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Giovanni Sessa: “Wagner pretendía unir arte y vida, intentando reunir, con un arte revolucionario, lo que el subjetivismo moderno había separado”
Por Eren Yeşilyurt
Traducción de Juan Gabriel Caro Rivera
Richard Wagner no fue sólo un compositor, sino también un filósofo y revolucionario con profundas reflexiones sobre el arte, la religión y la cultura. Sus obras, que combinan la música y la mitología, se convirtieron en un símbolo del despertar artístico e intelectual tanto de Alemania como de toda Europa. La polifacética influencia de Wagner fue especialmente inspiradora para los intelectuales de la Revolución conservadora y para quienes desafiaban estética y filosóficamente la modernidad. Hemos hablado con Giovanna Sessa sobre Wagner.
¿Puede presentarse?
Nací en Milán en 1957 y actualmente vivo en Frascati (RM). He enseñado filosofía en institutos y colaborado en la Universidad «Sapienza» de Roma con el profesor Gian Franco Lami, amigo y maestro inolvidable. También fui profesor adjunto de «Historia de las Ideas» en la Universidad de Cassino. Mis escritos han aparecido en revistas, periódicos, volúmenes colectivos y actas de congresos. He editado, traducido y prologado decenas de volúmenes. Entre mis publicaciones más recientes, Oltre la Persuasione. Saggio su Carlo Michelstaedter (Roma, 2008); La meraviglia del nulla. Vita e filosofia di Andrea Emo (Milán, 2014); Julius Evola e l’utopia della Tradizione (Sesto S. Giovanni (Mi), 2019); L’eco della Germania segreta. “Si fa di nuovo primavera” (Sesto S. Giovanni (Mi), 2021); Azzurre lontananze. Tradizione on the road (Sesto S. Giovanni (Mi), 2022); Icone del possibile. Giardino, bosco, montagna (Sesto S. Giovanni (Mi), 2023). Con respecto a Wagner he editado, R. Wagner, Religione e arte (Sesto S. Giovanni (Mi), 2021); E. Schuré, Richard Wagner (Sesto S. Giovanni (Mi), 2021); R. Wagner, L'ideale di Bayreuth (Sesto S. Giovanni (Mi), 2024). Soy secretario de la Fundación Julius Evola.
Conocemos la importancia de Kant y Hegel en el pensamiento alemán, pero ¿cuál es la importancia de Wagner para Alemania? ¿Es posible hablar de una «juventud wagneriana» como hubo una juventud goethiana y por qué Alemania no optó por fundar un Instituto Wagner en lugar del Instituto Goethe?
Richard Wagner aportó no sólo a Alemania, sino a Europa, una contribución teórica y artística de inestimable valor. El humus ideal de su trayectoria se sustentó en el pensamiento alemán contemporáneo a él. Este iter creativo y especulativo era muy complejo y bien articulado. De hecho, pasó por varias etapas de desarrollo. Karl Löwith ha demostrado de manera incontrovertible en su De Hegel a Nietzsche que la experiencia musical y teórica del wagnerismo está ligada al mundo ideal de la izquierda hegeliana, al vasto movimiento cultural que, de hecho, tuvo su momento culminante en Nietzsche, el filósofo que concluyó la «disolución del hegelismo». En la segunda fase de la producción de Wagner, que maduró durante su estancia en Zúrich y Dresde, el gran artista se vio subyugado por el espíritu revolucionario de Feuerbach. A esta fase puede atribuirse la composición de Tannhäuser, Lohengrin y la redacción poética de la Tetralogía. Con estas obras, el gran músico buscó, con poderosa energía, identificar arte y vida, intentó dar vida a un arte «revolucionario» capaz de reunir lo que el subjetivismo moderno había dividido.
Desde entonces, la producción de Meister ha tenido como núcleo el tema típicamente alemán y schopenhaueriano de la Regenerationslehe, la regeneración espiritual del pueblo alemán y de los pueblos de Europa. Esta llamada al renacimiento, a un nuevo comienzo de la historia, implicaba por igual a jóvenes y mayores de todas las naciones de nuestro continente. La erección del nuevo teatro de Bayreuth se completó gracias a las aportaciones (también económicas) de los seguidores de Wagner, miembros de las Asociaciones que llevaban el nombre del compositor. Los «jóvenes» fieles a Wagner no hicieron más que explicitar lo que estaba implícito en el etimónimo de Bayreuth: Reut, en efecto, alude a un «suelo conquistado al bosque salvaje y hecho fértil», productor de un futuro que hunde sus raíces en un pasado inacabado, «inexpresado», como lo habría definido Walter Benjamin. El legado wagneriano se perpetuó hasta los autores de la Revolución Conservadora, tanto en los que no se adhirieron al nacionalsocialismo como en los que se unieron a ese movimiento. Por lo tanto, una «juventud wagneriana» ciertamente existió, al igual que la «juventud goetheana». Para entender por qué no se creó un «Instituto Wagner» en Alemania, conviene recordar lo que ocurrió al final de la Segunda Guerra Mundial. Los alemanes fueron sometidos a un auténtico «lavado de cerebro», destinado a borrar su memoria histórica y al igual que el resto de los europeos. El ejército estadounidense ocupó el teatro de Bayreuth y representó allí obras de music-hall. Poco antes, el general Patton hizo orinar a los soldados del batallón que mandaba al río Rin, central en la mitología de Wagner. Fue un gesto desacralizador y provocador hacia el músico y la Kultur alemana y europea.
¿Por qué se interesó Wagner por la Edad Media, mientras que muchos intelectuales de su época se volcaron en la Grecia y la Roma antiguas?
El interés de Wagner por la Edad Media ha sido bien explicado por el germanista Marino Freschi que, a este respecto, ha escrito: «Wagner volvió a una experiencia colateral del cristianismo: a la del Grial, el gran misterio crístico que animó toda la Edad Media cristiano-germánica [...] El mensaje recuperado por Wagner es el de un salvador que elude la consumación de la crítica materialista avanzando hacia un camino apenas insinuado que en aquellos años fue repropuesto por la Teosofía y sobre todo por Rudolf Steiner (en Italia por Evola y Massimo Scaligero)» (Wagner e l'arte sublime che salva la religione, en “il Giornale” del 02/04/2021). Por otra parte, hay que recordar que el primer Wagner se interesó por el mundo precristiano y a Grecia: esto es evidente en la gramática musical de Tristan und Isolde. En esta partitura wagneriana, la visión abierta de la historia centrada en la concepción tridimensional y esférica del tiempo, visión que remite a la potestas dionisíaca, pasó a primer plano, como Giorgio Locchi argumentaba. Aquí la música de Wagner es portadora de una cosmovisión antiigualitaria capaz de desarrollar el desafío a la modernidad y a la posmodernidad, no en términos meramente reaccionarios, movidos por el lamento nostálgico de un tiempo que ya no es, sino en términos activos, en la convicción de que el origen no es un dato retrospectivo, situado definitivamente detrás de nosotros, sino que, por definición siempre es posible, como aclara Klossowski. El distinguido musicólogo Paolo Isotta, en su espléndido prefacio al libro de Locchi, recordaba cómo la música, que llegó a predominar en Occidente con el advenimiento del cristianismo, era monódica en un sentido absolutista. Sólo a finales de la Edad Media surgieron tendencias polifónicas que, en el mundo antiguo, a pesar de las incertidumbres histórico-filológicas al respecto, habían quedado registradas en el Somnium Scipionis de Cicerón. En las páginas de esta obra, citando fuentes platónicas (Resp. X, 616-617; Tim., 34b-40d) se dice: «de la resonancia simultánea de diferentes sonidos, afinados por una mente divina».
En este sentido, la polifonía medieval fue un redescubrimiento de los pueblos del norte de Europa: puso música a los sedimentos espirituales que yacían en su inconsciente colectivo tras la irrupción de la visión judeocristiana de la vida. Isotta comenta: «La música moderna de Europa occidental, como la tragedia griega, nació del pueblo». Para Locchi, el sentimiento tonal armónico y polifónico era innato en los pueblos nórdicos y, después de la Edad Media, explotó por primera vez en la escuela polifónica flamenca, aunque floreció en la Italia del siglo XVI y, a partir de ahí, encontró nuevo impulso en la música de Bach a Wagner.
El elemento más relevante de la exégesis locchianna sobre la música tonal se encuentra en el hecho de que tradujo a partitura la concepción del tiempo propia del hombre de la época clásica. Los demás tipos de música se centran en la concepción lineal y futuro-céntrica de la temporalidad. Incluido el canto gregoriano. En ellos: «cada nota es un punto aislado en el espacio sonoro, precedido y seguido por otro punto [...] Pero en cualquier pieza de música tonal, la nota (el instante) no significa en sí misma. Cada nota contiene las notas precedentes (instantes) que la determinaron, pero contiene, a su vez, las subsiguientes que serán inducidas por ella: cada nota (cada instante), en la medida en que es presente, contiene así en sí misma el pasado y el futuro». La Fuga y la Sonata se extienden en un tiempo tridimensional y están, sobre él, estructuradas. La música puede convertirse en el paradigma de una concepción no determinista de la historia, ajena a la secularización de la visión cristiana del tiempo y, por lo tanto, diferente a las diversas derivas que la filosofía de la historia ha asumido desde el siglo XIX hasta nuestros días. Si el mundo posmoderno es el resultado último de la inmanentisación del fin cristiano de la historia, es necesario volver la mirada a la physis clásica para escapar al señuelo de la esperanza y la desesperación. La historia, como la música tonal, no tiene fin ni final, siempre está «abierta», pendiendo del fundamento cimentado de la libertad.
