#and we worked at the same chain but different locations

[spiteless-xo]

i’m working on a restaurant fic rn and me and my bf are joking about how the chapter names should be restaurant lingo like “86” or “corner”.

and he’s like, “one chapter can be called behind and then the next chapter there should be a betrayal and you can all it behind with a knife”

[xuterboo]

Good day! Or night? It doesn’t matter, today we will have residents of Hades for analysis

Recently I found a person who posted all the (at that time) characters in full size. Why did I find this so late 🥲

However, let's get started

Some of the kings dress differently from their subordinates, but Levi decided to insert his own dress code. In Hades, strict clothing is accepted. With permission for some accessories, similar to the type of chains the King himself had. On the hand of the King of Envy you can see three sixes located in a circle. Honestly, at first I didn’t understand that this was the number of the devil. I thought it was some kind of symbol with deep meaning. But everything turned out to be simpler

Foraz and Valefor share the same clothing style. Apparently they occupy approximately or the same positions at work. The details that are interesting to me are several things: a noose on the neck, which speaks of devotion (applies to all the demons of Hades), different left boots, differing only in color and material (?) And of course capes with ropes on the sides. I don't think I particularly like Hades as a country, but the fashion there is great 😍

Foraz has distinctive details in his image: a chain on his horns and a tattoo on his cheek. What's also interesting is that he doesn't wear the chain because he's imitating Leviathan. More precisely, not only for this reason. According to Foraz, he just likes the look of the chain. And also his tattoo is his own artifact.

Barbados has a fur belt with his signature rose flower. The same pose is on his earring, and the artifact of this character is also a rose. Oh yes. And attacks too. He really loves roses. He even smells like roses. It seems he even eats them sometimes hahaha

Glasyalabolas, (Damn, I hope I didn't summon some creature while I was writing this) altogether a unique case. Judging by the medals and banners, he is a general, or any military figure. This can be judged by the carriages, a special braided rope with peculiar tassels, black and white ribbon and, in principle, more luxurious clothing. Fighters get paid a lot, especially in high positions.

I want to say that his artifact, the raccoon, does not suit him at all. He's a menacing killing machine. What, the hell, a stuffed raccoon??

The name Glasyalabolas is made into 2 words and one French article "La". As we know, people took many things from hell, and France is the embodiment of Abbados, the land of lust (We can judge this by the names of the demons from there). In that case, my question is, what did you forget in Hades? The vibe from this character suits the place though.

By the way, Hades itself represents the architecture of England, somewhere in the Victorian era. Absolute monarchy and complete submission are very similar to this country

[randomlywanderingmoth]

Part of the problem with Fate Grand Order is the core gameplay is fundamentally flawed, and it's very difficult to restore "a fun game" around a flawed core.

Quick and Buster and Arts were all interesting notions, and could have mapped into action gameplay (if we were to merge FGO's ideas with FSR's gameplay I would equate them to fast attacks, heavy attacks, and weaker attacks meant to charge your special bar, but I digress).

As it is, though, it just makes for unpleasant feelings in gameplay, demanding optimizations (I would point out that in the international release we only recently got the ability to combo all three together, and made Quick chains strong enough to consider independently). Those optimizations rise up around every aspect of the game; only a select few Servants have the ability to AoE without accessing their Noble Phantasm, and they haven't even made it to international. There's a wide range of Craft Essences, but only a few that ever matter. Creativity in builds is tamped down around increasingly narrowed build notions as the devs design with over-optimized teams in mind.

The end result is a game that, optimally, advises you to use your super rare fully powered optimized support, your friends' identically super rare fully powered optimized support, and a high power damage Servant, and repeatedly fire the damage dealer's Noble Phantasm to either clear waves or kill bosses.

Speaking of which, from a lore perspective, this is also completely messed up. By the lore of the Nasuverse, a Noble Phantasm is a Servant's super secret ultimate move, only meant for the final hour. This is fully incongruous with the gameplay, where you typically throw the same world-ending mythology-defining techniques three times in a row and call it a day. (Entertainingly, in the International release, we've also made it to Traum, where we see faceless Servants fire their Noble Phantasms like simple artillery, but that's its own commentary.)

Like, it's so effortless to imagine better systems than this! Servants deployed on a chessboard-like map, heralding back to the themes of Fate Apocrypha; suddenly we don't need anything as mechanically obtuse as Class Advantages when we could organically differentiate each Class by how they navigate the board or how they fight each other (Riders can leap over enemies like knight pieces in chess; Archers can attack at range without moving; Lancers do really well on Attack but have poor Defense; and Berserkers can be the units of terror that lore implies!)

Alternatively, the Grail Battlefronts we've already seen- rework the entire game to operate more organically like that; maybe Servants can use skills without entering combat, but it exhausts their actions. Then different forms of gameplay can exist beyond just "mulch the enemy"; like "defend this location" or "collect these resources" or "defeat This Particular Foe".

Or, even if we had to work with just the system we have! Change THAT! Rather than select three cards from a set of five, have it go down the list; each Servant gets One Action to either pick from "Quick, Buster, Arts, Use A Skill".

As for Servant Customization, walk it all the way back, all the way back up to the Attack/HP boosting. Make it so that players can individually optimize Servant performance in different ways- this Servant has better output in Arts, that Servant has higher Crit Star generation. And for folks who'd already spent their Fous, you could just say "right, so anybody with Fous spent can now allocate those points into these new Stats! No harm done!"

Of course, in order to do this, they would likely need to construct a whole new framework for their game, whilst preserving the progress people have made until now.

Then again, they are presently building castles in the sand during the rising tide with one hand and bandaging bullet wounds with the other, so maybe a long shot like that is what they need.

[queen0fm0nsterz]

Also guys, about the locations of the podcasts: they are real places. 100%. They are real places somewhere in the Nowhere - most importantely, somewhen.

Prophetic dreams are very real in Little Nightmares and they are things that often happen: however, I do not believe this is yet the case for Noone. She describes feeling sensations and smells multiple times, something that can only happen if the plane of reality one is in is... well. Real. She also describes feeling Jester's presence as she does with Otto's, who is a real person in the real world alongside her. The fact that Noone isn't currently fully there yet doesn't necessarely mean the places aren't real.

Now, whether she's visiting the past versions of some already existing locations is up to debate (COUGH THE BATHHOUSE COUGH), and that locations and habitants of said locations can be parallels to some already existing ones, but the only certainty we have at this point is that these other places that are being described and witnessed by Noone are real places somewhere. After all, the Nowhere is an incredibly vast place of which we have explored incredibly little.

Would it be so surprising if the places Noone visits are separate from the, like, 3 ones we have visited?

(map is from LN II, the school, and is supposedly rappresenting a region of which we only see a single city.)

And another thing, actually: I have seen many compare the Lady to the Woman in Chains, but honestly, after reading through the transcript of the first episode of TSON made by @softichill... the two sound like the complete opposite of each other, appearence and behaviour wise.

The Woman in Chains is described as having a "stretched back face", therefore causing her to have wrinkles due to how her face is structured, which explains Noone talking about her as being "both old and young". There is no concealing, no mask, nothing to hide her face. She doesn't live in secrecy like the Lady does -- quite the contrary, infact.

And about features: in both her forms, the Lady's face looks the opposite of hers. Either completely relaxed, or... nearly like it's melting.

I have also seen some people try to claim that the "familiar outfit" as a reference to the Lady's kimono, but you must remember who the narrator is. The outfit is familiar to Noone. Not us. It is likely that the Woman is wearing either a nun's dress (Noone mentions seeing three laying on a bed in the Prisoner's bedroom) or something Noone might have seen from the institution she's kept in.

While the Lady does thrive in her occupation, she doesn't necessarely take joy in it like the Woman in Chains (Prison Ward, atp) does. For the Lady, it's much more a matter of survival. She is on the Maw because it's convenient, see as she's in a powerful position. The Woman in Chains is instead happily preparing torture devices to haunt the Prisoners with.

Some parallels are certainly there. Referring to them as being, even metaphorically, the same person... it would mean that the team wrote a very bad analogy. They are nothing alike in any other aspect BUT their occupation. Funnily enough, you could say the Thin Man and the Signal Tower operate in a near identical manner to both these places. He's also the living center/battery of his own mechanism.

Noone also mentions that the Workers seem to be made of shadows, similarly to the Shadow Children. However, it is also evident that these beings are different, as they work and can hold objects much like the nomes. Later, when she meets a living child, she notes that they have black goo in their hair that moves like shadows. If that's the same material the Workers are made of, then this would make them some sort of liquid entities.

Lastly, about the inhabitants themselves: no one else in this Prison is here because they want to be. The Prisoners are not like the Guests, who come on the Maw willingly. The Workers are mindless beings, unlike the Nomes who draw and the Shadow Kids who play just like children. The child and Noone want to leave... and that's understandable.

My friend @chorusofkhonshu smartly pointed this out, so I'm just gonna copy and paste what he said word for word.

"So I thought, if these creatures are made of liquid, it has to come from somewhere. So my mind wandered to the prisoners, their purpose. Perhaps like the Maw and Signal Tower need to absorb people. The Signal Towers thru TVs and the Maw thru the Lady. What if those prisoners are only alive to be bled dry so long as they live. Noone smells the prisoner rotting. All those prisoners have to share some purpose, they might be tortured. Some device that the lady there has. She uses straps and cranks. Masks with spikes in the mouth. It runs on tortured souls."

And just as Noone mentions later on:

Swelling.

If anything... rather than paralleling Six's journey, Noone seems to be living it backwards. Completely backwards.

