#and we are so much more powerful than you think

[queenrizzardnthelizardscissored]

ithink the really striking thing here is that like they got thinner but they didnt get that much thinner in a way that counts. like either way from the bottom laptop to the top laptop that is still taking up ur entire laptop compartment in your backpack or in ur super cool gay leather briefcase (okay thats just me) it is not like you would be carrying more stuff if u had the thinner vs the thicker one, the lighter vs the heavier one.

i have owned a thick laptop (thinkpad t440) and a thin laptop (t490s, framework laptop) and there was never a moment ever where i broguht my thin laptop but would not have brought my thick one. both come to class, both come to coffee shops, both come on trains and planes, both sit unused in my backpack for way too long while i use my actual main pc lol. so like what was the point of the technological advancement that lead to this thinness? why not keep this thickness and improve everything else about it? like imagine the battery life and performance you could cram into a thick one with modern tech and you could give it such a big radiator that it wouldnt even need fans for 90 percent of everything. but instead of making the product better we spent most of our energy into making it thinner.

idk it just really showcases how useless this all was, how it was to sell thinner n thinner machines with no real purpose. like my mom hates windows machines in general and needs too many specific apps to use linux, but the issue is that new macbooks have a sharp edge on the keyboard, which cuts and scratches her arms and wrists as she uses it, and so she has to have a thicker machine that is actually designed well. why did we go this route? every year thinner after thinner after thinner and its like. what was the point? the framework laptop or a thinkpad are really the only reasonable laptop options if u want to h ave anything you can repair instead of throw away that is also comfortable to use and not some janky diy contraption. i have to go out of my way to find a phone with a headphone jack and like all th e options are years old or wayyy too expensive unnecessarily powerful 'enthusiast' phones who have like dedicated communities of old white men discussing exactly one product. and all the while we have these advancements and its like? for what? why do we need the thing to be 5% thinner and 5% lighter and 20% worse. its just such a blatant attempt to upsell year over year and while i think ppl are finally catching on (more due to wage stagnation than any like. shift in understanding.) it took way too long for it. at the same time we are lacking variety,. like all the goofy old laptop designs with some degree of 'charm' are gone. so its like. what are we left with? a bunch of same-y increasingly thin and sharp metal slabs with low travel keyboards for laptops n fragile glass sandwiches for phones with n+1 cameras compared to last year but less and less features?

[silverfairywings]

— IN THE WAKE OF FLAMES. PT III

eris vanserra x archeron!reader

summary: even before you became fae, your favourite season was autumn. it’s a little hard to hide this when your least favourite newly appointed high lord has made it his life’s mission to be the most annoying male in your life.

a/n: sorry for such a long break!! pls let me know what u think and again if you’d like to be added to the tag list send me a message or ask as I rarely check my notifs and go back to them. also sorry abt the cliffhanger uhmmmm also unedited ok bye

“You look like crap.”

Your eyes flutter open to see Mor scrunching up her face as she peers at you from her seat across your own at the dining table. It takes a second for her words to register and you throw a belated scowl her way.

“Good morning to you too,” you mumble, sitting up to continue swirling your spoon around your bowl of barely eaten oatmeal. Your appetite seems to have vanished over the past week, but you try and force a spoonful down your throat, nearly gagging.

Mor narrows her eyes at you and her lips press into a thin line of concern. “No, you seriously look like crap. You’re not eating lately and you were literally asleep at the table when I got here.”

“I wasn’t asleep,” you say, defensively. “I was resting my eyes.”

“You sound like Cassian after a three hour afternoon nap.”

“I’m just having a little trouble sleeping.” You set your spoon down and push the offending bowl away from you before slumping in your seat. You brush off her skeptical look with a wave of your hand. “I’m always like this after absorbing Fae magic.”

And over the last few days you’ve been absorbing a lot. All in an attempt to find out as much as you could about the Fae rebel group that had been attacking the borders of multiple Courts, in order to weaken them and make a point against you.

Well, you and your sisters. Not all of Prythian was accepting of Feyre for how she was Made, and even less so of you and Nesta and Elain. Instead, they viewed you as unnatural mutations and the whispers had only become worse after the War. It seemed that the lack of conflict looming over Prythian was unacceptable in their eyes.

With the help of your powers and Azriel’s shadows, you were closer than ever to finding them. Truthfully, the idea that there were Fae out there who hated you didn’t bother you so much in the sense of feeling like outcasts, but you couldn’t lie. They were starting to be a giant pain in your ass.

“You’re never like this,” Mor scoffs, gesturing to the bags under your eyes and the hollowness of your cheeks. As her voice raises, the pounding of your head gets more intense and you attempt to hold back a grimace. “Why is it affecting you so much this time?”

“It’s the type of magic I’m absorbing,” you practically whine, abandoning all pretences of being okay and allowing your shoulders to drop. “It’s so angry and harsh and impure, Mor! It’s literally making me sick because I have nowhere else to redirect it.”

At that moment Rhysand and Feyre walk in to join you at the table.

Rhysand, having overheard you, chimes in as he reaches for a plate of fruit. “Good news, our little Siphon,” he nudges you lightly, the nickname making you scrunch your nose up in mock annoyance. “We have enough information now to move forward using Az and Cass and resources from other Courts. The only thing we need you to do now is rest.”

Rhysand’s upbeat tone brings a weak smile to your face. You know that he’s being flippant to make you feel better, like he always does when you’re stressed or unwell and you’re nothing but appreciative as he whistles under his breath, nonchalantly piling some fruit onto a plate for you.

“You should have been resting days ago,” Feyre eyes you from beside Rhys with furrowed brows, taking in your tired form. “We told you yesterday would be too much.”

You groan, burying your face in your hands. “Give me a couple hours and I’ll be fine for the meeting in Summer.”

Mor snorts and looks up at you, amused. When you raise an eyebrow, her smile drops into an incredulous expression. “You’re not serious.”

“I need to be there to discuss what I siphoned from that knife we found at the border of Dawn,” you say, holding up a hand and rushing out the rest of your words when Feyre opens her mouth to speak. “And Rhys promised me I would be there since it’ll be all the High Lords, Court informants and even soldiers. I couldn’t possibly not go.”

Feyre sighs, sensing that you’re not going to back down. She nods slowly, pointing at your plate. “Finish all of your breakfast and your lunch later on and then you can go.”

You let out a breath, feeling nauseous when Rhys slides your plate closer to you and simply shrugs when you glare at him. Traitor, you speak to him in your mind. He suddenly becomes very interested in a strawberry.

“Watch me,” you say confidently, waving your fork at Feyre who rolls her eyes at you and goes back to her own breakfast.

Summer court is your least favourite court at the best of times, though you’d never admit that to sweet and kind Tarquin, who’s arguably one of your favourite High Lords.

The beautiful, shimmering lagoons aren’t of interest to you as large bodies of water have always unsettled you. The warm breeze that everyone welcomes always reminds you of the times you had to suffer through sweltering heat when foraging for food with Feyre in your adolescence. You’ve always preferred a colder climate and appreciated a more muted daylight.

Considering your current health, the ripples in the water make you dizzy and the light salty breeze nearly brings your breakfast and lunch up.

You’re thankful for the sheer, thin material of the sage coloured dress that Nuala and Cerridwen chose for you because you suddenly feel a sheen of sweat covering your body.

“Are we done sightseeing?” you ask weakly, desperate to be inside already.

Elain turns to you and winces. “You don’t look too good….”

“Aw, thank you, Elain.”

“That’s not what I mean,” she tuts, coming over to fan your face with her hands. You swat them away, sputtering and try to catch Rhysand’s attention to move things along. He reluctantly agrees and gestures everyone to move along, too used to your aversion to Summer.

As you all enter the palace made of gleaming marble, you hang further back to avoid the watchful eyes of Feyre who seems to be waiting to send you right back home to rest.

The palace is beautiful and you push down your nausea to look around and take in the tall arched windows. The jewelled embellishments adorning the frames trail higher and higher and you crane your neck to see them.

This turns out to be a mistake when your vision starts to blur and another wave of nausea causes your steps to falter, the world tilting sharply.

A firm hand grips your elbow in an all too familiar fashion, steadying you before you’re sent flying to the ground. Another hand settles around your waist where the cutout of your dress exposes your now damp skin, glittering with sweat.

You look up and find Eris’ amber eyes locked onto your own.

“Foolish,” he mutters, his voice sharp with irritation, yet his hands remain steady in their position, holding you up. It’s the first word he’s uttered to you since your encounter a couple of weeks ago in the Spring Court where he’d left on frosty terms. You had seen him twice since then, but it was in the middle of meetings and siphoning sessions and he had barely spared you a single glance.

Your lips part but your senses are too overwhelmed to think of a response before he carries on, lightly shaking his head at you. “You overexert yourself all week and then travel here? What are you trying to prove?”

“I’m fine,” you manage to say, pulling away from him, but his grip only tightens. You can’t help glancing around and noticing that the growing crowd of all the Court officials has separated you from the Inner Circle. You huff out a breath as you register his words. You knew Rhysand had to communicate with the other High Lords with updates, but you didn’t know that included your physical state. “Gods, High Lords are such gossips…”

“You’re not fine,” he says, scowling like you’ve dreadfully inconvenienced him by nearly collapsing. His gaze flickers over the pallor of your skin and the way you’ve started to shiver slightly. “You drained yourself dry this week. And for what? To impress Rhysand? To prove something to him?”

“Let go of me, Eris,” you attempt to snap at him, but even you can hear the lack of strength in your voice. His eyes soften slightly when you say his name without your usual bite. “I can’t have this same conversation with you when I’m like this.”

“You think I want to be the one always catching you from falling on your face? Trust me when I say I have things I would rather be doing,” he mutters, narrowing his eyes.

You grit your teeth at the reminder and heat flares in your cheeks, whether it’s from embarrassment, anger or the climate of Summer, you don’t know.

Before you can retort, Eris sighs and straightens you up, still not fully letting you go. Releasing the hand around your waist, he loops your arm in his own and makes you lean on him for support. To your utter surprise, he doesn’t say anything as he starts walking towards the meeting room where everyone else files in. Despite your frustration, you’re grateful for his strength.

The moment of blissful silence doesn’t last too long, however. As he begins to lead you to where your family is stood and clearly looking around frantically for you, Eris leans in to whisper in your ear. “You need to sit down at the table,” he orders quietly, High Lord behaviour on full display.

You’re about to argue that no one else is going to be sat and he immediately catches this, cutting you off. “Don’t be stubborn for once in your life,” he murmurs, breath warm against your ear, making you shiver more than you already were. “Please?”

You quickly turn your head to meet his, shocked at the pleading in his voice. You didn’t realise how close this would bring your own face to his and words leave you. Thankfully, you’ve reached your family as you hear Cassian’s loud voice and it snaps you out of your little bubble.

“Finally!” he exclaims, throwing his arms up in exasperation. “We were about to send a search and rescue team, thinking you’d finally collapsed.”

“Why didn’t you?” Eris asks, coldly.

Cassian merely rolls his eyes at Eris’ attitude and gestures at Azriel.

Feyre comes forward to take your other arm in hers and explains. “Azriel’s shadows informed us that you were with her, Eris.” She smiles warmly and sincerely at him and Rhysand nods at him in recognition of his actions. “Thank you for looking after my sister.”

Eris shakes his head. “Don’t thank me yet. I foresee many falls in her near future that I’m sure I won’t be present for.”

Feyre’s mouth twitches, but she quickly smoothes her face into an expressionless one when you frown at her and she busies herself with disentangling you from Eris.

He takes a step back, dark and fiery hair catching the sunlight through the tall windows and glances at you once more, not breaking eye contact, yet his words are directed towards Feyre. “Just make sure she sits down. The Night Court doesn’t need a martyr,” he says drily, before walking away.

Your mouth goes dry at the double meaning in his words, but you can’t shake off the shock at seeing genuine concern in his eyes. You must have looked practically near death, but you appreciated it all the same and you don’t even realise your eyes are lingering on him as he walks away until Feyre sits you down next to Nesta.

Your older sister raises an eyebrow at you, always so intuitive and you swat weakly at her to look away from you. Cassian’s eyes flit back and forth between you two, confused.

Before he can say anything, the meeting commences and you feel a shift in the energy of the room, full to the brim of Court officials, emissaries, a few warriors and of course, the High Lords around the table.

Your turn to speak comes fairly quickly since the most information regarding the Rebels is from you and Azriel. As per Rhysand’s instructions, you don’t go into any details regarding your siphoning powers, instead just sharing the information you gained due to them. You try to ignore the way people are staring at your weak form, but you continue to speak with all the strength you can muster. Evidently, you’re doing a convincing job as people start to nod, satisfied and scribble things down.

When Azriel’s turn arrives, you zone out a little, already having heard everything a few times over. Your ears only perk up when everyone is discussing plans of action against the Rebels and a question is asked in your general direction.

