#and when in s5 he finally faces it and accepts it and can finally pursue Will the way he wants to

[chirpsythismorning]

Skam show-runner Julie Andem clocking the fuck out of Mike being queer-coded in s1 of Stranger Things, and then using it as inspiration to queer-code Isak in s3 of Skam can be something so epic.

THIS! THIS is what I'm talking about!

In ST, there are two scenes in s1 (pretty/still pretty) that milkvans use as irrefutable proof that Mike has always had romantic feelings for El, with the primary object in the scene being a mirror.

THIS. MEANS. SOMETHING.

Mirrors in film mean something more often than not, but especially when they are the focus of a scene is when they definitely mean something. And the way they go about it differently in between those two scenes in ST, drastically differently, and considering the subject matter is very very queer coded, is how you really know there is a significance in this case.

And that scene above from Skam proves it.

Because apparently, another filmmaker watched ST, picked up on those odd details surrounding Mike and said shit I'm gonna use that...

Notice how Isak here, a gay teenager who is fully in denial with others and himself, to the point where he makes really homophobic remarks often, gets caught denying a bunch of girls as being attractive in a conversation with his friends. And so now they're questioning him and making him feel on edge bc the focus is on him and his attraction (lack thereof) to girls.

While his friends aren't even implying he is gay in this moment, it's just them genuinely being confused why he doesn't think any of the girls they think are attractive are attractive, you can still see that Isak starts to feel the pressure and so he latches onto the first girl he thinks of, Emma.

Emma just so happens to look like Natalie Portman with her extremely short hair.

Low and behold this very girl enters the room shortly after he says this and so now Isak has to face this and give his friends the impression he is fully interested in this girl, otherwise they would DEFINITELY suspect something is off. And so he goes all out.

He outs himself.

He literally says Don't you look like that boy from Stranger Things, and then follows it up with saying he would only be attracted to her if we're assuming he is attracted to boys, only to quickly backtrack and start to approach her really flirtatiously, then going all out by making out with her.

As this happens, he is kissing her in the bathroom, in front of a mirror...

Now I want to make clear, I am not saying ST was inspired by Skam. I'm pretty sure I did make that clear, it's actually the other way around, which is even more incriminating arguably.

S1 of Stranger Things came out in 2016, whereas s3 of Skam came out the following year in 2017. The hype for ST was so immense, to the point where you had Norwegian teens referencing it in everyday conversation.

The creator of Skam took scenes from ST that framed Mike very peculiarly in s1, and used it as queer-coding for a character that ended up being revealed as gay.

For those that haven't seen Skam Norway... Run. Leap. Drive. Teleport. Do what you have to do and go watch it. It's not available on any streaming, in fact it's only available online through fan-sites outside of where it's based. Conveniently, all 4 seasons with English subs can be found HERE.

Basically this show is amazing and you need to watch it. Some seasons I like more than others. But the gist of it is that every season focuses on a different character from the main group, where they experience some sort of misunderstanding/miscommunication that leads to them being misinformed about certain things, followed by them making mistakes and having doubts, though it tends to end in a way that feels so refreshing compared to what we're used to.

Skam also translates in english to shame, so the idea is that there is an arc surrounding some form of shame every season.

With Isak in particular, he's the focus for s3, though his arc starts to become more clear as early as the end of s1.

Eva, the character in focus for s1, borrows Isak’s phone to call someone, and ends up seeing that there's gay porn in a bunch of his tabs on his browser. Their friend Noora also witnesses this and she ends up being the focus of s2.

Throughout s2, we get even more blatant hints that Isak is gay and in love with his best friend...

So it's established pretty early on throughout the series that Isak is queer and in denial about it, but it isn't until s3 that he himself is able to confront it.

The way they go about this arc, with Isak having unrequited feelings, is exactly how ST would have done it IF Mike hadn't returned Will's feelings.

So if you're looking for more byler proof, go watch this show and see how they don't let Isak pine over his best friend Jonas for more than 2 seasons.

When the story finally puts Isak at the forefront, they give him his own love interest instead of keeping him pining for his friend. It's really pure and amazing and TBH I would have been fine if ST was framed this way, with it being clear from the beginning Isak's feelings were unrequited, and with the other half of the series focusing on him moving on and finding love himself, and also with his best friend and him still being very close.

Although Isak has that queer-coding from the very beginning, with him looking at his friend all fondly, he is still not able to confront any of it. The following season he dates a girl and is a little over the top about it, though we can also see that he is struggling despite not wanting to face it. It isn't until s3 when the story shows us his inner struggle at the forefront, that we see him finally confront it and accept it.

For those that don't know, Skam also loosely inspired the Nick Nelson gay test scene... So we have character that despite showing many signs of being queer, to the point where we know he literally watched gay porn, is still finding himself in a situation where he's taking gay tests 2 years later....

While he might have the knowledge deep down, he was not willing to face it. In fact he was doing everything he could to avoid confronting it.

But then he falls in love and suddenly it's not something he can ignore anymore...

[shantechni]

"2012 Mikey is Abused" and other constant complaints that, quite frankly, don't make sense

Since one Reddit user (who shall remain anonymous) inadvertently made me type out an essay I intended to write and post in a more coherent manner at a later date, I will be using their comment and my response.

Anyways, the comment itself starts off fairly normal and agreeable:

But then I see the next three points and my sleep-deprived mind just goes off the rails, so let's start with the second point:

Let me preface this by saying I absolutely do not condone the writing here because everyone under the sun will agree that we could've easily had the "Karai is our sister!?" plot twist without Leo and Karai briefly developing feelings for each other.

The problem is that this brief development of feelings is wildly blown out of proportion by the fandom, so much so that it makes it seem as though Leo and Karai actually had anything legitimate going on between them.

The "incest-eqsue garbage" between Leo and Karai is almost nonexistent outside of the writing room. They openly crush on each other for a whopping six episodes by way of verbally teasing each other and being at odds before Karai tells Leo that she's the Shredder's daughter. That's it. He is not pursuing her after that (hardly ever did, not even to the extent that Donnie pursues April) and Karai isn't remotely fond of him anymore after he broke their deal. Then, after we find out alongside Splinter that she's actually his daughter, he tells Leo towards the end of Follow the Leader. We don't get a reaction, actually nothing on Leo's side since the Foot Clan is mostly absent with April being the main point of conflict, even in Target: April O'Neil because April's forgiveness of the turtles is the main focus.

Leo eventually attempts to tell Karai the truth in Wormquake! and The Manhattan Project and she obviously doesn't believe the poor guy, she just wants to kill the turtles and Splinter at this point. Leo doesn't tell her because "he still likes her", but because, in his own words, it would change everything. She deserves to know the truth and Splinter shouldn't have his own daughter cursing him at every waking moment. When she tricks the gang into bringing her to the lair under the guise of her finally accepting the truth, Leo is ecstatic and his first thought is for her and Splinter to make amends. He's upset that Raph still can't fully trust her in the end when she fought alongside them (who can blame Raph though, he's cradling an unconscious brother after a plan gone awry), and that's the end of that.

They dedicate two episodes to the guys attempting to rescue her because Leo has enough brain cells to worry about what the Shredder could be doing with her, and Raph makes a jab at Leo on one instance when they find her (there is absolutely no romantic undertone, Raph just picks at his old crush on her and their tendency to tease each other at the worst times). Then, when she wants to get back at the Shredder for ripping her away from a life she never knew was her's, Leo attempts to aid her because he knows it isn't wise to face someone like that alone, especially with his henchmen there.

There's one last self-aware jab at their past feelings in S5, of which Karai awkwardly remembers and forgoes mentioning, and that's the last you see or hear of that.

As much as I dislike it, I'd take this narrative over the Donnie-April-Casey hurricane any day.

It seems that 2012 Mikey's mere existence is a sore spot for fans because Jesus Christ this gets brought up way too much.

Mikey is not written as a complete idiot, he's written as someone who doesn't see a reason to take everything so seriously, has odd habits, and doesn't always think things through, yet is shown to be highly capable and intelligent when the situation calls for it. Yes the writers left much to be desired at times, but to say they wrote him to be a "complete idiot" and left it at that is just offensive. I'll ignore all the miraculous things Mikey can do with Kraang stuff and Dimension X and focus on what other things he's shown to be capable of.

Mikey was a temporary learning model for Donnie in how to fight without thinking, or in better terms, how to fight instinctually without becoming bogged down by your own mind. Splinter's lesson is shown in a comedic manner, but that's ultimately what helped Donnie defeat Falco.

Another interesting thing is his ability to keep his composure when no one else around him can do so. I mentioned this briefly in another post, but it really stands out to me how he put Leo at the top of his priority list in Invasion Part 2. He's as worried for Splinter as Raph and Donnie are, but they have with them a crippled and unconcious Leo who needs medical attention asap, compared to martial arts master Splinter who's older and wiser than the three of them combined at times. Even when they eventually find Splinter and lose him, he keeps the gang in line by reminding them, as well as himself, that Splinter can take care of himself.

Along with that is when Splinter was kidnapped in The Manhattan Project. Mikey was quick to intervene when Raph was angry with Leo for allowing Tiger Claw to coax him into calling Splinter, and he reminded the two of the problem at hand: they have Splinter, let's go find him and take him back. There are so many other moments when he becomes the levelheaded one in response to the chaos or disorder surrounding him.

Mikey is a highly skilled fighter, he's emotionally intelligent, he remembers the weirdest things that eventually aid the team, he's street smart, he's a fast learner (ex: Bradford's secret kata, as well as the temporary use of the plasma katana in Target: April O'Neil), he's great at distracting enemies without needing to become bait, he gets insecure about things, he has photographic memory, he's the most outgoing of his brothers and therefore ends up with the most friends, he's quick to adapt to a situation and think of a plan, he can throw together seemingly random ingredients to create exactly what Donnie would struggle to create, he knew exactly what to do to find Casey after his run-in with Tiger Claw, the list goes on.