... Mh.

[yoitsjay]

Introductions

Pairings: none, fem reader

Summary: your the new stage manager for The Bad Batch Band, time for some introductions.

Warnings: none

Word count: 762

“So what happened with the old stage manager?” A louder gravelly voice asked out whilst setting up the drums to practice on. Wrecker, always curious as to conversations he definitely was a part of, but definitely was not paying attention too. A bored sigh followed his question, and the lead guitarist Crosshair spoke up next.

“We told you wrecker, she tried sleeping with Hunter, got rejected and quit.” He huffed, fiddling with the amp and the amp cords that connected the guitar to said amp so it made noise, like an actual guitar. Tech and Echo, the bassist and backup guitarist were kind of doing the same, glancing up when Wrecker and Crosshair started bickering.

Hunter’s voice then cut through theirs, and the two brothers went quiet to listen in. “Okay boys, enough. Our new stage manager will be here in a couple minutes. So let's greet her out front.” Hunter ordered, and led his brothers outside of the studio just as a beautiful bloody red 1967 pontiac firebird rolled up to the studio. The rims of the wheels were painted gold, which accented off the red beautifully.

Tech was fascinated with how well the car was kept, and whoever was in it must have loved old cars since the engine was basically purring before the engine shut off.

The door squeaked slightly as it was opened, and out you walked wearing a pair of black baggy cargo pants with several skull designs on the pockets on the sides, followed by chains and other silver accents that littered the fabric. You were wearing a fishnet top with sleeves that stopped at your hand, looking like fishnet gloves but full arm length, and overtop that you had a black body tight tank top which was tucked into the black cargo pants, a double holed belt keeping the pants secured around your waist. You also wore a few different types of necklaces, and your ears were riddled with different piercings in different locations.

You were wearing sunglasses, but they were just clip ons to your actual pair of glasses. Your hair was down, stopping at your middle back. Hunter noticed that you had a few rings and bracelets on as well, and he definitely loved your vibe, much more than the previous girl. “You must be our new stage manager, im h-”

“Hunter, I know. And these are your brothers Tech, Crosshair, Wrecker and Echo, and your sister Echo must be inside… I can't forget the cowballer.” you finished his sentence, flashing the boys a smile as you lifted the shaded part of your glasses. “Well there's lots to do and little time before your Cali tour starts so chop chop! i wanna hear you practice and then we pack to get on the bus which is waiting at the airport for us. The Marauder right? cool bus name.” You spoke hastily, opening the passenger door to your car as you leaned in, pulling out a clipboard and a large stack of paper.

“Come on! everyone inside!” You rushed, locking your car before following them inside.

Hearing them practice, and then getting them to the hotel closest to the music hall was no easy feat but you made it work, and even got them there early which never happened. Hunter liked the fact that whenever it came to omega you always got on her level to speak, and were just genuinely kind, again- unlike the previous manager.

You dropped your keys in the parking guy's hands, and lowered your glasses down your nose as you glared at him. "So much as put one scratch into her paint, and i’ll hang your head from my rearview mirror.” You hissed, probably making the poor dude piss himself as he grabbed your keys and went to park your car.

You waited for the rest of the boys to get here in their band bus, pulling up not long after you did. The concert wasn't until tomorrow, but once the boys and omega were settled into the hotel, you’d have some free time.

You walked up to the receptionist and grinned as she basically withered under your gaze whilst taking your information, passing you the keys to each room with shaking hands. You turned to Hunter and the rest of them, and started handing out their designated keys. “I got you and omega a double room, so you both have your seperate bedrooms but in the same room.” You explained as you handed Hunter the key before making sure you had your own.

“Alright! time to settle in”

Tag list:

Hunter tag:

Crosshair tag:

@nyctophobiart

Echo tag:

Wrecker tag:

Tech tag:

All:

@moomoog017

[heymrspatel]

✨Weekly Tag Wednesday ✨

i was tagged by @jrooc @stocious @michellemisfit @thepupperino @doshiart @sgtmickeyslaughter @gallapiech @blue-disco-lights @mmmichyyy @lingy910y @pookiebearmick @gallawitchxx @energievie and @gardenerian thank you lovelies!

Name and A03 handle: julissa | heymrspatel

Current Location: on my couch, slowly melting into the cushions. i'm so tired.

Favorite picrew (don't have one? you can skip this or do this one)? these two for sure! i think they capture my vibe well lol one & two

What's one thing you want in a picrew? ah! well, since i often start them i have a list of things that i usually look for to make sure that they're inclusive. sometimes i forget to check for certain things and then i'm annoyed lmao.

but ideally: big selection of skin tones, undercuts, the option for tied hair, short haircuts, different types of hair textures and colors, facial hair, scars, and big big ups if there's an option to change face shapes! THIS IS SERIOUS BUSINESS!

for me though: curly hair and big blushy (and fangs if available)

Favourite thing you’ve created (or seen created) for the fandom? oh this is hard. i'll say, fluffy art: "doesn't matter where we go man", spicy art: "i need you to touch me"

Why is it your favourite? fluffy: because i went crazy with the details. i love that it tells a story. i love the colors i used. i love that pane of them watching the sunset. i love hands - hand on thigh, hand kiss, hand under shirt.

spicy: so. much. skin. i love all the positions i put them in. i love how it's sensual and teasing but you can't really see any of the "action" haha. tongues and chain and bruising. i love hands - hand in mouth, hand on neck, hand in hair.

Did it come easily or was it hard to create? HARD! lmao everything i make is hard to me. some things come easier now, but i really do drag my limp body all the way to the end.

Last ao3 fic you commented on? "keep you by my side" by biblionerd07!

Biggest WIP heartache you’ve ever experienced? ...things beyond mistake. i'm glad most of us are on the same painful page.

Favorite trope or head cannon you like included in a fanfic? i love friends/fwb to lovers and slice of life and outsider povs! also, only one bed or when they get stuck somewhere alone. ooooooh and i LOVE a good texting fic!

Least favourite? eeeh very iffy on the kid fics, depends on the writer. or mpreg. or big deaths.

Secret or surprising kink or trope? idk that anything's a secret? i'm out here giving you guys full visuals during kinktober...

Describe how you feel after you’ve created something new? ah- very vulnerable. accomplished but nervous. i literally post and run away.

Top hype man you have that always helps you get across the finish line: i usually keep whatever i'm working on under wraps for no reason other than i'm self conscious! but @whatthebodygraspsnot always cheers me on and is the most supportive and sends me the most eloquent keyboard smashes to keep a girl going!

It's been a bad day, you turn to the fandom and you _____? scroll through tumblr and, when my brain is cooperating on reading (it hasn't been), turn to my comfort fics!

i'm skipping the tag cause i'm late and i'm feeling weird! but i hope everyone's having a nice night/day/time zone!! 💙

[useless-catalanfacts]

By the way, these days that (thanks to hbomberguy's new video) many people are talking about plagiarism and stealing material without sources or obfuscating the sources, I'd like to point out how blatantly that happens here on Tumblr with images.

I follow various tags related to the contents of this blog, mostly the names of places in our country, and you wouldn't believe how many posts I get on my dash with "because you follow #[name of place]" and it's a photo of some completely different place, with no link to source nor name of the photographer, misattributed to a different location, even to a completely different country, or very often that is simply using that tag for ~aesthetics~. And I've also seen it the other way around, photos of our country and it says it's Italy, and the same happening with other pairs of countries. These posts also tend to come from the same few blogs: blogs completely dedicated to stealing photographers' and/or other artists' work, where post after post it's all they never say where they got them from. And, like in the case of some tags, it seems to me that often they're using these place names just to add on to the "exotic factor".

In the last months, I've also seen this happen increasingly more with AI-generated images. By not including the source and saying it's X place, they pretend it's not an AI but a photo. Some of them are very realistic (until you zoom in into the details) but some of them it seems to me like they shouldn't be believed, for example this one I got on my dash because I follow #Mallorca:

First of all, that's obvious AI (look at the flowerpots, the supposed hieroglyphics, and there is another bathtub in the next room, so this person has 2 bathrooms but neither of them has a door?). I had seen this same image as part of an image set being shared some time ago titled something like "Ancient Egypt-inspired interior design", which makes much more sense and was in fact the prompt for the AI to create it. This AI created a bathroom (bath-courtyard?) inspired by the aesthetic of Ancient Egypt, but somewhere down the chain of people sharing the images someone decided to say this is in Mallorca, for some unknown reason.

The thing is, this aesthetic has nothing to do with Mallorca. Mallorcan architecture doesn't look anything like this, but many people are reblogging it and still tagging it #mallorca, which I assume means they believe this is a real place in Mallorca or at least has something to do with Mallorca.

Most people around the world won't know what Mallorca looks like, what its architecture looks like, they probably don't even know what language is spoken there or maybe even where it is on a map. And that's normal, because we can't know about every far-away place in the world! I don't mean to shame anyone who fell for this. But if they don't know anything about it, from now on, will this Ancient Egyptian style be what they associate with Mallorca? Is this the kind of image that they will associate with the island?

I don't have any point to make with this post, I only wanted to share this situation as a reminder not to believe everything you see on the internet, and especially when they're not telling you where it came from.

[barbielore]

I have never seen any of the Barbie animated films before. But it’s Christmas, and even though I don’t really celebrate the holiday, I love the book A Christmas Carol; and I love A Muppet Christmas Carol. So Barbie in A Christmas Carol seemed like the obvious way to dip my toe in.

My notes from watching are below!