“Who are we thinking is to be at the front lines of this hypothetical mission?” The question comes from one of the Spring Court advisors, Vaelith, an older Fae with silver hair gathered in one long braid down his back.

His gaze lingers on you for only a split second before moving onto Rhysand and you feel compelled to answer. “Myself and Azriel,” you blurt out, before you can think twice. “And others of course, but the two of us are the most familiar with-”

“We’re all aware of the Shadowsinger’s abilities,” Vaelith interrupts you, holding up a hand to stop you from talking. You hold back a scowl. “What makes you suitable to lead such a mission aside from your… familiarity with a selection of items left behind by these Rebels?”

“I’m more than able to-” you cut yourself off and swallow, gaining yourself a second to think of a way to defend yourself without giving away your powers, as per your High Lord’s request.

Careful, Y/N

Rhysand’s voice sounds clear as day in your head and you try not to wince at the volume considering the silence of the rest of the room. The other High Lords knew of your powers, but Rhysand had requested they keep it to themselves, even from their own Court officials. Whether or not Rhysand had used his Daemati abilities to ensure this, you didn’t want to know.

“I’m more than able to assist in a plan of action,” you continue firmly, voice hardening. “I’m not sure if you remember a certain War we just had, but you may wish to remind yourself who was at the front lines of that.”

A few laughs break the tense silence and some people start muttering, slowly raising the volume of the room. You almost don’t hear Vaelith’s next words. “You haven’t really answered my question.”

“Let’s use our senses, Vaelith,” a voice rings out from further down the table and you’re startled to realise that Eris is speaking up. The room finally quietens down and you sit up impossibly straight, surprised that Eris is about to defend you.

You couldn’t be more wrong.

He only spares you a fleeting glance, but even from your seat you could see it’s full of amusement and mocking. The thing that surprises you is that the mocking is directed at you. “Look at her. Are you really questioning the abilities of a female who barely has the strength to sit up in her seat, let alone fight?”

Your stomach drops, a ball of humiliation unfurling in your chest as he continues to speak.

“I’d like to believe Rhysand has more sense than to send someone on the frontlines who would just be doing the rebels a favour,” Eris drawls, raising an eyebrow at Rhys, still avoiding your gaze.

Rhysand nods. “I can assure you I’ll only be sending my strongest soldiers, Vaelith,” he smirks, faintly, as though the implication he’d do anything to suggest otherwise is laughable. “Now may we discuss matters of actual importance? Tarquin, what have your soldiers been preparing?”

The tension dissolves almost immediately, but you’re still shellshocked, shaking with anger rather than weakness now. It’s as though you’ve been pumped with a burst of adrenaline and it doesn’t seem to be dampening.

After the conversation has shifted to a completely different subject, you shift from your seat as discretly as possible and mutter to Nesta that you need some air before standing up.

You look at the High Lord of Autumn before you walk away, but it only infuriates you more. Eris doesn’t look anywhere near you, but his jaw is clenched all the same, as though he can feel you glaring at him.

Mor catches your arm as you’re walking out and hisses in your ear. “You’re still not well,” she turns her body fully towards you. “Wait for me to come with you.”

“Don’t worry,” you say, shaking your head and clenching your fists to keep them from trembling as you speak through gritted teeth. “I feel suddenly energised. I’ll only be outside.”

Mor gives you a once over and is clearly satisfied with the fact that you’re unlikely to collapse again as she nods and releases your arm, allowing you to rush through the crowd of people and push through the guards.

You walk briskly away from the doors of the meeting room and further down the empty hallway until you’re satisfied that no one will hear your heavy breathing.

You lean against a pillar, exhaling in and out to control your anger and keep the tears at bay. Gods, you feel so stupid. Of course, Eris is incapable of being a decent male to anyone, let alone to you. Damn him and his cruel smirk and damn Rhysand too for allowing it to happen.

Brushing away the tears that have managed to fall, you curse yourself for not just pushing him away and allowing yourself to collapse on the hard marble flooring. It was giving you whiplash the way he could be so full of concern one second and practically call you useless in front of a room full of officials the next.

The longer you stand against the marble pillar, the weaker you begin to feel and that burst of adrenaline you previously felt is no longer present. The anger that fuelled you mere seconds ago is now winding you and a rising sense of panic begins to consume you.

You decide to turn around to walk back so you’re closer to the doors of the meeting room in case you embarrassingly do collapse.

However, the second you take a step, a flash of movement in the corner of your eye is all the warning you get before strong arms clamp around you from behind and a cloth is pressed against your mouth and nose, preventing you from breathing. You can’t even scream as the scent of something strong and chemical floods your senses, making your vision blur.

You thrash around in an attempt to use the little strength you have left to escape, but the arms only grip you harder and the world begins to spin. The last thing you feel is the cool marble floor as your knees give out and no one bothers to catch you as you hit the ground, darkness swallowing you whole.

tag list: @fabulouslyflamboyant @deepestmentalityperson @lilah-asteria @kitsunetori @abysshaven @nayaniasworld @rcarbo1 @paleidiot @tenshis-cake @bunnyredgirl @goldenmagnolias @whydohumansss @fandomtrash465 @mrsbarnes32557038 @aaprilshowers @scarsandallaz @-im-fantastic- @cat-or-kitten @annamariereads16 @adelina-127 @onlymexsarah @puddlesplasher17 @eyes-capone @hermaeuswhora

[fibfoolingart]

i swear this was just supposed to be some fun aesthetic swap doodles, but then i started thinking about The Implications and now i have a wholeass story behind this au lol

any world where grace chasity isn’t a horny, homicidal prude, we lose the original plot, so this au would revolve more around the church of the starry children then max jägerman lol

solomon decides the best way to wield power in hatchetfield is through religion instead of government and he unites all the tiny denominational churches into his church, becoming the pastor (happening around the same time steph starts middle school.)

it works. almost everyone attends solomon’s church, and it becomes a required social event for anyone who’s anyone in hatchetfield.

but it’s all a manipulation for bigger purposes as solomon slowly incorporates text from the black book, pushing the church into culty territory.

as the preacher’s kid, steph is under constant scrutiny. she might have wanted to rebel as a kid, but the wrath of god is a much bigger threat than just breaking her phone and solomon uses fear and guilt to keep her in line, turning her into a model of godly behavior (at least on the surface).

the chasitys refuse to join solomon’s church, but their small congregation shuts down when there aren’t enough people left. 

grace’s parents encourage grace to pour all her free time into individual bible study to make up for the lack of church, church activities, and church outings, but grace starts treating the bible like a textbook instead of a spiritual guide.

without structured church activities, her obsession with rules and procedures shifts to the school system

grace unknowingly separates herself from spirituality when her bible obsession becomes academic. she’s still a christian, but she’s more likely to corner you in the library to infodump about angelic hierarchies than preach about purity.

travis coulson was ruth’s older cousin. it freaked her the hell out that someone could be bullied that bad that they have to transfer and their entire life is erased for a dumbass lie that everyone believes. so ruth vows that she and her friends will never be outcasts (or timberwolves) and drags pete and richie into a "popularity pact" in fifth grade, forcing them to get cool or else.

the trio spends their summer doing research and practicing social skills. (they basically spend their time practicing masking autism and refining their ability to camouflage.)

the trio starts researching what’s cool. their findings? football players, student council presidents, and school play leads are the pinnacle of popularity. so, they throw themselves into middle school tryouts and campaigns to fit these roles:

richie tries out for football but ends up as the mascot.

ruth auditions for the lead in the school play but gets relegated to lighting tech.

pete campaigns for class president but only gets elected secretary.

instead of quitting there, they regroup and try again in high school:

richie uses the athleticism he got as a mascot to land him a spot on the swim team.

ruth works her way up to the the student/assistant director for the school plays

pete works his way up the student council ranks, eventually becoming class president.

the trio is finally just cool enough that their quirks get rebranded as "quirky-cool" instead of "weird." they still bond over star wars and anime in secret, but their popularity ensures they’re never targets again.

[erinwantstowrite]

bear with me here because i'm gonna ramble about something i've been thinking about for a while... and i'm not complaining, i'm just noticing

sometimes i think we've leaned so far into the vigilante side of the batfam that we miss out on what really makes their characters: detective work. we need more mysteries in their lives that don't lead up to some big bad "we already know who's doing it" or an "end of the world" or "yet again: this fucking guy." we need more stuff where spy movie music plays in the background and dumb adventures that don't lead up to some huge grand event with a big name villain. the shock factor stops being shocking or interesting in any capacity if we're like "Gah! the Joker! ... Again!" or whatever

does that even make sense? like "yeah sure they're blowing up a building again and there's hostages. oh look they're gonna poison the water supply." these aren't bad and that's not what i'm getting at because obviously this is a classic for comics. you need to have characters/antagonists that show up more than once and who can make a story better by being in it. and i did say to bear with me- that's because im tired. so like i hope im getting this across the right way? it's just that sometimes i don't wanna see a huge explosion, i want these motherfuckers solving a regular murder or a disappearance or regular corruption in a local office without it being tied to a grand reveal like "actually this person knows you as a long lost relative" or "they were at that circus can you guess which night they went?" that kind of thing? if you get me? like... more of the small time stuff makes the big stuff important, it makes it stand out more. at some point, the format gets repetitive even if you're switching up the villains. you can make these situations/mysteries still fun to solve for the characters and fun to read for the audience if you do it right

the concept of a detective dressed as a bat and having a sidekick in traffic light colors is inherently goofy as hell??? but that is what is so charming about it??? i think we have lost the balance between them being silly while also being intelligent with important conversations that criticize the world as we see it and teach lessons and can go over dark topics. nowadays it's always end of the world problems or just straight up the most gruesome true crime you can think of?? or they can ONLY do the dark stuff and the criticism without offering a balance of the good in the world. or we keep coming back to the FUCKING JOKER-

like yes they are vigilantes and with that comes a different level of their work, but their brand should be a mix between a black and white detective film that can get very nitty gritty and a classic spy movie, that kind of thing. at the end of the day, it's what makes them so different from the superheroes. that's what appeals to me.

seeing them in the big superhero groups is fun, don't get me wrong. it's always funny to see them standing next to people who are so powerful they never really fit in with anyone but each other, who chose to step up and use their powers for good. the Bats' specialty is Gotham and yet here they are stopping a god or whatever. and they do stop the god or whatever, all the while being an important leader and strategist to their teammates. they're important to have in these cases. but if there's a world ending event every time i pick something up, it's not as fun

the fact that they are so very human and not fantastical is why i like reading them. it's what makes the joke of people, even Gotham citizens, theorizing about them being cryptids, funny. they're fucking weird but that's because they're detectives. people who love to solve mysteries usually have a fatal flaw of curiosity. they forget the bounds between social interactions sometimes because they're used to working through problems or being intertwined with partners that understand them. but they're very much human. so human that it hurts them in many ways. and idk i've just been thinking about it lately and idk what point i'm trying to get across actually

it's just that in my eyes that's how it really is for Batman- a black and white movie narrated by a very serious man who took up a job to help people, one that has a deeper commentary on the world and viewed outwardly as pessimistic but actually has a deep hope for his city and who tries to help even the people who have wronged others. He's a stationary man in the belief that him being a constant can serve to soothe others and help them move forward. He stays in the middle of the path so he can tell everyone what is up ahead. he blends into the Gotham rainy night to serve justice but in a way that saves both the victim and the perpetrator. (the way he tucks a Robin into his cape is the same he does for Gotham with his mere presence.) and his background is actually so important to his story and yet people still somehow gloss over the lesson from it? he lost his parents because of a man who was on the opposite end of the spectrum to where he was in life. and yet he chose to help the people like the man that killed his parents. he could have done anything else with his power and money, but he instead is choosing to bring as many people up with him as he can. He's Mr. Serious that no one else can get a read on. and yet he walks into a room and he's already piecing together your life and what you're going through because he thinks it matters. he comforts people who have lost something or someone or themselves. I picture Batman and I don't picture a man trying to save the world, I picture a detective walking around a crime scene and trying to save at least one person every time he puts on the cape. and he put on the cape and became a vigilante because then he could go out of the bounds of what laws have been set up- and specifically, Gotham has other people in power who are corrupt, keeping the system that way. that's why Batman being a billionare and throwing himself into helping people at the risk of his own life is so important. he knows that if you are alive, you have something or someone to lose, no matter who you are. the dude is a bleeding heart but he doesn't know how to express it, in fear that if he gets too close, if he moves down the path with them, he'll be lost again

