only noted down the behavior and then left.
It took a good part of the first day to force himself down into genuine sleep, but being left alone in a quiet space was close enough to his usual cave naps that he eventually managed to sink into the heavy unconsciousness of one of his impromptu hibernation sessions.
A full week later, he snorted into wakefulness to see the slayer had unstrapped one arm and was inspecting the smooth skin where the incisions had been previously.
This must not have been the first time he’d removed a restraint to see if Virgil was faking his beauty rest, because his head shot up with keen alarm the moment Virgil’s eyes fluttered open.
He released Virgil’s hand and drew a thin, needle-like dagger from his side in the same moment, presumably a breath away from poisoning him back into temporary organ failure.
Virgil barely even registered the movement, his eyes still crusted over with sleep. Half-awake and triumphant, he blearily inspected his completely-healed arm and then promptly signed, “I told you so.”
“Return your arm to the restraint,” the slayer instructed, his voice brooking no argument and his gaze assessing.
Virgil made a sour face, rubbing at his eyes. “Don’t you have cuffs?” he asked, turning slightly so he could tap his free wrist to his strapped down one for the last sign. “I could at least sign in those.”
“The restraint. Immediately,” the slayer replied, firm as stone.
A low grumbling growl of complaint started up in Virgil’s chest, but there was no way he could get free of the other restraints quickly enough to try and escape, and he really wasn’t looking to get his organs shut down again for no reason.
Besides, the assistant kid was still there in the corner, watching him with wide eyes, and he didn’t like the idea of scaring them.
Fine. He’d go back to his stupid nap then.
With a petulant scowl, he closed his eyes and stuck his arm back out and allowed the slayer to pin it back into place and tighten the straps over it. He flipped him off afterwards, though, just to make things clear.
It was quiet for long enough that he pried his eyes back open suspiciously. Both of the slayers were staring at him like he’d just started abruptly juggling fish or something, and he raised his eyebrows in a display of irritated bewilderment.
For once, the slayer didn’t have some snappy annotation to spout, only glaring down at Virgil with his jaw working like he was gritting his teeth.
Was he really that pissed off that Virgil had been telling the truth about his healing? Why?
“Professor Logan—,” the baby slayer whispered, faltering when Virgil’s gaze flicked their way.
“That’s enough for today,” ‘Logan’ answered, stepping away from the table. “We’ll speak elsewhere.”
Virgil only barely managed to stifle an incredulous noise as the two of them left, putting the lights out as they went. They’d never bothered to take their rude and often horrifying conversations about him elsewhere before. Maybe he should try being right about things more often.
“Bastard!”
Virgil’s eyes flew open at the muffled call, his head feeling much clearer after sleeping off the last of the poison’s symptoms.
It was quiet and dark all around him, as always, and for a moment, he nearly convinced himself that he’d imagined the noise entirely.
Then, from outside the door, there was a raspy squawk and an audible ruffling of feathers. “Fiend! Fiend?”
… Just how determined to swear at him was this bird?!
He couldn’t exactly respond, and he wasn’t sure why he would want to. Logan had reacted extremely negatively to the bird existing in the same space as him last time, and he wouldn’t wager that the slayer’s attitude had changed in the past however many days.
Still, the crow was clearly looking for someone, possibly even him. He could hear the distinctive pitter-patter of little taloned feet scurrying back and forth on the floor, with the occasional inquisitive swear thrown in.
After a few long minutes of this, Virgil gave up on trying to go back to sleep, unable to tune the little creature out. He may as well try to answer in the limited way he could.
It took entirely too long, but he managed to purse his lips and whistle a long, low note.
The clicking of steps stopped dead, and then grew abruptly louder, the bird’s faux-speech taking on an excited tone.
The baby crow audibly scrabbled at the doorway for a few seconds, before evidently managing to worm her way under the door gap. From there, she made short work of the flight up to the table, where she immediately perched directly on Virgil’s forehead and peered upside down at him.
“Scourge!” she announced gleefully.
Someone certainly hadn’t learned her lesson about fraternizing with big scary demons. He whistled an amused note at her, fingers twitching in an impulse to reach up and ruffle her feathers before he remembered his situation.
Right. No bird-petting for monsters, he guessed.
The crow— wasn’t her name Fluffbutt or something?— seemed to notice the movement, though, and she traversed down Virgil’s arm in little hops. He still couldn’t really reach her scruff of downy baby feathers from this angle, but he gave it his best attempt.
