#angry behavior

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[soft-pine]

when i think about this scene from 15.15 it makes me want to chew glass and tear up the walls in rage.

AMARA: I wanted two things for you, Dean. I wanted you to see that your mother was just a person, that the myth you'd held onto for so long of a better life, a life where she lived, was just that, a myth. I wanted you to see that the real, complicated Mary was better than your childhood dream because she was real. That now is always better than then. That you could finally start to accept your life.

for the record i want to say i am a known amara-hater. don't like the non-con shit. don't like that she's doing what so many beings in spn do and narrativizing dean's life back at him while judging him because she drew the wrong conclusions. but i think fandom does have a tendency to take those claims at face value because that is easier than combing back through to check if it's correct or not. (see for example, rachel saying dean only calls cas when he needs him in 6.18. narrativizing, incorrectly. but i digress)

so let's talk about mary. because, through the seething rage, i think two main things about this claim. 1. dean does not have this mythos around mary and 2. mary has arguably more of that mythos around dean.

first off, we'll tackle the claim that it's a myth that if mary hadn't died, dean wouldn't have a better life. because that is absolute, utter, dogshit. OF COURSE HE'D HAVE A BETTER LIFE. while i will always maintain that clearly mary and john were far from stable before she died, her death was what speared john forward into hunting, into turning his kids into soldiers, into neglect and parentifying, and every other god forsaken thing he did. "a better life, a life where she lived, was just that, a myth" - girl, i DON'T CARE IF YOU'RE DIVINE, SHUT THE FUCK UP.

like please don't come here acting like dean grieving the future he could have had that didn't include him taking care of his younger brother alone in motel rooms for days while maybe actually being left as bait for the Kid-Eater is a character flaw on his part that he needs to learn better from.

next, amara claims dean needs to see the "real, complicated Mary."

but hasn't he? dean goes back in time and meets his mom in 4.03 and 5.13. and both times he treats her both as a competent hunter and a colleague. like to be clear, before that, i dont think he was wrong to be relying on a four-year-old's memory of what his mom was like because that's literally all he had access to. but dean actually did meet and interact with the whole, complex woman who was his mother long before amara decided to teach him a lesson with her as the homework. in both 4.03 and 5.13, dean tries to give mary advice to save her life but he doesn't belittle her experience hunting or her desire to leave and life a normal life. i don't know what more you want from him in terms of interacting with his mom as a whole, real, complex person?

this also applies wholly and completely to his interactions with her when she returns in s12. he apologizes for being nervous for her safety (AFTER SHE WAS JUST RESSURECTED) at first. mary says she wants to hunt, dean gets on board. mary says she needs space, dean asks clarifying questions to best support her request. he gets mad at her not for being who she is or needing what she needs but for lying to him for months and working with people who tortured him and sam.

in fact, s12 is what i would point to to indicate how well dean articulates and navigates the nuance of being hurt by someone's actions while still understanding and empathizing with why they did it and forgiving them. for example, he says this in 12.04

DEAN: This whole mom thing, it's... I mean, we get her back, and then she leaves. I hate it, but I get it. I do. I guess I'm just...still working through some of that crap. I'll try to be less of a dick about it.

[you're not a dick, dean, ilu]

in fact, dean's much maligned "how 'bout for once, you just try to be a mom?" isn't even about dean wanting anything particularly maternal from mary. it's about him not wanting her to ditch them to hunt alone and/or with the aforementioned torturers.

so circling back to amara's speech about expectations and myths. cause while her words do not apply to dean. amara's speech does remind me of something that happens upon mary's return in s12. these lines from 12.03:

DEAN: Mom, it's okay. All right? You're home now. MARY: No. I'm not. I miss John. I miss my boys. SAM: We're right here, mom. MARY: I know. In my head. But I'm still mourning them as I knew them. My baby Sam. My little boy Dean. Just feels like yesterday, we were together in heaven, and now...I'm her, and John is gone, and they're gone. And every moment I spend with you reminds me every moment I lost with them.

of course she has every right to grieve the time she lost with her kids. but someone in this room is having trouble really looking at the people in front of them because of their idealized memory of who they were compared to are and It Is Not Dean.

and i just think about dean's speech in 12.22. cause it wasn't dean that needed to see the real mary. it was mary, tucked away in her dream world where sam is a baby and dean is a little elementary schooler who likes pie and has never held a gun, who needed to see the real dean.

[alexturntable]

The Slot Car Grand Prix

[eloiscbridgerton]

random eloise bridgerton: 5/?