and then he's met with someone who should be a complete opposite, but isn't at all, because they're two sides of the same coin. his partner in crime, his son, a boy that is nothing like the black and white world that he sees. and that's the point in his life where he first sees that potentially getting lost is worth the risk. Robin is color and passion that needs guidance to move forward, but can not do so unless the stationary man learns to move with him. the kid is loud and reckless and you'd think he's from a different genre from the detective but they aren't so different, really. not when you look close enough. Dick grew up moving from place to place and seeing the world, knowing so many different people from different cultures. He's been learning to fly and jump and embrace the free fall his entire life. He's clever and he's sharp, and he thrives in the action and adventure. it's that perspective that compliments the stationary man. one is steady and the other pushes. he's the same genre but a different generation. and Batman introducing him to the way of life he chose for himself was another way he could save someone. because let's be real for a second? Dick would have gone down a very dark path had he not had Bruce, who understood, who saw not just himself in the kid but also saw who the kid has been his entire life until now. he saw Dick's parents, he saw the family he had in the circus, he saw the joy he had in what his family was doing. he saw the grief and the fire and the color that Dick's world was made of. because to Bruce, it always matters. Dick had to come to terms with Bruce's perspective to help anyone who they come across, to always give more chances, and it kept Dick from losing his color

what gets me is that the man who lives in the black and white world can actually see many different shades of gray (because black and white always needs the medium), whereas the boy in a world of color and light can get so focused on the bright that he can become single minded. and yet the boy sees a world of color and delves deeper into the lives of the peolle they come across and can be much more open minded, and the man in the black and white world sometimes forgets the shades of grey are right there. they are just like each other. they can exist without the other, but do they want to? because the black and white can be built up into the colored image, like the inking and shadows drawn on a comic book page before the colors are added in. they meet in the middle to complete each other. Bruce has been passing the story over to the next generation for a long, long time, even before his story was complete. and just like with the first Robin, it was so for every Robin afterwards. they each color in the lines differently, but that's what makes Robin so special, so unique. they are an art style that branches into their own life, but can not forget where they started: tucked into Batman's cape and the inky black of his world

and so detective work really frames their hunanity to me. the mysteries they get their hands on, the glimpses into the lives of Gotham citizens that they swore to protect, it's fascinating. it's what makes their story stand out compared to the people who can lift trucks or cast spells or run around the world in seconds. so yeah ig that's what i'm trying to say? that i want to read more of that? in both canon and fanon. cause even the small time villains we see can be like. AWFUL people and it takes out the fun of their gimmicks. and if it were any other day this would be a more coherent post but alas, it is not any other day

[leam1983]

As a Canadian, and as someone living in a country that has a UBI framework, I think a lot of people misunderstand just how basic Universal Basic Income is.

TL;DR: I agree on principle, but identifying greed as a problem doesn't solve deeper systemic issues.

I see some armchair social theorists on here say that UBI is enough to fight more pressing social battles; that it empowers you to demand better rights as a worker, as a citizen. I've been on UBI and, well - no. UBI is enough to allow you to survive. If you want to invest in a project, if there's a worthwhile cause you want to get involved in that requires some involvement or some capital injection (even something as simple as buying supplies to fashion picketing signs) - that's on you. In Canada, UBI is calculated based on median income, which means that it isn't enough to kickstart some people's Post-Work-Era Roddenberry-Powered Magical Socialism where nobody works and everyone contributes out of sheer passion and drive.

UBI is there so you can survive, and so you can eventually have the resources and skillsets needed to contribute to Society without UBI lining your pockets. More importantly, UBI is there to ensure that there are no "bad jobs" to speak of, because even the fast food joint's janitor who's on Minimum Wage starts with better conditions than a UBI beneficiary. In Canada, a kid with no diploma who makes a living manning a Tim Hortons' cash register doesn't have to fight with the system to obtain credits related to his living conditions. The real problem has three prongs:

Welfare kings and queens who make it harder for legitimate demands of financial assistance to go through;

The corporate world that's forgotten that the very first rung past UBI needs to be 100% livable and needs to allow for at least some measure of savings to be something that can be planned for. UBI should facilitate survival, what happens when even minimum wage doesn't allow you to live right?

Slum lords who buy off properties initially set aside for Affordable Housing programs and who drive market values so far high that entry-level workers have to settle with living several hours away from their place of work.

But Sweden and Norway - Hold it. Sweden and Norway are filthy fucking rich. Sweden and Norway are Petrostates. Canada? Not so much. Year after year sees Affordable Living programs or revisions to UBI being floated that would turn it from a lifeline to an actually workable form of remuneration, but year after year sees my local politicians butt their heads against the fact that any kind of serious Social Security net can't just pay for itself; and Canadians are already sadly renowned for living in a country choked by taxes - all because our already-present pro-Social infrastructure is complex, inefficient and sadly vital for most low-income residents.

Imagine how insane implementing it would be on a per-State level, on the American side. Imagine the work that needs to be done; not just in terms of greater education, but also in the sense that there's an entire infrastructure you guys never put in place. Some of my colleagues are American expats, and their first big shock came in the form of their first tax bill on Canadian soil. Free healthcare isn't free, the load is just spread across the country's residents. It also means that UBI and Free Healthcare programs can only cover so much, seeing as even if you put the load primarily on those above a certain income level, those below it are still going to feel the pinch. God knows I do, every tax season, and even if it's for a fundamentally good cause.

So. Beyond harping that UBI is a basic right and that we all deserve to rest, ask yourself how wealthy your State is, first. Try and model the kind of help you'd be getting. Try projecting it as a deferred hit on your salary or your savings - one that you need to account for year after year, forever.

The social model where none of us work and all of us effectively play with shelter and rest being in-built facets of our social contract would require a total upheaval of our current system - and something tells me most people wouldn't like the transitional period between the two. Would people really maintain power stations or work hospitals just because it's the right thing to do?

Call me cynical, but I've been alive long enough to really, really, seriously doubt that logic. Sooner or later, someone's going to want to look out for Number One. The USSR fell for that very reason, and my own country's very pro-Social policies are rife with examples of what happens when someone with good intentions gets unfettered access to a chequebook, supposedly for the good of all. Remuneration is a great control system, in that respect, especially when we know that in an Egalitarian system, there's always going to be one or two chucklefucks who think they're more Egalitarian than the rest.

Greed is in all of us; the only thing that keeps you or me honest is our lack of power. Money, as they say, is the root of all Evil. Remove money from the equation and something else will take its place. Social status, most likely.

Then let's make all of us equal! Communism FTW!

you're likely American if you're reading this, how do you think most people will react to that kind of assertion?

even in an ideal system, the Overseer would have more power. That, right there, is enough of an imbalance for unfair treatment to surface.

Again, we've seen what happened with Soviet Russia, and I'm not saying this to be a bootlicker. Open a history book: Lenin barely managed to approximate Marx's idea of an Egalitarian state and Stalin identified the cracks in the system and pushed them wide open, priming it for collapse.

UBI needs to happen. via antiwork

[jmkjournalblog]

Sweet thing (Part 2)

Part 1

Pairing: Agatha Harkness x Fem!Reader

Word count: 4000+

Warnings: Smut, Power dynamics, Mommy kink, manipulation, mild Dom/sub elements, a lot of talking. 

A/n: I couldn't forget this plot that came to me after watching AAA so, here we go. Btw English isn’t my first language, so I apologize for any mistakes.

It started with Wanda’s persistent nudging. The woman seemed determined to weave Y/N into the very fabric of Westview, her matchmaking efforts growing more elaborate by the day. When Wanda suggested that Y/N stay with Agatha for a while to "bond" and "learn a few things about life in Westview" Y/N had blushed profusely, her eyes darting to the floor as though the very idea embarrassed her.

Agatha had played along, smiling tightly and shrugging. “Well, if you insist, Wanda,” she said, her tone light, though she was inwardly wary.

Now, as Y/N stood on her doorstep with a small bag, Agatha found herself studying the girl more closely than ever.

“You’re sure about this?” Agatha asked, one brow raised.

Y/N nodded quickly, her cheeks pink. “I don’t want to be a bother,” she said softly. “Wanda just thought…” She trailed off, wringing her hands.

“Oh, don’t worry about Wanda,” Agatha said with a wry smile. “She’s always got some scheme or another. Come on in, sweetie.”

Y/N stepped inside, her movements hesitant as she looked around the cozy living room. Agatha watched her, noting the way her fingers brushed the edge of a chair, her gaze lingering on the trinkets scattered about.

“Make yourself at home,” Agatha said, gesturing toward the couch. “I don’t bite. Usually.”

Y/N laughed softly, though her blush deepened. “Thank you,” she said, sitting on the edge of the couch and folding her hands in her lap.

Agatha leaned against the arm of a chair, crossing her arms as she studied the girl. “So, what’s Wanda got planned for us? Baking cookies? Knitting scarves? Or is this just her way of keeping us both busy?”

Y/N smiled shyly, her gaze dropping. “I think she just wants us to… get along,” she said.

Agatha chuckled. “Oh, we’ll get along just fine, sweetie. As long as you don’t burn the house down.”

The girl was irresistible in her own way—timid, bashful, eager to please. She fluttered around Agatha’s house like a nervous sparrow, her wide eyes full of gratitude and uncertainty. It was disarming, this sweetness that seemed to radiate from her with every clumsy gesture and quiet laugh.

At first, Agatha had kept her distance, watching Y/N from behind her sharp smirks and probing comments. But as the day wore on, the girl’s earnestness began to wear her down.

By evening, Agatha found herself leaning back on the couch, a glass of wine in hand as she watched Y/N kneeling on the floor in front of her, sorting through an old box of books.

“You don’t have to do that, you know,” Agatha said, her tone warm with amusement.

Y/N looked up, her green eyes wide and innocent. “I don’t mind,” she said quickly, her hands pausing over a dusty tome. “I want to help. You’ve been so nice, letting me stay here and all.”

Agatha chuckled, swirling her wine. “Sweetheart, you’re practically falling over yourself to please me. You don’t need to try so hard.”

Y/N hesitated, her hands faltering as a blush crept up her cheeks. “I just… I want you to like me,” she murmured, her voice soft.

Agatha’s smirk softened, her gaze lingering on the girl. She set her wine down and leaned forward, resting her elbows on her knees. “Oh, honey. I already like you,” she said, her voice rich and velvety. “Maybe a little too much.”

Y/N’s blush deepened, her eyes darting away as she fidgeted with the book in her lap. “You’re teasing me again,” she mumbled.

“Of course I am,” Agatha replied with a grin. “It’s adorable how flustered you get.”

Y/N let out a nervous laugh, the sound shaky but endearing. She set the book aside and shifted onto her knees, her movements hesitant. “You… you really think I’m adorable?”

Agatha raised an eyebrow, sensing the shy vulnerability in the question. She leaned back, her smirk widening. “Oh, absolutely. You’re like a little kitten, all wide eyes and nervous energy. Makes me want to… pet you.”

Y/N’s breath hitched, her hands twisting in her lap as she looked up at Agatha, her cheeks burning. “I… I don’t know what to say,” she admitted, her voice barely above a whisper.

Agatha leaned forward, her hands resting on her knees as she studied the girl. There was something intoxicating about Y/N’s deference, the way she seemed to hang on Agatha’s every word, every glance. It sparked a possessive warmth deep in her chest, a need to see how far she could push this timid little thing.

“You don’t have to say anything, sweetie,” Agatha murmured, her voice low and smooth. She reached out, her fingers brushing lightly against Y/N’s cheek.

The girl’s eyes fluttered closed at the touch, her breath catching as Agatha’s thumb traced the curve of her jaw. She leaned into the caress, her lips parting slightly as if to say something, but no words came.

Agatha’s smirk softened into something more indulgent, her gaze lingering on Y/N’s flushed face. “You’re too cute for your own good,” she said, her voice a husky murmur.

Y/N opened her eyes, her gaze meeting Agatha’s with a mixture of nervousness and longing. “Agnes…” she whispered, her voice trembling.

Agatha’s name on her lips sent a shiver down her spine. She leaned closer, her hand slipping behind Y/N’s neck as she drew the girl toward her. Their lips met in a soft, tentative kiss, the warmth of Y/N’s mouth sending a surge of heat through Agatha’s veins.

Y/N gasped against her, her hands flying to Agatha’s arms as she clung to her, her body trembling. Agatha deepened the kiss, her fingers tangling in Y/N’s hair as she pulled her closer.

When they broke apart, Y/N’s cheeks were flushed, her breathing uneven as she stared up at Agatha with wide, wondering eyes. “I… I’ve never…” she began, but the words caught in her throat.

Agatha’s lips curved into a slow smile, her eyes dark with intrigue as she leaned closer, the warmth of the moment building between them. Her voice softened, dropping to a soothing murmur. "Oh, honey. Is that what’s got you so worked up?"

Y/N nodded, her gaze flitting nervously between Agatha’s eyes and her hands. "I just… I didn’t want you to think I was stupid or… or something." Her voice wavered, tinged with both embarrassment and vulnerability.

"Stupid?" Agatha let out a low, genuine laugh, her chest warming at the sheer adorableness of the girl’s nervousness. She reached out, her fingers brushing gently against Y/N’s cheek before tucking a stray strand of hair behind her ear. Y/N flinched slightly at the touch, her lips parting in a soft gasp, and the vulnerability in that small reaction made Agatha’s heart skip.