Heck, just to add to this, Mikey is the one who saves the day in three separate stories in S5. 1) His temporary electric powers save the world from Dregg and the Newtralizer, 2) he convinced Frankenstein's monster to join their side, retrieved the scepter from Savanti and Dracula (he accidentally broke the scepter while he was at it, but that helped) and cured Raph and Donnie of their vampirism, and 3) he was the one who repaired Kavaxas' seal and made him reopen the portal to the Netherworld so the dead could return.

The brothers don't always take him as seriously as they should or listen to him, and that's understandable at times, but when they do, they're reminded of the fact that Mikey, in his own way, is intelligent.

If I had a dime for every comment I've seen about this, I'd be rich enough to buy the TMNT series from Viacom and right every wrong they made with the 2012 series.

These abuse allegations are as bad as people putting Markiplier in the same tweet as problematic Youtubers and saying something wild like, "these content creators should've been cancelled a long time ago." I feel like people who say the brothers abuse Mikey are either an only child or genuinely have a warped sense for what actually counts as abuse, and I'm not even trying to be mean, those are just my thoughts. I shouldn't even have to comment on this, but the fact that people are still seriously believing that to this day is shocking.

Would you also like to say that Raph was abused in Turtle Temper when Splinter had the boys ceaselessly taunt him in that little exercise? Or that the boys abused Raph everytime they downplayed his anger? Or that Raph abused Donnie by threatening to hit him if he didn't find Snakeweed's hideout? Or that Leo abused Donnie everytime he stressed him out by rushing him for answers? Or that Donnie abused Mikey because Mikey flinched 2cm to the right when Donnie raised his hand to playfully knock at his noggin? Or that Leo was abused by the team because they took forever to view him as their leader? Or that Splinter abused the boys because he was "too rough" on them during training?? Or that April abused Donnie because she "constantly led him on"? Or that Xever and Bradford abused Baxter???

I'm losing my mind over here

Mikey is never physically or emotionally abused by his brothers, the show speaks for itself. But if you somehow aren't listening, go look up a textbook example of abuse, or better yet, look at Karai.

Abuse is the Shredder locking Karai in a dungeon when she tries to escape to her real family and going so far to become a peak manipulator by saying Karai was hurting him by making him lock her away. Worse than that, he starts brainwashing her with mind controlling worms so she has no choice but to obey him. Even before then, he's lowkey uncaring of her wellbeing: he treats her like any other soldier of his and doesn't listen to her when she tries to tell him something. He doesn't address her concerns about the Foot bots nearly finishing her off, instead telling her, "disobedience comes with a stiff penalty, especially for my daughter," when she objects to him telling her not to take action against the turtles while he's gone.

He only ever pays her any attention or gives her praise when it benefits him and his vendetta against Splinter.

Splinter and the turtles are the farthest thing from the image of a family filled with abusers. Raph openly apologizes to Mikey when Splinter tells him to stop picking at him in Shellacne, Raph comforts Donnie when the brainiac is somber after forcing Timothy into the equivalent of a cold sleep, Raph apologizes when his anger gets the better of him and he hits Leo harder than intended, Donnie apologizes when he realizes he shouldn't insult Raph when the guy is visibly upset, Leo regrets doubting Donnie about Metalhead, etc., etc.

Even beyond apologies, Raph is the quickest to entertain Mikey and vice versa during a mundane moment, Donnie never kicks Mikey out of the lab, Leo plays around with Mikey when the situation doesn't call for him to be their fearless leader, and Splinter is quick to advise Mikey during Karai's Vendetta and Shellacne. There are even times when the guys just go along with Mikey's antics because there's no harm in doing so, and often times Mikey needs a moment to be silly.

If you think play fighting, teasing, or getting a little physical with a sibling is the equivalent of abuse, particularly in the context of TMNT of all things, you need to do some re-evaluation.

[sweetcloverheart]

Clover Rants Miraculously: No Victory For The Simple Soul

(Full disclosure - this is a vent post more than analysis so don’t expect anything deep)

I feel the S5 finale highlights the biggest and most glaring issue that this and the last three seasons have had - Marinette (and by extension Adrien and the rest) not being allowed meaningful victories.

The entire point of a finale battle (specifically one that has your main villain giving his Swan Song) is that the character gains something at the end of it. Even if the battle ends with the loss of a friend or the MC no longer having access to their extra helpful powerup/superform, it’s not supposed to be a complete defeat - they’re supposed to learn something and resolve themselves to do better, or gain a new insight into the villain and go investigate their new lead, or promise to never allow another loss like what they faced again.

Miraculous doesn’t have that in their finale battles. All of them always end with Mari and co taking the bigger loss compared to Gabemoth, and it’s never in a way that’s used to either foster character growth or drive towards a meaningful story development. In fact, the loss only seems to happen because the writers need them to lose so Gabe looks like a bigger threat than he is, and then do nothing with it. They do it all the time -

Miracle Queen - Fu’s removal causes Mari considerable stress over having to do Guardian work solo now and needed to reach out to the temps more often as she unconsciously pushes Chat away. Aside from Alya and the Anti-Akuma charms (which are then rendered worthless by the introduction of Mega-Akuma), Mari gets nothing out of his departure except having to accept she can’t date while being a superhero (unless it’s Adrien, and even that still has issues the show won’t address) and constantly having to babysit the Kwami. She doesn’t even get help in the form of backup mentor!Su Han.There’s nothing positive gained out of having to deal with no longer having a mentor to guide her, and eventually, the loss of him is forgotten all together.

Risk/Strikeback - Marinette losing all the Kwami after getting tricked by Felix gets her a mental breakdown, a broken heart after trying to pursue Chat, and even more stress as she basically has the lives and freedom of three characters shoved into her hands with no one able to help her. She doesn’t gain a new power or new ally like last time either, which just serves to further put her against the wall. Hell, her eventual “life saving powerup” doesn’t even come from being directly cornered by the main villain, but from being faced by the spoiled brat bully he’s manipulating and deciding “Actually we aren’t detransforming anymore”. Meanwhile, the peak of her “character arc” for her civilian life is highly reliant on a newly introduced character that wasn’t even built up to and a recton episode that just serves to put every questionable act the writers had her engage in in a bad light just so they can foist responsibility of whatever flaws the fans complained about onto another character (as opposed to just going “yeah, but I got better” and moving on). She lost so much, but got very little out of it in the end.

Even when taking down her minor antags, Marinette gets nothing out of the deal - “Revolution” had her finally get the chance shut down Chloe for good and show she had no power over her, but by that point Chloe had become kind of pathetic in terms of villainy (not to mention her being the pawn of a bigger scheme that allowed the real masterminds to flee judgement) and Mari’s been dunking on her since episode 1 anyways, so it really wasn’t all that satisfying from a cathartic standpoint, nor does she gain anything character wise. Meanwhile, Lila getting exposed did nothing to really impede or harm her, and now she’s out in the wild with her 800+ fake families and the Butterfly miraculous, so what was really even the point of Marinette’s bathroom plan?

And then there’s “Recreation” and Gabriel - who gets to have his wish, his comatose wife alive, his son no longer (rightfully) hating his guts, the city adoring him, a goddamn statue, being credited for the city turning into a “utopia”, and all sorts of praises and perks he didn’t even earn/deserve, all at the small cost of his death and the plot forcing Marinette to keep her mouth shut for him. Gabriel gets to have everything he’s been throwing a tantrum over for 5 full seasons, while Marinette once again gets nothing (actually no, she did gain something - tons and tons of fandom salt aimed at her for the writers choices) as she’s forced to take on the burden of hiding his crimes.

and it just makes me feel we wasted our time with the story because seriously, what was the point? Why have Marinette lose when this should have been the point where all her losses so far helped her achieve victory when it matters most? Why let Gabriel win and reward him for all his abuses and crimes when the entire story seemed to be building up to getting him to either accept Emilie’s death or be forced to face the consequences of his choices? Why be building up that conflict between Adrien and his father about his wants and needs vs Gabriel’s constantly escalating expectations and not have them confront eachother in the end? Why focus so much on the idea of Mari finally getting the butterfly away from Gabriel if you’re just going to just give it to a new (old) villain and render the entire 5 season long battle for it pointless?

What was even the point in Marinette suffering all those defeats if you weren’t even going to let her win at the end, or at least stop Gabriel from getting what he wanted?

I’ll admit the leaks didn’t raise my expectations for this season but DAMNIT, after seeing them actually change stuff like Andre terrible dialogue in “Collusion” (though what he ends up saying is worse somehow), I expected something to prove it was going to be worth it in the end - and yet just like Mari, I’m venomed in the back by the show for daring having some expectation for them to actually care about making their Heroine’s suffering actually matter!

[riverdale-retread]

Riverdale S5 E8 Lock & Key

5 Things I loved/ 3 Things to Consider

I loved this:

1. THE KEY PARTY was excellent and ultra high stratospheric camp, that you can only appreciate if you really know the show.  Achieving this tone- ‘this isn’t how things are but wouldn’t it be so amusing if it was?’ -  is very difficult,  and I felt rewarded for the close attention I’ve paid to the show.   Further, at this sex party they have a heavily pregnant lady, and the only person who is in any way apprehensive that he might get paired with her is Reggie - everyone else is like, It’s fine.  And also? The majority of the invitees have ALREADY had sex with each other, and almost all of them are also currently cohabitants and/or coworkers and/or doing joint projects, in various states of married, long-term relationship, casual hookup and courting.  Just, absolute catnip I tell you!  

Sidebar: Again CHADWICK FUCKING GECKO being SANE, and objecting to Veronica drawing Archie’s key with - NOT WITH YOUR EX.   I mean, why does this always happen to me??? Why am I *Chad*?

