#another example of this is how she takes the dragon with her when she's resurrected

[eruhamster]

not to be annoying but i do think a lot of people mischaracterize falin. shes got the most drastic canon v fanon thing going on. which i guess makes sense bc 1. we dont see much of her and 2. lot of the fan stuff are anime-onlies that have seen even less

but i think like a good 90% of the time i see falin-centric art or posts im like hrm hrm hrm thats all wrong no nope no-siree

she's just a cool chick that takes life as it comes, doesn't hold grudges even against a mother that apparently was trying to beat the magic outta her, finds her older brother the coolest person in the world, and has autism about observing life (and death, she loves the ghosts she has a connection to) and nature and taking care of things (including taking care of her brother, which is why she's even in the dungeons; she saw her scrawny mess of a brother and decided she had to fix that).

and i think my favorite part that people don't talk about is... she would have done the same for marcille or laios if it were one of them that was eaten. you could see it in her eyes:

it's what shuro misunderstands about her. it's easy to see her feminine, cute, good girl pieces and forget the rest of her. but she loves things to an ends-of-the-earth extent; the kind of caring that makes you a little insane. and that's how I think she and laios end up on the same page with their weirdness. they have different interests, but they are the same level of committed to those interests.

it's easy to love her, because she probably loves you just as much, if not more.

EDIT: for the love of god stop reblogging this only to add some comment or tag or reply saying 'op you forgot [BLATANTLY FANON INTERPRETATION]'. falin as we know her is not a pushover/people pleaser/infantilized, see this version of my post. also stuff like 'female shuro was in love with laios in the genderbent comic' and 'falin was going to marry shuro because she felt bad' are just things you made up in your head

[tofixtheshadows]

Id love to hear ur interpretation and analysis on falin! She’s one of my favorite characters and and I was wondering what ur thoughts on her are

Man, I struggle to think of anything I could say about Falin that others have not already said. But she's one of my favorite things about Dungeon Meshi too.

So much of the story revolves around Falin, and she's not even there. Tumblr loves to talk about haunting the narrative, but Falin might be one of the best examples of it ever put to page. She's dead. She's alive. She's dead. She's alive. She's alive but she's missing, she's alive but she isn't herself. She's dead but she might wake. She's dead but she's frozen in ice. She's alive but she's sleepwalking. They chase her ghost and they chase her body all through the story.

I think what Kui does with her is fascinating. Not just as character with a personality we can analyze, but as an object in a narrative- that's why I say she's one of my favorite things about the story, because I also mean it in a mechanical sense. As a writer, Kui's really good at misdirection- that is, setting you up to believe or expect something about a character or a plot, and then turning that on its head. It's most apparent with Kabru, but it works really well with Falin too.

Because the precious little sister is a very well known character archetype, right? So is the gentle healer. The heart of the party. The white mage girl. The damsel in distress. The martyr.

And this isn't a Laura Palmer situation, where we find out that beneath her wholesome surface there's something dark and troubled. No, Falin truly is a kind and gentle person. That isn't where the misdirection leads (and that, too, I think, is another misdirection- it's not "Plot twist, she isn't as nice as you thought!", which would almost be too easy).

The misdirection here is more about structure than about character (but also, yeah- a little about character).

What I mean is, with these archetypes firmly in mind, along with a whole other host of fantasy genre expectations, I think anyone who goes into Dungeon Meshi un-spoiled probably expects Falin's rescue to be an endgame event; at least on a subconscious level, where you're not really thinking about it but in the back of your head you're already stretching out the story to place Falin firmly in the distance. Fire breathing dragon at the bottom of the dungeon is perfect final boss material, right? Slay the dragon. Rescue the princess.

And Falin is the perfect prize in the traditional old school fantasy that the concept of the titular dungeon is a send-up to. Blonde (white), soft-spoken, sweet-natured, beloved by everyone. An angelic figure.

Maybe that's why Ryoko Kui gave her white wings.

It is sort of jarring when chapter 23 rolls around and it's already time to fight the red dragon. And it takes a few chapters, but they succeed. And then Falin's impossible resurrection succeeds. But by then you guess that this is not going to be the story you expected it to be.

I want to point out that Falin spends a lot of time getting, well, babied, post-resurrection. Marcille washes her in the bath, despite Falin stating that she's capable of washing herself. Marcille schools her about her mana use despite Falin demonstrating that she is not hurting for mana, and brushes aside Falin's explanations. Both Marcille and Laios refuse to actually tell her what happened. Laios scruffs up her hair like she's a little kid and scolds her for something she can't remember doing. Marcille explicitly calls her a little kid when Falin tries to talk about how much she's grown.

Of course I'm not saying that Laios was wrong to act like a big brother, or that Marcille shouldn't be worried about taking care of her shell-shocked friend in the bath. But the framing of it clearly shows a Falin who is struggling to be heard.

If you'd like to address the big gay elephant in the room while we're here, I want to state for the record that- whether you read her as gay or not -I think Marcille is completely oblivious during this. Because Falin is her little friend from school. Her best friend, yes, but also the young tallman student she, in her infinite elven wisdom, had to mentor and look after. Marcille has not yet accepted that Falin is an adult now, nor has she accepted that she, herself, is only barely past teenagerhood developmentally and is not nearly as mature as she believes. Of course she'd scrub Falin in the bath and fuss over her.

Falin, meanwhile, seems more than aware of her own adult body and the inappropriate way Marcille is treating it.

The mana-sharing scene is, I think, Falin trying to get a little of her own back. How do you like it, Marcille?

And she tries again in bed.

Maybe she's wondering if their relationship will change now that they're grown ups. If Marcille prefers her as a little girl, or at least as a woman who lets herself be guided like one; if Marcille will react badly if Falin keeps trying to assert herself. She also might be subtly trying to signal to Marcille that bed sharing, like bathing, carries a different weight to it when you do it as adults rather than as children.

With all this in mind, the decision to turn Falin from the precious prize they rescued into to the vicious dragon they have to slay, hits a lot harder.

Falin with a powerful, monstrous, destructive body. Falin, who couldn't even stand to cause people pain from using healing spells, slaughtering half a dozen people in brutal ways. And that's not her, she's being mind-controlled, but as an object in the story she has completely flipped. From damsel to threat.

And I love that she carries a little bit of that with her when she's resurrected again.

Because she's no longer the girl who's going to let herself be stifled by her brother's and her best friend's co-dependency, no matter how much she loves them. She's different now: stronger, eyes open, forging her own path instead of following in their wake. Falin is still going to come back to them again, but this time it won't be because they chased her. It'll be because they let her go.

[it-came-from-mount-ebott]

This video has given me an interesting idea for a dragon ball oc. Their name is Clipp, and he’d be a ninja character. She’d kickstart an arc I’d call the Paradise Lost saga, which as the name suggests, would be about Mr Satan losing favor with the public. Clipp’s main motivation is to figure out what happened during the part of the buu saga that was erased from everyone’s memories. They know that the unclear period (which I���m gonna take something from the video and call it the great fog) started the day of the world martial arts tournament and ended when Mr Satan’s weird bodyguard, Mr buu, appeared, so he decided to start her investigation there. There was something sketchy about the world tournament anyway, with how Mr buu would win every single one of his fights decisively and then seemingly lose on purpose to Mr satan, every single time. Clipp enters the next world tournament, and even manages to make it to the finals (they beat buu by tricking him into ringing himself out, which I don’t think would be very hard to do). She backs Mr Satan into a corner (powerscaling wise, Clipp is on par with Mr Satan, so stronger than the average human, but nowhere near any of the main characters) and Hercule does what Hercule does, and tries to bribe him. After this, the crowd starts booing, Clipp reveals a hidden microphone, and pushes Mr Satan out of the ring, becoming the new world champion. (This tournament is actually Clipp’s introduction, everything before it is backstory). While being champion is nice and all, but she didn’t get as much information as she wanted. He outed Mr Satan as a fraud, but they still weren’t any closer to figuring out what caused the great fog. He decided to start on another lead. The great fog wasn’t the only weird thing that had happened, so maybe investigating other weird stuff, such as the mysterious resurrections that happened every time some major threat appeared. Investigating this lead to her finding out about the dragon balls, so they steal the dragon radar from capsule corp (this part is why I made Clipp a ninja) and gathers the dragon balls. He then summons shenron on live tv, wishing for everyone’s memories that were lost to the great fog be restored. Public opinion of Mr Satan was already lowered by the incident at the last tournament, but finding out that his mysterious assistant had killed everyone? That would make everyone turn against him, and the arc would start going into motion.

I created Clipp because I thought it would be interesting for the main characters to have to deal with a problem that couldn’t be solved by just beating up the bad guy. I also liked the idea of having an antagonist that isn’t really villainous in any way, but is put in conflict with the main characters for a different reason. I thought dragon ball could use something different like that. Anyway, some fun facts about Clipp!

-Any pronouns

-Ki is orange

-Attacks are named after classic works of literature. They have an ultimate attack called inferno (named after Dante’s inferno) which is essentially like a super explosive wave, but it can be controlled (for example, it can be made to avoid people that Clipp doesn’t want to get hurt)

-since humans in dragon ball are named after random objects, the name Clipp comes from paper clip, which I chose because of how it can be used as a lockpick

What do you think?

@cobalt-axolotl I’m tagging you because you’re the only mutual that I know likes dragon ball

[esther-dot]

Assuming boatsex doesn't happen, and that Jon meets the Dragon Queen after he meets and falls in love with Sansa again post-resurrection, doesn't it make sense that Sansa would be around, forced to watch this relationship unfold? Maybe even agreeing with Jon that it's the only political move they can make to ensure the North's survival. Jon has had to put himself in this position before, and Sansa has enough of her own experiences to believe that sometimes enduring the interest of a predator is the only way to survive.

I could see a situation where Jon and Sansa are in love, but it's unspoken. (Because they still believe themselves to be siblings.) D/any takes over, takes a liking to Jon, and decides he's going to become her lover or her three flying weapons of mass destruction might suddenly slip her control. I personally would love a situation where Jonsa talk about what's happening and endure it together. It would be a great way for them to bond, and Sansa could help Jon play the game more successfully than he has done up to now.

Let's face it, he didn't talk Ygritte into much and everyone around them was suspicious of him. Sansa, by contrast, was only suspected by people who were irrational already - like Lysa - or after she was carefully framed for a crime. (It wasn't until the Tyrells killed Joffrey that Tyrion and King's Landing turned on her.) Jon needs Sansa's social graces and the lessons she's learned since they parted.

And I think one of those lessons could be this recipe for moon tea. It's possible Sansa might have to brew moon tea for herself, but it's hard to see her doing so, especially when she has Lysa's example to look at and knows it could damage her future fertility. But could she give it to D/any instead? It would be an interesting way for her story to come full circle. Sansa, who was falsely accused of poisoning Joffrey and became a wanted woman for it, would actually commit the crime of poisoning a monarch this time, but get away with it. D/any would attribute the pregnancy loss to the prophecy, and it would probably drive her to a worse mental state. Especially if it prompted conversations about an heir among her advisors, and she's just killed Aegon. And then the Jon parentage reveal occurs, to make everything worse.

I know a lot of people may not like the idea that Sansa might induce a non-consensual abortion in another woman. But ASOIAF is a morally gray series, and so far, almost all the Starks except Sansa have committed some deeply tabboo or morally questionable act. Even sweet little Bran has eaten human flesh in warg form and warged into Hodor. Arya I don't need to explain. Jon still has the baby swap on his conscience. Sansa so far hasn't made any similar choices. She's kept quiet about horrors she witnessed, but has yet to knowingly do something wrong - something she could walk away from - in the same way as the others. Controversial, I know, but I would like to see Sansa make a choice that dark of her own.

(about this ask)

I wouldn't necessarily mind a jonsa romance that circumstances prevented them from every being able to act on. That could be very compelling, and if Dany were interested in Jon (which I think she very well might be, cuz of that dragon rider/a man she can trust line), it could make sense for Sansa to urge for peace via a political alliance/marriage rather than going to war. Particularly as, Dany's dragons are an overwhelming force, and I actually don't think Martin would celebrate having countless men die at Dany's hands/all that devastation if it was avoidable. LF is currently teaching Sansa how to work people to achieve your own ends, so I agree that there is some aspect of that which will play forward to benefit the Starks.

As for the controversial idea, Martin has indicated that many of the characters will be in a very dark place in TWOW, but I think their actions will fit with who we know them to be, even if there is an escalation, and it will fit with their endgame. A major feature, I'd argue a defining one, of Sansa's characterization is to pity others, to sympathize and want to help them, even when they mistreat her. I agree that Sansa will have some dark (for her) moments in the future, but I would assume that’s more along the lines of lulling LF into a false sense of security before having him killed. Because he’s evil, we won’t mind, but for Sansa, to play him / arrange his death would be a step down a path she’s not taken thus far. We have a prophecy that indicates she will be responsible for his death too. It’s not just that that’s a preferable path for her, it’s a promised one. I imagine that, not something with Dany, is where we’ll see something a little darker creep in.

Also, I am not at all sure that Dany will be pregnant again? It seems important that she is mother of dragons in contrast to mother of people (talked about this some here), so I’m doubtful.

[mnemonicpneumaticknife]

I've had some thoughts about The Dragon Prince, specifically about dark magic and its origins.

Originally I planned on going through it again (again) to look more closely at each use of dark magic, but that didn't happen. I'll probably watch S1-4 again when S5 comes out.

So first, we don't really get told what dark magic is, just what it does (magic, corrupts people that use it) and where the power comes from (living things).

I have a theory that it wasn't always a corrupting, life sucking force. And also that Aaravos was imprisoned with dark magic.

We're told Aaravos had mastered all the primal magics. We see humans (mostly Callum) use primal magic from other sources, such as primal stones or certain gemstones. So even among mages with access to one primal source, they've had ways to access other forms of magic for a long time. You'd think there would be a way to combine them... but there isn't. Not one anyone but dark mages use.

We haven't seen the dark magic nexus, if such a thing exists. I think it does, and, like the sun nexus, it's been corrupted by Aaravos. That he was able to corrupt the sun nexus so easily suggests he's already familiar with corrupting a nexus.

So my thoughts are, that dark magic wasn't always about sucking the life out of things. That it was once used to combine different forms of magic (and still is). Consuming another living being isn't necessarily bad. Some of the magical things we see are plants. Some of the dark magic reagents we see don't necessarily have to come from a creature that's been killed (or killed just for magic). Taking more than the land can sustain is a choice. However, the level of corruption a dark mage experiences doesn't seem to correlate to where the magic came from.

The corruption seems most evident when a dark mage is doing something they're not familiar with or when deeply emotionally invested in what they're doing. Callum doesn't know what he's doing and is attempting to do the right thing when he does one dark magic, and it puts him in a coma while leaving lasting corruption. The visible progression of Claudia's corruption happens when she's trying to heal/resurrect her family members. We see Viren's corruption become visible when he exerts himself. I'm only familiar with the show, but the wiki says the reason (from the novelization) Lissa and Viren split up is she resented and feared Viren after he used dark magic to heal Soren. Seems like something pretty bad would have to happen to make her feel that way if it saved her son's life.

Then, when Aaravos uses Callum like a puppet, he knows all of Callum's deepest insecurities and how to manipulate him. If Aaravos is the source of the corruption, it would make sense that the more invested someone is in what they're using dark magic for, they'd give Aaravos more insight into their mind (and thus more corruption).

