#and work is brilliant and my personal life is fantastic and even family stuff is easier

[rowanhoney]

can’t express how wonderful the changes have been in my life this past month. I’m beyond grateful and so full of love and joy

[linkspooky]

Got any fac superhero comic villain that isn’t Batman villains?

I mean… let’s be real here tho, most interesting and well written villains do mostly be from Batman.

But I am curious if you have any fav villains out side from Batman’s?

Okay, so the reason I primarily talk about batman and Teen Titans is they're primarily what I've read. I actually like villains from other rogue's galleries, flashes is good, superman's is good, but the thing is... I've read every Teen Titans comic ever so here we go.

3. Deathstroke.

One time I heard someone refer to deathstroke as the "Anti-Teen Dad" and no phrase has better captured his character. Deathstroke doesn't work as a batman villain, he doesn't work as an arrow villain, he is at his best as a Teen Titans villain because Deathstroke is someone actively harmful to children.

He represents the uncaring and horrible adults in the world these teenage heroes face as they are growing up, there's a reason Deathstroke's biggest arc is basically grooming and destroying any chance Terra had to be a good person (and other gross stuff but it's triggering I don't want to talk about it), there's a reason Slade's backstory by Wolfram is that he basically destroyed his family's lives, let one son die, let the other son's throat get slit, abandoned the third. He is the ANTI-TEEN DAD!

Christopher Priest who wrote the character's rebirth run put Slade's character into words better than I ever could.

I often had to fight City Hall and repeat, ad nauseum, that Deathstroke is a villain. In the first issue, Slade kills a bear in order to save his son. Then he goes back and kills the bear’s cubs because, to his thinking, it would be cruel to leave them without a mother. That is Deathstroke. But I had to fight to get that in because of concerns over the character’s likeability. This was the unfun part about writing this character, a guy who should have an even sharper edge than Wolverine. Please write this down someplace for future reference: Deathstroke is an ass.

I wrote this in my Joker analysis too, there's nothing good or redeemable about Joker, but he still has an extremely important role in the story because he represents the death that Batman is fighting against in the world, so for Dick Grayson who is trying to grow up and help all of his friends grow too, he's the perfect counter and opposite someone who not only destroys his kid's lives but targets other children too. "Please write this down someplace for future reference: Deathstroke is an ass." Any attempts to make Deathstroke more honorable and more honorable just kind of fall flat, his name is DEATHSTROKE, he represents the force of uncaring death and danger in the world that's utterly hostile to teens and these kids have to deal with.

2. Blackfire.

I talk about Blackfire's character more in depth here, but her character works best if you consider her the "Red Hood" to Starfire's "Nightwing." Her character itself starts out as just kind of an evil sister who is one dimmensionally obsessed with killing and hated Starfire and was jealous all her life. The wicked sister to Starfire's Cinderella. However, she gets a lot more depth over the story.

I don't want to undermine how much Blackfire did in fact commit sibling abuse on Starfire, but there's a really good "Generational Abuse" storyline in both Starfire and Blackfire. I think a lot of people want to talk about the cycle of abuse in storylines but don't want to really read stories where characters who are abuse victims end up perpetuating abuse which like... how do you guys think the cycle of abuse happens then? Anyway, Blackfire's extremely messy especially since there's really bad shit she does in her early writing when she's more one dimmensional.

HOWEVER! Literally everyone complains about "I hate how in every marvel movie, the villain is just evil version of the main character" Blackfire subverts that whole trope in fantastic and brilliant ways. The story allows Blackfire to be right, and have a point of view outside of Starfire's that's equally as valid. Blackfire has an entirely different take on her childhood because she was neglected horribly by her parents. She says the true source of the abuse in their family was her parents and she's right. She advocates for stronger leadership in Tamaran because her parents are wishy washy and can't defend their own parents and she's right there again. In later versions of her character, Blackfire's bloodthirstiness and warlike personality didn't come out of nowhere, it's a survival mechanism that evolved out of necessity to survive and she's not conquering the planet for her vanity or ego she genuinely thinks she'll be a better leader. Honestly, a more three diemmnsional Blackfire is just more interesting because evil big sisters are just boring.

1. Terra.

Have I ever told you I love Judas Contract? I love Judas Contract. Of course there's a little bit of weird writing in Terra's character, where she's clearly a grooming victim, and also an abuse victim by her parents and a teenage runaway who's genuinely had a hard life and the writers go (no, just ignore all of that she was just born a sociopath, we aren't shaped by our traumatic experiences at all don't be silly).

However, SUBTEXT is a thing, even if the intention was to just write Terra as a flat sociopath the subtext is there that she is a really complex victim. Terra's entire character revolves around the fact she is a victim, but she's not an innoecnt person either. Her being groomed by Slade doesn't absolve her of all responsibility for her actions.

TERRA IS THE ULTIMATE BAD VICTIM IN COMICS, her entire character revolves around the fact that she was abused, and was not a perfect selfless angel about it, she didn't feel like helping other people, she hated the heroes around her because of how good and selfless they are when she wasn't, and yet she's still sympathetic. IT's a tragedy that she died, because human beings especially children no matter how amoral they may be or what their actions were don't really deserve to suffer to the extent Terra has. Terra's entire character revolves around the fact she self destructs. I believe there could be an arc where Terra was saved, or at least given a chance to be her own person outside of SLade, but the whole part of the Judas Contract is that the Titans as well meaning as they were just COULDN'T get to Terra in time b/c she didn't fit into their neat little boxes of what victims should look like. I don't think Terra is a bad person so much as, she never really got the chance to be her own person outside of the horrible tragedy that rocked her life because she died too soon. That's another thing, it's ALWAYS tragic when a child dies, especially since you can generally still reach those children at that age and when you cut off their future like that you cut off any chance they had to grow up. Like there's a lot of TERRA BROUGHT IT ON HERSELF, SHE DIDN'T WANT TO GET BETTER, like chill out dude she's sixteen. Anyway, Terra is my favorite comic book character of all time she's a bitch and I love her.

[project1939]

200 Films of 1952

Film number 161: Breaking the Sound Barrier (aka, The Sound Barrier)

Release date: Dec 6th, 1952 

Studio: London Film Productions/British Lion Films 

Genre: drama 

Director: David Lean 

Producer: David Lean 

Actors: Ralph Richardson, Ann Todd, Nigel Patrick, John Justin 

Plot Summary: J.R., a wealthy British airplane manufacturer, helped design a jet engine that makes breaking the sound barrier possible. A brilliant test pilot is chosen for the first flight, but he is also J.R.’s son-in-law. J.R.’s daughter Sue is frantic with worry over her husband’s safety, and she cannot understand why his life must be put into such danger. 

My Rating (out of five stars): ***¾  

This is an early David Lean film made just a few years before he became a superstar with The Bridge on the River Kwai, Lawrence of Arabia, and Doctor Zhivago. This is a much smaller and simpler film than those, and if you hadn’t told me Lean directed this, I don’t think I would have guessed. Overall, this was enjoyable, and it definitely had its thrilling moments, but my main problem with it was the balance between the thrilling moments in the air and the family drama on the ground. (some spoilers!)

The Good: 

Ralph Richardson as John/J.R. His performance was very moving. For the first ¾ of the film, it was easy to believe he was just a cold unemotional man with a laser focus on work. As the plot unfolds, it slowly becomes apparent that it is absolutely not the truth. The script lays most of the burden to communicate this on Richardson, and he runs with it. 

Ann Todd as Sue. I immediately liked her- she wore very little makeup throughout, she had a wit about her, she was pretty in a fresh appealing way, and she didn’t completely succumb to the “Hollywood Good Wife Syndrome.” She caught a case of it, for sure, but thankfully it wasn’t deadly.  

Nigel Patrick as Tony, Sue’s test pilot husband. He was dashing, charming, and very likeable. 

The highlight of the movie was all the exciting flying scenes. There were several of them, and most were either real or highly convincing. They were edited and paced well to draw you in and keep your eyes glued to the screen. 

There were lots of real locations used and actual flying footage. It didn’t feel like a soundstage film. 

The orchestra in the background was fantastic. I enjoyed the score as well, but the orchestra itself sounded so beautiful I had to remind myself a couple of times to actually watch the movie and not just listen to it. 

The emotional complexity of J.R. As I mentioned when I discussed Richardson, I think the actual heart of the movie is this story arc. Because of Richardson’s performance and the delicate way it was written and shot, it was very affecting. 

The traumatic plot twist about 1 hour and 20 minutes in. I did NOT see it coming, and when it did, I kept writing “No! No! No!” in my notes. It was a very brave choice to make at that particular time within the film. In most films an event of this kind would either happen near the beginning or near the end. There was still 35 minutes of runtime in this. I give that plus marks for the uniqueness and audacity, and I think it ultimately made the film more powerful. 

I liked the relationship that developed between J.R. and Tony, his son-in-law. The way they became close tugged at my heart-stings, and yet the film never really veered toward the sentimental.

The Bad: 

Erasing Chuck Yeager from history! Now, I am no aviation expert, but even going into this film, I could have told you that American Chuck Yeager was actually the first person to break the sound barrier. How did I know that? From a movie, of course! 1983’s The Right Stuff! 

The film had a difficult time explaining why breaking the sound barrier was important. It seemed very hesitant to talk about the Soviets or Communism, or anything to do with the military. That was frustrating, especially when Sue was desperately trying to understand it herself. 

This movie was a mixture of a family drama and an adventure/thriller, and it didn’t work as well as it could have. The balance between the two was off for me- I think too much time was spent on family stuff, and not enough on the actual flying. I appreciated that it didn’t just half-heartedly cram in a little bit of family stuff, which is what most adventure films do, but it may have swung too far to the other side. 

Wow, the movie certainly believed baby boys were better than baby girls! It was deemed hugely important that Sue give birth to a boy.  

Women in the film were minimized in other ways- all of them were housewives who worried while the men went off to do important manly things. HOWEVER, this film gets a lot of points for making characters like Sue and Jess fairly well rounded. Neither of those women were just sweet little pushovers. Sue also appeared to have been in the Service at some point.

Oh god, more East Asian racism! It’s thankfully been quite awhile since this kind of “humor” has reared its disgusting head in my 1952 watchlist, but this was one of those horrible “Chinaman” jokes told for “comedic relief.” The less said, the better. 

There was a pretty clunky scene that used Sue as a conduit for the probable aeronautic ignorance of the audience. It briefly became an educational film that spelled things out like a mini-lecture on what the sound barrier actually was, the requirements for breaking it, and the dangers of doing so. It was helpful for me to have some things explicitly explained, but as a scene it felt awkward and contrived. It also seemed dubious that Sue would've been totally ignorant of this.

[sitp-recs]

Hidden Gems by scoradh

Scoradh is another personal fave that I don’t see being recced as much as she should, or at all. Which is a shame because her HP fics are absolutely brilliant! Most of her works were written back in 2005-2008 and updated later on AO3 so maybe that’s why they’re all hidden gems? You should all go check her LJ page too, which is where I found out she’s in her 30s now, and that knowledge left me shooketh. How is that even possible?! Guess some people are born genius like that 🤷🏻‍♀️ I’m listing below some works that may have fallen off the radar, Drarry and rare pairs at your heart’s content. Tbh I haven’t read some of those more than twice because this author has a penchant for MCD 💀 I don’t go there anymore but those fics still left a big impression on me not only in terms of world building and narrative but also in terms of clever dialogue and characterization, chef’s kiss content.

Rachel’s writing is unique, charming and full of wit; it builds the mood effortlessly and allows the characters to come alive and work their way inside your heart with their banter, their pining, that sexy angst and those emotional endings. I love her perception of Harry and Draco as two quirky, vulnerable, edgy and complex creatures. This is the kind of author that gets me willing to try pretty much everything they decide to write no matter the ship or trope. Mind the tags and feast on these treats!

Drarry

Clear As Mud (2005, M, 10k) - brilliant fwb, pining & jealousy, miscommunication, mentions to infidelity (Hinny). One of my favourite Dracos ever!

Set post-war and post-Harry's-conscience...Read my rec here.

Open Season (2005, M, 10k) - hilarious one shot, 8th year get together, meddling friends

Disaster lies in wait for the unsuspecting. Harry encounters a series of confusing events which lead him to one person: Draco Malfoy. Unfortunately, Draco is as befuddled as he is ... featuring a cast of thousands who are all in the know, and two boys who most emphatically are not.

Snakes and Ladders (2005, M, 20k) - Professor Draco, dad Harry, enemies to friends to lovers, slow burn. Cw: Cho bashing, misogyny

Sixteen years after he last clapped eyes on the Boy Who Lived To Be A Thorn In Draco Malfoy's Side, Draco is filling Snape's old shoes with aplomb. History, though, has a nasty habit of repeating itself. Draco has his comfortable existance turned topsy-turvy with the appearance at Hogwarts of Harry's son, who turns out to be able disrupt Draco's life with as much competency as his father.

Drawing Down The Moon (2006, E, 20k) - another fave with disaster Draco and pining Harry giving him some love advice, fake relationship, found family, all the good stuff. Cw: major character death

After breaking up with Blaise, a drunken Draco begs Harry Potter for help in winning him back. In a fit of misguided philanthropy (plus one or two ulterior motives) Harry agrees. In the midst of the ensuing chaos, at least one person falls in love.

DIY Messiah (2008, M, 26k) - so well written! friends to lovers slow burn, kid fic, divorced Draco, living together. Cw: infidelity (Hinny) - Ginny is awful here, you’ve been warned

Harry stopped hating Draco Malfoy on Bring Your Kids to Work Day.