2.  I loved Betty in this episode. Just fell in love with her like I am flippin’ Jughead.  

 #1:  Betty  is so very sexy.  Wow I was so not ready.  Her in the FBI T shirt & him in fire fighter gear! Yeah it’s good looking people in actual Halloween costumes, but what makes it work is Betty's reaction -  electrified, then amused and looking forward to a good time.  Love this for grown Betty.

 #2:  Betty is so very wounded and vulnerable, and by her estimation lovers / boyfriends will never stand by her, but friends will. I love me a character in romantic anguish.  

And related, #3, and yes, this may be wishful thinking, but there are hints that Betty actually feels the impact of what she did to Jughead and Veronica in her Senior year.  Why else would Betty think that engaging in an actual adult romantic relationship with Archie for real will cause the light to go out and the haven bubble to collapse?   Oh Betty.   She’s so accepting about Archie abandoning her immediately after she told him she wasn’t mentally/emotionally well because she feels both ruined and like a ruinous force.

Finally #4, the kindness and care Betty shows to her mother, who does not deserve it, made me respect her a lot.

Sidebar to give Archie Andrews a Demerit:  Betty has a single emotion in front of Archie (waking up from a trauma nightmare) and Archie (who woke up from a trauma nightmare first thing after the time jump) is just unwilling or unable to provide the necessary commitment. He in fact decides RIGHT THEN that Betty needing extra support (of the kind he needs, in fact) means Veronica is the answer. (Archie, please redeem yourself. Tell me what’s happening with you soon).

3. The only reason the high camp works though is because there’s a grounding in reality, with believable human emotions providing a solid foundation, and boy this episode really delivered!  

The  shaky breath Jughead lets out after he says Billy (character in the novel he’s teaching) might be crazy right after he sees MOTHMAN.  Love this detail.  The shame and pain Jughead goes through, writhing with his whole little face, while confessing that he’d been a reckless drug user and drinker to Tabitha, who sweetly feels some of that pain with him, was heartrending.  

The ‘you are a jackass’ face that Archie makes at Chad while also SMILING (because that is how he looks handsomest)  in reaction to Chad dude-bro-ing him with ‘females’ and ‘podunk town,’ without even bothering to reply to his dickhead question, is wonderful. 

And most heartbreaking -  Fangs’ laughter that presages a dawning realization that Kevin really intends to implode (his words) their whole life and his gentle tone in trying to figure out what the hell his boyfriend is doing was very upsetting and wonderful.  Apparently, over the past 8 years,  Fangs has been trying to give Kevin everything he wanted - monogamy, non monogamy, the baby, the marriage - only to have it go up in smoke.

4.  Now that the characters are older, they can meet a wider array of adults and I really appreciate this - the expansion of the world of the show.  Who knows if she appears again, but I very much liked this anthropology professor who has segued into creating a support group for the disturbed people she meets while she pursues her very esoteric interest in alien encounters.  Minerva the campy lesbian art collector who wants an Original Cheryl Blossom and Rick the gay trucker who is like, the most sexually easy going man in the history of humanity are really fun additions too.

5.  And this last one is going to sound mean spirited but I love what is happening to Alice Cooper.  She was so horrendous and monstrous to both her daughters -  I mean between Betty and Polly it’s really hard to tell who had it harder from Alice - and she is having to atone for the damage she did to her smart, resilient girls by the peril that Polly is now in.  Polly, despite being born in Riverdale, could’ve been another Betty in terms of accomplishment -  academic and career - but Alice just bashed her head in, basically, and now look where we are.  So, suffer for your sins, Alice Cooper.

3 Things to Think About

a) Toni has “a medical condition that makes it harder for her to get pregnant the older she gets.”  This is called BEING A HOMO SAPIEN.  I was so amused by this that I actually looked up the production notes and this episode was written by a woman (!) and directed by another woman (!!) and the scene is acted out by two women (!!!) one of whom was actually pregnant at the time in real life (!!!!) so now I’m like, Wait, is Cheryl…an immortal?  Is Cheryl somehow not 100% homo-sapien and that’s why Toni says this?

b) I gathered yet more evidence that Archie is a Riverdale-HS-Sexual.  Archie is in the teacher lounge at Riverdale High  talking remodelling plans with Veronica, who says she needs big changes, and he immediately switches into Let’s Fuck mode.   When Jughead innocently asks what the blueprints are for, Archie TOTALLY acts  like he got cockblocked.

c) The long pointy-nailed manicures on the lesbian couple’s fingers REALLY bother me.  More than 20-something almost-perfect-SAT scorers Cheryl and Toni not understanding that human fertility wanes with age.  I will just say that.

[foolgobi65]

i really wish the writers of lucifer hadn't turned chloe and maze's friendship into such an afterthought! like ok:

- when they start in season 2, both of them are in pretty isolated places socially. chloe, already a pretty introverted workaholic, is just newly divorced and has exactly one (1) friend: lucifer. maze has finally split off from lucifer and has two (2) friends: linda and trixie, but for the purposes of this comparison linda really is maze's one friend. maze has just accepted that she's not actually going back to hell, that this time on earth isn't really just a lunch break before they go back to the real world (hell) and so she now has to figure out how to build a real life in LA.

- basically, both maze and chloe are kind of in similar positions in terms of being isolated and really only having a singular overwhelming relationship with someone as opposed to having a network they can rely on so that all their eggs aren't in one basket. you can see where this backfires on both of them throughout the series when linda spends the week not talking to maze after seeing lucifer's face, and when lucifer runs off to vegas and suddenly chloe is stuck with all these feelings she can't express (and crucially can't talk about to him, her best friend.) ofc lucifer and maze's relationship transcends friendship just based on their immense history and is its own weird thing that i also kind of wish they had given more thought to, but w/e.

- enter: maze and chloe's friendship! i think for both maze and chloe, the other person is as "far" as you could get from themselves, but is fascinatingly still someone they can like, respect, love, and be loyal to. for a good while (and this is something i REALLY wish they had maintained) chloe, maze, and dan are basically raising trixie together which takes so much respect and trust that the other person is someone you want having a hand in influencing a kid you love! i think what's interesting is that, unlike lucifer who is trying to answer existential questions about his place/purpose in the universe, maze is really just focused on the people she cares about and having a good time (which is rooted in her doing meaningful work as a bounty hunter.) chloe is someone who pursues duty to the point of self-sacrifice, and obviously her friendship with lucifer helps her loosen up, but the pedestal he places her on/reverence he sometimes feels for her prevents him from really popping that bubble in the same way maze does. also chloe and lucifer's relationship gets SO much more complicated around the time maze enter's chloe's life so the role that lucifer once had to shock chloe out of her comfort zone kind of goes to maze once chloe has to draw some personal boundaries with lucifer.

- i think the key to maze and chloe's friendship is that they're both people who desperately need someone who embodies the other person's best trait. while this tendency isn't always healthy, maze is fundamentally someone very loyal to those she believes deserves it. obviously she's also betrayed people a billion times but at her core she's deeply committed to those she cares about which is something that i can see chloe find really appealing. at this point chloe has spent so much of her life in this weirdly precarious position where, since her dad's death she hasn't been able to fully trust anyone or open up to them. obviously she loves dan, but its clear that even when they're still "good" he doesn't trust her instincts or potential like he should, and when he spent those months gaslighting her the issue for her even beyond the fact that he shot malcom would have been that he didnt support or trust his wife. the appeal of lucifer is that from the beginning he identifies that she's smart and moral with good instincts. he trusts her, and strangely over the season she begins to trust him too! and then he runs off to vegas, etc etc lol. maze's primary loyalty probably isn't to chloe, but we see that to the best of her capacity she wants chloe to be happy -- she gets the prison warden killed, she "tries" and then really does listen to chloe venting about lucifer, attends the parent night chloe was stressed about, sets aside her grudge with lucifer to find chloe.

- in turn, chloe's best trait is her ability to accept people as they are and see their potential. of course she doesnt really have that many friends, but the people she is attracted to are all works in progress (dan is obvious, as are lucifer and maze lmao, but there's also ella who confesses something very personal and scary to chloe and gets a hug in return, and even charlotte who chloe's had clashes with both as charlotte and Mom for years but still gets the benefit of the doubt.) maze does have to change when she comes to live with chloe and trixie, but we see trixie grow up heavily influenced by maze in ways that makes it clear that chloe must genuinely like maze, or those influences like the handshake and the passion for gore and the knife training wouldnt have been allowed. we know that the reason maze is so loyal to lucifer is that he was the first person to ever accept her for who she was unconditionally, without shame or judgment. we see that for lucifer chloe is that person, especially because she sees his potential for growth just as she sees maze's. because she doesnt have preconcieved notions of what they're supposed to be she only sees them as people going through a difficult period of growth and supports them as best she can: reminding maze that they're friends, worrying about her in canada, trusting her with trixie who is the most important person in chloe's life.

- of course, chloe and maze have lucifer and linda but narratively lucifer and linda become so much MORE for chloe and maze. the show sunk linda/maze lmao but linda's clearly the adult maze cares most about just as lucifer is chloe's. and for both in s3 this person they each place so much of themselves into suddenly hurts them and they both spiral. i think there was real potential for chloe and maze to become each other's support and develop into a really steady, enduring friendship in contrast to the chaos of their individual romances (you will NEVER convince me that triangle was about amenadiel rather than linda lmao.) even post s3, they don't really address that maze really hurt chloe by pushing her towards pierce, and that chloe hurt maze by lying to her. i really think there could have been a lot of growth from maze going back to living with chloe and trixie after making full ammends and chloe realizing that actually, yes she can deal with this and it isn't that scary and then the tragedy of her maybe missing her shot with lucifer becomes more stark. we see chloe and maze teaming up in the first episode of 5A but then they blow that up too! i get that chloe needs space and its clear they're both using the other as placeholders for the people they really want, but there's no reason that they couldnt have come back together later and re-established their friendship on screen. obv they wouldnt work together after lucifer comes back, but to me this is where i believe they should go back to living together. without that, maze's connection to trixie in terms of what they can show on screen becomes tenuous and chloe's home life just becomes less interesting/worthwhile to see bc it'd just be her or maybe her with trixie. without that, it feels like we just see a lot of chloe either at work or in relation to lucifer (bc thats the best bang for your buck in terms of interaction!) we do get to see maze with linda, which is nice, but idk just feels like a step back from early s3 when maze felt more embedded in a community of people who liked, accepted, and cared about her wellbeing.

