#and yes esther is my favorite

[someiicecube]

I'm vibrating in anticipation for book three, so I actually drew Wayhaven art for once

[mostlyfate]

Stop chasing. You’ll be discovered.

Ziqi. Let me put it on you.

[justplaggin]

Moonlight (2021) || Love Game in Eastern Fantasy (2024)

[sweetflanfiction]

Assymetrical Symphony - Part 5

Universe: Arcane (LOL)

Pairing: Viktor x reader

Summary: You had been on the rooftop with Jayce and the Herald and somehow you were sent to a place where things can be different with your help

Disclaimers and Warnings: If you want me to tag you on the chapters let me know! Also leave a comment with your thoughts :D Not finished, not proofread. English isn't my 1st language. All I know about LOL is from google and all I know about Arcane is taken from the show, so inacuracies will be plenty. I have a sort of idea on how to I'm gonna go with magic and runes, so bear with me. The reader will be written as GN (going by they/them) to get everyone involved, but if you see any discrepancies let me know.

Trigger Warning: Mentions of death.

A.N.: Next chapter will have Vik x Reader I promise. Thank you for your comments and reblogs and love and stuff!!! Gif for the headed from @arcanedaily. I have more parts ready, I just need to get them into the grammar checker and we are off! Also @th3stup1dcat and @22carolina08 good catch!

Part 1 • Part 2 • Part 3 • Part 4

• ··········· • ············ •

The building Esther's, your mother's, trolley had pulled up to was not the home you had expected when she told you that was your destination. At some point you waited for it to turn towards the edge of Piltover, where the big manors were, but it took the opposite turn. Towards the high-end part of the city, where all of the affluent people lived.

As you rode the elevator up, the only thing that crossed your mind was that this was most definitely not the manor. It was the size of the manor, yes, but the penthouse was the polar opposite of your father’s mansion.

Your father loved his dark corners and soft glows; the tones of dark wood and gold were his favorites. The brightest room in the house was not even in the house. It was a greenhouse next to it that you had converted into an annex house for yourself, using the main glass part as a music room. His office? Long windows covered with thick, velvety curtains. Your child's bedroom? A purple pastel-colored nightmare that was a mix of musical instruments and more toys than you needed. As you grew, you begged your father for a brighter color scheme, but he vehemently denied it. The purple was chosen by your mother. 

The penthouse was all light and soft colors. From the white wood panel of the walls with soft gold foil details to the gray wooden floor, everything was light and airy. Where the manor's corridors were a maze of claustrophobic sharp corners that you loved to run around in, the penthouse was spacious and open. From the hall to the living and dining room, even the bathroom that you had been almost dragged into was big. The big tub near a window had taken 5 full minutes to fill.

The weird thing was: it felt like home. As soon as you stepped into the penthouse, the weight you felt on your shoulders cleared. It was safe; nothing could get you here. The smell of lavender and caramel had been almost familiar.

Once dressed and dried, you walked out into the massive living room where your mother was sitting reading the newspaper, the turntable playing a soft tune. She looked up at you and smiled softly at you, placing the paper down. 

“You look almost human, my dear.” She joked, and you chuckled. "Come, I must show you something before we both try to figure out what's happening."

She patted your arm affectionately and grabbed her coat, and the both of you made your way to her private trolley. In the elevator down, you had asked where your father was and how she knew you were not her child. But she smiled mysteriously, with a hint of sadness, and told you, 'You'll see.'

Looking at the black iron arch that stood high above your head, you began to fear what you'd actually see.

• ············ •

Piltover’s Rosebay Graveyard was a calm and quiet place. Some people found it ominous; others found it peaceful. To you, it was just a place you were obliged to go because your father made you. There were mausoleums on a higher part and some old gravesites with only a small slab to acknowledge who was there. Flowers and ribbons dotted the place, and you could hear the chimes in the distance. Seemed to be the same as on your side.

“You’ve been through this path before.” Your mother stated, and you nodded, noticing you had unconsciously started walking to what would be your mother's grave.

“I came to visit you often.” You said solemnly, having decided, as you had lain in the tub, to tell her everything.

“Funny… I came to do the same.” She stopped in front of two white headstones.

You didn't need to read the names; the two black-and-white photos were enough. 

“Oh… Oh no, please.” You whispered, falling to your knees. “Father…”

You felt your mother's hand on your shoulder as you wept, her thumb rubbing comforting circles on it.

“I’ll forget him.” You touched his photo, tears flowing in your eyes. “I can’t…forget him.”

“You never forget those you love,” Esther said, her voice cracking, as she knelt next to you.

“I forgot you!” you admitted, voice filled with guilt. “I didn’t want to! But one day…one day I didn’t think about you anymore; you were just a memory!”

“It’s alright, dear.” She consoled, placing her other hand on your cheek and turning your face towards her. “You never forget those lost. They're with you in the small things. In the way you talk and stand. In the way you arrange books on a bookshelf. In the way you love others. You don’t forget; you become those you love.”

You sniffled, feeling the tears and snot run down your face, and turned to her. She had also lost a child and a husband. You let grief and sadness take over and hugged her, feeling her arms move around you and hold you tight.

You both sobbed for your losses but also because you found each other.

• ············ •

You watched from under a tree as your mother sat near the graves for a while. She had asked for a little time to herself, and you had nodded and walked another familiar path.

The old oak tree had been planted on a flat grassy section of the graveyard, with a few benches around its thick trunk. People had taken it upon themselves to decorate the tree with little wind chimes. They had done so on your side, and you were happy when a small breeze passed through the leaves and the chimes tinkled in a soothing melody on this side.

You looked at the tree canopy from the stone bench you had sat in, hypnotized by the colorful chimes dangling there, until a tingling on your hand distracted you. Looking down at it, you realized the rune and hand were again glowing a bright blue. You smiled at the strange sensation, warm like a cup of tea in the winter. With a swift movement, you made a horizontal line with your hand, and like the first time, it looked like you had brushed some paint in the air.

Looking around to check if there was anyone else, you started making runes in the air, trying to get yourself familiarized with them.

Move. Music. Nudge. The rune glowed and shot up towards the chimes, sending a gust of wind that shingled the chimes.