Con Wagner, el sentimiento del mundo implícito en la música tonal se convirtió en proclamación mítica. Para Locchi e Isotta: «el conjunto de obras desde Tristán hasta Parsifal es el monumento más alto que la humanidad ha erigido en toda su historia», además, para quien sabe escuchar y leer, se caracteriza por una coherencia inigualable. El mito, en efecto, se centra en la unidad de los contrarios, pero esta comprensión sólo puede ser detectada por el oyente o el lector capaz de participar en el desvelamiento mítico: a los que permanecen fuera, el mito les ofrece siempre una ambigüedad final». Creemos que es cierto que Wagner, especialmente en Tristán, se hizo portador de la visión tridimensional del tiempo y de la concepción suprahumana correlaciona con él, pero pensamos que Wagner fracasó posteriormente en sus presupuestos iniciales, como comprendieron Nietzsche y Evola. Esto sucedió, tanto musical como filosófica y políticamente, como atestigua el libro del Meister Religión y Arte.
Creemos, sin embargo, que, a partir del primer Wagner, la música europea prosiguió su camino hacia la Nueva Esencialidad y hacia la construcción de un arte verdaderamente dionisíaco, con Gustav Mahler. Esta tendencia se manifestó, en particular, en la Tercera Sinfonía del gran compositor austríaco.
¿Cuál es la relación entre revolución y arte en el pensamiento de Wagner? ¿Pretendía sustituir la religión y el arte?
Para responder a su pregunta, es necesario remitirse al volumen citado, Religión y Arte. Se trata de una colección de escritos que Wagner redactó durante el mismo período en que se proponía componer el Parsifal. Más concretamente, los ensayos que componen esta colección son siete, acompañados de las Anotaciones finales, en las que se presentan y comentan fragmentos que el músico no se cansaba de calificar como «nuestro gran filósofo», Arthur Schopenhauer. Con estos escritos, el artista-pensador se preocupó, en el último periodo de su existencia terrenal, de dejar al mundo un mensaje positivo, relativo a la posible Regenerationslehre, regeneración espiritual y social, centrada en la doctrina de la Mitleid, la compasión de Schopenhauer. Es el primer amanecer, en la cultura alemana, de un tema que durante todo el siglo XX (sobre todo en su primera mitad) será el centro de intereses de la filosofía y el arte. Pensemos, entre muchos nombres posibles, en Stefan Geroge, Ernst Jünger, Martin Heidegger, Moeller van den Bruck. O incluso en aquellos que asimilaron, aunque críticamente, el anuncio de un posible Nuevo Comienzo del Hombre Europeo. Me refiero a Walter Benjamin que, refiriéndose a Karl Kraus, pensó, en sus Tesis sobre la filosofía de la historia, en el origen como meta a la que aspirar.
En las páginas de Religión y Arte, la Regeneración debía realizarse tanto en Alemania como a escala europea y debía basarse en la crítica de la concepción utilitarista y economicista de la vida que, en aquella época, se imponía gracias al triunfo político del liberalismo. Las tesis fundamentales de esta doctrina habían sido presentadas por el compositor sólo al pequeño círculo de sus alumnos y discípulos, animados por una lealtad incuestionable hacia la concepción de la vida del Maestro y falangistas de una periagogé radical, de un cambio de corazón, al que debía seguir una visión diferente del mundo que el arte y, sobre todo, la música, anunciarían. El libro debía ser, según las intenciones de Wagner, el manifiesto programático del Nuevo Comienzo.
El ensayo que da título al volumen es el que lo abre. El incipit representa la síntesis de las posiciones del artista y contiene la respuesta a su pregunta: «Podría decirse que allí donde la religión se vuelve artificial, al arte le está reservado salvar su núcleo sustancial. El arte auténtico, a través de la representación ideal de la imagen simbólica, siempre ha contribuido a la comprensión de su sustancia íntima (de la religión), es decir, de la inexpresable verdad divina». La grandeza del cristianismo se encuentra, según Wagner, en el hecho de que el núcleo fundador de su verdad estaba destinado, ab initio, también a los pobres de espíritu, mientras que otras religiones, en primer lugar, el brahmanismo, que el Maestro apreciaba, dirigía su mensaje a los ricos de espíritu, a los que ya caminaban por la senda del conocimiento. Así, en la India, la filosofía se convirtió en la doncella de la religión al explicar el mundo metafísicamente, mientras que la enseñanza de Cristo exigía que los pobres de espíritu no cerraran sus corazones al conocimiento del sufrimiento. Sin embargo, pronto el cristianismo se había convertido en una «religión de Estado para los emperadores romanos y verdugos de herejes». En esencia, el cristianismo schopenhaueriano de Wagner se constituye como una inversión de la voluntad de la vida. Este mundo, en el que domina el imperativo «yo quiero», se consideraba falaz, que no hacía más que postergar a los hombres al verdadero Reino, el de Dios.
La corrupción del mensaje crístico original tuvo lugar con: «la conexión tiránicamente impuesta de esta deidad en la cruz con el Creador judío del cielo y la tierra [...] que parecía tener mejor suerte que el misericordioso Salvador de los pobres». Sólo los artistas repudiaron su dominio y la negación del mundo quedó atestiguada en la representación del milagro de la maternidad. Uno piensa en la Madonna Sixtina de Rafael que, sosteniendo a su hijo en brazos, muestra el cumplimiento del milagro divino. La Madonna, concluye Wagner, ya no es intocable, como puede verse en la representación escultórica de Artemisa a causa de su severa castidad, sino expresión del milagro que brota del amor divino. La representación griega de la naturaleza, por citar a Schopenhauer, remitía a un ideal que la propia physis no había alcanzado, era idealización de lo natural, mientras que el artista cristiano revela el «secreto» del dogma religioso. La misma tensión hacia el desvelamiento de la verdad, característica de Rafael, se encuentra también en el Juicio Final de Miguel Ángel que: «representaba [...] a Dios llevando a término su terrible tarea». A diferencia de la pintura, la poesía fue inducida a permanecer cerca de conceptos canónicamente fijos: «Sólo en la música se elevó el lirismo cristiano al verdadero arte [...] disolvió y diluyó las palabras, junto con sus conceptos, hasta borrar su inteligibilidad». Habiendo disuelto la palabra conceptual, la música determina la constatación de la nulidad del mundo fenoménico, ya que toda imagen sonora es algo distinto del mundo de las apariencias.
La música, para Meister, estaba devastadoramente afectada por la progresiva mundanización de la Iglesia, de modo que sólo la separación de la decadencia eclesiástica era capaz de preservar el sonido como pura herencia ancestral. El núcleo original del cristianismo, según Wagner, estaba contaminado por la influencia dogmática del judaísmo, que, en primer lugar, se manifestaba en el dicho crístico: «alimentaros sólo de esto en adelante, en memoria mía», es decir, alimentaros del pan y del vino, de los bienes espontáneamente concedidos por la tierra. Tal indicación descendía de la misma intuición brahmánica y pitagórica de que todo en el cosmos es uno: «cuando el Brahman, ante la multiplicidad infinita de formas del mundo viviente, exclamó: «¡Este eres Tú!», la conciencia de la verdad se despertó inmediatamente en el oyente». Para Wagner, Jesús es, después de todo, el héroe de la Última Cena, que invitó a los discípulos a sentirse hermanos, no sólo de sus semejantes, sino de todo lo que vive. De tal percepción, desciende la enérgica defensa de Wagner de la práctica dietética vegetariana. La Iglesia pasó por alto esta enseñanza, ya que recurrió al judaísmo para la creación de sus dogmas: «de ahí, sin embargo, la Iglesia derivó su poder y señorío». Esto demostraba que, para Wagner, el arte de la época moderna debía adoptar un rasgo «religioso», debía convertirse en una «obra total y definitiva». En esta perspectiva, el músico fracasó en la visión trágica y precristiana que había animado la partitura de Tristán. El retorno al «pensamiento griego» tiene, pues, para el escritor, un rasgo dimensional.
¿Por qué los revolucionarios conservadores mostraron tanto interés por Wagner? ¿Cómo influyó Wagner en los revolucionarios conservadores?
Los revolucionarios conservadores que pretendían superar la contemporaneidad surgida tras el naufragio inducido por la Primera Guerra Mundial y querían ir más allá de las derivas meramente reaccionarias, más allá de la mera dimensión de la nostalgia política, sólo podían mirar a Wagner como el profeta de un Nuevo Comienzo para Europa. En particular, la poética de Stefan George tiene en Wagner y en su teoría del arte un precedente excelente. El animador del Kreis se rodeó de una multitud de discípulos admirados por su intento de resacralización poética de la vida. El problema que se plantearon los intelectuales de este mileu revolucionario conservador respecto a los temas propuestos por la obra del músico fue el siguiente: ¿a qué Wagner hay que mirar para encontrar en él la savia del proyecto político-existencial revolucionario y conservador? George, Klages, Schuler y, en cierta medida, los hermanos Jünger, se fijaron en el primer Wagner, portador, a través de la música tonal, de una visión «abierta» de la historia y, por ello, sólo en un primer momento se dejaron deslumbrar por los ídolos del nazismo y más tarde vivieron al margen del régimen hitleriano. Otros, sensibles a la teleología y al mesianismo de Wagner, a su pretensión de haber realizado con la «Obra Total» el «fin» del arte, se adhirieron al etnocentrismo de la ideología nacional-socialista que, para quien esto escribe, atento al tema de la conferencia de Alain de Benoist, no es en absoluto «pagana», sino monocrática y cerrada: «Un líder, un imperio, un pueblo».
