#animal feed production line

[hermmachinery]

1-2T/H Feed Pellet Line

What is the 1-2T/H Feed Pellet Line? This 1-2 t/h feed pellet line is suitable for processing various animal feed pellets, such as poultry feed, ruminant feed, livestock feed, pig feed, cattle feed, sheep feed, goat feed, fish feed, shrimp feed, crab feed, aquatic feed, etc. The main equipment of a complete 1-2ton/h feed pellet production line is a hammer mill crusher, a feed pellet mill,…

[lackadaisycats]

Hey, there's a bunch of new stuff in the Lackadaisy Shop today. And all of it's ON SALE!

..Including this little ginger tater version of Freckle. Just carry him around in a little bag and feed him chips and reassure him that he has done nothing wrong ever. Except for those gang slayings.

Also, an Art Deco gold embossed notebook, with gold edged paper. It comes with or without lines so that it's a sketchbook or a journal!

Everything 10 - 20% off until Cyber Monday!

This is a big part of how we fund our animation production, so if it's in your means and you happen to pick something up, please know we are enormously grateful!

Lackadaisy Shop

[alkali1]

Belly attendant

With the use of magic, your society had long ago relegated most childbearing duties to priests and priestesses of the various local fertility deities. Dedicated surrogates were able to carry vast numbers of children of all different fantasy races and gestation times, staying permanently pregnant and periodically birthing children in batches.

Your role in the temple is a vital one: you serve as the personal attendant to the temple's second highest ranking surrogate priestess, the beautiful elven woman Naia Springblossom. You're never away from her for longer than it takes to fetch her food or other objects, and spend most of your time in contact with her vast, active belly. You take care of all of the needs that the helplessly pregnant wood elf is unable to handle on her own, which is almost all of them.

You and your priestess are traveling back to your home temple from a meeting with the Archbishop. The immobile elf travels long distances in a plush palanquin, borne by magically animated golems. You're squeezed in with her, buried between the pile of soft pillows and the warm, heaving expanse of her womb. As Naia gets some rest, you snuggle and kiss the brown, lotion-scented orb, feeling the babies of all different shapes and sizes moving and kicking, jostling for space in her tightly-packed belly.

Feeling a wetness on your shoulder, you realize that the breast you're resting your head on has begun to leak. Each of her bosoms is the size of a blue-ribbon dairy cow's udder, and just as productive. The several gallons that she lactates per day are pumped and stored within the temple so they can be distributed to families to feed their newborns.

The uncomfortable fullness in her vast bosom and the sensation of wetness on her silken robe awakens Naia from her nap. As she rubs her eyes and yawns you greet her with kisses to the top of her belly. "Mmmmff... why did you let me sleep so long? My tits feel like overstuffed wineskins." she playfully complains. "You'd be even crankier if I woke you before you were ready" I reply, sitting up to pull the pump attachments down from the small chamber's ceiling. The palanquin quakes as she struggles to adjust her mountainous bulk, trying to situate herself comfortably in the pillow-lined box.

You suction the pumps onto her nipples and gently squeeze her to help get the milk flowing. She moans in relief, squeezing and rubbing her fat thighs together as her sensitive teats are suctioned and fondled. You massage her full breasts from the base, making sure she doesn't suffer from any clogged ducts. You can feel the movement in her belly intensifying, her brood responding to the stimulation with increased activity. Knowing exactly how much she craves intimate attention while being milked, you lean forward, squishing yourself into her sweaty cleavage to bring your head in range to plant a kiss on her plump, brown lips. She immediately grabs the back of your head and pulls you in close, parting your lips with her tongue. Pressed tightly against her belly, you know she can feel your rock-hard cock poking into her maternal swell.

The two of you passionately kiss and grope each other until the flow of milk from her enveloping udders starts to subside. You extricate yourself from the sweat-soaked cavern of her cleavage and pop the milking cups off her heavy udders. You take her fat nipple into your mouth and indulge in a taste of her sweet, rich milk. Lightly teasing her nipple with your teeth makes her gasp and moan. Staring at you with needy eyes, she beckons you over to her other side. You awkwardly climb around the immense bulk of her fertile swell and squeeze between her wide, ample butt and the chamber wall. She moans as you squeeze her always-sore shoulders, pressing and wiggling her fat hips against you. "Please..." she softly whimpers, and you know exactly what she's craving. Naia, having spent years bloated to utter helplessness with her surrogate brood, can't even come close to reaching her sensitively swollen pussy with her fat ass and turgid womb in the way. One of your most sacred duties is to keep her pleasured and satisifed, though you both sometimes enjoy teasing her, letting her squeeze a pillow between her legs while she begs and begs for you to satisfy the all-consuming ache in her dripping cunt.

"What does my poor, swollen broodmother need?" I tease.

"I need you," she whines, "Please, you know how I feel when I'm about to go into labor. "

You snake your hand down between her fat thighs, cupping and lightly squeezing her plump pussy mound. Your teasing makes her whimper and press hard against you, squishing your lower torso and hips against the wall and making your hard bulge press deeper into her soft cushion of a butt. You slip two fingers inside her dripping opening, varying your movements in and out of her while slowly increasing the tempo. When you can tell she's starting to get lost in the throes of pleasure you switch to pressing against her swollen clit, making circles around the sensitive nub with your fingers, then rubbing back and forth forcefully, eliciting stabs of pleasure that make her let out wordless vocalizations of bliss.

You feel that she's getting close, and ramp up the speed and pressure in preparation for putting her over the edge. "Cum for me, honey. My huge, perfect broodmother. Let all that pressure out." Her bucking hips smother you against the wall and her cunt soaks your arm with her cum as she cries out in pleasure.

You both relax in the afterglow, spooned together with your hand resting on her writhing womb. You never get tired of feeling the contrast between the light flutters of her smaller passengers and the thumping, uncomfortable kicks from the largest of her surrogate children, including an ogre, minotaur triplets, and a severely overdue centaur calf. Your bliss is interrupted as Naia is suddenly overcome with a massive contraction, making the whole palanquin seem to quake as her overfilled womb stretches and shifts.

"You really weren't kidding when you said you were about to go into labor. Please try to hold them in until we get home."

"Ooohh, I'm, *huff*, not quite at that point yet. We have some time until I start actively dilating. But send a message ahead to the temple, have them prepare the birthing pool." You spend the remainder of the ride snuggled together, Naia breathing through her strong, irregular contractions while you comfort her.

