#and yet you keep reading

[slimecicle-undates]

Charlie Slimecicle is in the processing vortex!

[stil-lindigo]

lighthearted.

if this comic resonated with you, please consider donating to this palestinian escape fund (vetted by @/nabulsi and @/el-shab-hussein) as it is less than $7,000 away from it's goal.

i turn 24 today. To celebrate, I made this comic to be a spiritual successor to lead balloon, a comic in which I talked about the darkest period of my life so far.

A lot has changed since my 23rd birthday and this one. My priorities have shifted a lot, in ways that I think are mostly good. But i think the best part about today is that suicide has gone back to being a far away notion. I'm really lucky, and I'm grateful for that.

[starry-bi-sky]

I am loudly pushing the batdad agenda i am loudly pushing the— DPxDC Prompt

“Woah. You look like shit."

Granted, that’s probably not the first thing Danny should be saying to the guy that just bit the curb, but in his defense; he’s not running on 100% right now either.

The man -- tall, towering, and broader than Danny is tall -- whips around on his heel, black frayed cape flaring out impressively. Danny would've whistled in appreciation, but he takes the time instead to wipe the back of his hand across his mouth, smearing the blood running from his nose across his cheek.

"Sorry." He blinks widely, not even flinching as the man with the horns zeroes in on him. "That was rude of me. I have a really bad brain-to-mouth filter; Sam says its what always gets me into trouble."

And she's not wrong either, per say. His smart mouth is what landed him in this situation -- with blood blossom extract running through his veins and cannibalizing the ectoplasm in his bloodstream. Thanks Vlad.

The man grunts at him; a short, curt "hm" that shouldn't make Danny smile, but he does because he's somewhat delirious and probably concussed. The man keeps some kind of distance, sinking towards the shadows of Gotham's alleyway like he dares to melt right into it.

If it's supposed to scare Danny, it doesn't work. Danny's never been afraid of the dark; he's always been able to hide himself in it. He blinks slowly at the mass of shadows.

"You look hurt." The shadows says, blurring together around the edges. Danny squints, and licks his lips to get the blood dripping down his chin off. Ugh, he hates the taste of blood.

"I am." He says, "My godfather poisoned me. M'dying." The agony of the blood blossom eating him from the inside out looped back around to numbing a while ago, so all he feels is half-awake and dazed.

"Hey," Danny stumbles forward towards the man, a bloodied hand reaching out to him. "You-- you're a hero, right? You're not attacking me; which is more than I can say for most costumed people I've met." Maybe it's a poor bar to judge someone at, but he's already established that Danny's not in his right mind.

The man makes no change in expression, but Danny realizes blearily that it's hard to tell with the shadows on his face. He stays still long enough for Danny to latch onto the cape -- stretchy, but almost soft under his fingers.

He looks up blearily into the whites of the man's eyes. "Can you help me? I don't-- I don't wanna die." Again. He doesn't wanna die again. He blinks slow and lizard-like. "I mean- I'll probably get to see mom and dad again, but I told them I'd at least try and make it to adulthood."

There's a clatter down the street, and Danny's ghost sense chills up his spine and leaves a bitter, ashy taste in his mouth. He immediately knows who it belongs to even before the deceptively gentle; "Daniel?" echoes down the way.

"Daniel? Quit your games, badger, Gotham is dangerous for children."

Danny's mouth pulls back, and blood spills against his tongue. "Please." He rasps, and grabs onto the shadow's cape with both hands. "Please. He's going to kill me. Please--"

"Daniel? Is that you?"

His lips part, dragging in air to plead with the darkness again. He doesn't need to, the whites of his eyes narrow, and the cape whirls around him before Danny can blink. Soon swaddled in shadows, the Night lifts him up, and steals him away.

[factual-fantasy]

Just a heads up to new artists who might not know this: tracing people's artwork and posting it as your own is not okay. With or without credit, its stolen if you don't have permission.

This is why I continue to stay out of the Octonauts fandom and now probably will not return. Even months after leaving the fandom I'm still getting new art tracers and thieves.

If you absolutely have to trace and post it, just ask the artist first. If they say no then don't trace their artwork.

[dahldahlbills]

he connected the dots

[journey-to-the-attic]

uh oh

[coldzonkprofessorturtle]

An Affair to Remember

Alright, let's get into Affair the Series, which has been giving me brainrot the past few weeks so feels like a good time to get into an analysis of why I find it so fascinating. Eventually I'd love to do a deeper dive into Thai GLs and that industry (that's a whole other thing though) but after having seen my share of them (Gap, Show Me Love, TSOU, The Loyal Pin) I've really found myself falling into the rabbit hole with Affair the Series and the way it depicts friendship, love, and acceptance.