Fluffbutt pecked him harshly, which, rude, and then she turned around and started picking at the straps holding his forearm down.
… No fucking way.
Virgil craned his neck to look over at the bird, his disbelief slowly melting away as he saw that yes, the crow really was tugging and prying at the corded knot holding the restraints in place like her life depended on it.
It was slow going, but as she steadily worked at it, Virgil could tell that progress was being made. He wiggled his arm testingly every so often, usually getting bit for his efforts, and after what felt like hours of agonizing waiting, he finally managed to pull through the last threads of the restraints.
He only had one arm free, but that and some time was all he really needed. Fluffbutt reclaimed her spot on his forehead, watching as he quickly tore at the restraints on his other limbs.
As it turned out, quickly sitting up for the first time in days was a bad idea. Virgil rode out the surge of dizziness and pushed to his feet, pacing back and forth in the small room until he was confident that his legs had remembered how to function well enough to get him out of there.
A simple test of the handle revealed the room had been locked, and Virgil wasted a few minutes poking through the unsettling number of medical tools in the room before realizing there was no way they’d left the key in here with him.
He could probably kick the door down if given a few tries, but the more noise he made, the more likely it was that Logan would find him mid-escape and put him right back in those restraints. Virgil had no illusions on how a second match between him and the uncannily quick slayer would turn out, which meant that stealth was currently his best friend.
He turned his gaze to the wall, wondering if they were flimsy enough that it would be better to try and punch a hole through one of those, but before he could decide further, he heard the sound of approaching footsteps.
Shit. Plastering himself against the wall, he waited tensely for them to pass by— only for them to pause right outside the doorway. There was the distinct click of a key being inserted into a lock. Double shit.
The door swung open, and the assistant slayer had just enough time to look up and see the empty specimen table before Virgil leapt at them.
Don’t freak out, he would have said if his hands weren’t currently occupied with covering the slayer’s mouth and dragging them bodily into the room. Instead, he made a series of low chuffing sounds from deep in his chest, which helped absolutely nothing about the current situation.
“Scourge!” Fluffbutt crowed, her contribution equally as unhelpful.
Hurriedly booting the door shut with his foot, Virgil only had a moment before the baby slayer gave up on trying to pry his hand away and instead went for the sword sheathed at their side.
Since letting them do that was basically a one-way street to getting decapitated, he risked releasing them for long enough to tear his claws through their belt and yank the sword free, sheathe and all, before tossing it into a corner with a muted thud.
“PRO—,” they started, and Virgil slapped his hand back over their mouth, hissing lowly in the closest approximation to a shush that he could manage. They responded by glaring and biting him, which he really should have expected after living with teenagers for a few months.
It only took a glance around the room to find a suitable cloth from the cache of cleaning supplies, and Virgil wrangled the baby slayer into a headlock for the handful of seconds it took him to assemble a makeshift gag and shove it in their mouth.
With the slayer now unable to raise the alarm, Virgil paused for a moment to think, his whole body jittering with sudden adrenaline. The easiest solution would obviously be to strap the slayer into the convenient demon-proof restraints readily available on the specimen table, but he really didn’t want to do that. The kid was already panicking hard enough, the last thing he wanted was to make them think he was going to experiment on them or something.
Instead, he tore a larger piece of linen into strips and wound them around the slayer’s wrists a few times before knotting the end of the faux-ropes intensively around one of the table legs.
The slayer started yanking against the makeshift restraints the moment Virgil stepped away, their cries muffled but still audible enough that he should really be escaping sooner rather than later.
Luckily, his cloak had been dumped on a nearby shelf with the rest of the meager belongings he carried with him, mostly ignored after Logan had finished snooping through it for bones or something. Virgil ignored Fluffbutt swooping noisily around his head as he slung the comforting weight back around his shoulders and pulled the hood up, and then stepped back around the table towards the door.
The baby slayer seemed to think he was headed for them instead, their gaze very obviously wide with terror as they scrambled ineffectively to get away from him. He stopped short, guilt swamping him.
“I’m not going to hurt you,” he signed, backing up a few paces to try and give them some space. “I just want to get out of here, okay?”
The kid stared at him, chest rising and falling as rapidly as a sparrow’s. He sort of wished he had heard their name at some point, but it probably wouldn’t have made a difference. As it was, he didn’t even know if they knew sign, let alone how to calm them down.