Elevator. Music. Nudge. The rune glowed and disappeared, phasing out into smoke. 

You locked eyes with a particular chime that had a silver chain holding it together.

Unlock. Chime. Nudge. The rune shook, shined, and tore itself into 5 glowing dots. 

That was unexpected. For a second, you looked, wide-eyed, at the dots, waiting for something to happen. In the blink of an eye, the five stars shot in different directions. Three had flown low to the ground towards the main graveyard area. One rocketed towards the sky, and another quickly zapped around the tree trunk. A little tinkle was heard from that location.

Doing another once-over, you got up and walked towards the sound. A glass wind chime was broken on the ground, the rope cord weathered and frayed, and most of the colored glass had been shattered when it fell. Bending down to grab it, the blue light appeared before you could touch it; the blue wisp appeared and started to dance around the object. It took a few rounds of this weird little dance for you to realize what it was.

A rune. The little wisp of light kept doing the same rune over and over again.

Clearing your throat and looking around to make sure nobody was around, you made the rune in the air. And nudged. And nothing.

“Stop overcomplicating things,” one of your teachers had once told you. “That's your problem. It’s all easy and breezy in the beginning when it’s instinctive. But when you figure something out, it’s like you lock yourself into a little box of rules…do what comes naturally.”

Taking a deep breath, you shook your hand and cracked your neck. You look at the broken glass musical decoration.

Rune. Fix. Nudge. The rune glowed, moved, and separated into little ribbons of satiny light, surrounding the chime. 

It tightened around the frayed, and the damaged rope became whole again, with little tendrils of light blue keeping it together. The shattered and cracked glass still attached to the main iron structure was enclosed in the same healing ribbons, and when the ribbons tightened again, the cracks had been glued together with a blue shiny glue. 

You noticed the broken glass pieces that had scattered around the chime hadn’t magically grown back. It wasn’t fixed, because there was nothing to fix. 

Before you had any time to think more about it, Esther called out for you. The magical rune hand was still magically shining, so you shoved it into one of your jackets.

“Here!” You waved your nonmagical hand and saw her make her way to you. 

Mentioning the bench you previously occupied, the both of you sat down. She placed a hand on your thigh.

“How are you feeling, my dear?”

“Calmer.” You looked at the grass and took a deep breath. “I think you must have gathered by now I’m not your child.”

“I know. I don’t understand how—"

“I can explain.” You interrupted her.

She crossed her ankles and placed her hands on her skirt, looking at you, ready to hear what you had to say. 

You started with the rocket attack on your side and went from there to how hextech got corrupted and corrupted Viktor, turning him into the Herald, and how he wanted to make everyone like him, and how in the last second of you as yourself, you were bumped here.

Your mother drank in all of the information you gave her, asking questions, adding commentary, and being a very willing participant in the story. As you finished the story, you gave your mother a scared look, waiting for her reaction.

“It’s hard to believe I understand, but—”

“I’m a best-selling fantasy author, kid. That’s just a normal mid-week creative writing session." She winked at you, and relief washed over you. “So you went from a topsider, benefactor of science, to a soldier against a hive-minded group of robots, controlled by one of your former best friends.” 

“Yes…”

“And then! Some sort of..." she made a motion with her hands to the sky “Higher power head-butted you through time and space and made land here.”

“Yup...” You nodded.

“Mmm." She looked deep in thought. "Change a few names, add a little love triangle, give it a few plot twists, and you just wrote my next novel.”

You stared at her dumbfounded, the feeling of betrayal starting to bubble in your stomach. And then you saw the corners of her mouth go up into a smile. Esther looked at you, a mischievous look on her face, her hand coming into view rubbing the thumb and index finger together, the universal sign for money. She was teasing you. You snorted and burst out laughing, her laughter cascading out following yours.

“I haven’t laughed like that in a while.” You confessed, once you both managed to reel it in. You leaned your elbows into your knees and wiped a few tears from your eyes.

“You’re welcome.” She placed a hand on your shoulder, and you moved your neck to look at her. “You may not be my daughter, but you were someone’s daughter. Other me, and if...” she made the sky motion again, and you snorted again. “Made us find each other, then I like to think it’s because we were meant to be together. A childless mother and a motherless child? Seems like a match made in whatever space-time-jumping heaven there is.”

• ············ •

You found, after returning from the graveyard, that your mother had in fact not one but two housekeepers and a cook. They lived in the apartments below the penthouse and only came in when needed when there were visitors. Usually, the cook would make several meals, and she only had to warm them up.

According to her, she was good at two things in the kitchen: making desserts and burning the ceiling.

To prove her point, she started making probably the biggest caramel and vanilla pudding you’ve ever seen. And you’ve been to some parties in your days. Once the oven pinged, you both had sat at the kitchen table, devouring it.

“What did you do on your side of the space-time continuum?” She grinned at her joke, placing a spoonful of caramel sauce into her mouth.

“Oh! Follow me." You wiggled your eyebrows, grabbed another piece of the pudding, and walked toward the grand piano you had spotted in the living room.

You grabbed the books and the little succulent plant that were placed on top of the piano cover and lifted it with ease, repeating the motion on the fall that was covering the keys. You played some notes and figured it wasn’t all that out of tune.

“Wylla likes to keep it tuned.” Your mother said, approaching. “Not that she plays, but…”

“Wylla?”

“You’ll meet her soon enough.”

Sitting down in front of the ivory keys felt exactly like you felt when looking at your mother. Strange and familiar. You never thought that after what happened to Viktor, you would be able to sit down and play again. The concept of surviving the battle was not even present in your mind. But now that you were here, looking at the instrument you had first mastered, it felt right. 

Settling the pudding plate on top of the bench, you touched your fingers to the keys.

(Patrick Pietschamm - Can you hear the music)

Your fingers moved almost on their own. The muscle memory of playing the notes on the piano comes instantly. At some point you closed your eyes, knowing the exact motion you had to make to hit a key. Your feet and hands moved in tandem, making a full melody out of what seemed to be simple motions.

Your hands flew over the ivories like you hadn't stopped playing.