"Sweetheart," she said, her voice a velvet murmur, "there’s nothing stupid about not knowing. It’s… charming, really." Her smile turned sly, a wicked gleam flickering in her eyes. "Besides," she added, her fingers tracing a slow line down Y/N’s jaw, "I happen to be an excellent teacher."

Y/N’s breath hitched, her wide eyes locking onto Agatha’s. There was a flicker of uncertainty there, but it was layered beneath something else—something that made Agatha’s pulse quicken. Y/N swallowed hard, her voice trembling as she asked, "You’d… teach me?"

Agatha’s smile deepened, satisfaction thrumming in her chest as she leaned closer, their faces mere inches apart. Her thumb brushed lightly over Y/N’s flushed cheek, the skin warm beneath her touch. "Oh, darling," she purred, her tone dripping with promise, "I’d love to teach you. But only if you want me to."

Y/N hesitated, her lips parting as though she were about to speak, but no words came. Instead, she nodded faintly, her eyes fluttering closed as her breathing grew shallow.

The moment stretched, thick with tension, until Y/N whispered, "I… I think I’d like that." Her words were so quiet that Agatha almost didn’t hear them, but the tremor in her voice sent a thrill racing through her.

"Good girl," Agatha murmured, her thumb brushing gently over Y/N’s bottom lip. Her hand tilted Y/N’s chin up, and she leaned in, her lips grazing Y/N’s in a kiss that was soft, tentative—testing the waters.

Y/N whimpered softly, the sound sending a jolt of heat through Agatha as she pressed more firmly against her. She guided Y/N’s chin with her fingers, tilting her head to deepen the kiss, and Y/N’s lips parted under the pressure, trembling but eager. Agatha slid her tongue past the girl’s lips, tasting her, savoring the soft, unsure noises that escaped her throat.

Y/N gasped into the kiss, her hands fluttering uncertainly before resting on Agatha’s shoulders. Her fingers clutched the fabric of Agatha’s cardigan, her body trembling as she leaned into the older woman’s touch.

"Relax, sweetheart," Agatha whispered against Y/N’s lips, her voice low and soothing. "Just let me take care of you."

Y/N nodded shakily, her wide eyes brimming with nervous anticipation. Agatha leaned back slightly, her gaze raking over Y/N’s flushed face, the way her lips were slightly parted, her chest rising and falling with each uneven breath.

Agatha’s hand drifted down, her fingertips tracing the curve of Y/N’s neck, the delicate line of her collarbone, before coming to rest on her trembling hands. "Give me your hand," she murmured.

Y/N obeyed immediately, her fingers light and hesitant in Agatha’s grasp. Agatha lifted the girl’s hand to her lips, pressing a soft kiss to her knuckles before trailing her mouth down to the tips of her fingers.

"Have you ever thought about how sensitive your hands are, darling?" Agatha asked, her voice teasing.

"N-No," Y/N stammered, her gaze fixed on Agatha as the older woman took her index finger into her mouth.

Agatha sucked lightly, her tongue swirling around the digit, and Y/N shuddered, a soft gasp slipping from her lips. "You’d be surprised what a little attention here can do," Agatha murmured, releasing the finger with a soft pop and grinning at Y/N’s reaction.

Y/N’s breath hitched, her cheeks a brilliant shade of red as she stammered, "I-I didn’t know…"

Agatha chuckled, her hands slipping to Y/N’s waist as she drew her closer. "Oh, honey, there’s so much you don’t know," she said, her voice low and affectionate. "But don’t worry—I’ll teach you everything."

Her fingers slid beneath the fabric of Y/N’s sweater, palms meeting warm, smooth skin. Y/N inhaled sharply, her body tensing for a moment before melting under Agatha’s touch.

"That’s it," Agatha murmured, her hands traveling upward, exploring the gentle curve of Y/N’s waist, the swell of her ribs.

Y/N whimpered, her head falling forward to rest against Agatha’s shoulder. "It feels… different," she admitted, her voice trembling.

"Good different?" Agatha teased, her fingers brushing just beneath the hem of Y/N’s bra.

Y/N nodded, her breath warm against Agatha’s neck. "Y-Yeah. Good."

"Good girl," Agatha whispered, her hands sliding higher to cup Y/N’s breasts over her bra. The fabric was soft, yielding under her touch, and Y/N arched instinctively into her hands.

Y/N gasped, her hands clutching at Agatha’s sleeves as she trembled in her grasp. "Agnes, I… I don’t…"

"Shh," Agatha soothed, her grin widened as her hands skimmed along Y/N’s waist, her thumbs brushing slow, teasing circles over the soft fabric of her sweater. The girl trembled beneath her touch, her breath quickening, her chest rising and falling in shallow waves.

“You’re so tense,” Agatha murmured, her voice low and coaxing. “Relax for me, sweetheart.”

Y/N nodded, her lips parting slightly as Agatha’s hands slipped beneath her sweater, fingertips meeting warm, bare skin. The soft gasp that escaped Y/N sent a thrill through Agatha, her smirk deepening as she pressed her palms against Y/N’s ribs, sliding upward with deliberate slowness.

“That’s better,” Agatha whispered, her lips brushing against the curve of Y/N’s jaw. “Just let go. You’re safe with me.”

Y/N shivered, her head tilting instinctively to the side, exposing more of her neck. Agatha didn’t hesitate, her lips trailing along the delicate skin, leaving light kisses that grew firmer with every lingering touch. Her hands explored further, fingers curling under the hem of Y/N’s bra, testing the boundary before slipping beneath it.

Y/N whimpered, her body arching slightly into Agatha’s touch as her thumbs brushed over the sensitive skin. “Agnes…” she gasped, her voice catching on the name.

The girl’s breath came in shallow, trembling bursts, her hands clutching at the fabric of Agatha’s cardigan as if it were the only thing keeping her grounded. Agatha savored every reaction—the way Y/N’s body moved, the soft, stuttered sounds that spilled from her lips like a melody meant just for her.

“You’re so sensitive,” Agatha murmured, her lips brushing against Y/N’s temple. “So perfect. You feel how good this is, don’t you?”

Y/N could only nod, her cheeks burning as she whispered, “Y-Yes… It’s so much…”

“That’s the idea, darling,” Agatha said with a low chuckle. “It’s supposed to feel like this.”

She kissed Y/N again, deeper this time, her tongue coaxing the girl’s lips apart. Y/N moaned softly into the kiss, her body melting against Agatha’s as her hands moved to clutch at the older woman’s shoulders.

Agatha’s touch grew bolder, her hands skimming down Y/N’s sides, exploring every curve before settling on her hips. Her fingers teased at the waistband of Y/N’s skirt, brushing lightly against the bare skin just beneath it.

“Can I touch you here?” Agatha whispered against Y/N’s lips, her tone dark with intent.

Y/N hesitated, her breath catching, before nodding shyly. “Yes… Please.”

The eagerness in her voice sent a jolt of heat through Agatha, and she wasted no time, her hand slipping beneath the fabric to cup Y/N over her panties. The warmth, the slickness she felt there, made her smirk as she murmured, “Oh, darling, you’ve been wanting this, haven’t you?”

Y/N whimpered, her face burying in Agatha’s neck as her hips shifted instinctively toward her touch. “I… I don’t know what to do…” she admitted, her voice barely audible.

“You don’t have to do anything, honey,” Agatha reassured her, her fingers stroking gently, coaxing soft moans from the girl’s lips. “Just feel. Let me guide you.”

Y/N’s breathing quickened, her body trembling as Agatha slipped her hand beneath the thin barrier of fabric, her fingers meeting slick, heated skin. The first touch drew a sharp gasp from Y/N, her hips jerking involuntarily.

“So wet for me,” Agatha murmured, her voice laced with satisfaction. “You really are my good girl, aren’t you?”

The words made Y/N whimper, her hands gripping tightly at Agatha’s arms. Her head fell back against the couch, exposing her flushed face, her parted lips, as Agatha’s fingers moved in slow, deliberate strokes.

“You’re doing so well,” Agatha crooned, her thumb finding Y/N’s clit and circling it lightly. “You’re beautiful like this, you know that? Absolutely stunning.”

Y/N moaned, her body arching as she struggled to process the overwhelming sensations. “It’s… It’s too much,” she breathed, her hands clutching at Agatha’s sleeves.

“You can take it, sweetheart,” Agatha murmured, her lips brushing against Y/N’s ear. “Just let it happen.”

Y/N’s hips bucked against her hand, the heat building between them until every movement, every sound, seemed to reverberate in Agatha’s chest. Then it happened—Y/N’s voice broke on a trembling word, soft and desperate.

“Mommy…”

The room stilled for a beat. Y/N’s eyes widened in horror as the realization of what she’d said sank in. “I—I didn’t mean to—” she stammered, her face burning with mortification.

Agatha paused, then a slow, wicked grin spread across her face. “Mommy?” she repeated, her voice dripping with amusement.

Y/N groaned, burying her face in her hands. “Please, forget I said that!”

“Oh, no, sweetheart,” Agatha said, chuckling as she gently pried Y/N’s hands away. “You can’t just say something like that and expect me to let it go.”

“I didn’t mean it like that!” Y/N squeaked, her face crimson. “It just… slipped out!”

Agatha’s smirk softened, her hand stroking Y/N’s cheek as she murmured, “Relax, honey. I’m not mad. In fact…” Her lips brushed against Y/N’s ear, her voice a low purr. “I think I like it.”

Y/N froze, her breath catching. “You… you do?” she whispered.

“Mm-hmm,” Agatha hummed, her hand slipping back to rest on Y/N’s hip. “It suits you, darling. And me, too, don’t you think?”

Y/N hesitated, her blush deepening, before nodding shyly. “Okay… Mommy.”

Agatha’s fingers continued their slow, deliberate rhythm, tracing lazy circles over the girl’s clit. Each stroke drew a soft gasp or trembling moan from Y/N’s lips, her body arching into Agatha’s touch as if chasing more. The heat between them was electric, crackling with every shift of Y/N’s hips, every stuttered breath that escaped her throat. Agatha reveled in the power she wielded, her hand slipping lower to explore the slick, inviting folds beneath her fingertips.

Y/N’s thighs trembled as Agatha’s fingers teased her entrance, her movements unhurried but purposeful, testing her reaction with every touch. The girl’s wetness coated Agatha’s fingers, the tangible proof of her arousal sending a thrill through the older woman. With a deliberate slowness, Agatha slid a finger inside, the heat and tightness wrapping around her making her exhale sharply. Y/N tensed for a moment, a sharp intake of breath escaping her, before her body relaxed again, adjusting to the new sensation.

“That’s it,” Agatha murmured, her lips brushing against Y/N’s ear as she began to move her finger in slow, shallow strokes. Her thumb continued its lazy circles over Y/N’s clit, coaxing soft, breathless whimpers from her.

Y/N’s hands clung to Agatha’s arms, her nails pressing lightly into her skin as her body writhed beneath her touch. Her head fell back, her lips parted as quiet, desperate moans spilled freely from her.

Agatha took her time, savoring every moment, every reaction. She added a second finger, sliding them deeper, her pace measured but firm. The way Y/N’s walls clenched around her, the soft cries that escaped her lips—it was intoxicating, a symphony Agatha wanted to play forever.

The girl’s hips began to move in rhythm with Agatha’s hand, her body instinctively chasing the pleasure. Agatha leaned down, her lips finding Y/N’s neck, her teeth grazing the sensitive skin before soothing it with a kiss. Y/N whimpered, her hands fisting in Agatha’s cardigan as the sensations overwhelmed her. The steady, relentless motion of Agatha’s fingers against that sweet spot inside her combined with the teasing pressure on her clit to push her closer to the edge.

The tension in Y/N’s body built with every stroke, her moans growing louder, more desperate. Agatha’s grin widened as she felt the girl tremble beneath her, her thighs quaking as the pressure mounted.

“That’s it,” Agatha murmured, her voice low and soothing, though her fingers never faltered. She curled them slightly, pressing against that sensitive spot that made Y/N cry out, her back arching. Her thumb circling Y/N’s clit with just enough pressure to make her whimper. “Let go, sweetheart. I’ve got you.”

The words were all it took. Y/N’s body tensed, her thighs clamping around Agatha’s hand as the wave of pleasure crashed over her. A strangled moan tore from her lips, her hips bucking as the orgasm took hold, overwhelming her with its intensity.

Agatha didn’t stop, her fingers moving gently to guide Y/N through it, her touch steady and reassuring. She kissed Y/N’s temple, her hand cradling her head as the girl’s body shuddered in her arms, her moans softening into breathless whimpers.

When Y/N finally stilled, her body going limp against the couch, Agatha withdrew her hand carefully, her touch lingering for a moment longer than necessary. She looked at Y/N, her face flushed and her chest heaving as she tried to catch her breath, and couldn’t help the satisfied smile that tugged at her lips.

“Good girl,” Agatha murmured, her thumb brushing over Y/N’s cheek. The words were soft, almost tender, as she leaned down to press a lingering kiss to the corner of Y/N’s mouth.