He sighed, lifting his hands up to his shoulders in a gesture of nonaggression, and edged around them to finally get to the door. Fluffbutt settled on his shoulder, apparently content to be identified as a little feathered demon-associating traitor. 
The hall was blessedly empty when he stuck his head out to check, and so he waved a small farewell to the kid— almost certain that they would wriggle out of those haphazard bonds within the hour— and closed the door after himself.
The key was still sitting there in the lock, so he twisted it to relock the room, and after a moment of thought, dropped the key and kicked it under the door so that the kid wouldn’t be stuck if nobody else came by in the next few hours.
He’d done it. He was out— mostly, anyhow.
Now, all he had to do was stay out.
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hysteriafossil · 6 months
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mild suggestive humor ↓ . . . .
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more funnies.... i cant be stopped
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no-gorms · 2 months
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Omega Tony Stark getting baby fever later in life (at a similar time to Canon!Tony I guess so mid to late 40’s and let’s pretend there was no CW and the team is still all friends together*). And he never wanted kids before, in fact the very idea made him shudder! (à la IM3). Plus he resent the stereotype of “baby crazy omega” being foisted on him in his youth and fought HARD against it until the public all agreed with him, thank god Tony Stark never had kids.
but then he starts interacting with Peter and he’s getting more into mentoring and he’s been having these dreams of little babies with his eyes…
And like, he knows his body has been thru the wringer even BEFORE the reactor and he hasn’t been gentle since. And he’s been single for years now so it’s not like he has a partner to help him get the job done…
So good thing he has a team! And what luck, he’s besties with some demi-gods and super soldiers and wizards, at least one of them should help cheat biology a bit. And miraculously he’s still getting heats! Inconsistent ones yeah but still, doesn’t hurt to try! better get a move on, the biological clock is ticking!!!
And so he calls a team meeting and asks very sweetly for any volunteers, and Alphas or Beta’s for something like a sperm donor, but if they wanna be part of the little nugget’s life Tony is down with that! Be it cool uncle or full co-parent it’s all gravy. And speaking of gravy
(Yes Tony swung this hypothetical talk by HR and they “highly recommended against it but it isn’t technically illegal…” (thanks to archaic omega laws) so he took that go ahead and ran)
And wouldn’t you know it? Ever since Steve told Tony about his parents and Bucky and some…heated disagreements about the team and politics there’s been some polite distance between them. And during this distance Steve of course realized he had feeling for Tony (king of waiting to long over here) and has been pining every since…
…so maybe that’s why Steve stands up and essentially, loudly, volunteers as tribute, talking loudly over like say Thor who was clearly about to also agree.
Does Tony accept this outright or does shenanigans happen where like, Thor challenges Steve to some kind of contest for the privilege. Or that Tony was gonna leave it up to people to donate anonymously or something but Steve just jumped in feet first
What happens next? Do they try turkey baster style first or is it a known fact in the Omegaverse that the “old fashioned way” is the most effective (blah blah special pheromones thru touch/heat/ancient breeding magic blah blah). Does Steve wanna go full co-parent? Do they start dating DURING the “attempts”? While Tony is preggers?? After the baby gets here???
(preggers!Tony fretting about what to wear on their first date while just SO VERY pregnant is hilarious to me.)
*Or if you wanna go full angst CW DOES happen but the team was able to come together and defeat Thanos and now they are technically all together and friends again but there are ~*~tensions~*~ and (TヘT) …distance~*~ + pining
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Lol well that's a fun scenario! I don't think Thor would challenge Steve for the honour, but he might see the determined glint in Steve's eye and think to himself, ah what fun! And make a show of trying to convince Tony that he's a better prospect than Steve, arguing about Asgardian genes and the ease of the pregnancies in Thor's family, meanwhile Steve is getting redder and redder in the face, but anyway Tony's like, actually I don't want my kid to suddenly start levitating or whatever magic nonsense you guys get up to, so Steve it is!
Steve would probably suggest the turkey baster (lol) insemination for Tony's ease but it doesn't take and Tony gets anxious because of super soldier swimmers are struggling with Tony's slightly(!) aging self then he might really have a problem so ANYWAY would Steve be up for going the traditional way?