You felt tears prickle your eyes, your nose becoming stuffy as you kept playing, pouring your frustrations and worries into the song. A release that you didn't remember feeling so…cathartic.

When the last notes were played, you got startled by your mother applauding. Much like your father did, but while he had been demure and subtle, your mother was wide-eyed and laughing.

“You’re a musician!” She pointed at something on the shelf. “Ah…take that, Frederick!”

You looked at the shelf, recognizing your father’s name, and saw a picture of the couple and a child smiling. 

“Well, he did encourage me more than anything to pursue it.”

“Good! Teach me!” She sat down next to you at the piano, looking at you earnestly. “I’ve had this thing for years now; I don’t even know how to play the scales. Go on, teach your old mother how to play the piano.”

You looked at her, blinking. You old mother. Your gaze softened looking at her face.

“I’m not that bad, I promise.” She joked fondly, placing a hand on top of the keys.

Smiling, you nodded.

• ··········· • ············ •

@marshy-moo @victormydarling @blueesmiski @th3stup1dcat @22carolina08 @httpstes @adithsaley @that-one-shitty-blog @disa-pointment @sseleniaa @angelsukiipls @casey8522 @moons-lighttrail @buttermilktea11 @aysluxe @fae-doodle @kitewa @local-mr-frog @bakusquadobsessed @cherry-cola-100 @optimistic-but-very-realistic @seeksrsnn @thecordelialetters @notsaelty

[broadwaydivastournament]

Movie Musical Divas Tournament: Quarterfinals

Judy Garland (1922-1969) Esther Smith in Meet Me in St. Louis (1944) | Vicki Lester in A Star is Born (1954) | Hannah Brown in Easter Parade (1948) | Susan Bradley in The Harvey Girls (1946) Additional musicals/singing roles include: Strike Up the Band (1940), Little Nellie Kelly (1940), Ziegfeld Girl (1941), Babes on Broadway (1941), For Me and My Gal (1942), A Star is Born (1954), etc.

"i am sure someone else already submitted her but i had to be sure. the icon the ravishing beauty the scrungly little gal." - anonymous

Eartha Kitt (1927-2008): New Faces (1954, Miss Kitt) | St Louis Blues (1958, Gogo Germaine) Additional musicals/singing roles include: The Chastity Belt (1972)

"YES! Even though she faced bewildering amounts of Hollywood racism, the winner of the Hot & Vintage Movie Women Tournament DID manage to do a couple of movie musicals: New Faces, a fluffy backstage-hijinks thing in which she plays her classic chanteuse persona and is even addressed as "Miss Kitt", and St Louis Blues, a musical biopic in which she sings alongside a bunch of other jazz greats. Neither of the films is considered a masterpiece, but Eartha is as scorchingly hot as always, and demonstrates that she could have become a legend in movie musicals if the roles had been there for her. In short, vote for Eartha Kitt because (1) she has JUST ENOUGH credits to count as a movie musical diva, (2) think of all the other Eartha Kitt movie musicals we COULD have had if not for racism, and (3) she's Eartha Kitt, certifiably the hottest old movie woman. Please and thank you." - anonymous

This is Round 5 (quarterfinals) of the Movie Musical Divas tournament. Additional polls in this round may be found by searching #mmround5, or by clicking the link below. Add your propaganda and support by reblogging this post.

ADDITIONAL PROPAGANDA AND MEDIA UNDER CUT: ALL POLLS HERE

Judy Garland:

"I was so surprised to discover that no one has submitted propaganda for Judy Garland yet! Unless the list hasn't been updated, in which case, never mind. But either way, here are some of my favorite Judy moments:

This version of Old Man River hits me square in the feels, holy crapProof that not only was she an unbelievable singer, but she could keep up with both Gene Kelly and Fred Astaire on the dance floor!

She was such an icon and a massive inspiration for me! She definitely deserves to go far in this tournament!!" - @mygreatadventurehasbegun

Photos and video provided by: @mygreatadventurehasbegun

Eartha Kitt:

Photos and video submitted by: anonymous

[shaylogic]

Joshua Colley on Monty: Adventures & Mysteries, Friendships, Joys & Fears, Thoughts on Niko, Crystal, and Jenny, and Facing the DBDA World Unburdened by Homophobia

[Transcription of my linked Joshua Colley Cameo]

Hello, Shay! It is me, Josh. Um, thank you so much for getting this Cameo. Thank you so much for supporting me. You said, "Hello <3" Hi! "What are some more mysteries and adventures you would've liked to see Monty go on with the detective agency friends? Which members would he get closer to over time?" Oh my gosh! Well, I think him and Niko would've been *crosses finger in the "tight" gesture* locked in. And I also think him and Charles probably would've been locked in. I know he was kind of--Monty was kind of a hater at the beginning. Um, but towards the end he--he turned it around. So I think they--they would definitely get along. Um, and I don't know, I think I would love to see--in my mind, in, like, another season, or y'know, like, Monty would be like, slowly--he would get turned back into a human, but then he would be slowly turning back into a crow until--like his end transformation would be like, him in human form but he had wings. So I think uncovering that kind of mystery could have been really fun. Um, and just more--just more adventures. I mean, those mysteries were so fun in season one. So, um, that's what I would've loved to explore, but we're just going to have to use our imaginations. Um, you said, "What were his thoughts on Niko, Crystal, and Jenny? Did the butcher shop creep him out after Esther's kitchen and blood magic?" Um, probably. *nods* I think he--I think he loves Niko. Um, I think he was just, like, vibing with Crystal. I think he was scared of Jenny, for sure. Um, but love all of the actors that played those parts. We had a grand old time. Um, "What are some of Monty's biggest joys and fears?" I think his biggest joys are probably just, I think he really liked the romance of it all. And like, just getting to explore his new human body was probably really fun. And his fears were probably his mom. *laughs* I would have to say his mother--and his heartbreak. Um, "It occurs to me that Edwin's life was heavily affected by homophobic society, but Monty was pretty isolated from other people and queer history/culture. How might he have adapted to going out into the dating world on his own?" Ooh, I don't know. I think--you know, in the world of "Dead Boy Detectives"--um, I kind of like the way. . . it wasn't that big a deal that Monty was a queer character. Um, I like the--how natural it felt, and how--um, yeah, I don't know, I just really loved that. And I think, um, I know that's really a big part of Edwin's. . . um, y'know, arc. And so I think it was nice for Monty to be kind of just confident and um, naive, in a way, to that. . . side of--of things, you know what I mean? And I think that's what made him so wonderful and. . .um, sweet. And lovable. I love Monty, and I'm so happy that you loved him, too. "Thanks so much for your work, and your answering these questions." Oh my gosh. Of course, anytime, Shay. Thank you so much for watching "Dead Boy Detectives". Thank you for supporting me again. Um, it seriously means the world. I hope I get to meet you one day, um, and answer more questions, and give you a big hug. But, until then, *gestures between his face and the phone* we're just gonna' have to do it through the screen. Um, but yes, thank you for all the love, um, and, I'll see you soon! *aggressively peck-kisses the phone camera* Bye! *sing-song cutie voice*

