a rather underappreciated facet of hua cheng i find fascinating is that hes kind of a huge liar? or rather, he spends a lot of time in contention with himself and lying is one of the tools(that i find most interesting) he uses to do that.
the clearest and most on the nose example of what im talking about is the opening of mt tonglu where he literally says 'i lied, please dont leave me' this man clearly craves affection and closeness with his god more than he could ever want anything else, wants it more than he wants to keep existing in this world should it come to that as demonstrated in the text multiple times. which, is exactly why in his eyes he can never have this. and one of the ways he imposes that self punishing distance is by FUCKING LYING!!! to himself and to others.
he says i hate everyone except you and that is addictive and that is kind of romantic and beautiful because you're young and you're kind of a sarcastic asshole too and you don't like bad boys, per say, but you don't really like good ones either. and you like that you were the exception, it felt like winning.
except life is not a romance book, and he was kind of being honest. he doesn't learn to be nice to your friends. he only tolerates your family. you have to beg him to come with you to birthday parties, he complains the whole time. you want to go on a date but - people are often there, wherever you're going. he's just so angry. about everything, is the thing. in the romance book, doesn't he eventually soften? can't you teach him, through your own sense of whimsy and comfort?
at first - you know introverts often need smaller friend groups, and honestly, you're fine staying at home too. you like the small, tidy life you occupy. you're not going to punish him for his personality type.
except: he really does hate everyone but you. which means he doesn't get along with his therapist. which means he has no one to talk to except for you. which means you take care of him constantly, since he otherwise has no one. which means you sometimes have to apologize for him. which means he keeps you home from seeing your friends because he hates them. you're the single exception.
about a decade from this experience, you'll type into google: how to know if a relationship is codependent.
he wraps an arm around you. i hate everyone except you. these days, you're learning what he's actually confessing is i have very little practice being kind.
Stede couldn’t let Ed talk to him about Lowe’s death because he still thinks he needs to be able to handle the blood on his face! He still wants to prove he’s a man! He thinks that a man defends his crew, his love, his space, with his sword; and he can’t let Ed ask him about it so gently, because he’ll end up sobbing in a bathtub under a robe. And he’ll defend Ed’s right to do that any day, but he is not prepared to fall apart, not when he’s spent the whole season trying to be Ed’s pirate prince, with the beard and the sword and the ruthlessness. Ed’s telling him he doesn’t need that — that he wants the sparkly, golden Stede whose strength is in saving, not killing. But Stede isn’t ready to see what Ed sees — to give up his own dream yet.
So there was a Callowmoore question on 4SD which has got people talking and since nobody will ask me about it I'm gonna get it out of my brain anyway.
For someone on 4SD as frequently as Taliesin, Callowmoore questions are rare and I think that partly comes from us fans not wanting to try and steer him but also because his answers tend to be complicated. He's quite plain with other stuff, but a lot also gets offered into interpretation when it comes to Ashton and Fearne.
And granted, we Callowmoores would love for him to pull a Liam and just up and say Ashton has feelings for her, but I think we all know that's not Tal's way; aside from the nuggets of wisdom, killer one-liners and unique homebrews, we tend to love Tal's characters for their actions and expressions, some of which subtle and rewarding to those paying attention. For this reason I have had to mull over this one minute answer for most of my day and figure out what I think he means by it, like blue curtains in a book.
To note though, 'I think' is the operative term, but I also don't believe that Tal has left Callowmoore better or worse by his response.
One of the interesting things I want to point out is that my interpretations are observing the divide between Taliesin's words and his roleplaying; it is not to say that Tal is being dishonest in his answers, but I also see it as the answers are what Ashton thinks and his roleplay is how they feel.
So no, Ashton isn't 'precious' about Fearne wandering off when sleeping beside each other, if she said no or came back safely it wouldn't have bothered them, and it's fair for Ashton to have preferred Fearne to have woke them up. And yet that doesn't deny the reaction Ashton had waking up to find her gone and fearing that she's in danger, and not there to help her; the panic, the anger, the impatience are all clear and instinctive reactions Ashton is having that imply that her being with them is important. They're not precious about Fearne waking up and leaving the bed before they wake, and yet they'll still smile upon waking and finding that she's still there.