[dunmeshistash]

Laios superfan and Monster ultrafran anon back again! I am now curious about all the dragons that appear. They're summoned by Thistle rather than ocurring "naturally" in the dungeon, but I'm left wondering if all the dragons have a common ancestor....

Actually, do any monsters have an evolutionary line? Are they just spawned as-is into the world, and can only exist in the dungeon? Are they products of The Demon or are they actual creatures?

Because Laios does mention Doppelgangers existing in his homeplace, but also mentions that the dungeon is a giant pool of mana that without which some monsters couldn't survive (i.e. Falin Chimera, which he considers making smaller or into a different type of dragon with Those mushrooms). And then in one of the tidbits, Thistel spawns in a Giant Mega Monster, but it has to be fed a whale every 30 minutes, which just doesn't seem like a sustainable metabolism for a creature to have.

I understand why Miss Kui didn't give us the phylogenetic tree of every monster ever, but I do have a paleontology degree and I can't help but wonder about these things.

Hello! That's such a cool degree!!

There's definitely monsters living in the surface, I was wondering about that too because of the Chimera Falin thing, here's the pages about dragons from the Adventurer's Bible, it includes what level of the dungeon they can be found in but some of them don't actually live within the dungeon.

I can only imagine they had some ancestor that's the same since something like a nightmare is still considered a dragon even thought they don't look like one, monsters in dungeon meshi seem to be animals that have been influenced by magic/mana.

There are monsters who are magical creatures tho, in the sense they're created using magic instead of something naturally occuring, perhaps Thistles ultimate monster is one of those? Since he feeds on spirits and not meat

Mana is everywhere in the world but more condensed inside the dungeons, so my guess would be that the bigger monsters live in places where they can absorb the most mana? Or in places where there aren't many other big monsters to out compete them in mana consumption? Perhaps Falin in the first floor of the dungeon is more akin to trying to keep a deep sea fish alive in the surface? or wait, perhaps like someone that lives on sea level and goes abruptly to a higher altitude without time to adapt.

But a creature like her would be better off away from other monsters that consuming the low mana reserve? Lots of assumptions.

[dandelionsresilience]

Dandelion News - December 1-7

Like these weekly compilations? Tip me at $kaybarr1735 or check out my Dandelion Doodles for 50% off this month!

1. These high-tech windows fight climate change – and will save you money

“[“Vacuum-insulated glass”] insulates five times better than double-paned glass. The Enthermal product line holds energy about as well as fiberglass wall insulation[…. T]he energy bill savings offset the upfront cost of the upgrade in two to seven years, depending on the building[….]”

2. Doulas test ways to curb Memphis’ Black maternal, infant deaths

“Research shows they are key to better health outcomes. […] Free of charge, [parents enrolled in this pilot program], in addition to being paired with a doula, get access to free yoga classes, diapers, breastfeeding starter kits, nutritious food and other tangible help that can measurably boost well-being.”

3. Scientists find feeding grazing cattle seaweed cuts methane emissions by almost 40%

“This is the first study to test seaweed on grazing beef cattle in the world. […] Most research to reduce methane emissions using feed additives has taken place in controlled environments with daily supplements. But Kebreab noted in the study that fewer than half of those methods are effective for grazing cattle.”

4. Success for local residents as Florida council toppled over sewage plant plan

“A citizens’ revolt in a small Florida city ousted an entire slate of councilors who were pushing for a new sewage plant to be built close to one of the state’s most pristine and treasured rivers.”

5. Beaver survey aims to show the urban benefits of Chicago's 'ecosystem engineers'

“Urban Rivers is installing [“artificial floating gardens”] along the river to restore native wetland habitats, which provide food and shelter for wildlife, as well as natural spaces for humans.”

6. The future of plastic: Biodegradable, durable, and even edible

“[… T]he composite plastic proved not only sturdy but also more malleable than its core component, hydroxyethyl cellulose. Additionally, since both cellulose and tyrosine are edible, the biodegradable composite plastic can technically be consumed.”

7. Limestone quarries could be vital for wild bee conservation

“Quarries provide valuable habitats for wild bees and other animals and plants that occur on the now rare calcareous grasslands," explains lead author Dr. Felix Kirsch[….]”

8. New England wedding vendors offer help to same-sex couples before Trump inauguration

“Marriage equality isn’t immediately at risk. Trump has said he considers it settled law, but of course it’s hard to take him at his word […] so vendors in the region are offering free or discounted services to queer couples and noncitizens in a rush to marry.”

9. The indigenous women saving India's endangered giant yams

“Since their formation in 2022, the 10 members of the Noorang group have planted and brought back to the community 180 varieties of wild tubers[….] The project is part of [… a] farming initiative to eradicate poverty, provide agricultural training and empower women in vulnerable tribal communities.”

10. The US is making and deploying more solar panels than ever before

“[… D]omestic solar module manufacturing capacity has nearly quintupled since 2022[….] Solar is the cheapest source of new power generation by far, and it’s an increasingly large employer in the U.S., particularly in Republican-led states.”

November 22-28 news here | (all credit for images and written material can be found at the source linked; I don’t claim credit for anything but curating.)

[the0retically]

I need to relisten to episode three, there was so much in it and I can’t process it all but these moments were fantastic:

-Emizel saying Soda loves him already so him becoming a ghoul wouldn’t matter and down the line he wants to make Soda a vampire so they can be alike

-Emizel suggesting alternatives to soda and offering another soda incident to help Soda out

-Deacon taking Shilo to all the places he wants to see and then having the conversation about how being him makes him Shilo, not the fact that he’s the prince, but the fact that he’s the product of his experiences and wants not just his position

-Deacon giving Shilo a deputy badge and also tucking him into bed, giving off strong dad vibes there buddy

-Arthur going into a frenzy and having the choice be keep feeding on the family, look for an animal, or find a vampire to feed on instead?? Like what??

-Grefgore is just gone

-Magnus being human?? and helping Arthur with tasks (edit: YEAH HAVING A MALE PARTNER TOO! Slimecicle you’ve done it again, head in hands I cannot get this man’s name correct, but fixed it)

-Emizel still not knowing Arthur’s name and just calling him Brood

-Shilo being able to eat food up until there’s garlic in it

-Arthur having a little brother

-All of them having nightmares

And there’s so much more that I can’t even think about fully right now but god it was so good, Charlie Slimecicle you continue to knock it out of the park

[maxwellatoms]

Would you trust ANY Korean studio for hand-drawn animation today? I ask because, when The Powerpuff Girls came back in 2016, I noticed how slow and stiff the Korean animation was. Since then, most Burbank cartoons animated in Korea, namely Cartoon Network shows, have been like that — mostly on 2s & with less inbetweening. Look at any Digital eMation episode of Victor and Valentino or Samurai Jack Season 5; do they animate as loosely and smoothly as Digital eMation episodes of Billy & Mandy do?