Interview With The Hero (2006, E, 71k) - Draco in Egypt and Spain, identity porn, a thrilling mystery and great OCs! This fic is a fantastic journey. Cw: domestic abuse, prostitution, major character death, ambiguous ending

At the age of twenty-five, Draco is confronted with the past he'd rather not remember and the questions that still need answering. Still, a little Slytherin guile goes a long way. The only problem is that he might discover more than he bargained on about the people he thought he knew.

Rare pairs

Of The Race That Knows Joseph (2006, E, 8.4k) - excellent Remus/Regulus with enemies to lovers, getting back together, non-linear narrative, background Remus/Tonks

When dead men walk and badgers give you sarcastic looks, it's time to re-evaluate what it means to be a werewolf.

Like Candy From A Baby (2006, E, 13k) - sweet and funny Harry/Ron with friends to lovers, pining and sexy Ron on a mission to seduce oblivious Harry!

Ron seduces Harry.

May Contain Nuts (2006, E, 32k) - brilliant, hilarious, chaotic post-war Harry/George, a must read. cw: major character death

After Voldemort is defeated, the script for Harry's life comes to an end. Unsure of what to do with his life, he does nothing. Only one person is on hand to show Harry that a hero is not the sum of his vanquished enemies, but he's got problems of his own.

The Road Less Travelled (2007, M, 55k) - a very sweet and refreshing Scorbus journey (written before CC)

The adventures of Albus Severus Potter and his best friends, Scorpius Malfoy and Rambo Dursley, as they face down bullies, make friends and in passing learn some magic at Hogwarts School of Witchcraft and Wizardry.

[katierosefun]

i originally had a september wrap-up post queued but then tumblr fucking ate it, which made me very angry because i didn’t want to re-type the whole thing, but i’m procrastinating, so here i am, re-typing the whole thing of all the things i watched/consumed over the month of september, even if it’s a little late: (it’s fine, i didn’t watch a whole ton of stuff except...a lot of kdramas lmao. oh, and visions.) 

k-dramas: 

beyond evil 

okay, so i think this has been on my rec list for literally forever now, but...besties, i’m on my fifth watch of this goddamn show in the span of maybe two months, so if that doesn’t tell you how much this show has been a comfort/eating my brain lately, idk what will. 

i literally never shut up about this show, but if you’ve somehow been missing from my blog for a little bit, a quick summary: lee dong sik (played by the ever-wonderful shin ha kyun) was accused of murder + kidnapping a few young women, including his own twin sister 20 years ago. he’s lived a pretty quiet life on his own, and now 20 years later, his whole world is turned upside down again when hotshot new inspector han joo won (played by the talented yeo jin goo) comes into this little town. when the murders start up again, these two are thrown into a hellishly complex mystery. will throw you in for a hellish loop. i think my thoughts best summarize this show as come for the murder mystery, stay for whatever the hell joo won and dong sik have. 

okay, but all joking aside about how much i love joo won and dong sik (because...i truly do love them), this show was incredibly healing. once again: this show has quickly become a comfort show, basically to the point where i just watch it whenever i feel down (which happens to be a lot these days). idk man. humans aren’t meant to carry burdens on their own and all that stuff. sometimes u just need to remind yourself that. 

the crowned clown 

so, after watching beyond evil the fourth time, i realized that maybe i wanted to watch some of the actors’ other works. that was how i found myself watching the crowned clown, which...is an excellent kdrama now available on netflix (also on viki for free, just as beyond evil is). honestly, it’s been a hot second since i’ve watched historical dramas (saeguks), so i was a little unsure what to expect, but this show. bro. this show reminded me just how much i love historical dramas, because the court politics? the costumes? the music? the acting? fantastic. 

basically, this show is about the young clown (ie. performer) ha seon (played by yeo jin goo) who now has to replace the king, who might be like...two seconds away from snapping (if he hasn’t already). the reason they’re able to do this is because they look exactly identical despite not being related. 

this story is honestly wonderful. i loved it, and it’s an interesting way to look at the story behind the actual king (because. apparently this king was a real person, and i think his story has inspired quite a few other korean movies/shows). i thought yeo jin goo was brilliant in this show, and it’s really no surprise he became the youngest person ever nominated for a baeksang award because of this series. i was truly blown away by just how versatile he proved to be of an actor, and his dynamics with the other characters (the queen, the secretary being my fave, as well as the old eunuch jo), i just...bro. i’ll admit i wasn’t the biggest fan of the romance (don’t get me wrong! it was sweet!), but i think that might have been because this was so court politics heavy, and i adored it for that. if you’ve never watched a historical drama but want to and just don’t know where to start, i highly recommend this. 

d.p. 

bro....this show was dark. i watched it all in 2 days (pretty easy to do, considering it’s 6 episodes and maybe 40-50 minutes long per episode), and i needed to lie down. this is just one of those shows that i feel is...very important to watch, even if the content matter isn’t very bright. 

basically, dp is about two deserter pursuit officers: ahn jun ho (played by jung hae in) and han ho yul (played by koo kyo hwan). deserter pursuit officers are basically people who chase after people who deserted their military post--and for those who don’t know, being in the military is mandatory for men in south korea. this is the result of the armistice between the north and the south--basically, since north korea never agreed to an actual peace treaty, south korea is constantly under threat of war, which is why men need to serve at least a few years. (this is why a lot of actors + kpop band members often take breaks from their careers--to fulfill their military service time. because yup, even celebrities aren’t exempt from service!) 

anyways, this show really doesn’t pull back their punches. major trigger warnings for things like intense harrassment, suicide, domestic violence...it really does capture just how dark life can be, and also how toxic the military can be for men. because of that, i felt this show was incredibly well-crafted, incredibly nuanced, and in the end, i just felt sad. that said though, there was a hopeful ending, and i’m glad that this show was renewed for a second season, as i think this show is just...really important. 

squid game 

okay, so i don’t want to be that person, but your girl was watching squid game right after it came out, so i was here before the hype train--but okay, okay, i digress. (i am glad that this show is getting hype. i feel it’s very important that people watch this show.) 

if you haven’t noticed how squid game’s climbed to #1 on netflix worldwide (i think, anyways), well, then...buddy. squid game is about a bunch of people who have the chance to earn lots of money by playing what seems like innocent children’s games. (spoilers: they are far from innocent.) 

this show scarred me, to be honest. i needed to watch something lighthearted after this, just because it was so intense. lots of trigger warnings for blood and gore, as well as just. losing faith in humanity. but also, like dp, i felt this show was necessary. it was incredibly well-constructed in that it showed just what desperate people will do in order to survive, as well as exactly what a terrible capitalistic society will do to the working class. it’s depressing and sad, but also incredibly chilling because like. you can’t help but watch the characters and think, but would i do the same thing? i just want to pay off my own debt and take care of my family. wouldn’t i do the same thing? 

i won’t say more of this show for fear of spoilers, but. let me just say. that i really am glad this show exists. i hope people actually notice what the fuck it’s saying about our current system too, because hm, maybe i just want to suck the fun out of things, but there’s something very disturbing about how people are already cute-ifying this show (ie. “this is what i would wear to the squid games! :D” and “look at these squid-game inspired cookies! :D”, as if this show didn’t just deliver a heart-crushing message about capitalism + how the wealthy fuck over anyone who isn’t the 1% BUT ANYWAYS) 

tv 

star wars: visions 

lately i’ve been feeling weird about star wars for lots of different reasons which i don’t particularly feel like addressing today, but. visions really reminded me why i fell in love with star wars in the first place. i think for starters, well. it’s no surprise when i say that i felt an intense amount of joy of seeing east asian cultures so beautifully incorporated and respected in this show (no surprise seeing that this show was literally crafted by japanese anime studios), but like. it really was. a beautiful thing. i cried at least once per episode, either because i was so in awe of the animation and the themes or because i was just in awe that this thing exists. 

i think my favorite episode had to be the village bride--there was something so incredibly powerful about seeing someone who looked a bit like me say i am a jedi. what an iconic line. what an iconic story about a sad traumatized gal deciding to step up and fight, actually. peak star wars. 

but besides all that...i really did feel like...this show captured the beauty and essence of what makes star wars actually good. the themes of good versus evil, a lot of stuff between siblings (bro....the twins and lop and ocho FUCKED ME UP), choosing to have brighter and better days ahead (the village bride, the ninth jedi, the duel, tatooine rhapsody)...like, i really loved how each episode really took everything that was good about star wars and just turned it into something even more beautiful. this series will stay with me for a long time, i think--and i am very grateful for the people involved in this project for reminding me why i fell in love with this universe in the first place. :”)

[meowiemari]

-“She’s so Amazing I couldn’t even remember my real name”

•Fluff

Ok so I made sure to take my time for this so it gets better and more detailed( cause I want to make someone cry). I hope you love it!!!

Warning: Curses,Insecurities, embarrassing Spencer Reid, and some BAU girls adorable moments. I’d like to say thanks to the anon for being so sweet and kind!! Hope you like it!!

Please tell me if there’s any errors.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

“Do you know her name?”

“Yes it’s (Y/N) (L/N). She works at the bookstore I tried out when the other had too many people and that’s when I saw her wonderful presence.”

“How pretty is she?!?!”

“Enough to be out of my damn league.” He muttered.

“FUCKING.REID!!!”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

How did a girl advice with Reid, JJ, Penelope, and Emily come to being an interrogation?

Well simple.

Spencer’s favorite bookstore decided to be filled with people due to new popular books and as introvert he is, he was not going to deal with people. So instead of waiting, he goes to look for another store that could have the new books published for him to read. He finds one not too far from his, but it’s smaller and more old fashioned.

The sign says “Hamilon”. Simple but strange at the same time. The old fashioned has some benches outside but they’re small for one person each to sit on.

When he walks in, he’s greeted with the smell of raspberries. Like those bath and body work’s scents that you plug around the outlets of the room, cause he sees about five in every outlet. He’s even greeted with the most beautiful woman he’s ever laid his eyes on that he might die happily right there.

“Welcome!! Is there anything you need?”

Her voice is like music. A song he can play on repeat every day and let his hearing store her voice where he can play it again and again.

Her presence is so beautiful, he thanks Aphrodite for making her 100% successful with beauty. Her hair is so cute in a braid. Her eyes are so enchanting that he’s lost in them. He was in a love spell.

Until someone’s hand was waving at his face.

“Sir? Are you ok? You alright? Are you sick or something?”

“I-um w-wanted to look f-for a n-new book f-from the o-other s-store.”

“Oh? Well I can show you sir!!!”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

That’s where this happened. He quickly got out of the store when he went around the block and ask Penelope for advice, to which she answer sure since he only said that.

He went to her house and told her everything, and leads to her calling Emily and JJ too.

So this is what’s happening right now.

“Ok ok Penelope the Cupid is gonna save the day!! Get to know her as in her favorite books, likes, hobbies, and ask her out on a cute date and get to know her enough to be interested. It’s really important to show her love and affection.”

“Then be yourself so that she knows to like you by who you are, so then she’ll know what she likes about you!!” JJ adds.

“Also don’t rush it. Give her time until your certain she likes you back, then go confess and you’ll live happily ever after.” Emily adds last.

“Did you get all that Loverboy genius?”

If he’s honest, no.

“Let me clarify all of what you guys said in one small paragraph. Get to know her and be myself, then take my time until she shows signs of liking me back and confess. Am I right?”

They all nodded.

“What if she doesn’t like me back? What if she likes me only as a freind and not some boyfriend that’s not good enough—“

He didn’t even finish until Penelope hit him hard with a magazine.

“OW W-what—“

“Listen here and listen well 187!! I’ve known you since you couldn’t even look at strangers in the eyes and couldn’t even make a flirt on a girl. You were so scared and shy, but you kissed one of the most popular hot woman, took care of your mother, always put so much effort on everything, and always looked out for your family. Just being yourself and being the greatest genius in the FBI makes you Doctor Spencer Reid; the badass genius with the IQ of 187, reads 20,000 words per minute, knows so much about what is in his brilliant mind, does magic out of his own bare hands, and even tries his best to protect the ones that don’t deserve to suffer through the hell that the world gave them.”

If no one was showing tears, it’s all three of them. Spencer deserve so much. How can he say he’s not good enough? The whole BAU know how much Spencer deserves to have someone to love, to reply on, to hold when the most horrible events can happen, and to spend the rest of his life with. Derek knows that he doesn’t need to be like him to get someone. Spencer is wonderful just the way he his.

Spencer is lucky to even find these incredible people just by the one man that believed in him.

“If you say your not good enough, I will shower you with fucking love and kindness, and you will like it.”

JJ walks to him, hand on his shoulder to comfort him with a pat.

“If you say she’s wonderful, I don’t know why you think she won’t like you for what and who you are.”

Letting a small grin, he stands up.

“I will get to know her. Thanks guys.”

Leaving to the door of the apartment, the girls sit and relax.

“So you gonna tell Morgan he owes you 50 dollars for being the first one for Spencer to ask girl advice?”

“Hell yes I am. The look of betrayal of that handsome face when he finds out.”

She lets out a breath.

“My precious little chocolate thunder lost the bet he made.”

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Hope you love it!!! I had time to finish it since I can’t be up after 9:00 (for school) so I’m waiting until 11:00 to use the bathroom :/

Sorry if it’s not good, but I tried!!!

I wanna say thank you to the people who followed me and thanks to the amazing writers that I started to chat with,follow, and read their incredible stories and fanfics for being fantastic!!!!