Yes. Yes, Steve would. Anyway it's the best sex Tony's had in his life and he's just like, okay, what was that. Maybe... they can go again just to make sure. A third time, just to be REALLY sure. Then oh he's pregnant so. uh..... that's good. Good job, Steve. Thnx~
But intimacy is what it is and the spectacular sex may have addled Tony's brain because he's totally fine with Steve fussing around him, and asking very politely if he can be part of the child's life and will Tony allow him to take care of Tony during this time? With foot rubs and making drinks for him and fetching hot water bottles and calming Tony down whenever Tony has an attack of the doubts, and so on?
Then Steve is so focused on giving Tony everything he wants and anticipating his every need to make sure the pregnancy goes as smooth as possible, that he misses that Tony is having a slowly-unraveling meltdown under Steve's glorious attention.
I see your possible date while Tony is heavily pregnant, but also I think it would be hilarious if Tony is so determined not to lose focus on the baby, because his priorities have to change with this gift he is bringing into the world and there's no energy left over to do something about developing feelings for Steve (never mind that Tony is king as multitasking)...
But at the very last minute when Steve has sent Tony to the hospital and they're prepping for Tony's c-section, and Tony has another flash of fear for the soon-changing future, and grabs Steve for a big ol' smooch. Steve is shocked, but smooches back. Then Tony gets rolled out to the OR.
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fanchonmoreau · 5 months
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“Antisemitism is ancient and it’s never gone away. More people are aware of it now, more people are signing up for it, and more people are being loud about it, but that’s a constant.
“I feel a great responsibility with the part to make sure that this central question of ‘What would you do?’ in [Fraulein Schneider’s situation] is given as much fodder as possible. It’s a very complicated, difficult, awful decision that Fraulein Schneider has to make, and she does not make it without deep shame and guilt and self-loathing and also self-justification. It’s really complicated. That’s the last thing she does on the stage, is pose that question. She’s fun, she’s gregarious, she’s a really sharp businesswoman. She’s strong, she’s tough, she’s all these things. She’s kind, she’s a little bit goofy. She likes the Bohemians. I hope to make her a very full and complicated person who can hold a lot of different qualities at the same time, so that when her final moment on the stage [comes], we get a full person. If you take that song, ‘What Would You Do?’ out of context, it loses a bit of something. You have to see how much she absolutely adores, loves, cares so deeply, and who Herr Schultz is to her.
“We have to have enough information so that we can approach that question. In a way, it’s the simplest of questions and in a way, it’s the most complicated questions, because right now in our country and around the world, this is a question that is relevant."
—Bebe Neuwirth (source)
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its-ahissionado · 4 months
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Sides reacting to someone saying, "Do you mind explaining this gap in your resume?"
Logan: Yes. It is when someone, in this case, myself, experiences a brief period of unemployment.
Patton: *has a literal blank space on a piece of paper that's just a bunch of wavy lines*
Roman: What?!! I don't have a gap in my resume, that's ridiculous!
Virgil: No.
Janus: Oh, I can explain alright. *proceeds to stare at the person and not explain at all*
Remus: I got stranded on a deserted island and was hunted for sport for a while.
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Headcanon all the dark sides laugh like hyenas (even orange) like Virgil’s small chuckles are quiet because he’s embarrassed of his genuine laugh and so is Janus. Remus just laughs like a hyena when somethings genuinely kinda funny.
Patton:*says something genuinely funny*
Dark sides:*HYENA CACKLES*
Patton:Jesus Christ-
Them:
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loganslowdown4 · 4 months
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I’ve never been more excited for anything in my goddamn life HDGSHS
(Barring any setbacks, this should be out NEXT SATURDAY (May 25/24) aaaaahhhhhh)
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I forgot to screen shot it but I also asked if he could do the ‘how are you feeling today (answer only in a song title)’ question 😁😁😁😁😁😆😆😆😆
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sitpwgs · 5 months
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I truly can’t pinpoint when/what exactly changed about Taylor’s fans/fandom but the last few years (especially the midnights release) has really soured things for me and it’s honestly quite disappointing as someone who genuinely enjoys her music and thinks she’s a great artists. how did we get to the point of not even being able to voice an opinion about taylor without being crucified online. or if heaven forbid you dislike a song/album or enjoy the work of one of her exes (john mayer, the 1975, calvin harris, etc)
i’ve always been very fascinated/intrigued by the relationship between celebrities and their fans. and i think it’s really interesting to look back and think about how taylor built her fanbase by making herself as palatable/relatable/approachable as possible. like secret sessions, t party/loft 89/rep room, swiftmas, lover diaries, etc — all of which allow for fan interaction — but also relies on people getting noticed which then in turn encourages people to be as vocal? extra? whatever it is. which then feeds into the "who is a bigger / better fan" competition. i'm speaking from personal experience here, as someone who has liked her since debut — but i think a lot of this is also rooted in how much of the world hated taylor swift prior to ... i want to say folklore, really — like it was deeply uncool to like taylor swift, to be a swiftie, etc. and because a lot of that early criticism was rooted so much in misogyny, i think fans felt the need to (over the years) defend her — and i was one of those! i still am, when i feel like people are criticizing her unfairly. but i think that lends into the "taylor swift has never done anything wrong, and she's perfect and if you disagree then you're against us and you're a fake fan" mentality.