Sure I would. It would all depend on the studio and the circumstances. There are good studios and bad studios, and either of those will treat your show differently based on their perception of how valuable it is to their client. In the early 2000s Rough Draft was a top-notch studio. One of the reasons I switched over to eMation from Rough Draft was that I felt like Rough Draft was putting all of its resources into making Samurai Jack look beautiful, and we were still calling retakes on three year old issues. I knew we weren't a priority to Rough Draft, and I knew that stemmed from Cartoon Network's negotiations with them, so my griping was only going to get us so far. It seemed to me that I needed a studio that was smaller and scrappier like we were. We were putting in a lot of work on our end to make cool stuff and it wasn't ending up on the screen, so we needed people who were just as hungry on the back-end, and eMation stepped up.

There's also the fact, though, that animation itself has changed a lot in the last fifteen years. Powerpuff Girls and Samurai Jack's animation always seemed to have an air of "motion comics" to it. And frankly, that's part of what I love about it. It was all a throwback to the old UPA cartoons, which were built on strong, clear poses and made for the cost equivalent of a turkey dinner. Likewise, CN storyboard artists usually had around four weeks to write and draw their boards on paper, so there just wasn't time to take the effort to do anything too complex. It was all about snapping between those 300-ish storyboard drawings and momentarily savoring them for their humor and design mastery. Now we have tons of digital tools that make the basics of animation a lot more accessible to everyone, and have changed the entire studio pipeline. Things just won't look like they used to because nobody makes them that way anymore.

When I've had to choose an overseas animation studio, the network's production arm usually gives me one or three choices and tells me that's all there is. Deals have already been made. (Sometimes they make you pick two to save on costs, which (IMO) usually results in two studios that are less functional than any one of them would have been.) The studios usually have reels, so that gives you a basic idea of what they can do. You can (hopefully) find some other show creators who have worked with the studios and get an honest review. It's an important enough decision that it's worth whatever research you can put into it. Even over good bones, an ill-fitting skin can ruin the mood.

The most important thing to remember, I think, is that it's your job and your crew's job to make animating the show as easy as possible. Really, it's everyone's job to make the next person in line's job as simple as they can. Ideally, there shouldn't be a lot of questions because the materials you sent down the chain are clear.

So... yeah. I'd still trust Korean studios as much as I'd trust any overseas or domestic animation studio. You get out of them what you put into them by feeding them money and your own labor. It's quite possible that the shows you mentioned didn't do enough of either.

I imagine the overseas studios are hurting right now, so who knows what that landscape is even going to look like in a few years.

As with every step of the process making a TV show, you just sort of have to weigh your options and find the path.

Hmm. That got long.

[virgobingo]

welp. accidentally deleted the question anon. so i'll answer it in a post.

is satosugu queer baiting? i think they're queer coded. if they were queer bait or, probably more accurate to japan, fujoshi bait there would be a lot more fanservice. i'm talking like in black butler or more obviously "kiss him, not me". or when animation studios do heavy leg work for a ship in shounen.

which, actually—

with all the anime only moments in jujutsu kaisen, this is one of the criticisms held against satosugu. ppl insist that the narrative is being twisted by MAPPA to feed shippers. but the difference lies, in my opinion, on how closely gege was involved in the production of gojo's past arc and the praise he has for it.

satosugu is also a ship that can stand on its own with the source material. especially after chapter 221, when i think gege decided to commit to them? it was around a month or two before the anime was released, and it also coincided with tokyo rainbow pride which i think is a fun tidbit. considering gege can be very particular about dates sometimes. he also decided to bring up how romantic dec 24 is— as well as gojo's decision to fight that date.

i think for the longest time gege was unsure whether to double down on what he sort of set up between them in jjk0 (that was written as a standalone). which is why the hidden inventory arc/premature death arc is ambiguous, and he toes the line in shibuya.

with gojo's sealing, gege, on top of many other things, basically had three years to think about the direction he wanted to take gojo and geto's relationship.

and he arrived at this:

which i think is more of a hint than bait. who knows what else is in the future?

[dumpstermaster]

Hi. I don't usually speak up about these issues mainly because I don't exactly have a following, and I'm pretty sure only mutuals will be able to see this post.

But—

Let's open our eyes to what's going on for a second. Let's take a break from consuming things that distract us from reality. From what's been happening across the sea. From the tides that are ebbing and flowing with the blood of the innocent. From the cries of children, mothers, fathers, brothers, and sisters stripped of their home and of their lives.

From the people who are desperately reaching out to us for help.

I have been privileged enough not to wake to the sounds of bombs mere miles from where I'm sleeping. I have been privileged enough to wake up and not smell sulfur and ash in the air. I have been privileged enough not to live in cramped spaces that breed disease, lacking food or clean water.

The people of Palestine need you to amplify their voices. They need you to scream for them now more than ever.

Rafah is currently being bombed and invaded. The border between the Rafah to Egypt crossing is currently being lined with tanks.

I know that it all feels hopeless, but please do not give up. There will be another opportunity. There will be another opening. While the invasion of Rafah is currently taking place, a ceasefire resolution is still being negotiated as we speak. Do NOT give up hope.

I didn't want to make this post without supplementing it with something that is actionable, but as someone with little means to help monetarily, I understand if you cannot directly donate to the links provided below. However, please do not underestimate your voice. Being able to spread this to someone who is able to contribute funding is equally as important.

So what can you do?

The simplest thing you can do is share these resources. Share them to as many people as you can. Amplifying the voices of the disparaged means that more people who are able to give aid can be reached. Research any local movements, any protests happening in your city or town, and attend them if you can.

And when your voice is hoarse from speaking, from screaming. When your legs hurt from the march. When you aren't able to reach as far as you can, as you want to, as you need to, the next thing you can do is listen. Keep updated on what is happening. Keep your eyes open. The more people mobilize and direct their efforts to help, the more people come up with new ways to give aid. There is always a next step.

Avoid supporting companies who are supporting or are compliant to Israel's genocide. There is a useful app called Boycat that you can scan the barcodes of products with so it can tell you, using its ever-expanding database, if its brand is compliant to ethical standards. One of the current campaigns it's supporting is that of Palestine.