- i think one of the issues is that chloe and maze's friendship might have seemed like a knock off of their "main" relationships with lucifer and linda bc they have similar dynamics with them, but idk! there's a sense of fun that we get from their friendship that we dont really see from the main pairings because those are so serious and passionate and the main mechanisms by which the 4 grow so there isn't as much room for the lighter stuff. i know i said that chloe sees the potential for growth but she's not really pushing maze to talk about her feelings. she's doing the dishes maze won't, smiling at maze and trixie's handshake, shrugging off the fact that maze is throwing knives at their rented walls. maze and chloe create space for each other to be seen as themselves, good or bad, in ways that linda and lucifer can't for whatever reason. they don't really push each other, just let the other person be. it wouldnt be the ideal dynamic if they were the only person in each other's lives, but i think its vital to have someone in your life who can, in chloe's case, gently push you outside of your comfort zone and in maze's case offer acceptance, friendship, and trust.

idk this is just going in circles as i repeat the same points over and over and over but i really wish they had put more thought into sustaining the maze and chloe friendship throughout s4 and s5 because it would have brought out notes in both of them narratively that i think are lost otherwise. also its just sad for trixie that someone who was basically part of her family who she was living with is just...not there anymore and that's never addressed. : (

[evakuality]

Mia, episode seven

Sorry, don’t read this if you like Mia.  I am not a fan of hers in this episode.

1.  Ugh.  I do not like that there is no recognition here of the conversation with Kiki.  I don’t get it - if you’re going to have that conversation and make it feel like a wrench for Mia to ‘give up’ Alex, why not address it properly?  Even if this comes up again later, I dislike that when she arrived there was no discussion about the Kiki thing, and now it’s all about sex with no recognition that she is now literally lying and going behind Kiki’s back.  Worse, it was Mia who told Kiki she would do whatever it took to keep her friendship, so she lied about that too.  I’m really disappointed in where this went.  She didn’t have to tell Kiki she would give Alex up - they were having a really honest conversation and she could just have said ‘I fell for him even though I know I shouldn’t’ and I don’t understand why they made that choice.  I don’t remember the og on this at all so I don’t know if they got it from there, but even if it is in there, they could have chosen to not have Mia deliberately and specifically lie to Kiki’s face and then act like she has no compunction about it at all.

2.  Okay so they’re finally talking about Kiki, but Mia dismisses that with ‘it’s not about Kiki’ and ‘I already talked to her’?  When that conversation literally ended differently, and now she’s lying to both Alex and Kiki?  Yeah, this isn’t doing it for me at all.  And to think, I actually did like Mia before this.  But the end of the last episode and the start of this one has really revised my feelings on her.  It’s not just Alex who’s being a dick in this situation.  I also don’t like that we’re supposed to be feeling sorry for Alex here because he has ‘problems with his parents’.  I know, assuming this is like the og, that there is a deeper thing here with the sister, but even so.  How on earth can they have a relationship when it’s based on lies and hating each other’s family circumstances?  I still don’t understand what they see in each other.  If it’s only sex, then there are SO many more people out there and nothing so far has sold me that either of them genuinely likes the other as a person.

3.  And yet another clip with Mia knowing she’s being an asshole and choosing not to address it.  I know she has this need to be in control and I know she’s doing something that’s for her for once and that’s probably both exhilarating and scary, but ugh.  The amount of lies is really building up.  Most of the other couples in our little world have communication issues etc, and many are hiding things, but actually lying on purpose like this isn’t as common and Mia is just casually throwing them out there like it’s easy.  Also ‘why me?’ ‘because you know who I am’ - ummmm, no she doesn’t Alex.  You’re literally hiding stuff from her as well!!  Unless you mean, she knows you’re an asshole and gives you the time of day anyway?  Plus, it’s not believable - Alex clearly started stalking/pursuing/gaslighting her well before she showed that she ‘knew’ him.    Like it’s nice that they’re trying to ‘communicate’ here, but if they’re just going to keep lying it’s not actually going to help.

4.  I get what they’re going for with this little bubble the two of them are in.  But Mia literally is avoiding her life and the more time she spends not connecting with her friends, the more likely they are to be concerned.  This bubble can’t last and I dislike that this whole thing is built on such a fragile and unbelievable base for them as they pretend the rest of the world doesn’t exist.  It’s strange that I’m okay with it with Matteo and David and their fake vs real thing, but I think it’s because the issues are different and there were no specific promises to other people not to connect.  Keeping things private is different from lying outright.  Plus, neither Matteo nor David was an actual asshole and I still don’t believe that Alex isn’t the guy he showed through 1.5 seasons, and the one who was so awful to Kiki.  

5.  And of course, as expected, Kiki finds out when she’s trying to do something nice for Mia.  And of course she’s now more hurt than she was before.  So, now Mia thinks ‘I can’t do this to Kiki’?  Not a few days ago when Kiki was vulnerable and open with her?  No, it has to be now after she made things 500% worse.  It’s funny - I don’t usually find myself in a situation where I dislike the PoV character in these shows.  But here I am.  I actually dislike Mia in this episode.  I can usually get where a character is coming from even when I can see them totally stuffing up, but here she’s made conscious and deliberate choices and I don’t have any sympathy that they’ve come back to bite her.  I usually have some sympathy for the struggles, but not today.

6.  I know, from things that I’ve seen around, what this bunch of all-caps texts from Alex are about.  But again, Mia has no reason to know and respond the way she does.  It might have helped if we knew ahead of time what is going on with him, even if it was mentioned casually before maybe.  But instead, we have her jumping to her feet and rushing off to him for no real reason.  This is, again, the big problem Druck always has - pacing and making the story beats believable as an entirety rather than as discrete clips.  Even looking at the time for this episode - we had the entire build up and destruction of their relationship within the space of half an episode and now less than a minute later it’s all back on because of this panic attack.  It’s too fast, no time to breathe.  Skam and its offshoots always work best when things are allowed to develop organically and at a pace that isn’t this rushed.  The clip format is half to blame for this, but even with that it should be possible to develop this whole thing at an easier pace that builds tension and makes sense.

7.  Pacing, pacing, pacing.  Ugh.  Just this episode Mia explained why she’s not ready for sex, and now when Alex is or has been in a vulnerable state, she’s all ‘hey you know what would be a great idea?  Sex’  Why does all this stuff all have to be in one episode?  Why did we need so much of Alex being an asshole at the start of the season only to cram so much of the important relationship development stuff into one short episode?  I know they had to cut it down from the og (thank goodness, that one was far too long), but there are ways they could have done it while letting all these plotpoints breathe a bit.  It’s too crammed into one episode when it didn’t have to be.

8.  Yes Hanna, express this stuff for me: ‘all this happened in the last 3 days?’ Exactly.  Also this scene proves once again why Mia and Hanna should be a thing.  They have real, genuine conversations in which no-one ends up feeling belittled.  And they have great chemistry.  Seriously, Mia should have looked in this direction.  But honestly, in terms of pacing, Kiki finding out at the end of this episode and then this whole part being the focus of the next one would work better.  This whole business with Carlos is cute and all, and his advice is actually pretty decent, but again it’s all so rushed.  Again, I know this was released clip by clip and so the format is a bit different, but it should probably also work in an episodic format.  I feel like I’ve lived 3 episodes all in one go and now we have the other girls showing up and being disapproving as well; it’s too much.

9.  I don’t like that two episodes in a row (and after such a LOT in this one) we have a ‘Mia trying to be open with Kiki’ scene.  This excuse ‘I wanted to protect you’ is unkind and we already saw on more than one occasion how Mia protecting Kiki was a bad thing for Mia.  Also ‘I didn’t understand that it’s something serious between Alex and me’ is such a huge problem for me.  She literally lied to Kiki’s face and then went to Alex immediately afterwards.  So either she did know how serious it was or she didn’t really care that much and didn’t need to go back to him at all.  This is so frustrating because we’re supposed to accept all of this at face value when actually on any sort of consideration it doesn’t hold up.  So even though Kiki’s little speech is really good and does highlight all the issues I have with Mia, unfortunately a) I already disliked her because of it and b) because it’s all so rushed, I don’t care about any of it.  Except Kiki.  Which, considering how awful and racist etc she has been is a huge feat.  And effectively, Kiki has moved herself aside and allowed Mia to have Alex if she wants.  All of this in one episode!  

Basically I did not enjoy this episode, there was too much crammed into it (I have this same issue with some of Nora’s in s5, and it is one of the biggest issues I often have with Druck compared to the og) and so while Kiki’s speech should have been a turning point allowing us to see a way into Mia’s future, I am actually left disliking our main character and not all that inclined to watch the rest of the season.  

[mimik-u]

“Change Your Mind” Re-watch:

I’ve been dealing with this feeling on and off ever since I started “Diamond Days” earlier this week, but dang, I’m a little sad that I’ve reached the end of the show again. Of course, I’m excited to visit the movie again and see Future for the first time (!!!), but this episode above all really marks the end of an era. But things end and things change.