and then i think there's an element of ... not necessarily a superiority complex, but a something among fans who have met taylor. it's a genius marketing move, intentions aside. taylor's music is very personal — and taylor's marketing, and persona is very personal, in a way that other artists prior to taylor weren't, i think. relatability sells. you can see it in the way that people talk about her, and her music. which is very different from the way people talk about other artists — and obviously there isn't anyone else out there with the amount of fame/popularity as her, but you don't see the same amount of fanfiction-writing personal-life-speculating-projection onto other artists' lyrics as you do with taylor. and i think that when someone is that vulnerable with their thoughts, it makes it easy for people to think that they know them personally.
and i think that — as much as i love taylor — it's important to talk about her white woman feminism mentality. and i think that also seeps into how her fanbase interacts with her. the ginny & georgia "joke" is what comes to mind the quickest, but there are countless instances of taylor's white woman feminism — and her benefiting from it. and obviously it was in her right to call out a misogynistic comment, especially one directed at her, but not saying anything when the actress got so much hate for a line she didn't write ... made me feel a bit 🥴. it's interesting to see who taylor will choose to align herself with, i guess is all i'm saying.
i've really taken a step back from taylor — not just because the fandom is exhausting ( the amount of things i've seen about her, joe, travis, etc. is ... something! it's all projection! we do not know anything about these people other than what they choose to show us! ) but also because of her saying that she wanted to be on the right side of history and then over and over again choosing to be increasingly passive and silent. she will call herself an ally but won’t even talk about queer rights; she won’t talk about the literal genocide that’s going on. gun control, abortion rights, anything at all. it's just "go vote" but even that is incredibly passive. but she will take time to remind us to buy new variants, and to stream her music, and that her ex sucks.
i think there was a huge shift that started with folklore/evermore, just given that there weren't a lot of albums being put out during that time, the overwhelming public reception to it — a lot of people who previously didn't care for (or disliked) taylor started to like her, to give her a second chance, etc. then we get into the rerecordings era/midnights/etc., which started off with fearless and nostalgia and then became "how quickly can i put out the next thing". and bailey @placeinthisworld posted this earlier, which i fully agree with. it's about the next award, the next milestone. it's just all quantity. it's overexposure.
and then we have the joe alwyn breakup and the public response to that was also ... interesting. like i saw people crying over it, or saying that love is a lie, removing things from their playlists, acting like they were the ones who had been broken up with. which is just ... odd, given that we aren't the ones in the relationship. and now there are all these comments about being a "joe defender". and then with taylor dating travis, it feels almost like some weird american pipe dream unfulfilled fantasy for so many people — the singer and the american football player. and obviously, i want her to be happy! i don't care who she dates! but i do think the public reception about her and travis has been ... incredibly odd, and i think that the way people talk about her and travis is just ... very ... off-putting and is very rooted in some weird ... stuff. "she finally gets to be small :(((((" is such a weird thing to say. it feels like there's even more projection and self-insert-y stuff with her dating travis, which is a level i did not think was possible from her fans (and more so, the general public).
i have not felt this ... detached and impassive about a taylor release, ever, and it just makes me incredibly sad because i love her music, and am excited about the work, just not excited about the public reception, the public autopsy of her and joe's relationship, or the noise, and i know that internet spaces (and spaces in general) are what we curate, but it's also difficult when she is everywhere.
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strawberryblondebutch · 3 months
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Bitch didn't even put closed captions on her apology video
I'm waiting for someone to transcribe the whole thing cause ain't no way I'm watching that whole thing
She's one of two pro athletes (to my knowledge) who have blocked me on Twitter, which is very funny. The other is Carli Lloyd and I didn't even say shit about her, I just liked some Tweets about how she blocks everyone, so she probably has a blocklist going lol.
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