For folks who are able to donate funds, here is a list of charities and fundraisers you can donate to:

eSims For Gaza makes sure that people in Gaza are able to maintain communication with their families overseas, and allows journalists to secure more visibility on what is happening on the field.

The Gaza Sunbirds are a para-cycling team focusing their efforts and resources to helping their community by routing supplies to families in the Gaza strip.

Gxza Health provides telemedicine to the people in Gaza in need of medicine and healthcare. They are partnered with UNRWA to get medication delivered to patients.

Palestine Red Crescent Society is a part of the Red Cross and the Red Crescent and helps facilitate aid to the people in the Gaza strip.

Sulala Animal Rescue is an organization focused on rescuing, treating, and feeding strays in Gaza City, with hopes of possibly opening a permanent shelter with international support.

Medical Aid for Palestinians supports Palestinians by providing medical aid to those who need it.

Anera provides warm meals and facilitates medical aid for refugees in Palestine.

Baitumaal provides emergency aid and poverty relief to communities that are under-privileged, including a service to sponsor children who have been orphaned.

If you want to directly sponsor a Palestinian family, a grassroots movement called Operation Olive Branch is currently working hard to amplify the voices of Palestinians who are in need of funding to escape their current predicament. You can find over 800+ families in the spreadsheet that they maintain, with gofundme campaigns operated by the families themselves. OOB also heads the Perinatal Project, a project that specifically caters to people in need of urgent prenatal, postpartum, and infant care needs.

I will make new posts as time goes on and the more resources I am able to gather, but for now that is all. Please share as much as you can.

From the river to the sea.

Free Palestine

[ID: a digital drawing of a hoopoe bird holding a large watermelon slice in its beak. The watermelon is dripping red, and the bird’s face and front are likewise covered in red: it could be watermelon juice, but it looks a lot like blood either way. The background features smudges of black and red behind the bird. /end ID]

(Art by me. Image description by my friend @quaxorascal)

[pocketramblr]

For the ask game, how about an au where Izuku is the product of a quirk?

What I mean is maybe a slug was born with a quirk to manifest something to protect it, and a human was what it summoned (or something along those lines)

Hi so that is an incredible mix of funny and existential but ok

1- we're keeping the slug thing. The spotted green slug doesn't have a name, due to being a slug, but when a child tries to poke it with a stick, the slug's quirk activates and now there is a second child who instinctively protects it

2- the green, spotted child scoops the slug up and keeps it on their shoulder, feeding it leaves. The child, having just been spawned into being, is able to talk enough to get threats away but like. They didn't have any clothes, they're trying to eat leaves and dirt too. It's ok though, they can't starve or die- the slug's quirk is what maintains them or heals their injuries. Eventually, someone calls CPS.

3- the police try to take the slug away from the wild child, but they scream and bite and eventually say "my quirk" so they give up and let them keep it as they go to the hospital to get him checked over. The kid also doesn't legally exist, so they have to figure that out too. When the nurse looking over the kid puts together the pieces (aka, listens to what the kid says), she looks up sentient quirks and animals with quirks on her phone. If she tells the truth, the best this kid can hope for is someone like Nedzu taking them in to protect them, but more likely the slug would be sent to a lab where the kid would be unable to protect it and who knows what would happen then. So Nurse Midoriya lies on the paper and when she brings the kid out, and the child is sent to a children's home with the quirk registration of "slug: manifest and bond with a slug"

4- luckily, neither AfO or Ujiko is interested in a quirk like that. Some months later, Inko returns and adopts him. The slug is pleased with this arrangement as it's quirk is no longer having to protect him from all the other children and caretakers, and Inko ensues there are good food sources around the apartment for it. She even gets a safer travel terrarium for the child, Izuku, to use to carry it around during school. Izuku is able to learn and grow since the they and the slug sees others found it, and Izuku decides they want to be a hero- they have to still prioritize protecting the slug, but why not be a hero and protect others too?

5- when Inko's child comes home from school one day with a cracked terrarium, a uniform that smells like the sewers, and a scorched notebook, declaring that they got All Might's signature and also found out that they don't need to breathe today, and that they are a hundred percent sure that they want to go to UA, Inko realizes that she's going to need to send that letter to Nedzu after all, and hope desperately that he reads it before the entrance exam. (To her surprise, she gets a phone call before the end of the month.)

[hermmachinery]

30-35T/H Feed Pellet Line

What is The 30-35T/H Feed Pellet Line ?

Large scale high quality 30-35t/h feed pellet plant is suitable for processing various animal feeds, such as chicken feed, poultry feed, livestock feed, bird feed, duck feed, goose feed, cattle feed, sheep feed, camel feed, horse feed, pig feed, rabbit feed, fish feed, shrimp feed, crab feed, aquatic feed, etc.

The main equipment of a complete 30-35T/H animal feed pellet mill machine includes an animal feed grinder and feed mixer, feed pellet machine, counter-flow feed pellet cooler, pellet crumbler machine, box cylinder pulse dust remover, vibrating screen classifier, bucket elevator, automatic bagging system, electric control cabinet, etc. This complete feed pellet plant can accomplish raw material mixing, transmission, feeding, and pelletizing. After the raw materials become feed pellets, the following equipment can cool them down and pack them into bags.

The animal-feed pellet plant has good raw material versatility and can be used for the granulation of various raw materials such as corn, sorghum, wheat, beans, and oilseed meal. At the same time, the animal feed production plant has the characteristics of low energy consumption, high production efficiency, and large profits. It is especially suitable for large feed mills, breeding farms, large farms, etc. At the same time, we provide free installation, training, factory design, and timely after-sales service.

 Some Questions About the 30-35T/H Feed Pellet Line

1. Who is suitable for this 30-35t/h feed pellet production line? 

This animal feed production line is specially designed for large farmers, large animal farm plants, animal feed suppliers, etc.

2. What raw material can be used in the 30-35t/h feed pellet production line? 

Animal feed pellet production line raw materials include corn/maize, wheat, grass, alfalfa, oil seed meal & cakes, pasture, bone meal, microelements, etc., and other kinds of raw materials, such as premix, vitamins, wheat bran, salt and other. Different formulations can be made according to different formulas and the needs of the animals being farmed.

3. Why Choose Our Animal Feed Production Line?

Widely Applications: This animal feed pellet mill plant can make feeds for poultry, livestock, sheep, pig, cattle, chicken, duck, fish, shrimp, crab, aquatic, and other animals, it makes pellets of 1-12mm in diameter, and the pellet size can be changed with our feed pellet machine by adjust die. It also can produce mash and crumble.

