#and yes that is the gatsby's green light
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hermit-frog · 8 months ago
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for me personally‚ the flashlight in the museum (that Armand had stolen from the guard) represented her hope/dream (to be seen, to belong, to find home)‚ happiness (Madeleine)‚ and Claudia herself.
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ultimatetrashgoblin · 8 months ago
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I gave in and listened to the full soundtrack to the new great gatsby musical after being goaded by my loving friends and I’ve been launched back into my hyperfixation from last year. The vibes are fantastic and I kinda want to see the show now
That being said it’s painfully obviously that the producers just wanted a “roaring 20s” themed show and the writers skimmed the TGG page on sparknotes and tried to cover it up by putting total broadway powerhouses in the main roles
Nevertheless I’m a Myrtle apologist now sorry
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antiquepearlss · 8 months ago
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My dash is divided between people who absolutely adore the new Great Gatsby musical, and people who absolutely despise it.
And I’m just, kinda here
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miss-galaxy-turtle · 8 months ago
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Is the Gatsby musical an accurate retelling of the original novel? No.
Does it romanticize the fuck out of Gatsby and Daisy? Yes.
Is the idea of the green light being a metaphor for romantic love entirely missing the point? Yes.
Is it a really, really fun time with gorgeous music, beautiful visuals, and a wildly talented cast? You're goddamn right
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mrjaygatsbi · 4 months ago
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❝ Gatsby believed in the green light, the orgastic future that year by year recedes before us. ❞
Felt silly and took some photos of the little guys; but so far guys everyone has been so nice and I can’t wait to actually start interacting with you guys more 🫶 (Yes this blog will be primarily for the plushies BUT I may post any art and fan-fiction I create here too!)
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wordsarelife · 11 months ago
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𝐜𝐡𝐚𝐩𝐭𝐞𝐫 𝐟𝐨𝐮𝐫: 𝐢'𝐦 𝐢𝐧𝐬𝐚𝐧𝐞 (𝐛𝐮𝐭 𝐢'𝐦 𝐲𝐨𝐮𝐫 𝐛𝐚𝐛𝐲)
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pairing: theo nott x fem!reader
summary: the line between lust and hate is awfully slim between theo and you, resulting in something that changes everything between the two of you
warnings: (like massive) spoilers for the great gatsby, mentions of sex, cursing, let me know if i missed anything else
notes: i’m just gonna quickly leave this here hehe
previous part | masterlist | next part
monday felt like you had woken up in a different world. cursed legacy had made it their personal task to spend their time with you, much to yours and theo’s dismay.
they treated you like you were their friend again and while you had to admit that you didn't hate that, you still hated theo and being their friend meant being in his presence the entire time.
it started during math-, when enzo and mattheo decided to sit down in between april and you. leaving no other option but for their friends to follow behind them,- and reached it’s peak during english.
it was the only class that mattered to you, like really mattered to you. you knew it did to theo too, so you couldn’t understand how he had to ruin everything. atleast all had gone great, until the end. then all hell had broken loose.
"okay, we don't have too much time left" mrs walker said with a look to the clock "but i do have one last question: do you think daisy and mr gatsby should've ended up together?"
you raised your hand and mrs walker nodded. "yes, y/n?"
"i don't think so" you said honestly "i don't think they should've been involved with each other in the first place. i get that she had a shitty husband and she should've definitely left him, but she was at fault for everything that went wrong in gatsby's life and her loved her too much to realize that"
"thank you" mrs walker nodded before she gave the word to theo.
you turned your head in surprise. you hadn't even noticed him raising his hand. honstely, you had thought that he didn't even read the book in the first place.
"i disagree" he said.
"what a wonder" you muttered under you breath.
"daisy was everything he always wanted. she was the green light at the end of the peer and he might've been blinded by love, but isn't that what love is about? being so blinded that you would do anything for your person?"
you raised your eyebrows and send a look in theo's direction. you noticed that draco was wearing a similiar look as his eyes glided back and fourth between theo and the book in his hands, probably wondering if they had read the same story.
"sorry" you raised your arm "you could be right, but your're not"
mattheo beside you snorted.
"gatsby threw everything away for a woman that loved him for a short while before she went back to another man. he could've easily found someone better"
"maybe he didn't want to" theo was talking to you directly now "maybe it was enough for him to love her from afar"
"then he could've stayed on his fucking side of the lake" you argued "instead he threw these gigantic parties, just hoping for one single person to show up. is that what it is to you? having an unhealthy obsession with something that could lead to your death and calling it love?"
theo's chair scrapped over the floor when he stood up. you could see the anger in his eyes and stood up from your chair as well.
"you don't know what you're talking about" theo was not far from screaming "he loved her because she wasn't easy. he loved because being with her meant not knowing what's to come, because being with her meant to never grow bored"
"that's what you took from this story?" you laughed in disbelief "did we read the same book?" you caught blaise and draco hecticly turning pages as if they were asking themselves the same thing. enzo and april exchanged glances and the smirk on mattheo's face died.
"because i read a book in which a foolish man spends his entire time obsessing over a woman who doesn't love him, atleast not as much as he loves her and later he dies, because he wants to save her and she doesn't even bat an eye, before she goes back to her husband"
"she had no other choice" theo screamed.
"she had plenty of choices, theo" you screamed back.
"stop! the both of you!" mrs walker screamed.
all eyes turned to her. theo and you sank down in your seats defeated.
"both of you, detention" mrs walker said, right before the bell rang out.
you sighed as you packed up your things and grabbed the detention slip from her, before you left the room.
✦•〰〰〰〰〰★🎸☆⋆。𖦹°‧★〰〰〰〰〰〰•✦
detention was not the kind of activity you would normally choose to do during your day, but here you were, holding a cleaning cloth and a bucket, while theo was holding the broom. you were standing in one of the classrooms, that hadn’t been used for these past few years.
"alright" mr platt clapped his hands. he was a bit too excited about your detention, particulary because he had a one sided feud with theo, who was always a bit too sassy in the janitors eyes. "you're gonna clean this entire room. you have two hours-" he was interrupted by his ringing phone, which he picked up as he walked away from the both of you.
"this is all your fault" you whispered.
theo huffed. “that’s rich”
“is it?” you wondered “because it’s always you that has to ruin everything”
“calm down, pixie” theo shook his head “i thought you were smarter than this”
“i have to admit i thought you were too, but then you proved me wrong in english and here we are”
“shut the fuck-“
mr platt turned back around and both you and theo put on an innocent smile.
“i have to get a few things for the school banket next week. do you think you’ll be fine on your own?” he looked more in your direction than in theo’s.
“of course, don’t worry, mr platt” you smiled and the janitor nodded relieved.
“alright, i will be back in two hours” he walked out of the room and theo turned his head to you.
“don’t worry, mr platt” he mocked in a high pitched voice. you rolled your eyes, before you slapped him with your cloth.
“come on, just start sweeping already”
to your annoyance and ultimately not to your surprise, theo sat down on one of the tables. “i’m not cleaning anything”
“mr platt just said—“
“i don’t know if you’ve noticed, pixie” he smiled “but i don’t really listen to the things mr pratt says”
you were ready to start fighting, until you remembered how you had gotten into this situation in the first place. this was your first detention and you would make sure that it would also stay the last.
you mindlessly started cleaning the tables around the room. when you were done with that, you filled the bucket with fresh water and cleaned the cloth in the sink until it was spotless again. then you walked across the room to take the broom.
"what are you doing?" theo pulled the broom away from you, when you tried to grab it.
"i'm doing what you should've done" you crossed your arms "i'm not gonna get in more trouble, because of you"
"i'm not giving it to you" theo said and you raised your brows.
"why do you even care? you're not gonna do it? okay, fine" you shrugged "but someone has to"
"it's not your fucking problem, pixie" theo pulled the broom further back "you did your task"
"why are you always so stubborn?" you tried to reach around him, but he pushed you back with his other hand "just give it to me"
"no" the bratty smile on his face made your blood boil.
in a few seconds of uncontrollable anger, you took the bucket, ready to drench him in the cold water you had just filled it up with. "give me the broom" you said once again, as if to give him a last chance.
"you wouldn't dare"
"oh i would" you nodded.
theo stayed unmoving and you raised the bucket from the ground, so that it was now hanging in the air between you. but theo was faster than you. he let go of the broom (which fell to the ground with a thud) before he ripped the bucket out of your hands, making water slip over the edge and directly onto your shirt.
"you fucking idiot!" you screamed, and turned away from the boy, once theo had put the bucket down on the table behind him.
"i actually did not mean to do that" he laughed "but it's pretty fucking funny"
"shut up" you started patting your chest with the cloth in an attempt to dry the water stain on your shirt. you did only make it worse.
you could hear theo giggle behind your back and swerved around, before you threw the cloth in his face. he was not as happy anymore when he took the cloth off his face and let it fall to the ground.
"what did you just do?"
you shrugged your shoulders "not like you didn't deserve that"
he stepped slowly closer "repeat that. i dare you"
you stepped back and he followed. your back hit the wall and he came closer.
"you deserved that" you muttered as you looked up at him. you could feel his hot breath on your cheek and thought about just pushing him back and slipping away, but you honestly doubted that you were stronger than him.
