#animation makers. they are people too putting hard work into what they create

[eyesmadeofpearls]

Since it's not 2020-21 anymore i feel there's one thing i have to say to you all (Prepare for a yap session, and please remember that just because something isn't canon doesn't mean you cant ship it! please, continue to ship as i don't think anyone has a problem with it! :) This is just for people who seriously believe that any of its going to be put into the show and have went as far as harassing horikoshi, so if you find yourself getting angry with my words, then you've probably got a guilty conscious)

The bakudeku shippers who harassed the author and put him under social pressure have completely ruined the series. 🤗

Saying that he "doesn't understand English so he can't be affected by what fans say 🥺" is extremely rude and sooo fucking annoying of you. Of course bro knows English, he kind of has to?? To further my point i think it's pretty well known that the people of Japan are very particular about how others perceive them, they definitely care more than Americans do, that's for sure. To add onto my point above, the social culture over there is extremely lawful and strict, so stepping out of the norm can be scary. Crossing that unspoken line has created problems for people in the past and it's why there's a huge mental health epidemic over there. If you can imagine a handful of people over there harming themselves and becoming shut ins because of that pressure from people in their country, then imagine being a huge artist and show maker in that situation. Except.. It's not just half of Japan who's got their eye on him anymore, it's half of America too now. That is more than 'just' pressure especially when you know how die hard fans can really be.

I firmly believe that in his case he opted not to make any ships canon because he didn't want to anger bakudeku shippers. All of his official art both out of his work career (drawing just for fun) and in his work career (the manga and show) have been set up to ship uraraka and izuku. People seem to have forgotten that although a majority of the show watchers from America are teen girls like me, this show is for teen boys living in Japan because it's shonen. In japan it's also more socially acceptable to be straight and that's why it took so long for gay marriage to be legalized. So no, i don't believe that the horikoshi would be making a boy love anime and manga about teenage heroes in training. Notice how the plot doesn't focus on who he's in love with but it's been very clear he has a crush on uraraka? Yeah, that's what Shonen is. It's more plot than inner life things. It's like dragon ball z. Yeah, goku's got a love interest but guys aren't worried about that. Still, it's cool to see he's got a girlfriend since that's what's inspiring to teen boys i guess. I also dislike fans treatment of "feminine" acting guys. Midoriya isn't feminine, you're just an American and so am i, but at least i know that the way they raise boys over there vs here is wildly different. Our boys are quite frankly super disrespectful, loud, and ignorant as teens. The boys over there have to be respectful, they have to follow the rules, they can't afford to be loud, and their main focus is on being an adult and getting a job. Though i guess their parents strictness no matter how hard they try doesn't stop them from being rowdy after school. It's nothing compared to how guys over here are rowdy though. Because guys over there don't sit in the back of your class making fake moaning noises or begin to flip tables and scream loudly. Think of Midoriya like spiderman, he's just easily flustered, kind, and respectful but not "feminine" or gay.

Also, telling fans they watched the show with their eyes closed just because we acknowledged midoriya wouldn't get with his bully and rival is crazy work.. "He apologized!!'' if a murderer apologized, would you forgive them?? Yeah, he apologized and changed, but that doesn't mean its all okay now. Bro literally told him to jump off a roof, burned the notebook he values the most, and then proceeded to throw it in the water causing all of his time and effort to be practically useless. Not to mention he beat him to the point of real injuries and continued to be a right dick even after "apologizing". (An apology means nothing if you don't actually try to change and be a better person.) And no, insulting someone on purpose isn't romance worthy material. Unless you specify you're joking then you have brain damage for thinking anyone in their right mind would date someone who constantly calls them a nutsack face, an idiot, a dumbass, a loser, pathetic, a nerd, and genuinely believes that you should be below them in every way unless they've got a twisted degrading kink. And also, sacrificing himself for Midoriya is just plot. Everyone at one point has sacrificed themselves for him because he's the main character, the entire point of them trying to fight for him before he does anything is to weaken the enemies so that Midoriya can go in and finish them off after they beat the villains to near death. They all work towards protecting his future and upping his chances to defeat their common enemy and the man who raised villain motivation by creating more of them. (AFO) So yeah, no, it's not romantical at all that Bakugo wants to be heroic and give the only person who can defeat AFO a fighting chance. Midoriya has gotten hurt trying to protect everyone, uraraka included. But now that you know this would you say to my face that he's got feelings for her too? Or all of his friends? No, you wouldn't. Because that's just what a hero does.

Him and uraraka were meant to be a slow build up, people keep saying "well he always blushes!" yeah, but never at other men. It's been only women who can make his face entirely red like that. In japan, anime uses blush for multiple reasons, so you need to learn to read context on why they're blushing and the room.. Shock, a feeling of content, happiness, embarrassment, and romantical feelings can all contribute to blushing. If a guy were to put him in a headlock and bring him close to their chest, he wouldn't blush.. If a girl did it, his entire face would become pink. To clear up the blushing accusations, he blushed at tsu because she asked him to put her down since she was embarrassed, and he got embarrassed too because she didn't want to be held and felt bad for making her feel that way after realizing the implications of the way he held her. He blushed at hatsume because her literal chest was in his face, on top of him. That's called shock and embarrassment which is something you'd feel if a random pretty lady landed on you chest first. The other times with hatsume he never blushes again like he did and they return to speaking terms other than that one time she held his waist but that's for the same reasons as before. Uraraka however has managed to get him to blush with a full face without even doing anything. He called her cute, he said he liked her hair, her outfit, and he's always got to be standing next to her in every official art piece. Tell me when he's ever said anything like that about a man other than "he's so cool"?

Remember that in Japan love is a touchy subject, you're expected to focus on your future first so that you can have all that you need to settle down. A lot of people don't even say i love you until marriage over there, so it's not odd that Midoriya isn't as open about his feelings unlike uraraka. I think it's just common everywhere for guys to not be the first ones to say anything.. When i met a lot of my exes i was always the one to say i love you first and to initiate things, and i think that's just because it makes guys feel better knowing that they're being chased for some reason or it could hurt their social reputation with their friends who'd probably tease them about it. But anyways, when you pay attention to the way they act near each other, things tend to fall in place. Your actions will always speak louder than your words.

[standardquip]

4 years of running BentoVid & RICE (an extremely long & meandering retrospective about survey data) This is an entry that's part history about the fanvid server I run that hosts a [now] feedback event [then contest] called RICE, and part data analysis from 4 years of pre-RICE survey data and one post-RICE survey from a particularly "problematic" year of the event. Read the entry as it was intended on dreamwidth by clicking the link above, or expand the cut tag and hope the html I pasted into tumblr displays correctly. [edit: it doesn't, but it's readable if you don't care about line breaks.]

Preface

Or, the time I accidentally influenced an entire industry through a survey question (click to read more) In 2015, I created a website called fursuitreview.com (FSR). Fursuits (one of a kind whole body animal costumes) are expensive and it was hard to keep track of makers that didn't have huge followings. I didn't want to run a review page, but only two existed prior to mine. One had died completely several years before, and the other one updated so infrequently it was almost useless (it, too, eventually died after FSR took off). The other two pages were a victim of putting too much work on themselves. The first had several questions reviewers had to answer and assign points. The moderators would average all the points for each review and give the overall review a score out of ten. This ensured consistency in the scores across all reviews. It was an amazing system but it would simply take too long to do myself (plus I'm terrible at math). Both sites were not actually sites - they were user accounts on furaffinity.net (and sometimes tumblr or livejournal) - which required write-ins to copy a big block of text and hope they got the format right (they rarely did, which meant moderators would have to correct it). FSR started out on furaffinity, but very quickly moved to a wordpress website. I thought very carefully on how I would keep manhours and costs down. I decided to not have any user accounts at all, nor would I bother with a numbered rating system (I instead went with a "positive / neutral / negative" system because that's really what everything boils down to anyway). I devised the least amount of questions I could in order to pry the information I wanted out of fursuit buyers when they wrote in. This resulted in two sections: wear satisfaction, and visual satisfaction. Each section had several sample questions to help guide the writer. "Wear satisfaction" was like, do you like how it fits you? how is the ventilation? how is the vision? Visual satisfaction was questions about looks.

Example screenshot of the FSR "wear Satisfaction" questions from 2020+

When people submitted a review, I would read over them all and make sure everything was copacetic before publishing it. Back then (before 2020), I was a one-man operation so I read literally every single review coming in. I noticed that some writers would mention lining in some of the fursuit parts. Most parts are unlined - it's just faux fur and the backing of that will be up against a wearer's skin. Lining is unnecessary and can ultimately make the costume much hotter - but it does make everything look really nice and marginally more comfortable to wear. After a few of these, I added "Does the item have lining?" to the list of sample questions.

Does the item have lining?

Surely nothing bad could happen from such an innocuous question!! (upside down smiley face goes here)

I must take a break here to mention that I had no experience doing literally anything that FSR required to run. I had bought 3-4 fursuits and thought it would be nice to keep track of my opinions of them. Everything else, from coding a website to writing survey questions, I had taught myself. I had some very very basic wordpress experience from a personal roleplaying character wiki wordpress site for myself, but that was it. FSR was a learn by doing experience. And boy, was it an experience. Writing, reading, reviewing, editing, customer service... FSR had me dealing with it all, and I'm surprised it gained as much traction as it did throughout that process.

So, needless to say, I had no idea what "survey bias" was.

Weeks, possibly months, later, I was browsing twitter keeping up with FSR social stuff, when I came across a tweet from a rather well-known maker (I believe it was either beetlecat or beastcub) asking other fursuit makers why customers were suddenly asking for their fursuits to be lined. I wish I had a link to this tweet, but I no longer have a twitter account. (If you happen to find it, do link it in the comments!) It didn't hit me at first. I watched the thread and the responses roll in. As other makers replied, the sense of dread was very slowly overtaking me. Could FSR really have that much influence? Could just a single little sentence really cause so much strife? Yes, it did, and yes... It did. Once I connected the dots, I edited the sample questions. No longer is it simply "Does the item have lining?" Now it is: "If it is lined, what material was used? Does it absorb sweat appropriately? Does it make cleaning easier?" But I went through a few iterations before I got to that wording. I believe my first edit was something like "(Note: most fursuits aren't lined)", but that didn't properly imply that you shouldn't be asking your maker for lining. After this lining snafu, I had to go through all of my questions and determine what I was accidentally influencing, how that could change what customers ask of their makers, and if I really needed that information in the review to begin with. I also, finally, learned about survey bias, and took some time to read up a little more on how to craft survey questions. And, of course, I had to come to grips with the fact that, yes, FSR was big. And it had influence. My little side project was a staple of the community and people counted on it to make very expensive purchases. Maker reputations and business operations began to live or die by the reviews we pulled in. FSR got to be too big and too much stress for me, so I ended up giving full ownership of the site to someone else in 2022 or 2023 (it was a long transition and I'm not sure when the public announcement was made). However, as of today (31 March 2024), fursuitreview.com is still fundamentally unchanged from how I was running it - including the review form. Nowadays, I have nothing to do with the site. I couldn't deal with the stress and responsibility once it grew to be a community cornerstone. Unfortunately, history may be repeating itself with the project I replaced FSR with...

A brief history of BentoVid (and RICE)

I have been editing anime music videos (AMVs) since 2001. I took a hiatus from the community from 2009ish to 2018. Despite that, I still managed to make at least one video every year. In 2018, I tried to get back into the community and realized it had almost completely changed. Discord was a thing now, and it seemed most of the activity was on there. I joined a few servers, but long story short they all weren't great. In a fit of frustration and annoyance, I did the classic move of going "Screw this, I'll do it myself!"

Bender (from Futurama): Fine! I'll start my own chatroom with blackjack and hookers! I glossed over it, but this is exactly how FursuitReview.com also started.

BentoVid (called AMV Sashimi back then) was created in September 2020. Back then, I did have high hopes. I did "plan" (finger quotes) on becoming a large community, but it was like how anyone plans on winning the lottery, you know? You don't actually expect it to happen. I thought that realistically I'd get maybe 30 members and it'd be just a chill hangout spot. But in 2021, we reached the fabled 100 members. Then 200. We broke 400 this year. And outside the very first year, I didn't actively promote. BentoVid has grown purely from word of mouth since 2021. On the other side of Discord was an annual AMV contest related to a particular anime convention. I first joined it in 2019. It was... okay... But not great. 2020 went even worse. The contest was going through a transition period and had a coordinator that, to put it mildly, was not well-liked. The concept behind the contest (which had been running for several years - I think 2005? Possibly even earlier) was great though. It was a contest focused on peer review. All the editors that submitted to the contest were the judges and voted on the winner. It was a blind contest, so nobody knew who made what, but only people who submitted to the contest could view and vote on the videos. The feedback was cruel. People did not hold back. Still, it was helpful, and I excelled my skills a lot by participating. The contest's discord server, however, went unmoderated and the coordinator made some very bizarre decisions. Another "Screw it, I'll do it myself" event occurred. RICE - Rewards imagined by a community of editors - was born by taking that other contest and implementing all the feedback participants had been complaining about for years. February 2021 was the first RICE. I had never run a contest before. Just like FSR (from the preface story), this was a trial by fire. I made at least one huge mistake every year the contest ran. But ultimately people liked RICE, and word of mouth about it (and the server) grew ever faster because of it. I had taken efforts to specifically NOT advertise RICE outside the BentoVid discord server, but that didn't stop it from growing.

4 years of RICE survey data

Partly due to my inexperience and partly due to my history with FSR, I put out RICE feedback surveys at every opportunity. I am actually not that into data. I don't analyze this stuff and I have no particular interest in collecting data at every turn for random things. I just find feedback surveys somewhat convenient and useful for my purposes. Sorry to people who are into that! XD

Pre-RICE survey data from 2021 - 2024

I have a small survey when people submit videos to RICE. It has (mostly) the same questions every year. Vivafringe helped me go through the data, and here are the results. (links to a google sheet) 2021 - 2023, the optional survey was on the same page as video submission questions. In 2024, I finally realized google form sections existed and I put it on a totally different page. I went from a 100% response rate to 58%. What a huge difference! But still inspiring to see so many people went out of their way to answer regardless. Here's my personal takeaways: US vs Non-US I personally thought there were more international editors participating, but it seems to hover around 20%. Do people keep their videos a secret? It looks like most of the survey respondents actually do attempt to keep their videos secret from everyone. However, almost as many people admit at least one person they know who will also be in RICE knows what their video is. I honestly thought it'd be the other way around, with more people sharing betas before RICE, so this is actually pretty cool to see. Thoughts on blind judging This question was multiple choice with only one answer allowed, so they had to choose which meant most to them. Most people seem to appreciate blind judging, but don't go out of their way to keep themselves blind during the event. (~70% combined) A large minority of people admit that guessing who made what during the event is part of the fun for them. (~25%) One possible answer was that blind judging is never truly blind - interesting to note only one person ever selected this and it was in 2023. Main reason for entering RICE? Another multiple choice answer where they had to select the "main" reason. Most people join RICE because they like the BentoVid community. However, almost as many people join because they like peer review. I'm flattered! lol But, in all seriousness, I really expected those results would be flipped, with peer review outranking BentoVid. Categories A multiple checkbox question for which categories your submitted vid belongs to, according to the editor. I mostly only care about theme, coordinator's choice, and live-action. Theme has submissions starting at 18% in 2021 and gradually going up to 29% in 2024. 2023 is an outlier with 39%. Coordinator's choice is very low. 1 - 3 videos. This is mixed news for me. On one hand, I think it's great people don't feel the need to pander to me (or maybe they don't know how). On the other hand... Please pander to me! XD Live-action is something I would like to see more of... The discord server started out as an AMV server and its audience is still mostly AMV editors. But I really want BentoVid (and RICE, by extension) to be about all fanvids and vidding (Hence the name change from AMV Sashimi to BentoVid). Long story short, live-action vids are obviously a very small minority that get submitted (5 - 9 videos each year), but they fluctuate between years. If you like live-action fanvids and want to join an active discord server... Please join us! lol How did you learn about RICE? This question was a small text field people could write whatever they wanted in. No surprise people learned about it from inside BentoVid. Next highest was word of mouth-related answers like "discord," "another discord server" or "friends". A little interesting was when AWA or POE were specifically mentioned (two popular AMV contests), but this was only twice for each.