Small Investment: the compact design of this small feed mill plant can reduce the investment in workshops, etc.

Low Installation Cost: Our feed production line comes with detailed installation and commissioning instructions, it is easy to install the machine, and you can use it immediately after the machine is installed.

Low Production Cost: The animal feed factory only needs 1-2 production workers to complete the production operation. With less labor and lower production costs, your profits will increase.

4. What kind of animal feed pellet production line produce? 

This feed pellet production line can produce feed for meat chicken, broilers, laying hens, small baby chicken feed, cattle feed, pig feed, duck feed, sheep feed, poultry feed, livestock feed, goat feed, fish feed, shrimp feed, crab feed, aquatic feed, etc. Such as 2-4mm diameter chick feed pellets and pig feed pellets. 2-5mm rabbit feed pellets, 4-8mm cattle or sheep feed pellets.

This feed pellet mill with a ring die, makes pellets of 1-12mm in diameter, the pellet size can be changed with our feed pellet machine by adjusting the die. It also can produce mash and crumble.

5. What we can do for you? 

We can provide the project design, flow chart, feed-making machine manufacturer, project installation and commission, your staff training, after-sales service, etc. Also, our professional install team will serve you if you need it.

What is The Complete Animal Feed Pellet Production Line Working Process?

Feed Pellets Processing Technology Raw Material → Feed Grinding → Feed Mixing → Feed Pelletizing → Pellet Cooling → Pellet Crushing → Screening & Grading → Pellet Packing

1. Storage of the raw materials

There are many different raw materials and materials in the feed, so various types of silos must be used. There are three types of silo that can be used in the feed pellet line, such as hopper silo, flat bottom silo, and galvanized silo.

2. Cleaning of raw materials

Impurities in feed raw materials not only affect the quality of feed products but also directly affect the use of feed processing equipment and the personal safety of staff. In severe cases, the entire equipment will be damaged and the smooth progress of feed production will be affected. Therefore, impurities in the feed raw materials should be removed in time.

3. Crushing of raw materials

The technological process of feed crushing is determined according to the required particle size, feed variety, and other conditions. According to the number of raw material crushing, it can be divided into primary crushing process and circulating crushing process or secondary crushing process. The combination with the batching process can be divided into the first batching and then crushing process and the first crushing and then batching process.

4. Batching process The rational design of the batching process is to correctly select the specifications and quantities of the batching metering device so that it is fully coordinated with the combination of batching feeding equipment, mixing units, and other equipment.

5. Mixing process The mixing process refers to the technological method and process of weighing the ingredients in the feed formula and then entering the mixer for uniform mixing. The mixing section requires a short mixing cycle, high mixing quality, fast discharge, low residual rate, good air tightness, and no dust spillage.

6. Pelleting process The pelleted feed obtained by compacting and extruding a single raw material or compound mixture by mechanical action is called feed pelleting. The purpose of pelleting is to use the heat, moisture, and pressure in the pelleting process to pelletize the feed that is finely divided, easily dusty, poorly palatable, and difficult to transport.

7. Cooling process During the pelleting process, when the pellet feed comes out of the feed pellet machine, the water content reaches 16%-18%, and the temperature is as high as 75°C-85°C. It will also cause adhesion and mildew during storage. The moisture must be reduced to below 14%, the temperature must be below 8°C higher than the air temperature, and cooling is required.

8. Crumbling process In the production process of the feed pellet mill, in order to save electricity, increase production and improve quality, the material is often made into a certain size of pellets, and then crushed into qualified products according to the size of the feed pellets.

9. Screening process After the pellet feed is processed by the crushing process, some unqualified materials such as powder will be produced. Therefore, the crushed pellet feed needs to be sieved into a product with neat particles and uniform size.

10. Packaging process After weighing, put the finished product into the packing scale and pack it. During this process, the package should be calibrated until the package weight standard is met.

[waeirfaahl]

Some little thoughts about Hellfire and its singer

Quite unexpected guest for my duscussing. I don't think that I'll tell something new about this antagonist and his song, so I'll focus on some tiny moments that I find interesting. Maybe somebody noticed this, but I'll mention this. Still this character is one of those, who kinda formed my tastes in what the good and threatening enemy has to be.

Judge Claude Frollo is awesome in his monstrosity. He is really well-written not just as antagonist, but also as a character. The way how he is presented, how he looks, how he acts and how deep and cold his voice, I would genuinely believe that judge Frollo is a manifestation of the unnatural death. Not natural one, which is a force of nature that values a life and keeps balance in own quite severe way, but exactly the unnatural death that exists due to the ignorance and malice of human nature. He embodies all dark aspects of human nature, yet he is self-contained, deep and realistic character, what makes him so terrifying.

Why he is the way he is — racist, sexist, chauvinist, hypocrite, narrow-minded fanatic, liar and murderer? I don't think that we need a backstory, because the answer is simple — Frollo is the result and the product of both his time (Middle Ages, hence religious dogmas) and his own decisions. Although, the line about his desire to make the world "pure from vice and sin" and the fact that he is a judge for like 20+ years (and has no claims for getting more power) imply a king is okay with this, so there's the possibility that Frollo could start as more or less devoted, fair-minded and good in his work (and that France really was in horrible conditions, plus wars), but than older he got, than more he got ruthless and blind to his own mistakes and crimes, using his authority for oppression and literal genocide instead of punishing exactly criminals. And, well, his words about cruelty of the world make sense, so you can agree with him in that aspect. I can't tell for sure, whether Frollo is a psychopath or sociopath, although he has some traits of narcissism (at the same time the only living being that Frollo genuinely liked and cared about is his black stallion Snowball); and his view of religion and rationalizing in some senses has some parallels with worldview of Oliver Cromwell, but what I can tell for sure — his arc is in falling into the madness due to own narrow, fanatical, sick and twisted mind despite many events that could change him and save from this path. I don't know, whether the authors did that intentionally or accidentally, but the story (and ephemeral "divine forces") gives to the old judge at least two moments for redemption — the first chance, of course, is Quasimodo, and how Frollo could learn compassion and forgiveness, but no, he psychologically abuses Quasimodo and feeds own ego, using the blatant gaslighting, and the second chance is, of course, Esmeralda, and how Frollo, falling in love with her, could change for her and also change his own worldview, realizing and accepting own imperfection (although, I find it nearly impossible, because in Esmeralda's eyes he was and always will be a monster, a murderer and a tormentor — from another side, at least, in the animated film he has no sadomasochistic tendencies he had in the book; and I find his conflict in the animated film more interesting, deep and complex, because in the book it is basically just "I am actually a priest, my job forbids to me to be interested in women"). But we know, what happened instead — Frollo corrupts the possiblity of love and turns it into the pure possessiveness and wrath, viewing it as a witchcraft that causes lust (because Frollo is absolutely sure that all Romani are demons, and there can't be love from them and/or to them, only dirty carnal pleasure). He ignored and failed everything, blamed everyone and everything in own mistakes and crimes, he lied to himself and hence he was the reason of own demise.