Y/N barely managed a nod, her hands weakly clutching at Agatha’s cardigan as she whispered, “Thank you…”

Agatha’s hand lingered on Y/N’s cheek for a moment longer before she leaned back, brushing her hair away from her face. “Come on, sweetheart,” she murmured, her voice warm but firm. “Let’s get you settled upstairs. You’ve had quite the night.”

Y/N nodded sleepily, her face still flushed, her body pliant as Agatha helped her to her feet. The younger woman swayed slightly, and Agatha steadied her with a firm grip on her arm, guiding her toward the staircase.

The walk upstairs was unhurried, the house bathed in the soft, golden glow of dimly lit sconces. Agatha’s hand remained on Y/N’s waist, steadying her, the closeness oddly comforting. The stairs creaked faintly beneath their steps, the sound blending with the faint hum of the nighttime stillness.

At the top of the stairs, Agatha turned toward her bedroom. She pushed open the door, revealing a cozy space with dark wood furnishings and a bed neatly made with a deep plum-colored quilt. The air smelled faintly of lavender and aged books, a mix uniquely hers.

“You’ll stay in here,” Agatha said, her tone leaving no room for argument. She crossed to a dresser, pulling open a drawer and rummaging for something suitable. “Can’t have you sleeping in your day clothes.”

She returned with a pair of soft, well-worn pajama pants and a loose button-up shirt. Agatha handed them to Y/N with a smirk, her eyes flicking down to the girl’s legs. “These might be a little short on you, honey. You’ve got a few inches on me, but they’ll do.”

Y/N took the clothes with a shy smile, the faint pink still lingering in her cheeks. “Thank you,” she murmured, holding the bundle close.

“Bathroom’s through there,” Agatha said, gesturing toward a door on the side of the room. “Get changed and come back. I’ll grab some extra blankets.”

Y/N nodded and disappeared into the bathroom, the door clicking softly shut behind her. Agatha busied herself gathering an extra pillow and a quilt from the closet, her mind lingering on the events of the evening. The girl had melted so sweetly under her touch, her reactions raw and unfiltered. There was something deeply satisfying about coaxing such vulnerability out of her.

When Y/N returned, she was wearing the borrowed clothes, the pajama pants ending just above her ankles, the hem of the shirt brushing against her thighs. The fabric hung loosely on her frame, giving her an air of casual innocence that made Agatha’s smirk return.

“Not bad,” Agatha teased, tossing the quilt onto the bed.

Y/N ducked her head, a soft laugh escaping her. “It’s perfect,” she said, her voice barely above a whisper.

Agatha chuckled, patting the space beside her on the bed. “Come on, hop in.”

Y/N obeyed, slipping under the covers and settling on her side of the bed. Agatha slid in beside her, adjusting the quilt before resting her head against the pillows. The space between them felt charged, but not uncomfortably so.

“Goodnight, sweetheart,” Agatha murmured, her voice softened by the dark.

“Goodnight, Agnes,” Y/N replied, her voice small but content.

Agatha closed her eyes, her breathing evening out as the house settled into silence. Her body relaxed, lulled by the warmth of the girl beside her, her usual wariness dulled by the exhaustion of the day.

Y/N, however, lay awake. Her gaze flicked to Agatha, the older woman’s peaceful face illuminated faintly by the moonlight slipping through the curtains. Slowly, Y/N’s lips curved into a grin—a sharp, wicked expression that twisted her previously innocent features.

Agatha’s trust, her affection—it was all falling perfectly into place.

[meanbossart]

So, I was thinking after the newest Bhaalist DU Drow art (and his hand dangerously close to Astarions throat): what would happen if Astarion runs away? Did he ever try?

And, what's also pretty sad, how does affection look like for them in this AU? Does Astarion just push through and dissociate? Can he ever say no? Or does he hope the love of his life (or unlife) changes at some point?

Thankies 💕

CW: Non-explicit description of a coercive sexual relationship.

You know, I'm not sure he would try to run away. I haven't thought about this AU in quite as much depth as I have their canonical story, but I do know that DU drow has turned Baldur's Gate and the area around it into quite the scary place. The "immediate and absolute control over the brain" outcome that we get in the game is a bit too easy for me, but he DOES retain the stones and therefore ownership over it, not to mention a huge bargaining chip in political control of the vicinity.

The church of Bhaal is reinstated, and while it will never be in the interest of Bhaalists to be blatant about their activities, it would become common knowledge that they have eyes everywhere. Killing is still ritualistic rather than mindless massacre, and indoctrination is prioritized - they can't expand and fulfill Bhaal's will if all potential followers are dead. People who don't yet follow the gospel have reason to cooperate with them since that lessens their chances of being killed.

So, if the darling of the cult's head were to suddenly disappear, everyone infected would be immediately zapped with the knowledge of exactly what he looks like and where he was last seen, and what the repercussions are for anyone who fails to report his whereabouts. Astarion knows this, DU drow would make sure that he does.

Also, it would probably be far too easy for Astarion to justify his own compliance and try to make peace with the situation. This IS the man he fell in love with, he DID encourage his pursuit for power at every step, he may not be the grand vampire ascendant, but he is the Murder Prince's beloved. He doesn't beat him, he doesn't torture him, he spoils Astarion with riches, comfort, and all the fresh blood he could dream of; all he asks for in return is his eternal devotion, constant affection, adoration, control over where he is, wears, does, and total surveillance.

When the alternative is braving the cold, ruthless world as a meager little vampire spawn while being hunted down by your ex's minions (hm, sounds familiar) being the equivalent to your partner's boutique pet starts to look pretty desirable. Astarion falling to old habits and resigning to his circumstance seems pretty likely to me. If he did run away successfully, life would be a whole lot harder for him. If he runs away unsuccessfully, he loses the trust of his murderous, power-hungry partner and the few liberties he is afforded at all.

Speaking of liberties, saying no to intimacy is one he still has, however the consequences for being frigid and nonreciprocating would come in other forms, over time, and Astarion would probably rather spare himself the trouble and just play along as the highly affectionate and fiery lover that this DU Drow wants him to be. The happier he is, the easier things are.

Not to mention that, occasionally, he can pretend that everything is back to how it used to be when they are being intimate.

I think there are vulnerable moments where he hopes he will snap out of it, but most of the time Astarion is convincing himself that he hit the jackpot, that he has DU drow wrapped around his finger and he will be able to turn this more in his favor eventually.

[tritoch]

the warrior of light as a game-breaking force of violence

there's a moment, relatively early in dawntrail, that establishes succinctly how out of place the warrior of light (as the savior of eorzea and main character of four successive final fantasy game plots) is in what is essentially the story of fresh new final fantasy protagonist wuk lamat. and it sets up quite nicely how the framework of fantasy video game conflict pulls the warrior of light forever towards violence as the expansion goes on.

spoilers through 7.0 follow

consider wuk lamat's kidnapping and rescue. bakool ja ja holds his blade to wuk lamat's throat, taunting you. his lackeys line up against your party in neat little ranks suspiciously reminiscent of a classic final fantasy encounter screen.

and it simply does not matter to the warrior of light. you stride right through their combat setup because you are beyond that by now. the warrior of light has absolutely no respect for the "we are about to do ATB combat" lineup. the camera even jumps the line for you in one continuous rotating shot, crossing the axis of action as though to emphasize through the disruption of visual convention how far outside the game's boundaries you are.

this is how far you are above the problems of dawntrail's first half. you cannot even be bound by the normal rules of cinematography and video game combat. everyone else here lined up for a good old-fashioned scrap and the warrior of light said haha nope actually. i'm going to stroll through here like a god of war astride this tiny battlefield. your henchmen cannot even raise a hand to me. i don't even have to engage in violence directly anymore. my mere presence is enough.

in fact, not only can bakool ja ja's henchmen not raise a hand to you, he's not even worthy of your direct intervention. he kidnaps wuk lamat and steals her keystones and frees valigarmanda and kidnaps hunmu rruk and none of it warrants the warrior of light so much as raising a finger. he's wuk lamat's recurring villain, that's not your problem. you're just here to take in the scenery.

zoraal ja spends his whole life aspiring to be thought of as his father's equal and a worthy successor to the dawnservant as the "resilient son." all it takes for gulool ja ja to acknowledge you as a warrior on his level is like a five minute sparring match. the acknowledgement from gulool ja ja that zoraal ja hungered for his whole life and would eventually go full cyborg supervillain to get via regicide is something the warrior of light receives casually in a throwaway line after their level 93 solo duty on the way to more important plot conversations.

it really seems for a second, in the first half of dawntrail, like you are strong enough and the problems simple enough for this to be a clean and easy adventure. bakool ja ja? power of friendship'd. mamook? successfully reintegrated, no worries about the crimes against humanity. rite of succession? handily won. nothing can stop you. even duty finder queue times have been conquered: you can do all your duties with trusts now.

all of which only makes it better when the second half has sphene ask you and wuk lamat directly: could your strength have been enough to save alexandria? could you have found a different way?

i know some people get very annoyed we don't intervene in the gulool ja ja fight. now personally i think if you see arthur and mordred squaring up it's rude to intervene, but beyond that, it simply wouldn't have mattered. by the time zoraal ja's forces arrived in tuliyollal, alexandria and tural were already on a collision course and doomed to conflict. your hands alone could never have averted this conflict. sphene was always bound to do what she did—and certainly a gulool ja ja without his reason would not be any more inclined to peace than wuk lamat and koana were.

there's a great little moment just before living memory where estinien, champion at reading the room, is like "okay so if thancred and i stay here that frees up you up, aibou, to do what you do best and save the world and have epic fights. woo!!!" and immediately afterwards you basically have to apologize to alisaie because part of the sort of unspoken premise of this whole trip in the first place was that you were, finally, not going to plunge into mortal peril to save the world. you were finally going to take it easy. you were finally done with that. and she has to sort of ruefully be like nah it's fine bro. i was trying to get you to take it easy and not do insane risky world-saving violence. but y'know these things (interdimensional invasions) happen.

by the time you reach the very last trial, all pretense that the warrior of light could have ever been beyond these problems has vanished. you were, very emphatically, not strong enough to hold onto all that was dear without sacrifice. gulool ja and otis and cahciua died. yyasulani was irreversibly changed, physically colonized and culturally decimated by another dimension. you systematically shut down each part of living memory, and all its friendly, charming, loving ghosts, with your own hands. with your own clicks.

not even the vaunted strength of the warrior of light is enough to overcome sphene's inexorable logic of conflict. and so, in the end, she plucks you out of the crowd and says, explicitly for reasons of your strength, that you are going to have to do a boss fight now. you are going to have to kill her and you are going to have to do it in a proper 8-on-1 trial, and she forces you to affirmatively state that you understand you're going to kill her.

did you think you were above it all? did you think you could get away from here with your weapon undrawn, with your hands clean? that for you and you alone the logic of conflict comes undone? wrong. wrong. wrong.

your strength cannot redeem you, says sphene. your friends cannot make these sacrifices for you. if you would play the hero then you must play the hero. no half-measures.

back to the duty finder with ye.

[littleblueteacup]

My family and I went on a trip to my aunt’s wedding last month. The area we stayed at that first night had red lighting and was set up to do stargazing and was out on the middle of basically nowhere and, look, I’ve lived in a regional town for most of my life. There is one town within twenty minutes and everything else takes at least and hour to get to. It’s not the most regional, but it’s enough that we can see the stars, and I can pretty easily find the identifiable constellations.

In the city I live in for university, I don’t even have that. We can, on a good day, see maybe three or four stars if we don’t have a power outage, which sucks because I hit an astronomy phase as a kid and hit a mythology phase not long after that.

This town? I stepped outside at night and before we even went to the star gazing presentation that my dad booked (because he is as much of a nerd about this stuff as I am, and my mother and sister are much the same), I could see Everything. There are so many more stars in the sky than I thought there were, and NONE OF THEM look how I thought they would.

Some of them took a telescope to see and I don’t think I’ll ever be able to get rid of the image of a cluster that looked like a photo-negative of a rose, and I wouldn’t want to either.

The point is, even while we were doing that presentation and being blown away by exactly how tiny we are compared to the universe at large (something that was only possible to experience BECAUSE the area was set up with red lights and timers, by the way) we had bats flying through, and the chances of other animals just chilling was non-zero. This was not a hindrance to us. The bats were eating, there was minimal cross-over between our group and any animals. It was just that we were there, and so were they.

So look, even if you are not personally the biggest fan of the winged marsupial (or any other animals that could and would benefit from red lighting), acknowledge that the stars are worth the extra effort it would take to get things set up like this. And maybe look into it for your area, just as a curiosity thing.

perhaps some will disagree, but i think the world got worse when we changed the colour of the night

[xinganhao]

✏️ sociology major!junhui x reader.

your roommate junhui has a habit of using his major on you ✶ part of my svt university milestone event

⤿ friendship, fluff, and they were roommates!!!, an academic paper for the hc. more content under the cut. ♡⸝⸝ prompt from @ore-pheus!