Loved this so much! And I still do love Monty <3

Joshua Colley is still on Cameo if you'd like to support him.

[deadboydetectives-confessions]

Jen Lyon is such an exquisite actress that she made me like Esther. Is Esther a terrible person? Yes. Do I still kinda want to go to brunch with her and talk sh*t? Absolutely. I just really liked Esther’s cadence of speaking and how she portrayed her. She’s the reason for one of my favorite vocal stims: “Monty! JESUS! I’m trying to…threaten some kiiids.” (As a dog owner, I felt that line in my soul when I first heard it🤣)

.

[wholoveseggs]

How I look camping ⛺️ your page everyday waiting for you to post… like your writing is so good and I’m so obsessed with it. 💜 But about Kol and I guess the other Mikaelson boys (minus Finn),, they’re all scary in their own ways.

With Klaus he’s scary because of his rage and his plans,, you can immediately tell when he’s angry because he makes it known through his throwing things and shouting.

For Elijah, he’s calm and collected and that’s what makes him scary, you don’t know how he’s truly feeling or going to react because he hides it so well. I don’t remember the exact scene but it was in the originals I believe where you could like see the rage on his rage and that too is scary because he’s so angry in that moment that he isn’t even attempting to hide that rage.

For Kol (my love), he’s a wild card, a loose cannon. He can be violent but he can also be gentle as seen with his relationship with Davina. I just think his personality is so fun and intriguing. There is absolutely no reason for a vampire, an original at that to be using a baseball to beat people but he does just because he can?? does this make me crazy?? maybe a bit?

a common misconception i see a lot is when Kol is undaggered and Klaus backs away from him. this is for two reasons… yes, i believe Klaus was nervous of Kol being awake again because he knows his brother is a loose cannon but also because it meant that the others were likely awake as well and perhaps he could fight one of them but he definitely couldn’t find all of them at once.

no matter though because both Kol and Klaus can admit that Elijah is the “scariest” so your love wins that contest~ 💜

Hello again darling camping anon! I have so much to say on this subject.... like SO MUCH. So buckle up.

I think the fundamental difference between the three of them is how they react to and experience control. It's simultaneously an emotion, a situation and a choice. And something that all three of them couldn't really have growing up.

They are all victims of domestic violence, and each one is dealing with it differently. (And not in a healthy way at allllllllll. They absolutely continue the cycle of abuse...)

First we have Klaus, (The iconic little shit that he is)

He clings to control like a lifeline. Being the most helpless as a boy, he has always felt that if he was stronger, had more power, he could keep those around him safe. He believes that the only way he can feel safe is if he's in control. So, in his mind, any time someone takes that from him, they are actively trying to harm him. He will fight for control over everything and anything. His family, his city, his art and (most importantly) his life. His need to control the narrative around him and keep his secrets, is born out of the trauma and fear that his father instilled in him. His rage is born out of his own sense of helplessness.

Joseph Morgan does an excellent job of conveying that pain. Klaus is always a bundle of anxiety and panic and fear, no matter how he's acting. He's hyper vigilant and constantly looking over his shoulder, waiting for someone or something to try and control him again. It's why he clings so desperately to control, because he never wants to be made a victim again.

Second we have Elijah, born after the loss of Freya. I've always viewed him as a tragic character, who seems to be nobody's favorite in the family, but also the glue that holds them together. He's burdened with being the adult in the room. I can imagine that Esther's grief and guilt around losing Freya sort of imprinted on to him. She probably saw him as a replacement for the daughter she lost, putting all this pressure on him to be perfect, while simultaneously giving him no agency to be his own person. His entire childhood was spent either protecting his siblings or taking care of his mother's emotional needs. (This also applies to Finn, who i'll talk about later)

His relationship with control is nearly equal to Klaus'. He's always been a peacemaker, the level headed, calm brother. Always trying to bring harmony between his siblings. And while he has a much different way of expressing his feelings, he is a victim of the same violence that the rest are.

But, what makes him the scariest is the fact that his anger is silent. Elijah doesn't show his emotions, he represses them. And then when his control snaps, it's like a damn bursting. You don't see it coming, because he's so good at hiding his anger (& all of his other feelings). But when it's there, you feel it. And it's terrifying. Because his anger is fueled by pain and a lifetime of having to be strong. It's a glimpse at a deep well of pain that you realize he has been hiding all along.

Daniel Gillies absolutely nails this simmering rage with his eyes. Somehow that man can convey every single emotion without saying a word. When he looks at his family, or a person he cares for, there is this warmth and kindness. But when he looks at a person he is angry at, a person who has hurt someone he cares about, you can see the light almost dim, and his eyes will become cold and dark. You can feel the danger and rage in them. It's a delight to watch.

Third we have Kol, who is a complicated and messy character. Kol was born into a family that already had a system and a hierarchy, and he was pushed aside and ignored. Nobody's favorite, nobody's first choice. He grew up angry and frustrated, feeling unloved and unheard. He looks to his older brothers and their relationship with control, and takes the proverbial baseball bat to it. If they couldn't love him the way he needed them to, then he would make sure that they would at least remember him. So he becomes the black sheep, the outcast. He's wild and chaotic, doing whatever he can to get attention. He doesn't really care about control, because he never had any growing up. I have always viewed his bloodlust as an allegory for addiction. His response to the violence of his youth is to numb the pain with the rush of adrenaline and power. To take from others what was taken away from him.