[propalahramota]

Fun how the great women's rights defender JKR used her massive media platform to accuse a biologically female athlete of being a bloke without even a shred of consideration that the above mentioned athlete will go home to her rather conservative country after the games and potentially have to deal with unpleasant and even dangerous consequences of having one of the most famous persons alive publicly lied that you were a male in disguise

[thoughtfulchaos773]

You Don't Think I can do it? Part II

I'm watching this scene again. I think this is the moment where Carmy's unconscious motivations come to light. It's not competition with Sydney here, like I said before.

Now Carmy thinks he has a clear motivation for getting a star, and that's because of Chef David, and he let's Sydney in on that fact 'so they can see what we're capable of'

And when she asks him again, "Why are you doing this?" He stops looking at her and says, "So you can push me, and I can push you."

Note that Carmy feels the urge for a cigarette after saying that.. but decides on a more constructive alternative. He quits smoking, replacing his old habits with a more socially acceptable one.

That's sublimation.

I still can't get over Richie saying "textbook sublimation," btw- (he's definitely read too many books).

Sublimation means, as I mentioned here: - taking unacceptable feelings, desires, and impulses – often sexual or aggressive – and channeling them into positive, socially approved activities like arts or sciences.

Jimmy did say Carmy has a giant stick up his ass.

Now, watching it again, Carmy's ego is wounded that Sydney may think he can't do it- it's again Carmy puffing his chest like the time he moved his chef jacket or when he adjusted his body when she calls him an excellent chef. And showing off changing the Beef in the first episode.

There's something going on here...

Richie, is he aware of the tension between them? Look at him! Watch his expression as his eyes shift. He has a habit of observing their arguments.

Also, notice that once the Faks enter, how long Carmy stares at Sydney.

I mean, do I have to say it?

[cfffrk]

What if Jeeves had worked as a page boy at a private boys' school in his youth?

[contemporaryelfinchild]

Its important to me that Trigun is, fundamentally, at it's heart, about restorative vs retributive justice.

[ruenii]

i had this idea where Tim has cuteness aggression and is just so bad at conveying it (well not like batman level but you get the point) that sometimes people mistake his cuteness aggression face as a 'im gonna punt you six feet under' face and tim is confused when his brothers or his friends get scared when he just wants to squish em cause they're sososo cute.

his family (except for dick and cass) doesn't know about this so they just think that 'oh god-- oh myfucking gofd-- tim is glaring at me again what the fuck-- what did i do???' and is just scared of what they did to cause tim, THE CALM ONE, to glare at them.

but tim is just:

tim, [on the inside]: awWWWW lOOK AT MY BABY BROTHERS!!! THEY'RE SO CUTE!! I WANNA PAT THEM ON THE HEAD!!! I WANNA SPOIL THEM I WANNA BITE THEIR CHEEKS LOOK AT THEM AWWWEEE I WANNA SQUISH THEM SO HARDD!! NO-- NO THEY WON'T LIKE THAT I HAVE TO STAY CALM!! ENDURE THE URGE TO PINCH THEM!! 🥺🥺

tim, [on the outside]: *glares at them like they just burned his entire supply of coffee and caffeinated drinks and disgust*

duke: did... did i do something--

tim: *clenches his fist*

damian: don't be such a coward, drake, using physical cues to convey your emotions are unbecomi--

tim: *walks out of the room*

duke & damian: ...

duke: oh fuck... did we make his mood even worse?

damian: surely drake hasn't been... affected by that *his body clearly shaking*

dick: don't worry timmy isn't angry at you guys :)

jason: i can hear him screaming what do you mean he isn't angry

dick: he's just... letting out some pent-up frustration..

[ravi-is-my-beloved]

"You have to think about Tommy's past—"

No, I don't. Not when we don't even know his past. You can't say he's had a troubled past filled with oppression when we don't know that. A throwaway line about his father being like Gerrard is not confirmation that Tommy was discriminated against by his own father for being perceived as a gay man.

"It was a survival instinct—"

No, it wasn't. It wasn't a survival instinct when he called Hen bitchy or was racist towards Chimney. Because you don't even know if he was doing it to protect himself since again, we don't know shit about his past before he was with the 118. The survival instinct y'all claim he had as an excuse against his racism and misogyny is fanon.

Some of y'all to talk about toxic fans and then excuse racism and misogyny because your favorite character is a gay man. Being gay doesn't excuse it, being oppressed doesn't excuse oppressing other people.

