#and we watched it happen

[mayasaura]

Ten years later, I'm still in awe of what the BBC show Merlin managed to pull off. It's a silly show. It's cheesy, over the top fantasy full of dumb gags and physical comedy. It's the most compelling tragedy I've ever experienced

[modernchemical]

watching death note with my family and after the college entrance episode my mom asked offhandedly if anyone had ever pictured L and light as a couple before. it felt like one single white dove had landed on a crystalline lake in a beautiful pure clearing. no i dont think anyones ever thought of that before

[holographings]

they got me. they fucking got me. jayvik nation hello

[pangur-and-grim]

look at that transformation! well done, Belphie, you’ve defeated death!

[keferon]

Let me tell you their duo WASNT something I expected to see. Like. Ever. Oh my god ahahaha

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"

[poorly-drawn-mdzs]

MDZS x Brazil (1985)

(Yes. Real movie dialogue)

[smoozie]

Really driving me a little crazy that people are talking about the Iskall situation as some moral failing of Hermitcraft as a whole. "I thought hermitcraft was safe from controversy" guys... bad people exist everywhere

We don't know what happened, but we can assume it was Very Serious given the removal of him from the Imp and Skizz podcast. It's clear the members are distancing themselves. The hermits are handling this in probably the best way possible, do not act like hermitcraft as a whole is at fault for whatever happened.

[smellslikera1n]

guys. guys. when caitlyn hovered her hand over that bandage on vi’s ribs, she was clearly going to apologize! and vi knew that and accepted the apology before caitlyn said anything out loud — there is so much depth in the body language and facial expressions in this show and i feel like a lot of people are shooting themselves in the foot by not seeing those things as being just as valid here as verbal cues. (or they just want to find something to be mad at?)

[potatobugz]

i'm ill ugghh i'm so ill

[bird-inacage]

The Heart Killers EP1 | Kantbison + Rudest Moments

I really didn't have either of these possibilities on my Kantbison kinky bingo card. I am so naïve. So, incredibly, stupidly naïve.

[twinstxrs]

so much happened in this whole episode but i’m still on fig infiltrating ruben’s dream, making it look like the place where his friend was murdered, and then disguising herself as kipperlilly & repeatedly saying different variants of “somebody needs to take the fall for this, and it’s not going to be me. it’s going to be you.” while adaine as the elven oracle shows up next to her. can you imagine waking up from that, the idea of a horrible truth being pinned on you by your friend to save her own skin while the personification of fate and destiny stands there, almost as a promise that this is GOING to happen to you. we don’t even know if this kid is guilty. my god.

[egophiliac]

swipes everything else off of the table to yell about diasomnia flower bookmarks

(I gave Silver one too :D)

[sparrowlucero]

this is the iconic dinosaur horror jurassic park wishes it was

[morgana-pendragon]

“let’s run away together with our daughter like you asked when we were kids” ARE. YOU JOKING

[homielander]

i'm sorry but hotd positing that all women are innately cautious and peaceful and compassionate while men are rash warmongers is not a feminist win! i could see the value in everyone being hesitant to go to war at the onset of the story because it intensifies the tragedy of this house tearing itself apart, but at this stage, rhaenyra has as much reason for bloodlust (if not more) as the men on the show. it's pretty heavily implied that the shock of her usurpation killed her daughter, aemond killed lucerys, and one of aegon's kingsguard snuck into her quarters with the intent to assassinate her. most importantly, she has felt entitled to the throne since she was named heir as a child. she should be incensed! rhaenyra's inaction in the season 1 finale due to a sudden aversion to violence was already stretching believability -- this is the same woman who expressed nothing beyond mild shock at vaemond's beheading, who plotted with daemon to have an innocent man killed to facilitate laenor's escape while declaring that the realm should fear her. to have rhaenyra insist on peace at this point in the story, when war is already well underway, is incredibly irrational.

this problem is not limited to rhaenyra. alicent ordered larys to kill mysaria's network of spies and any suspected traitors in the red keep, presumably without any due process, and neither of these decisions was depicted with the gravity they deserved for a character who was once horrified by any bloodshed. meanwhile, aegon had a few extra ratcatchers executed, and not only was the direction sufficiently ominous, but we also got a lengthy monologue from otto about how it would spell his doom. it is probably pointless to bring up rhaenys because she is written less like a believable human being and more like a mouthpiece for the writers to assert whatever political opinion they believe is correct in a given episode -- but she did very much kill dozens if not hundreds of smallfolk last season. she did do that and very clearly did not care. why is she an advocate against war? for both alicent and rhaenys, there is a strange dissonance where their actions are at odds with their attitudes about opposing large-scale war for the good of the realm. i'm not saying this dissonance cannot exist, but it should at least be acknowledged.

helaena raising concerns about the losses suffered by the smallfolk might have worked in isolation, but for it to accompany everything above is exhausting. can none of these women be allowed to feel for themselves?