It’s short but later I’ll make longer stuff.(this reminds me of WattPad)

[flannel-cladpika]

Avengers x Teen reader

The reader is a brilliant engineer, that makes (grade A+) battle armor & weapons. The Vulture and the reader works together by selling these illegal armor & weapons. (The Vulture even gives the reader profit because the reader lives alone) The reader learns at school (The R is the quiet/loner kid) about Vulture getting arrested and they soon decide to leave New York and disappear. They grab all their money and leave to Tennessee to start a new life. The ending could be the reader starting a new life

Sorry for the delay! Here it is!

Avengers x GN! Teen Reader

You weren’t always like this. 

You had a family once. Loving parents, 2 siblings that were annoying but still kind and sweet. A nice house on the outskirts of New York City. You had the perfect life.

Until the world started ending due to an psychotic AI wanting control of the world.

You’d been out getting groceries while your parents were taking your siblings into the city to pick up some take out for dinner and maybe get something from the Cheesecake Factory.

You’d gotten home earlier than them, which was to be expected.

That’s when you saw the news.

There was an invasion of robots descending on the city. You heard screams in the background of the newscaster. You hurriedly picked up your phone and called your parents. It took three rings until one of them finally answered.

“(Y/n)! Are you alright?” you heard from the other line.

“Yeah, I’m fine, but where are you guys?! Tell me you’re headed home, ple-”

“Sweetie, I’m sorry...I love you...We all love you...No, no, no! God, no! PLEASE!! N-” and with that, the line went dead.

Later, when bodies were being identified, you found out that your family wasn’t among the survivors. That was the day you lost everything.

Timeskip~ 2 years later

You’d thrown yourself into your passion of engineering and tinkering, and worked like your life depended on it. You’d managed to make a name for yourself on the dark web and black market for being a fantastic engineer of unusual illegal weapons, like gloves that could shoot focused high-intensity soundwaves, causing an opponent’s ears to be in extreme pain and bleed, even causing horrible hearing loss.

You’d managed to make enough money from work to put yourself through school and even get yourself an apartment, though it wasn’t exactly the nicest place. But hey, you just needed a place to crash, keep all your equipment, and hide your money. A shady, rundown place was perfect. 

Through your work, you’d met some people. One of those being Adrian Toomes, aka, “The Vulture”. The guy had found out about you through a client of yours, and had apparently liked your products. He’d called you up on one of your  phones (you had several cells, to as to not be tracked), and asked for your help on a project of his. You’d heard of him, and knew he was a reliable guy in the underworld, so you agreed to meet him and see what you could do. Afterall, this guy had connections, which were invaluable in this business.

Turned out, the two of you worked really well together. He didn’t look down on you because of your age or treat you like a little kid. At the same time, he gave you space to work and listened to you. After a few more collaborations, you asked to move your tools into his warehouse, as your apartment wasn’t such a good workspace. He smiled and agreed. 

Adrian, or as you liked to call him “Vultch” was good to you. He would happen to bring extra food in his meals and offer you some. He’d even gotten you a new power drill for Christmas. He knew you were an orphan, and knew you lived on your own, but never pushed for details, which you were grateful for. He was like a father-figure, or at least a caring uncle.

When you met his daughter at school, you actually didn’t know who she was at first. Their last name was the same, but you figured that was probably just a coincidence. As a quiet kid who liked books and formulas more than most people, you didn’t really pay the popular pretty girl much mind.

That was, until you both were grouped together for a partner project. She offered to drive you over to her house after school, which you quietly agreed to.

You two started talking on the way there, and you realized that Liz was actually incredibly intelligent and not at all like the stereotypical popular kid. By the time you reached the Toomes residence, you guys were making horrible math puns.

“Well, we’re here! My mom and dad should be home, but don’t let them scare you. They’re overly affectionate and embarrassing, like every other parent. Come on!”

Liz opened the front door, her mother coming down the stairs with laundry immediately greeting you both. 

“Lizzie! You’re home! And who is this sweetie?” The woman asked her daughter.

“Mom! This is (Y/n). They’re my partner for a class project.”

You slowly raised your hand for a shake. “Hello, Mrs. Toomes. It’s nice to meet you.”

She smiled and shook your hand. “Nice to meet you too, sweetie.”

Suddenly, a voice came from the kitchen. A very familiar voice...

“Honey? Is that Lizzie?” 

Your eyes widened when you saw Liz’s dad come out from the kitchen, bowl of chips in hand.

When the Vulture’s eyes landed on you, he looked like a deer in the headlights for a moment, before shaking it off.

You knew better than to say anything about what you did for a living, and knew that other people in the business had lives outside of arms deals and engineering illegal weapons. You just never thought that Adrian would be Liz’s dad.

You shook your head lightly and stuck out your hand. “Hello Mr. Toomes. I’m (Y/n). Liz and I were partnered for a school project, so I hope you don’t mind my staying here to work on it.”

Adrian lightly smiled and shook your hand firmly. “Good to meet you (Y/n). As long as you two don’t cause any explosions or fires, your welcome to come on in.”

That was the start of an odd but fun relationship with the Toomes family.

Timeskip~

God, you hated superheroes. One minute, you were working with Vultch’s team on a new upgrade to the suit, and the next, you’re hearing of his arrest and trial. You went to the trial to say goodbye to him, holding back the tears. He gave you a warning to run. You promised you would soon.

At school, you hugged Liz goodbye, heartbroken, as she was like a sister to you.

You saw your friend Peter talking to her as she left. You wondered what he said to make her look even sadder.

You packed up what few belongings you had. Adrian had asked you to blow up the warehouse, so that your fingerprints wouldn’t be found. You did as asked via remote from 1/2 mile away.

You took out all the money that you kept underneath a loose floorboard and stuffed it in a backpack, covering the cash with your clothes and personal items.

You bought a ticket for a train heading out of the city, and from there, a bus that was headed towards Florida. You planned to get off in Tennessee so that no one who follow you.

That night, as you waited for the train to come, you heard your name being called. You looked around, the station nearly devoid of other people except one guy with air-pods in and a lady on a phone call

“(Y/n)! (Y/N)! WAIT!” 

You then turned around, seeing Peter running towards you. What the Hell was he doing here?

“Peter, what ar-”

“I know.”

You froze. What?

“What do you mean? What are you talking about Pete?”

“I know you worked with Toomes on creating illegal weapons. I know that you knew who he was.”

You tried acting dumb. “What? Peter, you know me. I w-”

He stared at you with a serious expression that you’d never seen on him.

“You’re right. I do know you. I know you’re a genius with mechanical and electrical engineering. I know you live alone in an apartment that you pay for, which no highschooler could make enough to do, especially if they went to our school, which has a high tuition. You’ve also never talked about your job. I’m not an idiot (Y/n). You have 2 choices, either turn yourself in, or come with me and we can see about putting your skills towards helping others.”

You sighed as you walked towards your friend. “That’s the thing about you Peter. You’ve never been an idiot. I liked that about you. If only you had been just a little less observant.” You said as you heard the train coming

You hugged Peter, making sure you were out of sight from any cameras. He was about to return the gesture, when you stuck a needle into his arm. 

“Wai-”

You whispered, “I’m truly sorry Petey, but I don’t think either of those options is for me. This stuff will wear off in about an hour. I’ll call Ned to come pick you up. I really am sorry, Peter. Goodbye. Maybe someday, we’ll see each other again.”

With that, you slung Peter’s arm over your shoulder, making it look like you were helping a drunk friend. You placed him on a bench before calling Ned, saying Peter passed out from a fight and was at the train station.

You boarded the train with your backpack and sighed as the train slowly started  moving. You looked behind you at Peter’s slumping body on the bench and at the New York City skyline. 

Man were you going to miss this place.

Maybe one day, when it was safe again, you’d be able to come back...

THE END

A/N: Hey! If you made it this far, THANK YOU for reading! 

[my-personality-i-guess]

I’m gonna post spoilers of WW84 under the cut, because I did not like the movie and you all need to know why

So I’m gonna start out with what I liked about it, because honestly it was kind of good. Gal Gadot? Phenomenal, gorgeous, 10/10 I rewatched the first Wonder Woman and the woman loving side of my sexuality has reawakened. Costumes? I am not a fan of the 80s, but damn could I get behind every single outfit. I don’t even need to talk about the Amazons, they were beautiful, like I said, women. The cinematography was also quite good. 

But the first Wonder Woman movie was definitely better. 

WW84 started out fantastic. I loved the opening scene with young Diana, and it set up such a great concept for the movie. Would’ve been great if they stuck to that huh. Then we meet Kristen Wiig, who honestly I’ve never really liked. Maybe I haven’t seen her in enough stuff though, because I absolutely fell in love with Barbara. Especially the obvious gay subtext between her and Diana. All starting out phenomenally. There’s great setup for Diana to fall in love with Barbara, work out her love for Steve and the trauma she got from the war. I’d even go for a love triangle with Barbara, Diana, and Max. Then everything switches.

It feels like there were two different writers for the film. One writer set up a phenomenal plot line, a budding romance, and a storyline about healing from your past and moving on. Then the second writer scrapped all that and resurrected Steve. Don’t get me wrong, I loved Chris Pine in both Wonder Woman movies, and he was pretty funny in WW84, but his whole character just seemed to be there solely to put an end to the romance between Barbara and Diana. He played a role with very little impact. Honestly, I finished WW84 literally 5 minutes ago and I forgot Steve was even in the movie. All of a sudden there’s no plot. My whole family was confused. My dad said it was “just like a stereotypical 80s movie.” Where was the brilliant storyline that had started? Why are we skipping over what could have been a revolutionary film for a literal remake of Aladdin? (literally it’s just Aladdin. That’s the whole thing. Aladdin and queerbaiting) 

If we skip over the Aladdin bits (the entire plot line yes it’s as basic as it sounds) all there is is some forced relationship between Diana and Steve to cover up the blatant queerbaiting and, I would argue, homophobia. It’s so incredibly obvious that Barbara is in love with Diana, even though she apparently falls in love “every day, all the time” (which feeds into some harmful stereotypes about bisexuality, by the way), and yet the screenwriters try to play it off like Barbara just really admires her. I was 100% sure that Barbara was going to wish that Diana fall in love with her, but she instead wanted to be like Diana? Yes, she’s insecure, that was made blazingly obvious, but she was in love with Diana, and Diana had just told her how much she enjoyed Barbara just the way she is. Generally people don’t change what others, especially those they are attracted to, like about them. And there ends the romance. Not even a hint at the date the two went on, nothing about the feelings between the two. Steve shows up, and Barbara is no longer an interesting or relevant character. In fact, she’s killed at the end of the movie. Way to dive headfirst into the pool of kill your gays (electrocute them if you want to be vague about whether or not they’re actually dead). To top it off, Steve just is gone an hour after he was resurrected. Steve just showed up to ruin Diana’s relationship and mental health, cuz I’m sure it wasn’t at all traumatizing to lose the love off your life twice, the second time pretty much directly killing him. 

Other little things I’m pissed about:

1. Lack of diversity. The first Wonder Woman movie had an incredibly diverse cast, and WW84 had the only main character as a POC be the villain. 

2. We never learned more about the Amazons. Woah, they do the Olympics and don’t like cheating, so what? Where’s the deep delve into Amazonian culture that we got in the first film? Why didn’t Diana ever go back to Themyscira?

3. The whole plot is just Aladdin if the genie was evil. That’s it. I’m sure you��ve all seen those posts of “be careful if you meet a genie, they’re evil and manipulative”

4. There was almost no mythology. Nothing. Just 30 seconds of babbling about the “language of the Gods” and the “God of lies” no explanation, no backstory, just a throwaway explanation about how the wishing could vaguely go along with the theme. We didn’t even get any resolution about that? Considering Ares apparently killed all the Gods, I wasn’t really expecting any Godly intervention from whoever that God of lies was, but there was absolutely nothing about what happened to the rock. How did it get out of Max? Did every single person in the world take back their wish, cuz that’s unrealistic. If even one person kept their wish, what happened to the rock. It probably didn’t reform? What happened to the magic???

5. That beautiful suit of armor that’s in all the promo pics, posters, the most iconic part of the trailer? That was there for literally 10 minutes and built into the plot solely for the cameo in the end credits scene. And not even well? The armor was supposedly built to withstand the world? It was torn to shred in 30 seconds, in a fight against a woman with brand new powers she doesn’t know how to work and exactly zero fighting experience. A cheetah hybrid scientist destroyed that armor in 30 seconds flat and you expect me to believe it held back the whole of mankind?

6. Where’s the fun feminism of the first movie? No talk about how women are great? Two and a half hours and the best you can do is the villain beating up the dick who was catcalling and assaulting her and framing it as an evil thing? The entire movie Diana and Barbara were being catcalled and harassed by men who thought they’re gorgeous. Absolutely they don’t have to respond to these men. They don’t have to stick up for themselves to prove that they’re worthwhile. Good for them for ignoring the jerks. But when the only instance of a woman sticking up for herself in the whole film is framed as an evil deed, it’s a bit sketch.

7. The fight scene between Barbara and Diana at the end when Barbara is a Cats movie reject was incredibly boring and not at all riveting and iconic like the fight scenes in the first movie. In fact, every fight scene in WW84 was really flat. It felt like there was a lot of effort put into dampening Diana’s powers. In the first movie Diana was a dynamic and strong individual who had friends who, while not as powerful as her, were important to ending the conflict. In WW84 Diana did everything (except for stopping the mall heist) really poorly, and relied on Steve to get her out of nearly all of her tight spots. For how bad of a character he was, you’d think he wouldn’t do a lot in the movie, but he was constantly saving Diana. Then Diana couldn’t even do anything against Max, it was all the people reversing their wishes. Considering she literally killed a God in the first movie, you’d think she could do something about a man-rock.

tl:dr, it’s an Aladdin remake with queerbaiting and bad plot

[thebrownssociety]

Looney Tunes Headcanons - Off-Set, Part 2

This is a bunch of headcanons about what I think some of the LT’s are known for being like outside of the WB bubble. As there are a lot of them, it’ll be uploaded in stages.