[la-pheacienne]

Yes yes the new Rhaegar x Lyanna x Arthur x Ashara art piece is not official art, it is just commissioned art by Elio and Linda, who qualified it as a "headcanon" so technically speaking yes, the scene depicted is nothing more than a "fan theory"! Congratulations and thank you for reminding us, it is always important to have our facts straight. However, if Elio and Linda had commissionned art about your irrelevant dead ladies (not Lyanna cause you dgaf about her) knitting together/dancing at the club you would be losing your shit like that's sO canon u guyz, what about the artistic visionn, the vibes, we!stay!winning! Even better, if the commissioned art portrayed Rhaegar as you guys headcanon him, you would be rubbing your hands with glee right now as we speak. Alas, that was not what the commissioned art was about so you now suddenly remembered the existence of the "fan theory" concept, which is hilarious considering some of y'all have been implicitly or explicitly presenting your fan theories as canon for years, with tremendous success, I will admit. I guess it is a harsh realization that outside this small tumblr bubble nobody really gives a fuck about those theories because HEADcanon or not, this commissioned UNofficial art still has infinitely more textual basis in canon and more probability to become actual canon than literally 99,9% of the stuff you guys say 24/7 :/ But do your thing ig

[lord-squiggletits]

Y'know I kind of feel like when Megatron killed Tarn and said 'I want you to spend your final moments thinking of this: that everything you've done has been for nothing' he was kind of self-projecting onto Tarn? Mainly because at Megatron's statue, M and T had a conversation where Tarn explicitly asked if all the Decepticons in service to Megatron died for nothing, if HE did everything he did for nothing. (And I think M even gave an answer along the lines of 'idk I think we basically did'). And then after Megatron killed the DJD and Rodimus teleported in to rescue him, there was that silent moment where Megatron just stared at Rodimus not moving at all before he finally took his hand at the last moment.

It honestly feels to me like for a while, Megatron fully intended to murder-suicide himself. Murder the DJD, his monsters and his creation, and then take himself out alongside them, because he is also a monster. Because he also feels that everything he's ever done has been for nothing.

Goddamn it's no wonder I liked that scene so much LMAO, as someone who thinks villain Megatron > Autobot Megatron, literally one of his key traits is that Megatron basically took his pain/trauma/worldview and used it to lash out at the universe and try to subjugate it to his vision. So the fact that he took his own pain and brutally murdered the DJD while telling them the very same thing that puts him through so much agony is so very deliciously ironic. And a return, however brief, to the Megatron characterization that I know and love.

[its-leethee]

3x01 // 6x05

once again so focused on rayla that he lost track of the dragon they were fighting

[just-sp-in-inginthevoid]

As much as the 'haha Takemichi went to save his husband after saving his wife, bisexual much?' joke is funny, people who seriously thinks Tokyo Revengers should've stopped when Hinata was finally safe and sound missed an important component to the plot.

Yes, it all started with Hinata - but since when was it all about Hinata?

Takemichi, kind-hearted Takemichi, should've just stopped everything after saving her? He got into Toman for this reason, yes, to get closer to Mikey and stop him - and Kisaki - from killing her, but he also sincerely got closer to Mikey. And everyone else. And he's supposed to simply leave them be when 'mission: save Hinata' is complete? As if the number of people he wanted to save didn't get longer with each timeline? Those are his friends why would he throw them all away.

To protect Hinata he decided to stick close to Mikey since he failed to prevent Mikey and Kisaki meeting each other - and he got attached to Mikey during that, as well as all of Toman. Each steps to save Hinata was also a step to save Mikey from corruption and self-destruction. It was all linked from the start.

There was a shift after Bonten, okay, whatever, the only thing that truly changed was Hinata's importance in it. New enemy? That happens in each arc (right, sure, there wasn't Kisaki anymore). Mikey being more and more violent? Again, each arc featured a moment of Mikey showing signs of being mentally unwell - and now it was aggravated because it was two years earlier than what Takemichi got used to go back to. Etc, etc. Toman may be disbanded, but its (at least main) members still meet and interact and they all kept in touch - Mikey aside. That just a change of mood, a mix of the present/future timelines with a more serious setting and of the past timelines with how young they are, despite not being as young as before. And future timelines have never been a problem - there's a lot of love for Manila and Bonten. If Wakui had had time and energy, Kanto Manji, all 70 and so last chapters of TR could've worked with its fanbase. For some reasons it didn't, and I don't get why by myself

[glitchneedles]

