#animated stories from the bible

[rosie-love98]

Which Out Of These Bible Cartoons Is The Best?:

To be specific, I’m talking about the Biblical cartoons that DON’T have (what I like to call) a “Tour Guide”: pretty much an OC that guides the viewer to what the story is about. I had grown up knowing of Hanna Barbera’s “The Greatest Adventures: Stories From The Bible” (which I prefer over “Superbook” or “The Flying House” to be honest). And while I love that show, I find myself preferring Biblical cartoons that don’t rely on a Tour Guide Character. I understand why that trope is used-especially for kids. With the Bible, there’s a lot to explain. But, when seeing a review of that “Samson And Delilah” cartoon (which I think was from Burbank films…?), it made me hate the Tour Guide Character trope with how annoying the narrator’s voice was. Besides, I’d rather just follow the Biblical characters without having to focus on some OC (and this is coming from a fanfic writer who has OCs…).

So, with that in mind, I got these “contestants”:

“Animated Stories From The Bible/New Testament”: From Richard Rich, the man behind “Animated Hero Classics”, “The Fox And The Hound”, “Small One”, and, most notably, “The Swan Princess”, this series lasted from 1987-2005.

“Testament: The Bible In Animation”: Having a short run within 1996 and (technically) a movie, “The Miracle Maker” in 2000, this unique series told the Bible through different art styles from claymation to oil paintings. The people behind this show are also behind “Shakespeare: The Animated Tales”. One of its producers, Christmas Films, had also worked on “Animated Tales Of The World” (2000-2004) and “The Canterbury Tales” (1998-2000).

Mondo’s “Bible Cartoons”: If you’re a fan of Bobsheaux, Saberspark or The Nostalgia Critic, you might be familiar with Mondo. They’re the folks behind the “Highlander” animated show, the 1995 “Cinderella” anime, “The Legend Of Snow White”, along with… “Simba The King Lion”, “Titanic: The Legend Goes On”, and its sequels, “Tentacolino” and “Fantasy Island”...ANYWAY, while Mondo’s “The Old Testament” ran from 2003-2004, “Jesus: A Kingdom Without Frontiers”  was in 1996 followed by “In The Name Of Jesus” in 1999, “The King Of Kings: Jesus” in 1998, and “A Kingdom Without Frontiers” movie in 2000.

While I have seen “Testament: The Bible In Animation” and parts of “Animated Stories”, I have seen bits of Mondo’s Jesus cartoons. Honestly, seeing what Mondo had done to the Titanic, Simba, along with Pocahontas and Mulan, can you blame me? However, their “Cinderella” and “Snow White” shows seemed to have had decent ratings on IMDB. 

Still, with all that said, which Biblical cartoon is the best out of these three?

[ladyloveandjustice]

Dunmeshi anime: I'm so glad we got to the shapeshifting part I was sure it was going to end on Senshi's part. Would have been more fitting probably,but now we all get blessed with what Chilchuck looks like on the inside and Bishonen Senshi Sailor Moon.

[mel-loly]

-Happy Easter..💛

[deathsmallcaps]

Ok when I reblogged this last night, I picked 3rd because that’s what I’ve heard, but I also said maybe a little bit #4? Because at the time I thought ‘well something not really mattering to you = a sort of rejection” so I was a little confused as to how they were separate options?

And then when I woke up and I saw this I remembered that the ‘rejection’ idea was an antisemitic talking point. As in supposedly you saw the undeniable truth of Jesus and were like nah.

So I’m not sure how else it could’ve been worded - it was quickly visible to me after a good night’s sleep - but I wonder how many other people were thinking similarly to me when they picked #4, and how many are genuinely antisemitic. But I hope there’s just a lot of confused people.

[gibbearish]

ok i finished the first chapter and am gonna take a break now but im v excited to keep reading im really liking the way the author looks at things so far

[shallowstories]

Jack gets into Dean's anime collection, but he skips the hentai and gets obsessed with trippy stuff like Angel's Egg.