References to homosexuality.

Porky Pig is well-known for being the off-screen face of Looney Tunes. Because Bugs and Daffy have a lot of filming commitments it’s Porky who attends Toon-town related things on behalf on the Looney Tunes. 

He’s judged fashion shows, cooking shows, car-races [Toon Town has a lot of car races. They have a lot of different terrains which provide a wide variety.] and Variety Shows. Unfortunately he’s also had to uncover various episodes of cheating during these competitions. [No, you C-C-CAN’T take a magic potion which g-gives you a p-p-perfect voice in a sin-sin-sing - vocalising competition!]

Porky is also known for being one half of the original Looney Tune Power Couple. Him and Petunia have been together forever and during that time, although they have had disagreements they’ve never been that serious. They split up once in the late 40′s and that was due to [unfounded] rumours about Petunia dating Elmer Fudd. [Of all toons!] They laugh about it today, but at the time it was rather difficult. 

He’s also the one who sticks up for the other looney tunes, major or minor ones, and in the olden days was well-known for challenging the producers the most. There was one famous incident in about the 70′s when Rocky and Mugsy were accused of having committed a series of well-known burglaries. Even when the rest of the LT’s were convinced they’d done it, it was Porky who was saying ‘Just because they’re t-t-thieves doesn’t m-m-mean they did this crime!’ Unfortunately it turned out Rocky and Mugsy HAD done it, but the thought was there.

Five opinions he’s well known for having:

1 - Just because we act a  certain way on screen doesn’t mean we have to act that way off-screen. [That being said, he doesn’t get drawn into arguments about what a toon is doing off-set. Reporter: ‘Pepe Le Pew has taken up cooking! Do you think it’s wise having a skunk in the kitchen?’ Porky: ‘A-a-as long as he can do it without b-bur-burn - destroying the place, I don’t care!’]

2 - Every toon deserves an education. [Porky is also off the firm opinion that there is no such thing as a ‘stupid’ toon, or one who is completely incapable of learning at least the basics of education. This opinion has been tested on many occasions but he still has it.]

3 - Petunia is amazing, fantastic, awesome, brilliant and the love of my life. Did I mention she’s amazing? 

4 - Everyone should go abroad. Porky loves travelling and has a wall covered in pictures of places where he’s been. He also likes buying hats from the countries [in a reference to his first short ‘I haven’t got a hat.’ now he has just shy of one for every day of the year.]

5 - Just because a toon isn’t working anymore doesn’t mean they aren’t a toon. To this day Porky is still in touch with Beans, Bosko, Honey, Oliver Owl, Foxy and Roxy and supports their endeavours. [Namely, Bosko and Honey’s restaurant, Oliver's mechanics, Beans chimney sweeping and Foxy and Roxy’s low-key acting gigs.]

xxxxxxxxxxxxxxxxxxxx

Elmer Fudd is known for a variety of things. In the olden days it was his extremely good acting skills, reserved - but not shy - personality and his debated relationship with Petunia Pig. [There was never any romance between them, just very good friendship and a deep level of understanding of one another.] Once Porky and Petunia got engaged he was an ‘established bachelor’ [despite being less than 21 at the time, it was more the fact he showed absolutely no inclination towards a romantic relationship with anyone that put him in that category.] 

When he was 24 [1959] it came out that Bugs loved Elmer. Elmer admitted he felt the same way and a relationship started. [Details of this can be found in my ‘Unsolicited’ Fanfiction.] It was quite an unusual relationship due to the fact they didn’t live together, didn’t spend a lot of time together [mainly due to a mix of filming commitments] and didn’t go out of their way to show affection publicly. 

They got engaged in 1982, then married in 1992. Both events were well-publicised in Toon Town. 

Aside from his relationship with Bugs, he’s known for surprising everyone by proving to be very smart when the toons were allowed to access proper education. As well as a teaching degree, he’s got a degree in Law. [Much to everyone’s surprise.] It only took him a decade to get up to an High School level of education, and he passed with flying coulors. [Despite a snooty human-teachers best efforts]

Five opinions he’s well known for having:

1 - Daffy Duck is not an idiot and is actually very clever. Elmer has been of this opinion since he first met Daffy and despite multiple instances when Daffy has acted like the dictionary definition of a complete and utter nimrod, he’s been unwavering in this belief. Thankfully when the toons got access to education Daffy proved Elmer right and gained a degree in Performing Arts. 

2 - Opera is brilliant. Elmer loves all kind of music [excluding heavy metal and some raunchier pop songs.] but opera will always remain his favourite. It’s one of the many things that bonded Elmer and Bugs. Elmer’s favourite song is ‘I Am The Very Model Of A Modern Major General’ but his favourite musical is ‘The Phantom Of The Opera.’ 

3 - No one is a complete idiot and everyone should be encouraged to learn. Due to his own experiences of being treated like a complete imbecile by pretty much everyone - even Bugs has been known to do this on a few occasions - he does his best to be nice to those who are also utter idiots and encourage them. Unfortunately, like Porky, this approach has been tested to breaking point. Two words: Pete Puma.

4 - In the same vein, Books are brilliant. Elmer is a massive fan of reading and reads a wide variety of stuff. He reads non-fiction on a range of subjects [Cooking to real-life crime] and he also reads fiction again, over a variety of genres. [Crime, Romance, historical fiction, children's books, the works.] Elmer normally aims to read for at least 30 minutes twice a week. It used to be more, but parenting, filming and The Looniversity have restricted the time he can devote to it by quite a margin. 

5 - Everyone should be given three chances. Elmer does his best not to judge someone when he first meets them, especially if they’re acting like a bit of an asteroid. The second time he forms a bit more of an opinion, but normally keeps quiet about it [except to Bugs, Daffy and Porky.]. Third time he meets you he’s got a good idea of what you’re like and how others are reacting to you. Then he decides whether or not he wants to be around you. Once he’s made up his mind it’s very hard to change it. 

The main exceptions to this rule have been the Tiny Toons. Seeing as they’re literally little version of Elmer’s family [and he’s parenting three of them, namely Elmyra, Buster + Babs] he’s cut them a lot of slack. 

[morgansdeb]

My thoughts on 13RW Season 4 (SPOILERS)

So I originally wasn’t going to write a review, because if I’m completely honest, I’m still in shock by that finale... but here we go...

Overall, I enjoyed this season a lot more than season 3. This time, we didn’t have Ani’s annoying narration, that weird crap that was Bryce/Ani and that Bryce “redemption” bullshit that the writers shoved down our throats last season, so kudos for that. Too bad the ending fucked everything up.

Now, let’s go character by character:

Jessica: Jessica has always been my favorite character (besides Hannah), so I was really disappointed by her arc this season... if we can call it that. Her reaction to Justin breaking up with her was really immature. I understand that she was hurt, but Justin was right, he wasn’t in a position to be in a relationship and needed to focus on his recovery, so for Jessica to go after the first guy she could find (Diego) to get back at him... it was shitty. Also, what the hell, Jessica? Diego spent the whole season tormenting Clay and defending Tyler’s rapist. Aren’t Clay and Tyler your friends? Why are you sleeping with someone who is messing with people you claim to care about? And please don’t say it’s for “information”, because you clearly liked him, even tho he was an asshole. Once again, the writers made Jessica’s storylines all about boys, first it was Alex and Justin, now it was Justin and Diego. And to give one final “fuck you” to her character, they implied she ended up with Diego. “Ask me in a month”, um, so it’s going to take you a month to get over Justin? Okay, cool.

Clay: I’ve always loved Clay. Always. He’s flawed, he’s stupid, he’s too stubborn... but he cares. I’ll say this tho, he was a complete ASSHOLE towards Justin during that party, and he should have apologized for all those awful things he said, because that shit was NOT okay. I appreciate that he got help, and Dr. Ellman was a fantastic character, but his arc got old real fast. Clay has some fucked up hallucinations, Clay has a breakdown and makes a scene in front of people, Clay claims everything is fine when clearly it’s not. We get it, he thinks he’s Batman and can handle all this shit alone. Well, clearly, he can’t.

Ani: I’ll admit, I actually liked Ani this season. I think it’s because her screentime was reduced (she missed big moments like the camping trip and the shooting drill), and she wasn’t inserting herself in everyone’s business like last season. I appreciate her standing up for her friends against Winston and apologizing to Jessica for sleeping with Bryce, but that NEVER should have happened. It was weird as hell how she kept defending Bryce in s3, insisting he wasn’t a monster (he was a serial rapist who raped your friend, how is that not a monster). Her “explanation” as to why she slept with Bryce was crap. “I was lonely and stupid”, well, aww!! Lots of people are lonely and stupid, but that isn’t an excuse to defend a serial rapist and sleep with him multiple times. And even before she slept with him, she kept hanging out with him, playing poker and laughing like nothing was wrong. Weird as hell. At the end of the day, I still don’t know who Ani is, other than “the girl who liked Bryce and then liked Clay.” I’m 100% grateful that she and Clay broke up, that was never going to work, so I’ll drink to that. It was also annoying how she and Clay took their sweet time to tell the others about Winston. STOP KEEPING SECRETS. I still insist that the writers should have kept Sheri and Ani shouldn’t have existed.

Zach: Seriously, where the hell was Zach’s mom to check on her son? The whole season was basically “oh, look, Zach’s drunk!!” He was a hot mess and all his friends didn’t do shit to help him until the last minute. I know Winston manipulated him, but seriously, telling the enemy that you beat up Bryce?? Not cool, dude. And don’t get me started on that scene where they “implied” he was going to assault that drunk girl. Zach has flaws, sure, but he ISN’T a rapist, and neither is Clay (I’m talking about that weird scene where he hallucinates Bryce encouraging him to assault that girl at the frat house). The writers clearly didn’t give a fuck about Zach. Remember in s2 when he told his mom he had suicidal thoughts?? What happened to that?? I’m glad he came to his senses in the end, but he obviously needed help with his addiction.

Tyler: I felt bad for Tyler because his friends didn’t trust him, but I also sorta get it. He was acting hella shady and I get that the cops told him not to say anything, but... dude, you scared the living hell out of Clay with those guns at the end of s2, how are your friends not going to be suspicious? Like in 13RW fashion, his storyline got dragged for too long, but I think he was right when he called out Clay and Tony about their friendship. I liked his friendship with Estela, that was sweet. But overall Tyler didn’t get that much to do this season. I didn’t like how they made him feel bad about Monty. Monty raped him and belonged in jail, it isn’t Tyler’s fault someone decided to kill him.

Alex: GAY KING. The only character who didn’t annoy me this season (besides Charlie). Bryce and Monty apologists, how are you feeling?? My boy didn’t go to jail like y’all wanted it!! No “justice” for the rapists!! Beautiful, amazing, brilliant. In all seriousness, I wish his crush on Zach had been explained a bit more. I don’t think it came out of nowhere, but it would have been nice to spend more time with it. I don’t know how I feel about the whole thing with Winston, he was a Monty apologist so I didn’t want to see another one of my faves sleeping with a rape apologist, so I’m glad he found out the truth in time. Charlie and Alex were so cute together, I wanted him with Zach, but I can’t bring myself to complain because ALEX GOT A HAPPY ENDING, YAY!! He regretted killing Bryce, but it’s like Zach said “maybe he didn’t deserve to die, but NEITHER DO WE”, and he was right. Alex didn’t deserve to have his whole life ruined over a fucking rapist, so I’m glad he got happiness. I just wish his recovery arc after his suicide attempt had been done better, he’s the only character in the show who is a suicide survivor and they never focused on that. Shame, tbh.

Tony: I don’t have much to say about Tony. He was being hella stubborn about not going to college and staying in town, so I’m glad his dad knocked some sense into him. He got a happy ending and got to see his sister again, so that was nice. Tony always had to deal with so much crap, so I’m happy he ended up happy.

Winston: Now this dude didn’t annoy me as much as I thought he would, but... he was weird. He became obsessed with Monty after meeting him twice, and then obsessed with Alex after dating him for two weeks. What was his reason?? Why did he fall in love so quickly?? I thought we were going to get some backstory to explain his behavior, but we didn’t get shit, except that scene in the first episode with his mom where he seemed like some lonely rich kid. I’m glad he let go of Monty in the end and didn’t ruin Alex’s life, but other than making a bunch of passive-aggressive comments and staring at people, he didn’t do much. The trailer made him seem like some mastermind villain, and in the end... he wasn’t.

Diego: How are you going to spend the whole season calling Clay a psycho/crazy, when you’re out there pulling pranks, beating people up, and defending a rapist?? Check yourself first, Diego. He was so annoying with his “I miss Monty” crap, like how are you going to give a big speech about how great Monty was when Tyler, the guy he raped, was sitting right in front of you??!!  I wish he had faced some consequences for all the shit he did to Clay, like “omg, you brought a knife!!, dude YOU left the knife in there. I’m glad he let things go in the end, but JFC, he was annoying. When Zach told him to suck his dick, I cheered so hard.