That’s the thesis of this episode anyway. And really, the nature of this beautiful show. :’)

Steven’s dream sequence is so haunting, both in terms of it explicitly showing us how Blue Diamond is currently recapitulating the very same cycles which pushed Pink away by showing us such a similar flashback from the past, but also by dredging up the horror of Pink’s memories. The idea that Steven’s gem still has access to some of his mother’s memories is used to its most visceral effect here, in which we get a nightmare heightened lens of how miserable she was, and often times, scared.

When the Diamonds stretched out their grieving hands through the cosmos and towards the world their youngest member loved, how did Rose feel to at once get a confirmation that she had been loved? Loved so powerfully that the Diamonds would try to destroy an entire planet to exact their revenge, and yet, at the same time, loved so terribly that they would never think twice about doing so, or that it took this for them to ever show it?

“This... isn’t normal. How many times did you lock her in here? How many times did you make her cry?” / “I didn’t... I... And I’m doing it again, aren’t I?” God, this exchange always undoes me. Not only is it Steven calling Blue out, but in a way, it’s him standing up for his mother, realizing what misery the Diamonds put her through and putting a name on it for Blue to recognize, contend with, and finally, accept. Blue tries to defend herself at first, but then, in the end, can’t. Because there’s no defense. There’s no excuse. And to horribly mangle a quote from Legend of Korra, by reaching that lowest point, Blue Diamond finally becomes open to the possibility of change.

It’s always so evocative to me that she collapses next to the tower window that’s at her eye level. Never explicitly stated, I think it really is implied here that Yellow and Blue have seen their fair share of this tower before, too, their trespasses of decorum excised out of them by White. In return, they tried to do the same to Pink. Cycles and cycles and cycles.

Gsleidjsneioeis, it never fails to make me laugh that Yellow is just sitting in the darkness, straddling her throne, waiting for Blue. Emo ass. I love her.

The Diamonds both look so shocked when Blue slaps Yellow’s hand away, as though neither of them can fathom, process, and believe what just happened. And yet, really, this is the climax to the schism between them that we’ve known since “That Will Be All.” They love each other—they loved Pink—but they have differed, fundamentally, on how to grapple with the pain of loving someone and losing her and existing from then on.

“When we thought Pink was shattered, when she abandoned us, I alone was there for you, and you would use your power against ME?” GO OFF, PATTI LUPONE EIEOSJSA. But this line gets me, too. Jesus. Yellow loves Blue so much.

“Didn’t we hurt Pink? She was suffering in silence for ages, just like our gems, just like me. And I know you’re suffering in silence, too.” HHHHHHH, AND THIS LINE. I think it’s significant because it’s Blue making a move we’ve rarely seen from her before—empathy. Her whole complex is that she’s been so lost in her own emotions that she forces them on everyone else, but here she does something monumental; not only does she acknowledge her own pain, but she uses it to recognize that others have been hurting, too. She and Yellow hurt Pink. (She makes herself and Yellow the agents of the action, therefore not evading the blame.) And so many of their gems have been hurt, too. Yellow has been hurting.

In her vulnerable expression that follows, it’s clear to the audience that Yellow knows her fellow Diamond’s words to be true, but she’s not ready to accept their veracity, to look inwards at the heart of her own misery. Also, help. I’m only 9 minutes into the episode.

“Does this look perfect to you?” And Yellow’s anger is stopped in its tracks. She looks immediately to Blue, literally smoking on the ground from the force of her attack. A fragment of palace crumbles emptily away. And this is the crux of the Homeworld Empire. It demands every gem, from the Diamonds downward, to sacrifice in the name of of perfection. But they’ve placed too much of an emphasis on appearance, numbers, quantity, and power, never interrogating the consequences that pursuing these ‘impressive’ entities bring: misery, hopelessness, despair.

“Stop... stop it, Blue. Stop using your power on me.” / “I’m not.” Hhhhhhhhh, I’m tender. And then, when Blue Diamond sweeps over to hold Yellow’s head?????? This is what being a Bellow Diamond fan is all about, okay rieososossnjaaj.

“You’ve made a grave mistake. Go to your rooms!” / “Uh, which rooms should we go to?” GJKHDFVHJNJJ. But yeah, White has definitely used the tower on Blue and Yellow b4.

Bismuuuuth, Lapis, Peri!!! God, I love Lapis’s outfit so much.

“Yellow and I will keep White distracted.” / Just go! Go! Hurry! She’s getting up!” Blue and Yellow know that in making this choice, they’ll face severe consequences, but still initially make the choice anyway.

And yet, Steven doesn’t let them make that choice. He doesn’t run away. Because he and this show fundamentally believe that change is effected through communication.

I still have thirty minutes of this episode left to go oskeodjsnsnsk, but now I need to symbolically talk about the Diamond mecha. It’s very on point that White’s ship can’t function if the other parts aren’t cooperating!!

The Diamonds finally expressing their vulnerabilities to the blankly staring ship is just so sad. They’re finally doing the emotional work that they’ve been neglecting for thousands upon thousands of years, and they’re almost literally meeting a wall.

“We Diamonds might be hard, but we’re also brittle.” / “I know my purpose isn’t to be happy.” Hhhhhhhhhh, these lines. The rigidity of the Diamond Authority has forced Yellow and Blue to become hard, to be unhappy. They, like all their gems, are suffering beneath the strain. Starting from the way it literally drains a planet of resources, this empire was never sustainable.

Cries bc the Diamonds are holding hands, AND THEN CRIES BECAUSE THEY’VE BEEN VIOLENTLY AND PAINFULLY PUPPETEERED.

THE FUSING MONTAGE!!! EKSSKSJ, I love how when he goes to fuse with Pearl, he does a few ballerina moves. AND I LOVE HOW 2.0 IS UNREPENTANTLY BRITISH. IT’S SO FJNNY AND RIGHT.

“AH! Steven, we fused!” She’s so happy!!!!!!!!!! Hhhh!!!!!

“I’m here. I love you.” Steven says this before fusing with Garnet, and there’s nothing else that could have ever been so fitting for a fusion who prides herself on being here and being made, so beautifully and entirely, of love.

Sunstone always looks and sounds like they’re two seconds away from breaking the 4th wall on a Sunny D commercial from the 1990s, and that’s amazing.

OBSIDIAAAAAAAAAANNNNNNNNNN. Everything about them is FUCKING EPIC. (Also, if you haven’t listened to the S5 soundtrack yet, you need to go listen to Obsidian’s track without background noises!!!!!!! It’s so motivating! I listen to it when I’m studying sometimes!)

I’m still soft about Bismuth giving Connie her own sword. Let them b sword buddies 2k20.

BIG FYCKING LAVA SWORD!!!!

The animation on this episode is absolutely insane. God, the Crewniverse did so good.

“Poor Yellow. Her impurities absorb all the blue in her light. She’s so strong, but so weak when it comes to Blue.” 😭😭😭 What do you mean I’m still emotional over the fact that Yellow Diamond’s one perceived weakness is Blue? Hahahaha.

“Ah, and Blue. Her impurities soak up all the warmth in her spectrum. She thinks she needs you, Pink.” 😭😭😭 She needs Pink to be warm.

“But you’re a part of me, the part I always have to repress.” White doesn’t yet realize it, but this is actually her revealing her own flaw. Not only does she repress her love for Pink, but she represses her own sense of pinkness, too. So cerebral and so detached, she’s allowed herself to exist for these past 6,000+ years in the gaping maw without Pink as a being who has subjugated the entirety of her emotional expression. Just as Blue and Yellow are equals and opposites, so too, were Pink and White.

“Insecure, dependent, obsessed.” God. Another thing about White Diamond’s powers in relation to Pink is that White has the capacity to know a gem’s thoughts once she possesses them, whereas Pink was able to relate and empathize with their emotions. And indeed, that’s how Steven came to know and help the Gems’ problems over the course of the entirety of this show—through empathy, relation, compassion, and understandings, concepts so foreign to White Diamond. Simply alien.

POV: You’re Connie Maheswaran, and you have to fight a possessed bastardization of the Gem who once lovingly taught you everything you know about how to wield a sword.

White Diamond so simply and so precisely plucking Steven’s gem out of his stomach is the single most terrifying visual on this show. Jfc.

“SHE’S GONE.” The animus of the Pink Diamond gem prmordially screams the truth that White Diamond refuses to accept. Pink is gone. There’s no undoing death. There’s no separation from gem and body. There is only, just as there has always been for fourteen years, Steven.

He is not, and never will he ever be, his mother.

Oh, my God. This show.

And just as White Diamond parting Steven from his gem is the scariest moment in the show, Steven reuniting with him is the most transcendent. He laughs. He hugs himself. He dances. Because Steven Universe is entirely his own being.

And he loves himself. That is the crucial part. That is the beginning and the end and the resolution. Oh, my GOD. This show.

“I am a child. What’s your excuse?” KWIDIDOSJSKSKSISOSMA, GET HER.

Steven walking over to comfort Pink Pearl, even though he doesn’t know her, even though the only iteration he has seen of her has been her lobotomized version—forbidding and detached—is so tender.

WISOSJSJS, I know this is emotionally deep and indicative of just how ingrained their psychological complexes are that they don’t know how to deal with vulnerable expressions of emotion, but White, Yellow, and Blue being so dramatic about White blushing is honestly hilarious.

Sadie singing “Let Me Drive My Van into Your Heart” is so good, but what’s even better is that two second shot of Greg blushing listening to his song being sung. ;-;

Oh! Oh! And Barb is in the audience! Character development! Growth!

“No more hiding! No more running! No more Diamond Authority!” KWOWOEJDKDOSJSJSISSJSJ.

Lion padding up to Lars in a silent recognition that they’re the same ;-;-;-;

I think Sadie and Lars reuniting with such drastically different appearances and mindsets is simply just one of the coolest ways this show has come full circle. This show’s about everyone changing. Look at these two. Look at where they started, and now, where they’ve begun again.