"you're very brave sweetheart" he smiled sarcastically.
you laughed humorless. "i fucking hate you"
theo smiled and the eye contact intensified.
"looks like you're having the hots for me now"
"fuck you, theo"
your breath hitched when he quickly pushed his lips against yours. it took you a second, but then you pulled him closer by his shirt, deepening the kiss.
theo's lips brushed against yours and you melted into his kiss, surrendering to the passion that consumed you both.
the kiss was like a storm, fierce and consuming, yet filled with a tenderness that left you breathless.
you had only kissed him once before, back when you were children. back when kissing was something disgusting and didn't make you feel the things you were feeling right now.
you whimpered when he pulled your head to the side with his hand and started kissing your neck.
"i loathe you" he muttered between kisses "but you look so fucking hot in that wet shirt"
you smiled triumphantly and saw your opportunity to push him backwards, away from the wall and to the teachers table. you connected your lips again, as you turned around and climbed on to the table. he stepped between your opened legs and rested his hands on your thighs as he moaned.
you gripped the hem of his shirt, he stepped back and helped you to pull it off, before you repeated the same process with your shirt. your hands pressed to his chest, while he kissed you and unhooked your bra.
you weren't proud of the things that happened next. and especially not of where it had happened.
when it was over, theo looked almost as regretful as you did.
"this was a mistake" you muttered, as he pulled down your shirt and gently fixed your hair. you weren't used to this side of him, not anymore. but even if you said the exact opposite, your were yearning for him.
"yeah" he nodded and then he frowned "i'm sorry, i shouldn't have-"
"-no, it's alright" you shook your head. this was worse than before, it was uncomfortable and awkward. you would've preferred him yelling at you, but the room grew silent as neither o you said a word.
"we can never do this again" he whispered, but it sounded more like he was telling it to himself.
"i know"
"and we can't tell anyone about this"
"i know"
"we're not good for each other" he said finally.
you wanted to say something, anything. it was like everything between you had just died with a simple touch. you almost missed the tension, because now there was just nothing. you tried to reach for his arm, but before you could do or say anything else, the door opened and theo stepped back from you.
"looks alright" mr platt nodded, once he had given the room a look. "you can go" he held the door open so you could walk through.
"bye" you said and mr platt nodded. "theo" you called, but the boy only quickened his step and left you standing alone in the entryhall of the school.
you sighed, before you decided that theo was right, you should just forget about everything that had happened. your relationship with him had not been anything else than hate lately and you had to admit he was right, it would never work, you weren't good for each other.
✦•〰〰〰〰〰★🎸☆⋆。𖦹°‧★〰〰〰〰〰〰•✦
the shift in atmosphere did not go unnoticed by april or the rest of the boys. atleast not until the next saturday when she was spending the day with enzo and matt, chilling in their parent's basement before they head to the rehearsal later.
"have you noticed that theo and y/n have been acting weird lately?" april asked "i mean y/n's been totally denying it, but it's weird right?"
"for sure" mattheo nodded with big eyes "i'm glad you said something, i was dying to ask you"
"isn't that kind of normal?" enzo wondered "i mean for them to be weird?"
"you're not getting it the way we are!" mattheo criticized.
"okay, sorry" enzo raised his hands laughing until mattheo and april send him a look.
"i honestly always thought they would end up together" april admitted "and of course i hated the way their friendship evolved to constantly fighting with each other, but at least that was something. now they aren't even talking to each other"
"right?" mattheo pointed at the red-head "i always thought they were in love with each other, but then she dated that scumbag and leo, well" he left the sentence unfinished and the mood shifted.
"i thought the same" april patted mattheos shoulder. “i think what they have yet to realize is that everything that is between them is not hate, it’s sadness”
mattheo nodded and april could see that he was getting sad too. they both felt helpless, like they couldn’t do what they were supposed to do as best friends to theo and you.
all while enzo found it a bit weird how serious mattheo and april were talking about your relationship with theo. it didn't even concern them, yet they were so... concerned.
"it's not really our problem is it?" enzo tried gently.
the looks he received made him shut up immediately.
"they belong together, enz" his brother exclaimed with a roll of his eyes "they just don't know it yet"
"yeah" april nodded "that's what they have us for" she pointed between her and mattheo.
"but you still like me more than him, right?" enzo joked.
april and mattheo started laughing and enzo joined in hesitantly. "not right now, though"
enzo's laughter died down as he send his soon-to-be-girlfriend a betrayed look.
✦•〰〰〰〰〰★🎸☆⋆。𖦹°‧★〰〰〰〰〰〰•✦
when the three arrived at the rehearsal, theo and you were already there, setting up the instrument and sorting notes.
"woah" blaise said when he and draco entered the garage after mattheo, april and enzo. "it's cold in here"
you send him an aggravated look, before you just rolled your eyes and continued to turn the pages of your notes.
"did something happen?" draco whispered in the direction of april.
the girl shook her head, before mattheo took it upon himself to inform draco about the newest form of relationship between theo and you.
"haven't you noticed?" he muttered not exactly quiet, but you acted like you couldn't hear him. "they've been acting like this all week"
"really?" blaise asked surprised, before he thought for a second "wait, no, now that you say it, it has been a really peaceful week." his eyes fell upon you "too peaceful"
"hey, y/n" draco called and you looked up "i think theo put down the wrong cable for you again"
"oh" you looked down to confirm that he was right "that not a problem, i'll just quickly change it" you walked around theo, without even acknowledging him and draco looked like he had lost his mind.
april elbowed enzo, who shrieked, but then quickly caught the hint. "theo, ehh" he thought for a second "did you talk to y/n about those notes she needs to play differently in cheap wine?"
theo shook his head, before he turned around to look at you. "you have to play two c-chords and then the a-chord"
"got it" you nodded.
enzo and april exchanged a look. enzo looked to his older brother helplessly, who looked as lost as he rest of his friends. he had no idea what else to say, before it quickly dawned on him. he had to force a reaction out of theo and what better way to do that than compliment you? an insult from theo wouldn't be far.
"you look really good today" mattheo said "i like the way you styles your hair"
"thank you" you smiled.
"theo?" blaise asked as the boy didn't react.
"huh?" theo looked up from the cables he had been sorting "eh, yeah i agree"
both you and theo returned to your respective work while the rest of your friends exchanged looks without you noticing.
"theo, i said y/n looks good today"
"i'm aware" theo nodded "i can hear you, you know?"
"we would love to hear your input" mattheo further encouraged.
"you're acting fucking weird today" and to all their shock, you and theo were now exchanging glances as if they were the ones behaving weirdly.
blaise huffed and mattheo and april crossed their arms silmutaneously.
draco seemed to have had enough of the way you were acting. "stop fucking acting this way! can't you just make up or something? or at least get back to hating each other?" he was close to tears.
blaise rubbed draco's shoulder. "see, what you're doing to him. his parents are divorced"
"okay?" you asked confused "i don't see what that has to do with us, though"
"what's going on?" april asked gently "did something happen? you had this until someone cries mentally, well, did someone cry?"
"no" you shook your head "theo and i are just mature enough, that we decided to stop fighting"
"bullshit" draco screamed from blaise's arms. "you're always fighting, even before you hated each other."
you looked in the direction of theo and thought about what he had said to you in that classroom. he had been right, you weren't good to each other, even before you had been at each other's throats constantly. all of it had been so obvious that even your friends had noticed it.
"would you rather have us fighting again?" theo asked with raised brows "we were going nowhere with this"
"you're not even talking to each other" mattheo muttered.
"we are" you shook your head as if you couldn't believe what he was saying "we just did it like a minute ago"
"can we please start rehearsing now?" theo asked and all of you could feel the annoyance radiating off his body. the boys nodded, giving in without further discussion.
you could still feel april's eyes lingering on you. she didn't believe a word you had said.
even if you tried to ignore it, what your friends had said stuck with you. you knew that theo was thinking about it too.
after the rehearsal you stayed longer.
"we have to stop acting his way" you said as soon as the two of you were alone. "they will find out if we don't"
"i know" theo sighed and it was the biggest reaction you had gotten from him all week. it kind of pained you to admit that you missed your fighting, but something in you clearly did.
"can't you just fight with me? just do something so we go back to normal"
"i can't" theo admitted "i can’t still scream at you, after-"
"after we had sex" you interrupted. he had been dancing around what happened all week, you were tired of not calling it what it was.
"it should've never happened"
"i know!" you said loudly "and i agree, but this is not the solution we need. we can't go back in time, theo, we can do nothing to change it."
"yeah, but i can do as much as possible to make sure it won't ever happen again"
"why are you so bothered by all of this?" you asked frustrated "it was just sex, it was a one time thing, what makes it different? it's just like any other one night stand"
"no it's not"
"then tell me what it is!" you were screaming now "because i'm tired of playing a game i don't want to be a part of! you confuse me"
"can i kiss you?" theo asked and you had almost screamed from shock.
"what?" you asked instead. "theo!"
"i'm- sorry, i just-"
"okay, kiss me" he did not wait for you to tell him twice, before he had already walked closer and pressed his lips against yours.
you really had to stop doing this. well, after this time.