That brings me to the sun nexus, and why Aaravos corrupted it. While it did advance Viren's goals, I think that was secondary. Aaravos was very pleased with himself, and he knew the sun nexus was how corruption was purged from mages.

Now, eliminating a way (or the only way) to purge corruption would be very helpful to Aaravos but I think it goes beyond that. I think the sun nexus was an important part of how he was imprisoned in the first place. Specifically, it was the thing that kept him from getting out.

The level of secrecy taken about Aaravos's prison seems unnecessary. Especially when they had the key and could have disposed of it. Unless the people imprisoning him had good reason to hide the prison from themselves. For example, if they had to combine magics, and the only way to do that was dark magic.

If everyone (or just some/one person) involved in imprisoning Aaravos had to be corrupted, either as part of the ritual or to lure Aaravos into a false sense of security, then it makes sense they would take every precaution to avoid him learning how to escape before they could go to the sun nexus and be purged of corruption.

That would explain why not only does no one know where Aaravos's prison is, the key was also just sitting around in a box and not, say, destroyed or, if that's not possible, buried under a magma flow. Nobody knew, because if anyone knew, Aaravos would know. Centuries later, there's just a bunch of rumours. Even the key itself seems like an unimportant trinket (to Rayla). (King Harrow might have known more than he said in his letter to Callum. It's not like he'd have spelled it out if there was a chance of Viren getting ahold of the letter)

This also means if/when he escapes, he can't be imprisoned again the same way, not until a new uncorrupted sun nexus matures. Even if every precaution is taken (again) he'll know enough and have enough corrupted people to get out long before corruption can be removed.

[thedeadhandofseldon]

The Anti-Mercer Effect

On the Accessibility of D&D, Why Unprepared Casters is so Fun, and Why Haley Whipjack is possibly the greatest DM of our generation.

(Apologies to my mutuals who aren’t in this fandom for the length of this, but as you all know I have never in my life shut up about anything so… we’ll call it even for the number of posts about Destiel I see every day.

To fellow UC fans - I haven’t listened to arc 4 yet, I started drafting this in early August, and I promise I will write a nice post about how great Gus the Bard is once I get the chance to listen to more of his DMing).

Structure - Or, “This is not the finale, there will be more podding cast”

So, first of all, let’s just talk about how Unprepared Casters works. Because it’s kind of unusual! Most of the other big-name D&D podcasts favor this long, grand arcs; UC has about 10 hours of podcast per each arc. And that’s a major strength in a lot of ways: it makes it really accessible to new listeners, because you can just start with the current arc and understand what’s going on!

And by starting new arcs every six or seven episodes, they can explore lots of ways to play D&D! Classic dungeon delve arc! Heist arc! Epic heroes save the world arc! Sportsball arc! They can touch on all sorts of things!

And while I’m talking about that: Dragons in Dungeons, the first arc, makes it incredibly accessible as a show - because it lets the unfamiliar listener get a sense of what D&D actually is. (It’s about telling stories and making your friends feel heroic and laugh and cry, for the record). If I had to pick a way to introduce someone to the game without actually playing it with them, that arc would definitely be it.

And I’d be remise not to note one very important thing: Haley Whipjack and Gus the Bard are just very funny, very charismatic people. Look. Episode 0s tend to be about 50%(?) those two just talking to each other about their own podcast. It shouldn’t work. And yet it DOES, its one of my favorite parts, because Haley and Gus are just cool.

And a side note that doesn’t fit anywhere else: I throw my soul at him! I throw a scone at him - that’s it, that’s the vibe. The whole podcast alternates between laughing with your friends and brooding alone in a dark tavern corner - but the laughs never forced and the dark corner is never too dark for too long.

Whipjack the Great - Or, the DM is Also a Player!

I think Haley Whipjack is one of the greatest Dungeon Masters alive. The plots and characters! The mechanical shenanigans! The descriptions!

Actually, let’s start there: with the descriptions. (Both Haley and Gus do this really fucking well). As we know, Episode 0 of each arc sees the DM reading a description - of a small town, or the Up North, or the recent history of a great party. And Haley always strikes this tricky balance - one I think a lot of us who DM struggle with - between giving too much description and  worldbuilding, and not telling us anything at all. She describes people and events in just enough detail to imagine them, but never so much they seem static and unreal - just clear enough to envision, but with enough vagueness left to let your imagination begin to run wild.

While I’m thinking about arc 3’s party, let’s talk about a really bold move she made in that arc: letting the players have ongoing control of their history. Loser Lars! She didn’t try to spell out every detail of this high-level party’s history, or restrict their past to only what she decided to allow - she gave them the broad outlines, and let them embellish it. And that made for a much more alive story than any attempt to create it by herself would have - but I think it takes a lot of courage to let your players have that agency. Most Dungeon Masters (myself included) tend to struggle with being control freaks.

And the plots! Yeah, arc one is built of classic tropes - but she actually uses them, she doesn’t get caught up in subverting everything or laughing at the cliches. And it’s fun! In arc 3, there really isn’t a straight line for the players to follow, either - which makes the game much more interesting and much trickier to run. And her NPCs are fantastic and I will talk about them in the next section.

Above all, though, I think what is really impressive is how Haley balances mechanics, and rules as written, with the narrative and rule of cool - and puts both rules and story in the service of playing a fun game. And the secret to that? She’s the DM, but the DM is a player, and the DM is clearly having fun. Hope Lovejoy mechanically shouldn’t get that spellslot back, but she does, and it’s fun. The changeling merchant in Thymore doesn’t really make some Grand Artistic Narrative better, but wow is it fun. And she never tries to force it one way or the other - the story might be more dramatic if Annie didn’t manage to banish the demon from the vault, but it’s a lot cooler and a lot more fun for the players if Annie gets to be a badass instead - and the rules and the dice say that Annie managed it.

Settings feel like places, NPCs feel like people, and the narrative plot feels like a real villainous plot.

Anyway. I could go on about the various ways in which Whipjack is awesome for quite a while - she’s right, first place in D&D is when your friends laugh and super first place is when they cry - but I’m going to stop here and just. Make another post about it some other time. For now, for the record I hold her opinions about the game in higher esteem than I do several official sourcebooks; that is all.

Characters - Or, Bombyx Mori Is Not an Asshole, And That Matters

Okay, I said I would talk about characters! And I will!

Just a general place to start: the party! All of the first three parties are interesting to me, because they all care about each other. Not even necessarily in a Found Family Trope sort of way, though often that too. But they generally aren’t assholes to each other. The players create characters that actually work together, that are interesting; even when there’s internal divisions like SK-73 v. Sir Mr. Person, they aren’t just unpleasant and antagonistic all the time. Listening to the podcast, we’re “with” these people for a couple hours - and it isn’t unpleasant. That matters a lot. (To take a counter-example: I love Critical Role, but the episode when Vox Machina pranked Scanlan after he died and was resurrected wasn’t fun to listen to, it was just uncomfortable and angering and vaguely cruel).

All of the PCs are amazing, and the players in each arc did a great job. If you disagree with me about that, well, you have the right to be incorrect and I am sorry for your loss. Annie Wintersummer, for one example: tragic and sad and I want to give her a hug, but also Fuck Yeah Wintersummer, and also her familiar Charles the Owl is the cutest and funniest and I love him. And we understand what’s going on with Annie, she isn’t some infinite pool of hidden depths because this arc is 7 episodes and we don’t have time for that, but she also has enough complexity to be interesting. Same with Fey Moss: yeah, a lot of her is a silly pun about fame that carries into how she behaves, but a lot of how she behaves is also down to some good classic half-elven angst about parenthood and wanting to be known and seen and important. (Side note: if your half-elf character doesn’t have angst, well, that’s impressive and also I don’t think I believe you).

There are multiple lesbian cat-people in a 4-person party and they both have requited romantic interests who aren’t each other. This is the future liberals want and I am glad for it.

Sir Mister Person, the human fighter! Thavius, the edge lord! Even when a character is “simple,” they’re interesting, because of how they’re played as people and not action-figures. And that matters a lot.

In the same way: the NPCs. There really aren’t a lot of them! And some of them come from Patreon submissions, so uh good work gang, you’re part of the awesomeness and I’m proud of you! The point being, the NPCs work because enough of them are interesting to matter. It’s not just a servant who opens Count Michael’s door, it’s a character with a name (Oleandra!) and a personality and history. They’re interesting. Penny Lovejoy didn’t need to be interesting, the merchant outside the Laughing Mausoleum didn’t need to be interesting, but they ARE! And Haley and Gus EXCEL at making the NPCs matter, not just to the story but to us as viewers. I agree with Sir Mister Person, actually, I would die for the princesses of the kingdom. I actually care about Gem Lovejoy of all people - that wouldn’t happen in an ordinary campaign! That’s the thing that makes Unprepared Casters spectacular - and, frankly, it’s especially impressive because D&D does not tend to be good at making a lot of interesting compared to a lot of other sorts of stories.

And, just as an exemplar of all this: Bombyx Mori. Immortal, reincarnating(?), and described as the incarnation of the player’s ADHD. I expected to hate Bombyx, because as the mom friend both in and out of my friend-group’s campaigns, the chaos-causer is always exhausting to me. And yeah, Bombyx causes problems on purpose! But! She is not an asshole.

And that’s important. Bombyx goes and sits with the queen and comforts her. Bombyx gives Annie emotional support. Bombyx isn’t just a vehicle to jerk around the DM and other players; Bombyx really is a character we can care about. To compare with another case - in the first couple episodes of The Adventure Zone, the PCs are just dicks. Funny, but dicks. Bombyx holds out an arm “covered in larva” to shake with a count, and robs him of magical items, but she also cares about her friends and other people! She uses a powerful magical gem to save her fertilizer guy from death! Yeah, Bombyx is ridiculous, but she’s not just an asshole the party has to keep around for plot reasons; you can see why her party would keep her around. And one layer of meta up, she’s the perfect example of how to make a chaotic character like that while still being fun for everyone you’re playing with, which is often not the case. And I love her.

The Anti-Mercer Effect - Or, “I think we proved it can be fun, you can have a good time with your friends. And it doesn’t have to be scary, you can just work with what you know”

The Mercer Effect basically constitutes this: Matthew Mercer, Dungeon Master of Critical Role, is incredible (as are all of his players). They’re all professional story-tellers in a way, remember, and so Critical Role treats D&D like a narrative art-form, and it’s inspiring. Seeing that on Critical Role sets impossible standards - and people go into their own home games imagining that their campaigns will be like Critical Role, and the burden of that expectation tends to fall disproportionately on the DM. And the end result, I think, of the Mercer Effect is that we get discouraged or intimidated, because our game isn’t “as good as” theirs. (And I should note - Matt certainly doesn’t want that to be our reaction).

So the Anti-Mercer Effect is two things: it’s D&D treated like a game, and it’s inspiring but not intimidating. And Unprepared Casters manages both of those really freaking well. Because they play it like a game! A UC arc looks just like a good campaign in anyone’s home game. They have the vibes of 20-somethings and college students playing D&D for fun because that’s who they are (as a 20-something college student who plays a lot of D&D, watching it felt like watching my friends play an especially good campaign). They’re trying to tell a good story, sure, and they always do. But first and foremost, they’re trying to have fun, and it shows, and I love the UC cast for it.

And that’s the other half of it: it’s inspiring! It’s approachable; you can see that Haley and Gus put plenty of work into preparing the game but it also doesn’t make you feel like you need hundreds of pages of worldbuilding to run a game. Sometimes a cleric makes Haley cry and she gives them back a spell-slot from their deity! That’s fantastic! It’s just inspiring - listening to this over the summer, when my last campaign had fallen apart under the strain of graduation, is why I decided to plan and run my new one!

That quote from Haley Whipjack that I used as the title for this section? That’s the whole core of this idea, and really, I think, the core of the podcast.

The Mercer Effect is when you go “that’s really cool, I could never do that.” But Unprepared Casters makes you look at D&D and go “wow, that looks really fun. I bet I can do that!” And I love the show for it.

And I bet a lot of you do too.

[strangerthings4theories]

Billy Is A Christ Figure, a.k.a. He Will Die And RISE AGAIN

This isn’t a radical statement. Literature and film teem with “Christ figures” who symbolically (or literally) die and rise again. Billy is just one of the Duffers’ additions to a long, venerated tradition.

Let’s dive in, shall we?

>>Billy’s story lines up with the Christ figure concept.

I really like how Christopher Lansdown explains it:

Christ figures in literature are - when done well - characters who relate to the rest of the story as Christ related to the world. [Salient features include...]

1. Saves the world from the effects of the misuse of free will. 2. Has a dual-nature where one of these natures is what allows #1. 3. Bridges the gap, in his person, between the two natures. 4. Sacrifices himself willingly for the sake of the world. 5. In sacrificing himself, takes the problems of the world into him and conquers them, thus saving the world from them. 6. Comes back from the sacrifice because of his other nature.

Billy’s storyline hits several of these notes already. First, he saves the world by sacrificing himself willingly. Second, he’s presented as having two natures: his corrupted monster-self (the bully in S2; the puppet of the Mind Flayer in S3) vs. his innocent child-self. (You could describe him as being human and divine too. I’ll get to that in another post.)

When he stands up to the Mind Flayer at Starcourt, he begins the process of integrating his two natures. That’s why he looks so childlike here: his innocent child-self is coming out for the first time in years.

All that’s left is for him to “come back from his sacrifice.”

>>The Duffers infuse Billy with Christ symbolism.

The most obvious example, imo, is the special necklace they gave him. The genius @aeon-of-neon​ figured out that his necklace is a Lady of the Pillar medallion - i.e., a depiction of Mother Mary with baby Jesus. 

On its own, the necklace tells an incredible story. It suggests Billy is symbolically the Christ child, and at some point his mother - symbolically the Virgin Mary - had the medallion blessed to protect her son. (I think we all recognize Neil wouldn’t give a shit about protecting Billy.)

The show reinforces that reading in subtle yet mind-blowing ways. In his last shot in S2, Billy is pictured in front of a Christmas tree. This associates him with the meaning of Christmas, which is the birth of a child who will save the world.

In the sauna in S3, Billy passes in front of a poster for the Hawkins Fourth of July parade. A lot of people have latched onto the “American” symbolism here (as they should - I’ll address that in another post). I’ve even seen people talk about the stars on the poster giving him a crown of thorns or saintly halo. But I haven’t seen anyone mention that the poster gives him a crown of stars like Mary, Queen of Heaven. 

"A great and wondrous sign appeared in heaven: a woman clothed with the sun, with the moon under her feet and a crown of twelve stars on her head. She was pregnant and cried out in pain as she was about to give birth. Then another sign appeared in heaven: an enormous red dragon with seven heads and ten horns and seven crowns on his heads." (Revelation 12:1-3)

Combined with the necklace, this small detail suggests his mother, aka the Virgin Mary, is watching over him as he battles the Mind Flayer, aka the Dragon.

Now look at this screenshot again--

See how prominent his necklace is in the frame? That’s not an accident. The Duffers had to direct and light this shot just right to achieve the desired effect. If you look closely, Dacre is standing in an awkward, unnatural position. I can practically hear the Duffers saying, “Shoulders forward, Dacre... a little more... now tuck in your abdomen and push your chest out... that’s it!” All while they’re trying to avoid getting too much light on the necklace. It needs to be well-lit but not washed out.