His rage is the loudest and the quickest to come to the surface. He's not one to stew, he's quick to fight and fast to burn. Which is why his relationship with Davina is so good for him. She loves him the way he needs, and rightfully calls out his bad behavior. As gross as it sounds, she's kind of the mother figure that his actual mother never was. (IM SORRY I KNOW ITS VERY FREUD OF ME .... BUT AM I WRONG????)

I'm not going to bash any acting... But I think Daniel Sharman captures Kol much better. His complicated relationship with death, control and magic is portrayed beautifully. Especially the scene where he is dancing with Davina before he dies. It shows real growth on his part, no longer the baby brother, no longer the victim and the victimizer. In that moment he's the protector, trying to shield his girl from grief. And it always makes me tear up ...

(This scene always makes me laugh, I truly believe Elijah is the funniest character)

And last, we have Finn. Who I love to make the butt of the joke here on this blog. But I do have a few things to say about his character.... Which is.... He isn't really a character. But an object.

They drag the poor man out to show the audience what bad thing can happen to an original. First with his death in TVD, teaching everyone about the white oak stake and sirelines. Second in TOG with Lucians deadly bite. He's just... Not written to be liked.. and it's never really explained why they kept him daggered for 900 years.

And with Finn... there is no control or lack thereof, because he has no agency. And his rage comes from the fact that he is a man out of time, with no one who cares about him.. And it makes his character all the more sad and pathetic.

They make him this bitter, angry villain. Trying to kill his niece, and they never justify exactly why. I think fear of Dahlia is a piss poor excuse. I would rather he lean into revenge for being daggered than trying to hold onto his righteous nonsense.

(But lets be so real here... its because the writers didn't want to give him any depth. They didn't want us to get overly attached, so they could use him as a low-stakes original vampire that demonstrates the actual deadliness of a weapon or person)

But!!!! Yusuf Gatewood is the absolute GOAT and his portrayal of Finn and his rage is just delicious. He almost reminds me of like a rabid preacher, the way he spits out his hatred and bitterness. But it's so fun and I enjoy it every time.

Anyways.... Sorry to hijack your message lol.. I just love to psychoanalyze crazy fictional men!

[andreal831]

TVDU and forced parenthood

I don't know if it is because Julie Plec didn't understand parenthood or just didn't care, but almost every character has a messed up relationship with the idea of parenthood.

Starting with Rebekah, whose entire identity becomes about being a mother. When she is first introduced, she behaves like an immature teenager with almost no maternal instincts or desires. But it quickly shifts in TO to focus on her desire to have a child. I am completely fine with a woman wanting to have children, but she never gave a real reason to want it. Just this general idea that she had always desired it. I get she likely would have been thinking about it when she was human since, during their human period, women tended to have children in their teen years and it was what all women did. But throughout her 1,000 years, we never see her seek that relationship with anyone. She briefly develops a protective relationship with April and then Davina, but they are easily pushed aside. She even abandons her relationship with Hope multiple times. It never seemed to me that she wanted to be a parent, rather wanted a baby.

This is even more obvious by the fact that Klaus 'adopts' Marcel. Rebekah could have adopted a child, or taken in someone throughout her long life. Now, it could have been that she feared Klaus would be angry and jealous, but this story is never shown. In fact, Klaus seems fine with Rebekah training Marcel, even after he was jealous of Elijah teaching him.

Speaking of Marcel, this whole storyline was problematic. The Mikaelsons take in this boy and then make him feel indebted to them. I've seen people argue that they didn't adopt Marcel, but rather took him in as a ward. Either way you look at it, Marcel was a child and deserved to be treated like one and not some trophy (a lot of white saviorism happening). I do think Elijah wanted to raise Marcel as a son but Klaus wouldn't let him. So instead, Klaus raises him as a friend which created a complicated relationship. I also hate how you can clearly see the difference in how Hope is protected versus how Marcel was raised. Whether it's sexist or racist or just based on him not being their biological family, it's problematic.

And then there is Hope. Hayley will always be my favorite parent in TVDU. Even when she was young and overwhelmed, you could tell her thoughts and actions were all about protecting Hope. Yes, some things she did weren't the smartest plan, but she was also a scared 20-something-year-old trying to survive against enemies that were 1000x her age. She risked her life repeatedly for her daughter and would sacrifice anything for Hope to be safe and happy. She was the one character I felt truly understood what it meant to be a parent.

I always get in trouble when I criticize Klaus as a parent, but he was a narcissistic parent for 90% of the show and that honestly needs its own post.

It's not surprising the Mikaelsons don't know how to be parents. Mikael wanted to train them to be warriors and Esther had a similar feel to Rebekah, that she wanted babies but didn't know how to be a mother. I know Esther and Mikael likely had their own childhood traumas, but that's another conversation.

I liked that Kol and Davina never discussed children. Davina was young and Kol never expressed desires to be a father. Not everyone needs to want to have children. To me, Elijah was the only Mikaelson sibling who expressed a deeper interest in being a parent. Yet, he still didn't understand the full extent. He essentially acted like a parent to his siblings but ended up just having messed up relationships with each of them. He wanted to step in with Marcel and even Hope. I like to think he learned his lesson from Marcel and fought harder for Hope, but again, the whole family just fought harder for Hope.

I also think Freya having a child makes sense, but Vincent being the father had me baffled. He hated Elijah for what he did to Davina until Elijah died, but forgave Freya for her role? Not only forgave her but decided to help continue the Mikaelson line. I just find it hard to believe that he would have agreed to help. But Julie wanted to expand the Mikaelsons and then do nothing with it I guess.

Even in TVD, this idea that everyone wants to be a parent is pushed. Again, yes some people do, but not everyone needs to want children.

I understood Jo, Alaric, and even Stefan's desire to have children. This need to protect and care for others was built into them. We see Alaric (before his character sucked) basically adopt Elena and Jeremy. Jo was always protective of her siblings and loved caring for others so much she became a doctor. Stefan just always had this paternal need to take care of others in my opinion. I even see this with Elena and Bonnie. (Also the fact that Bonnie's future is never mentioned -- we hear about everyone else but what was Bonnie up to in Legacies??)