✦•〰〰〰〰〰★🎸☆⋆。𖦹°‧★〰〰〰〰〰〰•✦
you continued to come to the rehearsal three times a week over the following weeks. the more time you spent in the old loft, the more it felt like everything was slowly going back to normal.
your friends couldn't explain what had happened, but theo and you had started interacting normally again, having your occasional fight, but being friendlier than ever.
even if they found it weird, they accepted it. they were just happy you were talking to each other again.
april had tried to find out what had been going and between you and the boy, but you had stayed strong, not revealing your secret to her, even if she was your best friend.
you were joking with the boys, the forced friendly gestures you used to exchange were long gone and it was no longer uncomfortable to just sit around when you were taking a break.
mattheo told stories of enzo and their vacation in spain, how they had gone snorkeling and how enzo had lost his trunks in the water, making all of you break out into loud laughter.
each of you shared memories of a time where you had not spoken to the others, as if you had to catch up. and it felt good.
even theo had to admit it did. it had been easier than he thought to be civil. he had been sure he was having a stroke, but as soon as he started to act nice, you did too and after everything that had happened between you both these past few days he was honestly just glad.
it was another saturday when you were once again rehearsing. you had gone through the entire setlist (except for daddy issues, theo had said that it was way too slow to play) and now only had to play eight pack of cigarettes, which was one of your favorite tracks to play, especially because it had a guitar solo in it.
you had spent much time learning the solo and enzo had been of great help, teaching you like a proud parent, even if he was younger than you.
the song began slow, theo started singing as the guitar played slow, while the other instruments stayed silent.
in the glow of street lights, underneath the city's haze, you found me in the darkest nights, lost in a nicotine haze.
the drums set in just a second after, making the heavy rock of the song shine through clearly. shortly after that followed mattheo, strumming the bass. draco only joined at the chorus.
eight packs of cigarettes, burned through these lonely nights, trying to drown out regrets, but you're still in my head.
the solo came just after the brige and both enzo and april watches excitedly how you plaed it so effortlessly. theo watched you and he couldn't help the proud smile settling on his face.
in the haze of smoke and dreams, i'll keep searching for some reprieve, but until then, I'll keep the smoke, eight packs of cigarettes full of hope.
the song ended with the last note of draco's keyboard. you admired how they could go from a full on rock song, to a slow and almost sad outro.
you helped theo to unplug the instruments. draco and blaise said their goodbyes pretty soon, walking out of the garage mumbling something about a new videogame, mattheo was close behind them.
enzo and april exchanged a look, before he threw his not broken arm around her shoulder.
"we're going to the cinema" enzo exclaimed when he noticed your questioning gaze.
"okay" you smiled as you send april a look. 'call me later' you mouthed, before you watched them walk out to april's car.
"y/n" theo said to gain your attention "thank you for helping us, really, i appreciate it"
"it's not a problem" you smiled "just, why did you ask me? i know that you can play, you didn't need me"
"you're way better" he smiled "my heart also belongs to the acoustic guitar and it's way more fun to move freely on stage"
you rolled your eyes laughing at his dumb reasons, but nodded understandingly anyway. "can i also ask you something?"
theo raised his brows "sure"
"did you write daddy issues to hurt me?"
"i understand why you might think i did" theo muttered "but back then, no" he admitted "i wrote it for you to listen to whenever you felt like that. i thought about not putting it on the album after everything that happened, but i wrote it for both of you and leo had made me promise"
"typical" you laughed "he demands something and once he leaves everything goes to shit"
"i'm sorry i made you play it" theo muttered.
"it's alright" you took the acoustic guitar from the couch and held it in his direction. "can you do something else for me? could you play it for me? the way you intended it to be played?"
he nodded and took the guitar from your hand before he sat down across from you. he softly stroked the chords and the words that were coming out of his mouth didn't feel like they were supposed to hurt you, they felt gentle, like a hug.
gentle, like the days you had spent up in the treehouse, crying in his lap as he stroked your hair the same way he was now stroking the chords.
go ahead and cry, little girl nobody does it like you do i know how much it matters to you i know that you got daddy issues and if you were my little girl i'd do whatever I could do i'd run away and hide with you i know that you got daddy issues
he played softly, almost cautious, as if he wanted to fix you with his singing alone. he ended the song and you couldn't help but smile at him, even if tears were running over yours cheeks. he put the guitar down and sat next to you on the couch.
"why did you ask me to do that?"
"because i don't want to think of the song as something bad…not anymore" you explained as you wiped your tears away. "not when leo didn't intend it to be"
"he loved it" theo said softly "made him cry like a baby"
"because you're so good at writing" you laughed.
"no" theo shook his head "he cried because of you, because i think for the first time he could really understand how you felt"
"thank you" you said.
"nothing to thank me for" theo smiled softly.
"do you want to hear a secret?" you asked. you knew not everything between you was normal again, but you trusted him enough and right now, there in the garage, was a time where safety was all around you.
"sure" theo nodded and watched you expectingly. you turned your head to look at him.
"i haven't spoken to my dad in a year" you admitted.
"oh" theo breathed surprised. "why not?"
"i don't really know" you shrugged, it wasn't the whole truth, but you were not at the point of telling whole truths yet "but i think it's alright, i don't think there's anything we could still say to each other"
"i'm sorry"
you shrugged "it is what it is, right?" you tried to smile, but theo shook his head.
"it shouldn't be like this"
"it's not like i can miss anything" you shrugged and theo frowned.
"it's just unfair. i'm sorry, y/n"
"where did pixie go?"
"i thought you hated when i called you that"
"i did" you smiled lopsided "but now i kinda miss her"
"do you ever know what you want?" theo laughed and you shrugged, while you shook your head. he looked at his phone, to check the time. "are you free tonight?"
"sure, why?"
"a friend of mine is throwing a party and his band is playing, i promised to come, do you maybe want to accompany me?"
you shrugged "it's not like i have anything better to do, so why not?"
"i feel honored that you spend time with me nonetheless, pixie" theo smiled and you mirrored his expression. for the first time in a while his nickname for you did not sound malicious.
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physalian · 1 year ago
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Color in Fiction! (Once You See it, You Cannot Unsee it)
White versus black, red versus blue, Gatsby’s green light, Dorothy’s ruby red slippers, Belle’s blue dress.
Color is perhaps the most ubiquitous motif used across both fiction and reality to thread people or objects through a common theme, or to pit two ideologies against each other beyond their verbal spats. Color is also perhaps the simplest motif, but that doesn’t make it any lesser in its potency.
In fiction, color is an easy way for the audience to learn as fast as possible who’s on whose side, and who their opponents are, and today, we’re going to look at a few.
But first: Crash course into color theory:
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Warmer colors evoke passion or uncertainty, movement and excitement, happiness and warmth, but also rage, aggression, love, and lust. The cooler colors evoke sadness and serenity, but also youth and spring and winter and death.
Most of the time when a creator wants to juxtapose color in a narrative or other work, they’re going to use inverses, just google one of the hundreds of teal and orange movie posters. Inverses are whatever colors lie at opposite sides of the wheel. Blue and Orange, Red and Green, Purple and Yellow. These pairs show up either in opposition, or as an ensemble of one character or a group or team.
Part 1: Black and White
Yes it has grounds in racism, but black and white are also accepted to mean chaos and order, good and evil, death and life.
In a show like Lost, themes of black and white are constant. The black and white backgammon pieces, the colors of the Dharma station logos, the show’s main title card, God stand-in Jacob (Lucifer from Supernatural), and his unnamed brother, the Man in Black.
Black and white show up *everywhere,* in some places subtler than others. In fiction with a male and female lead, if they are coded in black and white, the man is almost always the one in black. Black means strength and mystery and this deep, almost corrupted darkness. White is purity, femininity, youth, and nurturing, when a woman wears it, unless she's the villain.
Villains in white are very often surprise villains:
The White Witch (Chronicles of Narnia)
Saruman (Lord of the Rings)
President Coin (Hunger Games)
Hans (Frozen), Mayor Bellweather (Zootopia), Auto (Wall-E)
Elizabeth from Pirates of the Caribbean is an interesting case. She begins the first movie wearing light colors and being trapped in the pure and lawful life of the governor’s daughter. She ends her arc in the third movie in solid black (through several costumes) a badass Pirate King and wife of the new Captain of the Flying Dutchman.
Men in black are chivalrous, dark knights, or morally grey vigilantes, silent badasses, or edgy badboys. Black is also of course reserved for villains a la Darth Vader, or Severus Snape and Voldemort and a million others. The "Black Knight" is his own trope, whether he's in a fantasy setting or not.
Women in black are temptresses, or seductive badasses. Black is the color of corruption, sin, and angst in western media 9 times out of 10 unless a narrative wants to subvert it.
I could do an entire essay on black and white in Lord of the Rings alone but here's a few other contrasts: The white Tower of Ecthelion, Minas Tirith, the "White City", the White Tree, Gandalf the White. The Black Riders, Black Speech, Black Land of Mordor, Orthanc (Saruman's Tower).
But you don’t have to make your character’s entire costumes black and white, no, you can just make their hair light and dark.