¿La divergencia entre Nietzsche y Wagner fue un conflicto personal o una divergencia entre las dos Alemanias (Weimar y Tercer Reich)?
La divergencia entre ambos estaba determinada por una motivación «ideal», no relativa a los valores encarnados por el II y III Reich. La divergencia se refería a la visión que el músico y el filósofo tenían de la vida y el arte. Nietzsche se mantuvo fiel a lo trágico. Wagner, adherido a una concepción salvífica de la música y la historia, abrazó una tranquilizadora posición finalista. Se convirtió en otro «filósofo y músico de la historia». Por el contrario, el arte trágico tiene un desarrollo hiperbólico, nunca concluido, siempre está en marcha, como el principio animador lo que vive, que se da exclusivamente en la physis. El enfoque trágico es siempre abierto y contrasta con el espíritu filisteo que Wagner también quería combatir. Fue el «filisteísmo» inconfeso de Wagner lo que alejó a su amigo Nietzsche del Maestro. A propósito de las primeras representaciones celebradas en Bayreuth, el filósofo del eterno retorno escribió a Mathilde Maier el 15 de julio de 1878: «En el verano de Bayreuth fui plenamente consciente de todo esto; hui, después de las primeras representaciones a las que había asistido, lejos, a las montañas». En resumen, citando de nuevo a Nietzsche: «Wagner, paso a paso, había consentido todo lo que yo desprecio... Incluso el antisemitismo... Wagner [...] cayó de repente, como un abandonado y angustiado, al pie de la cruz cristiana». Estas consideraciones no impidieron a Nietzsche escribir, en una carta a Franz Overbeck fechada el 7 de abril de 1884, que «en muchos aspectos seré el heredero de Wagner», reconociendo así la grandeza del genio del músico, pero también su alteridad respecto al compositor, dada su genuina adscripción al «pensamiento griego».
¿Qué posición adoptó Richard Wagner con respecto a la ópera italiana? ¿Qué papel desempeñó esta relación en la configuración del drama musical y en la glorificación de la tradición musical centroeuropea?
El compositor amaba mucho Italia: en varias ciudades encontró inspiración y paz para componer. En Venecia (donde murió) escribió parte de Tristán, en La Spezia tuvo la inspiración para el preludio de la Tetralogía en un sueño, en Ravello y en la catedral de Siena imaginó escenas de Parsifal, que completó en Palermo. En 1859, simpatizó con el Piamonte contra Austria durante la Segunda Guerra de Independencia. El 1 de noviembre de 1871 se estrena Lohengrin en el Teatro Comunale de Bolonia, la primera ópera de Wagner representada en Italia. A una de las representaciones asistió Giuseppe Verdi, quien, tras el estreno de Aida, fue acusado injustamente por la crítica de ser wagneriano y, por tanto, de haber traicionado los cánones compositivos y orquestales de la ópera italiana. Este hecho pone de manifiesto las relaciones entre la ópera alemana y la italiana. Relaciones controvertidas, atravesadas por el amor-odio, la atracción-repulsión. Wagner, en su intento de reconstruir una historia del pathos teatral en los ensayos contenidos en El ideal de Bayreuth, atribuye a los italianos el haber redescubierto el valor del teatro clásico. Esto habría llevado a nuestra cultura a dejar de lado el drama recitado y a intentar reconstruir el drama antiguo en el campo de la ópera musical. Este intento acabaría dando lugar al nacimiento de la ópera italiana. El modelo al que, en realidad, Wagner mira para definir las características de la obra de arte total no se encuentra, en mi opinión, sic et simpliciter, en la ópera italiana, sino en el teatro de Shakespeare, con su potenciación de la mímica. Además, esa obra total requería, a efectos de representación, un entorno muy diferente al del teatro italo-francés. Por lo tanto, es posible afirmar que, efectivamente, el genio de Bayreuth miraba a la ópera italiana, pero ciertamente no como su modelo de referencia privilegiado. En opinión de quien esto escribe, la comparación de Wagner con la música y el teatro de épocas anteriores y con los imperantes en la época en la que vivió, fue total. Este enfoque fue el instrumento con el que intentó revitalizar la tradición musical europea.
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MusiCogne 2023
Ancora una volta Cogne scommette sull’incontro tra musica e natura con la settima edizione di MusiCogne che andrà in scena dal 18 luglio. La rassegna non rinuncerà alla sua missione di proporre grande musica in grandi contesti, tra cui quelli del Parco Nazionale Gran Paradiso, con la partecipazione di nomi d'eccezione. Rispetto alle passate edizioni qualcosa cambia, con un concerto al giorno anziché più appuntamenti a poche ore di distanza l'uno dall'altro per facilitare la partecipazione del pubblico a tutti gli eventi e sedi dei concerti. Quest'anno MusiCogne viaggia in parallelo con GuitarCogne, il seminario immersivo di chitarra acustica organizzato con la Sfom - Scuola di formazione e orientamento musicale per il secondo anno. Si comincierà martedì 18 luglio alle 21 con Alessandro D'Alessandro, per la prima volta in Valle d'Aosta, uno dei migliori organettisti diatonici del panorama nazionale e probabilmente internazionale, che sarà in piazza Chanoux per proporre la sua musica al pubblico di Cogne. Il giorno successivo la rassegna tornerà in una delle sedi storiche, la Maison Gérard Dayné, con Lautarea e Sergio Pugnalin: liuti e musiche balcanico-slave, bulgare, arabe, turche e sefardite. Per il terzo concerto ci sarà il giovane Samuele Provenzi che il 20 luglio alle 18, presso il giardino della biblioteca, presenterà il suo repertorio di musica classica tra Ottocento e Novecento. Gli ultimi tre concerti si terranno tutti in piazza Chanoux dove il 20 luglio, alle 21, ci sarà uno spettacolo dedicato ai brani che hanno saputo fare la storia e il giornalista Andrea Scanzi, appassionato di musica, proporrà una narrazione arricchita da aneddoti e cenni storici sulle canzoni icone della musica mondiale, con ad accompagnarlo la violinista e compositrice statunitense Scarlet Rivera, Alex Gariazzo ed Andrea Parodi (chitarre e voci) e Paolo Ercoli (mandolino, dobro e pedal steel). Venerdì , sempre alle 21, il direttore artistico Carlo Pestelli e Federico Bagnasco proporranno il loro disco Oiseaux de Passages con i brani del maestro della canzone francese tradotti in italiano e in dialetto torinese, ma non solo, da Fausto Amodei, del collettivo torinese Cantacronache. Per sabato 22 luglio sarà la volta delle note tra lo swing e il gipsy jazz dell'eclettico chitarrista Nunzio Barbieri e del clarinettista Francesco Django Barbieri, padre e figlio accomunati dalla passione per la grande musica finemente arrangiata. Infine domenica 23, alle 12, l'area pic nic di Lillaz proporrà il saggio conclusivo degli allievi di GuitarCogne. Read the full article
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#ana de armas#ana de armas icons#icons#icons ana de armas#the night clerk#the night clerk icons#movie#movies icons#movie icons#andrea rivera#andrea rivera icons#filmedit#anadearmasedit#girls icons#actress#actresses icons#female icons#twitter icons#icons without psd#without psd#ana de armas icon
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━━ credits to lucreziabcrgia on twitter.
━━ like/reblog if you saved.
› ana de armas as Andrea Rivera ; icons.
#ana de armas#ana de armas icons#icons ana de armas#andrea rivera#andrea rivera icons#icons andrea rivera
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Andrea Rivera🐞
The Night Clerk
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|| HERE IS THE LINK || to #163 medium sized gifs of ANA DE ARMAS as ANDREA RIVERA in THE NIGHT CLERK. All gifs are made by me ( @freeformemotions-rph ), please don’t claim as your own or post in any gif hunts. Please do not turn these into gif icons or alter them in any way. Please like or reblog if you use. Thanks!
Trigger Warnings: Nudity, kissing, blood
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ANA DE ARMAS GIF PACK
In this gif pack you can find 435 gifs of ANA DE ARMAS as Andrea Rivera in The Night Clerk. All of these gifs were made by me for roleplaying purposes. Please like or reblog if you plan on using them or found the pack helpful, but please don’t put them into other gif hunts or use them for making icon gifs or crackships or anything else.
tw: cigarette, smoking, nudity (topless), blood
‧͙⁺˚*・༓☾ GIF PACK ☽༓・*˚⁺‧͙
#ana de armas#ana de armas gif pack#ana de armas gif hunt#gifpacknetwork#gifpackshq#gpparadise#mine#mypack#*#fc: ana de armas#gif hunt#i know i said i wouldn't finish this pack#but then several people said i should#and i was convinced into it#so i hope at least some people will be happy this eventually got made#queue
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Love Letter to Liza, a virtual tribute marking the 75th birthday of stage and screen icon Liza Minnelli, will air March 12 at 8 PM ET on the streaming platform Stellar.
Viewers can expect performances, odes, and birthday wishes from Joel Grey, Lily Tomlin, Catherine Zeta- Jones, Chita Rivera, Joan Collins, Harry Connick, Jr., Ben Vereen and dancers from the Verdon-Fosse Legacy, Ute Lemper, Billy Stritch, Charles Busch, Kathie Lee Gifford, Lea Delaria, Jim Caruso, Jonathan Groff, Sandra Bernhard, Andrew Rannells, Nathan Lane, Mario Cantone, Tony Hale, Coco Peru, John Cameron Mitchell, Michele Lee, Andrea Martin, Seth Sikes, and Neil Meron.