All that work was for a good cause. The shot suggests Billy’s mother is with him in his moment of sacrifice. He’s just reclaimed her memory, and now he’s honoring it as he lays down his life for the world.

Yeah, it hurts :)))) but there’s more to cover...

...such as Billy’s crucifixion poses.

The crucifixion pose is common enough in film that it gets its own entry on TVTropes. The first sentence of the entry? “It’s very common for a character who just performed a Heroic Sacrifice to be lying with their arms outstretched like the crucified Jesus.” 

We see that with Billy multiple times.

In the sauna, El lifts Billy in the air right before she deals the “death blow.” He hangs there for a moment, arms outstretched. My inner Christian teenager thinks of John 3:14-15: “Just as Moses lifted up the serpent in the wilderness, so must the Son of Man [Jesus] be lifted up [on the cross], so that everyone who believes in him may have eternal life.”

To really drive the point home, the Duffers put Billy in the crucifixion pose AGAIN, at the moment of his actual death, while he shouts at the Devil. (The Mind Flayer is symbolically the Devil/Satan. Stick a pin in that, we’ll come back to it at another time.)

The Mind Flayer then kills Billy by impaling him (Christ being impaled by the spear, anyone?), and Billy falls to the ground, arms outstretched yet again.

Guess who else dies sacrificially... and gets Christ symbolism at his moment of death?

It’s less obvious with Hopper; he isn’t shown with his arms outstretched. Instead, the Duffers give the crucifixion pose to Joyce right before she deals the “death blow.” She is in the pose on Hopper’s behalf.

Take a screenshot at the right instant, and the beams of electricity shooting out of the “key” machine even form a cross behind her. 

(This scratches the surface of another subject: the STRONG PARALLELS between Hopper and Billy. Stick a pin in that, too... *sigh*)

Well, guess what. We already know Hopper’s coming back. David Harbour even compared his return to the resurrection of Gandalf, the Christ figure of the Lord of the Rings:

"Gandalf the Grey who fights the Balrog and then becomes Gandalf the White. It’s the idea of the resurrection of the character. And mythologically, Hopper, in a sense, had to change. I mean, you couldn’t go on the way he was going on. He has to resurrect in some way. So it was a great opportunity to do that. So we’ll see a very different guy going forwards. The same guy but in a different vein.”

"[He] had to change... [he] couldn’t go on the way he was going on...” Doesn’t that describe Billy exactly?

»»————-　✼　————-««

Ugh, there’s a lot here, guys. I haven’t even touched on all of Billy’s Christ symbolism yet. I’ll have to save the rest for another time.

Until then, I’ll leave you with this very interesting song from Billy’s official Spotify playlist...

Muthafucka I’m back From the dead I’m about To raise hell Out of my coma I’m ready to show ya That season of my life is done...

»»————-　✼　————-««

P.S., all of this explains why Dacre proposed the idea that Billy’s mom was literally a virgin. It’s batshit crazy and makes NO sense... unless he and the Duffers were discussing Christ imagery for Billy.

»»————-　✼　————-««

The “Billy Is Alive” Meta Series

For updates, follow the hashtag #billy is alive meta

[your-brilliant-lady-m]

Part 1 - Basic Concepts of Miraculous Ladybug: Miraculous Jewels

Alright! I promised you meta and now I deliver!

I feel like people mostly watch Miraculous for the romance these days. Shipping is all everyone cares about. I wonder why? Probably because writers themselves don't take their worldbuilding very seriously and because they don't put much effort into making the audience care about something other than Love Square, like the mythology behind the Miraculous, or motivations of the main villain, or some pretty heavy topics for a kid's show that they bring up and then refuse to touch again. You know, all the good things. And this is coming from someone who is a passionate multishipper. I have lived through several shipping wars in different fandoms and came out victorious after all.

I am probably the only person out there who cares about the big picture, the overall storyline and the worldbuilding of Miraculous in addition to all details and implications that could develop into fascinating plotlines relevant to the main story. It is a rather lonely fandom experience, I must confess. But, hey? Who cares? I am here to have fun and bring to the table discussions no one wants to have.

So, let's talk about the basics.

If you, as the writing team, are capable of keeping only 1 thing consistent, then please, I beg you, let it be the basic concepts of your universe. Because in this case, one has to actively put effort into writing characters and conflict resolutions badly. And also because nothing can save bad worldbuilding.

I don't have high worldbuilding standards for Miraculous. They certainly aren't as high as the ones I had for Legend of Korra (which was a badly written trainwreck, that ATLA doesn't deserve as a sequel) or the ones I currently have for Dragon Prince. Therefore I won't be too harsh in my criticisms. Granted, I think that Miraculous has better worldbuilding and lore consistency than Winx Club for example (I haven't seen the reboot yet, so writers might have fixed their worldbuilding at least a little bit). Even though I enjoyed Winx when I was younger and some elements of this story still attract me.

Both serialised and episodic shows as well as movies to the lesser extent must have some flexibility in worldbuilding and plot because you can never be 100% sure where your story is going. Maybe, you'll get money for more seasons, maybe not. However, you must never lose sight of your basic concepts. They have to stay the same no matter what, because rewriting lore and retconning major developments every new season is not and never will be called good writing.

Forgive me for using architectural metaphors, but you need a solid foundation to build any kind of structure. Otherwise, everything falls apart.

I like to apply this logic to writing as well. When designing a world where your story takes place, you must lay a few ground rules. It's especially important if you have a magic system. What kind of ideas absolutely must exist? What kind of conclusion do you want your story to have? Does your magic system has limitations? Where is the grey area? Could you introduce new elements later on?

And I feel like the writing team of Miraculous Ladybug did not ask these questions. This may feel like I am nit-picking canon material and looking for problems that simply aren't there, but I promise that I am not. You see, things that I am about to point out only seem small at first glance. But these details are actually the source of the largest plotholes in the series. And their presence negatively affects character development, conflicts and resolutions of said conflicts.

That doesn't mean that I have nothing good to say about the magic system of the show and its elements. There are a lot of great ideas and concepts. And some of them have the potential to contribute to the delightful story.

Let's dive right into it, shall we?

Camouflage

I have to give credit where it's due because the idea of camouflage and shapeshifting for Miraculouses is brilliant. It seems like Miraculous can't fundamentally change its type of jewellery or accessory. The ring will always be the ring but with a different ornament, colour or shape. This is true most of the time (Monkey Miraculous is an exception since it transformed into earplugs/headphones/headband/circlet) It makes sense and avoids plotholes. Grimoire doesn't have the pictures of each Miraculous in disguise for identity protection. That was very neat too. I have no comments. This concept was very good.

Also, since Marinette wore a nose ring of the Ox in "Kwamibuster" without any problem and Adrien wore Ladybug's earrings in "Reflekdoll", we can assume that you don't need to have piercings to wear a Miraculous. Miraculous just magically passes through your skin.

I'm interested to know the following. Can Kwamis recognise a camouflaged Miraculous on a person? Can the holder order them to confess the identity of this person? This shouldn't be possible for identity protection just like with Kwamis sensing each other. But more on that in later posts.

Power Levels

For a long time, we assume that there are only 7 Miraculouses. Turtle belongs to Master Fu, Gabriel has Butterfly and Peacock, Marinette and Adrien have Ladybug and Black Cat. Everything is pretty straightforward. Then it's revealed that there are more jewels and more boxes. It makes the worldbuilding interesting, but it also majorly complicates things, making them inconsistent.

Their position in the Miracle Box implies their power levels. Creation and destruction are the most powerful forces in existence, therefore they are at the top. Moreover, it makes this Box the most important, the most powerful out of all others. Su Han in "Furious Fu" calls it "Mother Miracle Box". Fox, Turtle, Bee, Butterfly and Peacock have less power than the main pair, but more than the Miraculous of the lower Zodiac tier (since they correspond with animals of the Chinese Zodiac).

1. Ladybug can create anything out of nothing (Lucky Charm, which gives what you need the most at the moment). This Miraculous can resurrect the dead, reverse the effects of the Cataclysm. The power of Miraculous Cure or Miraculous Ladybug can work in several ways:

it simply repairs the damage (puts stuff back together, heals injuries and so on)

it reverses time for the matter, restoring things back to the state they were before the destruction occurred (however, the Cure doesn't erase people's memories of everything that happened unless they were mind-controlled, frozen in place or transformed by Akuma into something else - this is an important point that I'll discuss some other time)

How does Miraculous Cure work when there are no supervillians? In NY Special Marinette just says this.

Excuse me, what? What was that? You can't do anything when the villain is gone? What the hell?

*insert here every scene where Ladybug fixed Paris after destroying akumatized/amokized object (this action causes the Akuma victim to detransform/sentimonster to disappear - villain is gone) and purifying butterfly and feather*

It was such cheap angst. I couldn't even be upset when Adrien gave up his Miraculous, because that whole situation is just stupid. But, never mind. We aren't talking about that today.

Apparently, Lucky Charm and Miraculous Cure only work when summoned to battle a specific villain. What is the point then? Huh? You can't tell me that Ladybug has the power of unlimited creation and then say that she can't repair the damage without a special Lucky Charm that was magically synchronised with specific big bad of the week.

Ladybug also can purify Akumas. It makes sense for Ladybug to have the ability to reverse the magic of less powerful Miraculous. But this power can't be applied universally. How does this power of reversal apply to different situations where there is no evil Butterfly holder? Can Ladybug reverse the magic of any Miraculous?

The unlimited power of creation introduced in season 4 ("Mr. Pidgeon 72") is another fascinating thing. On one hand, it's logical and proves the status of this Miraculous as the most powerful. On the other hand, by introducing this power, you have created a plothole. Look, Marinette can create the charm which repels Akumas. If Ladybug can create anything then what stops her from creating a tool for finding Hawkmoth (like special glasses for discovering identities or a compass)? I mean, the show says that the power of creation is unlimited, it means that the creation of such tool is possible.

2. Black Cat can destroy anything with Cataclysm, even other Miraculous. He can kill living things and turn them into ash, but not himself. This Miraculous is supposed to have other special abilities that we don't see. And they should be equal to powers of Ladybug, both in number and in potency. Unfortunately, after 3 seasons writers didn't give us anything. It makes laughable the idea of balance between Ladybug and Black Cat.

Now, to the second tier. These Miraculouses have a singular ability, but they need a second one to keep the power balanced between Zodiac and the main pair.

3. Butterfly creates champions with different superpowers. But how does the time limit of children work for Butterfly? In theory, the countdown should start right after the creation of the Akuma since for Ladybug and Chat Noir countdown starts after activation of their powers even if they don't use them. However, if the countdown of the Butterfly begins after Akuma creation then there's no point because the holder has to stay transformed to guide their champion. The charged butterfly won't have time to even grant powers before the transformation of the child-holder drops. This issue is never explored because Gabriel doesn't have a time limit. However, I feel like it should be addressed in flashbacks of past Butterfly holders for example.

This Miraculous should be less powerful than Ladybug and Black Cat. It's often not. Some Akumas are too overpowered. Stormy Weather can move the Earth away from the Sun, Timetagger can send people through time and jump through time as well, Chat Blanc destroyed the world with a single energy blast, Miraculer could steal powers of those more powerful than her by default. These are the most notable examples. One could argue that Chat Blanc was a different case. Hawkmoth simply gave the most powerful Miraculous a boost. However, we know that even without a holder (the wildest and the most powerful form of uncontrolled Miraculous magic) Plagg's Cataclysm can't destroy the universe just like that (he presumably wiped out dinosaurs and sunk Atlantis on his own without a holder). I think that the less powerful Miraculous (Butterfly) shouldn't be able to increase the power of destruction to such a degree and give Black Cat the power to destroy celestial bodies and galaxies.

Writers want us to see Hawkmoth as the formidable villain. But it's not easy because he is less powerful than your main heroes by default of your worldbuilding. Sometimes writers make the Butterfly more powerful than creation and destruction to raise the stakes, breaking the laws of their magic system. So, how do you solve this? Let Ladybug and Black Cat keep their status as the most powerful and instead of giving Hawkmoth more magical power, make him smarter, more cunning, inventive. Gabriel is a fashion designer, whose creativity makes him a very good Butterfly holder. He has a life full of experience, he knows much more about things than the main teenage characters. Catalyst was very interesting for this very reason. Gabriel sort of discovered a cheat code to boost his powers. Show us how he experiments with his powers, how he analyses his past Akumas and tries to find the most effective ones. Maybe Gabriel tries to design Akumas that can specifically neutralise Ladybug and Chat Noir. This exploration could also give writers an opportunity to explain how the powers of Butterfly work. Can he control the type of powers he grants? Can he control the appearance of Akumas? There are many things to be explored.

4. Peacock creates sentimonsters. I remember that fans were very disappointed when the power of the Peacock was revealed at the end of season 2. I was one of them. The concept of Amoks is far too similar to akumatized butterflies. Other Miraculouses have unique abilities and keywords for their powers, while Peacock just looks like Butterfly 2.0. That glowing mask effect just adds insult to injury.

You have to start by figuring out the powers of the Peacock in a normal situation. If a holder is a good person, then how does their power work? For example, make them related to sight (because of the "eye" pattern on feathers). Maybe, Peacock grants the ability to see the several possibilities of the future, but only a few minutes ahead. Maybe, this Miraculous gives you the ability to see through someone's eyes for a few minutes (and the victim is completely unaware of the intrusion). Perhaps, Peacock allows the holder to use feathers (or tiny peacocks) as cameras one at a time and be all-seeing. These feather-spies can be destroyed by the holder or disappear on their own after some time. Such power could be devastating when used against heroes in canon.

5. Bee can paralyze. This power is pretty straightforward. Once I read a fanfiction focused on very vell done Chloe Redemption, where she fights alongside Ladybug and Chat Noir. Eventually, she grows and becomes a better person. This fic ends with an Akuma battle, where LB and CN are trapped and Akuma is ready to kill them. But Chloe uses a second power of the Bee on the villain - Miraculous Stinger. It's deadly both for the holder and for the victim (because bees die when they sting someone). Chloe kills the Akuma with a Stinger before it can get LB and CN, but she too dies making the ultimate irreversible sacrifice. I will add a link if I find it again.

6. Turtle can create a shield. I don't have much to say on this either. It feels underpowered compared to others in the second tier. Maybe Turtle can also slow down opponents (because turtles aren't the fasters animals out there).

7. Fox creates illusions and acts as their puppeteer. In order to create a balance between other powers, these illusions must hold for as long as the holder needs them to. I propose this mostly because we see that Venom of the Bee lasts very long, the shield of the Turtle lasts either until it's destroyed or the holder wants to remove it, same goes for Akumas and sentimonsters who disappear only when the holder wants them to or their affected object is destroyed.

Let's talk about Zodiac tier. Miraculous of the third tier shouldn't have the second ability like more powerful ones. These powers are the most inconsistent. Even if we haven't seen all of them yet.

8. Mouse can create many small clones of the holder. It is unclear how these clones communicate with each other and how many of them this Miraculous can create. The holder can control the number of clones. This power was very convenient in "Kwamibuster" and it makes sense symbolically for the mouse. What activates the time-limit for children? Marinette didn't have any problems with it when she became Multimouse.