Part 2: Hair
**Possibly also because racism but we don’t have time to unpack all that right now**
When you have your male protagonist and his male foil, love interest, competition, companion, lancer, or villain, most of the time (in western media where blonds are in abundance) the more noble or “good” character of the two will be blond, the other brunet, especially in a love triangle. If two male characters have opposing ideologies on any level, they will often have opposing hair. A male and female lead duo will also tend to have opposing hair, but it’s most obvious what they’re doing when it’s two dudes and not just coincidence.
Here’s a nonexhaustive list, with the brunet first (ignoring if the adaptation was faithful):
Frodo Baggins and Samwise Gamnee (LoTR)
Aragorn and Boromir (LoTR)
Aragorn and Theoden (LoTR)
Denethor and Faramir (LoTR)
Thorin and Bilbo (Hobbit)
Jack Shephard and James “Sawyer” Ford (Lost)
Jack Twist and Ennis Del Mar (Brokeback Mountain) *Also have opposing hats*
Bruce Wayne and Harvey Dent (The Dark Knight)
Tony Stark and Steve Rogers (Marvel)
Bucky Barnes and Steve Rogers (Marvel)
Loki and Thor (Marvel)
Nico di Angelo and Will Solace (Percy Jackson)
Percy Jackson and Jason Grace (Percy Jackson)
Sherlock Holmes and John Watson (the Cumberbatch one)
Sam Winchester and Dean Winchester (Supernatural)
Edmund Pevensie and Peter Pevensie (Chronicles of Narnia)
Gale Hawthorne and Peeta Mellark (Hunger Games)
Damon Salvatore and Stefan Salvatore (Vampire Diaries)
Tom Buchanan and Jay Gatsby (2013 Gatsby)
Caledon Hockley and Jack Dawson (Titanic)
Notable nonexhaustive exceptions:
Harry Potter and Draco Malfoy (Harry Potter)
Percy Jackson and Luke Castellan (Percy Jackson)
Jacob Black and Edward Cullen (Twilight)
Batman and Superman (DC Comics)
Luke Skywalker and Han Solo (Star Wars)
Anakin Skywalker and Obi-Wan Kenobi (Star Wars) *wardrobe makes up for it*
*Feel free to tag the ones I missed
Not every brunet on the list is a “bad” guy, nor is every blond the “good” guy, but compared to each other, the brunet tends to be the more morally grey, the more corrupted, the one who’s ideologies end up getting them hurt or killed or proving them wrong. Or, the brunet faces more demons, has a darker personality, or tends to have a “shoot first ask questions later” philosophy.
This of course goes out the window if the media is set in a region or with a cast of characters who are meant to share similar features, like how there’s no blondes at all in Last Airbender (otherwise Aang would absolutely fit the pattern).
Whether that’s Frodo getting corrupted by the Ring and Sam being his rock, Jack Twist getting murdered while Ennis lives on, or the beloved Dark Knight and his bat-black demons while Harvey’s White legacy saves Gotham, next time you write a brunet and his blond competition, ask yourself just why you’re doing it.
*Side note, I’m pretty sure Harvey Dent, when he’s animated, is usually a brunet, but he’s also usually Two-Face by then and no longer a hero*
I don’t even have time for black and white in anime or the trope of the white-haired anime boy and since natural hair colors are kind of moot, I don’t think the same rules apply. But outside of the westernized “black knight vs white knight” I do want to dig deeper into color motifs in anime at some point.
Here's some notable dark and light dichotomies nonetheless in wardrobe and/or hair:
Kirito and Asuna (Sword Art Online)
Lelouch and Suzaku (Code Geass)
Midoriya and Bakugo (My Hero Academia)
L and Light (Death Note)
Medusa and Stein (Soul Eater)
Sasuke and Naruto (Naruto)
Roy Mustang and Riza Hawkeye (Fullmetal Alchemist)
Eiji and Ash (Banana Fish)
Kyoya and Tamaki (OHSHC)
Yuri and Viktor (Yuri!!! On Ice)
Dracula and Alucard (Castlevania)
Part 3: Red v. Blue and everything in between
The megalith that is the color motif extends past the white/black dichotomy.
It’s also red and blue.
If red is pitted against blue in any story, red is always the team the audience is supposed to root against, unless this is sports. Red is the color of the Sith, the Fire Nation, red eyes are seen as evil, red is blood and rage and wrath and fire. Red is the color of evil empires. Blue is the color of heroes. It’s water and healing and camaraderie, serenity. Blue is the color of rebels and underdogs.
Red versus blue is in everything from the color of lightsabers in Star Wars to the color of cybertronian eyes in Transformers, to the color of the Water Tribes and Fire Nations (with some exceptions a la Azula’s blue fire) to the colors of the pills in the Matrix. Red is the ‘dangerous’ choice, blue is the ‘safe’ choice. Unless your character is patriotically sporting the red, white and blue of the UK, USA, or France.
Villains usually only wear blue if they're ice-coded, or belong to a faction wearing navy blue uniforms.
Red versus blue also shows up between leaders and their lancers. The first one I can think up off the top of my head is Robin and Raven from Teen Titans.
Purple is also usually lumped in with the bad guys and green with the good guys, but purple and green also show up a ton as contrasting colors of the same character like the Hulk or the Joker. But both can swing either way. The Decepticons in the early cartoons for Transformers had purple everywhere and reclaimed it in Transformers: Prime. Megatron, Soundwave, Shockwave, the Vehicons, Airachnid, and the Dark Star Saber, and some G1s]. Prime also has three sets of red-blue dichotomies within their factions: [Arcee/Cliffjumper, Optimus/Ratchet, and Knockout/Breakdown].
Green is the color of more Jedi, and the Green Lanterns, but green also represents sickness or disease or generic evil energy a la Loki, Dr. Facilier (Princess and the Frog) or the Hyenas and Scar in the Lion King.
Pink is really up in the air, as is orange and yellow, especially when it comes to female characters, especially female anime characters.
But enough about color dichotomy.
Part 4: Color Singularity
Color singularly is either meant to evoke a specific emotion, like using blue everywhere to represent sadness, or it’s meant to be a bold statement in an otherwise grayscale world.
I mentioned a few at the top of the post and I’ll elaborate on them here:
In Great Gatsby, green and yellow are very important colors. The “green light” is this real object at the end of the titular character’s love interest’s dock. This light and this color are motifs that represent Gatsby’s longing for Daisy and to return to a glorious past he can never have again (it’s also the color of American money). Yellow is also everywhere in this book. It’s the color of his chekov’s car and several dresses at his extravagant party. Yellow is the color of his current life of glitz and glam and riches (and is also the color of gold). If you listen to one of the accompanying songs to the 2013 film, Florence and the Machine’s “Over the Love” recognizes the importance of yellow in the narrative.
Dorothy’s red slippers in the Wizard of Oz are hyperbolically bold, especially since the movie starts out in black and white. Color is a huge piece of this film- the Emerald City, the Yellow Brick Road, the horse of many colors. Red scientifically is the color humans tend to notice first, those shoes were made to be remembered. Color in Wizard of Oz is the symbol of the fantastical, which was really helped by the time the film was made and simply seeing so much color on screen dazzled audiences.
Red catches your eye faster than any other color, and red in a world of black and white sticks in your mind, just look at Schindler’s List.
Belle from Beauty and the Beast, along with a lot of fictional women wear blue. Blue is biblically Mary’s color, and at one time was the color marketed to women before the shift to “blue for boys”. In the original Beauty and the Beast, Belle was the only character who wore blue, because she was an outsider, and outlier, a free-thinker. Or at least, Belle is the only one who wears blue until she dances with the Beast. The live-action remake didn’t maintain this extra level of the narrative and that’s a shame.
I didn't mention eye color much above (also maybe because racism) but blue eyes, especially animated blue and green eyes, go to characters who are more hopeful, heroic, nurturing, morally just, honest, or brave than their brown-eyed counterparts, unless he's a blue-eyed Tall, Dark, and Handsome. Blue-eyed people tend to be blond, so the traits go hand in hand for the "good" character.
Weirdly enough, this also applies to blue-eyed animal characters -- your animated anthropomorphised villain is rarely going to be drawn with eyes that aren't brown, black, green, red, orange, or yellow.
Because color is also a subliminal or overt way of foreshadowing in both written and visual media as much as any other motif and recurring symbol. You can foreshadow death, or impending doom, or an eventual identity reveal, whatever you want.
You can also subvert the usual associations with specific colors. Black doesn’t have to mean evil in your world. Black can be life, too. White doesn’t have to be pure, white can be clinical and sterile and lifeless (but please no more lady villains in white pantsuits, that's its own cliche at this point). Shake it up a bit every once in a while.
So whether it’s dueling ideologies or the very forces of good and evil, a harbinger of doom or a secret tell, or community and camaraderie, or an enduring hope, you can represent it all with a careful dose of color.
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momokarp · 1 year ago
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Heyyyy I saw your Danny Phantom comic about him reading the Great Gatsby during the fight with Vlad (great art btw), and I was wondering if u could give a long-suffering student a rundown of the themes?
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I’m gonna cover the themes I can think of off the top of my head and if you really need me to go into more details, I CAN??? But this is just a quick “it’s 7 in the morning for me and I’m actually gonna hyperfixate real quick” kinda moment.