A portion of ticket sales will go to The Actors Fund, the national human services organization for everyone in performing arts and entertainment.
Joining Nardicio on the producing team are Samuel Benedict and Club Cumming, with Matt Berman co-producing.
Repeat airings will take place March 13 and 14 on Steller Video on Demand. Tickets, priced $30, are available here.
https://www.stellartickets.com/o/club-cumming-presents/events/a-love-letter-to-liza-minnelli-75th-birthday-all-star-tribute
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Lesbrary Link Round Up
[image description: a collage of 16 covers of the books mentioned in the links below, with the text “Lesbrary Links: Bi & Lesbian Lit News & Reviews]
This is the Lesbrary bi-weekly feature where we take a look at all the lesbian and bi women book news and reviews happening on the rest of the internet!
[image description: the covers of Belly Up by Eva Darrows, The Luminous Dead by Caitlin Starling, The Meaning of Birds by Jaye Robin Brown, Starworld by Audrey Coulthurst and Paula Garner, and Hot Dog Girl by Jennifer Dugan]
Lambda Literary posted New in April: Sarah Blake, Philippe Besson, and Celebrating Stonewall.
LGBTQ Reads posted New Releases: April 2019 and Fave Five: F/F Fauxmance to Romance.
LGBTQIA Historical Romance Novels posted LGBTQIA Historical Romance Novels: International Locations.
Women and Words updated their New Releases & Coming Up page.
[image description: the covers of Cannonball by Kelsey Wroten, On a Sunbeam by Tillie Walden, Open Me Carefully: Emily Dickinson's Intimate Letters to Susan Huntington Dickinson, My Favorite Thing is Monsters by Emil Ferris, and Yellow Rose by Yoshiya Nobuko.]
"Gentleman Jack," the HBO series based on the list of Anne Lister, was reviewed at The New York Times, The Smithsonian, and The Wrap.
"Wild Nights with Emily," the movie based on Emily Dickinson's life, was reviewed at Vulture and Wicked Local.
"Meet Gabby Rivera: The Realest Superhero of the New Era" was posted at Be Latina.
"The Beloved Japanese Novelist Who Became a Queer Manga Icon" was posted at Atlas Obscurica.
"10 Essential Graphic Novels and Memoirs About Queer Women" was posted at Publishers Weekly.
[image description: the covers of Naamah by Sarah Blake, The True Queen by Zen Cho, Soft Science by Franny Choi, nîtisânak by Lindsay Nixon, and The Care and Feeding of Ravenously Hungry Girls by Anissa Gray]
Naamah by Sarah Blake was reviewed at Lambda Literary.
The True Queen by Zen Cho was reviewed at Rich in Color.
Soft Science by Franny Choi was reviewed at Lambda Literary.
Miranda in Milan by Katharine Duckett was reviewed at Lambda Literary.
The Care and Feeding of Ravenously Hungry Girls by Anissa Gray was reviewed at Marie Claire.
Paul Takes the Form of a Mortal Girl by Andrea Lawlor was reviewed at The Guardian and Dazed.
nîtisânak by Lindsay Nixon was reviewed by Casey the Canadian Lesbrarian.
When Brooklyn Was Queer by Hugh Ryan was reviewed at Lambda Literary.
If you like what we do at the Lesbrary and Bi & Les Lit, support us on Patreon at $2 or more a month and be entered to win a queer women book every month!
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ANA DE ARMAS ICONS.
like or reblog if you save.
movie: the night clerk.
#ana de armas#actress icons#ana de armas icons#ana de armas layouts#icons ana de armas#ana de armas packs#actress#the night clerk#the night clerk icons#icons the night clerk#ana de armas the night clerk#andrea rivera icons#movies
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6 Ways to Be More Inclusive of Bisexual People During Pride Month
Tips for Pride organizers, attendees, and members of the bi community.
BY ZACHARY ZANE
JUNE 10, 2019
Most Pride attendees don’t go out of their way to heckle bisexual people, but many bi folks don’t feel particularly welcome at Pride. They feel they can’t express being openly bisexual without receiving a barrage of intrusive questions or disparaging remarks. For example, some people assume bisexuality is just a phase, or ask about your sexual history, and that's just...not cool.
In recent years, the LGBTQIA+ community has been pushing for more inclusivity among all its members — adding more letters to the acronym — in the hopes of encompassing all individuals who don’t feel represented by the original four letters. Yet at Pride events across the world, the acronym still seems synonymous with “gay,” and unless something is specifically stated to be bisexual [or transgender], meaning it explicitly notes that it’s an event, float, booth, etc. for bisexual people, it is assumed to be gay [and cisgender].
1. Don’t Call It “Gay Pride”
Words matter. Whoever came up with the phrase “sticks and stones may break my bones but words will never hurt me” was a little off the mark. An impactful thing everyone can do is to stop calling Pride “Gay Pride” and instead simply call the festivities “Pride.” Or, if you want to have some form of an LGBTQIA+ indicator in front of Pride to make it clear you’re not talking about one of the seven deadly sins, but the month of June, call it “Queer Pride.”
It’s such an easy switch to make, but one that can really make Pride feel more inclusive of various sexual and gender identities.
2. Know Your Queer History
Unlike what the 2015 movie Stonewall would have you believe, the original Stonewall riots were started by bisexual, trans, and nonbinary people of color. It’s necessary to know your queer herstory to remember that bi folks have always been at the forefront of queer liberation, fighting for the rights of all members of the larger LGBTQIA+ community.
“I could give you a list of behaviors that help the bi+ community feel welcome, seen, and named, but the truth is that right now we need healing and solidarity. I don’t think we can afford to be shady toward one another. We never really could. Acceptance that Pride is about everyone in the LGBTQIA+ community is a great place to start. If you can’t accept that, then stay home. If you can accept this fact and respect it, then, by all means, join the fun everyone, including the bi+ community, WILL be having. And don’t forget: bi+ community is made up of cis, trans, and nonbinary folks. Don’t get it twisted. bi+ icon Brenda Howard invented Pride. Trans bi+ icon Sylvia Rivera fought for our most vulnerable’s rights on the street. Andrea Jenkins made history last year by becoming the first black openly transgender and bi+ woman elected to public office. We’ve been here all along and we’re not going anywhere. We’re here to stay. Get used to it. Know your queer history!”
3. Create More Bi-Specific Spaces at Pride
Rio Veradonir, the assistant director of the American Institute of Bisexuality, says it would be helpful if “Pride organizers could give the bi community free spaces for visibility. L.A. Pride has done this for the trans community several times.”
This may not be surprising, but bisexual organizations aren’t typically flush with cash. In fact, according to the 40th annual LGBT Funders Report, which has tracked funding to LGBT organizations between 1970 and 2010, lesbian and gay organizations received $487 million in funding; transgender organizations received $16 million; and bisexual organizations received a mere $84,000 in those same four decades. Both transgender and bisexual organizations deserve more funding than they're receiving.
Additionally, Veradonir notes, “Large free spaces were made available for trans orgs to set up ways to outreach and interact with the attendees. Meanwhile, our org, amBi, has had to spend a fortune for booths.” Simply put, more booths would translate to more visibility and inclusion.
4. Make LGBTQIA+ Spaces Inclusive of Everyone in the Acronym
The need for bi-specific spaces emerges from a fact that Veradonir makes clear: “Unless a parade entry or booth is explicitly branded as being bisexual, attendees tend to assume every other entry or booth is gay.” That’s why he believes organizers of Pride events should make it clear in the advertising and branding that bi people are involved in every step of the process, including at most booths and on many floats, at parades, and events.
"If you are bi, just being visible is a productive means of addressing biphobia and dispelling myths and stereotypes."
"If they did that, Pride would feel less hostile [toward bi folks],” Veradonir concludes. “Pride leadership needs to step up and make bi folks feel more welcome at a systemic level.” This goes for all folks who are LGBTQIA+ — you're welcome at Pride, and you should feel that way.
5. Get to Know Other Attendees
Getting to know other members of your community can be a huge step when it comes to feeling more welcome. “Beyond not making assumptions about a person’s sexuality or identity, I think a great thing for [attendees] to do is to get to know the people,” says Talia Squires, editor in chief of bisexual.org. “I know Pride is a big party, and that's super awesome, but also, bother to go meet new people and hear their stories."
Often, members of the larger queer community self-segregate socially. Gay men hang out with other gay men, bi folks stick together, and so too do lesbian and trans communities. “[Pride] is a great opportunity because you get to break out of your normal circle of people and get exposed to different [LGBTQIA+] groups,” Squires says.
6. If You’re Bi or Pan, Be Visible
In addition to all the things Pride organizations and other attendees can to do make Pride more inclusive of bi folks, there’s also something we can do. “Be visible!” says Lorien Hunter, editor in chief of the upcoming digital publication Queer Majority. “If you are bi, just being visible is a productive means of addressing biphobia and dispelling myths and stereotypes. The truth is that we are already everywhere, but in many cases, people just aren’t aware of our presence. If you are in a position to be out and visible, please do it. Often this decision will empower others to do the same.”
Oh, and last but definitely not least, “Don’t boo us,” Squires says. “That's a basic one.”
#bisexuality#bisexual pride#bisexual community#bisexual men#bisexual visibility#lgbtq#lgbtq community#bi#bisexual#support bisexuality#support bisexual#bi curious#bi or pan#biphobia#pansexual community#pride#lgbt bisexual politics#lgbt+ community#lgbt pride
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watch Jones vs. Reyes in UFC 247 online from anywhere tonight
‘Reyes’ Dominick Reyes will face Conor Jones the upcoming event UFC 247 which will take place on February 08, 2020, at Toyota Center in Houston, United States. UFC 247 Jones vs Reyes MMA Streams Reddit 8 Feb 2020.