The 'Adventurers with Benefits' is one of two comments I can see being used maliciously against shippers, but it's worth reminding that on the last Callowmoore question Tal was asked, he mentioned that Ashton doesn't believe that someone would love them. Ashton feels unlovable, and yet they still ask for intimacy with Fearne, leaning further into their connection but also not pressuring her into commitment. It's also worth pointing out that this is still a slow burn, even Jester questioned whether her feelings for Fjord were legitimate or a romanticized fantasy at one point, and Ashton is not privy to Fearne's feelings for them. Ashton frames it as Adventurers with Benefits because they don't allow themselves to entertain the idea of Fearne reciprocating feelings for them, and yet their impulse to kiss her before absorbing the shard, to frequently engage in physical contact at a growing rate, to playfully steal and share each other's clothing, the desire to defend her from harm or anyone that might have ulterior motives, and to willingly do anything and everything just for her to smile in their direction again, that paints more of a picture than just benefits.
Which finally gets us to Ashton's theory of love. Tal mentions that Ashton believes that love is 'wanting to trust somebody, but not trusting them'. Immediately: No, haters, I don't think this means Ashton doesn't trust Fearne, nor do I think it means that Ashton trusts Fearne so they don't love her. Ashton trusts all the Hells (well, maybe not Braius since they just met), but Fearne is special to them in a different way, they've already platonically said that they loved her when they first were using their titan forms. In addition, this could be an elaboration of the last time Tal brought up Ashton's opinion of Love on the post-shard Callowmoore question: 'love is ignorance and adorableness'.
This is another thing that can develop, elaborate and/or change over time, but at the current moment Ashton's interpretation of love can come from environment; Imogen wants to trust Laudna but can't wholly trust her given Delilah, but even Ashton can see that they love each other. Tal also mentioned that Ashton is not very experienced in relationships - which kinda plays into my belief that Ashton and Fearne, while have had relationships, haven't had deep romantic feelings or proper intimacy before, which makes them discovering it with each other more special - so their understanding of love can only exist on what they assume it's like.
And yet what if you reworded the phrase in the same spirit? 'Love is trusting someone wholeheartedly even with nothing to reassure it', there have been many a time something looked to go south and faith was put in another anyway; the shard may be a bad example because it did go wrong but even though the red flags were there Ashton upon completing the process said 'thank you for trusting me', when Fearne took the shard Ashton was a bag full of panic their experience meant they couldn't trust that the shard wouldn't be just as bad for Fearne, and yet they still wanted to trust that Fearne would succeed. Ashton couldn't trust that whenever Fearne was wild shaped, cornered by Otohan, or taken away by Ira on Ruidus that she'd come back safe, and yet still wanted to trust that she would, Ashton couldn't confirm that Fearne wasn't a Doppelganger in Nanna Mori's trust trial - even when FCG and Imogen suspected it was her - and yet they still wanted to trust that it was her. Ashton's view on love may not be entirely right but it's not entirely wrong either, what is blind faith if not ignorant and adorable? Even with their interpretation, Ashton has put plenty of faith in Fearne even when the risk was high.
In conclusion, Ashton's behaviour towards Fearne do often imply a complexity rather than a discrepancy to Tal's 4SD statements, that maybe Ashton's emotions and subconscious are not in sync with their self-doubt driven thoughts, perhaps it is the way Ashton tempers their feelings to try and not get hurt by them or cause Fearne to get hurt by them again. Ashton's apology to her post-shard made a point of noting how she means a lot to them, and how hurting her was one of the worst things they have done, and as they work towards self-improvement and self-discovery, there will likely be a point where self-realisation comes into play too, and they can understand why what they're thinking differs to how they're feeling.