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Yes, there are two kinds of rich people, and yes, one side really doesn’t like the other. It’s apparent in Tom and all of his opinions of Gatsby are later on in the book when he finally attends one of his fancy parties.
Old money gets their opinions and styles and tastes from their parents who got it from their parents. It’s a boys club, if you’re in? You’re in, and it’s hard to get in unless you’re of a certain pedigree.
New money? Loud. Outrageous. Doesn’t even know what to do with all that money and everyone is welcome to enjoy it. Gatsby owns a BRIGHT ASS YELLOW CAR not because it’s of a certain model but because it screams loud and expensive and “look at me” and it’s not just cause he’s trying to get with your wife. He knows how to ACT like old money, to a certain degree, but at the end of the day, he can’t hide that he wasn’t born into it.
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An unreliable narrator is usually a story told from a first person point of view and their own biases can often warp the reader’s perspective on the events unfolding. Nick even tries to clarify that he doesn’t judge people. Yeah, OUT LOUD, but he’s judging internally. Which is making you, the reader, judge. Tom has an affair with Myrtle Wilson. Nick IS quietly judging them although he tries not to and how could he not? Daisy is his cousin, and he sees the man she’s married make her move away from Chicago and Tom is not hiding his affair very well, she clearly knows about it and hates it.
Oh but here comes Gatsby, with this beautiful story of how he fell in love and went to war and couldn’t be with her and came back and she’s MARRIED and now he’s trying to win her back- and Nick HELPS HIM. THAT’S NOT UNBIASED. HE IS SWAYED. He sides with Gatsby through and through, even when he starts to see the flaws in Gatsby’s vision, he wants to cheer for him.
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We’re going back to the green light here for a minute. Gatsby gets a house DIRECTLY ACROSS the lake from where Daisy’s is. There’s the green light at the end of her dock that flashes, that’s a reminder to Gatsby when he looks out that his dream is just over there. Daisy, the perfect gal, along with acceptance into the fancy rich lifestyle. He wants to meet her parents, he wants to have kids with her, he wants to be a somebody, an established respectable person.
But he’s kind of fooling himself too. He wants too much. It’s not enough to have Daisy, she needs to RENOUNCE her ever loving Tom and then properly marry him. He wants to be a part of the boy’s club, but Tom finds out that he has gained his wealth through the mafia and that’s not very respectable! He wants Daisy to call him in the morning, a call that never comes because she won’t cast aside her lifestyle for him. She was raised to trust and live in the sheltered life she was brought up in, even if she’s unhappy. It’s safer than the unknown. She chooses to stay with Tom, as even she realizes she can’t live up to Gatsby’s ideals.
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It’s ironic cause this is the Oxford English Dictionary definition and Gatsby is an “Oxford Man!” Not only has Gatsby idealized on the American Dream, but it’s a dream that was never real. Yes, he did get rich, but not because he had equal opportunities. He got lucky to help out an old rich man on his boat (WHICH HE DIDNT EVEN GET ANY MONEY FROM) to learn the rich social skills, and he worked with the mafia to get all his wealth. Yes, he got Daisy, but not REALLY. He had an affair with her. They didn’t marry properly, didn’t have kids, didn’t move in together. And Daisy never intended on doing any of these things. She wanted to run away.
And Gatsby was never going to get these things because he wasn’t BORN rich. Tom represents the concept of Old Money so well not only in how he lacks any genuine character that isn’t inherited from his father, but how protective he is of keeping the status quo, so that he remains in power and no one who doesn’t fit the club can come in.
And Gatsby pays the price of his affair while Tom gets away with everything. How is this the American Dream? It isn’t.
Okay, that’s my stuff. I can go into symbolism on the yellow car and big billboard and all that other stuff if this was helpful at all. I hope it is helpful???
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salvatoraes · 11 days ago
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stats questionnaire !
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background.
full name: stefan salvatore. nicknames: stef, steffy if you hate him, stefano, the ripper, rippah ( klaus only ) birthday: november 1st, 1490. astrological sign: scorpio. age: 18 ( physically ) + 520+ ( biologically ) height: 5'11. hometown: florence, italy.
appearance.
piercings: none. tattoos: a crescent moon on his left wrist ( matching a half sun on @klaeus' wrist ) & a rose on his upper arm / shoulder area. eye color: forest green. hair color: light brown / darker blonde. hairstyle: usually quiffed, styled with gel. clothing style: comfortable, relaxed, jeans and t-shirts kind of style with a leather jacket on top.
relationships.
parents: lilian & giuseppe salvatore. ( both deceased ) siblings: damon salvatore. significant others: elena gilbert, katherine pierce, klaus mikaelson, valerie tulle, rebekah mikaelson. & of course all of my lovely ships with my mutuals. children: none. pets: a black cat named midnight in his main verses & two golden retriever pups ( in a private verse with @forbaes ) other: silas + tom avery, doppelgängers. zachary salvatore, nephew. sarah nelson ( salvatore ) , great niece.
favorites.
foods: anything italian, steak, roasted potatoes, broccoli. drinks: blood, black coffee, bourbon, green tea. desserts: red velvet cupcakes, cannolis, pizzelles. books: he literally cannot pick just one but the great gatsby is up there for him. tv shows: his old ass likes the food network & documentaries. but he also loves the sopranos & i love lucy. movies: scarface, taxi driver, & goodfellas. musicians: bon jovi, patsy cline, dean martin, miley cyrus, jimi hendrix. animals: deer ( lol ) , dogs, giraffes, bunnies. colors: maroon, grey, dark green, navy blue. hobbies: writing in his journal, reading, crossword puzzles. holidays: christmas for sure. disney characters: he's not really into disney, he's just so damn old but if he had to pick he'd say stitch, flynn rider, belle & maybe eeyore because the depression matches lmao.
more questions.
what hogwarts house would they be in? : he's a ravenclaw for sure. though, he doesn't really keep up with harry potter.
when was the last time they cried and why? : god, i don't know. stefan cries often, he's a pretty emotional person. if i were to guess the last time he cried was probably from a book lmao.
if their life depended on them reciting an entire song’s lyrics with no mistakes, which tune could they bust out with confidence? : wanted dead or alive by bon jovi.
are they more likely to pursue a relationship or wait to be pursued? : he's more of a pursuer, if he likes you he's going for it.
do they believe that every person has a soulmate? : yes, absolutely. lexi once told him she believes everyone has more than one soulmate & he would have to agree.
do they have a “type”? : not really, some might say his type is doppelgangers but no he likes who he likes.
do they plan to get married one day? : he really wants to, he's hopeful !
has a boy/girlfriend ever been unfaithful to them? : yes, & with his god damn brother of all people. rude.
have they ever been unfaithful to a partner? : never.
are they holding on to something that they need to let go of? : he's holding onto a lot of things that he needs to let go of, he has 500 years of guilt.
are they self-conscious about they physical appearance? : i mean, occasionally when he's going through a depressive episode but usually no, he knows he's handsome.
do they think crying is a sign of weakness or strength? : a strength, while stefan doesn't always share his feelings he definitely finds crying to be therapeutic & thinks everyone should have a good one every now & then.
would they consider themselves to be more of an introvert or an extrovert? : he's the most introverted person out there lol. only an extrovert when he has to be.
are they a cat person or a dog person? : he loves them both ! but he does lean more towards dogs.
what’s their biggest regret? : he has many but i would say his biggest one or at least one that's high up there is when he tore through whole villages & left everyone in them dead ( including the children unfortunately ) when he first turned into a vampire.
do they have a best friend? : yes, lexi was his best friend in the whole entire world & caroline quickly became his best friend once lexi died.
where would they like to travel? : he's traveled to a LOT of places but he'd love to go back home to italy. he'd love to visit japan, amsterdam, australia & greece.
what are their bad habits?  : oh, we all know his worst habit is his bloodlust problem. but also you know sacrificing himself for people, not telling people how he feels until he's ready to break, putting himself in danger if it's to keep someone he loves safe.
tagged: nobody i stole it <3 tagging: @forbaes , @klaeus , @kindofuneven , @malka-lisitsa , @d4ughter , @hatesoccer, @jedilone, @presidentlaufeyson , @c0rdelias , @c0veys , @hellsurvivr, @qui11s, @venustrape ( for rachel ) & you, reading this !