In the framing device scenes of Barbie telling the story to Kelly, Barbie is wearing a silver dress that looks like pretty much the same dress as 2008 Holiday Barbie, even though that wasn’t an official tie in doll for the film.

Instead of Ebenezer Scrooge, a miserly businessman, we have Eden Starling, an opera singing diva. Her childhood friend Catherine seems to play the role of Scrooge’s nephew but given she also works for the theatre there’s a dash of Cratchitt in there too?

Eden tells everyone not to bother coming back if they don’t come in to rehearse for the new show on Christmas. Even Scrooge only told Cratchitt to be there all the earlier the next morning. 

Aunt Marie (the stand in for Marley) is draped in chains - but these chains have mirrors on the ends instead of cash boxes and ledgers. I presume to represent her sins of vanity instead of financial greed.

The spirit of Christmas past is really cute, like an excitable little elf. 

Little Eden wants to spend time with friends but Aunt Marie makes her rehearse all Christmas instead of seeing other people. Eden sneaks out to go to a party instead of practicing. 

I’m sure it’s in the interests of streamlining the story for Barbie audiences, but I’m a little disappointed the spirit of Christmas past only takes Eden to one place. 

Christmas Present shows the theatre workers throwing tomatoes at a picture of Eden. That’s pretty funny but it’s not much of a lesson. That’s okay - Christmas Present takes her to a second location, presumably so we can meet our Tiny Tim. In this case it’s the reveal that Catherine is working for another theatre as well; or so Eden thinks. Actually it’s an orphanage putting on a Christmas pageant, and our Tiny Tim is a little girl who walks with a crutch and idealises Eden. Catherine lies to her and says Eden is very sorry she can’t come in person but is so proud of all of them. I don’t know why but I got a little emotional about that!

Anyway the orphanage is about to close due to lack of funds. This doesn’t strike me as quite as resonant because Eden is a diva and selfish but none of her sins we’ve seen so far are related to finances.

Alright, time for Christmas Future. The show is a shambles because she fires all her staff for coming in late and their replacements are rubbish so the show is an embarrassment. This means Eden lives in squalor because she lost her career. Her best friend Catherine is now a famous fashion designer, but has got there by being as selfish as Eden is. The orphanage closed down because Catherine had to go out of town to find new work and she never found out what happened to the children.

Catherine indicates she would have adopted Tammy if she had known, but didn't get the chance. The other kids can just miss out I guess?

We the audience don’t find out what became of Tammy, so we don’t know if she died like Tiny Tim. We can assume it wasn’t a great outcome for her, but it’s left to our imagination. 

The red dress Eden is wearing at the end is the one from the tie in dolls! 

Eden adopts (by which I assume she means financially support) the whole orphanage which doesn’t seem really like it suits the arc but sure I’ll allow it. 

At the end of the movie I finally realise that Catherine was supposed to be Barbie’s friend Nikki. Apparently there was a doll prototype for Catherine, but I don't think she ever got released.

That doll I shared above wasn't the only tie-in doll though! There was also a giftset with Kelly dolls dressed as the spirits. Missed opportunity because the spirits were of different ages. I would have liked to see a doll of the Spirit of Christmas Present as seen in the movie!

I looked up some reviews of the novelisation to see if there were any changes, and only then did I realise I missed something -- Catherine isn't supposed to represent nephew Fred at all. The magician who has a crush on Catherine is Fred, leaving Catherine in just the Cratchitt role. That in hindsight makes a little more sense.

I'm not sure if I'll watch any more of the Barbie movies, but that was a good start. (If you think I should watch more, by all means tell me so, and recommend some!)

[cartographers-office]

Thwomps, Chomps and Bob-ombs, my theories on the artificial beings of Mario

Thwomps, Whomps, Bomps... The Mario universe has its fair share of sapient rock creatures. It has also many other artificial/metal creatures like Chain Chomps and Bob-ombs. I've often contemplated the nature of those mysterious beings, so here are my attempts at understanding them. This is a long one, so bear with me.

Now, before we start, I have a couple disclaimers to get out of the way that would help in understanding my ramblings:

1. There are a lot of speculative links between different "species": Many of the points I will bring up are only directly tied to one "type" of artificial being, e. g.: Bob-ombs having a spirit; seemingly lifeless Thwomps abandoned and overgrown, etc. I speculate that those characteristics can generally be applied to other types of artificial beings, e.g.: Bob-ombs having spirits means that Chain Chomps also have spirits, etc. 

2. Possessed doesn't mean what you think it means: Simply put, I'll be using the word "possessed" or similar concepts to describe the way these spirits inhabit their artificial bodies. By that I don't mean possessor-type ghosts who jump in and out of furniture to create chaos. Imagine it as your own soul possessing your own body, the two being intrinsically connected since birth and mostly all the way up to death. 

With that out of the way, let's start with their birth.

Thwomp birth: Thwomp Volcano 

In Mario & Luigi: Partners in Time, one of the locations visited is the Thwomp Volcano, a mountain literally built out of unchiseled Thwomps of various sizes. We see those same unchiseled Thwomps being shot out of the volcano during its annual eruption. 

“Own up! I mean, look at you! You're obviously all plumbers! Thanks to your meddling, my hubby's in a stone funk! Jumping into that volcano was his hobby, you terrible men! We've been waiting for the annual eruption all year!”

- Mrs. Thwomp, Mario & Luigi: Partners in Time

We also see a young professor E. Gadd studying the nature of the Thwomps and the mountain itself. That might not make much sense at first, given E. Gadd specializes in ghosts, but remember that Thwomps were literally described as ghosts in the English manual of Super Mario World.

A better translation of the Japanese manual (石のお化け “ishi no obake”) would be “stone spirits” or “stone demons”. I don’t mean to suggest they are literally undead people but more like a type of nature spirit in the world. E. Gadd is even described as an “obake researcher” (オバケけんきゅうか)  in the original japanese version of Luigi’s Mansion.

“The name's Elvin Gadd. I'm studying the Thwomps and history of this here mountain. How'd all these stony fellers get here and why're they so darn angry about everything?”

- Young Professor E. Gadd, Mario & Luigi: Partners in Time

“Thwomp A nasty stone ghost that guards the castles and fortresses for the Koopas. If Mario comes close, Thwomp will try to crush him. The trouble is, if you don’t pass it, you can’t go on.”

- Super Mario World instruction booklet, page 25

I speculate that Thwomps are formed inside the volcano, where their spirits are born and gain a stone body from the cooled magma. I also believe that other similar species like Thwimps, Whomps, Walleyes, etc. are either born from the same volcano or from similar locations.

Chompworks Galaxy and the Bob-omb Factories

Although they might not initially look all that similar, Chain Chomps and Thwomps could have a lot in common, starting with their creation. 

The Chompworks Galaxy is a location seen in Super Mario Galaxy 2, where Gearmos work to maintain a production line of Chain Chomps. The large bodies of lava present here might suggest that the creation of Chomps is tied to a foundry-like process, much like how the Thwomp Volcano would work in a similar manner, using molten rock instead of molten metal.

On a side note, Bob-ombs have also been shown to be factory-built, as we see in minigames such as Sort or ‘Splode from Super Mario 64 DS/New Super Mario Bros. or the Bob-omb Factory board in Mario Party 9.

Chomp Rocks and Stone Chomps

Another connection that can be made between Thwomps and Chomps comes not from the classic Chain Chomps, but rather a variant of them, the Stone Chomps. These stone variants are only found in Paper Mario, inside the buried temple of Dry Dry Ruins. 

Given that the ruins themselves are very ancient and that the regular Chain Chomps in Tutankoopa's battle were brought by him, it stands to reason that these Stone Chomps are equally ancient and inhabitants of this tomb, unlike the Chain Chomps used by Tutankoopa, who was assigned by Bowser to guard the Star Spirit.

“This is a Stone Chomp, who guards the treasure in this room. He's made of stone. Duh!” “His jaws can supposedly crush a Coconut. I don't know about you, but I don't want to become a snack.”

- Goombario Tattle, Paper Mario.

Besides Stone Chomps, another hint at the true nature of Chain Chomps can be seen with the Chomp Rocks that are prevalent in the Yoshi series. These large round statues, placed across the island, might’ve once been living Stone Chomps (more on that topic in a moment). It would explain why they are so haphazardly placed, generally out in the wild.

My hypothesis on the nature of Chomps is that, like the Thwomps, Chomps were once naturally made out of stone. At some point in time, Chomps started being artificially built out of metal, with Chompworks being one such factory. These newer “models” were then named Chain Chomps.

Bobby, Chomp Shells and Thwomp Ruins

In Paper Mario: The Origami King, The Bob-omb Bobby shows us that they too have souls and can become ghosts, just like how Thwomps are “ghosts” (i.e. stone spirits). This means Chain Chomps likely have similar spirits too. Interestingly, while that shows us their spirit can linger on after their body is destroyed, there are cases where the opposite seems to happen.

The aforementioned Chomp Rocks might be empty husks of Stone Chomps, who have somehow left their bodies in the distant past. The same seems to be true for the Chomp Shell weapon from Super Mario RPG: Legend of the Seven Stars (called ワンワンのぬけがら, Chomp Husks, in Japanese) as well as the motionless and cracked Thwomp husks found in places such as Thwomp Ruins from Mario Kart 8, Thwomp Desert from Mario Kart Wii and maybe even the Beanbean Kingdom in Mario & Luigi: Superstar Saga.

Maybe this is as close to a natural death as these beings can get, or maybe they are able to separate from their physical bodies without the latter’s destruction. Personally I doubt the latter.