Justin: HAHAHAHAHAHAHA... HA. I’m laughing because I don’t wanna start crying again. Are the writers fucking serious?? After EVERYTHING they did with Justin, turning him into a better person, making him Clay’s brother, getting him back together with Jessica, EVERYTHING...and he dies?? And even before his death, they needed to torture him one last time and kill off his mom, have Clay and Jessica treat him like shit, and make him feel like nobody wanted him. Wow, what a brilliant idea. The series finale would have been perfect if they hadn’t killed off Justin. He deserved to graduate and live a long, happy life. I think the writers just wanted to have one final tragedy and controversial storyline, so they did this cruel and unnecessary crap. I’m disgusted, tbh.

Bryce and Monty: I’m so, so happy we got ZERO Bryce flashbacks and ZERO Monty flashbacks. FUCK these two rapists. I didn’t feel sorry for either of them, and I hope future shows do better and the humanizing of rapists stops. We already know rapists are human, they aren’t aliens who come from another planet, but the focus needs to be on the VICTIMS. I know they weren’t going to bring back Katherine Langford and Brandon Larracuente for a 5-second cameo, but hallucination!Justin should have been hanging out with Hannah and Jeff, not Bryce. Bryce wasn’t Justin’s brother, he treated him like shit and raped his girlfriend, and the whole “it’s okay to love people who do bad shit” is bullshit. There’s nothing wrong with hating rapists/abusers and bad people in general (like racists, homophobes, etc). Well, at least the two rapists are dead and can never hurt anyone again.

Say whatever you want about Hannah Baker, but this show suffered a HUGE loss when Katherine walked out of that door during her final scene.

They should have sent Bryce’s ass to jail at the end of s2, and the last two seasons should have been about ALL the character’s recoveries, with everyone getting proper characterization, good storylines, and focus on the friendships and family dynamics. The murder mystery and cover-up stuff ended up being really stupid and pointless. The writers prioritized shock value over proper storytelling, and that’s a shame because the cast is really talented, and the characters had the potential to be better than what they actually were.

Goodbye, 13 Reasons Why. I’ll check out the cast’s future projects, but the writers/producers can GTFO.

[astrovian]

Richard Armitage interview on BBC Radio Somerset for Uncle Vanya (25/10/20)

Full transcript under cut

Now the moment you’ve all be waiting for, particularly if you’re female – some proper eye-candy on this show okay, not just me. ‘Kay, some proper stardom. Richard Armitage has been in so much television okay, let’s give you a bit of an idea as to what he’s been in over the years. Of course, he started off in North & South back in 2004. He was Lucas North in the British TV drama Spooks. He was in Castlevania, he was in Robin Hood. He’s done so much work for The Royal Shakespeare Company. But for lots of you, you’ll have seen him in Peter Jackson’s The Hobbit. Here’s him talking a little bit about his role.

[Clip from The Hobbit interview – I play a character called Thorin Oakenshield, son of Thráin, son of Thrór, the last King Under the Mountain. There’s a direct descent from the royal line, which is myself, Thorin, and Fíli and Kíli, who are nephews by my sister]

Now, I’ve never seen The Hobbit, but whenever I think of Richard Armitage, it’s always- he was the guy in the last couple of episodes of The Vicar of Dibley.

[Clip from The Vicar of Dibley]

Brilliant, from Dibley to the valleys of New Zealand. Fantastic. Really pleased we can say we can speak to Richard Armitage on the show this afternoon to talk about his brand new film. Good afternoon, Richard. Thanks for joining us on the Sunday show. How are you?

I’m very good. How are you?

I’m great, thanks. Now, I say good afternoon, but you’re in New York, so it’s good morning to you over there.

Good morning. Yes.

Now you’ve done so much TV and film it’s ridiculous. If I sat here and listed out all the stuff you’ve done, we’d be here all day. However, we’re chatting about the latest one. Am I saying it right – Uncle ‘Van-ya’ or ‘Va-nya’? I’ve always said ‘Va-nya’.

You can say either, I mean a lot of the actors in our play were sort of from the North or from Ireland, and so we were calling him ‘Van-ya’. Sort of has a nicer ring to it, doesn’t it?

Yeah, let’s go with Uncle ‘Van-ya’. Yeah, now this is the-

Uncle ‘Van-ya’.

Now this is on Tuesday, you can see this from Tuesday onwards. Give us a bit of backstory. You were doing this as a play, but then Covid hit and it all had to change, is that right?

Yeah, we were in the middle of a, of a sixteen-week run and we’d-, we got through about ten weeks, and then we came in on a Monday morning and theatres were closed and we, we all had to go home. But it was something that we knew was coming, obviously Broadway had closed the week before us, and uh, so the chance to come back, even in a really still very difficult working environment, to, to sort of re-stage the play for film was something I think we were all incredibly grateful for.

Because not every play’s doing that – lots of plays have closed and we don’t know when they’re gonna re-open. But it must be a great thing to have because not every play was having that, were-, you know some of them were still just waiting for their moment to open up again.

Yes, and I mean National Theatre Live and Digital Theatre, they do film theatre, but they usually do it with a, with an audience in place, and that’s part of the, the thrill of it. But we had to- or, Sonya Friedman and her team had to sort of re-imagine what it might be like without an audience, and so this is a kind of hybrid film really, it-, we’re still in a theatre, but we’re much more kind of involved in the play and the camera comes into the stage and we see a little bit more than a regular production. But yeah, I feel very lucky that we were able to do this.

So it’s not like if you, if we had gone and seen it before it closed we’re obviously sat there looking on, but in this, in this version, the camera’s on the stage with you, you’re pretty much right in with the action, aren’t you?

You’re right in there, and I think that’s one of the, one of the y’know, unusual experiences, that that’s often not possible because you can’t, y’know, disrupt an audience’s viewpoint, so we tend, y’know, we tend to see theatre and hear an audience. Which, we lose the sound of an audience and that was very important with this play because the play is a comedy and y’know, the audience participation is, is really quite important. But it’s still a-, an interesting experience without the audience. In fact, there’s this sort of sadness for the audience’s lack, y’know.

Your character, you’re Astrov, is that right?

Yeah, I am. I’m the doctor.

Tell me a bit about him. What’s he like?

Well, he’s a bit of an outsider to this, to the family. Um, he’s, um, turned to drink because he is traumatised by losing patients, um, he’s working in a, in a region that’s suffering from an epidemic. At the same time, he’s recognising that his small corner of the world is being depleted environmentally, and so he’s, he’s, he’s an environmentalist. He’s planting trees and trying to sort of sustain his natural habitat, and he has a theory as to what, y’know, why people are sick and why our society is sick. And so, in terms of relevance, I think it, it sort of rang a lot of bells. Um, but he, y’know, in terms of his journey through the play, he finds love. Y’know, he talks early on in the play about not feeling anything because he’s been so battered down by his, his work, but he finds love and, um, is rejected. And you know, that’s the tragedy of Chekov, is that everyone’s in love with the wrong person.

And Chekov plays are very well-known, and they’re incredibly written as well. For you as an actor, to say you’re doing Chekov in the West End, or in this case in the cinema, that must be wonderful.

Yeah, it always sounds very kind of, um, highbrow, but Chekov didn’t write that many plays, and he’s also – y’know, he was a doctor as well himself. So there’s always a doctor in his plays. He writes about people, and I think that’s what attracts actors to this work. He doesn’t, he’s not so focused on the plot, he’s very much about the human experience and how we attract and repel each other. And he’s also a great purveyor of comedy and, y’know, finding fun with our, our flaws, and I think people will watch this after living in lockdown for six months, watching these people in a house that can’t get away from each other and are, y’know, ripping shreds, tearing shreds off of each other and, and kind of going out of their heads, and I think audiences will understand what Chekov was all about.

And this is available from Tuesday, unclevanyacinema.com, but you’re over in New York, so are you on the next project already, or are you doing something over there?

No, this is, this is where I, I live when I’m not working. But I’ll be back in, in England next year, I’m working on another Netflix show, so that will be good.

Now, when I said that Richard Armitage was coming on, it was- oh, the ladies, they go mad you know, ‘cause you’re so damn good-looking. And all these people, they’re on about the blimming Hobbit and all that sort of stuff, which is fantastic. But for me, do you know what thrills me most about you?

Go on.

You’re the guy that married Dawn French in The Vicar of Dibley. That’s the first thing that comes to my mind-

*Laugh* I knew you were gonna say that.

I know that for a lot of people it’s The Hobbit, and I know how big those sort of things are, and I know how good this, this new film is, but for me, you say ‘Richard Armitage’, he’s the guy who was nearly cheated on Dawn French.

Thanks for that.

No, not on-

He wasn’t cheatin’ on her.

He wasn’t, but she thought he was. But you’ve done so much-

Maybe they’ll re-run it at Christmas, who knows.

Oh, they re-run it all the time, Vicar of Dibley. Can’t move for it.

Do they?

Oh, they can’t move for it. UK Gold, it’s on every half hour. I hope you’re getting royalties for all these repeats.

I do too! I didn’t know it was on.

Oh, it’s on all the time. On all the time! But when you, when Covid’s out of the way as such, do you go back on stage with this, or has that sort of run its course now as a play, and you’re just gonna, it’s new life is now in the cinema?

I, yeah, I don’t think we’ll get the chance to go back, and I think that’s to do with the theatre is now being handed over to the fantastic David Tennant who’s gonna perform there-

Of course.

And the set is gonna be taken away, so I think this was a last chance to, to sort of discover the, this play. But I’m thrilled it’s on film, y’know. Film is forever, so…

That’s a good thing. I will just- if I don’t do twenty seconds on, twenty seconds on The Hobbit, the people will go mad. Great thing to be involved in, is it still something people ask you about?

It’s massive, I mean it was such a huge part of my life as well. Life-changing, y’know, going to New Zealand and working with one of my cinematic idols, y’know, Peter Jackson and that whole cast was, was phenomenal, and y’know, one of my favourite childhood books, so I, I couldn’t have asked- it was a dream come true really. And I, uh, still have incredible memories of that time.

So, Uncle Vanya, okay, is out from Tuesday, unclevanyacinema.com, but to be honest with you-

.com!

I’ve just been doing some googling, and if you just type in to any search engine ‘Uncle Vanya’, it comes up as the top listing. I mean there’s some great reviews for it as well-

Brilliant! And have you been to the cinema in this time?

I haven’t!

Are you getting out and going?

No, I haven’t been, that’s what I’m thinking, I should go and do it.

Give it a shot! I’ve done it, I did it a few times while I was there, and y’know, if you do obey all the rules and let the cinema take, y’know, do what you’re ‘sposed to do, wear the mask, it’s fine. It feels like normality. I mean, it’s like a Tuesday afternoon when there’s not that many people in there, but it’s still, y’know, still worth it.

I’m not minding that you see, ‘cause you’re guaranteed-

No.

-not to be next to someone who’s gonna be eating their popcorn in your face.

Chewing their popcorn.

Yeah.

Exactly.

That’s it. Or you get the couple in the back getting off with each other. I’m quite glad to be on my own there watching.

*Laugh*

That’s absolutely fine.

Is that what happens in cinemas in Somerset there?

Oh, it does, it does. Not-

*Laugh*

-not as much as I’d like. Well, look, Richard, it’s been a pleasure to speak to you, you are a gentleman, and I’ll give you a big plug again, Uncle Vanya comes out on Tuesday, unclevanyacinema.com, the reviews are great, it’s got five stars everywhere. Thanks so much for your time.

Thanks Andy.

[pebblysand]

[SEPTEMBER ‘21] - THE LIFE/WRITING UPDATE NO ONE ASKED FOR (AND SOME QUICK LINKS)

well, hello hello, welcome, it is september first and hogwarts is back in session, haha! where’s your letter, did you get it? i hope so!

in true gryffindor fashion, i’m a summer person. i like parties, the beach and hot weather, so i’m currently working hard, trying to delay the inevitable return of autumn and the dreaded back-to-school mood by staying in sunny southern france for a few more days. i’ll be back in dublin on saturday where, as per usual, rain has been scheduled to occur upon my return lol.

Anyway, before diving into more life/writing updates, here are some quick links to different blog pages you might not see on mobile :

to read my fics [updated]

to read my original work

fic recs

to read my tumblr rants about stuff

[NOTE: i am currently not accepting prompts. i already have a backlog, folks.]