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you-are-constance · 9 months ago
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how was the great gatsby musical?
overall, one of my favorite theatre experiences. to the level that i have been looping the cast recording nonstop since it came out last week
i do have a lot of specific points that i could talk So Long about with this show, most of which i'll put under a read more, but first: casting
anyway. spoilers for the great gatsby musical (things that were changed from the book for the production)
the 'main four' being Jeremy Jordan, Noah J Ricketts, Eva Noblezada, and Samantha Pauly, were all absolutely incredible. show stopping in their own ways. i was genuinely so scared that when i saw it that any of these 4 wouldn't be on, but i got so lucky and all of them were!! i am 100% convinced that many of the songs were written just to showcase certain actors voices (jeremy jordan).
let me tell you. getting to see jeremy jordan and eva noblezada live was unlike anything i've ever seen before. i was like. genuinely honored to be there. their stage presence, their voices, their acting ability, oh man... and Samantha Pauly was just incredible, and her big number was so. show stopping. Noah J. Ricketts was amazing the whole time, but his emotion in finale as he was saying the lines that are basically quoted exactly from the book... yeah i cried.
but so many other actors were also so amazing! John Zdrojeski as Tom was so good at the role, because Tom really was genuinely awful, but not in like an evil villain way, because he's much more realistic than that. i also find that a lot of times Tom is kinda seen as stupid or whatever for not noticing a lot of things going around him but in the musical he really like. could tell what was going on. and he worked his way into finding out secrets (kinda more on this later bc of my favorite song)
another main this was just. the design. Linda Cho costumes MY BELOVED im so glad she won the tony because this show DESERVED IT. it was definitely a glorified image of what those 1920s outfits would actually be, but most musical theatre isn't meant to be an exact replica of history, it's meant to dramatize it, and Linda Cho understands the assignment when it comes to costumes. the lighting and scenic design were also just incredible, especially their use of the green light shining from across the bay...
the show started out with Gatsby onstage, reaching for the green light. a set piece is moved across the stage, passing in front of him, Nick standing where Gatsby was. within that moment i was like "if they don't end the show with Nick standing there, the set piece passing in front, and leaving Gatsby behind, reaching for the green light, then what is the POINT" and then they DID and it was just as great as i'd imagined.
there were definitely changes to the story to adapt it to the stage, which i actually enjoyed (i've read the book, but didn't love it mostly due to a bad experience with reading it in school so. yeah). it is kinda more romance-centric in the first act, which i have heard people complain about, but i kinda see reasoning for it. yes, the first act is very much centered around the various relationships (especially the romantic ones), and in the second act, while certain characters (mostly gatsby) try to keep it centered on the romance, there is a much bigger, darker story going on all around them. so i really liked that meta perspective of it.
they also gave a lot more character to mr wilson (idr his first name), effectively intertwining him with both Gatsby and Wolfsheim as he, from the very beginning, plans to move him and Myrtle away from the city (its been a hot sec since i read the book, so idr if that's there but i don't think it is).
the relationship between Nick and Jordan is also taken a lot further in the musical, to the point where they are engaged, but after Myrtle's death, it gets broken off. this is because, in this version, Jordan ends up lumped in with both Tom and Daisy, in with the old money. throughout most of the show she is much more aware of society and doesn't want any part of what her role 'should' be, but when things go south, she is just as quick as the others to abandon what's 'right' in favor of what's better for her. and ik some people might not like that change but i actually did.
Myrtles character is also taken a lot further in this, which i find really fascinating. she is given her own big number right before her death as she tried to go after Tom, saying that he'll leave Daisy and marry her instead, but then she realizes she'll become just like Daisy in that situation, and the only choice is 'love or money.' she eventually decides that she wants to go back to her husband, and the moment she turns back, she is killed. this was Such a big number and, looking back, might be one of my favorites story-wise.
while i absolutely adored most everything, genuinely, the music was by far my favorite part (besides maybe jeremy jordan and eva noblezada...) a personal thing for me was that Every. Single. Song. has SUCH a good bassline. man i need the sheet music for this show. (side note: i got to talk to the show's bass player for a few minutes after the show! i was super nervous about it but im glad i did. he was super nice)
there's def a mix of more modern showtune styles, along with bringing in a lot of jazzy elements, which was GREAT. i love jazz. like i mentioned before, certain songs were definitely written for actor's voices (Past is Catching Up to Me) which is absolutely not a bad thing because they were AMAZING
two of my favorite songs were 'Only Tea' and 'Made to Last.'
only tea is when Gatsby is stressing about Daisy coming over for tea. this was hilarious. I kid you not jeremy jordan jumped a fence at the end. it was iconic. (you can Feel the nerves in just the cast recording alone).
made to last takes place in the scene in the Plaza. it's mostly Tom, revealing the secrets he learned about how Gatsby got his fortune, then Gatsby trying to get Daisy to tell Tom she doesn't love him. there are So Many Good lines in this song (everyone kinda drags Tom a lot its great) but this is where the characterization of Tom was really just. top notch. because he really is freaking Awful. but he's also smart and not going to let go of what he owns (not good that he considers Daisy a possession though...), and he knows exactly what is going to happen to Gatsby--he's not Made to Last.
(also the song Shady is iconic. spinny tailcoats)
another just. singular line that i need to draw attention to, sung by mr wilson (he has multiple songs directed to the Eyes of God), and this line is right when he decides to go after Gatsby. "God sees everything but he's slow on his commands/You've got the eyes of God, Doc/Who's gonna be his hands?"
(this line is reprised in the middle of Gatsby's song right before the gun goes off. fun fact)
i'm sure there are So Many Other Things i could talk about (i s2g i could write 13 essays about this show) but in general like. while it wasn't groundbreaking to the theatre, it was still Such a good show and absolutely deserves better yknow. attention then it's getting. like jeremy jordan is here for a Reason this is a Good show. and mostly this is my begging people to listen to the cast recoding because its SO GOOD.
anyway. if anyone has questions about specific things i am So Happy to talk but here's a lot of my more general thoughts... (god i haven't even Talked about Eric Anderson as Wolfsheim...)
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givemewinnschottplease · 4 months ago
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Young And Beautiful (JerJor Jay Gatsby! x female OC!) 18+
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Summary - Jay could never get over Daisy, he tried and tried after the war but to no avail, until he met her, the beautiful, Audrey Linwood. She was a guest at one of his luxurious parties, and they just so happened to run into each other at one of the few parties Gatsby ever attended.
Warnings - nicknames/ pet names, no more that I can think of.
pt.1
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1918 (Jay)
The war was finally over, all the fighting and treachery was over at last and everyone could go home to their families and loved ones. But not Jay Gatsby, he had no one to go home to, no family at home for him, but his hopes were that his summer lover, Daisy Fay, was waiting for him at home in Louisville.
As his train reached Louisville, he was smiling to himself, watching as the crowds of people waiting for their brave soldiers to arrived home, stood at the platform, with signs and open arms.
“She’ll be there.. I know she will.” He said to himself in the carriage full of other soldiers. He stood up and took his bag, making his way out of the carriage.
He walked out of the train and looked around the platform, his eyes scanning the crowd, looking for the face of his lover, the light of his life, the apple of his eye, Daisy.
“Ye see yer fam’ly, Captain Gatsby?” One of the other soldiers asked.
“No, not yet, but she’ll be here. I know she will.”
“Well, good luck findin’ ‘er, I’ll see ye around, Captain.”
“I’ll see you around.” Gatsby nodded as the soldier walked away.
The crowd soon got smaller and smaller before it was just Jay standing there. He walked off the platform and into the station, looking at the news-stand and picking up a paper, flicking through the pages and then seeing the wedding notices.
‘Congratulations to the newly wed couple Tom Buchanan and Daisy (formerly Fay) Buchanan.’ Stood out in big, bold letters.
“No, no, this can’t be.” Jay’s heart shattered as he stood there, his dirty uniform clinging to his skin.
3 years later (Audrey)
“Don’t you think it’s a bit, extravagant?” Audrey asked, looking on the mirror at the dress that Jordan had thrown at her from over the dressing screen.
“Not at all, it’s a Gatsby party. In fact, I don’t think it’s extravagant enough…” Jordan smirked and took a drag from her cigarette.
Audrey walked from behind the screen in a beautiful dark green dress. “I never wear gowns like this.”
“You should, it suits you.” Jordan smiled.
“And you’re sure my hair looks alright?”
“Yes, now stop fussing, we have a party to attend.”
*
They eventually got to West Egg and didn’t need directions to Gatsby’s luxurious mansion. Their car arrived outside and bustling crowds of drunken men and women spilled out of the doors, onto the garden and even on the driveway.
“Some people just don’t know how to handle their booze.” Jordan scoffed and took Audrey’s hand, quickly pulling her through the crowds and into the garden. And just like magic, she had a glass of champagne in each hand. “Drink up.” She gave a glass to Audrey.
Audrey took a sip and grimaced at the taste, Jordan just laughed and was soon whisked away into a conversation, leaving her alone. She set her glass on a nearby table and walked through the garden, seeing how neat and well kept it was. Then she reached the rose bushes, they were beautiful roses.
She stood admiring them before being spooked by someone tapping her shoulder. She turned and saw it was a man, a very handsome man, light green eyes, neatly trimmed hair, a smile that could melt butter and a very well tailored suit.
“I am sorry, I didn’t mean to startle you.” He apologised, sincerity dripping from his words.
“It’s quite alright, I was in my own world.” She smiled, accepting it.
“That’s the best and worst place to be.”
“I couldn’t have said it better.”
He smiled, a glimmer in his eyes as he looked at her. “I’m Jay, Jay Gatsby.” He said.
“I’m Audrey Linwood.” She smiled and he took her gloved hand and kissed it. “I must say, you throw a very good party.”
“Oh thank you, I don’t often attend my own parties. But now, I’m glad I chose to attend tonight.”
“I am too…” She looked into his eyes, searching for a story. As she looked at him, the orchestra started playing a beautiful slow song.
“May I have this dance?” He extended his hand.
“I would love to.” She took his hand and he walked with her to the dance floor, and they danced in the moonlight. Gatsby span her gently and the bottom of her skirt flared, the jewelled detailing shining as she span.