The Mario Party 2 board Horror Land features Whomps that become immobile stone statues during the night. Perhaps a similar effect is at play here.

Final Thoughts

Connecting all those dots, my theory is that Thwomps, Chain Chomps and Bob-ombs (and related species) all have/are spirits of some type. Thwomps and Stone Chomps are natural stone spirits, with Chain Chomps having come from Stone Chomps after they started being manufactured. It is unclear if Bob-ombs (and others like Bullet Bills) were once naturally occurring spirits like Chain Chomps or are fully artificially-made spirits.

When a Thwomp's, Chain Chomp's or a Bob-omb's body is destroyed, their spirit likely dies with it. But as shown with Bobby, there is a possibility that some of them linger on as ghosts. Perhaps the other ones return to their place of origin and receive new bodies. As I speculated in a tweet here.

It also seems like they might also "die" in some other way, leaving empty shells behind. Whether that is their way of dying from old age or possibly willingly is unclear.

Thank you for reading through the entire post! I'd like to thank @seandwalsh for helping put it all together. Make sure to check out the Marioverse Discord server and the Subreddit for more theories and discussions on Mario lore!

https://discord.gg/ARUSxjmcSS

[ranposbabe]

Delightful | William James Moriarty x Reader

Chapter Two

“You fucking idiot.” You curse, slamming the charger onto the floor. For last several minutes or what rather felt like hours, you crouched down to the sockets desperately trying to charge your phone using that useless wire.

You’ve become so needy that you resorted to using the typical technique of wiggling the charger around in hoping it’d somehow work even if it’d result in loss of blood circulation due to the wire somehow tying around your wrist.

“I’m fed up with you.” You mutter to yourself. Pulling yourself up from the ground. You suppose it was time you needed to return to the town to buy a new charger. It was easy before not needing your phone while drunk as everything was spiralling and blurry clearly a phone was no use to you. But now you were…sober.

Wanting to escape the public while needing to be out in public seemed like a challenge quite like…yesterday.

But since it was still late morning and you’d rather do anything but sit with your own thoughts, you thought now would be the time to head out and seek out an insufferable charger. How convenient.

The town was calm and steady compared to the rush and turbulence of the previous evening. You weren’t however sure if that pleased you or not. It was easy to mix into a crowd, become lost and yet being completely sane with not physically feeling present. Yet right now it was completely opposite, you stood out more now with the lack of people despite the fact that everyone present was off living in their own world. It made your fingers twitch in nervousness. The anxiousness that being sober brought.

Eyeing down the shop before you, you were glad that you needn’t walk far into town to come across the shop. Despite the shop being modern the location was rather suspicious since either side of the small shop was an older shut down building barricaded by rotting walls. It didn’t seem to belong here.

Just as your fingertips touched the door a sudden noise emerged. A cry of a crow broke out. Next to the modern phone shop on the high brick wall stood the crow staring down at you.

Looking up, you tilt your head in wonder, brows furrowing as well.

Just then the stoic crow flew overhead you, his large ruinous wings spread.

Your head snaps turning as he fly’s behind you. He lands on the market stall.

Since when was the modern phone shop located just across from the markets ?

Eyeing the crow, your eyes lower the see the owner of said market stall to see who stands before it. Your eyes widen in surprise at the sight. The same quaint bygone woman from yesterday. Her small eyes gawking straight ahead. At you.

The more weary steps you took the more you felt as if though you were being chained and being tugged at, pulling you closer. You then come to the conclusion.

The crow was leading you away.

“We meet again.” You smile politely at the woman. “You must have me confused. I don’t know a woman like yourself.” The woman continues to stare. Confused, your head tilts to the side but you shake your head slightly. She’s an elderly woman, of course she wouldn’t exactly remember you. This is probably her hundredth encounter of the morning. Yet the woman doesn’t even attempt to recall who you are.

For the first time, your eyes glance down at the table of her stall to see what exactly the woman sells. Silver pendent necklaces placed down on silk sheets. They all showed a carved heart, many details placed in the necklaces. Your fingertips barely graze the necklaces when they’re suddenly snatched from her.

“If you are to seek one of these you must take this one, woman.”

There from her own pocket she pulls a necklace just like the others however there’s a clear difference. “A crow ?” You state, eyeing the bird who’s sharp eyes still stare you down. You subtly tilt your head at him almost as if you were challenging him.

The necklace contained fine details and 3D like as the crow and branches sprung out from the pendent of the necklace. Rather peculiar.

The urge to leave grows strong. “Why is this different from the rest ?” You also wanted to ask why said necklace was also in the elder’s pocket but you bite your tongue. The question seems to throw off the woman it as if though no one ever dared to question her despite the fact you were genuinely curious.

“It can be yours.” She dangles it in front of your face. Somehow you’re intrigued, this woman must make a fortune.

“How much-

“I don’t want money, woman !” She barks, snatching the necklace back. “Yours.. if you sign.” Almost as if it appeared from thin air a scroll like sheet is placed before stating some lines that you have no desire to read due the handwriting being cursive yet small and yet clear as day at the bottom stated signed.

“Is this some sort of receipt or something ?” You wonder, taking the pen from her frail hand. Without a second thought, you sign and suddenly as soon as you finish the sheet is abruptly taken from you before your eyes could even glance over the paper.

“Now !” The old woman shoves the necklace into your hands, practically pushing you away. “Best be off.”

Hesitantly, you turn going to walk away but not before looking back and noticing that the crow is now gone, nowhere to be seen and so you head back home away from the town.

You sat down on your unusually uncomfortable bed with your knees up to your chest staring down, lost in your thoughts. It was late evening about seven o clock as the sun was starting to set the sky bloomed of various shades of bright orange. Your eye catches sight of the necklace placed by at your feet.

The light from the window hitting it made it glow like a beacon.

“Why was there only one ?” You whisper, grabbing the necklace to observe it more closely. Your brows furrow in thought and then you decide. “Ah why not ?”

The necklace then is lad across your chest comfortable, your fingers already fidgeting with it. Attempting to find comfort, you slowly lay down adjusting yourself on the bed but-

“Shit !” You shout, practically jumping up.

“I forgot to buy that fucking charger !” You groan, tapping the side of your head in frustration. “Oh I give up !” You sigh, throwing yourself onto the bed.

Your eyes squeeze shut, hoping that slumber will take over.

A soft cooling breeze was present slowly pulling you awake from slumber. It didn’t take you that long to fall asleep after returning from anti climatic evening despite the encounters with the odd folk yet you couldn’t be surprised all walks of life were present in the town, even the strange ones.

Your eyes flutter some , turning your head to meet your soft pillow yet.. you don’t.

Confused you open your eyes to see..

concrete ?

Raising your head you squint looking around with eyes still adjusting to the rather obnoxious bright light.

“Mother ! The harlot’s legs are exposed !” A young voice cries out.

“Don’t look at such filth, dear.”

“What the fuck is going on ?” You sigh, rubbing your tired eyes.

“Mother the harlot’s talking to herself !”

“How strange… and she’s laying herself out open in the middle of the street. Come now dear, look away !”

Your eyes widen at the sight before you, it seemed like town but not the same.

No cars present, the place looks somewhat deserted and the people are…wearing formal suits and dresses ?

This has to be a dream. Last thing you remember was laying in bed

“I must be drunk.” Shaking, you stand to walking over to an old looking lamp post, you barley look up taking in the weird surrounding before shaking your head in shock, eyes glazed over.

“Am I in a dream ??!!” You cry out to a man passing by. The man scoffs, dragging his cane along as fixes his top hat, mumbling something about lower class imbeciles as he walks on yet you’re too frightened to try to understand what he means.

Looking down you take note that you’re still wearing the same sweatpants and top you wore before you fell asleep but now your knees are covered in dirt and the same goes for your sleeves.

Your hand subconsciously goes for your neck and there you feel-

“The necklace !” You gasp, tugging on it.

Clenching the necklace close you soon come to the realisation. This is not a dream. But then what is going on ?

What is happening and why is it happening ? Why you ?

Some time has passed, you’re not that positive as everything seems to be spiralling and not right. You’ve been wondering around the streets searching for an answer by to no avail. No help.

You cluelessly walk out to the middle of the somewhat empty road, looking back and forth not knowing where to go.

The later it got made you more nervous as to what the night would spring upon you.

As you stand contemplating what to do, a sudden noise a heard as you turn to look, your body completely freezes at the sight of… a carriage !

You shiver, shutting your eyes as you wait for impact but suddenly there’s none.

A arm grabs you at the last second and you’re dragged out from the road onto the pavement. Your chest feels tight as you sit on the ground, hoping to calm down.

Before you could even have the courage to face the heroic person who saved you from the carriage, your eyes set on the sky behind you. It looked the same bright orange sky as it did before you fell asleep and woken up…here.

“Are you alright there, miss ?” A deep voice broke you from your thoughts.

Still breathless, you turn to look up high at your saviour. There stood two men, well one to you looks younger possibly your age. He stands smaller and shorter than the other man who is your saviour.

Both men share dark hair yet this younger man stands out with a light blue scarf laying tightly around his neck.

You notice the older man seems to have styled his hair more, he wears gloves with a high collar on his black jacket.

Both their dark yet somewhat soft eyes stare you down and now it’s starting to feel slightly intimidating. Clearly not comfortable with the silence the man continues as the younger man remains silent yet still carefully eyeing you.

“You’ve got a bit of dirt on your cheek.” He rather states the obvious. He lends out his rather large hand and when you take it you’re thrown off just by how strong this man is as he pulls you to your feet.