But Caroline and Damon having children made no sense to me. Caroline had dreams of a career and seemed adventurous, but then was forced into pregnancy at what 23 years old while she was still in school? Yes, we see she gets to become a journalist, but in Legacies we don't hear anything about her life or career. She isn't even there as a mother. Caroline's character basically disappears.

Damon never expressed a desire for children that I can remember. He enjoyed his vampire life and I can't see him giving it up to be a mortal, stay-at-home dad.

There are a lot of problems with the show, Friends, but one thing I've always loved is how they show the different pathways to parenthood. Pheobe is a surrogate for her brother, Monica adopts, and Rachel is a single mother. There isn't one way to be a parent, as long as you always put the children's safety and happiness first.

TVDU could have learned a thing about it. For a show that loved to randomly have a found family trope, it was also ready to throw it out the window the second biological family showed up. That's not how found families work, they are family through and through.

Also, and I cannot say this enough, not everyone needs to want to have children. Even women.

[littlechameleonguy]

outfits in dead boy detectives ep.2

As always, little disclaimer: I have absolutely no idea about fashion, i just love the outfits and share what i find.

Okay, honestly, episode two is a little tricky. In the beginning, all Crystal, Charles and Edwin wear the same outfits as before but I got some more detail. (Less for Charles and more for Crystal and Edwin.) So, I decided to start there.

(Probably should have split the post but that occur to me a little to late, so it got a a bit long.)

The outfits (and little changes) Crystal, Charles and Edwin brought from episode one to episode two:

Firstly, here are the links to the posts from ep.1 where I originally talked about the outfits. Crystal , Charles , Edwin

Starting with Crystal. In ep.2 we can finally see properly what she is wearing underneath the coat. (I love the turtleneck btw and will definitely hunt down something similar the next time i go thrifting.)

Also I got two shots were you can see the whole outfit including the boots and green socks (thighs?).

And one more for the hand with rings but its very small and hard to see but I think it's pretty much the same we saw in episode one.

That's it for Crystal, let's move on to Charles. Although I honestly don't have much for him. He is wearing exactly the same he wore in ep.1 and I could cover the layers there a lot better then in ep. 2. But one thing I haven't covered in ep. 1 are the gloves so here are some shots about them.

but yeah that's it, I'm sorry. Hope I can talk more about him again in ep. 3. (Charles is my favorite after all.)

So lets check on Edwin than. Surprisingly, I actually do have a little more for him. But first for him too the gloves.

Then, I want to show you a couple of more shots about his shoes. I know that I've covered them already but I think these shots are a lot better and you can see more details so I still wanted to include them.

Also Edwin got something new, this beautiful thoughtful gift ;)

And last but not least, little nerd goggles - lexicograhical lenses.

(yes, i did go back to the episode checking what they called this thing.)

Yeah that's it for now. Crystal will get another post with her second outfit in the episode but for the boys there is nothing more that I haven't covered already. The other characters I will do for the episode are of course Niko and the Cat King and also Jenny and Esther but they might be one post again because I don't have that much for them once more.

I'm still sick at home (it's ten days now) so I think I will be able to do all the post today and queue them for the next couple of days.

[harocat]

As a huge love between fairy and devil lover whose favorite couple of all time is XLH and DFQC (love you header btw) I want to watch eastern fantasy what can you tell me about it? All I know is she goes into a game or something? How's the otp? I know nothing can be as good as those two but is it at least the same trope of how much they both adored each other and were willing to sacrifice for each other?

YES you should definitely watch it!

So Ling Miaomiao is a modern woman and the fan of a famous novelist, who just released his newest work, Catching Demons. She speed reads it (she's even listening to the audio of it while in a meeting at work yes queen), and realizes she... hates it. Completely despises it even though she really loves this author's work most of the time. Naturally she gets online to complain about it, and as she's doing so, she gets sucked into the world of the novel where she's in the body of the second female lead, the cruel, sinister, and doomed to die Lin Yu. 'The system' (a nebulous mysterious force that brought her in) gives her two tasks:

Survive the novel to the end

Make the second male lead, Mu Sheng, fall in love with her.

Mu Sheng is the second male lead in the novel, and not only does he end up as an antagonist, but he's literally the one who kills Lin Yu. So it seems an impossible task.

Of course though, it turns out Mu Sheng is rough with a gooey center; a true tsundere. He's love starved and lonely. He has a huge secret that he has to hide from everyone around him, including his beloved sister. It doesn't take much, just a lot of being herself, for him to start falling for Ling Miaomiao.

The game mechanics are the way 'the system' presents the story, so LMM has to try and get Mu Sheng to an 100% approval rating toward her, sort of like an otome game. There's lots of cute little jokes playing on this story mechanic (LMM commenting on 'how good the special effects are', using modern terminology and confusing people).

The rest of the plot is fun too! It indeed involves a lot of 'catching demons', as well as an overarching storyline about a powerful demon who 'cracked the sky' nine hundred years ago and is returning to try and end the world again. The costumes are wonderful, the effects are solid, and the acting is strong. There are lots of found family vibes among the main group and a child character who is not annoying.

Comparing it to LBFAD, LBFAD is more interested in diving deep into the characters and giving them pretty drastic development arcs. You are not going to get quite the character depth DFQC and XLH had, nor really, the relationship depth. And that's okay. LGIEF moves pretty briskly, and it is just a little lighter on the whole (though I know it will still break my heart like LBFAD did). It probably won't totally change your life and rewrite your brain chemistry like I'm sure LBFAD did, but you will have SO MUCH fun and the ship is super lovable and has eaten my brain.

Esther Yu and Ding Yuxi have GREAT chemistry. Esther is absolutely adorable at all times; funny and charming and looking the prettiest she's ever looked in one of the best Cdrama wardrobes ever. Ding Yuxi has puppy dog eyes on LOCK. He's brusque and sad and angry, but he is marshmallow sweet and so earnest as he experiences his first love. They are SO soft, and absolutely, they'd die for each other. So yes, WATCH IT.