Once she returned to her original spot, her hand still in Gatsby’s, his hand on her back as they looked into each other’s eyes. Audrey then looked at his lips, he followed suit. She felt herself lean in, her eyes closing slightly as Gatsby leaned in too.
Once their lips touched, fireworks burst in an array of colours behind them, it felt like they were the only two people on the world.
Gatsby pulled back and looked at her, amazed and mesmerised by her. Audrey admired him, holding his hand and looking back into his eyes. “Fireworks, nice touch…” She smiled.
“I like to try.”
She laughed and he smiled, looking at her as if she were the most beautiful thing in the world. The way her hair sat as she threw her head back, the way her eyes glinted and shone from the fireworks. Utter perfection.
Her gloved hand sat in his as he walked her to the garden. He delicately plucked a rose and handed it to her. “For you, beautiful.” He said softly. She held the rose, the stark white colour standing out against her dark green glove.
“Oh, thank you Mr Gatsby.”
“Please, call me Jay.”
“Thank you, Jay.”
The way she said his name made him smile, but then he thought of Daisy again, how she said his name, how she looked at him, how she laughed… she was always in his mind. Audrey couldn’t replace Daisy. No one could, and he was kicking himself, thinking Audrey would never love him if he was still in love with Daisy.
They stood beside each other and suddenly Jordan rushed over to them. “Audrey!” She shouted. “Oh, there you are… I’ve searched high and low for you, we have to go, I have a golf tournament tomorrow and I can’t stay out too late. I’ll be in the car.” Jordan said and Audrey nodded.
“I’m sorry, when Jordan says it’s time to go, it’s time to go.”
“I completely understand, don’t worry.”
“Thank you for a lovely party.”
“Thank you for attending, and making it lovely.”
She smiled and then heard a car horn peep. She looked apologetically at Jay and rushed away.
She sat in the car, staring out the window as it pulled out of Gatsby’s driveway, the rose still in her hand and Jordan sat at the opposite window, smoking out of it. “So, what were you and Gatsby talking about?”
“Not much, but we kissed… oh Jordan, it was extraordinary. Jay is just, amazing.”
Jordan finished her cigarette, throwing it onto the road and then turned to Audrey. “You kissed? You kissed the Jay Gatsby?! Your first party and you’re already wooing the host… there’s hope for you yet Audrey.” Jordan laughed and then Audrey smiled softly, looking at the rose.
“I suppose there is, isn’t there?” She looked at Jordan and then out the window, reliving the whole party.
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r0mantic-f00l · 24 days ago
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series masterlist
𝕮𝖍𝖆𝖕𝖙𝖊𝖗 𝕱𝖎𝖋𝖙𝖊𝖊𝖓
Blades of thin green amongst the ground was no longer accompanied by flowers, but rather leaves that were devoid entirely of colour, turning to mush in the soil. The Sun made rare appearances, only escaping from the grasps of the clouds for a brief moment before being captured once again, forced to spend her days hidden behind a wall of soft white.
The Moon had missed his lover, his heartbreak from their departure shown in the way that his neighbouring glimmers of light glowed dimly.
Winter could be cruel, could be merciless in what it took away and provided. Winter always pulled away the warmth of the Sun and instead replaced the air with the coldness of the Moon.
Winter lasted until people's emotions had become frozen, their hearts icicles until a sliver of the Sun's glow would shine through and melt the frosted interior.
Eurydice never turned cold. Not when she was younger, a mere innocent girl who was naïve to the world around her. Perhaps she wasn't naïve. No, she chose to live in oblivion because it was easier, it was simpler to love a boy she should have never loved. But she did. Like the Sun loved the Moon.
─── ⋆⋅⋅⋆ ───
Warmth radiated through the room, the fire twirling with its flames as a small orange glow casted out.
Lily was snoring quietly, Marlene, Dorcas and Mary sleeping peacefully whilst Eurydice gazed at the Moon, admiring the, albeit diminished, glow he provided.
The clock's hands pointed to 11:37pm, a perfect time for the girl sneak out to her mystery lover.
Eurydice stepped into her slippers beside her bed and threw her dressing gown on, taking cautious and quiet steps out of the dorm room before closing the door as quietly and slowly as she possibly could.
She checked the common room for any midnight stragglers then proceeded down the stairs once she discovered no one to be found.
She left, hurrying to the library with a smile on her face – she would see him again. Her Reggie.
It had been a week since they had begun talking again, since Regulus had broken down in her arms, since he showed her his mark.
"A Christmas gift from my dear cousin," he had said with tears streaming down his face.
Regulus was not one of them, he was not a monster. He was the light of the Moon, the calmness of ocean waves. He was not a monster. He was a star amongst a family of darkness.
Eurydice finally arrived at the library, opening the doors, and closing them quietly before turning around where she stood.
He had been reading Little Women, as it seemed, before she had entered the room. His gaze was now on her rather than the pages of the book.
His gaze was no longer indifferent towards her. It was how the Moon looked at the Sun as she slipped down into her slumber.
"Bonjour." Eurydice softly murmured with a grin, making the boy reciprocate her smile.
"Bonjour." He repeated, staring at her movement as she took a seat next to him beside the long table.
"Were... were you reading Little Women?" She lifted up the book from the table and held it towards Regulus, who in return nodded smally, his usually pale cheeks tinted a light shade of red.
"Yes. I just... well I thought you liked the book so I..." The boy trailed off, clearing his throat as he took the book from her and closed it.
She smiled, something that she did all the time ever since their first kiss, and inched her fingers closer to his.
"I do like it. One of my favourite books, actually."
"I know. Little Women had been your favourite book since you read it when you were eleven years old, and your second favourite book The Great Gatsby... which I am planning to read after I finish this one." Regulus glanced down at the book in front of him, growing timid in his words whilst she only glowed more.
"Tu me connais bien." Eurydice spoke almost perfectly, her pronunciation of the French words slightly flawed, but nevertheless it still made Regulus grin.
"Bien sûr, tu es la seule personne avec qui j'aime être."
"What was the last bit?" Eurydice smiled when Regulus chuckled and shook his head to her question.
"You'll know when you learn more French, ma lumiére."
Eurydice pouted and slumped in her chair, making the boy only laugh more at her faux disappointment.
Comfortable silence filled the air between the two as they both gazed at each other freely, smiles growing with each second as their eyes fell upon the different features on their faces.
"How was your day?" Regulus asked with a soft voice.
"Boring, really. But now it's better." Eurydice answered, and he smiled once more.
"That's the same for me." He murmured.
Both began leaning in closer, magnetic forces pulling them close together as their lips brushed only once before Eurydice kissed him, her lips slotting perfectly between his as Regulus' hands went to her face, holding it delicately as they shared a loving kiss.
It lasted for a minute, maybe more, before the boy pulled away, opening his eyes upon the girl's lovesick gaze.
Yet from the corner of his eyes, he could see darkness swirling on his pale skin, a mark burned onto his skin as a reminder of what he descended from.
He dropped his hands away from her face and pulled down the sleeve to his pyjama shirt harshly, turning away from Eurydice as his eyes turned translucent, but his frown was etched onto his face.
The girl understood what had happened, she knew how much the mark not only angered him, but also terrified him. She knew the pain he had felt whenever he saw a glimpse of it peeking out. She knew what it had meant to him.
So, she rested her hand on his other arm, rubbing lines into his skin as she patiently waited for the boy's thoughts to become quiet once more.
"..I always forget that it's there." Regulus muttered, not facing Eurydice as she glanced up at him.
"It's strange how easily forgettable it is, yet how painfully memorable it can be."
She frowned, moving closer to him as she spoke.
"I always forget that it's there. I don't even see it most of the time."
"You shouldn't forget." Regulus answered firmly.
"It's the mark of a murderer."
"You're not a murderer, Reggie."
"I could be. I might be. I might have the blood of many resting on my hands in the future."
"You won't." Eurydice said, and Regulus finally faced her.
"You're a good person, Reggie. You're not like them, and you won't ever be."
She placed her hand on his cold cheek, her fingers tucking away his curly black hair as he stared into her eyes with a gaze that was quite similar to those who claimed to have witnessed God.
"Why are you so kind?" He asked, as if kindness was a trait nobody possessed.
Eurydice grinned and shook her head. "I'm not being kind, I'm being honest."
She felt his hand inch closer to hers, hesitant in what he wanted to do, so Eurydice took the lead for him, and intertwined her fingers between his, to which he stared at deeply, adoringly, lovingly, whilst the girl smiled.
─── ⋆⋅⋅⋆ ───
The Moon's glow diminished further that night, clouds of black becoming a mist shielding the world from his misery as he watched the two lovers rejoice in each other's company. He knew how this would end, he had experienced it himself with his Sun, his love. One would walk away burned, and one would walk away cold.