[dduane]

I have been trying to write fic (well, smut) set in a world where certain things are slightly different to serve the fic's plot.

However, each time I try I have run into a problem: my head insists I need to justify the changes - I need to know comprehensive details about how the world works so I can ensure everything is consistent and not too f'd up.

So I get bogged down, and don't write a word. What do?

In your position, I’d sit down and write myself a bible.

This is how I did my prep for Barbie: Fairytopia.* And how I’ve done it for various works of fic presently on AO3… and how I’m doing it right now for the new Sherlock Holmes and the Giant Rats of Sumatra III project. I was taught this art by my animation story editors at Hanna-Barbera, and it’s stood me in good stead. (Peter and I pulled down our first miniseries assignment from a company that told us “we gave great bible.” And that was true.) 😄

When I say “bible” I don’t necessarily mean something that thick! (Though some of mine have been pretty hefty, with one TV project’s bible running more than a hundred pages… because I knew I had skeptical and underinformed TV execs to convince about something historical.) For the kind of purpose we’re describing here, your prep bible could be quite short: maybe looking like a bullet-pointed “shopping list”, five or ten pages long. It can be just as long or short as it needs to be to cover all your salient points.

The idea is simply to put down, in concrete form, a list of the main “different things” you need to know and remember about your alternate universe when you’re working in it. This is where you do your justification work, in as much or as little detail as you need to convince yourself you’ve got the necessary bases covered. The virtual “stage manager” who sits at the back of the theater of the Writing Department in your mind, judging when things are right, will be your guide here, and will advise you as to when you’ve got enough and it’s time to stop. And once this stuff is down on the page, you’ll be a position to judge critically whether everything makes enough sense to work with, and slots together correctly.

This is also a bit like (for the prose part of a project) outlining, in that it’s incredibly freeing. Once you’ve got this background nailed down, you know you can safely turn your attention away from it and get down to the serious business: drama, and the character interactions that express it. (And inevitably as you’re doing the bible writing, you start getting ideas for how the substrate you’re laying down is going to affect the conflicts between and among the characters. The bible stage can be incredibly fruitful this way.)

It would be facile to describe the bibling process as “getting the easy part over with first”. Because sometimes it’s not easy! But it’s worth doing first, because having done this first relieves you of the ongoing anxiety caused by knowing you may have to keep inventing or rationalizing stuff on the fly. (Which can produce the kind of micro-blocks that a writer can generally really do without.) …Not that you’re not going to be inventing things on the fly anyway: that’s a normal part of the writing process. But the biggest and most obvious issues will have been handled already, and you’ll know they have; which is always a weight off one’s mind. And the fewer of those weights you have loading you down, when you’re in the midst of the labor of composition, the better.

Anyway, give it a shot and see how it works for you. And then you can, like the rest of us smut writers, get on to the really pressing business: making sure you haven’t lost track of where all the characters’ arms and legs (and things) are when you’re writing those hot steamy sex scenes. 😏

Hope this helps!

*ETA: My remit on this job did include creating a bible for them. But I write a rough-draft one for myself first, including various meta that I needed but they didn't.

[fibfoolingart]

i swear this was just supposed to be some fun aesthetic swap doodles, but then i started thinking about The Implications and now i have a wholeass story behind this au lol

any world where grace chasity isn’t a horny, homicidal prude, we lose the original plot, so this au would revolve more around the church of the starry children then max jägerman lol

solomon decides the best way to wield power in hatchetfield is through religion instead of government and he unites all the tiny denominational churches into his church, becoming the pastor (happening around the same time steph starts middle school.)

it works. almost everyone attends solomon’s church, and it becomes a required social event for anyone who’s anyone in hatchetfield.

but it’s all a manipulation for bigger purposes as solomon slowly incorporates text from the black book, pushing the church into culty territory.