Again, this is all interpretation, speculation and observation, one that like the core statements doesn't add or subtract but fills in some gaps either way. Ashton's feelings are a complicated matter, which is likely why Tal entices and creates such speculation with a complicated answer. Right now Ashton clearly does care for Fearne and share a special relationship that's regrowing after suffering tension, loss and fear, blooming back into trust, joy and comfort, but save 5 Disney Greek Muses backing him up in a Gospel song they're not just gonna out and say they're in love
smth smth about 'the thing that the character did that you thought was rly rly funny in the moment is actually linked to a terrible trauma that lies within said character.' or wahtever.
I was thinking about what different Sonic characters' names could be in sign a couple of months ago, since so many people headcanon Sonic knowing sign language, and I ended up making animations for a few!! Here's what I came up with for Sonic!! :D
mp4 version & description for it under the cut!!
[ID:
A video of Sonic The Hedgehog viewed from the waist-up against a green background. Sonic is drawn in a simplistic style, though with tanner patches of skin on his muzzle, ears, stomach, and arms compared to his typical design, and he has curved scars on his chest.
In the video, Sonic is signing his name, comprised of the words ‘fast’ and ‘hedgehog’ in BSL. He signs ‘fast’ by bouncing his index fingers off of each other—his right finger coming down as his left goes up—with the other fingers and thumb curled in. “fast” is written in dark green on the left side of the background as he signs this.
The word in the background changes to “Hedgehog” as he signs the second part. His raised right hand opens up so that his fingers and thumb are all splayed, while the lowered left hand curls into a fist. The left arm moves horizontal in front of his chest, and the splayed right hand lowers to run the heel of the palm across the top of the forearm, to symbolise the spines of a hedgehog. Lifting his right elbow up to move the palm across the other arm obscures the “Hedgehog” lettering slightly.
Sonic's head moves as he signs, spines bouncing up and down and head tilting to the left. While he’s signing, he mouths his name, the first syllable ‘So’ being mouthed during the ‘fast’ sign, and the second syllable ‘nic’ being mouthed during the ‘hedgehog’ sign.
On the right side of the video, next to Sonic’s head, is the artist’s signature—the silhouette of a bongo with the letters BD written inside.
i will always shout praises of bi4bi but given recent discourse I feel the need to say that I love bi4het too! I just love bisexuality in general in its many forms, and anyone who only likes it when it's 'queer enough' for them is biphobic. Bisexuals should be able to bring their LaMe CiShEt BoYfRiEnD to pride without being made to feel like spectators and outsiders to their own event.
It is of my opinion that Eddie would actually have a killer falsetto which Steve discovers when he walks into the trailer kitchen to find eddie singing along to the radio playing you make me feel like dancing while waltzing (surprisingly well) with an upside down mop
Saw your Mishanks bodyswap art! Very cute and fun! (Mihawk with a genuine smile on his face so so fun)
I imagine Shanks whould have trouble fighting in Mihawk's body at first since it's been years since he's had two arms
yes absolutely, i imagine that too! conversely, i think mihawk would have a little bit of trouble adjusting his balance and reach with a body missing one arm, as well. it's interesting to think about how they both would be forced to change their fighting style, and whether or not they would exchange swords.
mihawk's been seen using yoru with just one hand so he could probably pull it off with shanks's body. also interesting to think about shanks tripping up on having two arms until he naturally slips into his old fighting style again--or would he? because there's also the question of muscle memory, right? would mihawk's body automatically do things that shanks isn't predisposed to doing, and vice versa?
the other thing i find intriguing about body swapping in one piece is the question of whether or not your haki powers would switch as well. they say haki is spiritual presence, so presumably your haki switches if your spirits switch, but if it's the kind of spirit that's tethered to the presence of the body? then consider mihawk having the strongest conqueror's haki out on the blues, or shanks being able to use observation haki at mihawk's level, practically being able to predict the future--or mihawk, able to counter with shanks's haki-kill technique. food for thought!
Do you think Banjo is the type of person who hides his problems behind a clown mask?