Looking in between the two men, your breathing starts to become rapid once again and then it’s all too much.

“What the fuck ?!” You cry out, and just like that everything turns black.

You’ve passed out.

Before your unconscious body hits the ground, your saviour catch’s you and doesn’t hesitate to throw you over his shoulder, your arms dangle over his back, his hands securely placed on your thighs.

“Seems we’ve got a vulgar one here, Fred.” He smirks at the lad. “What are we gonna do aye ?” He practically asks himself as the lad remains quiet following your saviour as he now walks on his way.

“Why has she got pants on ?”

[aeolianblues]

good god girl, maybe some of us are not vegan because we eat chicken like once in three months?? Would reduction not be a more productive goal of vegan activism than outright banning? Like if your arguments are that animals are being eaten, then you’re being unrealistic about the entire actual concept of the food chain. Humans are omnivores, you do not need to change that to achieve your goals.

A vegan lifestyle is also entirely the product of your geographical location. If you live somewhere that shit does not grow, what are you going to do?? I just think about the difference between food options in India and Canada, for example. India: between the tropics (tropics and equator even, in fact). All-year-round sun, there’s pretty much always stuff growing. Different kinds of land will mean you can grow everything from staples like rice and wheat to vegetables, fruits and plantation crops. It’s reflected in the cuisines: Indian food has a much, much wider offering of vegetarian food, and many more Indians have restricted diets that more or less overlap with vegetarianism. Because crops grows. Locally.

Canada. Harvest in the fall, from November to March, your fields are practically unusable. Compare the prices of fresh produce in (and now I’m being generous to give you a highly populated, non-remote province here for an example) Ontario. Ontario has farms where in the fall you get fresh autumn vegetables and fruits. You’ll also get them in larger quantities. It is way cheaper, fresher and also uses less energy and fuel to transport the vegetables like 50 km from farm to market.

Come the winter and nothing grows. If you look at most vegetables you’ll find on store shelves in December or February, and most of it is either imported from warmer regions of the US (often the case for chains that are in both countries) or from South American countries (sometimes SA -> USA -> Canada). The importing has to go through cross-country customs, had to be driven for days, is less fresh or rich in nutrients by the time you get it, and is more expensive. Of course. And we all come out of it poorer. Is it any wonder why people will eat meat? We’re even talking here about a place like Ontario, very well connected on North American trade routes. Can you justify someone in Yukon deciding to eat meat over a $17/lb. green veg? Be for fucking real…

There simply cannot be a blanket-global solution to animal products. You’ve got to work with what your geography has to offer. It’s the same thing we say when we say that avocados have an environmental cost when you expect them to be available year-round in places they don’t grow. We encourage people to go for more local produce there, and I think the same should go for all parts of your diet too. If your animals are local, then their footprint is lower than importing kiwis from New Zealand to the US. I don’t see how that’s hard to understand.

[drstonetrivia]

Chapter 13 Trivia

Extremely rare no-abs shirtless male character from Dr. Stone. Keep this picture safe, it's the only one of its kind…

This is the same location as Taiju passed through on his journey, but taken from an angle slightly further back. Some parts look a little different, but the same broken statues are present.

The monkeys that follow Senku around are Japanese macaques, which are a species of Old World monkey present across most of Japan. They are also the most northern-living primate (not counting humans), and as such are adapted to the colder Japanese climate in the year 5738.

Senku couldn't start a fire with this setup, but neither would Taiju or Yuzuriha. The wood is wrong: the bottom should be stable like a plank, with a divot and a notch in it for catching the embers. The drill part should be much thinner, without bark, and rounded at the end.

Chert is a 7 on the Mohs scale, so it's hard, but not "off the charts".

Senku uses two percussion techniques to shape the stone: hard-hammer and bipolar. The former is used more frequently as it is more precise, but the latter is used when the stone isn't good quality.

After the rough shaping, Senku grinds the stone to have a polished edge, which makes it more durable. Polishing flint/chert is one of the markers of the transition from the Mesolithic to Neolithic Stone Age, as polished axes were more efficient at clearing trees for farmland.

I spent some time testing how to make plant cord, and Senku's methods are correct. Scraping away at the plant removes the bark and non-fiber-y parts leaving the long strings behind. Flax, hemp, and nettles are good plant choices, as they have longer fibers for twisting.

Senku's rope looks like 1-ply, meaning only a single strand is being twisted. This seems to contradict his earlier hand motions, as twisting parts in both hands would result in 2-ply, but his inexperience may be the reason it didn't work correctly. More plys means stronger rope.

Rubbing sticks raises the heat of the wood through friction, but the goal is to get the wood hot enough to decompose into what's known as pyrolysis products. Those products burn in oxygen, which then raises the heat more and creates a chain reaction, setting the wood on fire.

Assuming this deer is an adult Japanese sika deer, it weighs around 40-70kg. Senku at this point probably weighs under 61kg. In order to confidently lift a deer, Senku needs to have a counterweight of at least 70kg.

In this case, he bends a small tree using his own weight (one handed, even), but the chance of this tree being that elastic and capable of lifting over 60kg without simply breaking is almost impossible.

The more realistic option would have been using a counterweight such as a large log or stone, so that when the trap is activated, the counterweight falls and the trapped animal goes up.

However, that requires Senku to be able to lift something that heavy above his head.

Making leather requires several steps that can take several weeks to several months to complete. The hides need to be scraped and soaked in special solutions, have tannins added, and other processes.

The gnawing Senku is doing happens after the tanning, and is used to soften the leather. The modern way to do it is to rub it across a smooth/rounded surface, such as a sawhorse or metal pipe. The bending will make it more supple and won't destroy your jaw.

We see that one of the snow monkeys has a baby on their back. Snow monkey babies are normally born from April to June. Four months after birth, the babies are too big to hang from their mother's underside, so they move to her back.

The earliest this time scene could be is therefore August, which is about 2 months before Taiju depetrified. Any of Senku's experiments or builds likely happened in those last 2 months, since we don't see him progress with anything else before then.

I know this chapter took a while, but the topics were too interesting and also testable so I went a little overboard with how hard I was looking things up haha!

[landofzero-archive]

Ibara Saegusa - Private Room Chapter 2

Writer: Nishioka Maiko

Season: Autumn

(Location: CosPro Conference Area)

(One week later)

Ibara: —Yes, yes. I believe I explained that many times the other day, right? I’ll send you the materials via email.

That’s right. I’ll contact that person from here.

No. Everyone makes mistakes, so please be careful in the future. Yes, yes. Thank you. Then, please excuse me.

Haah…… Is it an email this time? Uumm……?

—Ahh, come on! What the hell is going on with this situation……!

Problems occur here and there every day! Even when I fix one problem, two more problems pop up in different places at the same time!

This is nothing short of abnormal!

Another email? Yes, yes. What happened this time?

…… What? ‘My working hours have increased too much this month, so why don’t I take some time off somewhere?’ What are they talking about……?

It’s true that I’ve been busy this month due to filming and management duties, and for the past week or so I’ve been working overtime all the time in order to deal with problems.

…… However, there’s no way I could honestly take a day off in this current situation. This is a person who doesn’t know the situation, so……

(No…… Wait. It’s certainly not the time to take a long break.

Recently, the real situation of major agencies with black labor systems has been a hot topic…… (1)

The public will be looking for the next sacrificial company to pop up in the news in a chain reaction.

Under such circumstances, it would be too risky for me to collapse from overwork as the deputy director……)

Damn…… I have no choice. I’ll quickly finish my day off tomorrow and return to the front line as soon as possible.

(Location: Starmony Dorms (Exterior))

Aira: Uummm…… Copy and paste the inquiry number here. All I have to do is start the inquiry~

—The status is complete! It’s almost arrived! My oshi’s national tour disc♪

What a reli~ef. I thought it would arrive later. I have plenty of time before I go to bed, so I’m gonna enjoy this to the fu~llest today.

That’s why I bought a lot of sweets and drinks. I won’t be leaving my room after today……!

Nazuna: O~i, Aira-chin. Isn’t it dangerous to walk while looking at your phone~?

Aira: Ah, Nito-senpai! Sorry. I couldn’t help but wonder if my package had arrived. Ehehee.

Nazuna: Package? Oh, were you tracking your courier package?

I understand why you’re worried about its status, but it’s still dangerous. By the way, what kind of package are you getting?

Aira: It’s the national tour disc for my favorite idol! I’ve been looking forward to its release!

Right now, my roommates Sakuma-senpai and Tenshouin-senpai are away at a long-term location shoot.

So even if I make noise, I won’t bother anyone, and I think I’ll have a good time at my solo viewing party.

I’m planning to go back to my room and start right away— hm?

Huh? Is there some kind of contractor at the dorms right now?

It looks like there are long pipes being brought in and large trucks going in and out. Outsiders also seem to be wandering around? Is there something going on?

Nazuna: Ahh…… Come to think of it, I heard that there was a problem with the water pipes on our floor and that the repair work begins today.

Aira: Ehh!? Construction!?

Th-This can’t be happening~…… Even though I just wanted to enjoy my disc quietly today~……

Nazuna: Ah. But from what I heard, the construction work will be done in the morning. Aren’t they just doing the demolition work now?

So I think we can have some quiet time after this~

Aira: Wh- that’s good news……♪ Then I don’t have to worry! See ya, Nito-senpai. I’m gonna pick up my luggage right away!