Genuinely crying at the last few shots of the show again. Oh, my GOD. The pure, unmitigated joy. Nephrite and Steven. Bismuth and Biggs. Garnet and Pearl. Jasper and Amethyst. The Diamonds.

This show really is about love and forgiveness and healing, y’all. 😭😭😭😭

AND THEN THEY COMPLETE THE SHOT FROM THE INTRO. I AM UNWELL. IT’S 8AM.

This show, in every sense of the word, is a miracle.

Thank you, Crewniverse for this comet of epic proportions.

[unproduciblesmackdown]

Fun fact: I googled Winston’s famous “you’re on a revenge jag” quote including the part about digging two graves (neither of which needed to be his). Apparently that was a reference to a Chinese proverb (often attributed to Confucius but not really) that states “Before you embark on a journey of revenge, dig two graves,” meaning that seeking revenge will probably lead to destroying yourself as well as whoever you’re trying to destroy. In this case, Taylor was screwing over all of Mase (1/2)

(2/2) Cap in their quest to get back at Axe and Winston was understandably pissed at how they were paying for something they didn’t ask to be caught up in. When he said “neither [grave] needs to be mine” he meant that he didn’t have to stay and end up in a grave, which of course led to Mafee attacking him for being “disloyal” for not wanting to be in the crossfire of a revenge plot that he never asked to be a part of. But yeah, make of that what you will. Just something interesting I found.

oh yeah after reading this i also tried to look up if we know the source of the Dig Two Graves saying and apparently we really do not (i.e. yeah frequently attributed to confucius but there’s no actual record of that, been attributed to Ancient Greece or smthing just as baselessly, there’s apparently an idea it could be a rough translation of a japanese aphorism but it’s just an idea)

really winston is laying out his whole Argument v well and i suppose that’s why taylor had No immediate response for him, b/c surely if he Was just gonna complain abt it like “this sucks >:/” and leave it at that, they’d be prepared to maybe handle that level of disgruntlement and have some methods in mind to shut it down, but winston is just Right and is being thorough about why he’s right and like. i don’t think they Can really argue with it, much less were prepared to do so in that moment, and sure seems like they did ultimately agree with him / listen to him seeing as they turn around (in 4x12, not 4x11, rip) to say they Had gotten off-course and weren’t interested in taking the revenge jag route, actually

like, he’s walking through why the Revenge Jag is the only reason they’re not getting bonuses, vs mafee just ascribing it to a general strategy to Save Resources in year 1 of the fund.......pointing out that if taylor Wanted to pay *anyone* full bonuses, they Could prioritize their top employees which does included winston even though he gets no backup on that outside of 3x11 and certainly not now when he’s Cringe N Fail cuz he said Moi while insisting on his value (and when the general audience of the show seems to have decided he’s out-of-line Egotistical for taking pride in his ability and never downplaying it / the value of it) as well as the fact that this isn’t about “oh i Would pay you if i Could” b/c he knows they’re not just waiting for some influx of funds, they’re Only holding back on paying people because they’re Anticipating the [dig two graves] situation, i.e. it’s Because they’re now planning to reorient their strategy around Actively Battling Axe Cap (in that they’re now intending to go on the offensive rather than just reacting defensively to axe’s attacks) that they foresee a need to Conserve Resources b/c they know this course of action could be “damaging” to mase cap by costing them money. and that taylor is putting that Anticipated Burden of an unnecessary plan that they personally chose......like, taylor’s employees don’t really get a say in this shift where the overall direction of the fund is now: Revenge Jag, but they’re pretty literally paying for it, aka having that [dig two graves] Cost put on them, aka neither grave has to be winston’s......

plus winston has Especial reason to be upset with this shift towards revenge jag, b/c he’s the quantitative guy, and this isn’t a Quantitatively Driven approach, as evident by him in 4x08 talking abt how the numbers don’t back up this particular strategy and in 4x12 when taylor’s talking about returning to their mathematical model and then winston says Q is for Quantitative Babey which isn’t just a total nonsequitur......Revenge Jag Tmc would be less focused on the quant-driven approach and thus winston’s work would be less relevant and he wouldn’t be able to just do his best shit for them if it kept being the case like “yeah we’re pursuing this strategy b/c first and foremost it’d suck for axe” so he’d have reason to feel like not only is he being Devalued right now in not being worth like, basically investing in as a Resource (like, speaking of conserving them, Not driving off your head quant would = conserving a resource) but in the future his contributions and ideas might continue to be pushed aside b/c like, again with the Dig Two Graves, the revenge jag probably isn’t gonna be quantitatively-friendly and he’d have to keep writing off his own potential input / have his own strategies be valued less b/c they’re deprioritized in favor of “what might be damaging for axe cap”

and then from a more Meta perspective, there’s the fact that mase cap only has four named non-taylor people, and mafee’s feeling Especially obligated to provide taylor with immediate and unconditional support thanks to his whole “oops i spilled some intel” thing, and sara really wouldn’t criticize this move even if she didn’t 100% individually love it either, b/c it Would conserve resources for tmc and she’s more about telling taylor what they need to do from the “you gotta do this thing you might not personally wanna do to make / avoid losing money” and this is like, the opposite of that, and sara would also probably save such input for a one-on-one meeting lol, and lauren’s not gonna say anything, so really only winston is Available to speak up lol

and that transitions right into how winston’s also immediately proven correct in criticizing the whole structure of this “choice” they’re getting, in that they’re all pressured to take the [defer bonus for a year] route and this is happening not through Direct pressure from taylor, but the expectation that the Social Dynamics among coworkers will push everyone to defer. like, clearly the thing is that everyone’s going to be worried that if anyone’s deferring, that’ll make those employees Look Good b/c they’re proving their Loyalty and “taking one for the team,” and a reasonable worry that those employees will thus be Preferred going forward. and in this moment that winston’s bringing it up, he’s also, you know, arguing with his boss and gets no support / backup on it not only b/c none of the other people present wanna actually make these Complaints themselves / back them up even if, like mafee, they’re evidently not personally thrilled about it, but also b/c winston really doesn’t seem to have much support in s4 beyond taylor’s indirect and implicit validation, which he of course isn’t gonna get here, and if people were willing to ignore / dismiss winston’s input and/or dunk on him about it over basically Nothing before, here’s a chance to choose between “hmm Winston Vs Taylor” like. nobody’s gonna side with winston, maybe not even if he Was popular and beloved, but he’s apparently the guy nobody has much respect / appreciation for and broadly dislikes, so it’s just like. he has Points, and mafee doesn’t even argue against those, just argues against winston daring to bring them up at all, because a) mafee is looking to continue Proving his support of taylor anyways and here’s an obvious avenue to do so by just shoving winston into a locker b/c you easily Can and b) he’s attacking winston not for being Wrong but for being Disloyal for not just Supporting taylor here and being whiny rather than taking one for the team and whatever nonsense about “if you don’t like it, become ceo of your own fund” like, the lesson here is to unionize......but really winston is just proven Right by mafee, a coworker, immediately making this an issue of Loyalty and by winston only caving not b/c he accepts that he’s Wrong on any of his points but b/c he’s being Social Pressured here in the form of “being yelled at / insulted and when he’s yelled at / insulted winston seems to just want it to Be Over, reasonably,” and taylor doesn’t Have to pressure him themself if their employees will pressure each other For them

god i’m still mad about 4x11 lmfao. bitter 5ever like how can you not be. he was Right but it didn’t matter b/c nobody was gonna stick up for him in the face of a) backign Taylor instead or b) in the face of anything, tbh. that shit didn’t kick in until s5, finally, and still only Partially.....peak standing up for winston in the form of rian in 5x05 going “yeah i’ll casually argue for why you shouldn’t fire him" and “oh you’re saying winston should have a drink? i’m saying he should do whatever he wants b/c what are you, shit at math?” thank you rian. probably totally unnecessary and that’s what winston deserves for once, like, go Beyond “someone intervening only if the most belligerent and bullying axe capper comes storming over to yell at winston, but if bill uses his inside voice it’s okay to just monitor the situation even if it involves threats and getting all up in winston’s space like a creep” i don’t think rian would be a silent observer to that

tl;dr Yeah Agree lmao sorry it took me ages to answer this....i was like “oh god i gotta be semi-Coherent for this one and say smthing beyond ‘yeah agree’” and i procrastinated that for this whole time b/c it’s intimidating to think of trying to accomplish that. thank u for the ask lol

[sometimesrosy]

How do you feel about the radio calls being addressed in the premiere? It bums me out a bit. I wanted them to be a turning point for Bellarke, but we know s6 starts out becho centric.

No. We don’t know that s6 starts out b/e centric. Who told you that? Where did you get that impression? We know that they’re still together because they haven’t dealt with the repercussions of the last 2 weeks on the ground, and bellamy spent most of that time with Clarke rather than Echo. But that is not the same thing as being b/e centric. Having a relationship be canon does NOT mean that the relationship is central to the story or endgame or that it is important for itself. Clarke and Bellamy have been “canon,” in one form or another, with other people multiple times. Satisfied girl, Roma and Bree, Finn, Raven, Niylah, Gina, Lxa, and now Echo. Are we SURE being a canon ship means they are central? I think this is a failure with shipping analysis, when you only accept kiss/confess/sex as canon. Because it only works as REAL proof when the story has magical genitals, and having sex mystically makes them forever tied as soulmates, true loves and happily ever after endgame. 

I mean. There ARE actual stories out there like that, and quite a few. So I’m not saying that this can’t be correct. In Disney stories, for instance, we get a lot of that (no sex because G rated, though.) And Disney is pretty widespread and influential. And I believe this “purity culture” also presents this concept of love and romance. It doesn’t make it true irl, and it doesn’t make it an accurate interpretation of stories that are NOT telling a magical genitals story. Oh sorry. There’s probably some other name for that kind of romance, but I don’t know what it is, since it’s not my jam. In this story, sex, romance and love is a PART of the characters’ lives, and it doesn’t dictate their narrative or character arcs. (Every time I mention this, though, I start getting anons calling, particularly, Clarke a slut. But also Bellamy. Because they think that since Bellarke is/should be endgame, they should be unable to love or have sex with anyone else. And that’s not how this story or life works.)