9. Snake can create a 5-minute time loop and has the ability to come back in time. This Miraculous feels a bit overpowered for the Miraculous of the Zodiac Tier. The holder can reset the time as many times as he/she needs to. It's was a good source of drama and trauma in "Desperada". I was honestly surprised that Adrien was capable of fighting after spending months in a loop. But this doesn't change the fact that Snake is overpowered. You can give this Miraculous the power to hypnotise or keep the time ability but place a limit on the number of resets. How does the lyre work as a weapon? Who knows? No one!

10. Dragon can shapeshift into elements: water, wind and lightning. It has the coolest transformation words hands down (Bring the Storm and Open Sky). Apparently this Miraculous doesn't have the time limit.

11. Rabbit can time travel or jump through alternative realities, even writers aren't sure. Time-travel in this show is so badly written it gives me a headache. This Miraculous shouldn't exist just like its powers. Snake belongs to the same tier, but 5 minutes and whole centuries of time jumps aren't comparable in power levels. They are not and this is the hill I will die on. Give the Rabbit powers related to its symbolism in China like an ability to de-age people, heal them or give them a speed boost in contrast with Turtle who might have the ability to slow down.

This Miraculous is so special that its Kwami - Fluff can live separately from his Miraculous in a Miracle Box for millennia (Fluff lives in the Box in "Sandboy", but his Miraculous, pocket watch, was passed down for generations in Alix's family). This is a discussion for a separate post, however. There's a lot to unpack. We'll do that some other time. You will suffer with me but at a later date.

12. Horse can create portals. They could lead anywhere, which is pretty cool. On the other hand, this power is not very useful in direct combat, especially when it's used by a child since we can have only one portal per transformation.

13. Monkey can cause a malfunction in powers of other people. What is the point of this? This power was specifically created by writers to defeat Akuma in "Party Crasher". That's it. What if your target is not magical? How does this Miraculous work in different circumstances?

14. Pig shows people their greatest desire. Both the holder and the recipient of this power can see this desire. Chat Noir wasn't impressed in "Guiltrip" and neither was I. It's underpowered compared to other Miraculous in this tier. Also, why does the tambourine can shoot energy beams? Why?

That's all I have to say on the matter. I'll update the power analysis as needed.

[randomnameless]

I write and write and make comparisons between a swimsuit and themes like tolerance and freedom,

But in this fandom, some people draw more dubious comparisons, especially ones regarding a certain game - and I warned (who?) at the beginning of the FE16 trend that while it wanted to have a Jugdral flair, it obviously failed. You have a sprinkle of Jugdral in FE16, but it’s only a surface image, or even a mirage.

“CrEsT SyStEM”? Holy Blood? No, those comparisons at least were made in good faith and had some merits.

One of the worst comparisons was noted by several friends, a certain someone, wanting to push a certain ship involving a certain character, managed to write :

“Every route makes one villain from Genealogy of the Holy War the hero, Edelgard being Arvis, Dimitri being Eldigan, Claude being Travant and Rhea being Manfroy”

:(

This will not be a post about Manfroy’s hips, you are warned

Who is Eldigan (Eldie)?

A man who is the carrier of Hezul’s holy blood, Hezul being the founder of Augstria, a sovereign state. Everyone loves Eldie, he is good-looking, strong, kind, chivalrous and has the magic blood that makes him able to use his magic sword.

Is he the King of Agustria? No.

The King is a man named Chagall, who has an ugly sprite, doesn’t have Hezul’s magic blood and cannot use the magic sword. He also killed his father, and is really jealous of Eldie.

However, Eldie’s line (House Nodion) has sworn to support the royal line of Augustria (Chagall’s), so even if everyone wants Eldie to ascend to the throne, he will never accept it. Even if Chagall pisses on him, or imprisons him because he felt like it, Eldie will not rebel against his King. Eldie is seen as a Camus, because he will fight and die for Chagall, and his country, when Sigurd is... more or less attacking Chagall (because Sigurd’s forces are occupying Augstria and Sigurd’s orders are to bring peace to the land, Chagall doesn’t want peace and wants to fight to retake his throne). If everything ends well, Eldie will promise Sigurd he will try to talk one last time his king, try to convince him to accept a ceasefire and peace with Granvalle - but Chagall is an ass and beheads Eldie.

Dimitri... isn’t like Eldigan, at all. First of all, Dimitri is supposed to be the crown Prince, instead of being a mere knight sworn to serve the royal family. Secondly, Dimitri doesn’t die because his liege beheads him - Edelgard will never be his liege - he dies either by defending his borders against someone who is bringing war to his lands and wants his head, or he dies because he pursues Edelgard in a three way battle in Gronder.

We do not know what Rufus is like to his nephew, but I am pretty sure he is no Chagall.

The only common points Eldie and Dimitri have is their blond hair, and sometimes, their manner of death. there is also something about bonds with their sisters but we’re not here for that

Who is Travant?

Travant is the King of the Thracian Kingdom, a proto Nohr-like place, where farming is difficult, and the people living there are starving and often turn to banditry or become mercenaries to be able to earn some money.

Thracia’s neighbour, the Manster District (Manster) could export food to Thracia... but they do not, because, well, the people in charge of the Manster District do not like Thracians a lot (and use slurs to talk about them, but Quan is a special character). So Thracians raid the border, with hopes to reunite the peninsula, with the dream that, one day, they will seize the arable lands in the North.

Travant has an infamous line, which more or less went like “I will unite the peninsula for the sake of my people, and if that process dooms me to hell then so be it”.

And to hell he will go, because by Jugdral standards, ambushing Quan and his family in a desert (horses cannot move in sand, another example of gameplay and story integration!) with horseslayers, is despicable, especially since he leaves no one alive, even, apparently, killing Quan’s young daughter Altena.

(Travant ranks pretty high in the douchebag ladder).

With time, Altena grows, unaware that Travant, who adopted her, isn’t her real Father, Quan was. Things happen, Altena discovers the truth, and Travant finally achieves his dream by making a suicidal charge against Seliph’s forces (he doesn’t even bring his magic lance to the fight!), with him dead, finally, the peninsula can be united under one leader.

Claude? Also has a wyvern. And comes from another land than our hero (but which one?). And... that’s all.

If Almyra raids every sunday, it is not because they are starving, but because they are doing it, per Cyril, for funsies. Claude pretends to be a schemer and underhanded, but he never does something on the scale of the Yied Ambush (the moment where Travant pulled out the horseslayers against Quan). Claude never takes a child hostage, and never orders his daughter to punish civilians.

If Claude wants to unite the two countries, it is not because he wants his people to finally leave their life as mercenaries and bandits behind, but because he wants people to understand each other.

Edit because I’m sleeping : Travant will die for his dream. Claude... always survive. Always. I am not saying he doesn’t believe in it, but he is not as desperate as Travant is.

Comparing Claude to Travant is like comparing... Virion to Iago. They are both male with long hair, and pretend to scheme. Bar that? Well... they both have hands...? I guess?

Who is Manfroy?

Manfroy is... both a mastermind and a plothole.

Manfroy was the one in the shadows engineering a war in Jugdral, not because he likes wars, nope, but because he wanted political instability to recreate the Loptyr Empire.

He will help a douchebag to conquer the world, and use him to sire Julius, the only person in Jugdral who can become a host for the dark dragon Loptyr. The last time Loptyr was there... well, apparently it wasn’t roses and sunshines, slavery was rampant and citizens were pitted against each other to make sure the strongest ones would become citizens of the Empire.

Why Manfroy does this? It depends on the sources, but it is heavily implied Manfroy is part of a sect (sect as in group of people practicing a religion, here the Loptyr religion/cult) persecuted by a lot of people in Jugdral - to the point where Agustrians were having witches hunts to chase them. Manfroy and his followers escaped the the Yied desert, touted to be an inhospitable land. His people had no where and no one to turn to, so they prayed to their God Loptyr (who doesn’t give 3 figs about them).

Manfroy is thus the Archbishop of the Loptyr Church. He also killed his son in law, for some reason, and planned to turn his granddaughter in a zombie. Manfroy also supports (and conducts?) the child hunts, basically the plot in the second part of FE4 and FE5 where the Granvalle Empire and the members of the Loptyr Church round up children, take them from their families (sometimes by killing said families) to send them to Granvalle, with the highly suggested goal of sacrificing them one way or another to Loptyr.

On the not-so bright side, Manfroy doesn’t kill Julia - when Loptyr/Julius expressly asking him to do so, because Julia is the only person, story-wise, able to kill him.

What a guy! 

Now, Rhea?

There are some comparisons to be made, unlike Claude and Dimitri, but again, it reinforces how they could be seen as foils.

Rhea? Yes, also engineers the birth of a vessel.

However, unlike Manfroy who “forced” Arvis and Deirdre to marry and have a baby, Byleth’s birth, born from the union of Jeralt and Sitri, was completely unexpected. There is no trace in canon of Rhea arranging Jeralt and Sitri’s meeting, and future wedding.

Rhea? Also wants her granddaughter to “die”?

Well, not this one, since Rhea thinks Billy is actually an amnesiac Sothis. Billy would just recover their memories.

Rhea? Doesn’t start a war to build her Sothis vessel. Hell, the DLC is about her previous experiment to resurrect her mother - it was a failure, but someone supposes she fails because she did not want to bleed dry the Four Apostles. Rhea wishes to resurrect a benevolent Goddess (when Manfroy knows Loptyr is... far from benevolent) but will not kill to do so.

Sitri? Asked her to save Billy, by offering her own life.

The most interesting foil though is... how Rhea and Manfroy both belong to a community that was persecuted by others, the people they are supposed to live with.

Manfroy? Went the “if the world hates me, then I will hate it and burn it down” route.

Rhea? Doesn’t want to kill humans, hell, she and her brother disagreed because she didn’t want to kill children of the people who wronged her! She opens a monastery and offers guidance to anyone who needs it, a shelter for the needy and tries her best to protect peace and the humans living under her care.

They could have followed the same path, but didn’t. Manfroy rounds children to kill them, Rhea offers a new home to children who lost theirs.

They can also be compared with their “welp” points, Rhea gave CF!Billy the means to destroy her, just like Manfroy “forgot” to kill Julia - and yet, again, it is different. Rhea trusted Billy and never wanted to use them as a tool, in the other routes, it is because she trusted Billy with “those means” that Billy is able to save the world. Manfroy? Berserks Julia, wishes to use her as a tool and suffers when she regains some agency and beats her brother. But even without Manfroy, Julia would have recovered the Book of Naga to end Loptyr.

Rhea and Manfroy are definitely not parallels, but foils.

And the best for the end...

Who is Arvis?

Well... to summarise Arvis in a few words...

it’s impossible.

So, Arvis is the descendant of one Jugdral’s God-Crusader, Fjalar. Arvis is very proud of his heritage, but he also bears Loptyr blood, through his Mother. And yet, since the Loptry blood exists thanks to Saint Maira - the brother of the Loptry Host of that time, Emperor Galle, who rebelled and helped the Crusaders - he is also very proud of this heritage and his two brands.

Arvis’s familial history is a mess, his father was a womanizer and his mother abandoned him (which might have fueled his Freudian complex?). When his Father died, he exiled all of his bastard siblings, bar Azelle (his bastard half-brother, sired to his mother’s favorite maid). Arvis apparently wasn’t interested in women before he met Deirdre and fell in love with her...

But he had time to sire a bastard (on his best friend and confidante).

Arvis wants to build a world free of prejudice and oppression, and wants to build it by... associating with Manfroy, who blackmails him about his Loptyr blood (if Arvis is proud of his Loptry blood, sadly the Agustrian witch hunts are still a thing, and it will not be well seen in Granvalle’s nobility); however, he made it clear, to Manfroy himself, that he will never allow another Loptry Empire to be reborn. Arvis thus uses hiw fellow Dukes Reptor and Langobalt to set up a coup against Prince Kurth (the Prince of Granvalle) to kill him. Arvis grows close to Kurth’s father, Azmur and more or lesses takes care of everything in Granvalle, since Kurth has no heir left.

And, by chance, Deirdre, Kurth’s bastard daughter, thus rightful Princess of Granvalle, appears at his door. She bears the mark of Naga (the special blood of the Crusader Heim), so they marry, and if they have a son, their son will rule over Granvalle, Arvis acts as a regent until then.

(women can’t rule shit in Jugdral)

Then what? His plan is set into motion, all Granvalle Dukes die, he and Sigurd (plus his pals) are the only ones left, Sigurd dies after being lured to a welcoming party, and Arvis becomes the last man standing able to rule Granvalle, who became, through his plans and treacheries through the 1st gen, an Empire.

(and then his son becomes a Loptyr host, vaporises his mom and makes his sister disappear, wrestles power from him and he is reduced to a sad state (oldvis). He makes a last stand against Seliph, after delivering him Sigurd’s magic sword, and dies.)

Okay.

So, now, Edel.

Arvis managed to become the ruling... person in Granvalle by eliminating all of his rivals, and securing a nice marriage. Edel becomes Emperor... because Ionius gave her his crown, as her father.

So they do not rise to power the same way.

Edel never talks about her brands, but Arvis is proud to bear them and proud of his ancestors. Judging by how Edel speaks of Wilhelm I as a traitor who sold humanity to creatures, I am not sure she is proud to bear his blood.

Also, while Edelgard is extremely prejudiced against Nabateans, Arvis wishes to create a world... free of prejudice (his actions though...). He does not mind Manfroy preaching his stuff, when Edelgard will not allow anyone to follow the Seiros faith (friends put it better, but in several routes, the people who were followers of the Church of Seiros are missing in Adrestia...).

While both Edel and Arvis think they are making “sacrifices” for the greater good, as pointed out earlier, this greater good is different. They both ally with a death cult, but Arvis is naive enough to think Manfroy will not backstab him - he even wishes for him to preach his nonsense freely. Edelgard has been hell bent since day 1 on getting rid of Thales and friends.

By the time Arvis learns of the child hunts and Julius’s nonsense... he wants to stop it. He is however powerless to do so (or so we think! Apparently he and Ishtar managed to hide every children captured in a castle!) but, at least, he tried to do something.

Crest Beasts... are still used, no matter the path, and even after Edelgard became Emperor.

Now, if Manfroy had to capture children and round them up for execution to make sure Arvis would become Emperor, would Arvis have supported him? I... don’t think so. If children were captured during Arvis’s conquest of the world and it was a “necessary evil”, would Arvis have accepted it? We don’t know. Prideful as he is, I don’t think he would have agreed.

(which is all kinds of wrong, the man can start wars and backstab friends, allies and turn his own brother to ashes, but hunting children is too much? Meh. And yet, Manfroy mentions something about his ways and his pride being an obstacle to the realisation of his dream).

Arvis is... a complicated character. A douchebag through and through, who tries to redeem himself at the end, but ultimately fails. He is rewarded for his actions in the 1st gen by the 2nd gen, where Julius becomes Loptyr and destroys his Empire. He had it coming? Yes. Is it painful to watch? Yes.

Edelgard... does not face any retribution for her actions.

Yes, she can also kill her (step) brother. But either she didn’t remember it, or only cries after it, and ultimately puts the blame on him - so it is not a sacrifice ?

People doubt her words? Well, it doesn’t matter, Linhardt, Yuri and Lysithea are still alive after their... interrogations. Reptor doubted Arvis’s words? Aida was sent as back-up (and... backstabbed him).

Ultimately, Arvis loses Deirdre (whose ghost chills with Sigurd’s), Julia and Julius, whom he loved dearly. Edel loses... Billy, and some randoms.