Post-RICE survey data

2021 and 2022 had a feedback survey, but it was just one text block that asked for comments. Very few people ever filled this out and it was not very actionable feedback. 2023 was the first post-RICE feedback survey with actual guided questions, and it's because 2023 was... quite the year.

Understatement.

What happened during 2023 RICE?

Remember the contest I mentioned that RICE was based on? While RICE was thriving, that contest was floundering. The other contest, which for the rest of this blog I will call "HOST," happens in September - October, while RICE happens in February - March. 2022 HOST was another transition year for them. The old coordinator ("Elder") took over the contest after so many complaints about the coordinator that succeeded them ("Junior"). As far as I know, everyone was happy with Junior's leaving, but unfortunately it wasn't pretty. We weren't kind to Junior. Bridges were burned. Elder had some great ideas on how to bring HOST back up to its former glory days. But, procrastination got the better of them, so the contest started out very poorly. Then, during the contest, they had an extremely public and embarrassing meltdown. A number of people withdrew from the contest because of it. A totally different person ("Kidd") had to take over mid-event. The discord server went through an emergency restructure so Elder didn't have any special permissions anymore. Kidd was an absolute gem and managed to run the rest of the contest on their own very smoothly (Kidd continued through 2024 and deserves accolades). But the already negative reputation of HOST definitely turned into a dumpster fire after that. It was no surprise that RICE got touted as a good alternative. I was expecting more RICE entries than the previous year but. Boy. I was just not prepared. 2023 RICE saw 56 editors and 76 videos. The prior year was only 32 editors and 45 videos. RICE does not scale well. Moreover, I was experiencing horrible health issues at the time and really should have delayed or cancelled RICE due to them. Consequently, some people did not have a good experience with RICE. I thought the entire year was ruined. I made a pretty involved post-RICE survey due to it. This survey was mostly questions with text boxes where people wrote exactly what they were feeling. This made the answers a lot more personal and detailed. I will not be sharing the raw 2023 survey data. The complaints were about:

Too many videos for too short a time period

Some people were rude in the discord when discussing categories

Some people attacked one of the people giving critique in a voice call

I tried to enforce [very badly worded] content restrictions very late into the submission window. This had editors unnecessarily scrambling to re-edit things and ultimately ended up with multiple versions of videos in the contest [which should not have happened and that is entirely on me]

To me, the responses of the 2023 survey looked pretty dire. I immediately made changes to RICE following them. While RICE had started out as an improved version of HOST, I also had wanted the goal to be rewards for BentoVid server regulars. That's why I really didn't want to advertise it outside the server. I also never pinged \@Everyone or made a special role to get updates about it. The intent was if you were around the server, you'd know it was coming, and that was that. I wanted the good peer review and critique so we could all improve. I also wanted to see amazing videos. But what I DIDN'T want - and was (surprisingly!) NEVER concerned with - was lots of randos who didn't care about BentoVid. I explicitly never posted about RICE on a-m-v.org (despite people asking me to), and I never mentioned RICE outside my own server until after 2022 HOST. And even then it was really only in DM or if someone else had brought it up first. I still try to not advertise RICE, but I'm not as tight-lipped as I used to be. Still, it's primarily in DM. But anyway, I'm rambling now - the point is that RICE grew outside of the BentoVid bubble. People were joining RICE who did not care about BentoVid as a whole and I had to figure out how to handle that. My previous RICE messaging of "feedback event but also contest!" was fine for BentoVid regulars. We mostly knew what we liked and understood eachother because we hung out all the time. But for people new to RICE and/or the server, they had no idea and came in with false expectations. My two main takeaways from the 2023 Post-RICE survey were: 1. Because of my health issues and the mass increase of participants, the Discord server went (essentially) completely unmoderated during RICE. Because RICE (and BentoVid) is usually closely moderated, many conversations/debates went on a lot longer than they should have (because no moderators stepped in), which caused a lot of stress for participants. 2. The messaging of RICE was conflicting and led people to false expectations. People were essentially expecting HOST but "run better." "HOST but run better" is an over-generalization of how RICE works. It's actually quite different from HOST, but without the context of being a BentoVid regular, one wouldn't have that information. The first would be solved simply by me being present. Myself and most my staff could not be present during 2023 (honestly I'm surprised RICE ran as well as it did without us. Speaks a lot to our community!). To deal with the second point, I decided to focus on clearing up and changing RICE's messaging. Clearing the messaging had a few purposes:

More clearly differentiate RICE from HOST

Discourage non-regulars from joining without being super exclusionary about it

Discourage overtly competitive people from joining RICE

Encourage feedback-orientated participants

Focus more on accessibility (as RICE already applied VPR to all entries, it made sense to extend accessibility in other ways)

I took the survey responses very seriously, and as such, rushed to make announcements of what the changes would be. I ended up announcing them the same month RICE ended - March. Proof here (that is a discord link). You can read the initial announcement there in the BentoVid server, but I ended up changing things even more, so here's the summary of what the changes ended up being:

Very strict content restrictions (slightly relaxed later)

Focus on feedback event FIRST (took out all mentions of "contest" and "best" on the website, replacing them with "event" and "most-liked" )

No cash prizes at all (previously it was a $175 pool)

More emphasis on what exactly the server culture is like and what you can expect (basically: RICE is stressful, it's full of server regulars, prepare yourself if you're new)

Permanent categories got permanent names (previously everything was able to be voted on and changed)

All winners only get one award (previously there were multiple designs and names made for each award)

We added CWs as well as VPRs into the RICE expectations

Everything possible was outlined on the website. I literally wrote out the schedule and everything that you could expect to happen, how it all worked, etc.

The fallout from 2023 RICE continued throughout the entire year. It seemed negative feelings regarding it rolled out into other issues BentoVid was having (behind the scenes, especially in the staff channels) and overall I was really not feeling great about RICE. I was seriously considering 2024 RICE being the last one I ever ran.

2023 Post-RICE survey analysis

During 2024 RICE prep (which started in October 2023), I went through the 2023 feedback again. I asked some vague questions to random people about how they felt about 2023 RICE, and their answers (most of which were not negative at all) really had me questioning my perception of the entire thing. I gave the 2023 post-RICE survey data to a friend of mine who used to analyze that kind of thing for a living (Vivafringe). I went through the answers and redacted personal information, summarizing answers if necessary, before giving it to him. As part of the analysis, I asked him a bunch of questions and he looked over all the data to answer those questions. Again, I will not share the actual data here (even anonymized), but I will share the analysis he provided. Full disclosure: Viva did participate in 2023 RICE.

Analysis of Negative Experiences

Did more people have a negative or positive time in 2023?

to answer this I didn't do any fancy analysis. I read the responses and just did a vibe check of "negative" (pretty clearly had a bad time), "neutral" (had some things they didn't like, but gave other positive feedback or just in general didn't seem like they gave a shit one way or the other), "positive" ("vars you're the best" type comments) I think "neutral" people, if you actually asked them, would say they had a positive time, but it's hard to say for sure anyway I rated 7/25 negative, 7/25 neutral, 11/25 positive notably a lot of people didn't respond to this survey and the non respondants were likely positive/neutral. So I don't think you should read those numbers and assume 28% of people had a negative experience the overwhelming complaint from basically everyone was too many videos for the time they had - 5/6 people with "negative" feedback were returnees - 2/6 of the people who wanted "competitive" contest had negative opinions. No real signal there I think

I said the complaints about the VCs were really bad though?

I count 4 people that complained about the vcs my takeaway from reading this is basically: - moderate the vcs from now on, advertise them as critique/nice/whatever (you already are doing this but just saying I agree) - if you get 76 vids again, give more time to watch stuff I don't know how you solve chat getting tense, that was another common complaint

Category drama? Context: some people were very vocal about RICE needing fixed categories like typical AMV contests

I read the category stuff and broadly classified them as wanting "fixed" cats, "unfixed" cats, or "neutral" as you might expect most people didn't give a strong opinion on it, 10/25 were neutral 5 people wanted fixed, 6 people explicitly wanted to keep things as it was now (unfixed) if you read "neutral" as support for the status quo, which I do, I think the way you're doing it is fine. especially because a lot of the fixed cat people (3/6) had negative experiences and won't be here this year

I expected a smaller turnout for 2024 RICE. All I was really hoping for were more editors than in 2022 (which only had 32). Editors in 2023: 56 Editors in 2024: 43 (+3 more if we count DQs) A 17 - 23% loss, depending on how you count this. My thoughts: 1. That's not that bad, to be honest 2. If we treat 2023 as an outlier, 2024 is an acceptable and expected amount of growth from 2022. 3. One of the main complaints in 2023 was that there were too many videos, so 2024 numbers are more desirable in this context.

Other data collected from 2023 RICE

While I was mostly concerned about the negative experiences, I thankfully had the foresight to ask some other questions about RICE that gave us some valuable data.

Kollab vs frame.io = kollab wins by landslide

Direction for rice: contest vs feedback = 15/22 say feedback

Will you make an account on a website to do rice stuff? 12/25 say no

basically everyone answered the "what does rice do differently" question with "the feedback is a lot better". So a way to make rice better is to streamline process for providing feedback.

How long people spend on RICE vids:

10/21 (of the people that responded) started working on their rice vid 1 month or longer in advance

the competitive people ("A contest where the best of the best wins") seem kind of in the middle, time wise. 3/6 spent less than 1 month, 2/6 spent 2 months exactly, 1 didn't respond.

there were 8 newcomers, but basically same conclusion. 4/8 started more than a month in advance. 3/8 took a few weeks

Google docs & PSVs RICE offers a google doc with video information instead of trying to put it all in a filename. We also offered detailed VPRs and CWs, and, in some cases, alternate versions of videos that are more friendly for photosensitive users (called PSVs).

3/25 people said they used the VPRs.

18/25 people used the infosheet

4/25 used the CWs

3/25 used PSVs

What about 2024 Post-RICE survey data?

I collected that. This blog entry is already the size of a novel so I'll put it in another entry, I guess. Stay tuned! (Don't hold your breath though) I will exit this entry with the following results from that survey: If you participated in 2023 RICE, what would you say your overall experience was? 15/18 answered overall positive 2/18 said they did not participate in 2023 1/18 said neutral 0/18 said overall negative If you participated last year (2023), would you say your experience THIS year (2024) was: 9/17 answered overall better than last year 7/17 said about the same as last year 1/17 said did not participate last year 0/17 said overall worse than last year Your overall 2024 RICE experience was: 17/18 answered positive 1/18 said neutral 0/18 said negative 0/18 said boring 2024 RICE had 43 editors and 62 videos.

[theriu]

How about A, E, and H?

(This is for my Mystery OC Ask Game! I’m only going to do A and H on this one because another Asker ALSO requested E, and I thought I’d spread them out so the posts don’t get too long. Also A and H are coincidentally GREAT together! :D)

A. Glowing Wolfman

Barrenger (BEAR-in-jer) Teshma, 20-year-old tulinai from the alternate dimension world Thera. His people look like humans, but their skin and hair are a variety of colors. They also have selah, a sort of biological/soul energy visible through skin markings and glowing eyes, that everyone is born with and that gives each tulinai 2-4 special abilities of a wide variety (altho some are more common among certain people groups). For instance, Barrenger’s mom is Haweyh, and she has brown skin, white hair, and golden-yellow glowing eyes and irregular markings, and she is skilled at healing and shields. His dad, who is Rukilef, has dark green skin, darker green hair, and neon green stripes and eyes, and he has shifting and force transference. Barrenger is dark green with neon green stripes/eyes and his mom’s white hair, and his main power is force transference, which is kinda like controlling kinetic energy. (Negating hits, amplifying punches and jumps, etc.) Also his parents’ people are mortal enemies and his dad disappeared and he’s surrounded by people who worry he’s going to turn into a murderous beastform Rukilef and he’s had a kinda rough childhood despite his mom being amazing.

Through a series of unfortunate events in book one of my in-progress book series, Barrenger is now on Earth, and stuck in a beastform that makes him look like a werewolf with two short saber fangs on his muzzle, and a tail, and his selah isn’t working so he can’t change back, AND he is now on the run with a bunch of weird humans who have NO selah yet SOMEHOW have powers, and NOTHING makes sense but he only has his inborn protective instincts to go on right now and by jove that’s better than nothing.

Back home, he once entered a hoverbike competition (they are a more fantasy world but they have whats called chargestone technology) with a hoverbike he modified himself. He came in second, and despite his fears, the judges didn’t take issue with his overtly Rukilef appearance (which some people do despite his mother being High Prophetess and one of the most respected Haweyh in the city), so it was a great day overall. He still has the trophy in his room at home.

H. Imaginary(?)-Friend Maker

Jenny, age 6. Youngest of the human children put through illegal experiments to give humans superhuman abilities. Her power is a little hard to classify, but basically, she can create semisolid constructs that look like animals of her own design. Her “pets” act uncannily lifelike, and they tend to react to her emotions, like comforting or protective or cheerful. They can be touched but have a “soft” insubstantial feel and can’t exist too far from her. If she puts her mind to it, she can direct them to attack, and while they can’t (yet) cause serious damage, they can cause a sort of phantom pain, as though the bite or scratch has tricked the body into thinking it’s hurt. Her favorite is a blue-and-white floppy-eared dog-bunny named Dunny.

Jenny immediately latches onto Barrenger when he, in all his freshly glowy-eyed/striped wolfman-looking glory, falls out of the sky and helps the escaping Subjects get away from the laboratory. She definitely thinks at first that he’s one of her pets/friends that sometimes just pop out of her subconscious. No one is really sure if she still thinks that or not, but she talks to him as openly as she does with the other Subjects. He’s a big softie for her (esp. after carrying her through an extremely long escape hike) and lets her hug his tail.

Jenny has surprisingly extensive knowledge of animals for a 6-year-old, esp. one who has spent at least part of her life living as an isolated lab experiment. I think I’m going to say it’s from a mix of Dr. Thomas (the scientist who helps them escape after he gets attached to Jenny) letting her watch nature videos to cheer her up, and later as part of her “training” to see if she would adopt more varied animal traits into her creations.

[myrfing]

playing rf5 got me thinking about sospoot and some of this may apply a bit to rf also.

I think something pertinent, that I hope occurs to the devs or reaches them somehow, is that SoS games do not need to be AAA productions. It feels like a lot of development time and effort went into pursuing certain “next gen” trends: open world, extensive customization, higher graphical fidelity. All very costly things that maybe some types of people consider “standard” now, and they weren’t BAD at the basic thing of it; I think, personally, that the individual pieces and models look great. I loved the shading and textures on the models. But bokumono games have never been really high budget affairs for how much of a classic they are, and in the end, fans really didn’t care about being able to run seamlessly across 3 farm zones or having nice looking individual tree models or whatever. Some people did really cool things with the customization, but most people found it too limited and cumbersome anyways; everything was arranged in tiny rigid blocks with lots of restrictions in an enclosed and uneven perimeter, there wasn’t actually that much variety in style of individual props nor enough to create unique pairings, you needed to design around having a ton of makers, and to account for resource spawns in the “open world” plain. It’s not something you should add without the manpower to make it not just a gimmick, but an integeral, massive part of the game. You cannot half-ass freeball customization, that kills the point of it.