Deep dive below and also thank you gif makers for your work 🙏🏽

(also will go over events from episodes 1-5, so spoilers ahead if not up-to-date)

So first off, I have read the novel, which is the first time I've finished one of those for a GL and quite frankly, the translation wasn't that great but the story still came through. I won't refer to it much and will base this on the show as I think they've done a fantastic job with the adaptation and fingers crossed continue to do so.

Where in most GLs the core conflict is external. The main couple can't be in love typically due to familial/cultural pressure or a man interfering (that still exists to an extent here) the main conflict in Affair is simply that Wan and Pleng love each other too much but they do so in different ways.

When we meet Wan and Pleng they're 17 years old and have spent their entire lives together. They're sisters but not and while Wan seems to have a social circle, Pleng really has no other friends outside of Wan. The spoiled rich girl and the maid's daughter. Couldn't be more different if they tried and yet by circumstance their lives are as intertwined as it gets.

At 17, they have different ideas for their futures. Pleng is musically talented, wins every contest and is financially set. She can live the life she wants. If she wants to be a musician then so be it. Her parents love and support her and there's no pressure. Wan on the other hand has an overbearing mother (and a resentful father), no prospects for her future but at least she has Pleng.

Despite her parents, Wan loves wholly and openly. She knows she loves Pleng and while she doesn't yet know it she does know that Pleng loves her too. I would argue that Wan truly knows herself, which is why she comes across as so self-assured in their younger years. She's slowly trying to guide Pleng to understand herself too.

Pleng, however, has never had to sit with her emotions in the same way. Take this as differences of personality, class and upbringing. Now that they're 17 and entering adulthood, Pleng has to start engaging with the world (and her emotions) rather than hiding behind the rich, insular lifestyle she's had up to this point.

As the idea of boyfriends comes up, Pleng starts to lash out. She's jealous, she's pushy but really she's just in love with her best friend and doesn't know it. Everything starts happening too fast. Wan meets a boy at an art gallery, Aunt Wi pushes Pleng to help Wan get with Ek, Pleng's dad is extremely stressed and she doesn't know to what extent and throughout that Pleng is dealing with her feelings that for some reason just won't go away. Feelings that Wan keeps bringing up in her over and over.

Pleng is a mess. She doesn't know how to connect with her peers, she knows something is wrong with her dad, she sees that Wan is seemingly moving forward in a way that she's not (dating a boy) and whether she realizes it she continues to isolate herself.

From Wan's perspective she couldn't care less about dating Ek. She's already completely devoted to Pleng (in ways that Pleng doesn't even know).

They're 17, hormonal, gay, and incapable of seeing each other's perspective. Wan wants Pleng to let her in. Pleng can't help but push everyone away.

As soon as Pleng starts to really come to terms with her feelings about Wan. That's when everything falls apart. Her dad kills himself, her mom goes into cardiac arrest, all of her family's assets are seized and she's now orphaned and staying with Wan's parents who clearly and vocally have no space for her. Pleng who was already struggling to find her footing before that fateful night now has absolutely nothing to stand on.

The break point is when Pleng finds out about Wan's academic achievements and that Wan had been hiding that truth about herself their entire lives. Wan has always been intelligent and capable but hidden herself behind a veil of ineptitude. Wan in loving Pleng puts her on a pedestal to her own detriment. She has no issue blighting her own light so that Pleng can shine but from the moment we meet 17 year old Pleng in the show we see her pushing Wan to better herself. Wan thinks loving Pleng means her own success doesn't matter whereas Pleng loves Wan and all of her potential.

They both love each selflessly but while Wan would burn the whole world to keep Pleng warm, Pleng loves Wan despite her own existence. So when Pleng leaves she writes,

"Your parents will feel at ease. And you'll finally get to live your life as your true self... I know you love me but I also want you to love yourself. And be proud of who you are."

For Pleng, her leaving is the ultimate way to show her love to Wan. A clean break. She runs away so Wan can thrive but here's the thing Wan needs Pleng to keep her grounded. Pleng does too but she can't see it at this point. Too much has happened and so, in her desperation she removes herself. She is her father's daughter after all.

So when 13 years pass and Wan has spent that entire time holding on to whatever she can to keep herself close to Pleng (becoming a doctor, riding a bike to work, marrying Ek, separating herself from her parents); Pleng has become a ghost of herself. Wan has imbued herself with all the things she thinks/knows Pleng would like while Pleng is stuck in a cycle that she can't get out of: play music, make a bit of money, pay rent, rest, repeat.