So, in a way, Edel feels like a discount Arvis, because she misses his ascension to power and his downfall. Arvis doesn’t mow down enemies on the front lines like she is doing, Arvis maneuvers to ensure victory.

Both fight for ideals, but Arvis seems to believe in them when I cannot believe a world for “humanity” involves continuous making of Crest Beasts.

Both betray the main character, but Edelgard is hit with the uwu hammer, thus cannot kill Billy - Thales does it in the non CF-routes.

So... short story, long story, Eldie is not Dimitri, Claude is not Travant, Rhea is a foil to Manfroy and Edelgard is a discount Arvis.

Also, I don’t know what kind of weed the person who wrote this take had, but labeling Eldie as one of FE4′s villain is as dumb as labeling FE7 Karla a villain because she appears as a red unit you have to fight.

where is edel’s bastard son

[astradrifting]

Hi! I like your opinions on asioaf and they are really good. I wanted to ask you about how much warging into direwolves is harmful for starks. Nymeria is the one who is eating babies like Drogon and Ary@ didn't seem to realise her warging capabilities. Jon connect his desire with ghost hunger. Would starks realised that they have to tame their impulses?

Aww thank you!

I’d say that they will realise eventually, yeah. I love to call them wolves as much as anyone else, but the Targaryens are a pretty good example of why it’s not good to rest so much of your identity upon embodying your house sigil. To be good rulers and good people they’ll need to be more than just wolves. Their warging will still come into play later, there’s gotta be a reason all of the Starklings are wargs, but they can’t rely on it forever.

Even though Jon is the one who’s probably going to be lost for a long time in his direwolf, I’m more worried for the younger kids. Jon and Robb both were aware of the dangers of their wolves, both used them at various times in battle and to intimidate. But Robb became wary of Grey Wind’s increasing savagery, which is partly why he locked him away after he married Jeyne. He actually rejected being a wolf:

“He is part of you, Robb. To fear him is to fear you."

"I am not a wolf, no matter what they call me." Robb sounded cross.

(ASOS, Catelyn II)

When Jon comes back he’ll likely be horrified by his new beastly instincts and will struggle to suppress them. He doesn’t particularly want to be a warg or a true wolf, especially after the Night’s Watch has spent the past few books cursing him for being a warg. Whether he’ll be successful remains to be seen, but the effort to contain his impulses will be there. In Melisandre’s visions, she saw Jon as “a man, now a wolf, now a man again.” Hopefully that foreshadows not only his resurrection but his return to himself as a man.

Bran and Arya are much more emotionally reliant on warging than Jon and Robb were. As able-bodied men, Jon and Robb were powerful and capable enough without warging in a way that Bran and Arya can’t be, especially once they reached leadership positions. The kids both face so much powerlessness in their arcs that they take strength in their warging abilities, this ability to access another form that can achieve more than their own. Arya is alone in the world and in constant peril, but in her wolf dreams she’s strong and powerful, with a pack behind her. It’s far more appealing than being a little girl with no family left.

She was no little girl in the dream; she was a wolf, huge and powerful, and when she emerged from beneath the trees in front of them and bared her teeth in a low rumbling growl, she could smell the rank stench of fear from horse and man alike.

(ASOS, Arya I)

Later, her wolf dreams are contrasted with her memories of the Red Wedding:

The wolf dreams were the good ones. In the wolf dreams she was swift and strong, running down her prey with her pack at her heels. It was the other dream she hated, the one where she had two feet instead of four. In that one she was always looking for her mother, stumbling through a wasted land of mud and blood and fire. It was always raining in that dream, and she could hear her mother screaming, but a monster with a dog's head would not let her go save her. In that dream she was always weeping, like a frightened little girl. Cats never weep, she told herself, no more than wolves do. It's just a stupid dream.

(AFFC, Cat of the Canals)

The impersonal savagery of what she does as Nymeria is preferable to her traumatic reality, where she was helpless and unable to save her mother. But when she returns to Westeros, she’ll likely encounter Nymeria in the Riverlands again and be faced with what she’s become, what Arya has inadvertently released onto her mother’s homeland. It might coincide with her meeting Lady Stoneheart too, another danger that she technically unleashed. I think they’d remind her of herself - figures from Arya of Winterfell’s past whom she loved dearly, rendered unrecognisable by bloodthirst. Maybe it’ll drive her to despair, or maybe it’ll be the push she needs to choose to go home like in season 7, choosing her family over the chance to seek revenge. 

Bran is already doing incredibly dark things as a warg. He’s told repeatedly that he’ll never walk again, but he’ll fly. He resents being trapped in his body, and warging is the only way he can escape it. He can both fly and walk again, eat things other than acorn paste as Summer, join Meera and Jojen in exploring the caves as Hodor.

No one wants to hurt you, Hodor, he said silently, to the child-man whose flesh he’d taken. I just want to be strong again for a while. I’ll give it back, the way I always do.

(ADWD, Bran II)

We know from the ADWD prologue that skinchanging into another person is incredibly taboo even amongst skinchangers, considered an abomination. Actually a lot of the prologue foreshadows and condemns things that Bran ends up doing later in the book - warging into a human, warging into birds (not so much condemns, but it is rather judgy about it), eating human flesh if Jojen-paste is a thing… Bran justifies it and thinks it’s all harmless for now, but he can’t forever. Rather than brushing over it, the ‘hold the door’ moment will probably be horrifying, and a source of major guilt for Bran.

These themes might be resolved as a foil to Dany actually - while she has wholly embraced being a dragon, the Starks will have to reject being wolves and being wargs, accepting themselves in their own forms.

Thank you for the ask!

[proudfreakmetarusonikku]

anyway I need to go to bed but I have too much energy so I am channeling it into headcanons. here u go species headcanons for Everyone on the Dream smp with explanations because I’ve put a TON of thought into this. They’re probably like half contradicted by canon but fuck it My City Now.

Dream- A (juvenile) stage of being a god. He, DreamXD, and Drista have become known as “dreamons” but that’s technically a separate species, all spawned from them. He's not really focused on being worshipped in his own right, preferring power in the mortal realm, though he’s not averse to pretending to be his brother (the god worshipped by Church Prime) or his sister (a minor goddess of death worshipped by many hidden cults) if it can help him get power. He’s got pure white skin everywhere except his face (which is pale but human-like), black blood, entirely green eyes, pointed ears, fangs, claws, and digitigrade legs ending in hoof-like claws.

George- A human, the only human on the whole server. Humans are pretty rare, vastly outnumbered by hybrids but outnumbering any other species, and “pure” humans (what we'd consider to be a completely normal appearing human) are all but nonexistent. For example, George has eyes with dark sclera and white irises.

Sapnap- A blaze hybrid. He’s got a few rods surrounding him and his eyes blaze with fire. It’s usually just warm but not hot enough to hurt but if he's agitated or upset it can easily burn hot enough to set things ablaze.

Callahan- A reindeer hybrid. He’s got antlers, reindeer ears, fur around his arms, and hooves.

Awesamdude- A creeper hybrid. He's tauric, with four insect like legs. His skin and is green and mottled and has a texture similar to leaves. His eyes are pitch black. He has a tendency to make hissing sounds when stressed, though he can’t explode like a full blooded creeper.

Alyssa- A mouse hybrid, with large mouse ears and a long tail. This definitely isn’t an in joke for the thousands of hours I spent browsing TVTropes as a child and the “what happened to the mouse” tROPE SHUT UP.

Ponk- A demon hybrid, with pointed ears, slit pupils, a small spaded tail, and small horns.

BadBoyHalo- A full blooded demon, with pointed ears, a tall stature, pitch black skin and hair, fangs, claws, hooves, a long spaded tail, long horns, and small bat like wings. He’s rather self conscious about how intimidating he looks. He's also a lich (with Skeppy as his phylactery) which is why he has pure white eyes (a trait the undead share).

TommyInnit- An absolute mess, genetic wise, since I’m taking Tommy's joke about being born in a lab and running with it. He's mostly angel, and was basically cloned from Phil's DNA (from a feather that fell off his wings that somehow someone got a hold of) but had a bunch of other hybrid and human DNA mixed in to make him somewhat stable enough to actually survive gestation. He has very small, dark wings that are useful for balance and little else, fangs, claws, and pointed ears. His bones are very light, making him fragile but a lot more dexterous. His blood is slightly off a human's, being slightly pinkish. His freckles, wings, blood, and eyes glow slightly and are patterned like the night sky. Technically undead as of his resurrection, and maintains the many injuries of his death permanently (bruises stay and don’t heal but don’t worsen, broken limbs can be moved at unnatural angles, ect.), pale, corpse like skin, and one of his eyes turned pure white.

Tubbo- A ram hybrid, with small curved ram horns, horizontal pupils, ram ears, a tail, and hooves. Nice and simple after the absolute mess that was Tommy.

Fundy- A limited shapeshifter, able to change his species, though he prefers to be in a fox-like form. He inherited this from Sally, who had similar abilities, though with more strength. He's always got certain features he inherited from each parent that he can’t change though- wings, pale skin, and ice-like freckles from Wilbur, and salmon scales coating his wings and cheeks, and ginger-and-white hair from Sally.

Punz- A dragon hybrid, with dark horns, dark sclera and slit pupils, wings just large enough for limited flight, a strong tail, fangs, claws, and blue scales coating his cheeks, wings, tail, arms, and legs. Has a natural inclination to sleep in a pile of his wealth he only holds off on when he feels it’s at risk of being stolen (which, since this is the Dream SMP, is almost constantly).

Purpled- An enderman hybrid, with small horns, pointed ears, purple blood, and ender particles surrounding him. Parts of his arms and legs are covered in leathery, pure black skin.

Wilbur- Half angel, half fucking refrigerator because cc!Wilbur hates us (affectionate). His skin is unnaturally, icy pale, and his blood is an icy blue. His freckles are the colour of ice reflecting. He's got wings from his father, large enough to glide, but they’re pale coloured and slightly transparent. He has fangs claws, and pointy ears. His blood, wings, and eyes glow slightly and are patterned like the night sky. As Ghostbur, he’s got the injuries of his death apparent at all times, though they don’t hinder him or cause him pain, corpse like skin, pure white eyes, and is permanently transparent.

JSchlatt- A ram hybrid. He’s got large ram horns, dark sclera and horizontal pupils, a ram tail, fur around his arms, and hooves.

Skeppy- A construct made to be Bad's phylactery. He's fully made of diamond, and appears as a moving human statue (though entirely made out of diamond), though he has limited shape shifting ability to change his “hair” and “clothes”, though he has to remain the same mass. He has some small red detailing on him out of redstone (which was used partially in his contruction). The egg flipped the red and teal in his colour scheme. Also he's smalllllllllllll.

Eret- Part ghost, due to being descended from Herobrine. She has pure white eyes, pointy ears, and under stress he becomes partially transparent. They tend to hide their nonhuman features (ears under hair or hats and eyes under sunglassses) and are often mistaken for human.

Jack Manifold- Started as a wolf hybrid, with large wolf ears and a tail. After dying, he came back from hell as a hellhound with red and blue “flames” coming from his eyes, ears, and replacing his missing tail he lost in one of his deaths with two made of this fire. The fire is chillingly cold to the touch, and not warm. His eyes are also monocolour, though in heterochromatic red and blue instead of the usual pure white found in undead.

Niki- A moth hybrid, with antennae, monocolour amber eyes, fluffy wings, and more fluff around her neck, wrists, and torso. These and her hair are patterned gold and black, though as of now she’s dyed them all pink. Idk I just feel like moths fit her for some reason.

Quackity- A duck hybrid, with golden wings and webbed hands and feet. He’s also a shapeshifter of sorts, however instead of shifting into different forms he shifts into different beings, from alternate realities that never came to be. These can be used to shift into near identical copies of those around him, to impersonate them, or to shift into alternate versions of people (like Mexican Dream to Dream). These aren’t Quackity, though, and as such they have their own pool of canon lives, and while he has lots of influence over them they can still act autonomously.

Karl Jacobs- An inter dimensional being made of time itself. While his current form is mostly human, he has technicolour rainbow blood, freckles, and patches on his skin, along with clock-shaped pupils that change with the time. His “natural” form is a vaguely humanoid mess of ever shifting colour.

HBomb- I didn’t know what to do with him at first- he was a cow hybrid in my pfp set- but I just think the idea of him being a chill cat hybrid who turns full nyaa whenever he’s in a maid dress to be funny so he’s a cat hybrid now. With dyed-white cat ears and a dyed-white cat tail.

Technoblade- A piglin hybrid primarily, but he’s definitely got some weird traces of other species. He’s got tusks, pink hair, pink pig ears, a pig tail, and hooves, but he’s also got paws from some other animal hybridisation in his blood, and has a tallness that suggests demon blood somewhere down the line. His red eyes aren’t natural, and only occurred after he was sacrificed to be the vessel of the Blood God.

Antfrost- A cat hybrid, with blond and brown fur, a cat tail, paws both on his hands and feet, and cat ears. He’s also got split pupils and blue sclerae (though a different shade to his irises).

Philza- An angel- the creation of a god or goddess to help serve them (Dreamon's would be an example of the angels the Dream's can create, though they’re primarily running wild nowadays.) The creation and servant of one of the gods of death, Kristen, to serve her in the mortal realm. He’s got very large feathered dark wings, pupilless unnaturally bright eyes, pointy ears, fangs, claws, and dark blood the colour of the night sky. His wings, eyes, freckles and blood glow brightly and are patterned like the night sky. Injuries reveal that he's fully inhuman under his skin, appearing to be a void of colour that also glows and is patterned like the night sky. His crows, who are messengers from the afterlife, have this same pattern on their feathers.

Conner- I don’t know much about him tbh but. He’s just a hedgehog hybrid. I mean he’s joked enough about canonically being the kid of Sonic and Elise. He’s got blue hedgehog ears and a tail, and blue spines mixed in with his dark hair.

Captain Puffy- A sheep hybrid, with small curled sheep horns, sheep ears, a fluffy sheep tail, hooves, and hair curly and soft like wool. The split in her hair between brown and white is natural, though she keeps a small section dyed rainbow.

Vikkstar- Another angel, though of a god long gone. His entire body, even his “clothes” (which are made of flesh) glow intensely bright and have the pattern of the night sky.

LazarBeam- A gingerbread hybrid, which I’d say is dumb but we’ve already had a refrigerator hybrid so. I don’t know what else to say here.

Ranboo- Half enderman, half god of some sort. Has small horns, pointy ears, an inhumanly wide mouth with fangs, claws, digitigrade feet ending in hoof-like claws, pure black and white skin, pure black and white hair and freckles on the opposite side of the skin, red and green heterochromatic eyes barely distinguishable from their sclera, and red and green blood. Hmm, I wonder what other character shares similar descriptions... :)

FoolishG- A more matured god than Dream. Appears to be made entirely out of gold, with his hair and freckles appearing like copper. His pure green eyes have a similar texture to emeralds. Also he’s like. Massive. He’s like eleven Skeppy's.

Hannah- A nymph of the forests. Has prehensile vines and flowers flowing in her hair all the way to the ground, and half of her face and one of her arms are entirely made of these prehensile vines and flowers. Makes flowers grow in her step, after being corrupted by the egg they wither around her instead.

Charlie- Slime hybrid. Honestly just kind of got the most impractical parts of being a hybrid, having random sections of skin changed into green slime which drips everywhere and kind of gets in the way. It doesn’t seem to bother him though.