Instead, they could have not cared about making it “seamless” and designed interesting, enclosed locales, something they’d always been good at; you load into a map and it looks interesting and cute with nonuniform topography, bridges to unlock, landmarks to poke around in, fishing spots and harvestable resources that made sense or were exciting to find because they were specific and felt like “part” of the world. They could have not cared about making high def models and focused on stylization and setbuilding; it’s okay if the bushes and rocks look sort of crunchy if they’re a part of an overall beautifully constructed world/scenery/set that feels like it has a history to it. And all of this would have likely been much easier to optimize, and they wouldnt spend so many resources trying to battle framerate and load issues on what was, ultimately, not a very memorable looking or impressively designed game. And then without all the burdensome baubles hanging off the very skeleton of the thing, they’d be free to put energy into things people DO care about: complex events and character behaviors that dont have to rigidly fit the game’s technical confines, more outfit and body variety that didn’t need to be “perfect”, events and ceremonies that felt special because it’s just way more lightweight to make a whole bunch of different but lovely things. A bunch of hand drawn portraits are typically cheaper for the effect they can provide than hd, varied 3d models with unique animations; which, you NEED to make it look good. People play these games for the way you can find meaning and depth in something outwardly simple; this is the entire spirit. Not the opposite, where you play something that looks shiny and new but has no substance.

& they need to stop thinking kids can’t handle a bit of substance. It is okay if life isn’t perfect in these made up worlds and sometimes things are hard to make sense of or just happen, like people and animals and towns dying, and relationships not working out, and people not always having the best intentions, and having some setbacks and things you can’t do sometimes, things you can’t control because you’re just some humble farmer trying to save a town from depopulation. This series popularized “life sims” for a reason. What is the point of these games if it feels like everyone just spawned into the setting the same time as you did and only exist to tell you nice but empty things

[charlotteswebbbbb]

What's the vibe? #55

News:

When you search for Sora OpenAI on google one of the results is the webpage “Sora could ruin people’s lives” which is a forum discussion from the official OpenAI Developer forum.

The original poster Soup.er Nova notes:

“You guys are going to end so many careers for people. Photographers, artists, animators, filmmakers, and possibly even actors. Being in these industry’s is hard already, and now with this people might not have jobs anymore.

The technology is interesting and very unique, and it’s amazing to see how far it’s come but I wish AI would advance in other careers than ones that people are passionate about. And not just this, what if people Create videos of others doing crimes that they did not commit. Will we be able to tell the difference between AI and reality? Will there be laws put in place? Will the world fall apart because of this?”

And if a 16 year old is worried about the ethics of it all, I think we should too. I do think this will take away from illustrators who have had their artwork used in the training process. In terms of moving image makers, I think this is a bit more of a complex but also not too complex idea. Low key I feel like people who want to create these kinds of things have a lack of discipline, a fear of failure and overall reflects this sort of culture where you must be able to have everything. I definitely feel like artists should look into haveibeentrained.com as you can remove your work from the data set.

I don’t think people who make individual work should be too worried - I think if Hollywood bosses love it we should be worried but I don’t know if I’d feel comfortable reading or being at the cinema watching a fake actor. It’s the humanity of it all, that’s why people have favourite actors, singers etc.

There are currently people out there making hours of music within minutes but why should we listen to music like that that has been made into a McDonalds-esque commodity? I don’t think the same people listening or creating this would be the same people attending the shows of the English National Opera, London Contemporary Orchestra of the Philharmonics of the world. This is its own new subculture of people who want to live in the synthetic.

What people do have to be worried about is that the UK Film and TV industry is a very unsustainable career to work in even though its production spend was £4.23 billion over the past year.

To the surprise of no one with pockets, the UK is in a recession.

Birmingham Council is also bankrupt. The effects are staggering…

Birmingham City Council has confirmed it will raise council tax by 21% over the next two years as part of £300m budget savings. Street lights are to be dimmed, waste collections are to become fortnightly, while burial costs will increase.

DJ Sherelle (BBC /NTS/Hooversound) will curate a week at 180 Strand. move/003 is a free audiovisual installation themed around a night out, exploring "moments" such as colour, nostalgia and solitude.

Shein shoppers are much older and wealthier than I thought according to a UBS Securities report.

"The average Shein customer is female, 34.7 years old earns $65,300 in annual income, and reported spending $100 per month on women's clothing. That's 60% higher than the average US woman, UBS reported." It may be similar in the UK and Europe, how can sustainable brands get people to shop with them instead? How can you change someone's shopping habits?

What do tweens want? American tweens have something to say and it’s “we see your interests, let us in!”

Snax based matchmaking:

40 years of London Fashion Week, thank you very much:

Also Joanna Lumley is doing a lot of fashion appearances this month. A new angle for her during this time ? Burberry and at Completed Works?

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Chet Lo

Sinead O'Dwyer -

"This season, the designer will also be collaborating with the Hair and Care Project – a non-profit that trains blind and partially sighted people in hairstyling – on a tactile tour of the collection and audio descriptions, which is surely a first for London Fashion Week. Of course, O’Dwyer – for whom inclusion is such a given that she makes no mention of these practices in any of her press releases – left that detail under the radar." - Vogue Business

Olly Shinder

JW Anderson

Srvc on a Bus?

Burberry - hm, feels like Daniels last chance post report. Attended by Skepta, Joanna Lumley, Lila Moss, Loyle Corner. Playing Back To Black by Amy Winehouse for the last walk is a bit ominous isn't it? It's the end of a relationship song? A farewell perhaps?

Edward Crutchley (and his cowboyssssss)

Dilara Findikoglu

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Simone Rocha

Reading List?

[beaktube]

here’s that follow up I mentioned in the vod post. I initially thought of attaching it to that post under a read more, but it got long and seemed weird to have all this under a streaming vod.

I will put a read more here though since it does get long.

It seemed a lot of this discussion regarding the vtuber community and why it is so heavily dominated by one style boiled down to a lack of confidence or self esteem regarding their own abilities. In a sense it seems like the general consensus is “I do not have the confidence in my skills to make my own avatar, therefore I will conform to what is offered that does not require using my own skills.” Couple that with a fear of not being accepted/followed due to what they stream, and this turns into a mental health clusterfuck. This shit is like being stuck in high school forever and it cannot be good for anyone.

So for me, not liking anime in this hobby is less not liking the style superficially, but more the heavy implications behind it.

I personally find it difficult to understand since when dealing with art communities/art in general, if I thought I was lacking, I worked to improve- mainly since if I worked with something that was a base or doll maker (we did not have vroid or vtubing back in the early 00′s, so this is my closest approximation), it was made very clear to me that it was not something I created myself, but something that I used a program/game made by someone else to make. I looked at books, I looked at the art other people made- especially professionals, now I look at any tutorials and resources I can get my hands on to learn whatever skill I’m pursuing.

But at the same time, if someone said what I made with my own skills was crap or bad, I did not tend to fold over and give up. Rebuffing was as simple as saying “well fuck you too” and carrying on.

On twitch it’s even easier to avoid that kind of feedback because of how much security there is over chat. For instance if I want, I can change chat so it becomes impossible to chat in, due to the amount of investment required in order to use the chatbox. I could layer up using 3-month followers only, subs only, etc. And essentially that would babygate the chat so hard it would be as if I turned it off.

So with this knowledge, all I can figure is that it’s just the idea of someone looking in, not liking what is there, and leaving which is fueling this insecurity. In which case who cares, how many times have you surfed channels on TV, on twitch, youtube, etc. and not stuck around? Do you think they get upset over it? No! They just keep going, because most of the time, they just want a place to put what they’re working on- followers are not their main concern. In the case of TV, it’s a company churning out shows. They have a whole team they work with, for figuring out ratings, scripts, editing, audience appeal, etc. So while they do want eyes on their show, their risk is usually well calculated and for a reason.

Individuals that are just after fame/numbers usually do not last very long for a reason. It’s no longer about an interest or improvement or enjoying what is being made, it’s about meeting a quota. If they don’t meet it fast enough they give up, or the stress of it will lead to burn out.

Of course I come from using streaming as a way to focus on my work so I don’t get distracted (hah, and look how that turned out!), so all of these complexities regarding amassing followers, what is being streamed, etc. is weird. The nature of having to churn out stuff rapidly is weird, and reeks of social media culture- specifically twitter. This generation is the only one that is under stress to be constantly making something to sell, and it is unhealthy, I think it also has a big impact on people that just want to do things as a hobby- no profit involved. Before the 2010′s onward, it was normal to have large gaps between finishing and showing work as a single person, whether that is writing, drawing, animating, etc.

If this is also what is keeping people from learning a new skill, again, working on their own fears and learning to place boundaries is incredibly important. As well, finding others that want to improve and to teach others is great. They’re around other individuals that are after the same thing, and presumably can play off each other, along with learning from those that want to see others improve. it’s the reason why places like ConceptArt.org were so important for those wanting to learn creative skills before they were taken offline.

Going off of this discussion on stream, this whole problem with conformity would cease if vtubers would stop being scared of what other people thought and just jumped into learning a new skill- drawing, modeling, whatever. But to do that it’s going to take real work to get over those fears first, and that is what should be focused on instead of the numbers game.

so, tl:dr:

Just learn to say “fuck it.”, jump, and own whatever happens. It’s okay to learn.

[boosyboo9206]

Can we please normalize not sending pictures of fanart directly in asks and/or submissions? Especially when it's a fandom writer sending it? Believe me - I get it. You want to show your fave writers, your moots, you friends, etc, artwork you think they'll like, artwork you think they'll love. And that's great! You should do that!

Just with a link to the artist who created it, not the picture directly or a pinterest or iheartit or tumgir or whatever other unofficial link there is. Why not those? Because the art on them is stolen and reposted art. Much like it is when you send the artwork, not the twitter or instagram or deviantart or tumblr link, directly in an ask.

I have been in the fandom community a long time as a writer (on two side blogs) and even longer just as a reader. And the one constant I have seen is that people repost fanart by sending them in asks to fandom writers. Not only is this very much not okay, it's a recurring problem. Let me clear: I am not blaming anyone. I do think it's just that, because it's being sent in an ask, no one thinks of it as reposting. But it is. It is still taking someone's art and creating a new post with it and taking away the credit from the person who worked hard on it.

And I know the thought process was probably something like "I saved it to my phone and forgot who the artist was" or "I saw it on pinterest and just saved it to send to you" but guess what? There's a way to find the artist. Reverse google image search exists and it works to find the artist a majority of the time. Also, there's a good chance that the artwork has the artist's signature/username. So you can search their username on google, twitter, instagram, tumblr, etc, and then find the art you want to send like that. If you can't find the direct link to the artist through either of these, then it's likely they deleted the art or just deactivated because people kept stealing and reposting their work.

And I mention these being sent to fandom writers specifically because, like, artists are in the same boat as you? Or, at least, they're on the same cruise line as you. If you're a fandom writer and you're going to send fanart - no link, just the picture - to another writer, if you're a writer who received fanart in an ask or submission, please stop and think about how you would feel if someone took something you wrote, something you worked hard on, and just copy-pasted it into the ask box of another, completely taking your name off it, taking away your credit, simply because they thought of someone who would enjoy it. Think about how they didn't bother to link your work, they just sent it directly.

It wouldn't feel good, right? You'd probably be mad and sad and disheartened? Disrespected, even? The same thing goes for artists. They, like writers, deserve to not have their hard work stolen and reposted, whether it's intentional or not.

This is especially important because of the fact that fanart is being sent to writers from writers and, yes, sometimes, even non-writers, but it's especially frustrating and upsetting to see when a writer sends another writer fanart in ask, instead of taking the time to find the artist link and send that, because I've seen some writers who are sent fanart make posts about accounts that have stolen and reposted their work then turn around and answer that ask with stolen artwork. Please give the artist who works just as hard as you do on the stories you write on the art they create and just, please, stop reposting it in asks.

Please take the time to find the direct link by using the google reverse image search and send that instead. If you can't find it or don't have the time to search for it, then, please, don't send it at all. This also goes for discord servers because, even though it's not reaching the thousands it could by sending it in an ask, it's still a repost and you're still taking away views and likes and retweets/reblogs from the artist who worked hard on it.

Because, if this doesn't change, if art doesn't stop getting reposted, then, like writers who have had their work stolen, the artists will deactivate and stop creating and you will be left with nothing. Or they'll probably still create but they won't share it and you will still be left with nothing. Treat artists with the respect you, as a writer, want to be given and don't repost their work, whether you're sending it or just answering what was sent to you. Put it in your rules to send a link, not fanart directly, and to not post or answer the asks that have just a picture - no link, no credit if the artist does allow reposts, no nothing.

Thank you.

[lonely-lost-soul]

Since I've Been Gone

Request: what if...Platonic fluff things with reader and bench trio?... Like they're all in a flower field chilling then Tommy is like, "You guys wanna make flower crowns?" And reader, ranboo, and tubbo just look at him like 👁👁 what, Turns out Tommy picked up flower crown making from his big brothers techno and Wilbur so now he does it when he's either bored or stressed. Anyways hope this inspires you <3 -🐱 Anon

(Platonic!Bench Trio x Gn!Reader)

The server had been through a lot, Tommy was just recently revived and was coming off of finding out his two best friends were married. The young boy had a white streak in his blonde hair and was still trying to adjust to the life he missed. Especially when it came to his longtime friend and roommate (y/n). Tommy had recently found out they were off living with Karl and Sapnap in the Kinoko Kingdom...the bitch. After Tommy had disappeared after he...died Karl had found them hiding out in his old library. You had scared the time-traveler half to death when he found you camping out in a corner of the room. However, after seeing as you had nothing, no weapons or armor he concluded you weren’t much of a threat, especially after you told him your sob story. You told him you lived with Tommy and you couldn’t go back there now that he was dead, Ranboo and Tubbo were off doing married things and you had felt so alone. Karl decided at that moment he would take you in, no matter what the cost. Sapnap had a bit more trouble adjusting to your presence, but as soon as he saw you had some fire within your belly he began to warm up to you. It only took a few days for Karl to practically adopt you and since he was engaged to Sapnap the fire demon was stuck with you for a child.

Not that he minded, you weren’t a loud kid, very pleasant to be around hell even his dad took a liking to you. Sapnap was baffled when Karl told him you had previously lived with Tommy, the most obnoxious child on the server. The two of you couldn’t be more different, and when Tommy was revived, he and Karl weren’t enthused. Karl was worried he’d lose you to the trouble maker and it was well known Tommy and Sapnap didn’t have the greatest history. Their worries were quelled the moment you introduced them as your dads to Tommy, Karl burst into tears and Sapnap put you in a headlock much to your protest. Tommy stood by awkwardly, he had missed a lot, he hated the fact that he felt like his friends were happier without him in their lives.

He was brought back to the present by the idle chatter of Tubbo and Ranboo by his side Tubbo was on Ranboo’s back declaring walking was way too much work for him. You snickered nudging Ranboo in the ribs, he let out a yelp and glared down at you halfheartedly. Tommy watched you turn towards him a smile on his features,

“What do you think Tommy?” He blinked a few times at you, not wanting to admit he wasn’t listening to the conversation next to him.

“I don’t fucking know,” He scoffed “This conversation is bullshit anyway who cares.” You had a smirk on your lips that he was all too familiar with, he narrowed his eyes at you.

“You weren’t listening were you?”

“Of course I was listening bitch!”

“Oh really? What did she ask then big man?” Tubbo mused resting his chin on his husband’s shoulder. Hair covering his vibrant, green eyes, horns peeking from beneath his shaggy hair. Tommy glared at his long time friend flipping him off eloquently,

“Probably something stupid and useless.”

“She asked if you knew where we were going,” Ranboo piped up with a casual hum, bouncing in his step. “Cause we’ve been walking for a while, I know Tubbo’s tired.”

“Yeah Tommy, I’m tired.”

“You’re not even walking!” You argued as Tubbo stuck his tongue out at you, lifting his hair from his eyes to wink at you. His one eye glowing with a yellow nuclear symbol, “Put that symbol away! You’re not cool.”