as the preacher’s kid, steph is under constant scrutiny. she might have wanted to rebel as a kid, but the wrath of god is a much bigger threat than just breaking her phone and solomon uses fear and guilt to keep her in line, turning her into a model of godly behavior (at least on the surface).

the chasitys refuse to join solomon’s church, but their small congregation shuts down when there aren’t enough people left. 

grace’s parents encourage grace to pour all her free time into individual bible study to make up for the lack of church, church activities, and church outings, but grace starts treating the bible like a textbook instead of a spiritual guide.

without structured church activities, her obsession with rules and procedures shifts to the school system

grace unknowingly separates herself from spirituality when her bible obsession becomes academic. she’s still a christian, but she’s more likely to corner you in the library to infodump about angelic hierarchies than preach about purity.

travis coulson was ruth’s older cousin. it freaked her the hell out that someone could be bullied that bad that they have to transfer and their entire life is erased for a dumbass lie that everyone believes. so ruth vows that she and her friends will never be outcasts (or timberwolves) and drags pete and richie into a "popularity pact" in fifth grade, forcing them to get cool or else.

the trio spends their summer doing research and practicing social skills. (they basically spend their time practicing masking autism and refining their ability to camouflage.)

the trio starts researching what’s cool. their findings? football players, student council presidents, and school play leads are the pinnacle of popularity. so, they throw themselves into middle school tryouts and campaigns to fit these roles:

richie tries out for football but ends up as the mascot.

ruth auditions for the lead in the school play but gets relegated to lighting tech.

pete campaigns for class president but only gets elected secretary.

instead of quitting there, they regroup and try again in high school:

richie uses the athleticism he got as a mascot to land him a spot on the swim team.

ruth works her way up to the the student/assistant director for the school plays

pete works his way up the student council ranks, eventually becoming class president.

the trio is finally just cool enough that their quirks get rebranded as "quirky-cool" instead of "weird." they still bond over star wars and anime in secret, but their popularity ensures they’re never targets again.

[anniflamma]

Annimaflama, I'm genuinely tweaking with the new Epic animations, it was too good and now I'm a crying mess.

What do you plan on doing now that it ended? Have you seen the new Greek mythology inspired musicals that are appearing now? Do you plan on animating any of them?

(I'm pretty sure I also saw a new musical on production about the bible, it sounded nice, I can't remember the name of the creator though)

Soo my plan is to atleast make one animatic from the ithaca saga. I do however want to do all of them tho. TT.TT And we can't forget Get In The Water/600 Strikes!

But right now it looks like Im gonna continue what I do. Keep doing the stuff I like! I also have so many other musicals I wanna try make content of, like Of Ashes, Warriors or X Venice! Maybe I can sprinkle them in between the Epic ones? I'm also planning on open my commissions too, not yet, but have it open around the end of January!

And If you are talking about Stories From Styx.... yhea I have my eyes on it!!! >:D

And HOW DARE YOU SAYING THERE IS THIS NEW BIBLE MUSICAL, NOT REMEMBER THE NAME AND THEN TELLING ME ABOUT IT! You breaking my heart! /j

[maxwellatoms]

They left me no choice.

The animation industry is an absolute trash fire right now, and TBH... I don't think it's going to recover. Not in a form I recognize, anyway.

I could go on all day about the self-hating monster that is the Animation Business, but I've said it all before. Right now, none of the major studios are making much of anything, and almost all of what they are making is "library content". I'm currently doing storyboard revisions alongside a number of other former producers and directors, and I'm lucky to have the work. Once all of the mismanagement and the mergers get sorted, though, there should be plenty of room for more mismanagement and mergers. And the A.I. Don't forget the A.I.

It seems that I either give myself over fully to the souring corporate teat in the hopes that I can pretend that I still live in a world where "the grind" matters. Or I take a risk and make one big push to do... something.