The Sociology of Love, Julia Carter Annotations by Wen Junhui

Love is interesting sociologically for so many reasons... It is a word that is used prolifically to mean so much, which means it is incredibly difficult to define and study. Love is interesting because it is everywhere and has a significant impact on our culture, society and lives, and yet we can know relatively little about what it actually means. Love is not something we can ‘know’- we have to investigate how it is represented socially and culturally. (Carter, 2015)

ANNOTATION: Carter positions love as an all-encompassing yet unknowable emotion. At the risk of sounding cocky, I don't think that love is particularly difficult to understand or find. This is simply because of recognition.

I recognize love. It's in the care and consideration of my parents. It's in the brotherhood of my friendships. It's in my roommate, who tolerates my incessant questions, who lets me get away with almost everything, whose fondness for me is sometimes more than what I deserve.

Love is everywhere. Carter is correct in that regard. It's simply a matter of seeing it, of calling it as it is, of spelling it out. Otherwise, we might spend the rest of our lives trying to justify our cowardice behind the guise of love as a 'mystery'.

So why does love have such power? Whether a private emotion, organising institution, normative expression, commodity, societal glue or legitimating ideology, love is clearly an important concept to understand and interrogate in modern society. (Carter, 2015)

ANNOTATION: Sociologically, the word 'power' is thrown around too lightly. Carter's implication that love is equivalent to power can be dangerous, because I am of the firm belief that it's not the emotion that wields the power; it's the person.

Love, on its own, is just an intense feeling of deep affection. The question then because: What do people in love do? Some shy away from it. Some run. I've found myself taking it day by day. Love has me learning. Love has me listening. Whether I act on it or not is indicative of my own power, and not the power the emotion may/may not have over me.

There's discussion to be made about how love can render one 'powerless', but it all falls on the individual. We are only as good as the loves that we act on.

There was, however, evidence from my research to support the normative notion that love should be romantic, once-occurring and lifelong... suggesting that ‘real’ love should only be experienced once and this should not come to an end. (Carter, 2015)

ANNOTATION: Once again, I find myself unable to agree with Carter's findings. Love as a lifelong feeling or commitment is understandable, but the notion of it being 'once-occurring' is significantly flawed on two counts. First, there is the manner of which it discounts romantic relationships and how they shape how we are. To love and lose someone does not mean you loved them any less or, in this case, did not love them at all to begin with. It is a disservice to downplay our own emotions just to subscribe to the credo of a 'one true love'.

Alternatively: I find myself falling in love with the same person over, and over, and over again. I have fallen in love with them on our walks home. I have fallen in love with them first thing in the morning, when they're bleary-eyed and can barely finish brushing their teeth. I have fallen in love with them even when there was distance between us— on long breaks, where they're the person I think of during the first snow of the year.

And so Carter is only half-right. Love is romantic. Love can be lifelong. But it has not happened to me only once.

... love has become a quiet, private project for couples in a society that worships coupledom and romance. (Carter, 2015)

ANNOTATION: While I have spent majority of this paper arguing against Carter's sociological view of love, I find myself wholly agreeing with her at least on this point. I'm often described as an outgoing and loud individual. For the most part, I thought that should I ever encounter romance, I would view it the same way.

But I've found love in the quiet moments. Bowls of breakfast cereal. Midnight trips to the convenience store. A shitty Netflix romcom playing in the background as the two of us cram essays.

If this love is only ever mine, ours— if no one else is ever made privy to our shared affection and all the rituals that come with it— then so be it. It will be enough for me. This will be more than enough for me.

[venuslarkspur]

Teen Hero Shenanigans

(The Prologue)

Fall Of Girl Wonder

Summary: Your Damian’s Twin Sister who arrived 3 years after your brother, because of your late arrival you’re never excepted to become Robin, until your brother runs away and you volunteer to take his place in his absence, things are going well until Damian returns and you are thrown under the bus completely by being told you can’t be Robin anymore, after bottling up your anger you decide to go solo by running away and stealing a Batgirl costume. But you’re not alone, your sort of boyfriend joins you; which would be okay if it wasn’t your brother’s best friend of all people.

Pairings: Batfam x Batsis (platonic), Jon Kent x reader (romantic). Very bittersweet tbh, you love your bf but you’re also proving your worth to your family.

Notes: Reader and Damian are very on and off but do love each other ofc. (they only really had one another growing up in the league) To clear things up Bruce has a genuine reason for discharging reader of the Robin mantle but that’s an epilogue thing I fear, Reader is 16 so is Jon. I’d give this series maybe a 15+ rating as there will be be some heavy topics involved and some “problematic” language icl. Reader also is closest with Cass and Jason specifically, all of this isn’t at all comic book accurate but does include elements from the comics. (Also very fanony when it’s comes to the Batfam and Superfam) (I don’t own any of the characters this is fan-fiction 💙)

Warnings: Mentions of panic attacks, Damian runs away from home for a bit. Unless count Bruce being a semi shitty father then not a lot of warnings tbh. This is just the epilogue we haven’t even got to the real drama yet. 👏

Words: 1.4k

6 months, 2 weeks and 3 days. That’s how long you’ve held the Robin mantle, you trained none stop before even having volunteered for it. You wondered what your plan even was, as long as Damian had it you couldn’t. Then he ran away and it was all too convenient, you got the mask, the gloves and the cute boy. Were you worried about Damian? Obviously, you had panic attacks about it mid patrol, which meant whatever member of your family that was unlucky enough to be awake at that time, had to take your shift. You knew Barbara and Tim would track him eventually and were doing everything in their power, but that didn’t ease your worry, you even considered alerting your mother but you knew if she got wind of this she would force you to come back with her for your own safety, and you didn’t feel like going to back the small, sad, isolated girl you were before.

You had also gotten closer to Jon Kent, a best friend of your brother. In truth, you were lovesick, so is he. But it came as a bit of bittersweet shock to you both that over your course of searching for Damian you had given up along the way and became invested in one another. Eventually it become so much more than just a mutual love for Damian, soon the Damian questions become You questions. Things progressed quickly, it went from “Do you think my brother’s close by?” to “My dad and siblings aren’t home, do you wanna come over?” He makes it over every time, Alfred knows and you know that he knows. You begged him not to tell your father or anyone for that matter, he respected your decision to wait for the right time but would occasionally come in asking if you wanted anything. (You know it’s a ploy to check on you two) Clark and Lois 100% know and they approve but have been sworn to secrecy by you, you weren’t ashamed; of course not. It’s just that if you told even just one of your siblings, knowing them they would spill and accidentally tell another one of your siblings until the cycle continues and eventually reaches Damian. Though you were sure Cass already knew and you suspected Jason was catching on, but you weren’t even surprised that he was beginning to find out. He knew you well, after a good three years spending time and training with him and his group of people it became hard to keep secrets, although your weird duo did start off as a result of you being upset and jealous of Damian’s close relationship with Dick, your sure you’d still pick being Jason’s dysfunctional- unofficial sidekick.

As for Cass you knew there was a mutual appreciation for the fact you were both less outnumbered in terms of Bruce’s female children, sure Barbara was like an old sister to you and she always supported you over the com line on missions. But it wasn’t the same as having an actual sister, but it was unusual to call any of them your siblings, not just Cass. It took a while but the first time you remember calling one of them your brother or sister was when Dick had to come all the way and pick you up from school because of a “skiing accident” with your father, you knew immediately something must of happened because Alfred was always on time to get you, So when Dick came along you told your teacher your brother was here to pick you up instead, she waved you goodbye and as your entered the car you noticed the slight grin of his face, looking like he wanted to tease you, but knowing you weren’t like Damian and wouldn’t even deny accepting him as a brother. You adapted much quicker than Damian, even if you have to get used to having 5 more siblings from now. (Yes I included Duke. <3)

It was the start of Christmas month and you were just doing your rounds with Stephanie and Barbara around the mall, Steph had gotten distracted a couple of times whilst window shopping but you and Barb managed to tug her along. You were nervous as your 16th birthday was also approaching, Jon had already turned 16 and you got to see him on his birthday; by masking it as going on patrol. It was fun but the question was popped at the party on when you were planning on telling your family about your relationship, you tensed up but luckily Lois took your side and encouraged you to tell Bruce and the rest when you were ready. This is why you like her. But right now you couldn’t think of that, you had to look for a present for Jon without being suspected.

Luckily Barbara had gone in the nearby cafe to get you guys some drinks, but that still left you with Steph. Maybe if you played it calm she wouldn’t even notice, so you started searching around looking at stuff and you thought you were safe. “Whatchu got there?” She bubbled, you took about a 5 foot jump backwards before blushing intensely. “Nothing?” You said calmly whilst shoving the item back on the shelf, she put her hand on her chin as if she was inspecting you. “Sooo who’s the lucky guy then? Or girl.” She smirked, “There’s no use lying is there?” You asked, “Absolutely not, so spill.” She leaned in and studied your face, “I can’t tell you who, but I’ve been seeing someone and before you ask I’m not in any trouble.” You confess, she shrugs as if wanting to ask more but Barbara called out to you both drinks in hand, you swiftly looked back at Steph just for her to do a zipping motion with her lips, which satisfied you enough. “What have I missed?” Barb asked, you let out a sigh you didn’t know you were holding in and spoke up. “Well I was just wondering-“ You were cut of by a notification sound on Barbara’s phone, “We need to get back to the manor, now.” She said without a hint of warmth in her voice. What has happened now? You had quickly all changed into costume excepting the worst.

——————————

You hastily made you way through the manor, Steph and Barbara in tow. Tim was waiting at the entrance to the kitchen and he tried to stop you, “Hey-don’t go in yet-“ you shrugged him off and continued on and Barbara eyed him suspiciously. You wished that you had waited, you weren’t prepared to see your newly found twin brother sitting on one of the stools with an ice pack above his brow, deep cuts layered across his arms and bruises across his neck. He must of put up a good fight against whichever one of your siblings found him, you assumed it was Dick as he was in costume and had slashes of his own. Alfred sat next to him tending to his wounds whilst your father was stood next to him checking out the marks Alfred wasn’t attending to, the room had now fell silent as everyone had now realised how awkward it was for Damian to see his twin sister in a Robin get up, this is the worst. You simply only stared into each others matching green eyes until you made the first move and ran over collapsed into him giving him a bone crushing hug, he sat all tensed up before slowly returning the hug. “I’m sorry brother-I-I just.” Tears welled down your face before you threw off your mask and let it land on the other side of the room, you had never felt so relieved and guilty at the same time.

——————————

That night you stayed with your brother as long as possible, you had so many questions but right now you just wanted to embrace his return. Since it was an uncomfortable situation for everyone, most of the family decided to stay the night. You had crossed paths with Jason mid kitchen trip and he checked in on you first, but you couldn’t pin why it felt like he was holding something in. “You know you could forget all about this Girl Wonder thing and just join me like old times.” He proposed, you looked at him puzzled. “By old times you mean a couple months ago? Also why are you asking me this? did something happen?” You questioned but watched as he couldn’t meet your gaze, “Bruce wants to see you downstairs, but you don’t have to go-“ “Okay fair enough, I’ll go see him now.” You interrupted and walked past him and ignored his muffled rejections as you were now approaching the main office.

You should have listened to Jason, you should have gone with him. You’d regret not listening to him.

————————————

“Good news, you can put away the Robin costume for good now.”

————————————

Taglist: @waterwyne @venusmorning

(Part 1 is out!)

[forthegothicheroine]

I don't know if you do requests for the Great Detectives, but I'd love to see how you think the Great Detectives would handle the murder of King Hamlet of Denmark.

This is a GREAT one! The big question is whether they all talk to the ghost of the dead king; I think I'm going to have to take that on a case-by-case basis, with whatever feels right for any specific detective.

So, in a series I do sometimes, how would various great detectives solve the murder of King Hamlet...

Sherlock Holmes: Well, obviously ghosts don't exist, so jot that down. But in Holmes's experience, living humans often pretend to be ghosts (or even make dogs pretend to be ghosts!) so who could this be? The young prince Hamlet, who everybody says has gone mad? Holmes deduces that he isn't mad at all, and is in fact conducting psychological warfare against his hated uncle; while Holmes disapproves, he concludes that the boy is completely right about Claudius due to his knowledge of the play The Murder of Gonzago, as seen when he's upset about changes in a production. The Murder of Gonzago is a play which premiered in a town in Denmark known for its manufacturing of poisons for pest control!

Hercule Poirot: Poirot is quite sad to hear that the monarch who invited him as a celebrity guest has died; why does this always have to happen when he goes on vacation? Polonius spies on the guy to see what he's up to, but Poirot is much better at snooping on people than he is, and nobody can keep anything hidden for very long. He gives a summation where he reveals Claudius killed his brother. Prince Hamlet immediately goes to attack his uncle and they struggle over a sword. King Claudius falls dead and Poirot bows out, because determining whether Hamlet should suffer consequences or just become king is not his department.