Nazuna: Alright, have fun. Bye~♪

(Location: Starmony Dorm Room (Eichi, Rei, Aira's Room))

Aira: I’m back~☆

– Even though I said that, Sakuma-senpai and Tenshouin-senpai are away for a few days due to long-term location work so there’s no way I’d get a reply.

In the end, I feel a little lonely without my seniors……

Well, it can’t be helped. It’s work. And that’s why I can watch discs without hesitation.

Ah, that’s right! I have to open the package right away! I have to be careful not to damage the package inside……

Uwaai♪ As expected of the first limited edition! There’s lots of bonuses!

Arrange the goods and discs neatly~. Take a photo! Alright! I’ll upload it to SNS later♪

Then, let’s finally have the viewing party for today’s main event—

Hmm? My face feels a little sticky. Maybe there’s still some foundation left over from work this morning……?

It’s hard to lie down in bed like this. I’ll wash my face before the viewing party.

Once I start watching it, I don’t want to be distracted by anything else. I have to be fully prepared!

…… Huhh? Even though I’ve turned the faucet all the way, the water isn’t coming out…… Isn’t that weird?

It was normal until this morning. It doesn’t look like there’s anything particularly wrong with the lower pipe.

Could it be that the water in the room is off because they’re doing repair work on the water system……?

Ehh? That’s a problem~……! I just wanted to wash my face and have a watch party.

Get the water flowing! Hey, hey!

—Eh!? The handle of the faucet came off!? UWAWAWAWAWAWA!? THE WATER’S GUSHING OU~T!?

W-Wait a minute! Can someone please stop thiiiiiiiiis!?

---

TL NOTES:

Black labor systems are systems where corporations operate with exploitative working conditions or a toxic company culture. They typically hire lots of young workers only to then force them to work large amounts of overtime without overtime pay (hence why Ibara doing so much overtime could cause a scandal for CosPro).

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[terra-drone]

My gripes with Rift Apart

Consider this a review of Rift Apart (PC ver). After playing this game twice on Renegade Legend, I have... opinions. Being a fan of the franchise since Going Command/Locked & Loaded, I admittedly have some strong biases for both the PS2 saga and the Future Trilogy for various reasons. But before I go lambasting this entry into the franchise, a TLDR summary;

Pros:

The game is pretty and well executed on a technical level (for the most part).

The platforming and movement is refined and a step up from previous titles.

Cons:

Quite literally almost everything else.

Also has a propensity for crashing (both freezing and blue screen of death).

Movement & Platforming

One of the core aspects of RaC that I am happy RA got right. The movement is buttery smooth and chain daisying from one platform to the next using wall runs, dashes and rift pulls is excellently designed. The addition of the dash function adds an extra dodge ability that was absent in previous entries although granted we can still use the age-old side jumping while aiming/shooting.

I do wish however that the hoverboots were more integrated into the platforming since most of the time you only ever need it for super long leaps or the timed step puzzles. Something like the jump pads from ACIT would be nice to see paired with the new wall run and dash mechanic. You hardly need to use it outside of Savali and Torren IV and the last part of the Nef Mech fight.

What I wished they truncated however was the glide mechanic the hoverboots had. Given that the hoverboots could both glide and make you go fast, it makes this better than whatever Clank could possibly offer. @erablisme has done a wonderful breakdown on this matter (see here), but essentially having the hoverboots be an upgrade of both the charge boots and fulfilling Clank’s contribution to Ratchet’s mobility (gliding) renders Clank, from a gameplay standpoint, moot. It renders Clank into nothing more than a glorified backpack/exposition device, which beats the entire purpose of the franchise’s own title.

Gameplay

Weapons

The arsenal, while fun to use, is too bloated. A lot of the guns overlap in functionality:

Shotguns: Enforcer, Pixelizer, Void Repulser

Seeker/Turret weapons: Agents of Doom, Bombardier, Mr Fungi

Crowd Control: Topiary Sprinkler, Cold Snap

Grenades: Shatterbomb, Bouncer

Rapid fire: Burst Pistol, Blackhole Storm

Lock-on weapons: Drillhound, Richochet, Buzzsaw, Lightning Rod

Heavy hitter: RYNO, Negatron Collider, Warmonger

Do we really need multiple weapons that do the same thing just with different particle effects?

The level up mechanic, while a staple of RaC games, is frankly outdated by this point and actively hinders the game. If anything, it punishes players for sticking to guns they enjoy once they hit max level. It makes the motivator for using weapons not be its function but rather to chase that arbitrary level cap. Plus, there’s no telling what the level up actually did for a weapon aside from damage buffs.

It’s not like they couldn’t do away with this feature, Deadlocked made the guns increase so many levels it frankly deemphasises them in favour of choosing the best weapon for any given scenario, ItN decreased the max level to 3 (6 on challenge) in favour of more meaningful weapon upgrades, and ACiT had the Constructo weapons and mods (which Deadlocked also had called Omega Mods) that incentivises experimentation on what combos worked best while allowing you to spice things up post max level. Why not tie weapon upgrades to collectibles? They already had the Raritanium collection, sprinkling effect mods for weapons throughout the locations shouldn’t be too difficult. They already did this for the armour system, so why not do it for the weapons too? Heck, why not make all the weapons customisable like the Constructo weapons? It would solve the bloated arsenal problem.

Enemy Design

The enemy design in this game just isn’t great. While it makes sense considering you’re fighting an army so it’s obvious they’re gonna have standardised units, you would think they would spice up their combat stratagem when they know they couldn’t beat our protagonists by throwing the same old shtick over and over. Instead, we keep having to fight the same miniboss Juggernaut over and over and over again. Sometimes there’s two of them! Make it three during the Juice fight!

It’s not a problem with just the Nefarious troopers, it’s an issue across multiple factions too. Across all three factions (Space Pirates, Goons & Nef’s army), they all follow the same formula; 

the one with the gun: Pirate Corsair, Goon, Nef Lasertrooper

the one that does melee: Space Pirate & Shield Pirate, Goon Rusher & Undead Goon, Nef Slugger

the tiny short range/melee swarmer: Cutlassies, Robomutt, Nef Trooper

the vehicle one: Goon Dropship, Nef Dropship

the flying one: Zoom Goon, Nef Sniperbot & Blitztrooper & Sniperbot

the heavy flying one: Vroom Goon, Nef Peacekeeper

the rinse repeat miniboss: Pirate Marauder, Nef Juggernaut

While stylistically different, they don’t differ much from how they shoot/do damage at you. It would have been great if they did some things different from one another. Some really simple fixes;

While I think giving shields to pirates makes little sense, it is some variety at least. Expand on that. Maybe make the Goon Rusher actually rush towards you faster than the others, or make the Nefarious Slugger can do 360 attacks or have more range since it’s a) a robot, and b) basically has the Scorpion Flail for arms. 

Make the Vroom Goons try to ram you instead of just having to avoid the taser things it shoots cuz that’s the exact same thing that the Nefarious Sniperbot does since all you need to do to avoid both attacks is sidestepping it.

Make the Pirate Corsair shoot high damage while the standard Goon does horizontal strafing rapid fire compared to the Nef Trooper’s vertical one

Make the Zoom Goons dodge your attacks, maybe give it a ground pound that opens it up to attack so it's at least somewhat different from the Nef Peacekeeper other than being a slightly squishier variant.

For a game so pretty it is bizarre they couldn’t put more effort into gameplay itself. The repeating minibosses get stale very quickly since once you’ve figured out a tactic that worked, it is rinse and repeat across the whole game.

Two Protagonists, Same Shtick

The gameplay doesn’t differentiate itself between Ratchet and Rivet. They play the exact same way, with the exact same arsenal, and the exact same progression. What is the point of having separate playable protagonists if they’re just gonna end up the same? You could replace Rivet with Ratchet and vice versa for 90% of the game and nothing would change. It would be something if they had separate weapons or separate movement gimmicks that make them distinct, but we didn’t get that for some reason.

Character Issues

The character writing is just abysmal, even when compared to the Future trilogy. While the Future trilogy (and by extension A4O, FFA and ItN) had plenty, and I mean plenty, of plotholes from a worldbuilding standpoint, the character writing was solid and fairly consistent. I cannot say the same for RA. Some examples;

Ratchet(?) & Clank(?)

I can hardly recognise Ratchet as the same character we had over the PS2 and PS3 instalments. He feels more like the 2016 reboot version just haphazardly retconned as the ItN version that RA was supposedly a continuation of. Being afraid of being a washed-up hero was Qwark’s thing, not Ratchet’s. Why would he even care? The man was downright tired of being a hero come ItN. And why is he even worried about meeting the Lombaxes? He saved Polaris multiple times and beat Tachyon, y’know, the reason why they left in the first place? The reason he gave up searching for the Lombaxes was because he had more going on with Talwyn and was assured the Lombaxes would do just fine without him. Why the sudden change of reason? What, is acknowledging Talwyn one too many female characters for Insomniac?

And why would Clank, despite knowing Ratchet not wanting to pursue the Lombaxes, go out of his way to make a whole ass parade about the Dimensionator? If he was just trying to cheer Ratchet up from his fear of being a washed-up hero (which, again, made no sense for his character) he would have just done the parade and given him the Dimensionator in private. The entire premise of Rift Apart hinges on the fact that Clank decides to give Ratchet what can be considered as a WMD since the Lombaxes used the Dimensionator to get rid of the Cragmites in an open public setting. Had he not done this, had he not told Qwark he wanted to surprise Ratchet, Nefarious probably wouldn’t have found out about the new Dimensionator, and the entire game wouldn’t have happened.