🔴📺📱👉LIVE STREAM ➡️ https://bit.ly/ufc-pro-tv-4k-live
🔴📺📱👉LIVE STREAM ➡️ https://t.co/erUHQljGbr?amp=1
The UFC’s previous double champ has an uncharacteristically amicable response to veteran Dominick Reyes’s post about breaking series of all-time records. Jones wishes ‘Reyes’ a happy winter Interval but ends with a keen warning about upcoming bout. Conor Jones has responded for the first time since confirmation of his return bout Jon Jones vs Dominick Reyes in UFC 247 Live Stream in January 2020. The Irishman has not fought since his 4th-round proposition defeat to current lightweight champion Khabib Nurmagomedov in 2018. He declared his comeback to the sport in a Moscow bigot event in October, citing the February 08 card in Las Vegas as the top priority. It will be the 3rd time Jones has fought at 170lb; the 31-year-old endured the first loss of his UFC profession at welterweight in a now-iconic loss to Nate Diaz at UFC 196. On the other hand, the 36-year-old Reyes is one of the most admired fighters in the sport having shared the Octagon with a who’s who of MMA Streams legends over the course of his 50-war profession. It will be “Reyes” Reyes’s 51st career MMA-fight.
UFC 247: Toyota Center, Houston
Venue: Toyota Center
Address: Toyota Center, Houston, Texas, United States Date: Saturday, February 08, 2020
Broadcast: Pay-per-view (PPV), ESPN+, ESPN2, ESPN Deportes, BT Sport Live Stream: Watch on Reddit MMA
What can happen on UFC 247 Fight? The presser will be held in Las Vegas. UFC lightweight heavyweight champion Jon Jones, Dominick Reyes, ladies’ flyweight champion Valentina Shevchenko, and Katlyn Chookagian will be in participation. UFC president Dana White will likewise take inquiries from the media. UFC 247 will happen on Feb. 8. It’ll exude from the Toyota Center in Houston, Texas. Additionally set for the card is a heavyweight crash between Derrick Lewis and Ilir Latifi. While Latifi has been a heavyweight on the provincial circuit, this is by a long shot his most significant session at that weight class. At the point when Jones ventures inside the Octagon one month from now, it’ll be the third UFC light heavyweight title protection in his present rule. “Bones” caught the gold by crushing Alexander Gustafsson in their rematch back in Dec. 2018. Reyes has gone undefeated in his genius MMA vocation, however, most concur that this will be his greatest test by a long shot and there just so happens to be gold in question. Shevchenko is looking for her third effective ladies’ flyweight title resistance. “Shot” has beaten Jessica Eye and Liz Carmouche in her resistances. Chookagian is getting her title shot in the wake of beating Jennifer Maia by means of consistent choice last month. Fight cards The UFC 247 will start with the fight with Jones vs Reyes fight. It will happen on February 08 in Nevada. Jones is under investigation due to sexual assaults. In 2019, he was unpredictable for the UFC event for some legal issues. The next year 2020, there is no bout order. The fight card already structured. These are the targeted for UFC 247 event Jon Jones vs. Dominick Reyes Valentina Shevchenko vs. Katlyn Chookagian Derrick Lewis vs. Ilir Latifi Jimmie Rivera vs. Marlon Vera Lauren Murphy vs. Andrea Lee Alex Morono vs. Dhiego Lima Mirsad Bektic vs. Dan Ige Trevin Giles vs. Antonio Arroyo Juan Adams vs. Justin Tafa Miles Johns vs. Mario Bautista How to watch UFC 247 Live streaming UFC 246 will be broadcast on @246_ufc in the UK. @bt_boxing and @246_ufc Live telecast Here. Follow the Link in here for free HD Stream.
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LIvESTreAM~^ watch Jones vs. Reyes in UFC 247 online from anywhere tonight
‘Reyes’ Dominick Reyes will face Conor Jones the upcoming event UFC 247 which will take place on February 08, 2020, at Toyota Center in Houston, United States. UFC 247 Jones vs Reyes MMA Streams Reddit 8 Feb 2020.
🔴📺📱👉LIVE STREAM ➡️ https://bit.ly/ufc-pro-tv-4k-live CLICK HERE
🔴📺📱👉LIVE STREAM ➡️ https://bit.ly/ufc-pro-tv-4k-live CLICK HERE
The UFC’s previous double champ has an uncharacteristically amicable response to veteran Dominick Reyes’s post about breaking series of all-time records. Jones wishes ‘Reyes’ a happy winter Interval but ends with a keen warning about upcoming bout. Conor Jones has responded for the first time since confirmation of his return bout Jon Jones vs Dominick Reyes in UFC 247 Live Stream in January 2020. The Irishman has not fought since his 4th-round proposition defeat to current lightweight champion Khabib Nurmagomedov in 2018. He declared his comeback to the sport in a Moscow bigot event in October, citing the February 08 card in Las Vegas as the top priority. It will be the 3rd time Jones has fought at 170lb; the 31-year-old endured the first loss of his UFC profession at welterweight in a now-iconic loss to Nate Diaz at UFC 196. On the other hand, the 36-year-old Reyes is one of the most admired fighters in the sport having shared the Octagon with a who’s who of MMA Streams legends over the course of his 50-war profession. It will be “Reyes” Reyes’s 51st career MMA-fight.
UFC 247: Toyota Center, Houston
Venue: Toyota Center
Address: Toyota Center, Houston, Texas, United States Date: Saturday, February 08, 2020
Broadcast: Pay-per-view (PPV), ESPN+, ESPN2, ESPN Deportes, BT Sport Live Stream: Watch on Reddit MMA
What can happen on UFC 247 Fight? The presser will be held in Las Vegas. UFC lightweight heavyweight champion Jon Jones, Dominick Reyes, ladies’ flyweight champion Valentina Shevchenko, and Katlyn Chookagian will be in participation. UFC president Dana White will likewise take inquiries from the media. UFC 247 will happen on Feb. 8. It’ll exude from the Toyota Center in Houston, Texas. Additionally set for the card is a heavyweight crash between Derrick Lewis and Ilir Latifi. While Latifi has been a heavyweight on the provincial circuit, this is by a long shot his most significant session at that weight class. At the point when Jones ventures inside the Octagon one month from now, it’ll be the third UFC light heavyweight title protection in his present rule. “Bones” caught the gold by crushing Alexander Gustafsson in their rematch back in Dec. 2018. Reyes has gone undefeated in his genius MMA vocation, however, most concur that this will be his greatest test by a long shot and there just so happens to be gold in question. Shevchenko is looking for her third effective ladies’ flyweight title resistance. “Shot” has beaten Jessica Eye and Liz Carmouche in her resistances. Chookagian is getting her title shot in the wake of beating Jennifer Maia by means of consistent choice last month. Fight cards The UFC 247 will start with the fight with Jones vs Reyes fight. It will happen on February 08 in Nevada. Jones is under investigation due to sexual assaults. In 2019, he was unpredictable for the UFC event for some legal issues. The next year 2020, there is no bout order. The fight card already structured. These are the targeted for UFC 247 event Jon Jones vs. Dominick Reyes Valentina Shevchenko vs. Katlyn Chookagian Derrick Lewis vs. Ilir Latifi Jimmie Rivera vs. Marlon Vera Lauren Murphy vs. Andrea Lee Alex Morono vs. Dhiego Lima Mirsad Bektic vs. Dan Ige Trevin Giles vs. Antonio Arroyo Juan Adams vs. Justin Tafa Miles Johns vs. Mario Bautista How to watch UFC 247 Live streaming UFC 246 will be broadcast on @246_ufc in the UK. @bt_boxing and @246_ufc Live telecast Here. Follow the Link in here for free HD Stream.
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[TASK 113: ECUADOR]
In celebration of September 15th to October 15th being Latinx Heritage Month, here’s a masterlist below compiled of over 300+ Ecuadorian faceclaims categorised by gender with their occupation and ethnicity denoted if there was a reliable source. If you want an extra challenge use random.org to pick a random number! Of course everything listed below are just suggestions and you can pick whichever faceclaim or whichever project you desire.
Any questions can be sent here and all tutorials have been linked below the cut for ease of access! REMEMBER to tag your resources with #TASKSWEEKLY and we will reblog them onto the main! This task can be tagged with whatever you want but if you want us to see it please be sure that our tag is the first five tags, @ mention us or send us a messaging linking us to your post!
THE TASK - scroll down for FC’s!
STEP 1: Decide on a FC you wish to create resources for! You can always do more than one but who are you starting with? There are links to masterlists you can use in order to find them and if you want help, just send us a message and we can pick one for you at random!
STEP 2: Pick what you want to create! You can obviously do more than one thing, but what do you want to start off with? Screencaps, RP icons, GIF packs, masterlists, PNG’s, fancasts, alternative FC’s - LITERALLY anything you desire!
STEP 3: Look back on tasks that we have created previously for tutorials on the thing you are creating unless you have whatever it is you are doing mastered - then of course feel free to just get on and do it. :)
STEP 4: Upload and tag with #TASKSWEEKLY! If you didn’t use your own screencaps/images make sure to credit where you got them from as we will not reblog packs which do not credit caps or original gifs from the original maker.
THINGS YOU CAN MAKE FOR THIS TASK - examples are linked!