I can also assume that for Frollo to accept the idea of sincere love toward Esmeralda means to encounter his biggest fears — to realize and to accept the fact that he deprived himself of normal life, free and full of happiness, and spent all his own life in self-restrictions, self-reproach, lying to himself, denying crimes for "greater plan" (making world pure from vice and corruption) and also in committing various sins — especially oppression and mass murders of people, where many of them were innocent. To accept his feelings and possibillity of love toward Esmeralda means for him to consider Romani people as equals to French citizens of Paris, to doubt his worldview and religious dogmas and to accept how wrong he was all his life, to reject everything he knew all his life, as well to encounter the painful fear — that Esmeralda will never love him after what he has done, and he isn't able to actually earn her love and forgiveness. Not to mention that he is already old man (50-65, I guess), while she is young (19-23), so in some senses there's also envy. So he tries to convince himself in the opposite, he wants to believe that Esmeralda herself can choose and love him, or else she is a fire demon, who wants to kill him, so she must be destroyed. Frollo's main animator was Kathy Zielinski, and she perfectly nailed his nature and also added few subtle details in his animation and expressions. For example, you can notice some kind of hesitation and regret during "God have mercy on her..." line after he burned Esmeralda's scarf, considering her escape from the church as the rejection of his attention... ah, not kidding, that's terrifying — imagine, you're young girl with own life, and at the same time some unknown to you man (or the person, who tries to erase your people) draws his future with you, creates the idolized image of you and gets furious that you "rejected" him despite the fact that you even never interacted with him and promised nothing to him (and you have no idea about this creep and what's in his mind). Another interesting detail that I noticed in Frollo's animation, and I'd like to ask Kathy about this — it seems that Frollo is left-handed inborn, but later he trained to be right-handed. Because he uses his left hand very often and confidently and exactly during the moments, when you will use exactly your working and active hand.

So, about Hellfire. For real, for me it was mind-blowing. The beauty of this song is in psychology and the fact that we can see what happens in Frollo's twisted and sick mind, what he feels and thinks and why — the two opposite feelings toward the one person, contradictional feelings because of Frollo's beliefs and view on Esmeralda's origin, her belonging to those he killed his whole life. The core of his song is not a lust (I'd say that it is not the case despite the fetishism with Esmeralda's hair and her scarf that he hid and wore on his chest), it's exactly the possessiveness, mixed with blatant fanaticism, egocentrism and victimblaming. Basically "Just fear me, love me, do as I say, and I'll be your slave!" thing. And now I'll try to explain, why I think so. In the animated film, at least, I can understand, why Frollo was interested in Esmeralda — she is not just a young pretty girl, she is smart, she is kind, she is brave, her spirit is free, strong and untamed, she can stand for herself, and she dared to oppose him. So no wonder, why he could be interested in her — there's something more than "just a beautiful body" (and it doesn't contradict to the movie's message and why Esmeralda ended up with Phoebus — he saw Esmeralda as an equal and living person, psychologically he was the only mature man in contrast to Frollo and Quasimodo, and at the same time Quasimodo is more mature than Frollo, because the inexperienced boy, who lived in isolation, really values Esmeralda and her choice and happiness). Because, I'm sorry, although in the book Esmeralda (or Agness, that's her true name in the book) is 15 years old, but as a character or a person she has nothing except of beautiful body, and she has no brains in the book (especially the scene with her mother near the end confirms that). And this thought came to my mind after I noticed the one certain detail in Hellfire sequence. For sure, my favourite moment of this song is "Or else let her be mine and mine alone!". It is the only scene, where Frollo dreams without obsession. It is the only tender scene with him, and it is the only scene, where he is shown vulnerable and lonely, and that makes this scene very personal and impactful. What's interesting, the early version was different, hence it gave different perception. In the early version it is the blatant lust, the carnal desire, mad obsession, because Frollo moves to Esmeralda's smoke spirit as a predator and tries to grab her exactly as a predator tries to catch and grab its prey, as well as Esmeralda here is depersonalized and... dead, she just flies and then disappears, she is just an image, not something alive, just a body instead of living person.

In contrast to this, in the final version the scene hits differently — Frollo walks to her with open arms, as well as Esmeralda's spirit, now pure and ethereal, flies to him with open arms and tenderly touchs his face, so he tries to hug her, but she disapperas, so he looks at it with sadness. The final version is more subtle and ambiguous and leaves the clear hint that Frollo really wanted to be loved by her the way he is (exactly in terms of feelings and platonic side). It shows the sadistic, racist, narcissistic, ruthless, fanatical, hypocritical and deluded sociopath from different side — as a lonely and lost person, who doesn't understand his own feelings and hence is afraid of them and despises them, and who through his narrow, ossified, sick and twisted worldview corrupts initially a pure and sincere feeling toward the brave and kind young girl and turns into a sinful and disgusting act of obsession and possessiveness, erasing any chance for alternative, depriving himself of any alternative. His line "Why I see her dancing there? Why her smoldring eyes still scorch my soul?" kinda hint that he never experienced these feelings (in the festival scene, where Esmeralda kisses Frollo for cheering up, you can notice how embarrassed, timid and meek he is at this moment, but as soon as she jokingly moves his hat on his face and runs back on the stage, he again is in anger state), they are not familliar for him, he can't understand, accept and control it, so it only makes his anger on himself and especially on Esmeralda (again victimblaming) stronger and more destructive.