Another gripe I have with how Clank was handled was that his Zoni heritage was conveniently forgotten about. They could have tied the Zoni more deeply into the mysticism of the RaC universe and be the reason why he was able to fix the dimensional anomalies, but instead it was tied to Gary and... the Lombaxes. Huh.

Rivet, or as I like to call her, “Furbait”

There is so much missed potential with Rivet. Where to start? Instead of a grizzled, closed-off survivor of a robot dystopia, we just get miss middle-of-the-road, clearly made for pandering, furbait. Design wise, she would have been perfectly serviceable had this NOT been a robot dystopia. The only physical giveaway to show that she was a survivor/rebel fighter was her arm. It is the only thing that shows she’s a rebel fighter survivor. Her suit is well made, her eyelashes are on fleek, her hair is silky smooth, her tail is all fluffy and clean. Nothing about her says she was a survivor. No scars, no dirt, nothing other than the obvious robot arm. It is lazy. Lazy and stupid.

Her personality doesn’t make sense for the universe she supposedly inhabits either. Heck, no one in this franchise fits well in this robot dystopia, tbh. She distrusts robots due to past experience, yet  is chummy with both Clank and Kit (and by some extension, the Zurkons & Pierre) relatively quickly. For someone who should have gone through a lot of adversity, she hardly acts like it. She’s confident, has a lot of friends, and whatever negative aspect she does have (which is just distrust instead of the obvious robot racist she should have been) that would have given her an opportunity to grow as a character is watered down and conveniently forgotten, so she hardly grows as a character, if any.

Ultimately, Rivet boils down to being “What if Ratchet, but a girl?”. There’s work put into trying to make her her own thing, but there’s also the narrative yanking her by the collar to be Ratchet’s other self. She’s the last Lombax in her dimension, she also wonders where the Lombaxes went, and she’s trying to be a hero. At that point, how is she any different than Ratchet? They don’t even differ much personality wise for a version of Ratchet who never met her Clank, so to speak. One would think she would be the spunky RaC1 Ratchet since it was meeting Clank that got Ratchet to grow as a person. Instead she’s just your lovely neighbourhood Rivet, friend to all except robots except the ones she meets I guess. What is the point of having two main characters if they are just gonna end up the same?

Kit

While arguably the better other of the new duo, she has issues as well in the writing department. She had the most growth out of our titular cast, however how she got there is ramshackled at best. 

In comparison to Clank, he was a defective warbot, which made sense why he was small. Kit on the other hand was tailor made by the supposedly competent Emperor Nefarious, so why does she have a cutesy mode? Why does she even have a character crisis from hurting Rivet, for that matter? Stopping rebels was what she was designed to do, and she suddenly gained a conscience from doing her job? If Kit is so effective at what she did, why did Emp Nef stop at making just one of her? Shouldn’t there be multiple Kit models roaming about? She could mow down hordes of newer Nefarious Troopers and Juggernauts, so why didn’t Emp Nef expand on that?

These inconsistencies make Kit as a character start falling apart as soon as you give it more scrutiny than a surface level glance. The writers could have easily solved these issues by just alluding that she might have been an outdated model, or was damaged and abandoned on Savali where Gary and the monks fixed her up and gave her a new purpose — protecting the Archives. Instead of an exterminator, she became a guardian. They could have taught her how to be more “human” as it were, too,  which would tie up nicely to why she regrets her actions in her previous line of work. Instead, they went with the “Oh no, what have I done, I did my job and injured a trespasser, now I’m gonna be a recluse on Savali” route.

She doesn’t gel well with Rivet either because the only one actively having something to overcome was Kit. Had Rivet been written better (having to overcome her prejudices, letting go of her past trauma, solving her trust issues) it could work with Kit growing out of her self doubt and regrets, but it just isn’t there. Plus, there weren't enough scenes of them together to build towards that conflict resolution that would make their friendship more believable. She has more of a relationship with Ratchet than Rivet.

“EmPeRoR” Nefarious

He is boring. Simple as. There is no driving motivation to him other than “conquer everything”. We could have gotten an Ultron (which would make a perfectly sensible callback to the Biobliterator shtick our Nef pulled from UYA) but we just end up with a sassy English bastard with the personality of wet bread. There was no fun interplay between him and our Neffy, anything to make both their personalities shine as they work together or grind against each other, it just sucks.

The Plot(holes)

Imma just list it down.

How does a helmet clearly designed to fit a Lombax head is supposedly “one size fits all”?

How did the fish kid Rivet saved in the intro made it around Nef City in the first place if this was supposedly a robot dystopia that eradicated all squishies? What, was he just having a stroll, taking some fresh dystopian air? Could have made it that this was a fellow rebel she was tasked to save cuz he had some intel that he swiped and Rivet decided to use herself as bait to draw attention away from him so he could get the intel out of there, but no.

On that matter, why do planets like Savali and Torren IV still have organic inhabitants?

What was Skidd trying to achieve by hacking the propaganda blimp? This served no purpose at all narratively since it didn't even turn any robots against the Neffies.

Why was Skidd even in Nef City, for that matter? What was his original mission that he was going undercover for? Busting Rivet out of prison? Couldn’t be, since he made no mention of it.

Why did none of Emp Nef's cronies question our Nef just popping in despite looking clearly different? He’s a whole head shorter and the wrong colour. What, do they not have colour vision?

How did Emp Nef know about the existence of the dimensional map? He barely knew about the Dimensionator so how does that make sense?

If Ratchet already has hoverboots, why couldn’t he dash/sprint with it until he gets to Savali?

Where and when did Rivet get a rift tether?

Where and when did Rivet get a pair of hoverboots?

Wasn’t the Space Pirates/Decadroids designed by Tachyon? Why do they exist in this dimension? Why aren’t they allied with Emp Nef since they too are robots? None of this is explained.

Where did the Lombaxes of Rivet’s dimension disappear to? Did they have a Tachyon-like threat in this dimension too? Did Emp Nef wipe them out? Don’t know, and the game doesn’t bother explaining it cuz Rivet is supposed to be girl Ratchet and nothing beyond that.

Why would Emperor Nefarious announce for the whole galaxy to see where he was going during the finale? Did he lose that much intelligence in the short timeframe we’ve known him? This is the guy who conquered the galaxy?

Why would he leave a portal for our protagonists to conveniently follow him through? 

Where did that telekinetic abilities of him suddenly disappear to?

Where was this dimension’s Lawrence counterpart? That stupid little secretary is so dumb as to not recognise her own boss she couldn’t possibly be the Lawrence replacement.

Environmental Storytelling & Worldbuilding

Environmental storytelling & worldbuilding has never really been Insomniac’s strong suit. RA is pretty and all, but aside from Blizar Prime, none of the other locales did anything different from Ratchet’s dimension. If this was supposed to be a galaxy where Emp Nef has conquered it all, you would think that there’d be more neon, more cyberpunk, more Emp Nef aesthetic, more robots flying about. Instead, we just got the same thing we had from Ratchet’s dimension, just in prettier graphics. It is set dressing with no story to tell. It's a puddle pretending it was an ocean. While I appreciate seeing the graphical glow up the locations got, it’s a missed opportunity to actually show the impact Emp Nef had. 

Take Nefarious City for example;

How was Ratchet able to move around Nef City without raising alarms? This negates the entire point of Rivet needing a robot disguise in the first place.

Why does a static statue in the middle of a city have a terminal that activates a platform that leads to Emp Nef's office in the first place?

On that note, why is an EMPEROR working from an office? Where’s the throne? The grand palace and palisades? The royal guards? If he’s an authoritarian that likes to take control, where’s the giant screen with a hundred monitors that watch every inch of Nef City?

Why does Emp Nef have a tiny four seater shuttle? If he needed to commute planet-side, wouldn’t he have something more posh? More grand? A Rolls Royce of shuttles instead of what can be considered a slightly pricier but still shitty Tesla model? They could have made Ratchet or Rivet have to steal a fighter jet and that would make infinitely more sense than what we got.

The same can be said with the inhabitants of this universe. They only exist to serve as plot devices or to point the protagonists to the next goal rather than actual people. There is no culture, no differing beliefs, nothing to tell you about what they are about or what they do. If all they exist to do is to be exposition devices/mission pointers, what was the point of even making distinct characters? Then again, the Future trilogy suffered the same problem with environmental characters being practically stand-in cardboards so points for consistency, I guess.

Verdict

Essentially, Rift Apart is a creatively bankrupt, designed-by-committee tech demo for Sony Playstation. What used to be a franchise that does satirical commentary on capitalism that later tried to delve into narrative/character driven sci-fi story, has ended up being the most capitalistic-designed entry imaginable. Which is unfortunate because I want to like this game. God, do I want to like it.

Did I enjoy playing it? When it works and doesn't crash on me, sure.

Do I like it enough as an entry to the franchise though? No, no I don't. The gameplay hardly expanded on the RaC formula, and the narrative just killed it for me.

But of course, that's just me. If you enjoyed RA, more power to ya. If you told me to play it again, I'll probably do it. It's just not for me for the long run.