[itsclydebitches]

Godddddd I'm so upset that I dislike yen this much, doing main quests in skellige and Freyas ppl were doing stuff and she again disrespected other cultures with Geraly being against, "I may be inhumanly beautiful" I know she's meant to be confident but wowww. She's not confident and worried for Ciri she just comes off arrogant and selfish and vain. Like, fuck.

The ultimate mood, anon. My Witcher fandom life would be so much easier if I enjoyed Yen ... but I just do not lol. Remember how I mentioned that things were going to get even worse than her stealing and using a potentially dangerous artifact? Yeeeaah. She also resurrects Ciri's friend to torture him for information, all while destroying another sacred garden to get the power to do it! It's not even a "She's so evil and I love it 😏" situation for me because the game tries so hard to convince us that she's still The Best. Geralt's sexy soulmate, Ciri's adoring mother, the baddest bitch around who gets things done and does it with an effortless confidence... all while ignoring how horrific her actions and attitude are. Oh sure, other characters speak ill of her at times, but considering how much Geralt is written to adore her, no matter what you choose, that's all undermined. I love morally gray/evil characters, but I've never enjoyed them when the text refuses to appropriately acknowledge that side of them. Nothing is more frustrating to me than a story that frames disliking a character as the unambiguously wrong thing to do, especially when the text is piling up reasons to dislike them and, as a result, ignoring or shrugging them off their actions as not that bad. Yen is a rather extreme example of that for me. Despite her attitude, her choices, and other characters outright going, "Why do you like her?" the story as a whole works under the assumption that it's correct to like her anyway because Geralt loves her. And he loves her for... reasons.

They do meet before the wish, but only just. Major "The Last Wish" spoilers in this paragraph, so feel free to skip. Basically, Geralt and Dandelion run into trouble with a djinn, he goes to Yen for help since she's a sorceress (first time meeting her), he instantly falls for her because she's gorgeous and such (there's an elf there who is also madly in love with Yen. Men just... fall for her, instinctually), she heals Dandelion, Geralt agrees to pay her, but Yen has already decided on the payment she wants. She takes control of Geralt's mind and forces him to attack the town to seek revenge on those who have insulted her, resulting in him waking up in prison awaiting execution for "his" crimes. Meanwhile, Yen has gone after the djinn for herself because power/trying to regain her ability to have a kid. Geralt escapes, finds her failing to master the djinn (an attempt which btw has endangered the whole town) and despite what she's done to him, Geralt tries to get Yen to escape with him. She refuses, set on capturing the djinn even though it's obvious she can't. So as a last resort he uses the final wish to bind their fates together, saving Yen from the djinn in the process. Aaaaaand then they have sex.

So yeah, their rocky relationship is one of the main reasons why I can't enjoy Yen. For some their tumultuous history is evidence of realism, for me it's evidence that they're not actually very compatible and they're only together because a) that's the fantasy trope: protagonist men get together with the hot sorceress and b) because the magic is literally ensuring that they can't escape one another. I mean, canonically their fates are tied together by magic and canonically they spend about 20 years swinging between passionate love and fearsome fights... but there's supposedly no connection between these two things? No chance at all that they keep coming together because magic is drawing them rather than because they actually want/should be together? I wrote a meta a while back about the short story where they meet, which includes a present day scene where Geralt is criticized by another character — Nenneke — for running out on Yen. Thing is, he tries to explain that he left because she was "too possessive" and this is... flat out ignored. By both Nenneke and the fandom. There's a strong trend of ignoring Geralt's words in favor of a pro-Yen interpretation of events. He says he left because she was too possessive and she treated him like ____ — he's not allowed to finish the sentence and say what she treated him like because Nenneke interrupts him, saying she doesn't care about his version of events. Major yikes imo! She turns a claim of being possessive into Geralt not being man enough to stick around. The fandom likewise turns this into a case of Geralt getting cold feet and running out because he's a bastard who hates commitment. Likewise, Nenneke and the fandom claim Geralt is trying to get Yen money as a way of appeasing his guilt for leaving, he claims he's doing it simply because he still cares for her — even if he doesn't want to be with her — and knows she needs it. Geralt's words are frequently dismissed, in the same way others characters' opinions of Yen are dismissed. Any mark against her is treated as either a lie, or a convoluted claim that they don't really know her... never mind that an understanding of why she may act this way doesn't excuse the behavior itself. (Plus, the whole "Yen had a horrible upbringing, so of course she struggles being kind" perspective always fell flat to me when so many, including witchers, had horrendous upbringings too. The whole point is this world is a mess and most everyone suffers). It's supposedly true love, yet if someone came up to me and went, "I magically tied my fate to this woman to keep her from getting herself killed and we've spent the last couple decades having what many would term a rocky relationship, to put it kindly. I left once because she was too controlling. She once cheated on me. I likewise hooked up with others during our frequent breakups. A mutual friend used magic to get me to have sex with her — also while my lover and I were broken up — and though I view it as a dumb decision I'm happy to forgive her for, my lover is ready to commit murder because again: possessive. A lot of the time we're only a family because of our daughter. I once thought she'd horrifically betrayed us both. She didn't, but it says something that I was so ready to believe it, huh? Hmm? Permanently separated? Of course not! I love her. We're destined to be together after all :)" I'd be like, "Uh... you sure about that, dude?"

Not that Geralt doesn't make his fair share of mistakes in the relationship — he absolutely does — but I don't think it helps his case that he's immature in other ways and, frankly, that he's a very strong, badass witcher. It's easy to turn the hints we get about their relationship into a simplistic "emotionally naive man can't give the poor woman the commitment she wants" situation. Given Geralt's status as the badass fighter of the tale, it's likewise easy to dismiss his admissions of her being "possessive" and his general discomfort. He's the man. He's the witcher. If he's making any claims about how Yen isn't treating him well, they must be excuses, or exaggerations, because real men, especially physically powerful men, would do something about that — a something that's not sneaking out in the middle of the night. A lot of people read Geralt leaving as the ultimate proof that he's an immature bastard who doesn't deserve her. I read him leaving and think, "What were you trying to get away from? What was going on that made you think you could only leave by sneaking out without a word?" To me, that doesn't read as someone who felt safe, comfortable, and respected enough to do anything but slip away and try to wash his hands of things. And I'm not just pulling this "Geralt is at least somewhat afraid of Yen and isn't comfortable establishing boundaries with her" reading out of my ass. When Yen wants Geralt to kill the golden dragon for her and he refuses, saying he doesn't care anymore, his thoughts are:

He expected the worst: a cascade of flames, flashes of lightning, blows raining down on his face, insults and curses. There was nothing. He saw, with astonishment, only the subtle trembling of her lips. Yennefer turned around slowly. Geralt regretted his words.

And everyone is like, "See! Yen has improved so much. Geralt nearly made her cry, but she's supposed to be the bad guy here?" Meanwhile, I'm going, "Uh... anyone want to unpack why he expects fire, lightning, insults, curses, and blows to his face for telling her no? Why he's astonished that she wouldn't use her magic against him? Anyone think that Yen refraining from attacking Geralt when he refuses to murder on her command is a pretty low bar? No? Just me?"

Geralt and Yen's relationship makes me uncomfortable and a great deal of that discomfort derives from how much of the Witcher fandom shrugs off the fictional warning signs. I mean, I post primarily about RWBY. We watched a man in that show try to sneak away with his kids when his villainous wife planned to use them for a eugenics plan... and the fandom still blames him for that, refusing to admit that he was in an abusive relationship. Because that doesn't happen to men, right? I'm not saying it's the same for Geralt and Yen, simply because they are written to be soulmates. An abusive relationship was, quite obviously, never the authorial intent. However, I am saying that the a "This isn't a healthy relationship" reading is there, it exists as an interpretation, and both the story and fandom's tendency to dismiss it is something that hasn't helped me enjoy Yen's status as an otherwise well written, complex character. Their equality supposedly stems in part because they're both so flawed, yet each time I see a list of Geralt's supposedly equal faults they're... lacking imo. "Geralt bound himself to Yen without her consent." Yeah, to save her from dying from the djinn she was trying to enslave, after she refused to leave, while her actions threatened a whole town. "Geralt ran off without a word." Mmm hmm, anyone care about why? And my personal favorite is a scene you may not have gotten to yet (or may not get depending on your choices), but suffice to say, Yen is supposedly justified in physically attacking Geralt if he dares to challenge her in any way. That's the main takeaway across the fandom: If Yen is pissed off, you must have done something to deserve it which, in the relationship deliberately written to be "stormy," is something that sets all the alarm bells in my head off. Honestly, it kinda makes my skin crawl to go, "Geralt didn't deserve that" and get responses back of, "Yeah he did because he [insert basic human action here]." The Witcher world is hard and cruel, absolutely, but that doesn't mean I personally enjoy seeing an equally messed up relationship presented as something that's enviable in its flaws. "That's actually true love because the magically bound man who often expresses discomfort with his lover, written by a male author with a very iffy perspective on women, says it's true love." Crazy theory here, but... maybe it's not?

Idk, lots of rambling on my end tonight! For me, Geralt/Yen reads as something rather tragic which, in a canon that unironically upholds the relationship, and in a Yen-adoring fandom, doesn't make enjoying her character any easier. I keep coming back to Witcher 3, the comics, the show, even the books going, "Maybe I'll like her this time?" but nope, still trying lol.

[yashahime-theories-archive]

INNATE POWERS AND WEAPON RELATED POWERS.

PART ONE: TOWA.

Something that has to be differentiated in Inuyasha is whether a power or technique is innate to the demon, half-demon or human using it, or if it's tied ot a weapon. 

INNATE POWERS are those that a demon, half-demon or human can use without any tool. They can be strengthened by a tool or channeled through it, but the power itself is innate. For example, Kagome has spiritual powers that she can use without a weapon.

And she can channel them through her arrows to improve her range and attack power. Her ability to see spiritual and demonic auras is also innate. Miroku's spiritual powers work the same. He can strengthen them by channeling his powers through his staff or sutras, but he also can use them without those tools. 

Now, Inuyasha and Sesshomaru actually have a lot of innate power, but few innate techniques. For Inuyasha, his innate techniques are Iron Reaver and Blood Blades. For Sesshomaru, his innate techniques are Poison Claws and Poison Whip. Everything else Inuyasha and Sesshomaru do comes from mastering demon-made weapons that have their own techniques that only their wielders can use, and they have to master the weapon first.  

The Windscar isn't innate to Inuyasha. It's innate to Tessaiga. Both Inu no Taisho and Sesshomaru could use the Windscar when wielding Tessaiga. What Inuyasha did was improve his ability to use Tessaiga and discover new techniques. 

Ressurrection isn't innate to Sesshomaru, it's innate to Tenseiga. And Azure Dragon is innate to Tokijin. 

Therefore, Moroha can inherit Kagome's spiritual powers, and Inuyasha's Iron Reaver and Blood Blades, but she can't inherit the Wind Scar or other techniques that are exclusive to Tessaiga. She would have to be wielding Tessaiga for that. 

And the thing about the twins is that, unlike Inuyasha and Sesshomaru, who use demon weapons that allow them to use specific techniques tied to the weapon, Towa and Setsuna are using non-magical weapons. Towa's sword is a replica, and Setsuna's naginata is human-made, and thus cannot have any powers or tehcniques unique to it. This means that all of the twins' powers are INNATE, and they use their weapons to channel them, just like Kagome channels her spiritual powers through her arrows. 

This makes them different from Moroha, who, unlike the twins, has a demonic weapon that gives her the techniques Crimson Dragon Wave and Backslash Wave. These are not innate powers for Moroha, she's mastered a demonic weapon's technique, just like Inuyasha mastered the Wind Scar and other techniques from the Tessaiga, but the Tessaiga's techniques weren't innate to Inuyasha.

And, the interesting thing about the twins powers is that they clearly have a powerset that is very clearly a mix of Sesshomaru and something else, while with Moroha we can very clearly see Inuyasha, Kagome and even Touga as the source of her powers. And, if we talk Inukimi / Sessmom, given that Inuyasha DOESN'T HAVE Poison Claws or Poison Whip and has Iron Reaver and Blood Blades instead, I'd say that those are her powers and Sesshomaru inherited them from her instead of from Touga. Inukimi is also heavily associated with death and resurrection. 

So where do the twins unexplainable powers come from? Their mother's side, Kagura's half-demon family, which is also the place where their human part comes from.

                                             TOWA'S POWERS

1. Power blade : Towa channels her demonic powers through either her hands or the handle of her broken sword in order to use blades. This is a fusion between Sesshomaru's ability to manipulate demonic energy (poison whip) and Byakuya's power blade. 

2. Energy absorption: This power comes from Naraku. Naraku was notorious for his ability to absorb other demons and their powers in order to strengthen himself. Likewise, Towa uses her powerblade to pierce her enemies and once she has made contact, she can absorb their energy to strengthen herself. The main difference is that Towa's power-up is temporary, while Naraku's was permanent, and that she can absorb less power at a time than Naraku.

Meanwhile, Sesshomaru never has had power absorption abilities. He had incrediby high innate demonic power on his own. Absorbing others' powers and using the shikon jewel / the rainbow pearl to increase one owns powers was very much a Naraku thing, while Sesshomaru rejected external power-ups and only used his own powers and weapons that he could channel his powers through.

Naraku and Towa even have pretty much the same dialogue while trying to absorb the powers of a Daiyoukai, which they ultimately failed at because said Daiyoukai was too strong for them to absorb (Towa) or because he got interrupted (Naraku). Note that Naraku's theme music was playing for Towa when she was trying to absorb Kirinmaru's powers (or it was a Kirinmaru theme that was very obviously sampling the most recognizable parts of Naraku's, the effect is the same)

3. Azure Dragon Strike: For Sesshomaru, Azure Dragon Strike was not an innate power, just like Resurrection was not an innate power. Azure Dragon was tied to Tokijin, just like Resurrection was tied to Tenseiga. So how come Towa has Azure Dragon? Because of the origin of the Tokijin. Tokijin was a blade made with the fangs of Goshinki, one of Naraku's incarnations who had been able to break Tessaiga. 

So the powers of Tokijin come from Goshinki, and Goshinki's powers come from Naraku, his creator. Towa can inherit Azure Dragon because of her connection to Naraku, not because of her connection to Sesshomaru.

4. Energy barrier: This is very much inherited from Naraku. Naraku specialized in defensive techniques like regeneration and energy barriers, which are things that Sesshomaru is actually terrible at. Sesshomaru has never made a defensive energy barrier in his life, his fighting style is hyper offensive, based on being faster, more agile and more powerful than his enemies. But Sesshomaru has ZERO defensive techniques and his regeneration and constitution are terrible for demonic standards. 

When Sesshomaru actually takes a serious hit, he goes down hard, retreats and takes a while to heal. Inuyasha, who is actually the sturdier one of the two brothers, is able to continue fighting even after being repeatedly stabbed through the torso. And Sesshomaru took around an entire year to regenerate his arm, while Naraku could survive having 90% of his body disintegrated by Kagome's arrows, and later on, regenerated from similar injuries almost instantaneously. He also spent most of the series making stronger and stronger energy barriers. There were several arcs about the gang trying to figure out how to get past Naraku's newest defensive technique, barrier or immortal-level regeneration.