First up:

Billy & Mandy vs. The Entertainment Industry:

This is my interview/reality/documentary show on the making of The Grim Adventures of Billy & Mandy from stem to stern. I'll be talking to as many people as I can who worked on the show about all sorts of different parts of the process. We'll definitely get to voice actors, but the first segment is probably going to be about Billy & Mandy's pre-history and the Big Pick Weekend.

The Upward Expedition:

This is my pick for my indie show. I have a bible. I have a decade of ideas. Time to sit down and tell a story. I want to get some screen sharing going at some point. I'll definitely share artwork as well as the trials and tribulations of getting from There to Back Again.

I'd love to get a Discord server going and provide a place where people can talk about the stuff I'm making (and the entertainment industry in general). I still have enough Billy & Mandy swag left that I'm sure I'll factor that stuff in as well.

In the immediate future, the funding goes to securing a space to do the interviews and probably to banking money for voice actors. I'm still deciding on my update schedule, but it should start in earnest next week.

I'm excited. Pretty scared... but also excited.

More updates to come. Definitely let me know if there's anything specific you'd like to see on the Patreon!

As always, thanks for sticking around!

[dearieshima]

"THE HORROR... YES!"

✦ SUMMARY

╰┈➤ Step right up for a spine-tingling, old HORROR story TROPES extravaganza! Filled with the clumsy girl! Stupid plotlines! Unnecessary sex scenes! And plot holes! #KINKTOBER2024

✦ C.W

╰┈➤ CLUMSY!reader, DITZY!reader, AFAB!reader, DUBCON bordering on NONCON, murder, character DEATH

hunted doll!sukuna x reader — here!

Your boyfriend, as clumsy as he is, foolishly wins you a doll at the county fair that will forever change your life.

feat. dubcon/noncon, murder, character death(?), groping, trueform!sukuna, double penetration, plushie humping, mental illness, face riding, aphrodisiac, brief cum eating, slight voyeurism, degradation, praise, missionary, 7k+ words, yuuji is aged up to 20+years, slight yuuji x reader, hair yanking, is this cheating?, rough sex, unprotected sex

masked killer!toji x reader — soon!

your mother introduced you to your step father and you both have quickly gained a lot of chemistry.

feat. dubcon, death, step-cest, stalking, age-gap (reader is 23, toji is 48), scummy toji, bratty!reader, drugs, rough sex, vaginal penetration

werewolf!choso x reader — soon!

your job was to collect film for a documentary about a popular wolf that caught the internet's attention.

feat. heats, knots, stalking, dubcon/noncon, vaginal penetration, breeding

priest!geto x succubus!reader — soon!

after you returned back from bible study one summer afternoon, you changed. your parents sent a minister to help their daughter.

feat. religion talks, victorian era, cowgirl, vaginal penetration, overstimulation

teslabot!toji x reader — soon!

telsa has come out with a new robot to help assist with your every day needs. And to encourage sales, they've programmed and dressed their bots to your favorite anime characters. you just hope it can satisfy your wants too.

feat. rough sex, groping, dildo riding, overstimulation, vaginal penetration

currently I want to add more so don't be afraid to send a ask and present your idea of a story! (review rules before doing so please!)

[royalarchivist]

Phil: I should– probably shouldn't say this, but like, I'm gonna say it anyways because it makes me– makes me happy like, thinking about it. I have like, a whole origin story of my character like, planned out. And I don't know when I'm gonna get to share it with everyone, I don't know when I'm gonna get to share that. But like, I think about it almost daily now. [Laughs] I think about it almost daily. It's a problem. It's a problem. I need to start writing it down, 'cuz it's just- it's just swirling in my head, and I keep listening to the same songs that I think would go really well with it. They are heavily copyrighted, unfortunately. [Laughs] So... I'm like this close to pulling the trigger and commissioning some artists and animatic like, makers to just do it.