[gendervapor14]

~ how to make a fanfiction masterlist on tumblr ~

a detailed guide for folks new to tumblr, or those who just want to use tumblr to link and organize their fanfiction :D

disclaimer: i did this on a PC, and tumblr likes to update and change the layout of everything, so some locations may be different for you. feel free to reply or DM with any questions and i will try my best to help you out!

first thing's first! locating your account. this will make it easier to find your posts. when you first log onto tumblr, there is a list of items to the left. find the one that says "account".

locate your blog. you may have to scroll a little to find it. once you see it, click on it!

that should open up your posts and reblogs. it's okay if this section is empty! mine displays my intro post, but don't worry, i'll show ya how to make one of those. for now, go ahead and click on the "create" button at the bottom left. (alternatively, there's a bar at the top center you could use. click on "text" if you prefer this option)

go ahead and select text post!

here you will be greeted to a blank text post. there's a space for a title and text. if you don't want a big title, you can just backspace and it'll default to regular text. feel free to experiment a little here. the colorful icons to the right allow you to insert photos, gifs, links, and more. if you type something and highlight the text, you'll find even more options!

enter whatever you'd like to greet people with if they visit your blog. some sort of introduction. i threw out some random basics here. you certainly don't have to format it like this! get crazy, insert some photos and use colored text if you like. at the bottom of your post, you'll see a section for tags. i recommend using tags relevant to whatever content you'll be posting, so others can find your blog easier. if you're on ao3 or another fanfic platform, i'll show you how to link that to your intro post! for now, just type something like "link to my fanfiction" or "link to my ao3", or whatever tickles your fancy.

then, highlight whatever part of the line you want to serve as your hyperlink. in this case, in the "link to my fanfiction" line, i highlighted "fanfiction". a small menu should automatically pop up above that. the second to last option looks like a chain link. that will allow you to insert a link on whatever you've highlighted. click on it.

an "http://" option will display. paste your desired link in the display bubble! for instance, i pasted the link to my ao3 dashboard.

next part is posting! don't worry, your intro post isn't done, i know. in order to move on, we need to make some more posts to link, so for now, we're just going to post this "incomplete" intro. you can always go back and edit posts, so it's no worry! the post button is at the bottom right.

in order to ensure the post stays at the top of your profile, you need to pin it. (i used a random post in my example because my intro is already pinned, but the mechanics are the same.) in the top right of your intro post, there will be three little meatball dots. click on those.

that'll open up a dropdown. click on "pin". then your intro will always remain at the top of your profile, even as you keep posting/reblogging.

next part is making the actual masterlist! create a new post (button on the bottom left --> text post) and fill it out however you wish! i listed some different things you can include to describe your stories, but i've seen people organize these by characters instead, or themes, or fandoms. basically, you're creating something that will link from your intro to this post. so write up whatever you want someone to be brought to after clicking the hypothetical "my fanfiction masterlist" link in your intro post. if that's just at temporary list of characters without any stories linked to them yet, that works! you can link stories to the masterlist later.

once you posted the masterlist (it's okay if it's incomplete), click on the meatballs for the masterlist post. (again, i'm using a random post here, disregard that)

click on the "copy link" option to obtain the link to that post.

then, find your intro post and click on the meatballs for that!

this time, you're going to click on "edit".

somewhere on your intro post, write up some text that will serve as the source for your fanfiction masterlist post. for this, i used "link to my fanfiction masterlist". then, i highlighted "fanfiction masterlist" to open the additional options menu, and clicked on the chain link to paste the link to my new fanfiction masterlist post! this process of copying links and implementing them into other posts is the foundation of making a masterlist. from here, you can make as many subcategories as you please and link them back to your main masterlist, which is linked to your intro. (or you can just make a few giant masterlists like i do XD)

BONUS LESSON: another fun part of tumblr is the tags! you can invent your own! if you're a writer, you can make your own writing tag. i use "genwrites" because it hasn't been used by anyone else, so anyone who clicks on that tag will only see posts of my writing. you can link tags to your intro post as well! i'll show you how.

creating a tag is as easy as slapping it on a post, even if tumblr doesn't seem to recognize it. that's a good sign. once you've posted something with the tag, it exists on the website. when you click on the tag, it should open up a page like this. it's alright if your tag page is mostly empty, it'll fill up as you create posts with your unique tag! from here, you're going to copy the URL of the entire page.

then, the same way you inserted your fanfiction website and your masterlist, you can link the URL of your tag page to your introduction post! linking things to posts on tumblr helps keep everything connected. you can link individual fanfics from their source site to titles on tumblr, link specific reference posts and analyses, and so much more!

this was a rather lengthy post, so it's totally understandable if you get confused or lost along the way. feel free to reach out and i'll try to help out however i can! i'm no master - i learned all this stuff by trial and error. takes some patience , but i hope this guide is at least a little helpful! ♥ happy writing and creating folks ♥

[donnerpartyofone]

I can't believe I'm about to do this. I mean don't get too excited, it's not interesting, I'm just forced to talk about it because that's the only power I have in this stupid situation.

A couple weeks ago I was prescribed this new asthma medication, even though my problem is almost definitely from muscular-skeletal pressure but nobody can figure that out yet, so for now I just have this inhaler so I'm not constantly suffocating. The first time I took it at the recommended dosage I had a bad panic attack that took me out for an entire day. I reduced the dosage so I didn't feel dangerously insane anymore, but it still causes my fucking rosacea to go completely out of control, which is not really something I can just ignore; it drives me crazy that insurance companies just treat rosacea like it's some fancy cosmetic issue, as if it doesn't affect your entire life when your skin is visibly deteriorating at an escalating rate, but that's another story... So anyway I have a giant bag of medications that either didn't work at all or actively harmed me (my typical experience with everything) that I haven't disposed of yet, so I dug around in there for a tube of Rhofade that like I don't even know how I got it because it's the premiere celebrity-endorsed thing and it's psychotically expensive, but anyway I decided to give it another shot because I'm desperate. First couple days it worked great. I thought all my problems were solved, except that I'd have to find a way to keep paying for it. Then it seemed not so great for a couple days. Then things started to get pretty rocky. I wondered if it had to do with not being careful enough in the sun or what, but I started to worry about the medication, so I did something that will sound insane, but oh well.

Months ago I complained to my GP that I was having a hard time finding a "real dermatologist" in the city, as opposed to a salesperson for predatory beauty treatments. I've been treated pretty badly by a variety of dermos over 15 years, I often had the feeling that I was neglected because I had a medical concern as opposed to like an expensive anti-aging concern or something. Sometimes a dermo advertises themselves as a medical professional, but when you get there you realize they're a glorified beautician and you're fucked. I went to a well-reviewed practice that's now called The Dermatology Specialists several times, and every time there was a mad rush to get rid of me. The actual head of the clinic saw me a couple times, and both times he came running at me with a needle without telling me what he was doing, to try to lance a mole that I wasn't there to discuss. One of these was right over my eye and you can imagine how scary this was. I eventually realized I didn't have to take that shit and swore him off. Years later when I decided to look for a dermo in my new neighborhood, I made an appointment at a "new" place that I realized too late was the same guy; he had rebranded and expanded his thing into a giant chain that's all over the city, like half or more of the dermos in my searches are attached to his practice and it's not always obvious until the appointment is made. Fuck. I thought, maybe things will be different at this location, I'm seeing a new person and I'm the only one in the waiting room, seems pretty chill. I actually had to get a mole removed that time. I sat down with the new doctor who frantically explained what she was going to do to me before saying "OK BYE!!!" and racing out the door, which she had almost closed all the way behind her before she remembered that she still had to actually do the procedure. I couldn't believe I'd fallen for this clinic's bullshit yet again!

So that's when I talked to my GP and she wrote me a referral for what I took to be a real doctor. His office was clean, simple, and unpretentious. When I got there, an exiting patient was thanking the doctor profusely for something, like from the depths of his soul. We sat down together and he calmly denounced all the lasers and other expensive snake oil that had been upsold to me over the years. He told me to scale back to just a basic Aveeno face wash and moisturizer, and I was so relieved that he wasn't some greedy hipster asshole...however. He also told me that the active ingredient in Afrin, an OTC decongestant nasal spray, has the same effects as the top of the line rosacea medication Rhofade, and many of his patients have success just applying it to their skin. I was so impressed that he wasn't trying to sell me anything, and that he was empowering me to just take care of my own shit at home, that I believed him.

So flashing forward to the past week: I use this new inhaler that I need if I want to breathe, my face blows up like a bomb, I try Rhofade and it seems to make things worse...and then I buy some Afrin and put it on. It pretty much burned my face off my skull. My skin was purple and my face completely changed shape for more than 24 hours. I thought, at least I have this cold pack that's made for faces, for swelling from dental surgery and shit (it was recommended to me by my TMJ specialist who is also fucking with me right now but that's another story). I applied it, and it made everything a thousand times worse than it had ever been. I had to cancel all my plans. I took Tylenol, antihistamines, drank tons of water, whatever I thought would help. A colloidal oatmeal-based moisturizer kind of did something for me, but not remotely enough. It's a couple days later, now, and I'm still not completely over it, and I'm having random intense and painful flareups. I've never had exactly this problem before. And by the way "just using a moisturizer" has not helped anything at all this entire time, even though it's the advice I always get (sometimes VERY rudely) no matter what I say. Dry skin is not my problem, someone could tell just from touching it. Just being mindful of the sun and trigger foods and shit is not the answer. I know there's something else going on and like nobody cares to find out.

So anyway I'm having a followup appointment with my GP to explain all this...and in the meantime I'm going back to the fucking snake oil clinic. I just absolutely need something for right now, I don't know if it will be an antibiotic or what. I've spent years looking for a real medical dermatologist and I know I'm not going to just find one overnight, so I'm subjecting myself to more humiliation at the most convenient place, and I'll deserve whatever I get I guess. At least my appointment is with a guy I haven't seen before. Cross your fingers for me that he doesn't give me something else that just melts my face off of my face.