“Says the person who doesn’t own nukes,” He mused letting his hair fall back into place while grabbing onto Ranboo’s horns. “Or who doesn’t have any cool powers,”

“Ow! Low blow! Just cause Tommy and I are the only two humans in the group doesn’t mean you can pick on us! Right, Tommy!”

“Yeah! Exactly! Fuck you guys!” Tommy agreed linking your arms together, “Plus, I know exactly where we’re going. We’re almost there, Wilbur used to take me here all the time when I was little.” Tommy said almost in an afterthought, the kids around him grew quiet, each one knew Wilbur was a touchy subject for Tommy especially after his time in the afterlife. Yet, people seemed to forget that Wilbur wasn’t always crazy, wasn’t always a manipulator, once he was an older brother. Once he cared for Tommy and wanted to protect him from some of Phil’s neglect, protect him from Technoblade’s voices. Tommy wanted to remember that Wilbur, not the one stuck in purgatory who blew up the country they all fought so hard to retain. He felt your hand squeeze his arm,

“I’m excited to see where Wilbur decided to take you, hopefully, it’s not a fish pond.”

“Oh gross.” Ranboo groaned pinching the bridge of his nose as Tubbo laughed loudly from above him. Tommy made a disgusted face,

“Stop talking about all the fish who fucked my brother!”

“I didn’t you did.” You hummed skipping ahead of the group feet crunching on the leaves on the ground.

“YOU BASTARD!” Tommy shrieked running after you,

“Onward steed!” Tubbo pointed at his two friends who ran off, Ranboo grumbled but trotted after the duo.

It only took a few more arguments and a few more minutes of walking before the quartet came to the destination Tommy was eager to show them. You stopped on your heels jaw-dropping in awe,

“Holy shit…” You murmured, in front of all of you was a gorgeous field of flowers a giant dark oak tree sat in the middle. It was giant spanning up far into the sky but it created a nice shade to keep all of you cooled off. Tommy had a rare peaceful smile on his lips as he let the sun touch his face, he slid off his boots and ran into the field of flowers.

“Take your shoes off so you don’t crush them or I’ll crush you!” Tommy snickered falling back, letting the flowers tickle his cheeks. He opened his eyes just a crack to see you sliding off your boots and joining him in the field, you didn’t lay beside him instead he watched your form head to the tree. Meanwhile, Tubbo kicked off his boots, Ranboo wasn’t far behind his husband. Tubbo laughed running over and flopping next to Tommy, holding his arm close much to the blonde’s displeasure.

“Ranboo! Help me reach the taller branches!” You called to the tallest member of your friend group. He nodded walking over to you, grabbing your waist gently he lifted you into the air. You grabbed onto the nearest branch and hoisted yourself into the air, Ranboo was always shocked at your upper body strength, but then again you trained on your own for years. Ranboo hovered at the base of the tree nervously, both of his tails flicking side to side.

“Don’t climb too high!” He called watching you slip and cling onto the trunk to steady yourself. “(Y/n) CAREFUL!”

“I’m fine, mom!” You stuck your tongue out at him from above, “I’ve fallen out of taller trees!”

“If you get hurt Sapnap would literally burn me alive! So PLEASE try not to fall!”

“Boo calm down a little!” Tubbo snickered, “if they fall I’ll film it.”

“Tubbo has the right idea,” you agreed as Tommy laughed from beside Tubbo. Ranboo frowned ears twitching in distress, you only continued to climb higher to his dismay. Eventually, you came down falling elegantly into the arms of Ranboo who caught you easily. He was breathing heavily, recovering from the shock of your sudden drop. His long nails dug into your skin as he clutched onto you like a lifeline, “Ranboo let go!” You huffed trying to wiggle out of his tight grip.

“Absolutely not! Are you a lunatic!” His voice broke, “I could’ve missed! You could’ve broken an ankle!”

“But I didn’t,” You poked his nose with a teasing hum. Ranboo groaned louder placing his head in the crook of your neck, you snickered as he finally let you onto the ground. You walked over to Tommy and Tubbo and sat down next to them, you leaned against Tommy’s back who grunted in distaste. “Deal with it gremlin, be my backrest,”

“Fuck you bitch!” He snarled but didn’t move or push them off, you smiled teasingly winking in the direction of Tubbo. He snickered into his palm as Ranboo pulled Tubbo into his lap, and the young goat hybrid got comfortable. The four of you sat in peaceful silence, letting the sun beat down around you all. A nice breeze blew through the area causing the leaves of the nearby trees to shake, a few animals rustled around in the bushes.

“We should make flower crowns,” Tommy spoke up suddenly his nails digging into the dirt. You titled your head in confusion and Raboo looked equally as baffled, the only person who didn’t seem surprised was Tubbo.

“Sure man but you gotta collect the flowers,” Tubbo said tiredly Tommy clicked his tongue stubbornly.

“We’re surrounded by flowers you’re just lazy.”

“Yeah obviously.”

You gave Tubbo a look and sat up on your knees, “What do you need to get started?”

“Can you grab me some of those daisy’s, tulips, and some bluebells?” You nodded standing up and popping your knees before heading off in that direction. Meanwhile, Tommy grabbed some lilacs and began stringing those together, his tongue poked out from his bottom lip as he gave his full concentration to the task in front of him. Ranboo watched curiously ears flicking every time Tommy let out a mumble, you came back and dumped the flowers beside him. He grunted out thanks making the final knot in the crown, “Done!” He declared looking over at Ranboo, he flushed a little under Tommy’s gaze.

“Didn’t mean to stare.” Tommy huffed holding out the crown to the halfling, he pointed at himself and Tommy rolled his eyes.

“Take it. If you don’t want it I’ll just give it to (Y/n)-”

“I want it!” Ranboo reached out to snatch the crown from Tommy, he placed it gently on his head mindful of the horns. Tommy’s eyes widened and he flushed red, he quickly turned back to the pile of flowers. “Teach us how to make them,” Ranboo offered to try to ease the awkward tension. Tommy huffed but nodded, a smile spread across your lips,

“Teach us your ways oh wise one.” You teased picking up the daisy’s spinning the stem between your fingers.

“Yeah! I am wise! Call me master innit!”

“I’d rather choke,”

“Fuck you!”

You snicked as Tommy punched you hard in the shoulder, you doubled over falling into the flowers. Tommy growled pulling you up by the shirt, “Pay attention bitch! I’m only telling you this once!” Sitting back up you nodded and followed his instructions carefully, he ended up taking the daisies and you the tulips. Ranboo grabbed the bluebells reaching over Tubbo to follow Tommy’s instructions as well, by the end Tommy’s was pristine. The one you made was decent but Ranboo’s looked worse for wear considering he was trying to put it together with claws. He put the crown on top of a snoozing Tubbo, he was proud of his work nonetheless, his husband smiled tiredly nuzzling against his chest. You on the other hand placed the tulip crown you made atop of Tommy’s blonde hair, he flushed and rolled his eyes. He brushed his fingers over the daisies and placed them on top of your head, you looked up at the crown and smiled warmly.

“Thank’s Big T,” you hummed falling back into the flowers and Tommy joined you in laying down. Both your fingers interlocked and Ranboo shuffled to the ground as well, although he didn’t reach out to take Tommy’s hand, Tommy reached out to take Tubbo’s. The four of you stayed in that field until your walkie-talkie screeched cutting through the quiet atmosphere, it was the gruff voice of Sapnap’s. One of your fathers

“Earth to (Y/n), come in (y/n). Your dad wants you here for dinner, George is joining us tonight. I grilled!”

“Ugh. Buzzkill,” Tommy sneered kicking the dirt with his barefoot. You shushed him and pressed the button in to speak,

“Yeah papa, I’ll make my way back soon. Give papa a big kiss for me and if you see Quackirty tell him hello!”

“Don’t have to tell me twice. Karl come here honey~” You snickered as Tommy gagged, you heard your dad meow before your walkie cut off then and you sat up. You stretched your arms above your head and popped your arms into place, you kissed your teeth hopping to your feet.

“I gotta head back unless I want dad to beat my ass. Thank you for today boys and Tommy thank you for sharing your place with us. I’m glad we were trusted with this special secret.” You winked wiggling your toes in the long grass, “we should do this again yeah?”

“Yeah!” Ranboo agreed as Tubbo gave a sleepy thumbs up, your smile only widened. Tommy nodded giving a thumbs-up as well, he watched you head off to collect your boots and head back home. Head to a family, a family who cares about your wellbeing, or if you’re staying out too late. Hell, even who cared about who you were hanging out with, Tommy couldn’t help but wonder what that was like, he didn’t think he’d be very good at listening to any parental figures. He didn’t have that, he would never have that, he looked at your retreating figure, then back over at Tubbo and Ranboo. They both were half asleep and he couldn’t help but glance at the golden rings on each one of their fingers.

He missed so much since he’s been gone.

But maybe all wasn’t bad, he touched the tulips on his head, thinking for a moment.

Maybe he didn’t need a normal family with a mom and a dad, or two dads or moms, he had a family right here. He brought his hand to the scarf on his neck and squeezed it in his fist, who needed that shit when he had everyone he loved in this field with him today.

For once in his life, Tommy was happy.

[derangedhyena-delphinidae]

numerous issues with “The Aftermath of Seaworld”

When I get time to do so (aka when I’m done with the documentary), I’m likely going to make a video version of this going into the details. 

But for right now, I’ve made this. Both as a guideline for me and so everyone can begin to get an idea of the severity of issues involved.

Researching things is time-consuming and can be very difficult - believe me, I know. But I’m of the mind that if you’re making content with the intent of educating people, you have a responsibility to perform a certain level of due diligence. It IS okay to express uncertainty or doubt if you have it. It is NOT okay to confidently assert things that you do not know with certainty.

The video has an anticap slant, and I’m obviously not disagreeing on that front. But again: if you’re gonna go through the trouble of teaching people something. Bare minimum... please make sure it’s actually correct. *** 1) x ‘founded in 1964 and based out of Florida’ -  ???? Seaworld definitively began on the west coast, in San Diego, CA. And given that the first park opened in early 1964… things came together before that. Uh? 2) x ‘four people founded Seaworld [...]’ For one… it wasn’t originally conceived as a restaurant, it was originally conceived as an underwater bar/lounge. Two… calling the four guys involved in founding the place “frat brothers” is fucking ridiculous and completely overlooks a) how each was actually involved and b) the overall significance of their contributions to the field as individuals. Hint: like it or not, they were important and did a lot! 

3) x If one is going to bring up SWBGCF/rescues while talking about the literal founding of SW, it gives the impression that it’s been around for that duration. It hasn’t.  It’s actually a bit unclear when SW started an organized rescue program, but the Fund itself and all that it did came about much later. The rescue information and how it’s presented is actually INCREDIBLY complex, nuanced, and has a fascinating history (from a “bad company behaving badly” perspective). Oversimplifying this, to this degree and in this misinformative way, does the facts of the situation an INCREDIBLE disservice.  

4) x [assertive statement about what the name Shamu means]  ….Uh actually there’s several explanations for the name Shamu, and the most likely one IMO seems to be the “she-namu” one, not the “friend of Namu” one(? What is this even based on.) 4b) It’s not quite clear if she’s saying “Namu was the first ever orca to be displayed and perform shows” or or Namu was the first to be displayed and, like Shamu, performed shows. Either way, Moby Doll was the first to truly be displayed to the public, not Namu.

5) x ‘Namu died after one year in captivity and you’d think that this might deter Seaworld from doing the same thing again…’ Seaworld truly had nothing to do with Namu. And they leased/took possession of Shamu before Namu died. ‘Again’? What?

6) x “Now, PETA paints a pretty disturbing picture…” [while showing Okura’s artwork] This video segment is, and this is putting it nicely, a pile of poorly-researched BULLSHIT.  -Yes, PETA talks about Shamu’s capture, re: the harpooning of her mother. This Youtuber cannot apparently be arsed to look more than 1 Google search into this, as she proceeds to dismiss the information as potentially fabricated. There are two detailed accounts of Shamu’s capture that I’m aware of - in books - and though they have some slight conflicts, it’s absolutely NOT in doubt that the female who was very likely Shamu’s mother was 1) harpooned, 2) died from her injuries and 3) this had been done to make her easier to catch/locate because there was a fucking buoy attached to the harpoon. Which she dragged around for at least 24 hours prior dying.  So maybe don’t dismiss that as PETA hysteria, maybe TRY to determine the truth of the matter, which would inform one that it is both true and completely horrifying.  -In addition, Okura is an awesome individual who has worked very hard to create a variety of informative artwork for our cause. Okura is NOT associated with PETA and it’s borderline libel in my eyes to use their artwork in this dismissive manner when the primary sources of it can be easily identified online, with full explanations and everything. Do I take special offense to this because of the misuse of artwork? Absolutely. Artists get disrespected enough online. I’m tired of it. This kind of laziness IS NOT acceptable.

7) x ‘timeline is fuzzy about when Shamu died’ …………… it’s…. It’s really not … newspapers are pretty clear about it…..

8) x [complete and utter oversimplification of the lifespan issue, which is not acceptable for anything published in 2020. It just isn’t. If you’re going to bring it up like this, either do the legwork and get into the weeds or stay out.] 8b) [same for reproductive ages. sigh]

9) x if we’re going to talk about when Cornell was involved with Seaworld it’s very important to specify when Cornell was involved with Seaworld and not make it seem like it’s present tense.

10) x “both were rescued by Seaworld” - uh? no. Zero orcas have been rescued by Seaworld. Literally none. The infected-jaw orca was Sandy, whose story is complex and certainly does not involve Seaworld until much later. And many of the orcas in that time period had bullet wounds, often only identified post-mortem because they didn’t seem to hurt the animals much. Also, unflinchingly blending 70s captivity ethics with modern ones is also complete nonsense? 

11) x [tilikum coming from sealand] inhales I am going to make an entire video centered on this fucking subject because it’s one of the single most profound arguments for Seaworld being garbage as assessed by US government agencies in the 90s yet everyone utterly fails to mention this. Why?!

12) x what on earth is this nonsense re: quoting a quote from Zimmerman’s article - which has already been removed from its original context, so the original context is not available - and then penalizing the quote for existing as if Zimmerman’s article were the context? That is offensively disingenuous. I honestly don’t know what the original context is, either - but it’s wildly inappropriate to act as if the Zimmerman article is.

13) x this is relatively minor but ‘Paul Sprong’? You literally have his name on the screen. And then mis-reading his age too? While asserting it from a static article published years ago? Effort? Where is it?

14) x ‘another trainer, Peter’ ….. Ken Peters…. 

15) [weirdly glossing over the widely-available list of orca-trainer injuries/aggressions, despite it being central to the point.] 16) x This pilot whale outrage certainly happened but it was pretty clearly Blackfish that started the cascade of woes for Seaworld. Who has ever asserted this?

17) if you’re gonna just rehash blackfish, tell people to go watch blackfish.

18) x I’ve already gone over the context issue with Seaworld calling out Howard’s statement in Blackfish here (point 23). Which is to say, IN CONTEXT in Blackfish it’s clear what Mr. Garrett is talking about but, divorced from that, it sounds incorrect. But this Youtuber AMPLIFIES the issue by doubling down on the assertion with “no record of a killer whale doing any harm to anyone in the wild.” The surfer event should always be mentioned. Yes, there’s absolutely room for doubt. But there’s also a clear demarcation between an accidental attack (eg mistaken identity, as was likely for the surfer) and intentional one (eg the incidents at marine parks.) Why do people kneecap themselves on this point 18b) please stop acting like Luna represents orcas in general.

19) x “Howard, for all of his research…” … while referring to David Duffus’ b-roll and statements. Uh. 20) x Apparently this Youtuber has single-handedly resolved the dorsal fin issue. You know, the thing that hasn’t been properly researched ever, that has been subject to a ton of debate, that isn’t 100% settled for a variety of reasons, and almost everyone talks about in terms of theories and likely possibilities.  21) x Alexis Martinez wasn’t “torn to shreds.” In a space where even moderate exaggerations are often penalized harshly by the opposition, this kind of blatant nonsense is not welcome. Plus, the reality’s bad enough… you don’t have to make anything up!