Stumped for ideas? Maybe make a masterlist or graphic of your favourite faceclaims. A masterlist of names. Plot ideas or screencaps from a music video preformed by an artist. Masterlist of quotes and lyrics that can be used for starters, thread titles or tags. Guides on culture and customs.
Screencaps
RP icons [of all sizes]
Gif Pack [maybe gif icons if you wish]
PNG packs
Manips
Dash Icons
Character Aesthetics
PSD’s
XCF’s
Graphic Templates - can be chara header, promo, border or background PSD’s!
FC Masterlists - underused, with resources, without resources!
FC Help - could be related, family templates, alternatives.
Written Guides.
and whatever else you can think of / make!
MASTERLIST!
F:
Fresia Saavedr (1933) Ecuadorian - singer.
Ángel Oyola García (1938) Ecuadorian - singer.
Beatriz Parra Durango (1939) Ecuadorian - classical soprano.
Toty Rodríguez (1942) Ecuadorian - singer and actress.
Azucena Mora (1945) Ecuadorian - actress.
Hilda Murillo (1951) Ecuadorian - singer.
Astrid Achi (1961) Ecuadorian - singer.
Miriam Murillo (1962) Ecuadorian - actress.
Margarita Laso (1963) Ecuadorian - singer, writer and producer.
Juana Guarderas (1964) Ecuadorian - actress.
Paulina Tamayo (1965) Ecuadorian - singer.
Gladys del Pilar (1967) Afro Ecuadorian - singer and dancer.
Carla Sala (1968) Ecuadorian - dancer,.
Mariela Viteri (1968) Ecuadorian - tv personality.
Tábata Gálvez (1969) Ecuadorian - actress, conductor, and cheerleader.
Marisol Romero (1970) Ecuadorian - actress, television presenter, and businesswoman.
Tia Texada (1971) Ecuadorian - actress.
Paola Farías (1974) Ecuadorian - model, actress, and singer.
Gabriela Pazmino (1975) Ecuadorian
Fatty D / Fatty Delicious / April Flores (1976) Ecuadorian / Mexican - porn actress, plus-size model, director, writer, and photographer.
Karla Kanora (1976) Ecuadorian - singer.
Carolina Lizarazo (1977) Ecuadorian - actress.
Wendy Vera (1977) Ecuadorian - composer , singer-songwriter and producer.
Carolina Hoyos (1978) Peruvian [Quechua, Spanish] / Ecuadorian [Italian, British] - actress.
Maria Guerrero (1978) Ecuadorian - actress.
Leovanna Orlandini (1978) Ecuadorian - former Miss Ecuador contestant, international model, architect, and actress.
Susana Rivadeneira (1979) Ecuadorian [Portuguese] - model, painter and Miss Ecuador 2004.
Liliana Castro (1979) Ecuadorian [Brazilian] - actress.
Flor María Palomeque (1979) Ecuadorian - actress, dancer, and model.
Sofía Caiche (1980) Ecuadorian - actress , model and television presenter.
Jordana Doylet (1980) Ecuadorian - singer.
Lucie Vondráčková (1980) 1/4 Ecuadorian, 3/4 Czech - singer.
Any Hurtado (1981) Ecuadorian - Instagrammer (any_m_hurtado_)
Pamela Cortes (1981) Ecuadorian - singer, actress and dancer.
Érika Monserrate Vélez Zambrano (1982) Ecuadorian - actress, model and presenter.
María Fernanda Ríos (1982) Ecuadorian - actress, singer, model and fashion designer.
Érika Vélez (1982) Ecuadorian - actress and presenter.
Mariuxi Dominguez (1983) Ecuadorian - Instagrammer (mariuxidominguez)
Adrienne Bailon (1983) Ecuadorian / Puerto Rican - actress, singer, and tv personality.
Catalina López (1983) Ecuadorian - make-up artist and Miss Ecuador 2006.
Mirella Cesa (1984) Ecuadorian - singer-songwriter and guitarist.
Zully Guillen (1984) Ecuadorian - dancer.
Priscilla Negron (1984) Ecuadorian - actress.
Ximena Zamora (1984) Ecuadorian - model and Miss Ecuador 2005.
Cinthya Coppiano (1984) Ecuadorian - actress, entertainer and tv personality.
Gabriela Villalba (1984) Ecuadorian - singer and actress.
Giovanna Andrade (1985) Ecuadorian - TV presenter and actress.
Natalia Velez (1985) Ecuadorian - model.
María Elisa Camargo (1985) Ecuadorian [Colombian] - actress, singer, model, and dancer.
Giovanna Franco Andrade (1985) Ecuadorian - actress.
Carolina Jaume (1985) Ecuadorian - actress and presenter.
Angela Peñaherrera (1985) Ecuadorian - actress, television producer, and guitarist.
Norka / Norka Cevallos (1986) Ecuadorian - singer.
Viviana Muñoz (1986) Ecuadorian - dancer.
Andrea Hurtado (1986) Ecuadorian - Instagrammer.
Janneth Vera (1986) Ecuadorian - model.
Alejandra Coral Mantilla (1986) Ecuadorian - actress.
Lugina Cabezas (1987) Ecuadorian - Miss Ecuador 2007.
Kristina Carrillo-Bucaram (1987) Ecuadorian - writer, speaker, and raw vegan activist.
Gaby Spartz (1987) Ecuadorian - Twitch (GabySpartz)
Katty García (1988) Ecuadorian - actress.
Marcela Ruete (1988) Ecuadorian - actress.
Domenica Saporiti (1988) Ecuadorian - model.
Alexandra Cabanilla (1988) Ecuadorian - singer.
Olga Álava (1988) Ecuadorian - model, social, lifestyle entrepreneur, environmentalist, Miss Earth Ecuador 2011 and Miss Earth 2011.
Clarisa Abreu (1989) Ecuadorian - model, DJ and Instagrammer (clariabreuok)
Fernanda Cornejo / Maria Fernanda Cornejo Alfaro (1989) Ecuadorian - model and Miss International 2011.
Maria Cornejo (1989) Ecuadorian - Miss International 2011.
Alexis Knapp (1989) Ecuadorian, Cuban / German, English, Scottish, Irish, Dutch - actress and singer.
Maricruz Ramirez (1990) Ecuadorian - actress.
Paola Jaramillo (1990) Ecuadorian - Instagrammer (paolajaramilloz)
China Munoz (1990) Ecuadorian - Instagrammer (dinamunozzec)
Ingrid Hansen-Vik (1990) Ecuadorian - reality star.
María José Maza (1990) Ecuadorian [Spanish] - model and Miss Bikini Ecuador 2011. Miss Panamerican Ecuador 2013. Miss Caraibes Hibicus Ecuador 2013. and Miss Earth Ecuador 2014.
Carmyn Xoluv (1991) Ecuadorian, Mexican, Chinese, Filipina, Italian, French - actress and model.
Joselyn Gallardo (1991) Ecuadorian - actress.
Constanza Baez (1991) Ecuadorian - model and Miss Ecuador 2013.
Raisa Andrade (1991) Ecuadorian - dancer.
Carolina Aguirre (1992) Ecuadorian - Miss Ecuador 2012 and Miss Continents 2013.
Alejandra Argudo (1992) Ecuadorian - model and Miss Ecuador 2014.
Katherine Espín (1992) Ecuadorian [Spanish, possibly other] - model and Miss Earth 2016.
Alejandra Jaramillo (1992) Ecuadorian - tv presenter.
Mare Cevallos (1993) Ecuadorian - actress, model, singer, Miss Grand International Ecuador 2015, and tv personality.
Silvana Torres (1993) Ecuadorian - tv host.
Yoselin Noroña (1993) Ecuadorian - model.
Melanie Araya (1993) Ecuadorian / Chilean - actress.
Yuribeth Cornejo Pincay (1993) Ecuadorian - Instagrammer (yuribethcornejo)
Courtney Baxter (1993) Ecuadorian, Possibly Other - actress and producer.
Michela Pincay (1993) Ecuadorian - tv personality.
Irini Meza (1993) Ecuadorian - YouTuber.
Geraldine Meitzner (1993) Ecuadorian - Queen of Guayaquil 2016.
Paola Matute (1994) Ecuadorian - Instagrammer (paox33)
Samantha Boscarino (1994) Ecuadorian, Italian, Scottish - actress and singer.
Mirka Cabrera (1994) Ecuadorian - model and Miss World Ecuador 2016.
Valentina López (1994) Ecuadorian - composer and singer.
Yesenia Mendoza (1994) Ecuadorian - dancer.
Ana Chavarría Pin (1994) Ecuadorian - YouTuber.
Jamila Velazquez (1995) Ecuadorian, Puerto Rican, Dominican - actress and singer-songwriter.
Zinahyd Rincones (1995) Ecuadorian - YouTuber.
Sara Toscano (1995) Ecuadorian - dancer.
Connie Maily Jiménez (1995) Ecuadorian - Miss Ecuador 2016.
Samantha Gray (1995) Ecuadorian - actress, singer and dancer.
Daniela Cepeda (1995) Ecuadorian - model and Miss Ecuador 2017.
Nadia Mejia (1995) Ecuadorian / German - model and Miss California USA 2016.
Nikki Mackliff (1996) Ecuadorian - singer.
Rahab Villacres (1996) Ecuadorian - reality star.
Gabriela Matamoros (1996) Ecuadorian - Instagrammer (gabrielamatamoros)
Dayanara Peralta (1996) Ecuadorian - singer, model, and Miss Teen Universe 2015.
Cisne Rivera (1996) Ecuadorian - model, Miss Teen Earth Ecuador, and Miss Teen Earth International 2012.