Sam and Peter: Hear me out- if we bump Hamlet down from ambiguously college-aged to ambiguously high school aged, we can replace Rosencrantz and Guildenstern. These two nerdy kids are shipped in to cheer their friend (more like acquaintance) Hamlet up, and to his surprise, they respond to his depressing monologues by taking notes and asking for further details on why the world is so corrupt. Hamlet isn't so happy about them doing an investigation into "What is up with Hamlet's super hot mom?" but when they suggest interviewing Claudius to see if he has the face of a liar, he enlists them to help out with putting on The Murder of Gonzago. The rest of the play mostly goes the same, but they find the letter Claudius planted on them and show it to Hamlet. One of the last lines of the play is when Fortinbras is looking at everyone lying dead, but then Osric points out "Sam and Peter are alive!"

Phryne Fisher: Phryne is a dubious (if genteel) woman Laertes has taken up with, whom Polonius is doing everything in his power to drive away. Phryne doesn't care, but it does bring her attention to the fact that the man is apparently constantly spying on everyone in the castle. On whose behalf is he doing this? King Claudius? Is he afraid someone may assassinate him because of his brother's suspicious death? What was the official story about that, anyway? She exchanges sexy insults with Prince Hamlet, refusing to be cowed, and ultimately agrees to play the queen in his production of The Murder of Gonzago (where she gets a little too into the love scene.) When she turns and looks directly in Claudius's eye in the audience during a crucial line, she can see the answer to everything. Claudius tries to convince Laertes to kill her, saying she corrupted Ophelia into being a whore for a mad prince, but Laertes can't go through with it and kills Claudius instead.

Dale Cooper: King Hamlet's ghost tells him who killed him in a dream, but Cooper doesn't remember. He befriends Horatio and tells him that in order to understand the death of the king, it is crucial for them to study an old Icelanic poem about a man who feigns madness, because the answer to the mystery lies somewhere within. Horatio doesn't totally get it, but he figures Cooper must know what he's doing and goes along with it. When everyone is gathered to watch a production of The Murder of Gonzago, Cooper first steps up onto the stage, guided by a spirit in the form of a snake wearing a crown, to announce that King Claudius killed his brother. Prince Hamlet immediately stabs his uncle. Determining whether Hamlet should suffer consequences or just become king is not Cooper's department.

Philip Marlowe: All I know is, most of this mystery involves him getting thrown off the palace grounds repeatedly and being told that a bum like him better keep away from King Claudius if he knows what's good for him. If he ever gets out of Denmark alive, Marlowe thinks to himself, he's never leaving LA during the winter ever again.

Sam Vimes: Vimes can actually interview the ghost, but that doesn't mean the case is closed. He's not worried about the ghost actually being a deceitful fiend, he just thinks there's a possibility he's wrong. After all, if Vimes was poisoned and his ghost found out some creepy relative immediately married his wife and took his job, he would also jump to conclusions! He spends a lot of time yelling at royal people and getting threatened with execution (Vimes doesn't know how his job ended up involving so many clashes with royalty, but so it goes), and is disrespectful of religion enough to spy on Claudius while he's having his remorseful confession. He can't arrest him, but he spreads the word around, and as the royal court dissolves into backstabbing and finger-pointing, Vetinari walks in with a full retinue (and more importantly, a list of all the debts Denmark owes to Ankh-Morpork) to evaluate the situation and congratulate Claudius on his "excellent decision" to abdicate. Claudius later dies of a totally natural snake bite in his ear.

Columbo:

Your Majesty, King Claudius, forgive My clumsy common nature. I am not A noble gentleman, nor do I live With such great honor as yourself- a thought, However, troubles me this night. For how Should some strange serpent come to bite a king? And why within his ear? It puzzles! Now, I beg that I may ask just one more thing…

[toiletcthulhu]

I really dislike our cultural need to format every mission statement or problem as concisely and simply as possible. I feel like this issue permeates across most aspects of society, as we can see marketing, academia, and politics all value short, simple, concise answers. This has left nuance by the wayside in many areas of pur society, as well as mass mobilization by propoganda-educated or uneducated masses (see the rise of the far right across the world right now). I do think the rise of the far right is partially based in the oppression, lies, and failures of liberal democratic empires, which I think should also fall, just not to Nazis. Regardless, I don't get why we can't say that, based on what we know about large scale radfem movements and some of their opinions about men who also experience oppression, it seems logical to say that some radical feminists hold harmful rhetoric in that it both damages a healthy worldview as well as displacing pain onto those undeserving of it, causing people who see that to become less likely to participate in those movments. We can also simultaneously hold accountable power structures that target those exact people who become disillusioned with socially progressive movements and give them a foothold into reactionary far right politics, as well as the people who get taken in by those reactionary politics for allowing selfishness, hate, etc. to mobilize them into harming others. I think all of these factors are varyingly responsible for the situation we're in, but leaving out or downplaying any of their parts in getting us here does nothing but reduce intersectionality and giving more examples of the left not holding people accountable or holding others exclusively accountable for the right to exploit. Also, I understand the kneejerk reaction to parasitism being used as an insult, but as with the case of Palestinians calling out the bloodthristy actions of Israel, there are some words that are just accurate to describe the oppression of a people. I still think we should be catious of throwing around the word "parasite" or "bloodthirsty" in our common vernacular; ableism and anti-semitism are still very prevalent and dangerous, but if someone is taking a majority of another's means of living and giving them nothing but the right to live, transactionally, for no other reason but greed, that is a parasite. If a nation seeks every opportunity to cause as much death as possible, that is bloodthirsty. If you can't differentiate someone needing assistance to live from housing exploitation, then perhaps you have negative internalized views that disabled people seek to gain power over those they rely upon for help or some other bullshit, but it does not paint a particularly favorable image of disabled people however you spin it. So overall, I agree large swathes of the left are fucked up and need to change (all genders), but disagree that parasitism can't be used to describe people exploiting others and giving nothing back for no reason other than unnecessary self-interest. That's all.

the whole "I got pushed into the far right, because radical feminists are so mean to men, and no one in the left criticizes them for it," routine would be more credible if not for the fact that at the exact same time radical feminists are saying "I'm getting pushed into aligning with the right, because the misogynistic left is bullying and silencing me for criticizing men,"

[filipfatalattractionrblog]

The thing about Episode 7, Jayvik and Timebomb

We like to joke about the whiplash from constantly shifting between Ekko's visit in paradise and Jayce's suffering, but....

I actually have to put the shipping googles back on for this one.

When Ekko and Jayce meet, Timebomb and Jayvik have basically been torpedoed. Ekko almost killed Jinx last season, and only hesitated at the last moment. He spent so much time telling himself Powder is dead and Jinx killed her, but now he is no longer so sure. Jayce meanwhile kept drifting away from Viktor and every time he thought he would bring them back together, he would fumble, last time they meet he was yelling, unable to understand why Viktor given up on him, as if Jayce haven't broken every promise he made to him by not destorying the hexcore and by weaponizing hextech. Ships aren't completely sunk, but they're gaining water fast.

And then the Wild Rune sent Jayce and Ekko to different worlds. Ekko gets the world that could have been, Jayce gets one that may be.

Ekko's life in a near-utopian version of Zaun quickly focuses on him falling in love with Powder that could have been. And why wouldn't he fall in love with her? Shems a genius, she's funny, she's creative...but I think with time he realizes that all these things can still be found in Jinx. He realizes Jinx didn't kill Powder, Jinx is Powder lashing out in pain.

And yet, this Powder is not free of pain either. It's different pain, that he actually stupidly pokes early on. Pain caused by different trauma, which she got to deal with, while having a better support network, but sitll present (I have seen somewhere a good argument she shows signs of depression, but forgot where). It's not that she deals with her pain better than Jinx, it's just different. And I see with time Ekko realizes that and realizes how wrong it would be to give up on Jinx, that the same person he loves is in her world, but she has no one to be for her what this Powder has in her Ekko, Mylo, Claggor, Vander and Silco (that last one is an assumption on my part, it's unclear how close he is with Powder in this world, but considering he apparently co-runs the bar with Vander, he has to be present in her life in some way). When Ekko decides to come back, he isn't doing it only because it would be unfair to Ekko of this timeline and to Powder and everyone who loves that Ekko. He also does it because he realzied what an asshole he'd be to give up on Jinx.

And remember, he has no fucking idea about the seven hells of bullshit that went down in his world when he was absent. He doesn't know about martial law, about Warwick, about Viktor, about Noxus. He's coming back expecting to deal with his tree being sick and Chem-Barons war.

Now let's look what Jayce goes through. He gets sent to hell where his dream goes horribly wrong, yes. But what quickly happens to him? He breaks his leg falling down the chasm. He ends at the very bottom of where Piltover used to be. Correction, where Zaun used to be. The enviroment is slowly poisoning him. He is forced to fight every second to survive. Poisoned by enviroment, limping, forced to use leg splint and a staff as a crutch. Sounds familiar? Moreover, he is then forced to climb his way from the bottom all the way to the highest tower of Piltover. I'm surprised more people aren't talking about this, the metaphor is laid down pretty thick. Jayce gets crash course version of Viktor's life, he is literally forced to walk miles after miles in his shoes. They even made his leg splint look like one League of Legends' Viktor had until 2024.

he never really could understand where Viktor is coming from, even at his lowest he still was a minor noble house, he still lived in good part of the town. And sure, he and Viktor became close, but then Jayce got seduced by the fame, by glamour, by being man of progress, by being savior of the future, by cushy council seat. Power makes it hard to see evil, and privledge makes you blind to human the suffering. This experience was eye-opening to Jayce. I wonder how many times he must have stopped himself and realize this is what Viktor goes through on daily basis. And, as we learned later, after Jayce climbed this way to the top of hell, he saw how much HE means to Viktor, how HE is the only person who can give Viktor hope and save him from his own internalized ableism. He goes back to save the world, but he also goes back to save Viktor.

These stories weren't paired jsut to fuck with us, they're pararells. Jayce and Ekko both were blinded, one by glamour, the other by hardship, they could no longer see real Viktor and Jinx, too wrapped up in the people the world forced them to become. Each one was forcefully stripped from his ideantity, and therefore his biases, and forced to actually SEE the person they love, not the false image they built, but real them. And then each one went back and each one reached to their respective love and save them. And jsut like Ekko went back in time over and over to make Jinx see he's there for her even if she hates herself, Jayce was willing to sacrifice it all to show Viktor he doesn't need to be perfect to be loved, because for Jayce he always was beautiful.

And I could probably write a whole separate essay about how this theme of tearing through your own bullshit and actually SEEING the other person is present in this season. How Jinx and Vi are forced to go through microcosm of each other's experience to rebuild their love. How Caitlyn is saved from her own descent into villainy by being forced to see how much pain she caused Vi, see a human in Warwick, see a wounded child in woman who killed her mother. How Vi stops her self-destruction by trusting Jinx and seeing Vander in Warwick. How Mel literally has to fight Illusionary Sorceres, a.k.a. LeBlac THE DECEIVER and defeats her with words "I see you". How Ambessa is the only person who doesn't go through this identity destruction this season, even i nthe opening proudly wearing red of Noxus, and that's why she fails. How Maddie being a spy is telegraphed from her first appearance, where she's blocking the sun, effectively obscuring Vi's vision and making herself harder to be seen. How Jinx and Sevika are forced to see people in one another now that Silco's gone. How even during sesbian lex Vi doesn't let Cait get bogged down in guilt because she sees the woman she loves and that's all that matters. How Ekko defeats Viktor by showing him he's wrong to think only he can achieve power of Wild Rune, but also by literally tearing off the mask of god from his eyes, so that Viktor can SEE Jayce again.

But it's 4 in the morning as I type this and I'm no longer being coherent. Episode 7 is literally the microcosm of the whole season and Ekko and Jayce go through the same character arc in it.

[directdogman]

Hey dogman, out of all the characters you’ve made who was your favorite to make/write? Oh and who was the hardest?

I truly like writing for all of my characters, but Callum Crown, Phonegingi + Mayor Mingus are three favourites. Stabby + Shooty are always a joy to write as well. All three characters are fun in solo scenes but also make for really fun pairings, though I know you guys haven't seen much of Crown interacting with different characters.

Hardest I think was Oliver. I had intense writer's block when I started with his route. I had basically the whole character outlined but felt something was missing, like I couldn't really see into his head? I could see him, hear him, but I was wondering how I'd write a whole route with the guy. Y'see, I'd finished Randy + Karen's routes at that point and both of them had a pay-off where you wound up learning about a core insecurity of each. Oliver isn't directly insecure in any way and I knew in my heart + soul that I was missing something big in his characterization. I knew who he was, but not why he was the person he was. The question tortured me to the point I almost scrapped the character for a time.

It wound up being his devotion to Mr Dickens and his early life stuff that was missing. Oliver has a really positive attitude, but there is a very subtle underlying sadness to him. In his route, he's doing everything in his power to save his mentor's business, knowing that if he doesn't, Mr Dickens loses out on his dream. We wind up learning later that Mr Dickens has more or less made peace with his fate but Oliver refuses to give up, vows to tear part reality at the seams if he must - if it means he can change the outcome of Mr Dickens' story.