The guy acts like a bit of comedy relief, but I think he's the kind of person to face his problems head-on. I don't think he uses humor as a coping mechanism. We never see him do that for himself. He's just a loud guy
Look at how he first appears to Midoriya
He's loud, and it steals Midoriya's attention. But he's calling him out on why he's messing up
But as a character's debut, the first things he does are:
Call out Midoriya for trying to do things alone, when Yoichi's first message to him was that he wasn't
Tell him that if he can compose himself, things typically work out
Understands Midoriya's side of things, and tells him he knows (like lacking a mouth)
And once he says those two previous things, he exhales, and his eyes show their pupils properly
The parting advice he gives Midoriya is a reiteration of the second point: It's okay to be mad. What's important is controlling your heart.
Blackwhip is a Quirk that responds to the holder's emotions. Like other Quirks, but Blackwhip goes out of control when the user isn't able to get a grip on themselves
Banjo used his Quirk effectively. He'd have to live that advice to pass it on to Midoriya, back when Abilities were starting to become normal, but Japan was still wrecked. And we know that Quirks are influenced by, and influence, the holder's personality.
Banjo would have to be able to be honest with himself, understand his emotions, and has the maturity to say it's okay to be mad. Just control it.
When he said that for the first time, it actually surprised me. Everyone in fiction or reality says "Don't be mad", but a character on his debut and says it's okay to be that. I never heard anyone say that controlling your emotions and outputting them in a healthy manner is what matters. People just say not to he negative or annoying, because it's inconvenient; but Banjo went past that.
And when he fades, he tells Midoriya he's got this. He reminds him that they're all behind him.
Whenever he speaks, he doesn't make the receiver feel bad, or speak down to them. He understands them, and gives the next step in a familiar, friendly way.
On his debut, he told Midoriya to control his heart, and to remember he wasn't alone. Here, he tells him he should try understanding their Quirks better.
He's actually got a mature way of seeing things. He's an adult, and being the holder between Shinomori and En, he wouldn't be able to deal with either of them if he wasn't mature about himself. Shinomori probably wouldn't choose someone who can't be honest with himself upfront, after spending almost half his life for OFA. And En is young, prone to panic, and a guy who acts like his problems aren't there or funny wouldn't help that.
I can visualize Banjo sitting at a small fire with Shinomori, having an honest, calm talk about life (until Shinomori says the wrong thing and Banjo yells something about it). But not Banjo trying to push his problems down with a hearty laugh, and Shinomori being okay with that.
When Midoriya used his Quirk for the first time, Banjo did get loud at the start, but he did lecture him in a way that was kinda teacher-mentor-ish.
I actually like the way Banjo talks about his observances. He's got the demeanor of a good teacher, he's clear, and direct. He's light-hearted about serious things, but doesn't diminish them. He just approaches it in a way that you aren't feeling the pressure, and can feel like it's possible.
He seems to have this habit of being loud to get people's attention, and simmers down once he has it. He's never indirect or leaving the addressed to figure out the answer on their own, he gives it outright.
When Midoriya used Blackwhip for the first time, Banjo was all "You got it all wrong!" and then explained things. Since he felt himself fading, he could've been talking louder to compensate himself past the daze he felt. To make sure he was talking, heard, and to keep himself awake
When the first Three made the void silent because Kudo and Bruce didn't want to help, Banjo broke it with what Midoriya should do next
When Shinomori got yoinked, the first thing Banjo did was report it in a panic to Midoriya. This just tells Midoriya he really has to be careful now, because OFA can really be stolen. Even if Banjo just panics and doesn't say that aloud
Every time Banjo is facing some kind of problem, he doesn't let others panic too hard. He's not pressuring about problems, and steps back to let Midoriya figure things out.
When Midoriya was running himself into the ground, Banjo was one of the vestiges that didn't show up to tell him to rest. He already understood how Midoriya saw things, and was doing them his own way
Rather than trying to be a clown, I think Banjo is just a friendly person. He's honest with others and with himself, otherwise he wouldn't have been able to utilize Blackwhip right, or be the holder between a sagey hermit and young, scared adult.