Phil: [Reading chat] "Ask Wolfy, and they'll just make you Minecraft Jesus." That's true, Wolfy is all about just making various different like, Jesus religion-related animations at the minute. So... if I wanted to become Jesus, I go to Wolfy. "Hey Wolfy mate, so I know you're a big fan of these guys, these old guys from the Bible and stuff, but what about– what about– [Laughs] What about me? Wanna do– wanna do another one? [Laughs] Wanna do a Creature 2?" But just like, super- super biblical– [Laughs]

Phil: What a crazy ask. Crazy sentence, crazy ask, Jesus Christ.

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[fuckyeahgoodomens]

The Season 2 Poster Details

From top to bottom :)

This is a Buddy Holly song Everyday which was originally supposed to be the Good Omens theme :)

Neil talks about it in the Introduction to the Script Book: “In the scripts, Buddy Holly’s song ‘Every Day’ runs through the whole like a thread. It was something that Terry had suggested in 1991, and it was there in the edit. Our composer, David Arnold, created several different versions of ‘Every Day’ to run over the end credits. And then he sent us his Good Omens theme, and it was the Good Omens theme. Then Peter Anderson made the most remarkable animated opening credits to the Good Omens theme, and we realised that ‘Every Day’ didn’t really make any sense any longer, and, reluctantly, let it go. It’s here, though. You can hum it.”

And there is also the Buddy Holly Everyday record! :)

Book The Crow Road by Iain Banks. The novel describes Prentice McHoan's preoccupation with death, sex, his relationship with his father, unrequited love, sibling rivalry, a missing uncle, cars, alcohol and other intoxicants, and God, against the background of the Scottish landscape

Book Lord Jim by Joseph Conrad. An early and primary event in the story is the abandonment of a passenger ship in distress by its crew, including a young British seaman named Jim. He is publicly censured for this action and the novel follows his later attempts at coming to terms with himself and his past and seeking redemption and acceptance.

Important themes in Lord Jim include the consequences of a single, poor decision, the indifference of the universe, and the inability to know oneself or others.

There is book The Body Snatcher by Robert Louis Stevenson. Its characters were based on criminals in the employ of real-life surgeon Robert Knox (1791–1862) around the time of the notorious Burke and Hare murders (1828). Neil said: Oddly enough, episode 3 will take us to a little stint of body snatching in the era.

There is Catch-22 book by Joseph Heller that coined the term Catch-22: situation from which an individual cannot escape because of contradictory rules or limitations.

Is there only one hand or are there two? :) EIther 6 ;), or 6:30 :).

Through the window we can see the coffeeshop Give Me Coffe or Give Me Death where Nina works! :)

Azi is wearing his nifty glasses :).

Crowley is wearing his new glasses, they are RIGARDS X UMA WANG - THE STONE ECLIPSE (VINTAGE BLACK/BLACK STONES) - $435

There is the Holy Bible Aziraphale used in Season 1 :)

There seems to be a broken phone :).

The cakes behind Aziraphale are Eccles cakes :).

Azi is reading A Tale of Two Cities by Charles Dickens published in 1859, set in London and Paris before and during the French Revolution. The novel tells the story of the French Doctor Manette, his 18-year-long imprisonment in the Bastille in Paris, and his release to live in London with his daughter Lucie whom he had never met. The story is set against the conditions that led up to the French Revolution and the Reign of Terror. 

Another book there is Pride and Prejudice by Jane Austen - Neil said said that we will learn a lot about Jane Austin we didn’t know before.

And finally the Treasure Island book by - again :) - Robert Louis Stevenson, an adventure novel with pirates.

There are three geckos cuties. Who are they? Pets? Is Ligur haunting the bookshop? Who knows :).

A mysterious pamphlet, 'The Resurrectionists’ leaflet. (unofficial spoiler :)).

Also there is an old camera... mmm 🤔 Did Azi made some photos (of what? Him and Crowley, ducks? :)) Will we see them? :)

Their positions is an homage to the book covers! :)(x)

Will update this as fandom discovers new things! :)❤