─── ⋆⋅⋅⋆ ───
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taylortruther · 7 months ago
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You sent me into a frenzy after posting that porch light parallel and I’ve pondering about it ever since, but I came to the conclusion that they’re about very different situations. In cardigan the narrator is hurt, but also quietly accepts her situation: Betty loves James and she knows that yes, he’s somewhat naive and childish, and I get the feeling that Betty is essentially telling him that she knows he needed to be away, to make this mistake, but that she knows that he knows that she’s the one and only, and the light is sort of a symbol, like her saying that she won’t go anywhere because she has nowhere else to go, so she stays put giving James time. I don’t know, it reminds me a little bit of the green light in the great Gatsby. Whilst in fots the light feels like it was just ignited, she feels like he was waiting for her, the roles have essentially reversed. In cardigan the narrator is doing the waiting, in fots is the love interest doing it. To me it feels like they’re about two different situations
yeah, i picked up on that too! interesting how she suggests they both waited, even though, if they were about matty, she's writing in cososom that neither of them actually waited. "you just watched it happen"...
i always thought cardigan told the story of someone who was hurt, but felt loved again by the person who hurt them. see also: betty's "will it patch your broken wings?" and james' plaintive "i don't know anything"s that mirror the things betty knew in cardigan.
so, i'm not fully convinced! it feels like a lot of swirly inspirations happening.
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brightlotusmoon · 2 years ago
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"F. Scott Fitzgerald's grave is located in Old Saint Mary's Catholic Church Cemetery, Rockville, Maryland, USA. He was buried there with his wife, Zelda, who paid for him to be buried a mile down the road. Zelda died tragically in a fire at Highland in 1948, and she was buried on top of him because she had only bought one space. They sat there for 27 years. In 1975, members of the Rockville Women's Club noticed that the grave was crumbling and deteriorating. Fitzgerald's final resting place is sober and unremarkable, in stark contrast to the extravagance of his most famous novel, The Great Gatsby."
Reminder to self that the next time I'm near the grave to actually go and check it out because people keep leaving stuff there.
What's funny is that as a teenager, I lived right near the setting of the novel. Yes, there is a green light.
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3minsover · 2 years ago
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AUgust Day 22:
the great gatsby au (tw: manslaughter + murder)
old money socialite edward munson had a passionate summer fling with a bright-eyed, hopeful, romantic young soldier named steven. he promised edward the world, if only he would wait for him to return from war.
steven never returned.
when professional polo player jason carver asks for edward’s hand in marriage, he says yes. his heart is still broken, will remain so, but pressure from his family to make an advantageous match is too powerful. years pass, and edward’s life is rose-colored. he drifts through dinners and sunrooms like a ghost, keeps his steps light so that others do not notice him, do not look too close and see the gaping hole in his chest where his heart once was, a heart that he gave away to a soldier with no prospects, no property or land to his name.
at night, when all is quiet, he looks out over the water that laps at the shore of his extravagant home and sees the distant glimmer and glint of lights, hears the muted thrum of music, and sees a grand mansion illuminated by luxury and excess.
he hears of parties, almost every night, that take place at this mansion, and wonders whether one day he might know the origin of such conviviality. however, trapped in his loveless marriage and bound by duty to remain a beautiful artefact in his husband’s collection, edward simply turns away, ignoring the siren call of an emerald green light that blooms on the end of the opposite dock.
when edward’s cousin robin moves into the groundskeeper’s cottage across the bay, she attempts to strike up the old friendship they had had as children, becoming instantly fascinated by edward’s dearest friend nancy.
one night, robin invites edward, and by extension, jason and nancy, to a party. a party at the house across the bay. she insists that they must meet the host, that he’s simply a marvel, and grudgingly, jason agrees.
the festivities are in full swing by the time they arrive, strangers streaming through every hallway, drinking from fountains of champagne, splashing in shallow pools and dancing to the yellow cocktail music that pours from every corner of every room. edward is overwhelmed, overcome by the eccentricity of it all, longs to return to where it’s quiet and calm, where he may disappear to the safety of his own imaginings, where a sweet soldier offers his hand and his heart without reservation.
edward slips away from the group with nancy’s help; she guides him to a small room in which there is only one man, standing with his back to the entrance. his suit is tailored neatly, his hair slicked back with careful precision, and when he turns, edward’s breath is stolen from his lungs.
“steve?” he gasps, feet carrying him closer, lest this be simply an overwrought imagination playing him for a fool.
“eddie. eddie, darling,” the man exclaims softly, meeting him stride for stride, until eddie’s hands can clutch at the lapels of his suit. “you came. you’re here. you saw- it doesn’t matter. you’re here.”
“you never came back for me,” eddie whispers, gaze fluttering over steve’s face, because it is steve. older, broader, fashioned into something gilded in gold and sculpted from ivory, but it is him.
“i know, my darling. i wanted to, god how i wanted to. but i’m here now. is that enough?” steve’s eyes are wide, imploring as he cups eddie’s cheeks as though he were the fragile, delicate thing he feels himself to be.
and it’s not enough, eddie will come to realize. too much time has passed, too many bridges crossed and set ablaze, too much mess to be cleared away, but for now, for tonight, they might pretend. under steve’s gentle touch, eddie wills himself to forget jason’s harsh one, at the sound of steve’s sweet voice, eddie pushes away that of poor chrissy, the girl who calls and calls their home asking to speak to jason. he allows himself to be swept by the tidal pull of his steve, here and alive and everything he needed him to be all those years ago. and for a while, it brings him joy. for weeks after that night, eddie steals across the bay with the help of nancy and robin, plays make believe in the life they might have had.
until a dinner in the city ends with smashed glass and jason’s stern glare and steve’s cries that ‘he doesn’t love you!’. until eddie begs for steve to come home with him, dragging him back to jason’s car and curling his fingers around the steering wheel until they flash white. until eddie’s flooring the gas and he can’t see for tears, and steve’s carefully imploring for him to slow down. until the screeching of tires and smashing of bones, a shock of strawberry blonde hair streaked with red.
until a gunshot rings through the bay, a widowed husband standing on the edge of a pool with a gun in his hand and chrissy’s name on his lips.
until steve harrington floats face down in the water, and eddie can’t bear to even look at the funeral invitation.
in the end it’s not enough, and it never was.
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notebookmusical · 2 years ago
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Ooh it's cool that you got to see Bea at Lolla or Maisie and whoever else! If anything, concerts have gotten more expensive than they used to be for me so there have been some I had to pass on too. I have been meaning to listen to the Japanese House album for a while and will soon. I've listened to most of the artists you named and will add the rest to my list too.
Oh I didn't know the Waitress proshot had come out already. Maybe I will check it out. I remember hearing about the Roman Holiday musical but it never went to Broadway or anything so I didn't know too much about it. I just heard the Notebook musical is coming to Broadway in spring so hopefully they've improved it. Those are also such good examples of movies into musicals. I do agree about the cash grabs and like just coming out with or rushing more musicals each year or just making everything a musical just because.
I honestly didn't know what to think of it cuz I didn't even hear about it until recently. I do agree he seemed a little old for her though..I wonder how he will pull off the part. But it at least has potential with the actors since I like them. I actually didn't know there was going to be two..but I remember hearing that Florence Welch was working on the music I think? Or is that the same thing? It could be cool and kinda reminds me of the same vibes as The Wild Party. I never actually read the book..but I remember liking the movie and how glam it was..so the sets could be similar..or have potential. The music might be similar to an older 50s musical or idk. Maybe it would be similar to Moulin Rouge too. I would be pretty excited for it though anyway I think! I would love to hear more about there being two versions too since I didn't know that.
i was telling one of my best friends that it's very unlikely i'll do another music festival soon (although that same friend wants to do a music festival at some point, so i'll probably go with her just so she has someone to go with) because while i had a blast seeing so many people (and was able to justify the cost that way), it was just ... too peopley and too hot etc etc. for my liking! but i love her, and i'll do anything for her, including braving crowds and the heat again haha. glad i did it though, just for the sake of having done one, and for seeing that many people i wouldn't have gotten to see otherwise! and i actually haven't really been a big concert person up until this year, but that's what i've been hearing, unfortunately :( and eeee! i hope you like them!! i'd love to hear your thoughts on their music later 🤍 roman holiday is one of my favorite, favorite movies of all time, so i was super excited for the musical and as much as i love it, it is definitely not broadway ready (and i don't think it ever will be, unless they do an original score). and yes!! here's hoping they reworked the notebook so it's stronger! it's been about a year since it did the tryout, so plenty of time to have worked on it! yes! so there's the gatsby musical by kait kerrigan, jason howland and nathan tysen that's premiering at paper mill playhouse — you might know of kerrigan from kerrigan-lowdermilk (sam brown/the mad ones), howland from little women, and tysen from amelie and tuck everlasting — and that's the one that jerjor and eva are in! i love mad ones (and just kerrigan-lowdermilk's songs in general), and really enjoyed little women, amelie and tuck, so i'm really excited to see what becomes of it! and then the one that florence welch is involved with is the one premiering at the ART in boston! i am just so so excited to see what happens with both, and i think there are a lot of directions they could go in! not to mention, the set and staging — i'm thinking of how they can play with lighting (green light) already and i am just soooo excited. and i just thought of wildhorn & murphy's scott & zelda musical that drew gehling and laura michelle kelly sang songs from too (i have/had audio ... somewhere, i think, and i remember liking what i listened to, but might've lost it when i switched computers). there's so much to play with, and i just think it's really exciting! and now i want to do a gatsby reread!!
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