𝘐 𝘩𝘢𝘵𝘦 𝘵𝘩𝘦 𝘸𝘢𝘺 𝘺𝘰𝘶 𝘨𝘪𝘷𝘦 𝘰𝘵𝘩𝘦𝘳𝘴 𝘢𝘧𝘧𝘦𝘤𝘵𝘪𝘰𝘯 𝘦𝘷𝘦𝘯 𝘵𝘩𝘰𝘶𝘨𝘩 𝘐 𝘬𝘯𝘰𝘸 𝘪𝘵𝘴 𝘰𝘬𝘢𝘺 𝘧𝘰𝘳 𝘺𝘰𝘶 𝘵𝘰 𝘣𝘦 𝘤𝘭𝘰𝘴𝘦. 𝘐 𝘫𝘶𝘴𝘵 𝘤𝘢𝘯'𝘵 𝘩𝘢𝘯𝘥𝘭𝘦 𝘪𝘵, 𝘴𝘰𝘮𝘦𝘵𝘩𝘪𝘯𝘨 𝘮𝘶𝘴𝘵 𝘣𝘦 𝘸𝘳𝘰𝘯𝘨 𝘸𝘪𝘵𝘩 𝘮𝘦. 𝘐'𝘮 𝘯𝘰𝘵 𝘸𝘦𝘭𝘭. 𝘞𝘩𝘦𝘯 𝘺𝘰𝘶 𝘨𝘪𝘷𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘵𝘩𝘦 𝘭𝘰𝘷𝘦 𝘐 𝘸𝘢𝘯𝘵 𝘐 𝘫𝘶𝘴𝘵 𝘸𝘢𝘯𝘵 𝘵𝘰 𝘴𝘯𝘢𝘱 𝘢𝘵 𝘺𝘰𝘶, 𝘩𝘶𝘳𝘵 𝘵𝘩𝘦 𝘱𝘦𝘰𝘱𝘭𝘦 𝘢𝘳𝘰𝘶𝘯𝘥 𝘺𝘰𝘶. 𝘌𝘷𝘦𝘳𝘺𝘵𝘩𝘪𝘯𝘨 𝘪𝘯 𝘮𝘺 𝘣𝘰𝘥𝘺 𝘢𝘤𝘩𝘦𝘴 𝘢𝘯𝘥 𝘵𝘩𝘳𝘰𝘣𝘴 𝘧𝘳𝘰𝘮 𝘵𝘩𝘦 𝘴𝘩𝘦𝘦𝘳 𝘯𝘰𝘵𝘪𝘰𝘯 𝘰𝘧 𝘵𝘩𝘦𝘮 𝘵𝘢𝘬𝘪𝘯𝘨 𝘺𝘰𝘶 𝘧𝘳𝘰𝘮 𝘮𝘦. 𝘐 𝘧𝘦𝘦𝘭 𝘴𝘰 𝘧𝘶𝘤𝘬𝘪𝘯𝘨 𝘢𝘯𝘨𝘳𝘺 𝘸𝘩𝘦𝘯 𝘺𝘰𝘶 𝘨𝘪𝘷𝘦 𝘵𝘩𝘦𝘮 𝘵𝘰𝘰 𝘮𝘶𝘤𝘩 𝘰𝘧 𝘺𝘰𝘶𝘳 𝘵𝘪𝘮𝘦, 𝘪𝘵 𝘮𝘢𝘬𝘦𝘴 𝘮𝘦 𝘧𝘦𝘦𝘭 𝘴𝘰 𝘱𝘦𝘵𝘵𝘺. 𝘪 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶 𝘪 𝘭𝘰𝘷𝘦 𝘺𝘰𝘶. 𝘧𝘶𝘤𝘬 𝘵𝘩𝘰𝘴𝘦 𝘱𝘦𝘰𝘱𝘭𝘦, 𝘪 𝘥𝘰𝘯𝘵 𝘤𝘢𝘳𝘦 𝘵𝘩𝘢𝘵 𝘵𝘩𝘦𝘺'𝘳𝘦 𝘰𝘶𝘳 𝘧𝘳𝘪𝘦𝘯𝘥𝘴. 𝘫𝘶𝘴𝘵 𝘴𝘵𝘰𝘱 𝘨𝘪𝘷𝘪𝘯𝘨 𝘵𝘩𝘦𝘮 𝘢𝘭𝘭 𝘺𝘰𝘶𝘳 𝘭𝘰𝘷𝘦. 𝘴𝘵𝘰𝘱 𝘪𝘵. 𝘧𝘶𝘤𝘬𝘪𝘯𝘨 𝘴𝘵𝘰𝘱 𝘨𝘪𝘷𝘪𝘯𝘨 𝘵𝘩𝘦𝘮 𝘺𝘰𝘶𝘳 𝘢𝘧𝘧𝘦𝘤𝘵𝘪𝘰𝘯𝘴, 𝘪 𝘩𝘢𝘵𝘦 𝘪𝘵.

[caluette]

the truth