Just like the power absorption parallels Towa vs Kirinmaru with Naraku vs Sesshomaru, Towa's barrier also parallels a Naraku scene. The first time Towa creates an energy barrier, she places herself in front of Setsuna's body and shields them both with an energy barrier from Kirinmaru's powerful attack. The first time Naraku creates a complete energy barrier, he places himself in front of Kagura and shields them both with an energy barrier from Inuyasha's powerful attack. Naraku's barrier even glowed blue, just like Towa's, before stabilizing as purple.

5. Shapeshifting : Towa's hair shapeshifts into being longer or shorter depending on her state (human, half-demon, demon). This doesn't come from Inuyasha, whose hair stayed the same length in all three forms (human, half-demon, demon) or Sesshomaru, whose hair never changed length. Naraku, though? He did that all the time. 

And so does Towa 

6. Ability to choose her human night: Yet another Naraku trait. Towa's demonic powers had a subconscious and self-imposed seal on them after she made the promise that she wouldn't use them in the modern era to Souta. She didn't use demonic powers, and SHE DIDN'T TURN HUMAN IN THE NEW MOON either. 

Regular half-demons have very specific biological triggers for their human time of weakness, and they can't control when it happens or for how long. For Inuyasha and Towa, it's the new moon. For Shiori, it's the eclipse. Jinenji had a normal human time of weakness as well. 

But Towa was able to subsconsciously suppress her human time of weakness along with her other demonic traits, only starting to be affected by them after she accepted herself as a half-demon and returned to the feudal era. That implies that Towa can control her human time of weakness, because she can subconsciously stop her human nights from happening just like she suppressed her other demonic traits in the modern era. The only half-demon who could control his human time of weakness, being able to choose when to have it was Naraku, because Naraku is an amalgamation of many different demons with a human core. 

Furthermore, Towa's eyes during human night are even the same color of reddish brown as Naraku's, while Inuyasha's turned a human gray. So, not only can Towa subconsciously control her human nights and choose not to have them, like Naraku, but she maintains some of her demonic characteristics during it: her red streak and her red eyes, which becomes a reddish brown very similar to Naraku's. And remember, Naraku also maintained demonic traits during his human time of weakness, he used it to experiment with his powers to strengthen himself and dispose of unnecessary demonic parts or traits.

Moroha, on the other hand, actually has brown eyes that don't have a red undertone, and her eye color is very different from Towa's and Naraku's. Inuyasha's eyes don't have any gold undertones, either, and he doesn't keep any of his demonic characteristics during his human time of weakness. And neither do any other half demons other than Naraku.

Oh, and talking about human nights and shapeshifting, Towa's hair changes again during her human night, becoming longer.

And very similar to Muso / Onigumo's hair. And Onigumo was Naraku's human core, and therefore the source of the twins' human blood.

So, as you can see, just like Moroha really takes after her paternal grandfather Touga, Towa takes after her maternal grandfather, Naraku, just as much. And, of course, she looks nothing like her adoptive sister Rin and has inherited nothing from her either, because Rin is Sesshomaru's adoptive daughter and she and Towa aren't blood related at all.

Deal with it, sessrinners. 

[laufire]

You know I have to ask: Considering your own sorting system for fave characters (Lana, Caroline, Vimes, Jason), how would you sort Castiel? And any other faves from SPN, actually? XDD

The thing is, I think Castiel is... apart from this classification, in some ways LOL.

I can see some parts of these characters in him, for sure -I like what I like, and I'm good at drawing parallels, so. With Caroline, there's the Steroline/Destiel aspect of "I've accepted my fave has lousy taste in men but they're my fave and part of me just wants them to get what they want. Ugh." xD. Then there's how defensive I get of them As They Are, including their powers. I'm as rabidly against the idea of a human!Castiel endgame as I was of a human!Caroline one; it's NOT what they want, we KNOW it's not what they want because there's proof in the test, and we know losing their powers would make them not only vulnerable, but miserable, given that they take genuine joy and pride in them. Not to mention, the idea of their ~humanity as a "happy ending" for them is exclusively to appease another character's sensibilities and to further the resulting ship (Stefan and Dean, who are also mortal and would grow old and die. Like igaf). Also both of them are in my list of "why are so many of my ultimate favourite characters on the receiving end of sexual trauma, why must I put up with this, please someone explain" asñldfkaf. And they both show capacity for generosity as well as for some serious ruthless mofo shit xDD

I can also see parallels between him and Vimes, easily. They are part of an unfair system and chaffing against it, but had been put down so many times before that they're swallowing their doubts until something so big they can't do it anymore happens (the dragon, the Apocalypse). Castiel also showed a posible tendency to take refuge in addictive substances (when he finds out God refuses to help he gets nearly black out drunk -a serious feat for an angel-, and endverse!Castiel seems to have been on a constant cycle of uppers and downers to deal with the loss of his powers and the shitty state of the world). They both try to take care of those in their charge. And they both are THE SWEETEST FATHERS, finding a new understanding of themselves in the simple act of taking care of another human being just for the sake of it (many, many feelings about these two as dads, let me tell you xDD).

If his parallels with Vimes show Castiel's facet as a father, then with Jason I could make comparisons of Castiel as a son, where Chuck would be a mix of Jason's adoptive and biological parents. Up until the end there are some instances of Castiel showing his faith and looking for God, then feeling betrayed by him, then regaining some faith to be disappointed again, trying to emulate them and going ~dark in the process... (Castiel has his Godstiel arc, Jason tried to take Batman's position for a while).

It's been far longer since I watched Smallville, and if I did I could probably draw a lot more comparisons. But one that comes to mind right now is how both Castiel and Lana are often trying to escape or reinvent themselves, for example. They both also have that je ne se quoi that makes others gravitate towards them, despite the fact that they're both fundamentally self-contained and hard to get to know people.

The point of all of this... he has aspects of all of them, as well as huge differences that would make them incompatible. He's all and more. He's beyond this classification. He's special xD. This is why I'm so unfortunately attached, I guess LOL.

Regarding other favourites... Ruby could work as a twisted mirror of Vimes, in some ways. Bela... well, she and Jason are tragic in some similar ways, IMO. Meg... she and Caroline have similar temperaments xD, and I can see some commonalities with Vimes (her whole speech about how people evolve, that mix of cynicism and optimism). I think it's likely that Rowena shares a fear of vulnerability with Caroline and Lana, although they each deal with it in many different ways. And Jack is as sweet but with a temper, usually when he gets protective, as Jason was as Robin :D. Also: Caroline giving blood to Liz to try to cure her/Jack aiding Castiel's resurrection a couple of times (with Jack being more obviously successful lol).

[blacksunscorpio]

Scorp you're a genius! So relatable and I love how you don't judge others or anyone who comes to you for help. Keep it up! I just had to ask since I see that you make pop culture references to make analogies with astrology. You've mentioned GoT a few times and im a huge fan! Can you do a quick post on Game of Thrones characters and their potential zodiac signs? I'd love to hear your input! Thank you so much!!

Game of Thrones Characters & Their Zodiac Signs

Aries

Khal Drogo- Impulsive. Warlike. Bloodthirsty. Alpha. Conqueror. Hardcore athlete [did you see him on that horse?] Extremely sexual. Forceful. When he first meets Daenerys, he forces himself on her. Afterward, however, he is the first to go to war if he feels the people around him have been disrespected.

Aerys Targaryen- Impulsive, sadistic. Boastful. imperial. He would be the Emperor [reversed] in Tarot, lol. Not as good with being a tactician as he ought to have been. Cruel. Rage problems. The need to be the first and the best. Fire and blood, anyone?

Taurus

Maergery Tyrell - Classy, wealthy, sexy, laid-back, frank but with an air of elegance. Highgardeners have a love for the finer things in life. A love of fine wines and foods. Beautiful clothing and aesthetics. RICH RICH. Get on their bad side and they will take their time finding a way to subvert your authority.

Robert Baratheon- Love of luxury, bullheaded, strong, takes no shit. Fixed in his opinions of others, highkey jealous. In his youth, he enjoyed the gifts of Venus: Charm, wealth coming from the noble house of Baratheon, widely considered handsome by almost all in the 7 kingdoms. 

Gemini

Tyrion Lannister- Silver-tongued. HIGHKEY intelligent. Social. Charming. Great sense of humor. A freak [in the sheets]. Chatty. Always finds his way out of a sticky situation. Finds a way to use his intel to bolster diplomacy between his family and the families who hate them.

Little Finger- Cunning, quick-witted, works behind the scenes, manipulative, a  snake, jack of all trades. Top dog in the social circles of the 7 Kingdoms. There wasn’t a person who didn’t know of him and his... reputation. He singlehandedly, through his Machiavellian tactics, caused the events of Game of Thrones to unfold. 

Cancer  

Cersei Lannister- Protective, moody, caring [to her kids], motherly, cantankerous, jealous. A savage. People don’t give Cancer’s the credit they deserve in terms of what they’re capable of. Cersei is a prime example of the type of person who can show unrivaled levels of devotion to the one’s they love. “No one matters but us.” She can be cruel because she lets her emotions rule her actions. When her safety is threatened, she makes sure no one else feels safe either. She loves with a ferocity only rivaled by...

Catelyn Stark- Another mother who would die [quite literally] for her children. Fierce, Protective. Doting. JEALOUS. Let’s not forget how she treated Jon all because she believed Ned’s lie about him being a bastard. Followed her son into battle. Damn near lost her hands fighting off Bran’s would-be assassin. 

Leo

Jaime Lannister- Proud. Handsome. Princely. Funny. We seem him go from underdeveloped Leo [arrogant, selfish, bully, prideful, snob, loyal to no one but himself] to developed [Kind, helpful, warm, honest]. Fought bears for his friends. Skilled and proud fighter even without the use of both his hands. Unfortunately, his loyalty caused him to stay loyal to his twin towards the end, but such is the nature of a Leo. They’re hard-pressed to abandon those they truly care for.

Brienne of Tarth- LOYAL. Proud. Devoted. A bit of a flare for drama especially brandishing her sword. Brienne is the definition of Leonine traits. Hard to miss. Devoted to those who show her kindness, i.e Renly, Catelyn, Jaime, Sansa, etc. Always at the front lines in war screaming “STAND YOUR GROUND”. Unrivaled levels of bravery and courage. Not to be fucked with. A true Queen.

Virgo

Samwell Tarley- Intelligent. Scholarly. Methodical. Always with his nose in a book. Unproblematic king. Caught the things everyone else missed, especially when he was an apprentice in Old Towne. Figured out how to cure Jorah Mormont’s affliction on his OWN without any formal training. Genius.

Lord Varys- Remember, Virgo is also ruled by Mercury who is the most cunning of the planetary rulers. Varys always had a spy to collect intel on everyone. A tactician. Never lost his temper. Always had the scoop but didn’t partake in gossip for gossip's sake. Not afraid to be critical or tell those “in charge” his opinion. We can see this specifically when he critiques Aerys, Daenerys, and Robert. 

Libra

Davos Seaworth- a skilled diplomat. Davos is always seen seeking balance and fairness in the situations he finds himself in. The minute you see this man in a scene you know he’s going to give a moving speech and get someone out fo a sticky situation. He convinced the Iron Bank to support Stannis. Convinced Daenerys to entertain Jon Snow when they traveled to Dragonstone. Always breaking up a fight. He is in full support of law and order, especially when he called for Melisandre’s head after discovering her part in Shireen’s death [RIP.]

Rhaegar Targaryen- Had a love of music. Harmony. Balance. He brought two families together [Stark and Targaryen]. He was also blessed by Venus in my opinion because he was said to be extremely handsome. A fabulous singer. A fighter yes, but a lover first. Very good with diplomacy but not the best with defending himself against his cousin sign, Taurus [Robert Baratheon].

Scorpio

Daenerys Targaryen- Many see her as an Aries but I have to respectfully disagree. Daenerys is a Scorpio in my opinion. Remember, Scorpio is honorary fire. She was literally “reborn from the ashes”. A Phoenix, Scorpio’s final form. She went from a silent and meek girl to a skilled and commanding Empress. Unlike Arians, she did not jump headfirst into battle. It took many arrows in her dragons, many slights to her ego, copious council from her advisors, dozens of her loved ones lost for her to go nuclear. Like her father, she hungered for power, a very Scorpionic trait. However she, unlike her father, listened to reason [Jorah, Tyrion, and Barristan Selmy]. She had a long fuse until she didn’t, and then that’s when she rained fire and blood on everyone in King’s Landing. She was skilled at retribution and was unapologetic with it *cough* the Tarleys *cough*.. Unlike Arians who pop off at the drop of a hat, she gave her enemies fair warning if/when they crossed her.

Arya Stark- You already know what it is with this one. Arya is pretty much death [Pluto], personified. Stealthy. A tactician. VENGEFUL. I think we all fist-pumped when she served Filch Walder Frey his sons in that pie. Never forgets a slight. Keeps a list of people who’ve wronged her [All Scorpios can probably relate]. You never see her coming. She is “no-one”. She is the assassin that slips through the back. She may seem calm at first but trust that she has been planning your downfall for a while. LOYAL. The definition of a Scorpio.

Melisandre- Dark. Mysterious. Unafraid of the occult. So much of her life is unknown and I’m sure that’s how she preferred it. Even her Lord of light was mysterious. Strong supernatural abilities and highkey psychic. Knew immediately how many “eyes” Arya would “close.” Had ties to the underworld which is demonstrated with her ability to resurrect the dead. Came through at the clutch in the last battle wielding fire [Mars] with her witchcraft. It’s no secret that Scorpios are some of the most skilled in sorcery.

Sagittarius

Missandei- Exotic. From Naath which is an island just above the mysterious continent of Sothoryos. A world traveler. Lucky enough to escape slavery [until the end]. Jupiter's influence is here in my opinion because she is so kind and friendly. Also a polyglot and gifted with the ability to speak 19 languages. Her fire is seen at the end of the series when she tells her best friend “Dracarys”-- meaning “fire” in High Valyrian. She isn’t afraid to call wrath down on others.

Olenna Tyrell- Loud, unapologetically blunt, zero-filter, feisty. Olenna to me is the definition of Sagittarius. Always speaks her mind. Clap back queen. Will call you out. Was also quite promiscuous in her younger years. Very charismatic and extremely likable despite her penchant for saying whatever was on her mind.

Capricorn

Tywin Lannister- I can’t see the patriarch of the most notorious family in Westeros being anything other than a Capricorn. Methodical. Structured. Business-minded. Karmic [A "Lannister always repays his debts"] Cold. Cruel. Unfeeling. Like Saturn, he is the father figure. Basically ran the 7 Kingdoms for Aerys, [which was probably why the latter was so salty towards him.] Always has a plan. The man you want in charge if we’re strictly talking about law and order. Vindictive [had the mountain kill Elia because Rhaegar rejected Cersei.] He’s the ultimate son-of-a-bitch.

Jon Snow- Brooding hero that he is, Bae Jon Snow is without a doubt a Capricorn in my eyes. Duty-bound. Serious. A leader in his own right. Could also be cold and unfeeling in terms of distributing karmic justice. Lest we forget the “fetch-me-a-block” situation with Janos Slynt. In addition, the moment he was resurrected he took vengeance against the black brothers who betrayed him. Saturn, Like Pluto, is all about karmic justice. The beating he put on Ramsey after The Battle of the Bastards was one thousand percent a karmic beating. A proper lover as well, according to Ygritte, Jon also knew how to handle himself in the bedroom, a trait very akin to Capricorns.