I'm still debating how much of his early life stuff to show and what to put in the DLC vs, say, a short story, but that cements why Oliver feels he has to do anything in order to save Mr Dickens. That extra layer is why I really like Oliver and what makes Randy such a good foil to Oliver as a datable. It makes a lot of sense why Oliver is so much more positive than Randy. Oliver was exposed to more kindness than Randy and feels he has a duty to return it back to the world.

[ancientwastedlores]

Don't Be Kind To It (Homelander x Reader)

The overwhelming amount of love Homelander Only Breaks His Favorite Toys got really hit me in the feels. Some of you asked for a part II, and much like Homelander, I aim to please (and love the praise).

[tags: @helreyy @discowizard88 @slasherho]

This one is lightly inspired by Hozier's "It Will Come Back," and we get a glimpse into Homelander's perspective as well.

Hope you enjoy it! <3

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Don't Be Kind To It

Don't let it in with no intention to keep it Jesus Christ, don't be kind to it

You're a smart cookie. And you know Homelander better than he knows himself. You expect him to stalk you, watch you from rooftops, send you gifts that have an agenda, and force Vought's Crime Analytics department to keep an eye on you.

So, you wait. You listen for the telltale whoosh of air, the crackle of energy that signals his arrival. Every gust of wind sends your heart hammering; every creak of the floorboards makes your blood run cold. You scan the skyline for a flash of red and blue, bracing yourself for the inevitable.

At first, you think he’s just toying with you, letting you stew in paranoia. You brace for him to materialize at the most inconvenient moment, smug and victorious. Yet days turn into weeks, and his absence becomes undeniable. You tell yourself he’s good at what he does—too good—but the truth begins to sink in: it’s not just you. Nobody has seen him.

No staged rescues. No public appearances. Not even a leaked video of him losing his temper. Ashley let slip that his tracking chip went dead 3 days ago. Vought is scrambling to spin the story - a secret overseas mission? A long-deserved vacation?

But the inner circle is panicking. The people who know him best—the ones who know what he’s capable of—are terrified.

Where the fuck is Homelander?

But... another thought creeps in, invasive and unwelcome, like a splinter under your skin.

Isn't he going to fight for me?

The selfishness of it makes you recoil, but it’s there, undeniable and raw. After everything, after all the suffocating control and emotional whiplash, you almost wanted him to stay obsessed with you. To prove that you still mattered to him. To prove that you had power over the most powerful man alive.

The realization is a gut punch. Maybe you’re not as different from him as you thought. Maybe his possessiveness, his need for control, rubbed off on you more than you care to admit. Maybe you’ve become just as twisted as him, longing for attention—even the toxic kind—because it’s better than silence.

And now, silence is all there is.

It wraps around you like a noose, tightening with every passing day. His absence presses on your chest, cutting off your circulation, making it hard to breathe. You tell yourself it’s relief—that this is what you wanted—but the emptiness feels like punishment. You try to convince yourself he’s sulking, biding his time, waiting for the perfect moment to make you regret leaving him.

But the longer it stretches on, the more it begins to feel permanent.

You could care less what this means for Vought. All the company seems to care about is who will lead the Seven now. Should they try to replace Homelander or lean into the “team-first” narrative Ashley has been pushing? PR scrambles to keep the media from asking too many questions, trotting out The Deep and Black Noir to cover for him.

But the public isn’t buying it.

Those who love him are afraid he is hurt. Those who hate him post conspiracy theories about Homelander going rogue - which feels way more accurate.

Either way, if Homelander doesn’t want to be found, no one can find him.

---------------------------------------------------------------------

Your days stretch out unfathomably long. You expected to feel free, to savor the clean air and the wide-open spaces of a world without him. Instead, his absence is louder than his presence ever was.

When he was there, he consumed everything: every thought, every moment, every inch of your life. You hated it, resented it, but at least you understood it. His attention, no matter how suffocating, meant you mattered.

But now there’s nothing.

The silence echoes like a scream, reverberating through every corner of your mind. Every sleepless night, every anxious thought loops back to him. Where is he? What is he doing? Is he coming back?

You start to wonder if this is how he wanted it—to leave you drowning in uncertainty, gasping for closure you’ll never get. Maybe this is his ultimate revenge.

Or maybe…

Maybe he’s broken in ways even you can’t fix.

You almost wish for his cruelty, for the familiar push-and-pull of his twisted affection. Because this? This void where he once loomed so large?

It feels like dying.

No. You have to seek him out. You can't quite tell if it's for his sake or yours... you can figure that out later.

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Monster's Lament

The room is dark, lit only by the faint glow of the moon filtering through cracked blinds. Dust floats in the air, settling over the relics of a forgotten time—old Vought propaganda posters peeling from the walls, a long-dead television covered in grime. It’s quiet here, too quiet, save for the clock that's miraculously still ticking.

Homelander sits slumped in a battered chair, his suit grimy, his cape discarded on the floor in a crumpled heap. His head is in his hands, his golden locks disheveled, the picture of a god brought low.

“You warned her,” a voice says, syrupy sweet.

Homelander doesn’t look up, doesn’t need to—he knows where it’s coming from.

The mirror.

He lifts his gaze reluctantly, and there it is: his own reflection staring back at him, but not quite right. The eyes burn brighter, the teeth are sharper, the smile is crueler. It leans forward as if trying to crawl out of the glass.

"You warned her," it sings again. "But did she listeeeen." "Not now, okay?" Homelander pleads.

The face in the mirror laughs. "Jesus fucking Christ, this is so pathetic. What are you waiting for, for her to come find you? For her to need you?" "She does need me." “Oh, sure. Because you gave her everything. The flying, the fancy dinners, the cape-flipping bullshit. But what did she give you?” It leans closer, its grin widening. “Pity. That’s what. You wanted love, and all you ever got was pity.”

“That’s not true,” Homelander growls, but his voice wavers.

“Isn’t it?” The reflection tilts its head, almost playfully. “She stayed because she felt sorry for you. The broken little boy in the big man’s body. She didn’t love you, not really. She loved the idea of fixing you. And when she couldn’t—”

“Shut up!” Homelander’s voice cracks as he lurches to his feet, his hands trembling.

The reflection’s grin doesn’t falter. If anything, it grows wider. “What’s the matter, Johnny? Don’t like the truth?”

He stands frozen, a deer in headlights. He never learned to deal with complex emotions, and even after all this time, it wraps around him like a boa constrictor, cutting off his air supply and rooting him to the ground.

And the reflection starts to sing. “Don’t feed me, honey. Don’t be kind to me.”

The lyrics echo around Homelander, twisting like a blade.

"Don't give it a hand, offer it a soul Honey, make this easy Leave it to the land, this is what it knows."

"STOP IT" Homelander cries.

"Don't let me in with no intention to keep me Jesus Christ, don't be kind to me Honey, don't feed me, I will come back"

"You're supposed to be on MY side." Homelander says. "I am. This is what that looks like," It replies.

Homelander's stares ahead, his fists clenched, his jaw tights, his eyes ready to burn holes into the mirror. The silence stretches, heavy and suffocating.

Homelander closes his eyes, but her face is there, burned into his eyelids. The way she looked at him—like he was more than the sum of his power, more than the monster everyone else saw. He hates her for it. He loves her for it.

“Why did you leave?” he whispers to himself.

The reflection’s smile vanishes. For a moment, it almost looks… pitying.

“Because you allowed it,” it says simply.

The words hit like a punch to the gut.

"She fed you ONCE. And you kept going to her like a stray fucking dog. You took her mercy and her love and you became weak. Nobody wants weakness, Johnny." It leans forward, smiling, canines gleaming, "Whatcha gonna do about it?"

Homelander looks at the ground. Shame and desperation wash over him, and he blinks tears back.

"You're going to claim her. And you'll make sure she never, ever leaves again. Right?"

Homelander doesn't look up from the floor.

It gets irritated. "Right?"

Silence.

It rolls its eyes. "Do you want ME to do it?"

Homelander looks up, hope obvious in his bright blue eyes.

---------------------------------------------------------------------

You don’t intend to start looking for him. It just… happens.

It begins with small, idle habits—clicking on articles about Vought’s latest scandals, scrolling through old news coverage, and watching grainy footage of staged rescues from years past. Your eyes search for him automatically, for that familiar streak of red and blue cutting through the chaos.

Then it escalates.

You start wandering the city at night, tracing the paths he once flew you along. You visit the rooftops where he used to land with a flourish, his cape billowing dramatically in the wind. You linger outside the exclusive restaurants where he once paraded you like a trophy, his smile razor-sharp as he soaked in the envy of the other diners.

But it’s not just the glamorous places.

You walk down seedy alleys and explore dark corners—the forgotten places he claimed as private retreats. The places where he could let his guard down, where the mask of America’s golden boy slipped.

It feels grotesque, this act of seeking him out. Like you’re willingly feeding the monster you swore you’d escape. You hate yourself for it, for the way your heart leaps at the thought of seeing him again, even if it’s just to tell him to his face that you’re done.

But you can’t stop.

You start putting yourself in danger—not consciously, but recklessly enough that it’s obvious even to you. Walking alone through neighborhoods that turn predatory after dark. Taking late-night trains without any plan or destination. Part of you hopes he’ll swoop in, cape flaring, to save you in one of his dramatic displays of power.

But he doesn’t.

Instead, one night, it’s Black Noir who finds you.

The alley is suffocatingly narrow, the air heavy with the mingling stench of rotting garbage and damp asphalt. The dim, flickering streetlight overhead barely illuminates the passage as two men circle you like predators. Their laughter is low and ugly, their shadows long and distorted against the brick walls.

You freeze, your breath caught somewhere between a scream and a sob, as one of them lunges toward you. You pray even now that he'll swoop in from somewhere.

And then he’s there.

Black Noir steps from the shadows like death itself. His arrival is so silent, so abrupt, that the men don’t even notice him until it’s too late. A gloved hand clamps down on one man’s shoulder, spinning him around with an almost casual effort. Noir doesn’t waste time. The blow is swift, brutal—a single strike to the man’s temple that sends him crumpling to the ground.

The second man barely has time to react, stumbling backward with a terrified curse. Noir closes the distance in an instant, his movements fluid and precise. A sharp crack echoes through the alley as the man’s arm is wrenched at an unnatural angle. He screams, but Noir silences him with a swift knee to the ribs. He falls, gasping and broken, as Noir turns to you.

The black Kevlar of his suit gleams faintly in the dim light, the contours of his armor making him seem more shadow than man. His helmet hides his face entirely, the opaque visor reflecting your terrified expression back at you. He stands perfectly still, his chest rising and falling with controlled breaths, his presence both menacing and oddly comforting.

You crumble to the ground, your legs giving out beneath you as adrenaline and fear collide in your veins. Relief washes over you, but it’s tainted by something darker—frustration, disappointment, an aching sense of abandonment.

Noir kneels on the ground to make sure you're okay.

“Why—why isn’t he here?” you sob, your voice breaking. The words spill out of you, raw and unfiltered, as you pound your fists weakly against Noir’s chest.

He doesn’t move.

“Why won’t he come for me?” you cry, your hands trembling against the hard, unyielding surface of his armor. “He’s supposed to be here. He’s always here.”

Noir doesn’t answer. Of course, he doesn’t. He simply stands there, a silent sentinel as your emotions spill over in a torrent of tears and ragged gasps. His helmet tilts ever so slightly, as if he’s observing you, but he offers no comfort, no words of reassurance.

You clutch at him like a drowning person reaching for a lifeline, your fingers curling around the slick fabric of his suit. The tears come harder now, soaking into the Kevlar as you press your face against him.

“I hate him,” you whisper through clenched teeth, though the bitterness in your voice is softened by the despair in your heart. “I hate him for leaving.”

Noir stands up, lifting you with him, and lets you go once he's sure you're standing straight. His silence is maddening. Why isn't he angry that you're being ungrateful? Why isn't he at least talking about Homelander disappearing? ANYTHING?

You finally step back, your hands trembling as you wipe at your tear-streaked face. Your gaze meets Noir’s visor, and for a moment, you imagine you see something there—pity, perhaps, or understanding. But it’s gone as quickly as it came, replaced by the blank, inscrutable void of his masked expression.

“Thank you,” you whisper hoarsely, though the words feel hollow. What you really want to say is, Why wasn’t it him?

Noir doesn’t react. He simply steps back, his movements as quiet and calculated as ever, before melting into the shadows.

You’re alone again, the weight of Homelander's absence pressing down on you like a physical force.

But... a thought creeps in. If Black Noir came, then Homelander must know, too. They all have access to the same intel. He knows where you are and what you’re doing, and still—still—he hasn’t come for you.

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GUYS, I think this is going to be a three-parter. Bear with me. The next chapter will be the last. Let me know what you guys think and if you want to be tagged to the third one!

Thank you for all the love 😭😭