Pleng never reaches out to Wan because why would she? Her loving Wan means staying away and on top of that there's a sense of shame of what her life has become.

So when they finally meet again it's too much. Wan is successful but she's still clearly in love with Pleng and while it was all Wan's doing, in a way her success is a direct result of Pleng's influence. In removing herself, Pleng slowly begins to realize not just that she took Wan's smile with her but the why and how. Wan's changed and devoid of the joy and innocence that Pleng loved most.

They slowly fall back into their natural rhythms but Pleng still can't accept her own presence in Wan's life. Wan is back to pushing (albeit more aggressively then before - time was wasted) and in pushing Pleng, Pleng pushes back. If they take their relationship that one step further, what then? What if it falls apart? Why not just stay in a cycle where nothing shifts? What if there's another ringing shot in the distance and everything changes in a moment?

If there's one core trauma to Pleng as a character it's her desperation to not feel like a burden to anyone. Especially Wan. And then she finds out that Wan (though separated) is still married to Ek and she can't accept that she could have ruined Wan's potential happiness. Not understanding that Pleng herself is Wan's happiness. Pleng feels like a disruption because at the root of it the thing she wanted above all for Wan, "I also want you to love yourself. And be proud of who you are" is not something that Pleng accepts for herself.

I'll leave it there and hope the show navigates the situations that are about to come as well as they have so far but kudos as Affair manages to oh so gracefully skirt what could otherwise be an incredibly toxic relationship. Somehow they manage to give these two characters so much grace despite their flaws. And truly that's also a huge credit to Sonya and Lookmhee's abilities.

It's chaotic and messy but in coming back together these two might just realize that's how they both best shine.

[i-dreamed-i-had-a-son]

jon val jon or something

[freshbaked-bread]

i fear that after 3 and a half years i am once again back on my gravity falls bullshit

[always-a-joyful-note]

Enstars sure is an experience. Did I miss anything?

[merlins-strawberriesandroses]

The thing no one ever considers while writing up character analyses about Merlin is that. he must have been sooooooo sleepy.

[anna-scribbles]

“He was— He was my ‘buttercup’,” she sobbed out, and his hand gripped her far shoulder, “And I— I never even— I never got to tell him how much he m-meant to me— not even th-the stupid sun thing—”

“Oh… Marinette…” he whispered, his nose brushing against her hair, “The sun thing wasn’t stupid.”

this scene from chapter 6 of drowning (in plain sight) by @buggachat has PLAGUED me since i read it i am deeply unwell

[dizzybizz]

some doodles

[sergle]

yall are about to piss me off by not having any PASSING basic knowledge of the way the u.s. military manipulates its recruits into joining by typing up one of your uninformed, unresearched, unempathetic, individualistic, unbelievably annoying posts about how 100% of the people in the military ended up there because they just Love America So Damn Much! they're extremely mature and informed at time of recruitment, they can totally leave anytime they want, they totally had tons of other avenues in life they could've taken, there was no rush at all to get income as fast as possible, and everyone in the military also totally is part of the combat divisions and personally enjoys being IN the military very much, big believers of violence. everyone in the military is shooting guns all day, that's how that works. they LOVE BLOODSHED. also I love the "amewicans haha" twang to this type of shit because you're actually TOTALLY stealing our Thing, which is turning systemic issues into Individual Issues. Instead of talking about the powers that be, it's so Personal Choice up in here. It's, "well you shouldn't have done it then. I totally wouldn't because I know better." you don't wanna talk about the military industrial complex as a whole, and you don't want to talk about recruiters, you just want to pin the blame on Specific Individual People one-by-one, as if they're responsible for the system that they're being ground up in. someone was in the military? bad person, no matter what. it's easier to believe that, I guess, than to acknowledge that Normal People (with high school educations) are manipulated and incentivized into joining a system that is Bad. at like age 18. but yeah no that 18 year old should have just been smarter lol haha anyway here are some screenshots for no particular reason

side note this reply of someone going "umm just get loans and go into a high paying field it's easy XD" as a direct response to someone trying to explain how most americans joining the military are being funneled in that direction out of a need for money.

and another person who Decided that americans join the military just CLENCHING their teeth thinking of other people, and not thinking completely selfishly about their own selves and their own income/housing/healthcare.

[cozylittleartblog]

diversity win your spam emails are queer

[horsechestnut]

AU to add to the list of AUs I'll never write: All of the Robins are de-aged to the age they were when they became Robin. Their memories are also reset to that point, and somehow they're in their Robin suits.

So you have a 16 year old Steph, desperately trying to wrangle 4 feral children who look nearly identical and won't tell her their names because "you do know what a secret identity is, don't you Stephanie?"