Grace Castro (1996) Ecuadorian - model.
Sofia Velez (1996) Ecuadorian - model, weightlifter and Instagrammer (sofiavelezoficial)
Fiorella Bruno (1997) Ecuadorian - Instagrammer.
Lynn Kate Molina (1997) Ecuadorian - YouTuber and Instagrammer (lynnkatee)
Janan Nahid (1997) Ecuadorian - singer.
Fabiana Noboa (1998) Ecuadorian - model.
Maylin Rodríguez (1998) Ecuadorian - YouTuber.
Dani3lah (1998) Ecuadorian - Instagrammer.
Sary Omg (1999) Ecuadorian - YouTuber.
Melanie Garces (1999) Ecuadorian - Instagrammer (melanniegarces)
Gianella Bacchelli (1999) Ecuadorian, Spanish - Instagrammer (gianibacchelli)
Ayeisemi (1999) Ecuadorian - Live.me broadcaster.
Talita von Fürstenberg (1999) Ecuadoran, French, English, Scottish / Italian, German, Greek Jewish, Moldovan Jewish, Belgian Jewish - model.
Fátima Ptacek (2000) Ecuadorian / Colombian, Czech, Norwegian, Irish - actress and model.
Kira Powell (?) Ecuadorian / African-American - actress.
Tamara Almeida (?) Ecuadorian, Chilean - actress.
Domenica Feraud (?) Ecuadorian - actress.
Tara Crespo (?) Ecuadorian, Russian, Irish - actress.
C.C. DeNeira / Cecilia DeNeira (?) Ecuadorian - actress.
Shany Nadan / Shany Nadan Zarlenga (?) Ecuadorian - actress.
Audrey Luna (?) Ecuadorian / Unspecified - singer.
Denise Santos (?) Ecuadorian / Colombian - actress.
Cristina del Carmen (?) Ecuadorian [Inca, Spanish, Catalan] / Catalan - actress.
Alex Aspiazu (?) Ecuadorian - actress.
Martha Ontaneda (?) Ecuadorian - actress, producer, and director.
Ruth Coello (?) Ecuadorian - actress and director.
Paulina Aguirre (?) Ecuadorian - singer.
Carmen González (?) Ecuadorian - lead singer of Koral y Esmeralda.
Daniela Guzmán (?) Ecuadorian - singer and composer.
Carmen Angulo (?) Afro-Ecuadorian - actress.
Elena Gui (?) Ecuadorian - actress.
Amparo Guillén (?) Ecuadorian - actress.
María Mercedes Pacheco (?) Ecuadorian - actress.
Sandra Pareja (?) Ecuadorian - actress.
Mercedes Payne (?) Ecuadorian - actress.
Martha de Salas (?) Ecuadorian - actress.
Daniela Vallejo (?) Ecuadorian - actress.
Christina Bustos (?) Ecuadorian - musician (Instagram: christinabustos).
Susy Sacoto (?) Ecuadorian - Miss Panamerican Ecuador 2018 (Instagram: susysacoto29).
Rosy Vega (?) Ecuadorian - model (Instagram: rosyvega877).
Alejandra Guevara (?) Ecuadorian - model (Instagram: alejandraaguevara) .
Saywa Chuji Lligalo (?) Ecuadorian [Kichwa Chibuleo, Sacha Warmi] - singer, actress, artist, model. (Instagram: saywa_chuji) .
Miriam Herrera (?) Ecuadorian - model (Instagram: mimisartist).
Suggeidy Castillo Santillán (?) Ecuadorian - model (Instagram: sugge_).
Alejandra Corman (?) Ecuadorian - actress and screenwriter (Instagram: alejandracorman).
M:
Julio César Villafuerte (1928) Ecuadorian - musician, composer, singer, arranger, director, performer, broadcaster and pedagogue.
Papá Roncón / Guillermo Ayoví Erazo (1930) Afro-Ecuadorian - musician, singer, and marimba player.
Gerardo Guevara (1930) Ecuadorian - composer.
Héctor Jaramillo (1931) Ecuadorian - singer.
Messiah Maiguashca (1938) Ecuadorian - composer.
Mesías Maiguashca (1938) Ecuadorian - composer.
Polibio Mayorga (1944) Ecuadorian - singer and composer.
Jesús Fichamba (1947) Ecuadorian [Unspecified Indigenous] - singer.
Henry Layana (1950) Ecuadorian - actor, theater director, storyteller and Ecuadorian cultural activist.
Carlos Michelena (1954) Ecuadorian - comedic actor.
Arturo Rodas (1954) Ecuadorian - composer.
Jaime Guevara (1954) Ecuadorian - singer.
Christoph Baumann (1954) Ecuadorian [German] - actor.
Héctor Napolitano (1955) Ecuadorian - singer.
Xavier Coronel (1957) Ecuadorian - actor.
Hugo Idrovo (1957) Ecuadorian - singer, composer, great exponent of Ecuadorian literature.
Lucho Mueckay (1957) Ecuadorian - actor, choreographer, stage director, comedian and cultural promoter, as well as being considered the forerunner of Contemporary Dance and the Theater of Movement.
Virgilio Valero (1958) Ecuadorian - actor, writer, designer, professor, theater director and artist.
Luis Aguirre Ford (1958) Ecuadorian - actor and director.
Oswaldo Segura (1959) Ecuadorian - actor, histrión and television presenter.
Hugo Avilés (1962) Ecuadorian - theater actor , playwright , director , producer and teacher.
Marcelo Gálvez (1962) Ecuadorian [Chilean / Unknown] - actor, director and theater writer.
Peky Andino (1962) Ecuadorian - playwright, screenwriter, television director and actor.
Byron Nemeth (1963) Ecuadorian - guitarist and producer.
Héctor Garzón (1964) Ecuadorian - actor.
Gerardo / Gerardo Mejia (1965) Ecuadorian - rapper, singer, and actor.
Carlos Valencia (1965) Ecuadorian - actor.
Renato Albornoz (1966) Ecuadorian - singer, guitarist and music producer.
Mario Polit (1968) Ecuadorian - actor.
AU-D / José Martín Galarza Arce (1968) Ecuadorian - musician.
Gerardo Morán (1968) Ecuadorian - singer.
Leonardo Cárdenas (1968) Ecuadorian - composer, pianist and orchestra director.
Jaime Enrique Aymara (1968) Ecuadorian - singer and actor.
Andrés Crespo (1970) Ecuadorian - actor, director, writer and broadcaster.
Richard Barker (1971) Afro-Ecuadorian - actor and presenter.
Fernando Villarroel (1971) Ecuadorian - director, producer and comic actor.
Xavier Pimentel (1971) Ecuadorian - actor , animator, television director and producer.
Emanuel Xavier (1971) Ecuadorian, Puerto Rican - poet, spoken word artist, novelist, editor, and activist.
Juan Fernando Velasco (1972) Ecuadorian [Spanish] - singer, musician and composer.
David Reinoso (1972) Ecuadorian - actor, voice actor and comedian.
Alejandro Fajardo (1972) Ecuadorian - optometrist and actor.
Igor Icaza (1972) Ecuadorian - musician.
Frank Bonilla (1973) Ecuadorian - actor.
Alberto Cajamarca (1973) Ecuadorian - actor.
Diego Serrano (1973) Ecuadorian - actor.
Andrés Pellacini (1973) Ecuadorian - actor and presenter.
Luis Rueda (1973) Ecuadorian - musician and guitarist.
Francisco Pinoargotti (1974) Ecuadorian - musician, comedian, actor and television presenter .
Keram Malicki-Sánchez (1974) Ecuadorian / Polish - actor, musician, composer, producer, and writer.
Charles Castronovo (1975) Ecuadorian / Sicilian - singer.
Diego Spotorno (1975) Ecuadorian [Lebanese, Argentinian] - actor and TV host.
Christian Maquilón (1975) Ecuadorian - actor.
Martín Calle (1976) Ecuadorian - actor.
Henry Bustamante (1976) Ecuadorian - tv personality.
Danilo Esteves (1977) Ecuadorian - comic actor.
Delfin Hasta El Fin / Delfín Quishpe (1977) Quechua Ecuadorian - singer-songwriter.
Ricardo González (1978) Afro-Ecuadorian - actor.
David Andrade (1978) Ecuadorian - actor.
Carlo Alban (1979) Ecuadorian - actor.
Roberto Manrique (1979) Ecuadorian - model and actor.
Fausto Miño (1980) Ecuadorian - singer and actor.
Daniel Betancourt (1980) Ecuadorian - singer.
Jorge Luis del Hierro (1981) Ecuadorian - singer, composer and actor.
Javier López Narváez (1983) Ecuadorian / Colombian - singer, composer, arranger, writer and journalist.
Rodrigo Moreira (1983) Ecuadorian - actor, model, TV host, Mr. America Latina 2009, CEO of Miss Teen Ecuador, Miss Teen Earth, and Miss Teenager Universal.
Jorge Alejandro Fegan (1983) Ecuadorian - actor, presenter, producer, and director.
Renier Murillo (1984) Ecuadorian, Costa Rican - actor.
Leo Rojas (1984) Ecuadorian [Unspecified Indigenous] - pan flute musician.
Efraín Ruales (1984) Ecuadorian - actor, model and musician.
Víctor Aráuz (1984) Ecuadorian - actor, director, screenwriter and acting teacher.
Jhonny Obando (1985) Ecuadorian / Colombian - actor and filmmaker.
Sebastian Soul (1985) Ecuadorian - singer.
Josue Alcivar Chusan (1985) Ecuadorian - Instagrammer (josuealcivarchusan).