And it also plays on a viewer's empathy, because even with this gorgeous scene the song and the movie give the right message — no matter what, after all what he has done he's the dangerous and irredeemable stalker and murderer. Judge Frollo is that kind of wonderful human monsters that you will enjoy to analyze, but never want to meet in real life. P.S. Speaking about backstory — maybe at Frollo's youth some gipsy woman predicted that in his next life Frollo will have lots of hot girls through his life, but at the old age he will die due to the stroke during "love play" with another young woman in one old town in the forest. And this town was Twin Peaks. P.S.s. (UPD) In early drafts there was some backstory of Frollo's hatred toward Romani people — it was some kind of self-fulfilling prophecy. When Frollo was young and became a judge and celebrated that with his friends, some old gipsy woman predicted that his ambitions will destroy him, so Frollo gets furious, because he worked hard for getting this job etc, and he considered the prophecy as a witchcraft and started to chase this old lady, so after this his hatred toward Romani has started. Basically Kung Fu Panda 2 prologue or whatever. I would more quickly assume the self-hatred or self-loath issues, caused by Frollo's own origin and the perception of Romani people as demons that must be sent back to Hell for centuries, i.e. he himself could be part gipsy (most likely 1/2 from his mother, hence lying to Quasimodo about his mother, Claude kinda talked about own mother that was "a heartless gipsy who is not capable of real love and abandoned him", so the same image he projects on Esmeralda, expecting from her the same betrayal and at the same time wanting to be loved by her). On another hand, we already had the antagonist with self-hatred issues — Judge Doom from Who Framed Roger Rabbit 1988 movie.

[miraculouslbcnreactions]

What do you think about opinions that Chloe’s development was ruined in season 3 finale because Thomas didn’t like that viewers like her more than Marinette? I Don’t think that it’s true, but it gave me idea that Thomas ruined Chloe’s already few character development because viewers liked her more than Gabriel.

I've heard this theory before and it seems like a massive stretch to me. It's always possible, but I don't feel comfortable making accusations like this without some hard evidence and I've yet to see any, though it's not like I follow this guy on Twitter or anything. My knowledge of what goes on behind the scenes is all based on random things that make their way to my Tumblr feed. So if someone has hard evidence, feel free to reblog and add it, but the most likely explanation is just bad writing. Why ascribe malice when incompetence makes just as much sense and requires a lot less motivation?

Think about what this accusation is actually saying. It's claiming that an adult man willfully ruined a major element of his passion project (or even just the show that he's known for, meaning that it will define his future career) because he was salty that people liked a character that he created. That seems like a conspiracy theory take to me.

It's also not like Thomas has full creative control of the show! Head writers have power, but they rarely have total power. They're still employees and a ton of things happen between an episode being written and the final version being aired. Producers, directors, censors, and many others usually okay a script prior to an episode being animated because that's the most expensive element. Plus it's not like he's the only one who wrote Chloe's story. Every season two and season three episode is credited to multiple writers. In other words, it seems like multiple people signed off on Chloe's story.

There's also the issue of the air dates. Queen Wasp and Miracle Queen first aired about twelve months apart (October 6 2018 vs October 15 2019). Production times for animated TV shows are about that long, which would mean that Miracle Queen was probably being written or was even already set in stone around the time that Queen Wasp aired. In other worlds, every element of Chloe's journey was probably at least sketched out before the audience ever saw it start. That would mean that nothing in that story was reactionary. It just doesn't fit the timeline.

While Chloe's season three ending was a total mess, it was hardly out of nowhere. It was glaringly obvious that Chloe couldn't stay Queen Bee from the moment that we met Queen Bee. You can't willfully out yourself to the world and expect to stay a hero (or, at least, that shouldn't be a thing Felix). I was honestly baffled when they gave her back the bee in Malediktator and relieved when Marinette finally acknowledged the problem in Miraculer:

Ladybug: I'm sorry, Chloé. I should've told you this a long time ago. I might never be able to let you be Queen Bee again.

Which was, of course, the setup for Miracle Queen, further complicating this theory because it looks like less than a year passed between the world premieres of Queen Wasp and Miraculer (October 6 2018 vs May 15 2019).

I don't know if this made it to your Tumblr feed, but the Miraculous writing team announced that the writing for season six was done back in late March. The show won't air until sometime this winter, well over half a year later, because that's just how animation works and they've supposedly done things to make the animation process faster this season. I just don't see how this Chloe theory works or why it needs to be a thing when her bad writing falls perfectly in line with things like the absolute disaster that was season five. She wasn't a fluke, she was a warning of things to come.

As best I can tell, the entire Queen Bee plot was just an incredibly awkward and forced way to show how dangerous identity reveals were. Which isn't a bad plot to have, but don't do that plot and then let a bunch of other temp heroes keep their miraculous post reveal! Writers, what are you even doing?

If you want my best guess answer to that, then I don't think that the writers planned to make their story feel massively hypocritical. I think that they just did a dumb writing mistake that I've seen multiple shows do: they wrote a really cool cliffhanger ending without planning how to make that ending work in the following season. And there was no way to really make the ending work, so they end up just kind of ignoring it.

The reason why this happens is pretty simple. Most shows try to end their seasons on cliffhangers so that fans will come back for the next season. It's extremely rare to have a solid happy ending that ties everything together. This can lead to writers making questionable calls because they're pressed for time and have to come up with something that will keep the fans wanting more even if that thing makes no sense. It can also lead to writers making questionable calls because they DO have a plan for how the cliffhanger will play out, but when it comes time to actually put that plan into action, it gets shut down and now they have to scramble to make the nonsense work.

Anyway, what I'm really trying to say is that, as much as I like the concept of a redeemed Chloe joining the team, it was pretty clearly never going to happen in canon. The writing only backed that read for a brief moment at the start of season two where we got a handful of episodes that made Chloe feel less like a cookie-cutter mean girl and more like a true character, but then the Chloe plot really got going and I was just waiting for the inevitable fiery end. I actually thought that Chloe was going to be treated as a tragic character and become a true villain in season four. Instead we got utter nonsense that tossed her character all over the place to the point where I have no idea what they're even trying to do with her.

[benevolentthorn]

Where I think the counselors would work off-season:

Laura: I feel like her family would own a farm in North Carolina and that she would work with the different animals on the farm. She upkeeps their enclosures, feeds them, etc and provides horseback riding lessons for kids. She gained her love for animals from helping on the family farm starting at a young age.

Max: I don’t know why but I could see Max working at a movie theater concession counter. It’s not his favorite job in the world and he complains a lot to Laura about it but he enjoys seeing different movies come out and sneaking himself snacks when no one’s looking. I could also see him being good at math and tutoring middle schoolers on the side.

Jacob: I could see Jacob working at a sports and gym center as a sports instructor; most likely for either football or soccer. Jacob really loves his job because he loves sports and working with kids! He’s really enthusiastic with the kids he teaches and is always cheering them on to do their best! He’s really funny too and makes the kids laugh and he’s good at cheering up kids if they make a mistake. The kids love him overall. Sometimes Nick and Kaitlyn stop by to work out in the gym with him.