22) x *sighs. points at own webpage*

23) Talking about the shows stopping without acknowledging how that’s a bit of a farce is something else. In addition to apparently just flipping to buying what Seaworld’s selling re: its ‘improved image.’ 

*** Tl;dr video is so unrelentingly full of errors ranging from small to egregious it makes me seriously concerned for the veracity of the rest of this person’s content. The maker of the video provided a list of their sources in their video description, which I will have time to look through in detail later. The above is solely a response to the information they present IN THE VIDEO - which, is very important because let’s be real: a lot of people are not going to look at the list of sources. People don’t even do it when citing papers (no really, you’d be surprised, fml.) For anyone who wants to whinge that I haven’t linked or asserted any sources of my own for my claims… well, remember what I said about time-consuming and ‘I’m busy’? Yhea. Getting all of that together will be part of making a video. So if you want to shrug loudly at my list here… you can, that’s your prerogative, I’m happy to say I DGAF if that’s your takeaway. 

What I hope, is that if there’s anything I’ve made clear over the While of running this blog, it’s that I don’t fuck around when it comes to sources and information and do my best to provide what information exists, all of it, not just cherrypicked bits and bobs. Anyways. Here’s step 0 at least. Please don’t share that video. Pretty please.

[applepisimmer]

Honestly, it all seems ridiculous, but I’ll add my two cents I guess.

I feel for those who rely on making sims custom content for income, I do. But from where I’m standing, this community has been extremely privileged. That privilege was abused and now it’s gone. It doesn’t matter if you abused it or not. We’re a community, which means we get rewarded and punished as one. Is that fair? No. Welcome to life. You’ll find unfairness is a recurrent theme here. But what ISN’T unfair is EA’s decision. We won’t talk about their execution of said decision. They never execute anything right.

I’ve been a content creator for anime and book fandoms far longer than I’ve been in this community. It can take months or even years to complete a fanfiction work. The stories can be just as complex and involve just as much research as a New York Bestseller, and they can be two or three times as long. Art can take hours or weeks and requires supplies, which is rarely cheap. I’ve spent countless hours and poured my blood, sweat, and tears, into some of the things I’ve created. 

I don’t make a single cent. I can’t.  I can’t even ask for donations on the sites where I post my stories. I don’t get money from ads either. It sucks, but it’s necessary. The fact that I am even allowed to write and share my stories or draw the characters is a privilege, and it’s one that we nearly lost for good. I can write about volleyball players working in a coffee shop because the people went to court and fought for the right to do so. Because the people currently in the communities are still fighting to keep that right. And if I put my work behind paywalls, I threaten that right. And if others followed my example, the days of cease and desist letters, site shut downs, and fandom deaths could easily return. I don’t have a right to profit off of someone else’s work, regardless of how much effort I put into my own work.

And that’s okay. Fandoms aren’t supposed to be your job. They’re supposed to be your HOBBY. You’re supposed to put the time, effort, and resources into them because you want to, not because you get paid to. You’re supposed to make content for yourself, not for capitalism. 

The sims 4 belongs to EA. Whether the game would be half as good without mods and cc isn’t the point. Whether you used their meshes and textures isn’t the point. Your work requires their game. Their game isn’t entirely worthless without you. Your nice coffee table would be worthless without their game. Your nice coffee table requires their hard work to have any value. Have I rephrased this enough yet? 

Unlike Disney and J.K. Rowling, EA is still allowing you to make money off of their hard work, because cc and mods make the game better, which means they indirectly profit off of you just as you indirectly profit off of them. But it’s their right and responsibility to regulate the market and maintain a sustainable balance. They’ve exercised that right. 

Making money off of their creation was never your right. It was a privilege. No one is disrespecting you as a creator. You weren't hired by EA. It's not your job to make cc for their game and it's not their job to make sure you get paid for it. If you wanted them to care about whether or not you can pay your bills, you should have applied for a job with them. 

And on that note.... THE MAKERS OF THE GAME ARE CREATORS TOO. Just because they work for EA, doesn't mean you get to disrespect their time and effort, which is what you're doing when you make money piggybacking off of their creation without their permission!

Because, I repeat, the game has worth without you. Your cc doesn't have worth without the game. They will sell their game even if you stop creating cc for it. You can't sell cc for a game that doesn't exist. You are not the victim here. You are not the one being disrespected.

Or are you saying it's okay for everyone to disregard your policies? Can I take your creations, modify them a bit, and sell them as my own? No? That would make me an asshole? Interesting....

[dreamingsnowflake2013]

They are so freaking domestic and married and functional the whole time I can’t!!! They bicker and banter with ease of two people who feel secure and confident around each other and know each other’s boundaries and limits and don’t need to worry about offending the other person or the conversation turning antagonistic which allows them this sort of brutal honesty, at times, and frank criticism.

Issei gets the edamame shell husband treatment and he literally can’t believe it Hayame did that to him right in front of his salad when it already helped to ruin her previous relationship. It seems Hayame didn’t understand his lesson about the difference between the edamame shell and skin, well, she was in the middle of confronting her cheating ex so I suppose she was otherwise engaged.

Though, poor Issei doesn’t know the depth of Hayame’s culinary disability until he discovers her special lemon and cereal gyoza! HA! I admire that he doubles down on his criticism and even if he tries to back pedal, he simply can’t make himself lie to her even to please her when it’s so awful.

Unlike her ex-husband, he doesn’t put on a fake smile and swallows it so he wouldn’t hurt Hayame’s feelings but actually tells her it sucks bigly, showing that not only won’t he ever lie to her or keep secrets from her, he won’t feed her white lies to avoid conflict either. You almost never see portrayed in Asian dramas how these little mundane details can lead to a complete failure of a relationship once they pile up. Quite the opposite, they often depict swallowing food that makes you puke as something romantic and a proof of love without giving any thought to the fact whether the person can manage that for the rest of their life, considering it’s suggested most of the OTPs live happily ever after. The issue shows that Hayame and Issei are already more than one step further regarding the growth and functionality of their relationship than she ever came with Masahiro, illustrating their suitability. It’s not about a relationship being conflict-free, it’s about confronting the problems, argue about them even though it’s exhausting and uncomfortable and solve them through communication and misucommunication, not about hushing the issues up and staying silent about them in order to avoid arguments.

The drama might be called Promise Cinderella but it has been turning the Cinderella stereotypes on their head since episode 1. One of them is Hayame not fitting the bill of a girl who is amazing at cooking, sewing, reading, embroidering, polite conversation, dancing and generally being more princess-like than all the princesses and noblewomen, even though her mother died in her childhood and she couldn’t have taught her all those things, neither could her father, nor the mice or the other animals she spent all her whole time with. Let’s face it, Cinderella has always been the fairytale counterpart of Richardson’s Pamela and Hayame - divorced, almost thirty, penniless and jobless - is the modern real-life version of an orphaned abused virgin fallen on hard times. 

On the other hand, while Hayame might share Cinderella’s origin story of her mother dying at an early age, this sad event tragically affects her whole life in a much more realistic and darker way. Her father falls into a depression and becomes neglectful and she has to grow up overnight, having to learn everything by herself as she is left with no one to teach her, guide her and defend her so she ends up turning into a fiercely independent tomboy who is a self-taught cook and, as such, her cooking, well, sucks. She is literally the farthest thing from a Mary Sue ever. 

Then, Issei may be a modern version of a prince but while young, he has been taught since an early age and has a very unconventional unique upbringing in a modern world - he is the one who excels at cooking (because he had someone who actually taught him), can tie kimonos, knows the proper etiquette, can arrange flowers and knows their language and meaning. 

You would expect all those things from a woman, not a man; however, he is not only educated and good at them, he has a natural talent for them. In this way, the drama re-invents the Cinderella story, gives it a new original meaning and a breath of fresh air. 

Thus, you can see all these details in which Hayame’s relationship with Issei differs from her marriage - they are left to live together alone in what is basically a simulated marriage, but she doesn’t end up in the traditional role of a woman and housewife whose purpose is to provide dinner/food for her husband who comes back from work. She used to work back then, too, even if only part time. Now, it’s her who works full-time while Issei works part-time but despite it they share the cooking and he, fittingly, ends up being the better cook, completely changing up the dynamic of the traditional roles both in the original fairytale and male/female relationships in general.

Except for a brief denial stage caused by his confused feelings, Issei has always been honest with Hayame, sometimes brutally so, be it regarding the major issues or mundane everyday things like her cooking skills. 

He treats her the way she wants her to treat him, and, as a result, he rightfully expects the same honesty and consideration in return from her. He doesn’t want any lies or secrets between them, he wants a conversation not a deafening silence, regardless whether they are lovers or friends. 

He wants honesty and equality and instead, Hayame is trying to dismiss him as a child again in an attempt to avoid the problem because it’s uncomfortable and she doesn’t want to have a messy argument or worry him. She should have known by now that that’s exactly the attitude which led to the failure of her marriage. Not that they are an excuse or justification for cheating, but Masahiro raised some good points about the things he disliked about her and it’s time Hayame learns from her past mistakes.

Marriage/romantic relationship is not a one-person show, the point of it being you are not alone to deal with your problems, some burdens should be shared and if not, the other person feels left out because their partner keeps secrets from them which then leaves many opportunities for misunderstandings and creates a rift that keeps growing between the couple. Hayame’s greatest strengths - her self-reliance and independence - which allowed her to survive on her own so far become her greatest weaknesses and drag her down now. 

Issei immediately realizes Hayame has been putting a mask around him, trying to make herself look cheerful and happy, he can see through it right away as she can never fool him because he knows her so well and, frankly, she couldn’t pretend even if her life depended on it just like him. She fails to notice that this sort of consideration and selflessness are a double-edged sword. 

It’s both apt and ironic she tries to dismiss him as a child because her stubborness, discomfort and avoidance maker HER appear like a child and Issei the one 10 years older with his patience, calm and and persistence on discussing and solving the whole issue. This time it’s him who calls her out on her bullshit and childishness.

Issei notices everything about Hayame, including her mood swings which also refer to the mixed signals she’s been sending him, and how could he not when he always watches her so searchingly as if he were trying to look inside her soul, trying to spot every quiver of her lashes and nervous press of her lips. 

Thus, he can sense and predict what she plans to do because he can read her like an open book after watching her so closely for so long but also because he’s been there where Hayame is right now - he had been running away for the past 10 years before he met her and she saved him by making him realize he had been fucking up his life that way, therfore he gets angry seeing her repeating his mistakes. 

Moreover, he is scared shitless he may one day wake up and end up like Seigo, abandoned by her, not even left with a direction where to look at her, because she thinks she is not good enough and fears she might drag him down and mess up his life.

Despite it all, Issei doesn’t think about himself first, he thinks about Hayame and what it is she truly wants. She feels so lost and conflicted, fretting and completely panicking and he pretty much tells her ‘fuck the world and other people! You are the only person who matters! Think about yourself first and do what you truly wish to do even if it makes them hate you.’ And from the hopeful way she looks at him, it’s exactly what she needs to hear and wants to truly do but lacks the courage to go through with it just yet. 

Finally, THIS SHOT on the sofa! It pretty much says ‘married, in the middle of marital crisis and before a huge life-changing conversation’!

[quitealotofsodapop]

MvA assorted headcanons

General:

So many years together has made the core monsters inseperable. If something affects one member, it affects the group.

All. The. Monsters. Are. Family.

It takes Susan a while to understand inside jokes and past incidents because of being the most recent addition.

There are Other anomalous creatures kept in Area 5X, but they are either non-sentient and/or are too dangerous to be kept around the more human-friendly monster group.

Area 5X is so gotdang big because they were expecting a lot more kaijus like Insecto to crop up. Sadly not many have surfaced to justify the space.

There’s a hangar in Area 5X full of wrecked UFOs. Some are spacecraft wreckage while others are stuff like weird meteors (Susan’s is in there), and at least one alien creature that got crystallised upon entering Earth’s atmosphere.

There’s significant difference in staff employed at different points throughout the past 50 years. There are far more women on the Area 5X worksheet than back in the 50s, and the guards are generally more sympathetic towards the monsters. Many modern staff members have been reprimanded or let go for failing to uphold secrecy, or for unnecessary cruelty towards the monsters.

Budget cuts were a legitmate concern up until the Battle of Golden Gate Bridge. The facility was far more barebones and sterile before the government had to formally recognise Area 5X’s importance. There have been a lot of redecorating at the facilty since the fat checks started coming in.

Putting individual characters under read due to length.

Susan:

Enjoys many hobbies considered stereotypically feminine; baking, sewing, cosmetics, etc...

Grandparents and extended family are farmers or are atleast connected to the business. Modesto is the agricultural centre of California after all. Her parents were the first of their generation to go against the mold and seek out white-collar careers.

Studied cosmetology in school and was working at a beauty salon to save up for her and Derek’s wedding.

Is very athletic and grew up doing a number of physical extracurriculars like cheerleading, dodgeball, and roller-derby.

Grew up being teased for being the shortest kid in her class/family. They still tease her for it.

Greatly fears causing collateral damage and/or harm to others through her size.

Has issues with anxiety, worsened only by her new job as “savior of earth”. She wishes for a confidant to tell her worries to.

Married life with Derek was doomed to fail. Susan had a plan in place for what came after the marriage, and focusing 100% on Derek’s career was not it. There’s also the line from Derek’s mother about Susan being “the weatherman’s wife”, implying that she was to be the homemaker and not have a career of her own. It’s possible that Susan was planning to settle down and have kids with Derek, but the lack of control she had in moving to Fresno implied that more was going on.

Is currently “taking a break” from love and dating, despite gaining many new admirers.

Tries her best to return to Modesto to visit her family and friends whenever possible, though work often keeps her away for weeks at a time.

If she retains her height-shifting abilities as in the series; Susan goes through really bad “growing” pains.

Link:

Was frozen in his relative late-teens during a cold snap. Got shifted around until he ended up somewhere in Greenland before being discovered by modern humans. Post-thaw he went a bit wild, swimming frantically back south to try and find his old enviroment.

Was one of many scrappy youngsters in his troop, with a number of adoptive parents. The strongest ruled the troop, and Link was fairly weak in comparision to the leaders. He had gotten into a fight the day of his freezing (over something silly in hindsight) and swam away to sulk. When he didn’t return after the cold snap - the troop accepted that he had likely died out on his own.

Likes to freak out humans by making up weird biology facts about his species and ones he’s fought against - like joking about laying eggs or having his tail dettach and regrow like a lizard. However there’s some things he has to ask about, because he doesn’t have medical knowledge or words to describe something.

A lot of his macho behavior came from imitating the guards who kept watch on him. 1950s violent military alpha males aren't a very good role model for someone who doesnt know what societal norms are yet. Link was a lot more insufferable back in the day but chilled out as he began interacting with other walks of life.

Has a high paternal instinct and immediately becomes softer around kids and smaller animals.

Has body language similar to a cat/alligator. Slaps his tail when angry or in deep thought. And yes; Link purrs/rumbles when happy.

Loves monster movies - especially the ones where the monsters “win”. He cried when he saw “Beauty and the Beast” and then immediately booed loudly when the Beast turned human.

Does Not Trust doctors or scientists due to bad past experiences. Will only go to Dr Cockroach and Monger if he ever gets hurt/ill. Gets stressed fast if he has to be in a waiting room or doctors office.

Link had no idea what gender indentities or orientations were until recently - he did come from a pre-human civilization that really didnt mind/care about the schemantics. It took him some time to wrap his head around it. He identifies himself as bisexual after much thought and many hours alone on the computer.

Don't press him about his body. He's built different from humans and cis people. He will punch anyone who doesnt respect his or anyone elses identity.

Has been in love before. It didn’t end well.