Castles (chap 9) ETA: optimistic? 19 September. realistic? october.

links extended a/n-s: chapter v ; chapter vi & vii ; chapter viii

[more life/writing updates under the cut]

what i’m reading:

i’m actually quite happy with my book reading this month. i read a friend’s short-ish (27k) story, as well as two full books, and started a third. i wanted my holidays to be a time of catching up with missed reading opportunities, and it definitely was.

first, i read three rooms by jo hamya. i picked this one up because it was recommended by my bookshop, was written by a BAME author, marketed as a ‘millenial’ literary fiction novel which i’m always a sucker for, and the cover looked intriguing. the story is that of an unnamed narrator in her early/mid-twenties, navigating the end of her masters degree and her first job in london. to be honest, as i previously said in another post, i don’t particularly fancy myself as a book critic so i don’t really like to say negative things about the books i read. as an author, i know how hard things can hurt when people are talking about your writing sort-of behind your back and i’m always paranoid that the author might one day see what i’ve written, lol. this being said, what i will say about this book is that while not bad, it wasn’t really a fit for me. the writing is very good, crisp and quick just the way i like it (though if you get irritated by the current trend of not using quotation marks for dialogue, you might get irritated by this), but i just found it hard to relate to the characters. i think you will like this if you like books that are more about their setting and their world rather than plot or character. the author is really good at describing current britain, life in london, the book is brilliant at describing the millennial ‘world’ of social media, politics, etc. but its main character seems to just aimlessly float through her life without any sense of self or purpose, which i personally found very frustrating. the book addresses issues of class, poverty, temp contracts, housing prices, discrimination but it feels very much like a matter-of-fact statement rather than an actual argument to change things. the other characters are mildly more purposeful but very single-purpose and while the novel is interesting but it didn’t really make me feel anything beyond an intense desire to grab the narrator by the shoulders and scream: do something! three stars.

then, i read incendiary by chris cleave. full review here. this book is just unreal and the best fiction i’ve read in close to a year. if i could give ten stars i would.

i’ve now started an american marriage by tayari jones. unless you’ve been living under a rock, this has probably been recommended to you a billion times already, but what can i say, i’m always late lol. i’m only about 100 pages in but seems promising.

in terms of fanfic, i honestly haven’t read much bar this one fantastic spooks au of which i really wish there was more of. i have trolled all of livejournal and dreamwidth to find the rest and came up empty. tragic.

what i’m writing:

funny how the girl on a writing break still managed to put out circ. 9,000 words in a month, lol. granted, pick me choose me love me was written in july, but still.

this being said, i do feel like i took time off and i do feel way better than i did back in july. looking back, i was exhausted and burnt out and felt like i was mostly writing to fulfill people’s expectations, rather than to make me happy. i’m now feeling much more confident with my words. the story that i did write this month was a self-indulgent bit of fun because it was written for a fandom no one cares about, and rather liberating, if i’m honest. i think i needed to write something for me and my audience of three again, and it was great. i genuinely love that story. i do think that if you want to give it a try, it might be one of those that can be read without having watched the show in question because it’s about a side character so a lot of what’s in there is original rather than show-related. if you do want to read it, it’s here: listening to that angel choir.

in terms of upcoming projects, i’m happy to announce that i’m actually excited to get back to castles, which is exactly what i wanted this break to achieve. i’m waiting until i get back to dublin to get back to work but i’m ready to dive back in and honestly can’t wait. as i said above the cut, i would love to put it on the 19th September but i’m not sure that i’ll manage to whip out next chapter this quickly. it’s not unheard of, so we shall see. also, castles is turning a year old on 16 sep, which is absolutely fucking insane. i certainly did not think it would be this massive of a project when i undertook it, lol. the numbers on it both in terms of wordcount and appreciation/hits give me vertigo so i try not to look at them but honestly, i can’t thank you all enough. i know i always say this but i come from very small audiences and fandoms and the amount of love i’ve been getting this past year thanks to all of you has meant the world. thank you.

in terms of one shots, i’ll be mostly focusing on castles this month, so i probably won’t write anything else. this being said, for those of your on tumblr, just be aware that you might see me repost some of the tumblr ficlets that i posted on tumblr these past few months on ao3 soon-ish. i initially decided to keep them on tumblr alone because they were too short but i’ve been having anxiety about tumblr collapsing and these things disappearing into the ether. so, don’t be alarmed, they should be the same, just reposted.

what i’m doing:

honestly, this month has been amazing, especially the past three weeks. i’ve been able to relax, see family & friends, went hiking, had my birthday, hired a boat - it’s been fab. as alluded to before, i’ve also been having fun rewatching spooks, which is definitely a series worth watching, even ten years after it ended. i find it even more fascinating in light of what is going on in afghanistan at the moment, and of course the presence in the show of rupert penry-jones whom i think every straight woman with a pulse fancies, is an added bonus.

anyway, i hope you’re all doing well. see you next month for pumpkin spice lattes (yeah, look, i’m a basic white girl) and the beginning of my seasonal depression.

lots of love,

pebblysand.

[fanfic-corner]

Writer Castiel

4/12/20 - I have wanted to be a writer since I was ten years old, so maybe I’m biased here, but I absolutely adore the idea of Cas being an author if he lived a different life!

Tabula Rasa by Dangerousnotbroken on AO3. (78,240 words).

Tags: Writer Castiel, Bartender Dean, Past Relationship, Pervasive Themes of Memory, Magic, Canon Typical Violence, Mentions of alcoholism, Mentions of Past Child Neglect, Mental Illness, Witches, Ghosts, Bi!Dean, Bi!Castiel, Referenced Past Minor Character Death, Angst, Slow Burn, Memory Loss.

My Rating: 5 stars.

Description: Once upon a time, Castiel Novak had everything. He had a happy home life, a full scholarship, and, if he played his cards right, a promising journalism career. And on top of all of that, he had Dean. Then tragedy struck, as it tends to do, and Castiel lost everything. At thirty six, he’s got none of those things. He’s got no family to speak of. He’s got a job investigating purportedly true tales of the supernatural for a magazine no one reads. And worst of all he hasn’t seen Dean in nearly twenty years. So when research for an article turns him on to a witch who apparently grants wishes in exchange for stories, Castiel figures it’s worth the risk. If making a deal with a witch can get him Dean back, what has he got to lose?

Notes: This was absolutely amazing; both written beautifully and with a fantastic plot.

the inexhaustible silence of houses by Askance on AO3. (31,820 words).

Tags: Horror, Psychological Trauma, Domestic Violence.

My Rating: 5 stars.

Description: Almost two years after the world doesn't end, Castiel falls from grace—and loses his voice in the process. It is the impetus for confession and change; before long, he is settling into a loving relationship with Dean, the Winchesters are tired, and hunting for a place to land has taken precedence to hunting anything else. Dean and Castiel fall in love with the strange little house on the end of Swallowtail Drive, and for a little while life is as it should be—sweet, affectionate, and beginning afresh. But more and more Castiel sees and hears things in the house that beg the question of whether or not a place itself can be alive. The walls and rooms seem to shift and grow and breathe, and one night, Dean comes home from a hunt changed in a way that Castiel cannot explain. In the months that follow, their domestic bliss takes turns for the dark and sour, and the confusion of their circumstances will ultimately test everything Castiel knows about the man he loves, and everything he believes to be true.

Notes: Excellently written, made me cry, and the ending was brilliant. Technically it isn’t tagged as Cas being a writer, but he does write some poetry throughout, and I couldn’t help myself.

Lost and Found by whelvenwings on AO3. (7,762 words).

Tags: Writer Castiel, Mechanic Dean, Demisexual Castiel.

My Rating: 5 stars.

Description: “Chuck Shurley? Sure, I’ve read his books. Kinda Vonnegut, but like, Kilgore-Trout Vonnegut, you know?” Dean took another gulp of his whisky, and smacked his lips like an adult. The guy sitting beside him at the bar, however, did not look suitably impressed. In fact, he was staring down into the bubbles of his cider, not even noticing the way that Dean was smiling at him, giving him the eyes. “I thought his stuff was pretty good, in a kinda metamodern way,” Dean added airily, and a little more loudly. The guy only nodded gloomily. Dean almost clicked his tongue against the roof of his mouth in frustration. C’mon, dude, I’m trying to impress you. Twenty minutes of talking and all Dean had to show for it was a weird first name, a series of dour stares and the strangest need to know more about this – Castiel.

Notes: This was written so well that I wanted to cry at Cas’ story of the stars, even though it wasn’t particularly sad. Now I want to go and stargaze with someone.

The House on the Ocean Road by coffeeandcas on AO3. (111,351 words).

Tags: Single Parent Castiel, Alternate Universe, Angst with a Happy Ending, Tooth-Rotting Fluff, Hurt/Comfort, Emotional Hurt/Comfort, Emotional Baggage, Hurt Dean Winchester, Writer Castiel, Car Accidents, Past Character Death, Adopted Children, Mentions of Suicide, Slow Burn, Anxiety, Panic Attacks, Implied/Referenced Suicide, Near Death Experiences, Hospitals, Explicit Sexual Content, POV Dean.

My Rating: 5 stars.

Description: Dean Winchester is on the run from his life. He's done something unforgivable, and can't face his family or friends ever again. So he does what any rational person would do: fakes his own death and vanishes into the ether. Wandering aimlessly along country roads, he succumbs to the elements during a violent storm and wakes up hours later in the home of a stranger: a single dad living alone in an isolated beach house, with a haunting past of his own. Cas is sweet and shy, but welcomes Dean into his home and tells him he can stay as long as he needs, never prying into his life or asking him to spill his secrets. As they rapidly forge a close friendship, Dean finds that the quiet life by the ocean with Cas is exactly what he's been dreaming of. He only hopes his past never catches up with him.

Notes: This was so gorgeous and the plot was fabulous! Also, I loved Jimmy, and Dean and Cas as parents were adorable. Weirdest use of Cole’s character that I’ve ever seen though.

What Can’t Be Seen by destieldrabblesdaily on AO3. (2,639 words).

Tags: Soulmate AU, author!Cas, Strangers to Lovers, First Kiss.

My Rating: 5 stars.

Description: Written for this prompt: Soulmate AU where you first see color after eye contact: Cas is a famous best selling author and he’s promoting his book, so he’s talking to a crowd of people and suddenly his world is in color, and a lot of his fans pretend to be his soulmate. A Cinderella type situation ensues.

Notes: This was really cute and such a sweet and funny idea.

(un)conventional by imogenbynight on AO3. (6,100 words).

Tags: Alternate Universe, mechanic!Dean, Writer!Castiel, Conventions, Fluff.

My Rating: 5 stars.

Description: Spec Lit Con--Speckly Con, to it’s regular attendees--is an annual weekend-long event held in Chicago, dedicated to science fiction, fantasy and otherwise speculative literature. This year Dean's favorite author, C.J. Novak, is appearing as a panelist. Naturally, he shells out the cash for an all access pass.

Notes: This was so adorable that I nearly screamed in the corridor outside my computer science lesson. Plus, the writing was absolutely gorgeous! I miss conventions :(

I Think That’s Mine by palominopup on AO3. (6,804 words).

Tags: Fluff, AU, Reporter!Dean, Writer!Cas.

My Rating: 4 stars.

Description: A mix up at the Atlanta Airport places Dean Winchester's laptop in someone else's possession. A series of calls and texts bring two men together.

Notes: This was so cute, Cas was so sweet, and Dean was an icon.

‘Star Wars is Overrated’ by leftdragonpainter on AO3. (38,186 words).

Tags: Soulmates, Pining, Drinking, Writer Castiel, Mechanic Dean, Neighbours, Swearing, Winchester Logic, Clueless Dean, College Student Sam, Awkward Dates, Dean Cooks, Castiel in Glasses, Slow Burn, Injured Sam, Fixing Cars, Smut, Costumes, Drunk Texting, Temporary Amnesia, Angst and Humor, Angst with a Happy Ending.

My Rating: 4 stars.

Description: When Dean Winchester turned sixteen he was disappointed by the words that appeared on his chest. He never expected that it would take so much to find his soulmate. He never expected to not remember meeting them...

Tags: Every time I thought I knew what was going to happen in this fic, something completely different happened, which I loved. 

Event Horizon by Winglesss on AO3. (6,442 words).

Tags: Suicidal Thoughts, Suicidal Dean, Depression, Post Traumatic Stress Disorder, Past Character Death, Emotional Hurt/Comfort, Fluff and Angst, Texting, Sharing a Bed, Happy Ending, Veteran Dean, Doctor Dean, Writer Castiel, Strangers.

My Rating: 4 stars.

Description: Castiel couldn't have helped his sister. That's why being offered a chance to help somebody else dealing with suicidal thoughts he took it without hesitation. When he gets the first text from someone who needs his help, nothing goes as he expected.

Notes: I don’t know if that kind of suicide prevention scheme exists, but this fic is very sweet. 

Darkly Dreaming Dean by Duckyboos on AO3. (29,008 words).

Tags: Alternate Universe - Serial Killers, Alternate Universe - Police, Detective Dean Winchester, Writer Castiel, Serial Killer Dean, Alternate Universe - Dexter, Established Relationship, Murder, Top Dean, Bottom Castiel, Anal Sex, Innocent Castiel.

My Rating: 3 stars.

Description: Dean Winchester has the perfect apple pie life with his shy-but-sweet boyfriend in the suburbs. He has a steady, well-paid job with the LAPD and he’s charming and attractive. Really, he’s living the American Dream. It’s his extra-curricular activities that some may disagree with, as he’s also an accomplished serial killer. To date, his kills amount to around 36 and he’s never been caught. He’s employed by the law, remember? He knows how these things work.

*

A new serial killer arrives on the scene and despite the sloppiness of their work, Dean is intrigued by them and what they're trying to achieve, because their MO is the same as his; killing bad people. He makes it his mission to track the other killer down before the police do, and he’s left reeling when the 'Basin Vigilante' turns out to be someone a lot closer to home than he could have ever imagined.

Notes: I sort of watched Dexter a few years ago, and I absolutely love the idea of Dean as a vigilante serial killer. I only wish that the synopsis was a bit different, so the end was more of a surprise.

Finding Home by Desirae on AO3. (42,828 words).

Tags: Baker Dean Winchester, Writer Castiel, PTSD, Past Childhood Trauma, Childhood Kidnapping, Mistaken Identity, Dean Whump, Castiel Whump, Best Friends to Lovers, Emotional Sex, Fluff, Humor, Angst with a Happy Ending.

My Rating: 3 stars.

Description: Dean Winchester lived a quiet life running his bakery. Aside from family, Dean had no desire to let anyone inside. The more people you cared about, the more you had to lose; A hard lesson he'd learned at the tender age of eight when Dean’s best friend was kidnapped right before his eyes. Dean was forever haunted by the event, although he hadn’t realized quite how much until Emmanuel James Milton breezed into his life; waking his sleeping heart with a complete lack filter and achingly familiar eyes. An author, with no family and traumatic past of his own, Emmanuel never felt like he belonged anywhere until he walked into The Honeybee Bakery and met Dean. It’s not long before they find out that there is a reason for their profound bond.