[arrow-jsy]

Ok in a watch through the last episode isnt my favorite because ep7 feels mucn more climatic and over all like an ending while ep8 feels like wrapping it all up and yes the esther stuff is climatic but compared to going to hell? Kinda falls flat. But in the grand scheme of getting cancled its good to have most of the plot points wrapped up (instead of like say lockwood and co where season 1 ends on the massive cliff hanger of whats behind the door). No hate of course i have my preferences

[alltimefail]

Happy Day 5 of Cast Appreciation Week to Ruth Connell, Jenn Lyon, and Briana Cuoco!

These are late, but it has been a DAY so I'm just happy I got them out before bedtime honestly! None of these incredible women on Tumblr (to our knowledge haha), but I’m singing their praises everywhere today!

Our perfect Night Nurse, Esther Finch, and Jenny Green... we love you ladies so much! 💜💀🔎

Transcript of my letters below the cut!

LETTER 1:

Happy Cast Appreciation Week! October 24, 2024

Dearest Ruth,

I have adored you since you played Rowena in Supernatural, so it’s no surprise that I loved your performance as the Night Nurse. You are a legend to me, you give an absolute masterclass in acting every time you step on screen.

I’ve rewatched Dead Boy Detectives more times than I can count, and every time I am stunned by how you balance the delicate line her character walks with such finesse and expertise. She’s not a full antagonist, certainly not a protagonist either, but some much more complex middle-ground. (I’ve gone down the rabbit hole analyzing her character in abundance because of that.) The fact that you had my emotions all over the place for this character should tell you that you did an absolutely bang-up job. Everything I learned about her made me want more, and brought new questions to my mind! You managed to make her a bit of a nightmare presence at times while making her feel very human (and clearly a bit perplexed by that sensation, lol) at other times. She was gripping and witty and everything I could have wanted from a character of her nature, and that is because of your incredible talent.

You are our Night Nurse on Duty, the Afterlife’s Finest, always and forever, and we will all be here to support you (and fight for you) in all your current and future endeavors.

All my love, Veronica “V” @ atfsims1

------------------------------------------------------

LETTER 2:

Happy Cast Appreciation Week! October 24, 2024

Dearest Jenn,

I need you know know that I have never loved a villain more than I loved Esther Finch. My god, every time she came on screen I wanted to cheer. Everything about her awful, wicked ways shocked me and, at times, made me laugh to the point of tears. Every time I tell someone about Dead Boy Detectives, your character is one of my first selling points; I’ll usually tell them, “There’s this villain, Esther, and yes she is awful and she does a lot of bad things, but you LOVE to watch her do it.”

What makes my love for Esther even more perplexing is that I always rooted for the core-4 protagonists, but I was never sad when Esther came up with a new scheme because I wanted more of her, more of you, on my screen! You are a phenomenal actress and I’m so glad Dead Boy Detectives introduced me to you because I am in awe of you, sincerely! Esther Finch is my new favorite villain, and I don’t think she will ever be topped.

You are our incorrigible, immortal, illustrious Esther Finch, always and forever, and we will all be here to support you (and fight for you) in all your current and future endeavors.

All my love, Veronica “V” @ atfsims1

------------------------------------------------------

LETTER 3:

Happy Cast Appreciation Week! October 24, 2024

Dearest Briana,

What a surprise Jenny Green was; upon first introduction of her character I was like, “Oh hell yes, these disaster children need this woman to reign them in from time to time...” and I was definitely right on that call (lol). Everything about Jenny was intoxicating to me, and I believe it was your expressions and the way you carried her that made her that way!

Every now and again we would learn something about her in this perfectly nonchalant but titillating way. Every line you delivered, from her unsuccessful ventures in love to her family life and upbringing (the line about her father’s alcoholism and raging narcissism haunts me, I NEED her and Charles to have a chat about abusive parents, good lord), made me want more! Her vulnerable moments with Crystal and Niko were beautiful, and I found Jenny to be a wonderfully complex character with a scary exterior and a heart-of-gold interior. You can’t watch Dead Boy Detectives and not fall in love with Jenny, or not root for her future happiness. She is easily one of my favorite characters from Dead Boy Detectives, and your incredible performance is a big reason why!

You are our lovely goth butcher, our perfect Jenny, always and forever, and we will all be here to support you (and fight for you) in all your current and future endeavors.

All my love, Veronica “V” @ atfsims1

[justplaggin]

4 years later: both author & editor get isekai'd

(update)

[melefim]

Swearing in Dead Boy Detectives: Shit

Overview:

Shit was said a total of 48 times, in all 8 episodes and by 8 different characters.

Uses Per Episode:

Shit is said in all 8 episodes of the show, one of only 4 words to do so.

Episode 1: 4

Episode 2: 9

Episode 3: 7

Episode 4: 2

Episode 5: 9

Episode 6: 4

Episode 7: 7

Episode 8: 6

Uses Per Character:

Shit is said by 8 different characters.

Charles: 5

Crystal: 32

Jenny: 5

Esther: 1

The Cat King: 1

Kingham: 1

Hunter: 1

Twitchy Richie: 2

Percent of Total:

Shit is used 48 times, which is 14.9% of cursing in the show.

Variations:

There are 6 variations of the word used in the show, with the most popular being Shit, which was used 20 times.

Shit: 20

Holy Shit: 12

Bullshit: 11

Shits: 2

Shitty: 2

BS: 1

Rankings:

Total Uses: Shit comes in third for total uses, being said 48 times.

Number of Episodes: Shit is one of only four curse words that is said in all 8 episodes- the others are Fuck, Ass, and God.

Most Uses of a Word in a Single Episide: Shit holds 2 of the top 11 spots

Total Characters: Shit’s 8 characters puts it in 3rd place.

Favorite Word: Shit is one of Crystal’s favorite words, tied with God at 32 uses each. It is also Twitchy Richie’s favorite- he says it twice.

Shit is the only curse word Kingham says that Litty does not.

Curse Word Variations: It is tied in 2nd place with Hell for most variations, with 6 each.

Lines:

Episode 1:

Crystal: Holy shit, did you take some of my memories? I don't have some screwed-up amnesia, you took them.