Don’t get confused between a plot device and what the story is about. B/E is a plot device to get Bellamy, Clarke, Octavia, the blake siblings and bellarke where they need to go in the narrative. The story is ABOUT, Clarke and Bellamy. It is not, nor has it ever been, nor will it ever be, B/E centric. Because there is no story there for the narrative to hang on. B/E is NOT the story they are telling. COULD it be the story if the story were something different? It most certainly could!!! MANY stories in The 100 could be the main story if you wrote it from that direction. Every single romance could be told as the main ship of their own love story. Every single antagonist could be the hero of their own story. All of the side characters have their own narrative arc that could be expanded to be their own book or show. That means they are well written and not cardboard. It’s a good thing. But that doesn’t mean they are the main story. The main story is Clarke. Bellamy, Octavia, Bellarke, the Blakes, and The salvation of the human race/their people. If you follow those stories, the likelihood that you get off base is lower. Because those ARE at the center of this show.

 There is no point in s5 where b/e, the canon ship, was central to the narrative IF it did not ALSO involve either Clarke OR Octavia. It was Bellamy centric. It was not, however about b/e. It was about both Bellarke and the Blake siblings. Those were the conflicts. Those were the main relationships. It was about how they all had changed and how Bellamy had to choose. He chose Octavia over Echo. He chose Clarke over Octavia. And now he’s got the decision to be made in season 6. Does he choose Clarke or does he choose Echo. (funny, that’s the question Chelsey joke/asked at Conageddon.) 

I am sorry if this does not work for a b/e shipping centric interpretation, but shipping interpretations can be wrong if you pick a ship that the story is not about. Because you’re not JUST enjoying a ship you love, you’re also trying to make sense of the main story THROUGH the ship. If you pick a side ship to enlighten the main story, you’d better hope it’s central enough to help you follow the story or you’ll get lost. And if you’re hoping for your ship to be the central story when it’s not, you ARE going to be disappointed. Loving your ship is not ever wrong. But using your ship to interpret a story that is not ABOUT your ship? That can be wrong. Not morally wrong, just incorrect. I mean, every ship is going to shed SOME light on the narrative, I think, but sometimes, it’s in a supportive role, not main. It SUPPORTS the main story. B/E is a supportive ship, not a main ship and not central to the plot. It just isn’t. It supports Bellamy’s development and the reunion of Bellarke and dissolution (and eventual repair) of the Blakes.

The story of b/e is about loyalty, family and��this is not from a shipping perspective, but from a narrative one… Bellamy choosing between Clarke and Echo. That. HAS. To. Happen.

And it’s going to become an imperative sooner rather than later. 

We saw one pic with b/e together. And Clarke was in the scene, looking visibly uncomfortable. That is not b/e centric. If anything it’s c/b/e centric. It’s a love triangle. It’s the choice. Clarke or Echo. Choose Echo and you leave Clarke on the outside to suffer, even when she pretends it’s fine. (It is an echo of how he left her on earth and took spacekru to safety. THAT is intense.)

We can’t have an informed choice here unless Bellamy knows about the 2199 calls. Which he now knows. HOWEVER, unless he talks to her, it’s just his assumptions. He needs to talk to her. 

Therefore? How do I feel about them talking about it right away? GREAT!

It’s a plot point that appeared AT THE END OF SEASON 4!!!! And it left us hanging for ALL OF SEASON 5!!!! And it became a turning point for Bellamy in the season finale!!!!

At the end of season 4, I said that was a cliffhanger and we’d need to address it before we could move on. Then, instead of addressing it right away, they dragged it out, referenced it and had Clarke REFUSE to tell him, which told me it was 100% presented as romantic, because non-romantic partners don’t need to keep secrets about non-romantic feelings for their non-romantic partners, but non-romantic partners DO need to keep secrets about ROMANTIC feelings for said partners. And then, season 5 became about how Clarke and Bellamy needed to RECONNECT. Their reunion ended up being more than one scene. Or one episode. It was a continual process throughout the season UNTIL the finale where Madi played parent trap and exposed her secret feelings and devotion. 

ANNND it brought them back to where they were at the end of season 4. With an about face on Bellamy’s anger at her betrayal almost exactly like what happened in the rover. “wait, you care for me that much? ok i’m not mad anymore. i was mad because i thought you didn’t care about me.” Except NOW they have a love triangle in the way, which gives them a ROMANTIC obstacle instead of a survival or a political obstacle.

It’s not like the politics or survival is going to go away. But the romantic obstacle needs to be sorted out. Because these two now NOT non-romantic partners will be working together closely, while he ALSO has a canon romantic partner. That gives him, yes, two romantic partners. And Clarke will not pursue him because that’s who she is. So it’s up to Bellamy. Except Echo gets a say, TOO. Does she want to be with a man who is in love with someone else? Was she or was she not CORRECT when she said everything would change between them when they got to the ground. Because they were there for like 30 seconds before Bellamy’s true love and soulmate came back to life. Echo is not his true love or his soulmate. Echo is his family, he loves her and cares for her, and is loyal to her, though. So this is a sticky pickle!

Damn right I want them to talk about the 2199 calls in ep 1. I want it to be canon and explicit and I want them both to go about being “non-romantically” partnered knowing that Clarke is in love with him and Bellamy returns the feelings. And I want Bellamy to be with Echo KNOWING that he loves Echo, but he is IN LOVE with Clarke. 

I want the whole fandom to realize that their feelings for each other are NOT platonic, and that messes everything up.

YES.

PLEASE.

GIVE US THE GLORIOUS MESS.

Let’s talk about 2199 days apart, but never letting go of each other.

:)

[lune-moon-nuit]

I completely agree with this analysis, and I must admit that while watching Season 4 and especially discovering the entire Mileven vs. Byler debate online, I was surprised by the lack of reflection about closeted gay men or those who date girls as a way to try, convince themselves, or protect themselves. The main excuse people use is, “Mike is dating El, so he can’t possibly be in love with Will.” And my immediate thought was how Lucas dates Chloé (Isak dates Emma in the original version, if I remember correctly) in Skam.

Quick aside: I watched the original Skam, but I mostly followed Skam France (which is not only very faithful to the original series but was also universally well-received—one of the rare instances where my country got something right, haha). So I’ll probably base my thoughts on the French characters since I remember their scenes and names better. In Skam France, Lucas, while dating Chloé as a cover (without her knowing, of course), delivers a declaration of love that is genuinely adorable and seems real (if you don’t know the context). In fact, his declaration feels more sincere and profound than Mike’s monologue, even though Lucas has only known Chloé for about 2-3 weeks.

Lucas’s (or Isak’s) season perfectly portrays the struggles and complicated emotions of a teenager discovering their sexuality in a heteronormative world, even though they have a safe circle of friends (which includes LGBTQ+ people who can help, listen, and guide them) and access to the internet for research. And that was in the years 2017-2019. So, imagine the far more intense difficulties faced by a teenager living in a rural town in the United States during the 1980s, in the midst of the AIDS crisis, under Reagan—a homophobic and conservative president—where it seems your parents adhere to his ideals. Homophobia was rampant and normalized everywhere. Being gay was seen as a curse and a danger. The worst stereotypes existed out of hatred and ignorance, and disappearing because of hate crimes was all too common. At the time, if you were beaten up for being gay, don’t expect the majority of people to comfort you—they’d congratulate those who attacked you because that was the norm back then.

I genuinely think that people who dismiss the idea of Mike being gay using the excuse that he’s dating El fail to grasp the level of homophobia that existed during that era. I mean… in the 1990s, Dahmer literally relied on the normalized homophobia of the public and the police (as well as racism, but that’s another topic) to commit his crimes more easily without getting caught. And that was a whole decade after Stranger Things, with some moral progress already made. It just shows how far we’ve come, even though it wasn’t that long ago—our parents were alive during that time.

Skam show-runner Julie Andem clocking the fuck out of Mike being queer-coded in s1 of Stranger Things, and then using it as inspiration to queer-code Isak in s3 of Skam can be something so epic.

THIS! THIS is what I'm talking about!

In ST, there are two scenes in s1 (pretty/still pretty) that milkvans use as irrefutable proof that Mike has always had romantic feelings for El, with the primary object in the scene being a mirror.

THIS. MEANS. SOMETHING.

Mirrors in film mean something more often than not, but especially when they are the focus of a scene is when they definitely mean something. And the way they go about it differently in between those two scenes in ST, drastically differently, and considering the subject matter is very very queer coded, is how you really know there is a significance in this case.

And that scene above from Skam proves it.

Because apparently, another filmmaker watched ST, picked up on those odd details surrounding Mike and said shit I'm gonna use that...

Notice how Isak here, a gay teenager who is fully in denial with others and himself, to the point where he makes really homophobic remarks often, gets caught denying a bunch of girls as being attractive in a conversation with his friends. And so now they're questioning him and making him feel on edge bc the focus is on him and his attraction (lack thereof) to girls.

While his friends aren't even implying he is gay in this moment, it's just them genuinely being confused why he doesn't think any of the girls they think are attractive are attractive, you can still see that Isak starts to feel the pressure and so he latches onto the first girl he thinks of, Emma.

Emma just so happens to look like Natalie Portman with her extremely short hair.

Low and behold this very girl enters the room shortly after he says this and so now Isak has to face this and give his friends the impression he is fully interested in this girl, otherwise they would DEFINITELY suspect something is off. And so he goes all out.

He outs himself.