Notes: It was obvious what was going on here from the start, but that just made it even cuter as they fell in love again.

I think it is a shame we didn’t get more human Cas content, but I guess it is too late now. I hope you enjoy these fics, and if you ever have a specific list you want me to make, feel free to ask!

[bombshellsandbluebells]

Why do you stan Emori so much? I’m someone who has never really grown to like her, so I genuinely just want to know. I find a lot of her characteristics already done in other characters, or wholly unlikeable. I truly can’t see how taking her out of the story would change much of anything - Murphy’s arc could be aided along by someone else easily. So: This is your chance to use CANON (a lot of pro-Emori stuff I see is headcanon) to explain to my why I should like Emori.

Hey, anon! Alright, just letting you know, you ASKED for a long answer haha. :)

First, I just want to say that Emori clicks with me, but if you don’t find her interesting or don’t connect with her, really no matter what I say, it’s probably not going to change your opinion and that’s totally fine! Some characters REALLY click with you and others just don’t for whatever reason. So I’m not necessarily going at this like “here’s why you SHOULD like Emori” but more “here is why I personally like Emori, whether you vibe with that or not”

I agree that you can take her out of the story without it changing much, but I’d also argue that’s really the case for MOST of The 100 cast, the Griffins and Blakes and some other key players aside. At its heart, The 100 really is an ensemble show. It’s about how this particular world and the societies and the fight for survival affects different people and how they respond to it and the struggle between different groups and different beliefs and different people. 

The point of MOST of the characters existing in this series isn’t that they fulfill an important role in the plot, but that they each show a new perspective of what it means to live in the harsh, cruel world of the show. Obviously plot points are developed around these characters, but the truth is you could remove most of the supporting cast and rewrite plot points to work without them. 

So the biggest thing that Emori does for the show isn’t that it can’t function on a plot level without her, but she adds a new, unique perspective of what it means to live in this world and society and be affected by it. Emori’s perspective IS unique to this show (aside from the smaller other mutated characters who introduce the concept of societal prejudices but don’t really get the room to develop or connect with the audience). She’s on the lowest ring of society. She’s an outcast not because of anything she’s done, but because of societal prejudices and hatred. She’s part of just yet another group out there fighting for survival in this world. Her mutation is also a direct result of the bombs and the lingering radiation, giving another example of how that setup has affected this world and the people in it. So while, yes, she could ultimately be removed from the show without breaking the plot, you lose that perspective and worldbuilding. You lose that additional example of how this world affects the people in it. You lose that story. 

I like Emori because she’s interesting.

That’s really it. She’s a unique character. She has a unique backstory within the show compared to the other supporting characters. It was just FUN to get to know more about her and her life and how she has survived in this world.

Emori was born into a cruel world and immediately shown cruelty and hatred for something she couldn’t control. Her world labeled her worthless, her society rejected her, and Emori turned harsh and selfish and ruthless and mean in response. Emori has to fight, steal, and kill for every single scrap of survival because on one else thinks she deserves anything - even the right to live. The only reason Emori lived as long as she did was because SHE fought for herself and did anything she had to to survive.

I just think that makes such an interesting character and story. I just love watching how she approaches what happens to her and how she responds. I love that her world told her she’s worthless and deserved to die and Emori said fuck you, no I’m not, and fought to live anyways. 

I feel like a lot of people who don’t like her say it’s because she’s mean or does bad things or isn’t a perfect saint or is a bad influence or whatever and I just want to be like YES, EXACTLY. I like that she’s flawed. I like that she’s so mistrusting of the world because she’s been burned that she looks out for herself and her two people and would screw over anyone she had to. It’s way more fun to have a character like that - who has believable, understandable reasons to be like that - than a character who only exists to be the Moral Voice of Reason or isn’t allowed to actually have flaws. (Like there is a reason that Rubicon and Gimme Shelter will forever be my favorite Emori episodes. She is ruthless!!! And brilliant!!! And she will kill a man to survive.)

I think broken characters who have painful pasts and unhealed emotional wounds and fears and make questionable or outright bad choices are so much more interesting to watch and so much easier to connect to because THAT’S the human experience, baby. I might not be killing and stealing and conning people, but I sure have insecurities and fears caused by past experiences and can understand that.

I love, love, love that Emori is a con artist! Like that’s the coolest thing ever!!! She’s a brilliant manipulator and she knows how to play people. In Rubicon, she takes advantage of the fact that she looks weak and pretty and small and plays the damsel in distress to con a group of men. In Gimme Shelter, she uses the fact that her past experiences and Clarke’s contrasting privilege make her feel guilty. She’s BRILLIANT! She can use a knife and she can fight, but the way she’s made it this far in the world is by using her brain. I love that!!

I love that she manipulates and cons the audience alongside Jaha’s Merry Band of Men in Rubicon. Like she gets introduced to both the audience and the characters as this damsel in distress victim who needs help and is so harmless and then just flips the switch on us!!! Pysch!!! It was a TRAP the whole time!! Like, that’s just so fun and badass?? I love it. I love her introduction into this series so much. 

I love her early aesthetic. The blue dresses are nice but she comes into this series looking like a desert pirate bandit and that’s fucking fantastic and fun! I love it so much! I kind of miss it to be honest.

I love that she’s sassy and has a sense of humor despite how cruel the world has been to her. I love that she manages to find joy in things still. I love that she is loyal as HELL to the people she’s decided to care about and that finding acceptance and a place to belong in Spacekru allowed her to grow enough to care for an entire group of people and want to protect them. 

Which speaking of, I love her journey through this series as a whole so much. She starts off so untrusting of other people and so unwilling to try to join community (she’s so against going to try and join Skaikru at first) and eventually she finds her place and learns to love her family so MUCH. She grows so much more open with people and so much more trusting and kind as the series goes on because she finds a place that accepts her for what she is and lets her belong and she cherishes it and it changes her so much. I loved her growth through s5 and later seasons, going from someone who trusted ONE PERSON in the world and would let everyone else burned because she was scared of them hurting her to being willing to give up immortality to save her family AND others.

And I relate so much to her story of self esteem and dealing with society’s views of you. I don’t have a disability, but that feeling of being told some part of you is flawed or undesirable is relatable, and it means SO MUCH to me that Emori was given the option to make her hand normal and she said, actually, I have no flaws. I am HAPPY with how I am and it is SOCIETY’S problem that they can’t accept it, not mine. That’s a POWERFUL moment.

Anyways, this started somewhat organized and devolved into me just listing all the things I love about Emori, but really the answer is just I think she’s interesting. I think she’s complicated and real and flawed and unique and relatable and she grows and changes in interesting ways. I think she offers a unique new perspective and story to the show. And I also just think Luisa is a fantastic actress who is so fun to watch.

If you don’t feel the same way, then, like I said, seeing why I find her a fascinating, fun character probably isn’t going to change your mind, but I love her so much and I’m so glad she got added to the show. Thanks for asking for my opinion though!

[buginateacup]

@dalniente I’m making a new post for this

So based off our previous conversation I’m reposting this thing separately because I went for a walk and words started percolating and now I have three pages written already and there would be SO MUCH PINING. Because of course they cant be married they just need to get an annulment there’s no way this could ever, would ever work between them...right?

Original idea below based on the idea that Roxanne bills Megamind for destroyed shoes and clothing for the last seven years

Just Megamind looking over this list Roxanne’s presented him with and just going “Minion fetch the piggy bank!” and just smashing it open to hand her a diamond or something! And then being like, “Wait no that ones flawed you need something better...aha!” and hands her a better diamond on a ring instead (my brain escalates these things. Its what it does) and Roxanne just boggles and throws it back at him shouting “I wanted to get my shoes replaced not for you to ask me to marry you!”

“I wasn’t asking you to marry me!” Megamind did not think this through he’s panicking and Roxanne is looking furious and elsewhere in Metro Wayne Scott’s superhearing just heard the words “Marry me” and yes finally things are happening its about time.

“Well good!” Roxanne should not open her big mouth when she’s angry this is utterly humiliating why did she even mention marriage of course he wasn't proposing he doesn't even like her. This was the worst idea ever she just wanted to not have to worry about the blisters from breaking in another pair of shoes when she’d rather pay attention to the giant spiderbot or talk to him about how the brain-bots AI works.

“No. Not good! Not good at all!” You handed her a ring you mega-idiot what else would she think! This is nothing like the occasional hours weeks years of daydreams he’s absolutely never had ever in his life that she would say yes. That she would ever want to marry him. This is the worst this is the absolute worst “As if that’s the kind of ring I’d ever propose to you with!”

“EXACTL- wait what?” He’s thought about a ring? He’s thought about a ring specifically for her? That is not a normal thing. That is something people only consider when things get really serious. Why has he thought about a ring for her?

“What?” You just...keep making it worse for yourself don’t you Megamind. “Of course I wouldn’t propose to you with some possibly cursed ring! You deserve sapphires as blue as your eyes!”

“And you deserve emeralds to match yours!”  Oh my god Roxanne shut up shut up shut up, “ Why are you giving me a cursed ring!”

“Possibly! Possibly cursed!” Ahahahahaha help oh evil gods help, “Any ring I did propose to you with would be 100% not cursed! Emerald cut sapphire in a platinum band framed by baguette cut diamonds!”

“See now that sounds like a ring I would be happy to accept!” Stop talking Roxanne please, please try and get out of this with some shred of dignity left.

“Fantastic! I’ll make it for you tonight!” Oh no.

“Wonderful! I cant wait to wear it!” Oh fuck.

“Brilliant! Are we engaged now?” Of all the ways Megamind’s plans have backfired over the years he never imagined an outcome like this...

“Yes! I don’t know!...I guess? Sure! Fine!” Roxanne wonders if this is what it feels like when one of his plans goes awry...

And then we have two options, the first where the shouting continues...

“Thank the evil gods because I have been in love with you for years!” and Megamind storms towards Roxanne and pulls her into his arms

“Well good because I love you too!” and she wraps her arms around him and...

well...

turns out billing your supervillain for damages is a great idea after all.

And the Second which is much funnier...

They are not engaged. Definitely not. Today has just been a shared hallucination and they are going to go home and never speak of this again.

And this is about to get really funny or really terrible but they’ve finally stopped shouting at each other and they’re just looking at one another and Roxanne sort of sways and Megamind sort of sways and...

And Minion is suddenly there hugging them both and is just so ecstatic that neither of them have the heart to tell him that its all a big misunderstanding (is it?) and they’re not really engaged (are they?) but sure he can make Roxanne’s dress so they can get him out of the room for ten minutes while they actually work out how to tell him this was a mistake....

And then Metro Man flies in like “I’m so happy you two crazy kids finally worked this out!” And Megamind and Roxanne are both just...freaking and Wayne is going on and on about how much he wants to help plan the wedding and Roxanne says the first thing she can think of to not get roped into a Scott Family Event with a capital E and blurts out “We’re eloping!”

“We are? I mean yes! We are! Absolutely!“ Megamind agrees. They can get in the invisible car and just drive until they figure this out or until they run off a cliff whichever will be easier

(the cliff is currently winning)

“Oh great!” says the oblivious Wayne Scott who is just so, so happy for these two, “I’ll fly you down to Vegas right now!”

And he does. With Megamind and Roxanne in one arm and Minion in the other and Roxanne and Megamind have no way of communicating without the others catching on so they are just exchanging these panicked glances and then blushing because holy fuck why is this happening this was not the plan and before they know it they’re standing in front of an Elvis impersonator saying “I do” and Minion is throwing confetti shaped like brain-bots and Wayne is crying and Megamind and Roxanne managed to get a whole five minutes to themselves before the wedding to be like “Okay this is insane but we just get divorced later right? How hard can it be? We’re a damsel and super-villain no one will be surprised when it doesn't work out” (no matter how much they each privately might want it to).

That kiss though...that is really something.

They share a honeymoon suite with the works (courtesy of Wayne). Flowers, chocolate, champagne, his n hers bathrobes. It is extremely awkward. (except the bit I just wrote with body chocolate which, omg) There is only one bed and it is the size of a small continent and they still wind up accidentally tangled together the next morning.

But its fine. Its absolutely fine. There’s a divorce register in the hotel lobby exactly for these kind of situations. No one is even going to know.

Except Wayne flies back to Metro with Minion and they make a big delighted announcement so when Megamind and Roxanne do show back up (the Divorce register opens late on Sundays and they had to check out by ten. The universe really must have it in for them or something). The whole city knows.

And is actually pretty happy for them.

Apparently there had been a pool.

(Carlos, Roxanne’s doorman, won if you’re interested)

Okay fine, they can pretend for a while. Figure out some way for Megamind to go back to villainy and for Roxanne to go back to being kidnapped. This isn’t going to backfire at all.

Only Roxanne goes back to her apartment (alone) to have the panic attack she’s been pushing back for the last 36 hours, to find removalists on site and a representative from the city explaining seeing as she’s no longer the Metro City damsel she’s not entitled to remain in her lovely open living giant balcony apartment she’s been living in for the last seven years that the city has been subsidising her rent on.

Roxanne’s apartment is was very nice and extremely expensive. More than she can afford on her own. So she puts her stuff in storage, packs a bag and hunts down the Evil Lair. And she walks in like “Hi Husband. I live here now I guess.” (please don’t throw me out can I stay? Can I stay forever?)

And Megamind who has been contemplating cutting off his own finger rather than trying to remove the ring he’s still wearing, sees her walking in with a bag, still wearing that awful (possibly cursed) ring and just...