Will occasionally wear clothes, but finds it a challenge to find anything that fits him. Will give any shoes he finds to Dr Cockroach and BOB to eat.

The best driver/pilot out of all the monsters.

Dr Cockroach:

True name is Jaques-Yves Herbert. Prefers to just go by "Dr Cockroach" because he dislikes the association with his birth family.

Picks up human languages very easily, although not as quickly as he can understand animals.

Parents were a mixed scientist couple. His father was an aggressive “Strong British Man” that would beat him son down for not following orders or for not meeting his standards for a man. Dr C turned down both chances to attend his parents funerals.

This man isn’t straight. He probably uses old-fashioned slang when asked about romance such as; “I am Uranian” or “I wear a green carnation”. It took Susan a few times to realise what he meant, as she is used to a more open minded enviroment.

Got the idea of transforming into a cockroach from reading Franz Kafkas “The Metamorphosis” as a child. He sympathized with Gregor’s abusive situation, and began considering the possibilties of how one could survive better as a creature like a cockroach.

Studied in biology and entomology in the Uk before moving to the states to follow engineering. Obtained his degree in Dance as a “side gig” in University.

Has been barred from free access to the coffee maker/machine due to overnighters. Once stayed awake so long that he forgot the letter “R”.

Owned a terrarium of Madagascar Hissing Cockroaches throughout college. He mourned each of them when his roommate’s iguana got into the tank.

Was a "beatnik" back in the day and still kinda is. Embraces and encourages modern counterculture as he himself was not given such acceptance in his youth. He has however shamefully eaten his old Lenny Bruce album.

Hasn’t actually aged physically since his transformation. He attributes this to the fact that certain athropods can’t age physically beyond maturity. Link is very jealous.

Has obtained more degrees while in captivity, as Monger allowed him access to research and learning materials. He has however had his allowances revoked for previous escape attempts/doomsday devices.

Does still enjoy human food, but the cockroach instinct of "eat detritus" tends to overrule his eating choices. Can’t cook either.

Ironically a terrible driver. The damages from previous drives has made Monger restrict him from operating even a razor scooter.

BOB:

Pretty much considers himself human. Was created by them, raised by one (Monger), and talks like one. Gets sad when he's reminded that no other humans are blue blobs like him.

Absorbed some dna from the scientists present at his "birth", leading to his eye, speech, and omnivorous diet.

Doesnt actually need to breathe (as he can just absorb oxygen through his mass) but the fact that humans Do means that BOB thinks he has to as well.

Shares some physical characteristics with tomatoes/nightshade plants, as he is technically half tomato. He refuses to eat tomatos for this very reason, considering it cannibalism.

Attracts garden pests looking for a tomato plant. This unwittingly makes BOB a pretty good bug zapper.

Still retains his "mental broadcast" ability from "BOB's Big Break" although at a more subtle level. He tends to parrot the things he accidentally "eavesdropped" on.

Is empathetic, and can tell when others aren't doing ok emotionally. Will flop down on someone who’s really sad to comfort them. No brain, only heart.

Best cook out of the monsters. If he doesn’t forget what he’s making at least.

"Whats a gender? Can I eat it?"

Insectosaurus:

Core body is that of a Japanese Silkmoth, although she ended up being spliced with other animals present on the island during her initial mutation; namely ants and ground squirrels.

Eats over a literal ton of mulberry leaves per day. Also enjoys oranges.

Secretly wishes to be more humanoid.

Was only able to pupate and transform due to physical trauma. It seems that her transformation was like a “power-up” that required her to be in geniune distress for it to activate.

First language is Japanese. She learned it from the intial recovery team, and later developed an understanding of English from years in Area 5X.

Goes into torpor in cold weather. Pretty much impossible to wake her up for missions during Winter, as she needs to “rev up” before becoming mobile.

Still very much Link’s best friend. Still enjoys sports, chicks, and beer.

Monger:

Full name is; Warren Rex Monger.

Is very protective of the monsters and will defend them to the death.

Pretty much raised BOB (as seen when BOB was a baby blob in “Night of the Living Carrots”), and considers him his “freaky gelatinous son”.

Has a reputation of being a “control-freak” due to his aggressive overseeing of the monsters’ containment. This toughness is partly because of incidents that occured without his knowledge. Lets just say some scientists have been wedgied/fired for running experiments on the monsters without Monger’s approval.

Has a very “Ron Swanson” emotional response and view of the world. Crying is acceptable only at funerals and at the Grand Canyon (if he hadn’t lost his tear ducts in the war).

Has been married multiple times. Will not confirm or deny if he is currently seeing anyone.

Invisible Man/TiM:

Legit got out but no one at Area 5X is sure how. He suffered a geniune medical emergency and disappeared after surgery. The other monsters were informed that he died from complications to deter them from getting escape ideas.

Is able to be detected in Infrared light. Dr Cockroach managed to rig up goggles to view TiM in case of injury and to foil pranks.

Was a scientist working on an invisibility potion for the military and used himself as a guinea pig. Hasn’t actually been able to replicate his results since - thinks the effect may have been caused by a genetic abnormality.

Dr Cockroach and him are massive rivals. Both actually met eachother pre-transformation through a CalTech expedition. This makes the pair one of few people that have seen the others human face.

Is 100% naked. Was forced to wear clothing once this was discovered.

A massive prankster and a cynic. Him and Link were a force to be reckoned with.

Has revisted the facility multiple times and has started a number of ghost stories.

Any additions are welcome! I proably have alot more to dump about. Might make one of the alien characters from the series

[monstersdownthepath]

Demigod Dossier: Velstrac Demagogues, part 1

Pictured: Aroggus, the Abbey-Maker

Lawful Evil Mad Artists of the Shadow Plane

The Complete Book of the Damned, pg. 120~121 Additional information is also present in Adventure Path: Return of the Runelords: The City Outside of Time, pg. 74~79

Our second-ever Demigod Dossier, now fully in-swing! The Velstrac Demagogues are the rulers of the Shadow Plane and all the lives within, though many of said lives within aren’t really fans of them. Natives to the Netherworld find the presence of the Velstrac an annoyance at best and a threat to their lives at worst, and would much prefer if they went back to Hell where they came from, but unfortunately for everyone everywhere they don’t appear too eager to throw themselves into the jaws of the inferno just yet. Instead, they’re busy throwing themselves into the jaws of one another.

The Demagogues represent the pinnacle of a specific subset of the Velstrac’s twisted senses of ‘art’ and ‘perfection,’ either because they’ve mutilated themselves into something wholly unlike anything else that can, did, or could exist, or they’ve pioneered a form of artistry that other Velstrac couldn’t even conceptualize in the first place and gathered a fandom. It takes some very twisted, alien forms of thinking to become a Demagogue and get others rallied behind you, even moreso because the Velstrac themselves are, putting it kindly, completely out of their gourd. When your audience already expects the insane and outlandish, you have to go even further, and many of the fiends you’ll soon see have.

We’ll only be covering four in this initial post, with the rest to be saved for later...

Demagogues view mortals as little more than primal clay to be shaped, and thus see little worth in investing true divine power into them, worshipers receive Boons that are are relatively simple: a trio of spell-like abilities, each of which may be used 1/day. Boons are normally gained slowly, at levels 12, 16, and 20, however entering the Evangelist, Exalted, or Sentinel Prestige Classes can see the Boons gained as early as levels 10, 13, and 16. Note that while they are Lawful Evil fiends originally from Hell, they are not devils, thus you cannot enter the Diabolist Prestige Class to obtain their Boons without DM fiat.

Aroggus, the Abbey-Maker

Demagogue of Possibility, Revenge, and Sanctuary Domains: Evil, Law, Protection, Trickery Subdomains: Deception, Defense, Fear, Tyranny

Obedience: List the names of those who have wronged you until the writing covers a page, then consume the parchment. Benefit: Gain a +4 profane bonus on saving throws to resist compulsion effects.

What a completely normal, sane, and healthy thing to do! As the first of the Demagogues to flee from Hell, Aroggus is EXTREMELY angry at the devils for locking them up in the first place. Angry enough to want revenge on the whole of the diabolic race, as well as the Asura... Angry enough that he hasn’t yet even started getting around to enacting his revenge, instead just constantly thinking about and refining it as if no iteration of suffering is perfect enough to match his fury.

True to form, he wants you to ruminate in your anger rather than doing anything to enact your vengeance, blacking out a page with the names (or just one name) of all who’ve wronged you no matter how petty or insignificant the inconvenience they may have caused. Unfortunately, no two ways about it, you’re going to look insane (in the literal definition of the term) doing this every day, especially if you only have one or two people who’ve wronged you enough to get onto your list. Scrawling their name, front AND back, until the page is filled and then eating it is behavior that will raise eyebrows no matter who you’re adventuring with. Best to keep this one behind closed doors. Make sure you have a glass of activated charcoal after, because all of that ink day after day (unless you write with, I don’t know, berry juice or blood) is going to do amazingly terrible things to your constitution.

The benefit is good. Compulsions are typically Save-Or-Suck effects, so having more Save means less Suck for you later on. It’s useful at any point in your adventure, so I can’t say anything bad about it! My only wish is that it was a little stronger, since some other gods give +4 vs compulsion and charm effects.

Boon 1: Nondetection Boon 2: Forcecage Boon 3: Imprisonment

Nondectection is a good spell for those times when you need to sneak by diviners, hide magic items from scrutiny, avoid the gaze of a Paladin who’s a little too judicious with Detect Evil, or to add another layer of shroud over Invisibility and the like. It’s a spell that’s a pain to prepare every single day, but useful to have when you need it... but you only have one casting of it per day, so using it wisely is paramount. Ironically, it combines well with your own Divination to find out if you’ll even need it later.  More often than not you won’t be using it at all except to idly ward yourself when going into town or diving into a dungeon.

Forcecage is a completely different animal, the offensive and defensive applications of the spell simply mind-blowing, to the point that keeping this to just one paragraph to save space is going to take some herculean effort on my part! So, the basics: Forcecage has two versions, both of which halt all movement through them: A 20ft square of force bars that allow spells, projectiles, and line-of-effect through, and a 10ft cube that blocks line-of-effect and all forms of magic and supernatural abilities. A Forcecage is effectively invincible (having Hardness 30 and 20hp/level) and impossible to move, so anyone trapped inside without the ability to teleport is likely to stay there for the spell’s duration. Also, to put it simply, shoving enemies in the cage is the main point, but if you cannot, a 10ft/20ft square is an enormous roadblock to stop up narrow passages with.

Which leaves Imprisonment, a portable hole you can shove all sorts of problems into, which will likely create new problems down the line if the target had anything you needed on them. I recommend knocking out a foe, stripping them of their valuables, and then shoving them into their baby jail for all eternity! With the Freedom spell being the only means to undo Imprisonment (even Wish and Miracle fail), you’ll have no actual way to undo the spell against any target you cast it on for one or two more levels, if at all (depending on the party composition). Make sure to use it only when the villain has no MacGuffins, or is a powerful recurring threat. Imprisonment works on anything and everything capable of failing the Will save (take note, anyone wanting to fight Kaiju, Great Old Ones, or Spawn of Rovagug), which gets a -4 penalty if you know the target’s name and some facts about its life, so famous villains are even more vulnerable to being thrown into the Eternity Marble! 

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Barravoclair, Lady of the Final Gasp

Demagogue of the Elderly, Fatalistic Insights, Resurrection Domains: Death, Evil, Healing, Law Subdomains: Murder, Restoration, Resurrection, Undead

Obedience: Practice breath control, holding your breath until you nearly pass out. Benefit: Gain a +4 profane bonus on checks to resist drowning and on saves against inhaled poisons.

A hell of a step down in terms of unhealthiness in terms of Aroggus, and significantly less suspicious, too. Breath control is practiced by people of all stripes, from athletes to explorers to simple monks attempting more profound meditation. While ‘nearly passing out’ is skirting an edge most people won’t approach, it’s not exactly as dangerous for you as, say, inhaling water or eating poison every day. Without any materials needed, the Lady of the Final Gasp is one of the simplest and probably the single cheapest Obedience ritual one could ask for! There is a minor caveat in that races who can’t breathe can’t technically do this Obedience at all, but those aren’t the audience Barravoclair wants anyway.

Unfortunately, the benefit is as weak as the Obedience is easy to do. Drowning is unlikely to come up as a danger unless you’re physically dragged into the water by a monster (which means holding your breath likely isn’t an option anyway), and inhaled poisons are the least common poison type in the game. Against the odd Catoblepas or Green Dragon it will come in handy, but it’s protection from injury poison you really need, which the Lady of the Final Gasp doesn’t provide.

Boon 1: Speak With Dead Boon 2: Resurrection Boon 3: Soul Bind

Alright, let’s face it. Some days, you need Speak With Dead to keep the plot running smoothly. Whether your overzealous DPS kills everyone in the room, your Fireball-lobbing Sorcerer kills everyone in the room, or your summoner’s unchained beasts kill everyone in the room, chances are at some point in your career you’re going to save the party a lot of headaches by being able to pull answers from a corpse. Having Speak With Dead available every day will likely not matter 80% of the time (meaning you can typically use it at your leisure just before going to bed), but much like with Water Breathing and spells like Remove Curse and Neutralize Poison, having it for those 20% of times you need it can keep the wheels spinning and stop unneeded side quests.

... And speaking of side quests and things you’ll need once in a blue moon, Resurrection? For free? Even 1/day? With the hefty cost of 10,000gp for the normal spell, even a well-off party will feel the impact every single time they have to use Rez, but the removal of the cost ups the power level of the spell by a margin so enormous that it doesn’t really matter what Boon you get before or after this one; THIS boon rewards worship of Barravoclair enough to justify putting up with her empty benefit. Even without factoring in the ability to raise party members, you can now curry favor with people of all stripes and demand all forms of insane payments for your ability to raise centuries-old dead at no cost but time... or do your work for free and call in favors at a later date. Do note, however, that you’ll also need someone else on standby to remove the negative levels/stat drain caused by the resurrection process.

I said it didn’t matter what the third Boon was and I stand by it. Unlike with the free Rez above, Soul Bind’s enormous cost still makes its use as anything but a once-per-campaign finisher of an annoying enemy irritating and unfeasible. Spell-likes normally require no components, but Soul Bind operates in a gray area of the rules in that its focus component becomes the subject for the spell, meaning that a DM can very easily and very rightly say you DO require the  gemstone whose value must equal or exceed the target’s HD x 1,000. Binding even a simple 5 CR creature requires the tall order of a 5,000gp gemstone, and if you want to use it on a target that’s worthwhile, it gets expensive fast. It’s way cheaper and easier to just hire a Cacodaemon. 

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Fharaas, the Seer in Skin

Demagogue of Experience, Murder, and Patterns Domains: Evil, Knowledge, Law, Repose Subdomains: Ancestors, Fear, Memory, Souls

Obedience: Study the interior of a freshly severed limb. Benefit: You are immune to bleed effects that deal 6 damage or less.

This Obedience is deceptively simple for what its implication is. You’d best get yourself a Sack Of Rats or have access to a lot of disposable prisoners (or the Regenerate spell)! But thankfully, there’s some wiggle room in the wording: ‘freshly severed’ means no cheating and using Gentle Repose on the same arm over and over, but it ALSO means you can carry around a single corpse and slowly slice it apart, as the limbs themselves don’t have to be fresh, just freshly cut off for the purpose of the ritual. Also, you can use the bodies of Undead, Constructs, and any other creature that technically has severable limbs! Though Fharaas, the Seer In Skin, will likely punish you if your ritual doesn’t involve the examination of actual flesh.

You’re going to look really weird, is what I’m saying. At least if someone barges in on you, you can claim you’re inspecting them for something or other. Infection, signs of magic, etc, whatever you can come up with to blunt the blow. You can cover yourself moderately well by being a butcher or a hunter in your day job, as the severed limb doesn’t have to be human, or even sapient (hence why I suggest a Sack Of Rats), letting you freely slice up and examine your kills.