He literally says Don't you look like that boy from Stranger Things, and then follows it up with saying he would only be attracted to her if we're assuming he is attracted to boys, only to quickly backtrack and start to approach her really flirtatiously, then going all out by making out with her.

As this happens, he is kissing her in the bathroom, in front of a mirror...

Now I want to make clear, I am not saying ST was inspired by Skam. I'm pretty sure I did make that clear, it's actually the other way around, which is even more incriminating arguably.

S1 of Stranger Things came out in 2016, whereas s3 of Skam came out the following year in 2017. The hype for ST was so immense, to the point where you had Norwegian teens referencing it in everyday conversation.

The creator of Skam took scenes from ST that framed Mike very peculiarly in s1, and used it as queer-coding for a character that ended up being revealed as gay.

For those that haven't seen Skam Norway... Run. Leap. Drive. Teleport. Do what you have to do and go watch it. It's not available on any streaming, in fact it's only available online through fan-sites outside of where it's based. Conveniently, all 4 seasons with English subs can be found HERE.

Basically this show is amazing and you need to watch it. Some seasons I like more than others. But the gist of it is that every season focuses on a different character from the main group, where they experience some sort of misunderstanding/miscommunication that leads to them being misinformed about certain things, followed by them making mistakes and having doubts, though it tends to end in a way that feels so refreshing compared to what we're used to.

Skam also translates in english to shame, so the idea is that there is an arc surrounding some form of shame every season.

With Isak in particular, he's the focus for s3, though his arc starts to become more clear as early as the end of s1.

Eva, the character in focus for s1, borrows Isak’s phone to call someone, and ends up seeing that there's gay porn in a bunch of his tabs on his browser. Their friend Noora also witnesses this and she ends up being the focus of s2.

Throughout s2, we get even more blatant hints that Isak is gay and in love with his best friend...

So it's established pretty early on throughout the series that Isak is queer and in denial about it, but it isn't until s3 that he himself is able to confront it.

The way they go about this arc, with Isak having unrequited feelings, is exactly how ST would have done it IF Mike hadn't returned Will's feelings.

So if you're looking for more byler proof, go watch this show and see how they don't let Isak pine over his best friend Jonas for more than 2 seasons.

When the story finally puts Isak at the forefront, they give him his own love interest instead of keeping him pining for his friend. It's really pure and amazing and TBH I would have been fine if ST was framed this way, with it being clear from the beginning Isak's feelings were unrequited, and with the other half of the series focusing on him moving on and finding love himself, and also with his best friend and him still being very close.

Although Isak has that queer-coding from the very beginning, with him looking at his friend all fondly, he is still not able to confront any of it. The following season he dates a girl and is a little over the top about it, though we can also see that he is struggling despite not wanting to face it. It isn't until s3 when the story shows us his inner struggle at the forefront, that we see him finally confront it and accept it.

For those that don't know, Skam also loosely inspired the Nick Nelson gay test scene... So we have character that despite showing many signs of being queer, to the point where we know he literally watched gay porn, is still finding himself in a situation where he's taking gay tests 2 years later....

While he might have the knowledge deep down, he was not willing to face it. In fact he was doing everything he could to avoid confronting it.

But then he falls in love and suddenly it's not something he can ignore anymore...

[jeremyau]

People Don’t Follow Titles: Necessity and Sufficiency in Leadership

June 15, 2017 | Reading Time: 6 minutes

“Colonel Graff: You have a habit of upsetting your commander. Ender Wiggin: I find it hard to respect someone just because they outrank me, sir.” — Orson Scott Card

***

Many leaders confuse necessary conditions for leadership with sufficient ones.

Titles often come with the assumption people will follow you based on a title. Whether by election, appointment, or divine right, at some point you were officially put in the position. But leadership is based on more than just titles.

Not only do title-based leaders feel like once they get the title that everyone will fall in line, but they also feel they are leading because they are in charge — a violation of the golden rules of leadership. This makes them toxic to organization culture.

A necessary condition for leadership is trust, which doesn't come from titles. You have to earn it.

***

Necessary conditions are those that must be present, but are not, on their own, enough for achievement.

Perhaps an easy example will help illuminate. Swinging at a pitch in baseball is necessary to hit the ball, but not sufficient to do so.

War offers another example. It's necessary to know the capabilities of your enemy and their positions, but that is not sufficient to win a battle.

Leadership can be very similar. Being in a position of leadership is necessary to lead an organization, but that is not sufficient to get people moving towards a common goal. Titles, on their own, do not confer legitimacy. And legitimacy is one of the sufficient conditions of leadership.

If your team, organization, or country doesn't view you as legitimate you will have a hard time getting anything done. Because they won’t work for you, and you can’t do it all yourself. Leadership without legitimacy is a case of multiply by zero.

There is a wonderful example of this, from the interesting history of the Mongolians. In his book The Secret History of the Mongol Queens, Jack Weatherford tells an amazing story of the unlikely, but immensely successful, leadership of Manduhai the Wise.

250 years after Genghis Khan, the empire was in fragments. The Mongols had retreated into their various tribes, often fighting each other and nominally ruled by outsiders from China and the Middle East. There was still a Khan, but he exercised no real power. The Mongol tribes were very much at the mercy of their neighbors.

In 1470 the sitting Khan died, survived only by a junior wife. There were immediate suitors vying for her affection because by marrying her the title of Khan could be claimed. Her name was Manduhai. Instead of choosing the easy path of remarriage and an alliance, she decided to pursue her dream of uniting the Mongol nation.

First, she had to choose a consort that would allow her to keep the title of Queen. There was one remaining legitimate survivor of Genghis Khan’s bloodline – a sickly 7-year-old boy. Orphaned as a baby and neglected by his first caregiver, he had been under Manduhai’s protection for a few years. Because of his lineage, she took him to the Shrine of the First Queen and asked for divine blessings in installing him as the Great Khan. They would rule together, but clearly, due to his age and condition, she would be in charge.

Although her words would be addressed to the shrine, and she would face away from the crowd, there could be no question that, in addition to being the spiritual outcry of a pilgrim, these words constituted a desperate plea of a queen to her people. This would be the most important political speech of her life.

She was successful in securing the appointment. But Manduhai understood that the title of Great Khan for the little boy and Khatun (Queen) for her would not be enough. She needed the support of all the Mongol tribes to give the titles legitimacy, and here there were a significant number of obstacles to overcome.

Twice before in the previous generations, boys of his age had been proclaimed Great Khan, only to be murdered by their rivals before they could reach full maturity. Other fully grown men who bore the title were also ignominiously struck down and killed by the Muslim warlords who tried to control them.

First Manduhai had to keep herself and the boy, Dayan Khan, alive. Then she had to demonstrate that they were the right people to unite the Mongol tribes and ensure prosperity for all. This would take both physical battles and a strategic understanding of how to employ little power for great effect. Her success was by no means guaranteed.

Throughout their reign, as on this awkward inaugural day, they frequently benefited from the underestimation of their abilities by those who struggled against them. In the world where physical strength and mastery of the horse and bow seemed to be all that really mattered, no one seemed to anticipate the advantages of patient intelligence, careful planning, and consistency of action.

It was these traits that led Manduhai to carefully craft her plan of action. She needed to position herself as a true leader that could unite the Mongol tribes.

Vows, prayers, and rituals before a shrine added much needed scared legitimacy to Dayan Khan’s rule, but without force of arms, they amounted to empty gestures and wasted breath. Only after demonstrating that she had the skill to win, as well as the supernatural blessing to do so, could Manduhai hope to rule the Mongols. She had enemies on every side, and she needed to choose her first battle carefully. She had to confront each enemy, but she had to confront each in its own due time. Manduhai needed to manage the flow of conflicts by deciding when and where to fight and not allowing others to force her into a war for which she was not prepared or stood little chance of winning.

She made an important strategic alliance with one of the failed suitors, a popular and intelligent general who controlled the area immediately east of her power base. Then she went to battle to secure her western front. Some tribes supported her from the outset, due to the spiritual power of her partnership with the boy, the ‘true Khan’. The rest she conquered, support snowballing behind her.

In addition to its strategic importance, the western campaign against the Oirat was a notable propaganda victory, demonstrating that Manduhai had the blessing of the Shrine of the First Queen and the Eternal Blue Sky. Manduhai showed that she was in control of her country.

Grinding it out in the trenches inspired support. Manduhai demonstrated the courage and intelligence to lead and to provide what her people needed. She was not an empire builder, seeking to conquer the world. Rather, she was pragmatic desiring to unify the Mongol nation to ensure they had the means to thwart any future attempt at takeover by a foreign power.

In contrast to the expansive territorial acquisition favored by prior generations of steppe conquerors, Manduhai pursued a strategy of geographic precision. Better to control the right spot rather than be responsible for conquering, organizing, and running a massive empire of reluctant subjects. … Rather than trying to conquer and occupy the extensive links of the Silk Route or the vast expanse of China, she sought to conquer just the strategic spot from which to control them.

Her story teaches us the difference between necessity and sufficiency when it comes to leadership.

Manduhai ticked all the necessary boxes, being a Queen, choosing a descendant of Genghis Khan to rule by her side, and asking for meaningful spiritual blessings. While necessary these were not sufficient to rule. To actually be accepted as a leader, she had to prove herself both on the battlefield and in strategic negotiations. She understood that people would only follow her if they believed in her, and saw that she was working for them. And finally, she also considered how to use her leadership to create something that would continue long after she had gone.

Manduhai concentrated the remainder of her life in protecting what she had accomplished and making certain that the nation could sustain itself after her departure. With the same assiduous devotion she had applied to the battlefield and the unification of the Mongol nation, Manduhai and Dayan Khan now set to the reorganization of the Mongol government and its protection in the future.

In this, she succeeded. She cemented her power as Queen by ultimately working for the peace and prosperity of the entire Mongol nation. Perhaps this is why she is remembered by them as Mandukhai the Wise.