Aquarius

Bran Stark- I thought about making Bran a Pisces, but then I changed my mind. Remember Uranus rules sudden insights and hardcore psychic receptivity. It also rules sudden and unexpected catastrophes or surprises/ sudden breaks. Bran suffered a literal “tower” moment at the beginning of the series which resulted in his psychic powers developing. Once he became the three-eyed raven, he became very detached from the world.

Grey Worm- Aquarius is also androgynous. Grey Worm is a eunuch. He is always down to fight for a cause though, specifically his queen’s. Cares about others, specifically Missandei, and was seen towards the latter season speaking up for the Unsullied against the slavers. Fierce combatant but also very detached. His job is his job.

Pisces

Jaqen H’ghar- Much like Neptune, Pisces’ ruler Jaqen has a mysterious and illusive personality. He wears “many faces”. Skilled at illusion and very very intuitive. Has a soft side though which is clearly seen with how he treats Arya. Hardly ever flies off the handle. Calm. Cool. Collected.

Hodor- Sweet and gentle giant, Hodor is a Pisces to me. Affected by psychic trauma, it’s revealed why “Hodor” is the only thing he can say. Calm. A bit of a baby. Caring. Easily adaptable [think of all the terrain he carried Bran through]

Eddard Stark- I don't care what anyone says, Ned stark to me represents the most developed form of a Pisces. Like the Hanged-Man in Tarot that represents sacrifice and which Neptune Rules, he willingly sacrificed his reputation as honorable for his sister, Lyanna. He later sacrifices himself for his children when he died at Joffrey’s [little bitch] command. He is wise. Though appears cold, he is actually a well of feeling and caring. Unfortunately, he also suffered from the naivety of Neptunian influence which is why he wasn’t very skilled at the Game of Thrones, which calls for more tactical ruthlessness. Pisceans however also have the rage of Poseidon flowing through their veins [which people like to forget]. This was displayed when he pinned Petyr Baelish to the Wall in King’s Landing for daring to dishonor Cat by inviting her into a Brothel. RIP, King Stark.

[warrioreowynofrohan]

Rhythm of War Review

PART 1

It feels a little separate from the rest of the book to me at the moment because I read it pre-release, but I think it did a good job setting up the rest of the plot. I greatly enjoyed Navani’s perspective and ideas throughout the book, and the first section established her much more firmly as a character than any of the previous books; her couple of chapters in Oathbringer were more focused on politics and her relationship with Dalinar, so it was great yo see much more of her scientific side.

When I first read Part 1 it felt very Kaladin-heavy, but after completing the book I see how it was necessary to establish his burnout in order to set up the rest of the plot. And Chapter 12 (A Way to Help), in addition to being our only chance in the book to see our trio together, did a great job setting up Kaladin’s later work with mentally ill people, both by establishing the need and showing what kind of help was needed. I was nonetheless quite frustrated by Kaladin reacting to Shallan’s DID with “that would be nice...”. She’s having serious problems, Kal! She’s your friend and could use support, not you regarding her issues as a neat way to take a holiday from one’s own brain! Kaladin’s very kind and caring with those he chooses to protect, as we see with Bridge 4 in TWOK and the mentally ill people in Chapter 25, but sometimes I think he’s not a very good friend. I know he was not in a good place, but in Oathbringer when they were in Shadesmar Shallan had just had a complete breakdown and she still went out of her way to emotionally support Kal, so it would be nice to see his friendships become a bit more two-way. (For similar reasons, I liked seeing the moments of Shallan-to-Adolin emotional support in Shadesmar in ROW, because a lot of their relationship in OB was her relying on him; it felt balanced in ROW as both supported each other.)

PART 2

I loved the Shadesmar arc! The emotional arcs for both main characters were very strong - I had been looking forward to seeing Adolin’s reaction to (in-universe) Oathbringer, and it did not disappoint; the conflict between genuinely loving Dalinar and being unable to forgive what he’d done was well-drawn. I was so pissed off at Dalinar in that last conversation! You burned his mom to death, you do not get to take the moral high ground and lecture him. And I do see a difference between killing innocents, as Taravangian does, and killing someone who’s effectively declared war on you and has a history of treason.

I also liked Adolin’s sense of being generally at sea with his purpose in the world. He’s been trained primarily as a warrior and general, and his combat skills have been made virtually obsolete by the Radiants. And at the same time, the reader can see what makes Adolin special, and it’s not combat skills - though those do give him a big heroic moment in a pinch - it’s his care and compassion for others. The way he interacts with Maya and slowly brings her life is absolutely beautiful. Chapter 35 was such a wonderful Shadolin moment (and starspren are amazing!); he really gets her and understands what she needs. Chapter 24 was sweet too, though super cheesy.

I spent the entire Shadesmar arc side-eying Veil and Radiant, especially with Veil’s takeover stunt at the start, but in the end they genuinely were supporting and helping Shallan. So in retrospect I do like scenes like the one with Veil trying to draw Shallan out by drawing Adolin badly.

Spoeking of drawing, I love the spren art, it’s some of the best art so far, and fascianting to see how they all look!

Kaladin finding non-violent ways to protect, culminating in pioneering Rosharan therapy - and Teft insisting on staying to support him - was everything I wanted for him. His arc could have just been that, and I’d have been perfectly happy. Chapter 25 (Devotary of Mercy) is still my favourite in the entire book.

Unfortunately, then Odium’s forces had to show up and SPOIL EVERYTHING. I’m rather appalled by how quickly Urithiru fell - the enemy forces were literally in the pillar room by the time anyone noticed them.

PART 3

Part 3 was a real slog for me, partly because it is a slog and partly because I hit it at the height of my sleep deptivation. (It’s really...not a good thing to be reading on zero sleep at the literal darkest-hour-before-dawn.) Kaladin’s arc in Urithiru is just so exhausting; he’s so clearly worn to the boneand everything feels so hopeless. Kaladin’s had bad times before - Bridge 4 in TWOK, for example - but then the reader could see progress even if Kaladin couldn’t. (Kaladin: I’m getting nowhere and failing at everything! Everyone else: Kaladin, you were literally just miraculously resurrected.) Here, though - well, I genuinely spent the whole book from Part 3 through to the climax thinking that they would lose Urithiru.

Navani’s arc, and Venli’s, I did enjoy.

The other section of Part 3, in Emul, just felt rather disjointed. It had some interesting moments, but it didn’t have a sense of cohesion or of where it was going. I was entertained by Dalinar’s musings on the merits of despositism and the need to free Queen Fen from having - horrors! - a parliament. (I wonder if the Fourth Ideal will be something like “I will recognize that it can sometimes be beneficial to have people oppose my decisions.”)

PART 4

Again, adored the Shadesmar arc. Really strong character arcs for both Adolin and Shallan, combined with excellent plots and a strong sense of momentum. I was pretty sure Maya would be crucial in the trial, but that didn’t make the moment any less powerful (though Sanders probably shouldn’t have tried quite as hard to replicate his “You. Cannot. Have. My. Pain.” moment from Oathbringer). I need to put together a proper post on the theme of choice in Oathbringer, because that moment - combined with Kaladin’s fourth ideal and the conflict with Lirin over the way he’s inspiring the resistance - really crystallized it for me. To treat a person’s choice and sacrifices as something done to them is to devalue their volition, their agency. Maya is put in the horrifying situation of being used as a prop and treated as evidence of a point that she is diametrically opposed to and turned into a weapon against someone she loves, and it’s enough to drive her to regain her voice and speak for herself. I am very curious to know what specifically led the spren to agree to the Recreance!

I did not remotely guess what Shallan’s secret was, even though in retrospect the Cryptic deadeye should have made it incredibly obvious. I think her fear that she’d lose Adolin if it came out was overblown - he already knows she killed both her parents, he’s not going to be fazed by “I was so distraught over having to kill my own mother in self-defence at age ten that I broke my Radiant oaths”. But obviously it’s not something Shalkan would be able to consider duspassionately. Her arc was rather terrifying once I realized that Formless was, well, basically her, but more specifically, Shallan’s idea of the monster that she was, and her breakdown was driving her to “accept who she was” as being that monster. I like Shallan and was never that into Veil - though she was fairly good in this book and went out well - so I’m not sad to see the back of her.

I haven’t managed to work through all the espionage/mole elements. Yes, Pattern used the box to talk to Wit, and Radiant killed Ialai so Shallan wouldn’t, but who’s Mraize’s spy close to Dalinar?

This arc ended too abruptly. I think Sanderson could easily have traded a Kaladin chapter in Part 3 for an extra chapter wrapping up events in Shadesmar; maybe one where Shallan first goes to see Testament.

I enjoyed the Urithiru arc in Part 4 as well. Switching to Bridge 4 points of view other than Kaladin was a good move - we already know he’s worn to ribbons, so we don’t need to be inside his head to see it. “The Dog and the Dragon” was amazing, and the most appropriate story ever for Kaladin. (I get how Wit’s schtick of telling incredibly topical stories and then saying “no, I don’t have a point, what point?” would be really aggravating in person.) It was nice to see him be gentle with Kaladin for a change, the way he is with Shallan - his two previous encounters with Kaladin read as rather baiting, which annoyed me.

Dabbid was - I don’t know quite how to say this, but his inclusion struck an amazing balance in this book. Navani’s arc is all about two amazingly smart people doing science and making incredible breakthroughs, and that is sincerely valued and given importance by the narrative, and then you get chapters like Dabbid’s and one of Taravangian’s emphasizing that a person’s value and ability to contribute is not determined by their intelligence.

Navani’s arc continued to be excellent. All of her research, and the way the story took you through the process, and her complex relationship with Raboniel, was great.

I loved Venli’s character development, and growing willingness to take risks for the sake of others. To me, her arc parallels Dalinar’s in the last book in some ways. If we can love the story of a bloodthirsty conqueror growing to become a good person, why can’t we equally love the story of a coward coming to become a good person? There seems to be a tendency to be more drawn to strength, even in its most terrible forms, than to weakness. To me, Venli’s confession to Rlain and acceptance of his disgust at her was one of the book’s great moments. (And I can’t understand people saying her arc took up two much space. She had 5 chapters in Part 3, and 4 in Part 4. That’s not very many! I’ll grant that the flasbacks packed less punch than some earlier flashback sequences because we already knew the main events - Brandon acknowledged that even before the book came out - but I still liked them well enough, and Venli’s present-day arc was excellent.)

Anyway, the amount of space I’ve spent on this section relative to Part 3 is another strong inducation of the differences in how I feel about them!

PART 5

I should probably start this section with a discussion of Moash. I’ll try to keep it summarized. here - I could, and may, write a short essay on his development through The Stormlight Archive. The first thing that jumps out about Moash’s arc in this book is his reaction to Renarin’s vision in Part 1. I think that vision is showing Moash who he could still be, in a similar way to Shallan’s inspirational drawings of people - both use the Surge of Illumination. So it’s not that Moash is irredeemable; Renarin is specifucally holding out to him the possibility of redemption.

And Moash’s reaction is to run away in terror. Because he desperately wants his decision to be irrevocable. He desperately wants there to only be one possible path forward for him. Because if there are alternative paths, it means he can choose them, and that would mean facing guilt, facing the fact that his past choices were wrong, and his current choices are wrong. And that is exactly what Moash sought to avoid by giving up his pain and sense of guilt to Odium.

Moash is, nonetheless, very much Moash and not Vyre, as evidenced by his continuing obsession with Kaladin. As with his above need to not be wrong, here he needs to feel that he’s right, and the only way he can feel that he’s right is if Kaladin - whom he still deeply admires - makes the same decision as him, and if Moash can convince himself that he’s doing Kaladin a favour in driving him to that point. It’s ironic that he’s given up almost all feeling abd become almost enturely detached, but his worst actions are driven by his attitude towards the one person in the world who he still does have very strong feelings about. By the end of the book, he’s comprehensively broken, to the point that even when his ability to feel is restored he’s unable to even feel genuine remose over the cold-blooded murder of a friend. I don’t know where he’ll go from here - it would be ironic if he was only ever really appealing to Rayse-Odium, and Taravangian-Odium found Moash too much of a flat villain for his purposes and cast him off.

As the plot climaxes go, I thought the ones for Navani and Venli were excellent and very satisfying. I enjoyed Kaladin’s as well and found it cathartic, but it a was moment we all knew had to come, so it didn’t have quite the kick of some of Kaladin’s other big moments. I did love his reconciliation with Lirin. One of the themes of the book was finding common ground despite deeply felt disagreements - with Navani and Raboniel, with Navani and the Sibling, and with humans and singers/Fused more generally - and Kaladin and Lirin’s reconciliation fit well with that. I am far more favourable to Lirin than most people - if you’ve lived as a pacifist in storming Alethkar, which values the lives of its people slightly more than it does crem, you’re going to have been right a solid 95% of the time, where everyone else was wrong. I can make allowances for the other five percent, especially when Lirin’s life lesson from the last five or so years has been “resisting oppression and standing up for what you believe in will destroy everyone you love”.

And on the topic of finding common ground, Leshwi’s reaction to the revelation that Venli was a Radiant was one of the single most beautiful moments of the book, and one of my absolute favourites. It’s gorgeous and moving, and at the same time rather tragic, because - what might have bern different if Venli had revealed herself to Leshwi at the start of the book? How much of the conflict could have been avoided. Singers don’t appear to attract spren as strongly as humans do, which makes Leshwi drawing joyspren particularly powerful. And then the bittersweet note from “My soul is too long owned by someone else”. (Come to think of it, this is another inverted paralell to Moash. This is someone realizing “I was wrong about everything and I’m so glad about that because it means I have a chance to be someone better than I was.”) Oh my goodness, I would love a Leshwi chapter in a later book, just to check in on her and see how she’s doing in her new life with the Singers.

I also loved the climax of Navani’s arc, and was so relieved, because up until that very moment I wasn’t sure if the Sibling would survuve uncorrupted. I know that some people weren’t pleased because the Sibling didn’t even like her, but to me that became a core part of the story, like I said above - people who deeply disagree finding common ground and common cause. That is a key element of being a Bondsmith - the process of bringing people together in spite of their differences - and something that fits Navani so well given the rapport she found with Raboniel. (Though I was conflicted about the latter. On the one hand, she made amazing discoveries that enabled her to save Urithiru. One the other hand, she...kind of collaborated with the enemy and gave them terrible weapons out of intellectual curiosity and a desire to prove herself?) I will grant that it makes the series, and the characters with the most crucial importance to Roshar, rather Kholin-heavy.

For Taravodium, all I can say is - YIPES. I have no idea how to process the implications of that, but I feel like it will be bad. Really really bad. (Taravangian is probably my least favourite character in the entire Stormlight Archive. The attitude of “I am so brave and selfless for doing evil things and look at how wonderful I am for sacrificing my own morality for the benefit of all, you petty selfish people wanting to be good could never make such a grand sacrifice” drives me absolutely nuts. It’s a complete inversion and twisting of morality, and intensely arrogant.)

Dalinar’s encounter with Ishar was fascinating, and I’m very curious to see where this goes. The spren experiments were deeply creepy! And the way Radiant Oaths can temporarily restore a Herald’s sanity was fascinating - I’m very eager to see where this goes in the next book. I suspect that Dalinar may have made a very serious mistake with regards to this trial my combat, and I have no idea how/if they’re going to fit Szeth’s whole arc into the ten days before the duel. I’ve been eagerly anticipating Szeth’s arc ever since The Way of Kings!