Bleed effects are fairly uncommon in the grand scheme of things but are also a pain in the neck to deal with in the middle of battle, so this giving a +4 bonus aga--wait, sorry, hold on no, this isn’t a bonus to saving throws? Or skill checks to heal bleed? It just... Stops them if they deal 6 or less damage? You don’t even have to make a save?

Okay. Okay, alright. So you’re just immune to bleed, then?

More or less, really. There are very few monsters that deal more than d6 bleed damage with their attacks (be warned that higher-level ones can sometimes stack their bleed!), and this ability also works on the rare but dreaded stat bleed, and off the top of my head there are NO monsters that deal more than a d4 dice in stat bleed damage. My main problem is that it doesn’t reduce the bleed damage you take by 6, so taking even 1 more point of bleed damage makes this ability useless. Still, though it’s fairly narrow, being effectively immune to a dangerous and irritating status ailment at level 3 or so (when bleed is at its most threatening) is well worth taking up butchery. 

Boon 1: Keen Edge Boon 2: Vision Boon 3: Foresight

Keen Edge is a spell you absolutely want to slap onto any vaguely pirate-y or hoity-toity party member you may have, as cutlasses, rapiers, and scimitars all leap from a dangerous 18~20 critical range to a terrifying 15~20, meaning they threaten to critically strike 1 out of every 4 attacks instead of just once every other fight or so. With a duration of 10 min/level, the enchantment will likely last multiple fights even if you only have it 1/day, but unfortunately it refuses to stack with any crit-boosting enchantments or feats the wielder may already possess, lessening its usefulness as your adventure goes on and your martial party members pick up increasingly fancy gear and pad out their collection of feats. Still, it’s useful for when you get it, and will remain useful for several levels after.

Vision is a whole different beast, and a dangerous one at that. It operates as the Legend Lore spell but vastly accelerated, allowing you to scrape the public consciousness for any information it may have on a specific person, place, or thing. I’ve complained about the general niche uses of Legend Lore before, but Vision grants the information in a much shorter time (a single standard action) at the cost of a potential for failure and a slap of fatigue whether you succeed or not. I don’t like 1/days that do nothing on a failure, but since Vision is purely a downtime spell (unless you need to know the boss’ weakness or info on the Evil Doom Artifact right now immediately), it’s not as much of an impediment to lose out on whatever information it could give you. That being said, the DM will likely have ways for you to do whatever plot-relevant research you need anyway, so Vision is more of a way to speed up the process than anything.

Which leaves Foresight, a spell whose main benefit relies intensely on DM cooperation, as I’ve ranted about here. Mechanically it’s fairly unimpressive, but if the DM reads the spell carefully, they should realize it gives whoever you cast it on a 6-second glance into the future at all times. Whatever horrors befall the victim 6 seconds from now should spring into your mind before they happen, making you the best trap radar on the planet, and the spell’s warnings for the best ways to protect yourself will urge the DM to grant you information about the enemy’s capabilities you may never otherwise know... but what do you expect from 9th level magic? It SHOULD be filling you in with details you’d never figure out!

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Inkariax, the White Death

Demagogue of Preservation, Absolute Cold, and Solitude Domains: Evil, Law, Void, Water Subdomains: Fear, Ice, Isolation, Slavery

Obedience: Inventory your collection of hoarded knickknacks, reciting your unique name for each item as you do Benefit: Gain a +4 profane bonus on saving throws to resist effects that would petrify or paralyze you.

God, finally, someone normal. At worst you’ll look like someone with a few obsessive issues, but at least you won’t look like a menace to society as you lay out your, I dunno, marbles or bone dice or dolls or what have you and make note that they’re still there, cooing to them with names only you know. It’s fitting for Inkariax, of all the Demagogues, to have an Obedience that requires no self-harm, physically or psychologically; unlike all the rest, he was born perfect and doesn’t need to chase after it. Instead, he pursues finding perfection in others, freezing and collecting people and items he believes represent perfection in whatever unusual way he desires that day (having perfect posture, or a perfect scream, or a perfect pair of eyes, etc). Much like him, you’re encouraged to expand a collection of whatever you deem perfect and desirable, which you’re often going to do just over the course of normally adventuring. I’ve yet to see a player character that doesn’t start amassing all sorts of junk in their pockets the moment they get a Bag of Holding or similar.

Indeed, you can just pick up whatever catches your fancy, be it stones, sticks, or severed bits of an enemy, though I’m sure Inkariax will ever-so-slowly raise a disapproving eyebrow if you just pick up any old junk. Make sure to curate your collection now and then! Being able to perform this Obedience with anything you happen to gather is especially helpful if you’re ever separated from your collection (always a danger) and need to start again, but note that each item you gain in your collection must have a completely unique name. That’s only really a danger for especially RP-heavy campaigns, but in such campaigns Worship of the White Death isn’t for everyone who just names all their collected bird feathers Jeffery. Start getting in the habit of stretching out your inventory sheet with names for all your items!

The benefit you get from lovingly counting up all your stolen statuettes and dusty books is resistance to two of the worst status effects in the game. While petrification is relatively rare it typically appears in Save-Or-Suck form, which makes protection against it far more valuable than, say, protection against something like the far more common fatigue or exhaustion. Paralysis is an ailment just short of a death sentence by itself, costing the victim their turn at best and their life at worst, so even a +4 between you and that is something you need to cling to with your entire being.

Boon 1: Sleet Storm Boon 2: Sequester Boon 3: Microcosm

Sleet Storm is a very simple spell with a decent number of functions. Its Long range means that any enemy in your line of sight can potentially be a target, letting you lash out easily at ranged enemies or dangerous casters by creating a 40ft-wide and 20ft-tall area of concealing sleet that’s impossible for any vision to pierce (except the rare and niche Snowsight or Fogcutter Lenses). Anyone inside will have to rely on Tremorsense or Blindsense (though the jury’s out on if the splashing of the sleet would confound those, as well) to navigate it, and 40ft of difficult terrain can feel impossible to clamber through when you start right in the middle of it with no idea which way is the way you need to go. It’s one of the strongest vision-blockers in the game due to its immunity to common tactics that thwart lesser spells (Gust of Wind, True Seeing, etc), forcing enemies to either blow their valuable uses of Dispel Magic or suffer for its entire duration. My only complaint is that you only get it 1/day and that it screws over your party just as hard if you use it incorrectly.

Sequester is as niche a use spell as there ever was for players, requiring a bit of forethought about what or who you’d want to hide with it. The target must be willing or inanimate to be affected, so tricking an enemy via Charm or Dominate into accepting the spell can keep them fresh as a daisy for weeks at a time if you ever have a reason to do such a thing. More often than not you’ll use it to conceal items you seriously don’t want seen or detected, such as a Bag of Holding or similar loaded with your collection of knickknacks or emergency supplies, a particular hostage, an NPC you need to keep alive, or your phylactery if you’re a Lich. If you’re especially sadistic, using it on an item someone else needs and throwing it into a well or a hoard of other objects will keep them occupied for a while. If you’re a more martial character, using it to hide your armor is viable, making it seem as though you’re invincible when enemy blows bounce straight off, or even your weapon to confound your enemies who seem to be taking wounds from an unseen item. Your mime routine will be killer, literally! Just... Just don’t drop the thing, because in the heat of battle you’re never going to find it.

Microcosm is one of the best spells you can hurl into a crowd of commoners or a swarm of foes meant to gum you up instead of actually threaten you. Its 30 HD limit will mean it likely will only strike one or two creatures capable of actually threatening you, but it’s brutal even then. The spell is permanent, trapping your victims in an illusory world in which everything goes right for them even as their bodies starve to death in the waking world. Anything with less than 10 HD is automatically affected with no saving throw, the spell easily mopping up mobs, while anything with 11~15 HD escapes automatically after 10 min... per level you have. On a successful save. There’s Save-Or-Suck, and then there’s the immensely rare Save-And-Suck! No wonder Microcosm is ONLY on the Psychic’s list! Anything with more than 16 HD is unaffected if they succeed their save, but all their allies are likely in an everlasting dreamland now. The big issue is that the HD restriction is way tighter than you may think; creatures, especially at higher levels, usually do NOT have HD matching their CR, but if you’re mainly battling level-appropriate Humanoid or Monstrous Humanoid creatures, Microcosm is fairly reliable in such battles, as those foes typically have HD that roughly matches their CR. But if you’re up against, say, Dragons or Outsiders, good luck bud.

Side note: Microcosm and Sequester used in combination make for excellent ways to start your own morbid collection of living creatures, just like your icy master! Just make sure you have some non-Divination means of seeing them, as Sequester blocks even True Sight.

[toukatan]

i was listing all my favorite panels on the final chapter but i realized i listed almost every pages of it 🥺 no wonder this final chapter will be turned into postcards they are all beautiful 🥺 personally these are my favorites

i still haven't collected all my thoughts and i don't think i will ever be agdjdks all i feel since yesterday is just pure gratefulness. i'm just so incredibly happy that i got to witness this series unfold, grateful for all the people i came to be friends with along the way, lucky to be able to meet amazing bloggers, writers, content creators, fanfic writers and fanartists, and most of all, i'm entirely grateful because this series gave me opportunities to discover and ignite my love again in doing artworks, illustrations and contents to which i have already forgotten for years. it gave me a little confidence that i could be / could give something (it wasn't much i know xD but still, knowing me, i thought i'll never be able to create something) *pats my back*

i'm so happy that i really have enjoyed my stay here in the fandom because of you beni and to all the few people i became really friends with (you girls know who you are) and i love you all and cherish all the moments and crackheads stuffs we did. i remember that this roasting happened was because the angst is too much for us and that's why we have all come to an agreement to roast eren and everyone in the series. love that this community has been very helpful to me when i feel lonely and you all really did put a smile in my face. the way, we're all chaotic during chapter 123 and 138, we're all losing our minds(!) but my favorite moment will always be during 138 on how we're all betraying beni left and right front and back top to bottom 😂 it was definitely the most chaotic month we've ever been and i'm so moved on how respectful we are to each other and just chill here and vibe and just appreciate everything in the manga. it has been a joyous journey and i'll never forget this amazing experience with you all!

most of all, i thank isayama-sensei because if it wasn't for him, i wouldn't be able to meet all of you! 😊💛 i cherish and adore you all! cheers to another end of an era and cheers to a new beginning! *coughs jjk roast era, i will join you soon when i catch up*

ayna it took me a whole ass week to reply to you because i didn’t wanna get all emotional again right after the chapter that i ran away to work and read other things in order to keep my mind off it please forgive me i could not handle the pain of messages like these, i was feeling too much. but now with a week gone i can collectively reply now!

but no for real, almost every single panel within chapter 139 is stunning. like if yams doesn’t consider making merch outta these i don’t know what to think!

everything you said in that paragraph i absolutely agree too— through the journey of snk we were all able to meet such amazing people no matter what it was we had to gush about. from writers, to artists, to graphic makers, to meta writers, to bloggers, to simply just enjoying the little things about snk we all found each other and that alone is a blessing. i’m so glad you found your love for art again ayna, like thank freaking god you came off anonie just so i could yell at you for being talented, stunning, never been seen before and everything in between. you’re amazing artist and don’t let anyone tell you otherwise. i’m so glad snk was able to be your little paradise away from irl things— an escape with something you love with people joining you along the way adoring the same series with you.

honestly— i have no idea where the heck i would’ve been without you guys. no you don’t understand y’all really made my days and nights on end, any time i felt a little lost or out of it, you guys pulled me right back and outta there, i couldn’t be more thankful for every individual i’ve met on here. haha i remember it so well, everyone was being too angsty and we collectively decided no this ain’t it and started roasting every single little thing not matter what the heck it was. eren’s ass to his forehead please this was the peak of our culture ahdjwgjdbs oh my god not the 138 top ten anime betrayals. the way y’all went IM SO SORRY BENI AND I WAS LIKE DONT SAY SORRY THIS ON YOUE FJAGXHBWBS AND THEN WE STARTED GRILLING EACH OTHER INSTEAD HONESTLY WHAT THE HECK WERE WE DOING SHHDJSJDN i’ll cherish those days forever and more. the best days of my life— 🥺💗

i’m glad this safe space was able to make your days and you were able to meet new people. it makes me happy knowing you guys all respect one another and feel safe discussing anything and everything here. i loved seeing everyone get along from roasting to supporting each other with real life things. i honestly couldn’t have asked for more with my snk journey and im glad i was able to start it with you guys and end it with y’all. if i could do it all over again— i would in a heartbeat.

yes i will thank isayama here because without the man himself working so hard these past 11/12 years i wouldn’t have been able to meet y’all! yams you get that sauna and expect us to cry in there sir you did that and did it flawlessly. but no reals yams better get that sauna. i don’t accept no for an answer. cheers to snk and the journey we’ve had— i can’t wait for what’s next! AJKDBSJSNS JJK ROAST ERA? I THINK YES?

but no seriously. thank you for being apart of my snk journey— i love and adore every single one of y’all and couldn’t have asked for more. im honestly so glad i found you 🥺💗

[indomies]

#showyourprocess

From planning to posting, share your process for making creative content!

To continue supporting content makers, this tag game is meant to show the entire process of making creative content: this can be for any creation.

RULES - When your work is tagged, show the process of its creation from planning to posting, then tag up to 5 people with a specific link to one of their creative works you’d like to see the process of. Use the tag #showyourprocess so we can find yours.

sabrina @lanwangiji tagged me to show how i made my zayn’s birthday edit! check out her explanation on this mesmerizing zayn’s edit

1. PLANNING

It’s Zayn’s birthday, I ought to make something because so far I have made birthday posts for Louis, Niall and Liam. I didn’t participate in his birthday challenge so I had more time to create something for his birthday. I saw this post by @spaceniall​ and instantly fell in love with it. It's so clean, so neat,  an amazing edit. I had that post tagged for inspo and because my Louis’s birthday edit was a bit “grand”, I thought I should make something simple. 

I went to look for some photos of Zayn everywhere. Literally e v e r y w h e r e. I saved every photo I found beautiful and there were a LOT. I asked my friends for adjectives that describe Louis best and added them on my Louis’s birthday post, and I followed that approach for this edit. I asked several friends what they think of Zayn and collected the adjectives. 

This was a time where I haven’t used trello board, so I put all the adjectives in a google doc. Seriously I swear by trello board, they make my life easier.

After I had all the photos and the adjectives, I went to pinterest to look for the color palette. I forgot how and why I came up with this color scheme, but I believed I wanted something pastel and muted color. 

I had this idea to make an evergreen birthday post. I didn’t want to state any “happy birthday zayn” or his age on the graphic. I didn’t want to make all the edits to have his face because I wanted to showcase my graphics and typography style lmao. So I came up with 2 pictures with Zayn’s face and one central picture with his name. And I’m obsessed with space stuffs so this birthday edit is space themed.

2. PROCESSING

This is one of my earliest edits that I made in Illustrator, though I used Photoshop as well.

2.1 REMOVING PICTURES BACKGROUND

Remember I saved a LOT of Zayn’s photos? Yeah? Well I had a hard time choosing the right one. I asked Sabrina to help lmao. After I agreed with myself which photos I would use, I opened Photoshop and prayed it won’t crash after 5 min.

I uploaded the 2 photos and then I used selection on Zayn and then clicked inverse and deleted the background. Recently I found this website who can delete your background in 1 min, tbh that’s a life saver. I recommend using them, if you hate removing backgrounds with Photoshop. 

I saved the backgroundless Zayn’s photos as png. And we’re moving on to the next step

2.2 THE TYPOGRAPHY

I only used Photoshop to remove the backgrounds. Now onto Illustrator. Always pray it won’t close by itself every 5 min.

I don’t really remember which dimension I used, but I suspect it’s 600x700 px. I made 3 artboards and loaded the color palette I found from Pinterest. I made 3 rectangles as the backgrounds for each picture and filled them with my desired colors, 2 pink and 1 green. Green being the standalone was put in the middle.

