#anime complete

[gawki]

Royal Pigeon

[ink-the-artist]

Video game I saw in a dream. It was in this low poly style like an older video game. You play as this character I think was meant to be a lamb, or maybe a weird mix of a lamb a mouse and a rabbit, (while not really looking like any of those things) and you’re running away from a wolf. Your objective is to last as long as possible before the wolf catches and eats you.

The house you’re running in is endless and bizarrely put together like most building interiors in dreams are (like the infinite toilet dream dimension on Reddit lol) the layout of the house is pretty detailed, you can stop and hide in places like closets or bins while the wolf looks for you, you can go up and down stairs and into rooms etc.

You never actually know where the wolf is or how close it is to you until it appears in your line of sight, it makes no noise and the game gives you no way of knowing where it is, and it’s pretty unpredictable it doesnt move at a consistent pace. When the wolf catches you there’s an animation showing it eating your character

[kensatou]

quick question: when will she ravish me.

also... the music. the little wet noises... so good...

[egophiliac]

in honor of Azul's time to shine 🐙

[gigizetz]

Antinous sketches

I will redesign him a bit for Wisdom saga because his old design looked too much like Kaeya from genshin impact. Still keeping the eyepatch though, that's my favorite part of his design.

For his design I was mostly aiming for this intimidating, vain, kind of brute hunter aesthetic. I'm not really used to drawing manly men so he'll be quite the challenge to animate.

[curioscurio]

I'm rewatching Steven Universe and I will never forgive Fandom for what it did to her

[funkle420]

*unchills your chuck*

my commissions are open!

[erebus0dora]

something something a chat i am in discussing the loneliness of Armand who needs someone to define him and see him, so

"...it was ghastly and awful and loathsome, and beautiful all at the same time."

and yeah i kinda just want to give ppl hugs with anything i do and talk to them in hushed tones, so there you go

[mienar]

at the artist's loft

instagram | shop | commission info

[bixels]

It's crazy how Dungeon Meshi's manga can feel more cinematic and emotional than the anime to me, even when they're practically the same. Compared to the anime, this moment is such a heartbreaking gut-drop. The way Kui uses negative space and flat compositions to create a sense of horrific stillness is so key.

The way the text (Senshi's monologue) is sequestered to an empty corner of a panel or huddled away from the edge of its text box is not only a great way of showing Senshi's headspace (fearful, isolated, dissociating), but creates a visual representation of pause, as if you hold your breathe after each line. The first panel puts us directly in Senshi's perspective too (compared to in the anime, which puts us as an outside observer over Senshi's shoulder). The detail of the door and bricks so effectively implies that he stared at it for so long, waiting and hoping, that its image is burned in his memory. The wood grain, the brick arch, the number of rivets. The lack of dialogue in the second panel shows a moment of realization too –– "he's dead" (also a great example of the Kuleshov effect). And it's that pause that creates a beat and sets a great rhythm to his headspace, like a music rest: "He never came back." (oh god.) "I'm all alone." Finally, the third panel's negative space, cropping Senshi, shows how truly alone he feels. Without his family, the world ceases to exists. Under shock, he traps himself in a 1-foot radius, too scared to even perceive a world outside its boundaries; a world that can hurt him, kill him, make him disappear with it. There is only his body, the stone beneath his feet and against his back, his thoughts, and that awful bowl of soup.

Even though they're a series of flat images, there's an implicit reading of silence in Senshi's realization and horror. Kui influences your experience to slow down and take your time.

Compare this to the anime, which fills every shot with dialogue. The pacing is fast; we never get to sit in silence like we do with the manga. The horizontal frame allowed the boarders to add Senshi, turning the composition into an over-the-shoulder shot, which takes us out of Senshi's POV. They also added a zoom-out in shot one, which adds unnecessary energy to a very somber scene. The tightening on Senshi as a close-up reaction shot also dulls the moment. In the original panel, Senshi stares ahead at the empty space to his left as a shadow surrounds his mind. It not only shows how Senshi's senses are dulling and his world is shrinking (setting up panel three), but shows how terrified Senshi is of what's in front of him, how the air itself becomes pitch black and opaque, how Senshi is surrendering himself to fear. The pacing is understandable and necessary; this episode packed a lot of story content together. It's just a shame because it really (imo) deflated one of the most nauseating moments in Dungeon Meshi.

[sonialiao]

last one for now, I was hoping to get 4 posters done total for AB but I've got work to do so the final one is on the shelf until I get more free time 😩

also this one was cute in my head but jeSUS MY HAND IS DEAD why did I decide to draw a show where everyone's wearing 4+ robes 🙃

[skyenish]

| Scarabia animation 🐍☀️ | Proto Disco

——

They say eyes are the window to the soul, and I’ve been staring at Jamil and Kalim’s souls a lot lately

[s0up1ta]

something about loving you like an alcohol addict

pspsps come get your billford

this was supposed to be longer but dear god that's a lot of work... so here's the storyboard for it:

maybe i'll finish it later,, for the tragic fiddauthor enjoyer in me

ok bye

[feliville]

Bunch of kinda old doodles.

[isaacz]

buncha of doodles of them