Emma: Realistically I don’t think she would work, since she’s an influencer and she gives me “rich parents who give her a credit card with large spending limit” vibes, but for the sake of this post I will say she would probably work a few days a week at Sephora. She really enjoys all of the different makeup and skincare products and would probably use her employee discount to go shopping frequently. She loves buying new products to review on her YouTube channel. She seems unapproachable and judgy to customers, but she’s actually very sweet and loves helping customers pick out products! Would probably quit the minute she encounters a karen though 😭💀

Abi: Pre game I feel like Abi would have worked at a lush in the same mall where Emma works. She mostly enjoyed it because she loves the different scents of the soaps and bath bombs. However, rude customers would make her very anxious, especially post-game. Post-game, I feel like she would start working at a café but not just any cafe….a cat café!! Abi LOVES cats and she enjoys making all of the different types of drinks. I feel like Abi would especially love boba and would come up with different boba recipes while working there. She also doesn’t encounter any karens because who would be a karen at a cat café of all places?? She loves playing with the kitties in her free time and Emma and Nick frequently stop by to see her, get drinks and pet the cats.

Nick: Nick always was in the restaurant industry. Pre game, he worked at a small restaurant in downtown Sydney as a waiter. Diners loved him but he was very shy and kind of awkward as a waiter, which is what made him consider working in the kitchen instead. Post-game he moved to America permanently and took a line cook position at, you guessed it, an Outback Steakhouse LMAO. He mostly enjoys the job, however he complains about how inaccurate the menu is for an Australian themed restaurant 😭💀. He mostly enjoys the job but sometimes he gets stressed out and becomes the Australian Gordon Ramsey. He works near the cat café where Abi works and likes to stop by to visit her and get coffee during his lunch breaks. He stays extra longer if he’s having a stressful day and pets the cats.

Dylan: Dylan works at a music/record store both pre and post game. He loves the job because it’s not very stressful and he gets to discover different kinds of music just by stocking the shelves and looking through all of the records and CDs that come in! I feel like Dylan would have a wide range of music knowledge and taste and would especially love classic rock and older pop music. The owners love him and he is frequently named employee of the month! He is very chatty with customers and will have their ear for long periods of time nerding out about different bands and artists!

Ryan: Ryan’s first ever job was at a hot topic in the same mall where Abi and Emma worked. He mainly picked up the job to save up for animation school and to help support Sarah and his grandparents. Due to lack of hours, he moved to a Spencer’s shortly before the events of the game. It didn’t take long for him to quit though because he got annoyed with the amount of jokes he would hear about “the back” (if ykyk 💀). Post game, Ryan got even more interested in the paranormal. For this reason, he took up a job at an antique store located right next to the record shop Dylan works at and he really loves it. The owners pay him well and when he’s alone, he likes to investigate the history on all of the antiques and see if he can encounter any spirits. Since they work right next to each other, Dylan and Ryan like to visit each other frequently like the lovebirds they are 💕

Kaitlyn: Kaitlyn first worked at a dick’s sporting goods, since she enjoys sports and fitness. She somewhat enjoyed the job up until one day when she got into an argument with a karen, which resulted in her getting fired. Jacob, like the great friend he is, put in good word for her at the center he works at and helped Kaitlyn get a job as a receptionist for the gym area. She enjoys the job much better and she eventually gets promoted to a fitness instructor position, where she hosts her very own fitness classes! She also gets to bully Jacob as much as she pleases 🤭

If you enjoyed this post, please send me headcanon asks! I really would love to share all of my thoughts on the characters! 💕

[crooked-wasteland]

I’m a bit curious on your thoughts on the situation with Toon City; a lot of people tend to say Bento was the one that jumped ship for the finale, but they seemed to be mostly involved for production purposes.

Meanwhile Toon City and a couple tax credits alongside it weren’t there for the finale, with Spindlehorse’s team going from a bit over a dozen alongside it to dozens from just Spindle working on the finale.

With them involved with Helluva, could that have been part of the S2 delays on both shows?

Bento Box assisted in producing, and while they most likely worked on simplifying the characters, it doesn't seem like they did much animation. Toon City seems to have done the majority of Hazbin until the project ran aground at the finish line with no money to adequately compensate even the outsourced studio.

Toon City is a Filipino based animation company, and historically speaking, US dollars go significantly further there than here. $1 USD is 57 Philippine pesos. To get a much clearer picture of how much that really is, however, you need to look at the food prices. Eggs go for 115 pesos, so one would need about $2 USD to afford a dozen eggs. At $36, which was the pay for Spindlehorse employees working on the show, that's just over 2000 pesos. Which could theoretically pay for a week's worth of groceries.

Comparatively, $36 for 4+ hrs of work is obscene here in the US, where Spindlehorse is located. That's barely enough to feed a person for a day. Which means Toon City has higher standards of living for their employees, despite the reputation that comes with outsourcing animation, than Spindlehorse does for their own animators.

I wish the crew had more love for themselves to have rejected the offer and sought other work. I understand for many the ability to simply work at all is enough to keep going as many Spindlehorse employees are also disabled. But it is just as valid to state Medrano preys upon disabled individuals to work for below minimum wage in a virtual animation sweatshop because, frankly, only the desperate would settle for this sort of treatment.

[nijigasakilove]

Akane sweeeeep oh my god, best episode by a mile. Akane cooked literally and figuratively. I’m so moved.

“Just as you saved me, I want to support you” Cooking, feeding him and down to support his murderous ambitions. What more could you ask for in a girlfriend? Aqua is fumbling hard by not making this official right now. Akane is willing to help shoulder all the burdens Aqua has just as he did for her when she was at her lowest.

“You’re insane” “oh you thought I wasn’t?” REAL AS FUCK

Ruby is so cute for being concerned about Aqua staying out late. Minami over here getting horny thinking of Akane and Aqua getting up to sexy stuff and Ruby going full yandere siscon about it🤣

That Kamoshida fella is weird as fuck. Gives off some serious rapey vibes and Minami looked so uncomfortable when he pressured her into exchanging LINEs 🤢

Fair play, Kana getting the interview where Akane said she looked up to her was hilarious and a perfect comeback 😭. Tried to put her on fan mode. Them roasting each other was great. On a serious note it’s cool how Kana looks up to current Akane like how Akane looked up to her as a kid and they’re chasing each other to become better actresses. A good rivalry is always nice

Finally the curtain rises on the performance. After all this build up and drama with the rewrites and everything I’m excited to see how everything turns out. From the little snippets we got today, DG cooked with the animation and production values so I’m sure the full thing will be great