Bratt Murgueitio (1985) Ecuadorian - social media and reality star.
George Salazar (1986) Ecuadorian / Filipino - actor, singer, and musician.
Ricardo Velasteguí (1986) Ecuadorian - playwright, producer and actor.
Julian Gavilanes (1986) Jonathan Estrada Becerra/ Irish - actor.
Jonathan Estrada Becerra (1986) Ecuadorian - actor and presenter.
Juan Jose Jaramillo (1987) Ecuadorian - actor.
Gero Arias Madero (1987) Ecuadorian - YouTuber (Imparable.TV)
Danilo Carrera (1989) Ecuadorian - actor, model, and presenter.
Carlos Flores Guzman (1989) Ecuadorian - reality star.
Raúl Santana (1989) Ecuadorian - YouTuber.
Maddison Varas (1990) Ecuadorian / Brazilian [Palestinian, Lebanese] - actor and producer.
Wallas Da Silva (1990) Ecuadorian - Youtuber.
Alex Fabricio (1991) Ecuadorian - YouTuber.
Jorge Ulloa (1990) Ecuadorian - creative director and co-founder of the Touché Films-produced web series Enchufe.tv.
Carlos Mena (1990) Ecuadorian - actor.
Martin Dominguez (1990) Ecuadorian - filmmaker who co-created Enchufe.tv.
Mario Fernando Perez (1990) Ecuadorian - reality star.
Daniel Paez (1990) Ecuadorian - singer.
Jota Rias (1990) Ecuadorian - Instagrammer and blogger (iamjotarias.com)
Luis Jiméne (1990) Ecuadorian - musician, singer, rapper and composer.
Gabriel González (1991) Ecuadorian - singer and composer.
Parcevas / Juan Sebastian Lopez (1993) Ecuadorian - singer.
Sebastian Cevallos (1994) Ecuadorian - YouTuber.
Anthony Lencina (1994) Ecuadorian - YouTuber.
Alexis Abreu (1994) Ecuadorian - YouTuber (Arabezolano)
Ricardo Hoyos (1995) Peruvian [Quechua, Spanish], Ecuadorian [Italian, British] / Irish, Scottish, French - actor.
Cristhian Criollo (1995) Ecuadorian - TikTok and Live.me broadcaster.
Johann Vera (1995) Ecuadorian - singer and actor.
Christopher Vélez (1995) Ecuadorian - singer and member of CNCO.
Arturo Leon (1995) Ecuadorian - Instagrammer.
Francisco Pérez / Francisco Pérez Uscocovich (1996) Ecuadorian - actor.
Guillermo Toscano (1996) Ecuadorian - dancer.
Richard Salazar (1996) Ecuadorian - YouTuber.
George Padilla (1997) Ecuadorian - TikTok..
Stalyn Riera (1998) Ecuadorian - actor.
Anthony Gentleman (1998) Ecuadorian - YouTuber.
Smith Benavides (1998) Ecuadorian - YouTuber.
Maykel Campozano (1998) Ecuadorian - singer.
Maykel (1998) Ecuadorian - singer.
Chrisx Trejo (1999) Ecuadorian - TikTok.
Kike Jav (1990) Ecuadorian - YouTuber.
Diego Jairala (1999) Ecuadorian - Instagrammer (diegojairala)
RaptorGamer (2000) Ecuadorian - YouTuber.
Kevlex Pazmiño (2000) Ecuadorian - TikTok and YouTuber.
Axel Ortiz Moran (2001) Ecuadorian - TikTok.
Josh FantasyTune (2001) Ecuadorian - TikTok.
Xolo Maridueña (2001) Ecuadorian, Mexican, Cuban - actor.
Lucius Hoyos (2001) Peruvian [Quechua, Spanish], Ecuadorian [Italian, British] / Irish, Scottish, French - actor.
Goya Robles (?) Ecuadorian, Puerto Rican - actor.
Carl Montoya (?) Ecuadorian - actor.
Holger Moncada Jr. (?) Ecuadorian - actor.
Christopher Capito (?) Ecuadorian - actor.
Galo Recalde (?) Ecuadorian - actor, producer, director, and screenwriter.
Mike Montgomerie (?) Ecuadorian - actor, model, and presenter.
Santos Daniel (?) Ecuadorian - actor and director.
Mike Elizondo (?) Ecuadorian - guitarist, bassist, drummer, keyboardist, sitarist, saxophone player, songwriter, and producer.
Patrick Jara / Byron Patrick Jara Jr. (?) Ecuadorian, Mexican - actor and producer.
Masato Di Santo (?) Ecuadorian, Argentinian - actor.
Angelo Bash / Luis Angel Del Valle Jr (?) Ecuadorian, Puerto Rican, Cuban - actor.
J. Charles Rivera (?) Ecuadorian / Puerto Rican - actor.
Danilo Parra (?) Ecuadorian [Colombian, Italian, Spanish] - singer.
Julio Bueno / Bueno Arévalo Julio Fernando (?) Ecuadorian - director, musical composer and musicologist.
Jorge Saade (?) Ecuadorian [Lebanese] - violinist.
Juan Pablo Asanza (?) Ecuadorian - actor.
Andrés Garzón (?) Ecuadorian - actor.
Alberto Pablo Rivera (?) Ecuadorian - actor and filmmaker.
Marlon Valverde (?) Ecuadorian - artist, musician, composer and singer.
Álex Vizuete (?) Ecuadorian - actor.
Mosquito Mosquera (?) Ecuadorian - actor.
Santiago Carpio (?) Ecuadorian - actor.
Mike Albornoz (?) Ecuadorian - singer.
Jorge Herrera (?) Ecuadorian - singer.
Sebastian J / Sebastian Jacome (?) Ecuadorian - producer, composer and writer.
Larry Salgado (?) Ecuadorian - a director, arranger, saxophonist, pianist and producer.
Jorge Luis Valverde (?) Ecuadorian - composer.
Nando Cabrera (?) Ecuadorian - dancer and choreographer (Instagram: nando_cabrera_).
Daniel Vallejo (?) Ecuadorian - Mister World Ecuador 2018.
NB
Violet Chachki / Jason Dardo (1992) Ecuadorian - Genderfluid - drag queen, model, musician, songwriter, and dancer.
Problematic
Christina Aguilera (1980) Ecuadorian [Spanish (Andalusian, Castilian, Extremaduran, Leónese, Galician), remote Quechua] / English, German, Irish, Scottish, French, Welsh, Dutch - singer-songwriter, actress, tv personality, and producer - Appropriated cornrows, appropriated afro, appropriated and sexualized the Japanese kimono, appropriated and sexualized traditional Indian wear, and played in a transphobic skit on Saturday Night Live.
Michael Steger (1980) Ecuadorian / Austrian, Norwegian - actor - Played an Iranian character on 90210 when he is not.
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New York Yankees Andy Pettitte Mariano Rivera Bernie Williams Gerk Jeter Jorge Posada Mickey Mantle
The night’s feel-good New York Yankees Andy Pettitte Mariano Rivera Bernie Williams Gerk Jeter Jorge Posada Mickey Mantle . prize went to Womenswear winner Brandon Maxwell, whose own achievement was costuming Lady Gaga’s four fabulous costume changes on the Met Gala’s pink carpet. Thanking the other nominees in his category, he said, “I am so proud to be part of an industry like this, charged with the idea of making someone feel good.” Maxwell mentioned recent headlines asking, “Is New York relevant? and “Does it matter?” He was emphatic: “Yes, it does,” he said. “We all cleaned up for tonight, but the 364 other days of the year we are trying to pay the light bill and make it happen…. The American dream matters, through hard work you can achieve anything.” Inspiring words for next year’s awards. New York Yankees Andy Pettitte Mariano Rivera Bernie Williams Gerk Jeter Jorge Posada Mickey Mantle, hoodie, sweater, longsleeve and ladies t-shirt
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Unisex Tonight’s annual CFDA Awards ended New York Yankees Andy Pettitte Mariano Rivera Bernie Williams Gerk Jeter Jorge Posada Mickey Mantle . with Jennifer Lopez receiving a trophy for Fashion Icon. The honor suggests a natural sense of style, an instinct for risk-taking, and a sincere love of fashion’s transformative powers, but Lopez didn’t take much credit. She allotted most of her speech to talking about the people who have helped shape her look along the way, starting with Andrea Lieberman, who styled Lopez way back in the ’90s (and was responsible for that plunging green Versace dress—the very one, as Tom Ford pointed out as he presented Lopez with the award, that inspired Google to launch Google Images). She spoke about her current stylist team, Rob Zangardi and Mariel Haenn; her late beauty heroes, Kevyn Aucoin and Oribe (she tearfully dedicated this award to them); the neighbors she grew up with in the Bronx who introduced her to hip-hop; the many designers who have collaborated with her, from Oscar de la Renta to Ralph Lauren to Ford; and her fiancé, Alex Rodriguez, his children, and her children—whom she said “make me feel like the most beautiful person in the world just for being loved.”It was a moving finale for a night that celebrated fashion’s past and future in equal measure. If you couldn’t be there, we’ve included the full transcription of Lopez’s speech below; catch up on all of our CFDA Awards coverage here.“Tom, thank you for those beautiful words…. I’ve respected you so much for such a long time, for your immense talent and creativity and your ability to reinvent. Like everyone here, I followed you through Gucci and YSL to …. You’ve really made it a powerhouse, and I know in our house, Alex couldn’t survive without you. I’d like to think it was me that he can’t live without, but it’s you! You Can See More Product: https://kingteeshops.com/product-category/trending/ Read the full article
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