Jenny: Maybe you catch someone on a good day and they care about you for like a minute, and then they go right back to caring about all their own bullshit.

Crystal: Holy shit. (Edwin tells her about girl turned into small piece of plastic)

Charles: Look Edwin, you're the smart one, and I'm the one who does shit like this.

Episode 2:

Crystal: Ok, props for the like, Herculean-level effort, but vandalizing my shit isn't getting us anywhere.

Jenny: Whatever angsty, John Hughes-level bullshit that's going on in here, just do it more quietly.

Crystal: Oh, shit. Sorry. (Almost runs into Niko)

Crystal: Oh my god, holy shit! (Niko collapses)

Crystal: Oh my God! Holy shit, how does today keep getting more disgusting? (Looks at Paranormal Parasitics book)

Crystal: Oh, shit, uh... (Sees sprite-controlled Niko in butcher shop)

Jenny: Just cut the weird shit. Or I'll like evict you

Kingham: For real, it smells like dog shit in there.

Crystal: Niko? Holy shit, your hair!

Episode 3:

Crystal: Holy shit, who knew this town was such a Mecca for troubled ghosts?

Crystal: So ok, if we figure out what sent that piece of shit dad over the edge, we can what? free the family?

Crystal: And if I have to hear that goddamn song one more time, I am gonna lose my shit.

Crystal: Oh shit, yes. (They haven't found a radio)

Crystal: I am done wasting my energy on your fuck-boy bullshit.

Crystal: Holy shit, we actually did.

Esther: Quit loitering you little shits.

Episode 4:

Crystal: Sorry, I've just been dealing with some shitty stuff with my ex.

Charles: I sure as hell couldn't stop my dad from beating the shit out of me.

Episode 5:

Crystal: Holy shit! (Waking up from nightmare)

Hunter: Cops say it was alcohol poisoning at this party, but that's BS.

Twitchy Richie: They were dicks who treated people like shit.

Twitchy Ritchie: She got aggressive, making threats and shit.

Crystal: You walk around acting like the sun always shines, and then you lost your shit while beating the Night Nurse. Edwin and I are walking on eggshells around you instead of just saying 'what the actual fuck?'

Charles: I've got some heavy shit that I need to sort out. I get it. Just… God, I really wanted them to be good guys

Crystal: It's a really shitty thing to have in common.

Crystal: Hey Jenny? Hey, what's with the fl- Holy shit.

Charles: You tossers really hurt some people. You were cruel just for the shits.

Episode 6:

Crystal: So no, I didn't read the stupid tree! … Shit.

Crystal: OK, enough uh, emotional bullshit.

The Cat King: Oh God, the handsome face, the little kiss, bullshit astrology.

Jenny: Stop that bullshit right now.

Episode 7:

Crystal: Holy shit, you're still alive?

Crystal: What kind of bullshit is that?

Crystal: Fucking bullshit, like I can't help.

Charles: Bullshit. When did you go to school here for reals?

Crystal: Holy shit, Jenny. You shouldn't be here!

Crystal: Just cut this shit!

Crystal: Oh, bullshit. A good detective does what he has to in order to close the case.

Episode 8:

Crystal: Am I ever wrong about this shit?

Crystal: My parents won't say shit, they don't even--

Crystal: Yeah, well blame my parents. Holy shit!

Jenny: Fuck that! That is bullshit!

Crystal: Shit (digging Niko out of rubble)

Crystal: She probably put a, like, kill-you-instantly spell or some witchy shit on the door.

Notes:

Jenny almost says it one more time in episode 5- it looks and sounds to me like she was going to say ‘bullshit’ at the end of her “I will take my wine and murder documentaries over this bu-“ but was interrupted by Maxine.

In episode 8, Esther has the line: Oh, shoot. Or as the French say, merde.

‘Merde’ is French for ‘shit’

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

More Dead Boy Detectives Swearing Posts:

Masterlist

Swearing by Episode

Swearing by Character

Swearing by Word

All Swearing Posts

And if you like lists of things like I do, you can check out my other Dead Boy Detectives ones here!

When Charles’ Shirt Colors Change

George Rextrew’s Edwin comic inspo board

Full soundtrack with timestamps

Moves, Incidents, and Cases Masterlist

First pass at finding where the songs in the score are used- full post with timestamps in progress

[slow-burn-sally]

My (absolutely unsolicited and spoiler-riddled) Top Ten Favorite Things About Bodies (Netflix - 2023) In no particular order

(list may grow)

All of the detectives are AMAZING. They all have different personalities, and unique vibes, but all of them are complete and total badasses, with the fires of conviction crackling in their souls. Excellent casting and character design.

The Throat is the coolest name for a time portal ever. Yes, we should all make endless sex jokes about it, but I found the choice of words to be deliciously science fiction-y and creepy and a bit menacing. A++ writing.

Alfred/Henry. Such a good ship. Sturdy hull. Good sails on her.

Gabriel Defoe, despite getting shot in the eye a few times, and lying around naked in alleyways, or hanging suspended naked in glass cases full of goo for like, 45 minutes, is a precious baby angel face. I want to marry him and have his babies. His eyes are so pretty. Help.

Alfred Hillinghead my beloved. I love how unhinged he is. I love how buttoned up he is, and how Henry unbuttons him. Here we go again.

Henry's doe-eyes. Just look at him whenever he looks at Alfred. Pure, unmitigated doe-eyes.

Esther my beloved. Someone get that girl a gun and a motorcycle for her 18th birthday. Her and her adopted dad Karl can hunt down Nazis, or join a band of roaming theater performers. I don't care, I just want to watch the spin-off of Esther and Karl's adventures post-canon.

The scene between Hillinghead and Mannix in the back of the paddy wagon, where Hillinghead uses his newfound future info to absolutely roast Mannix. Beautifully done on all parts. Such good acting.

The scene between Karl and Mannix where he convinces Karl to take the record, and Karl kills him. OH MY GOD. The writing. The acting. The mood.

Greta Sacchi is just so sexy and evil and so classy. She brings a depth of nuance and vivacity to any role she plays. Her Polly was just bang-on. Loved her death scene too.