Right.

Okay then.

Hi wife, please stay and never leave but of course we cant be married what were we thinking and now we have to keep this a secret from Minion except we live with Minion and he’s going to be very concerned if you ask for a separate bedroom and I guess I’m a superhero now which means you’ll be getting kidnapped by other villains and that is NOT OKAY AT ALL and there will definitely be a “That’s my wife!” moment and no one understands why I look so absolutely gobsmacked when you kiss me on live tv after I rescue you and you tell me you love me but oh of course it was for the cameras it wasn't real

SO MUCH ANGST AND PINING

...

...

This is a problem they can solve...somehow

Except now they’re stuck married and living together and all of Megamind’s uncles are asking when he’s going to bring their new niece in law to visit. and there is so much PINING because they each think the other doesn't want to be married except they sorta want to and ugh...

---------------

Roxanne woke up in the middle of the bed, one leg twisted around someone else’s and the taste of chocolate still in her mouth.

This is not her bed.

Did she hook up with someone?

There is someone snuggled close behind her breathing softly. She can feel a lean chest bare against her back and is that a goatee pressed against her shoulder? 

Roxanne opened her eyes and looked down blearily. there was an arm around her waist, pulling her back against the body behind her. She has her fingers tangled in the other persons hand. There's something about the arm. She squinted in the early morning light.

Its blue

Oh

Well

That’s okay that’s just Megamind then. Roxanne closed her eyes and snuggled backwards a little. The arm around her waist tightened and the lips on her shoulder pressed a sleepy kiss against her skin.

...Wait

That's Megamind.

Roxanne's eyes shot open. She pulled her hand and the one she was holding up to the light. Definitely blue. Long fingers and square palms and definitely not human. 

And there are rings

There is one ceramic zirconium band in dark grey and a large (possibly cursed) diamond ring on the ring fingers of each of their hands.

Why is she in bed with Megamind and why are there rings and oh god she just remembered everything.

Very carefully she laid their joined hands back over her waist and hoped desperately that she can just fall asleep again and not deal with this.

She can feel the moment Megamind wakes up. A whole body shudder goes through him from his feel up to his head and he shakes into full alertness.

"Oh evil gods"

She felt him roll onto his back and press his hands over his face. But her hand is still tangled in his so he winds up pulling her on top of him instead.

And Roxanne panics and flails and rolls over as well until she is lying on top of

...her husband

He's her husband.

He's her husband and he's awake and she's awake and he's looking up at her with brilliant green eyes the colour of emeralds and she sees the recognition dawning and she wants to kiss him, wants to say "hi", wants to say "want to stay married?", wants to say "what if this wasn't a mistake?" but what comes out is "We should get divorced."

[razieltwelve]

Date Night (Final Rose AU Snippet)

Note: Set in the same Averia x Yang AU as Experiment.

X    X     X

"Do you really think they believe we’re actually investigating the local area for signs of Grimm?” Yang asked as she watched Averia bend over to rummage through her backpack. It was a wonderful view. Averia looked great all the time, but she looked fantastic without any clothing on.

The pink-haired girl straightened and gave Yang an amused look. “Probably the only one who believes that is Ruby. I think the others are all fairly sure we’ve gone off to screw each other’s brains out.” She paused. “Although in fairness, we did scout the area for signs of Grimm before getting to the aforementioned screwing.”

Yang snickered, and then groaned. Laughing was slightly painful. She had, once again, encouraged Averia to be as enthusiastic as possible. Averia had been more than happy to comply, and Yang had been happier still. Of course, nothing was perfect. As incredible as Yang had felt not too long ago, her body was now making its aggravation known. Apparently, being taken on just about every available surface and piece of furniture wasn’t good for her back. Who could have known? Oh well. Totally worth it.

“Yeah, you might be right about that. I’m half convinced that Ruby still believes in the Cookie Fairy.”

“The Cookie Fairy?” Averia raised one eyebrow. Yang gave her a lazy wave from the bed, and Averia gave a melodramatic sigh before she came back to give Yang her mandatory post-coital cuddle. “What is the Cookie Fairy?”

“Basically, it’s something dad came up with. Since Ruby loved cookies so much, he said that good girls get a visit from the Cookie Fairy who gives them cookies for every good deed they’ve done.”

“How old was Ruby when he told her that?” 

Yang shivered as Averia stroked her side. It was crazy to think that despite how sore her body was and how much they’d already done, she was already eager to do more. Maybe she really was addicted. Her lips twitched. Addicted? Did that mean she could die of an overdose of Averia? Maybe. But what a way to go. She could already see it now: 

Here lies Yang, dead from multiple orgasms. 11/10. Would die like that again.

“She was seven.” Yang couldn’t help it. The thought of her imaginary tombstone was too much, and she began to snigger.

“What?” Averia’s caress turned into a gentle poke. “I know that laugh. You’re thinking something stupid again.”

“I have never had a single stupid thought in my life,” Yang retorted. “I’ll have you know I’ve been tested. I’m well above average in intelligence.”

Averia rolled her eyes. “Yang, have you forgotten who’s in my family? My aunt and my sister are both simultaneously the smartest people in the world and the stupidest people in history. You can be a genius and an idiot at the same time.”

“Hmmm...” Yang laughed. “I suppose, you’re not wrong. Diana did build that death ray last week to help get rid of the weeds growing in between the bricks in one of the gardens at Beacon.”

“She insists on calling it an anti-life beam since it doesn’t affect anything that isn’t alive, which, she claims, makes it perfect for slaughtering weeds while leaving the bricks undamaged.” Averia looked heavenward. “I’m just waiting for her to start equipping robots with it since it reduces the risk of friendly fire.” She poked Yang again. “But you still haven’t told me what you’re laughing about.”

Yang told her.

“Really?” Averia’s lips twitched. “You think that would be a great way to die.”

“Well,” Yang said. “I’ve basically decided that there are three ways I wouldn’t mind dying.”

Averia stared. “Keep going... I’m morbidly curious to know more about how your mind works. Did you know Saviour has you filed under ‘deranged’ in its psychological categorisation folder?”

“I take offence to that. I’m not deranged. In fact, I happen to think I’m very charming.”

Averia looked very pointedly at Yang’s naked form. “Some parts of you are definitely charming.”

Yang gave her a gentle bonk over the head. “Don’t be rude. Anyway, back to what I was saying. So... three ways to die. First of all, I figure I might actually make it to old age. I wouldn’t mind dying as an old lady with plenty of family around me. I could spoil my grandkids rotten and then send them back to my kids loaded with sugar and hunting stories.”

“You are a terrible human being.” Averia gave her a flat look. They both knew what happened when kids got hyped up on sugar and stories of fighting Grimm. Disaster. “But that might be part of your charm.” Averia again gave Yang’s body a pointed look. “Amongst other things.”

“Hmm...?” Yang’s lips curled. “Are you saying you only like me for my body?” She covered her face with one hand. “Oh, woe is me, to serve as nothing more than a vessel for your ruthless and utterly insatiable lust and depravity.”

“Depravity?” Averia leaned forward, lips almost touching Yang’s. “Yang, you’re the one who comes up with most of crazier stuff we do, not that I mind.” Her green eyes narrowed. “Remember that brilliant idea of yours involving the kitchen counter, every ice cream topping you could think of, and the sort of gymnastics that even I struggle with? Yeah. We almost ended up in the hospital because of you.”

“Are you saying you didn’t enjoy it?” Yang asked teasingly.

“It was fantastic,” Averia replied promptly. “And you were incredible. But that doesn’t mean you’re not crazy although I suppose you’re my crazy.”

“Your crazy, huh?” Yang couldn’t help the surge of warmth that ran through her at the words. “But, yeah, living to a bazillion and becoming that awesome grandma figure is one way I wouldn’t mind going. The second way, well, I kind of figured I’d die covered in glory fighting a whole heap of Grimm. You know, bodies piled up around me so high that I’m basically wading through the corpses of my enemies.” Averia said nothing for a moment, and Yang realised that her expression had, just for an instant, gone completely blank. “Averia?”

“You are not dying like that.” Averia’s arms tightened around her. “It’s not happening.”

“Uh... you know I was just joking around, right?” Yang found it hard to meet Averia’s gaze. Her eyes were filled the sort of ruthless determination she normally only saw when Averia was about to call on Saviour. “Right?”

“It doesn’t matter if you were joking or not. You’re not dying like that.” Averia made a face. “It’s not happening. Not ever.”

“Okay.” Yang relaxed in Averia’s embrace. Averia knew that Yang could take care of herself, so it wasn’t often that the ‘overprotective psycho’ part of her personality came out, but it was, in some ways, gratifying to know it was still there. “And, well, you already know the third way.”

“Death by multiple orgasms, huh?” Averia pressed a kiss to Yang’s cheek. “You do realise that isn’t likely to happen, right?”

“Oh? Do enlighten me.”

“It’s fairly simple,” Averia said, and Yang bit back a smile as she found herself on her back with Averia straddling her waist. “Simply put, you would almost certainly pass out before dying of cardiac arrest.”

“Is that so?”

“Yang, I have copious quantities of data about how your body responds to pleasure.” Averia shifted, running her hands along Yang’s sides and bending down to press her lips to Yang’s collarbone. “You are, in many ways, highly predictable.”

“I am?” Yang was only mildly annoyed that her voice trembled when Averia’s lips moved from her collarbone to her chest and then down to her belly.

“Yes, you are.” Averia lingered, hands reacquainting themselves with the full, welcome weight of Yang’s chest before she moved to kneel between Yang’s thighs, the blonde’s legs draped over her shoulders. “You basically go through several stages.”

“And what would those - ah! - be?” Yang managed to force the words out as Averia’s hands cupped her bottom and lifted her up, so she could press her lips to Yang’s womanhood. 

It was several moments before Averia replied, and when she did, Yang almost wanted to curse herself for asking a question. It was criminal how good Averia was at this. Then again, this was what she got for asking Averia to essentially optimise sex. She knew exactly how to touch Yang, and she had zero qualms about seeing how quickly she could bring Yang to climax and how many times she could get her there, to say nothing of her constant attempts to improve just how long she could keep Yang in a state of bliss.

“The first is begging,” Averia replied. “You always beg me for more, Yang. Always.”

“I do not beg.” Yang glared, or tried to.

“Really?” Averia smirked. “Let’s find out.”

Less than two minutes later, Yang was indeed begging.

“Oh, shut up,” Yang groaned. “You’re evil.”

“I’m right.” Averia slipped Yang’s legs off her shoulders, and the blonde almost wept with frustration. “But your begging comes in two flavours, Yang. We’ve already gotten to the bit where you beg me for more.”

“You’re a real jerk sometimes. You know that - ah!”

Averia’s smile was almost cruel as she drew her hand back and then thrust her fingers into Yang again. The blonde convulsed, back arching, at the hard, deep penetration. “But after you beg me for more, there’s the bit where you beg me to stop because you can’t take anymore.”

Yang tried to must a scowl. She failed.

Averia leaned forward, fingers twisting inside Yang. “But the funny thing is, you can take more. For instance...”

Yang did end up taking more. A lot more. 

Twitching weakly and only barely conscious, Yang was only vaguely aware of her surroundings. What she was aware of, however, was Averia’s voice as the other huntress whispered in her ear.

“And here’s the part where you’re totally helpless and at my mercy.” Averia’s fingers were still inside Yang, not moving much, but enough to send echoes of pleasure through her as a deeper ache began to build inside her. “Now, sometimes, Yang, you pass out here. And that’s fine. It’s always great falling asleep beside you once we’re finished. But with a bit of effort and the right sort of stimulation...”

Yang’s eyes widened slightly as Averia moved against her.

“I can make sure you don’t pass out, and that means we get to see just how much more you can take.” Averia smiled. “And that’s where the fun really begins.”

Later, much later, Yang was staring up at the ceiling. “Am I dead?” she asked.

Averia chuckled and licked her fingers clean. “No. But I think I’ve made my point. Any amount of pleasure great enough to kill you would almost certainly make you pass out first. Short of using Saviour to prevent that from happening -”

“Wait... you can do that?”

“Yang,” Averia said seriously. “I am not joking. You pass out for a reason. Using Saviour to override your body’s ability to self-regulate might actually make it possible to kill you with orgasms. I would rather not have that happen.”

“...” Yang made a weak attempt at grabbing Averia. “Your Semblance is bullshit, you know that, right?”

“I’m told that quite frequently.” Averia chuckled. “But I mean it. I am not going to kill you with orgasms. Not happening.”

“Aww...” Yang yawned. “Please tell me we don’t have to go anywhere else tonight?”

“We’re fine. I told the others we’d need at least until tomorrow afternoon to be thorough.”

“Tomorrow afternoon, huh?”

“Yang, you can barely keep your eyes open, and you’re already thinking about doing more?”

“I’m thinking about doing you?” Yang grinned toothily. “You’ve been focused so much on me today. I’d like to return the favour.”

“I see.” Averia patted Yang’s side. “Well, you’d best get some rest then because I expect you to be at your very best tomorrow morning.”

X    X     X

The next evening...

Ruby looked at her sister. “Did something happen while you were scouting for Grimm?” Her eyes widened. “Wait! You must have run into some really strong ones, right? Don’t keep it a secret! Tell us all about them!”

Weiss covered her face with one hand. “Ruby, I don’t think that’s why your sister is limping.”

X    X     X

Author’s Notes

People seem pretty fond of the Averia/Yang pairing, so I thought I’d throw something new together for it. They do have good chemistry together, and I will say that dialogue between them comes along pretty naturally.