A bit of excursion based on my experience

When you open an artboard in Illustrator, you’ll see a white background. When you save the file you’ve worked on, it’ll actually be transparent. That’s why I always draw a rectangle as a background so it has a solid color. 

I focused on ZAYN (middle pic) first because I wanted that to be the main focus. I don’t remember the font I used and I already deleted all files. I followed this tutorial to make the text. Basically you write your text first and choose effect > 3d > extrude and bevel > isometric top. Changed the colors according to my color palette. 

I moved on to the first picture, Zayn and the adjectives. I uploaded his photo to the artboard and put it in the middle. I wanted the adjectives to encircle him. I just followed this tutorial on how to make the effect. I made that text effect because that reminded me of the saturn ring lmao. 

2.3 THE GRAPHIC DETAILS

Once I got the typography done, I made stars and moon to make the edits merrier and more space themed. 

For the stars you can follow this tutorials. For the moon I made 2 circles, one of them was bigger. I put the smaller one in front and click minus front (I think). For the saturn planet, I made a circle with filling and an oval with stroke only, putting the oval infront of the circle and delete the back part of the ring (I hope this makes sense). 

I have these lines around Zayn, my intention was to make Zayn pop and kind of crown him or give him a glowy effect sort-of. 

All I did was follow this tutorial and delete the lines at the top, because I didn’t want it to be too crowded. Then I put some stars and planets at the top to balance it.

2.4 FINISHING TOUCHES & EXPORTING

I rearranged some things, zoomed out the artboard so I could see everything as one post and picked and deleted some unwanted things. After I was satisfied, I added my watermark and it was my old url, I just typed louistomlinboo. (Now I made a logo-ish and use that as my watermark and the logo is not dependent on my url)

Ok I lied I used Photoshop again… so I had these adjectives in 2.1 that encircled him right but some parts of the texts are above him. I exported my Illustrator file as a psd, uploaded it on Photoshop and used layer mask magic to delete the texts that were above him to create an illusion that the texts went around and under him you know. See the picture below, some texts are beneath him.

For this picture I exported the png file from Photoshop, the rest directly from Illustrator.

This was when I learned I needed to scale up, because on Illustrator they all look good in terms of quality. But when I posted it, the quality was reduced. That time I just exported as big as the dimensions and I was disappointed with the quality when it’s on tumblr.

3. POSTING

I uploaded the 3 pictures I have on tumblr and chose “happy birthday zayn” with star symbols/emojis to keep up with the space theme.

So I always write out what my caption will be with the “rich text” option.

 Then I go to this color html website to add the gradient color in the caption and remove the “;” with “ “ in here. Once I have everything, I change rich text to html so I can put the text with color in html mode. 

Put some tags related to Zayn. (self promotion time lol. i have compiled tags for 1d creators check them out here)

I finished I think a week earlier before Zayn's birthday so I saved it on draft. I posted around midnight (my timezone is CET), because oh boy it is a competition with birthday post lmao. That’s what I feel like at least. You know, everyone wants to make a birthday post, I feel I have a better chance If I post something first. Whenever I have something done earlier before a certain due date, I either save it on draft or schedule it so it’ll be posted automatically.

Yeah that’s it! It’s not as detailed as before I think because the files are deleted sorry! 

i’m tagging:

@spaceniall​ for this wonderful niall’s birthday edit

@she-fearlesss​ for this magnificent louis’s birthday gifset

@finewalls​ for this mesmerizing animation

@louitomlinson​ (i know you’re not that active but if you want and can!) for this amazing edit

and @tomlinsun​ for this cool edit

[fericita-s]

The Princess and the Barbarian

A Helnik tale, rated T.  As Matthias recovers from a gunshot wound, Nina tells him the story of the Princess and the Barbarian. He interrupts a lot as his Fjerdan sensibilities are bothered and the Ravkan propaganda gets to be unbearable.  Thank you @theburnbarreljester​ for beta-ing and for reminding me that we’re all here for the biting and trembling of lips.

Previous Chapters

Chapter 6

Inessa studied the landscape from the edge of the cave.  She could see endless green sloping hills, the curved slice of a river, and the rocky path that led to her place of captivity.  Her bound wrists were staked to the rocky ground of the cave and she could loosen the metal and slide out of the chains.  She usually did for the first hour the barbarian was gone each day.  But as the sun moved to the center of the sky, she knew it best to chain herself again and stay inside the wide, hard-packed confines of the cave to keep her ability to escape a secret.  He seemed to think her powers were limited to fabrics and she didn’t want to alert him on what exactly she could do.  She’d leave as soon as she knew where she was and had something better on her feet than her ruined dancing shoes.

Her best guess was that the barbarian had her in the woods near Halmhend, well into Fjerdan territory.  She’d have to cross either the Permafrost to get to Chernast or go south through the forest to Ulensk to make it back to Ravka.  If she escaped through the ice, she was likely to lose fingers or worse on the journey.  And the nightly shrieks and howls from the wolves coming from deep within the woods were enough to make her long for even the barbarian’s comfort. 

He rarely gave it.

On the first night he’d told her to stop her weeping for the dead with a harsh “The dead can’t hear you mourn but the living can.  I might not be able to save you from the wolves or my countrymen if they come in force.”  Then he’d made her burn her only remaining item of clothing and as the chemise went up in flames he’d given her his roughspun shirt. It still bore his scent even weeks later though she probably could have fabrikated that away if she wished.  It felt like armor, being surrounded by the smell of the tundra and the smoke of campfires, even the trace of his sweaty musk.  Like the volcra or the howling wolves or enemies she might find in this land would pass over her if she was disguised in his shirt and scent.  It was a small comfort, but she clung to it.  When he was off hunting or asleep she liked to run the fabric between her fingers, to run her hands underneath where the coarse material hit her thighs, not quite mourning that she’d never had a wedding night, but curious about what it would feel like for this barbarian to make her fully his.  

He stayed bare chested in the cave and Inessa studied him like works of art she’d seen at the Grand Palace.  He had cords of muscle along his arms and across his chest and his back was made up of hard planes that she surprised herself by wanting to run her hands across, to feel if Ravkan and Fjerdan bodies were made the same. 

Once he’d thrown an elk carcass at her feet and demanded she cook and clean it, but she’d retched instead.  Disgusted, he prepared the meat himself and then ate with an intensity and such a lack of decorum that Inessa stared, horrified and transfixed. He fed her too, bringing a jeweled goblet of mead to her lips and calling her “princess” in a way that was very different from the servants at Os Alta, like he was mocking her for being so useless.  

He’d spent the next few days rendering the fat and making soap, stripping and treating the hide, drying the remaining meat in long strips.  She’d watched it all without offering to help, but unable to look away from the way his arms looked while ripping bone from sinew, how the steam off of the cook fire made his long hair curl at his temple. 

The cave was primitive but did have some comforts.  She slept on what she assumed must have been his bed - a pile of furs and a hay pallet - while he slept by the entrance of the cave with his back to her. There were goblets like the one he offered her at meal times and stacks of animal pelts and barrels of mead and kvas arranged neatly against the side of the mountain.  

Every night before he moved her chains to the bed and tied her there instead of the middle of the cave he asked about the Shadow Fold.  He called her witch, he called her an abomination, he called her a privileged princess who didn’t know the havoc that such evil invited into the midst of the living. And each night she told him she had no idea how it was formed, who formed it, or how to extinguish it.  She wanted to yell “It made me a widow and an orphan! Don’t you think I know the cost?” but cried silently instead, fabrikating the furs into the same soft heaviness as her quilts in the Grand Palace.  Each morning she turned it back to fur, knowing he’d make her burn what he found changed.

She walked back into the cave and recited her daily prayers to the saints, beseeching them to safekeep her brother The Emperor and his wife and children.  To keep the volcra confined to the Shadow Fold and to banish it forever.  To see her in her suffering and give her a way to return home. 

She heard the barbarian’s heavy footsteps behind her and then his voice, angry and rough.  “What spells are you muttering, witch?”

“I’m saying prayers for my family.  I can pray for you too if you’d like.”  She turned to look at him and he scowled. 

“I’ll take none of your prayers. Only Djel is the true maker and god.”

“You were gone longer today.  Where did you go?” she asked, hoping he might mention the name of a town or a river that would help her figure out where they were, how she could leave.

“I was buying you this,” he said, throwing a bundle at her.  “You can only have it if you promise not to alter it.  No magic that would attract the volcra or widen the Shadow Fold.”

She began to unwrap the fabric strips and shook out the material inside.  “It doesn’t work like that, fabrikating doesn’t -  but then she stopped, struck by the absurdity of what he had given her.  “This is a Fjerdan dress.”

“Yes.  It is.  Because you are in Fjerda.  And because it is not proper for you to be wearing only my shirt as the days begin to turn colder.”

Inessa let one hysterical giggle leave her throat.  That was what he found improper? Her wearing his shirt?  He’d kidnapped her from her family and had her chained in a cave.  And now he wanted her to wear the dress of a Fjerdan woman.  She wished she’d studied their customs more closely, she might have been able to guess which town this was from based on the embroidered hem or the silver buttons on the sleeves. But then, another idea took form.

“If you want me in a new dress, please, let me bathe first.  It’s been weeks.”  Perhaps she could glimpse more of the terrain, gain a better understanding of where she was and how she could leave.

He looked at her for a long moment, a flicker of something in his eyes that she hadn’t seen before.  “Alright.  I’ll take you to where the beavers have made a dam.”

He unchained her from the ground but kept her hands bound, which meant she stumbled as she picked her way across the rocky path.  He walked behind her, catching her under the elbow when she lost her footing and once grabbing her waist when she pitched towards the edge of the cliff.  New clothes would help her in an escape attempt, but unless she had better shoes she wouldn’t get far.

The small pond created by the dam was clear and cold and Inessa gasped as she put her foot in. “Will you unchain me? So I can bathe?”

“No.” He thrust a chunk of the elk fat soap into her hands, a hard glint in his eye.  “I will bathe you.”

She looked at him just as fiercely and then pulled his shirt over her head, shimmying awkwardly around the chains, so that she was standing bare before him with the shirt bunched up over the restraints and the tightly clutched soap.  He pulled a knife out of its sheath by his waist and cut the shirt away from her.

“I’ll burn this tonight.  Get rid of the witchy stench.”

Inessa was horrified to feel the prick of hot tears in her eyes as she stood naked in front of him, listening to the same insults he’d thrown at her daily.  She turned and walked into the water, biting her lip against the cold and then submerging herself fully, trembling as soon as she surfaced for air with her eyes closed.  She wiped at her eyes with her bound hands and then the barbarian was there, holding her head in his hands and using his thumbs to wipe the water from her eyes. 

 The water and his words were cold, but everywhere his hands touched her felt hot.  He was still warm from their walk to the dam and she could feel it radiating off of his bare chest as he ran his hands along her forearms and then her upper arms and shoulders.

“I should not have brought you here to defile these waters.  All waters feed Djel and are fed by him.  We drown witches in these waters for his glory.”   He rubbed his fingers in between hers and then scrubbed at her fingernails with his and she was acutely aware that he’d shucked his pants and boots and was as bare as she was. “But we have a saying, the water hears and understands.  The ice does not forgive.  Djel will forgive me for this transgression; it is in the service of keeping his people safe from your magic.”

“I don’t need you forgiveness, or that of the ice, either,” she snapped, shivering.  The water was icy cold and with his words came the sensation that she was being drowned in them.  

He took the soap from her and rubbed it over his hands until he formed a lather and then carefully slid his fingers under the chains around her wrists.  He scrubbed her gently and silently and she tried to control her gasping breaths by calling to mind memories of home.

“My mother’s soaps smelled of lavender,” she said and he grunted in response.  “For her evening baths.  Jasmine if it was in the morning.”  She closed her eyes again, trying to remember the scent of it, the way it felt comforting and certain.  The way it meant her mother was near and she was loved.

“Are Ravkans so dirty that they must bathe twice a day?”  Her eyes flew open and she scowled.

“You're the barbarian!  You haven’t bathed since well before you stole into Ravka, I’d wager.”  She shivered and he dropped her hand.

“I’m bathing now aren’t I?” He handed her the soap and then went under the water.  He emerged with his back to her and she watched as droplets of water ran down his back.  His long hair was dripping and darker now that it was wet and he soon had it in a lather.  He went under again then rose towards her, reaching for her chained hands and pulling her to himself.  He took the soap from her, worked to make suds, and then buried his fingers into her wet hair.  

It felt exquisite.

He scratched at her scalp and then down to the base of her neck and onto her shoulder blades, rubbing more soap along her back and down towards the curve of her bottom.  She closed her eyes again and gave herself over the sensation of being made clean as his hands explored new places: her thighs, her ankles, a palm across her breasts that made her gasp and bite her lip again.  He held her elbow as he dipped her under the water and when she emerged free of the filth and blood that had clung to her for weeks, she felt new. 

He gave her a blanket to wrap herself in and they sat on the rocks at the edge of the dam watching the dying light of the sun as it edged closer to the horizon across the vast Permafrost to the west.  They were farther east then she’d realized.  Perhaps close to Chernast.

His hair was drying quickly and he ran his hands through it, tugging at knots in the golden strands.  He looked young like this, perhaps even as young as she was.  She might have offered to braid his hair, but her hands were shaking from the cold annd her own wet hair and she wasn’t sure what she’d do if her hands were in his hair.  Strangle him?  Rub it between her fingers and press her face against it? Both seemed like a good idea.

“We leave now.  Before it gets dark.”  He pulled his clothes on but she made no movement to put on the dress he’d given her.  She definitely couldn’t manage it with the chains and even if she wasn’t chained, she’d only ever been dressed by lady’s maids.  

He turned as he finished pulling up his pants and used his chin to point to the dress.  “Put it on.”

“I can’t do it like this,” she said, raising her arms and showing him the chains.  

He was silent as he walked to her and picked up the dress, separating it into three pieces and a pair of pantalettes that fell to the ground.  He knelt down and held the layered skirts open and she stepped into them, stumbling into his chest as she lifted her leg.  Her loose, wet hair encircled his head and he drew back as if stung. He rose and then turned her so her back was to him and cinched the ties at her waist, looping them roughly into knots. Then he spun her and undid the chains around her wrists with a key from his pocket.  

“Steady now.  Put your arms through.”  He helped her into the bodice and then the woolen vest that covered it, his fingertips skimming the exposed skin at her waist before he drew the laces closed and tied them as well, his head bent over his work and inches from her chest.  

“What’s your name?” she asked, like he was a new lady’s maid and she’d have to remember his name for when they repeated this routine in the morning before a gilded mirror and a porcelain washbasin.  

“Iver.”  He picked up the pantalettes and bent down to one knee as he held them for her to step into.  She placed her hands on his shoulder.

“Thank you for the dress, Iver.  And for the bath.  My name is Inessa.”

“I know,” he said and then chained her hands once more before he stepped away from her, walking towards the path that had led them here.  “It will be dark soon.  Best leave now.”

She followed him back to the cave in silence.  He built a fire and cooked a rabbit and he asked the same question he asked every night.  And even though her answer was the same, everything changed.

“Inessa, do you know anything about the darkness that made the fold?  About the fold itself?”

“No, Iver.  I don't.”  

He looked at her across the flickering light cast by the fire and she thought of how much the shadows it cast looked like the volcra.  How the red flames looked like the bright bursts of blood she’d seen the day of the volcra attack.  He moved to her slowly and then reached for the chains at her wrists, undoing the lock and then rubbing her wrists as the heavy links fell away.  Inessa looked at his hands on hers, so large and now so gentle, and when he pulled away and stood, she wanted to reach out and draw him back down.  She wanted to touch every inch of his skin, to know the way each cell melded together, to feel him as he joined with her, to understand the making of him.

“There.  You sleep like that now,” he said, and then stalked off from the cave and into the night.