#and this just feels like his colour palette!!!

[gen4grl]

i bought leaks, butter, bananas and bean jam jelly!

[wikitpowers]

why does this remind me SO much of kit???

like this just somehow feels like him~

[dreamdancerdotfile]

Don’t cry now, all the wheels will turn

There‘ll be bluebirds over you and I

(x)

[teastarfall]

i have no clue what im going for w/ my artstyle anymore exploding on the spot right now ^_^

[sysig]

I have an idea for the requesttober, could you make Scriabin like an endermen? I feel that Scriabin would be an endermen if he were in Minecraft's world

Day 11 - No eye contact >:(

[ne0nwithazero]

Tenna Reference!

[yioh]

why are like 95% of genshin mlm ships so boring and cliche😭

[gunkbaby]

I went to the aquarium again the other day and there was this snapper fish that had all these spots and stripes on it, and it was the exact colour of Shuu’s hair. I love moments like that - when I see him in something.

Like hydrangea flowers - some of them are pink, but if you get one the right shade, then it’s this undefined emulsion of blue and purple. Or when the sunsets on certain days? Where the blue sky meets the pink? It makes the colour too. It’s that colour, it’s so indescribable. I see it quite a lot in fish, though - fish and flowers. Quite a few of them have that colour. I think I began to subconsciously associate Shuu with aquariums because I see him in them.

There used to be all that petty fighting about Shuu’s hair colour. Whether it was always blue and the anime was like soooo wrong, and all that. So I think because of that, I consider Shuu’s hair colour to sit in the middle. Whenever I see one specific reproduction of blue-purple or purple-blue, or where the colours meet and don’t quite mix - that’s the colour, to me. It’s quite rare, but it exists in nature, and when I see it I get quite emotional.

I think things like that are quite wonderful. It’s so strange to see something that makes you happy mix with another thing that makes you happy. I don’t think I feel so serene anywhere else.

[skeletalheartattack]

i love your art style so much, it's rad as hell. how long have you been drawing? :o

you mean the goofy little sketches i do from time to time? if so, that's really kind of you to say!!! that said, i wouldn't necessarily say they're the peak of my drawing abilities though, since i just draw with a mouse.

i use to draw a lot when i was growing up, though after getting Gmod for the first time, and subsequently SFM, i moved over into those programs to make my art, and kinda stopped drawing from that point.

i don't normally draw a whole lot these days, but when it comes to how i draw the stuff above, really i just find the messiness of using a mouse to draw really goofy, that and it's kinda nice to draw stuff without it needing to be perfect. it's just silly lines.

but regardless, thank you for the kind words, im glad you like my silly stuff

[cornedbread]

Principal got the Homestuck treatment.

[kimetsu-no-yaiba-writings]

Hi! If youre still doing requests, i have kind of an odd ask , but maybe some of the upper moons' reactions to meeting Muzan's wife (reader). I also really like whipped!Muzan so maybe the other demons' reactions to seeing the demon king doting on his wife. Thank you very much :)

Hi Anon! (^○^.) I actually love this request, so thank you for sliding it into my askbox ♥

Honestly I love a powerful man - especially a powerful villain - who's just absolutely in love with their wife (♥ω♥.) and would do anything for them, it just brings me joy.

Anyway! I'm rambling abit, but here is your request! I hope I've done it justice (^ω^.) Please enjoy!

Come again to request whenever you want cause I'm always open.

Muzan Kibutsuji being whipped for his wife + Upper Moons Reactions - Headcannons:

You know those types of men that are just unmovable pillars of stone - who look like they were carved from the finest marble by the hands of angels - who are always impeccably dressed with a voice of icy poison and just command your attention?

Who turn to the softest love-struck mush when with their wife

yeah, that's Muzan Kibutsuji with his wife (aka. you)

The finest meals, clothes and jewelry are yours with a click of his fingers - all done to make you happy, to see you smile

Anything that you mention briefly - doesn't matter if it''s a book or a holiday - its yours by the end of the day

Just one smile and a fluttering of your eyelashes has muzan on his knees - a singular pout of your lips has his mind running wild

You just have to breathe and Muzan's heart squeezes, breath stuttering in his chest as he looks at you in adoration

You could ask for the world and he'd give it too you on a platter

Muzan worships you

Each touch from you is a blessing to his skin

Each kiss sealed into him

Each word of love that falls from your lips make him drunk to hear, each sentence thick with a love that leaves hearts in his eyes and his heart thumping wildly

He wants to wear you like a brand - each mark you leave on him (bite marks and all) are worn with pride - and you (and only you) get to touch and mark his skin in such sensual ways

Under his wedding ring, his finger holds your bite mark, something that he begs you to do each day - with love-struck tears pricking his eyes - and it always makes him feel like he's properly yours

"My Love," He purrs with a voice a think velvet "My wonderful wife, my moon and stars, I love you for ever and always" and he kisses you so softly

Sometimes you have to stop this man from wearing matching clothes with you - "But Beloved,"he whimpers with a face liked a kicked puppy "I want us to match" - because he will absolutely wear a matching couples outfit

Other days he just likes sharing the same colour palette

When you worship him by placing soft kisses to his skin - his wrists, knuckles and faces - Muzan feels like he's on cloud nine

Upper Moons Reactions:

When the upper moons first met you, it was by accident - pure accident -they'd been summoned and it just so happened that it was when muzan was just in the midst of kissing you and bathing you with compliments

Kokushibou doesn't even blink and just stands in position like a trained guard, this sight has been something he's accidentally stumbled upon a couple of times before and honestly it makes him miss his wife

Because this isn't the first time he's met you but rather the fifth, the first actually time he met you, you were incredibly respectful of him and actually treat him nicely - you became tea drinking buddies - so he quickly came to like you

Douma/Doma genuinely shrieks - like an honest to god scream - before quickly going to make fun (not a good idea) about how loving Muzan is and, "Why don't you treat us this way Muzan-sama~ You're breaking my heart~"

Akaza looks away from such an intimate scene with respect since it felt wrong to look upon his lord loving his wife - although his heart does ache for some reason when looking at such a perfect loving scene

Hantengu starts sobbing while apologizing anxiously - actually very jealous at how loving the scene is, he wants a wife and to dote on someone

Gyokko simply proclaims it as artful and simply leaves it as such

Daki Blushes a deep crimson - it makes her want a husband to dote on her so much

While Gyutaro simply sighs before looking away - much like kokushibou and akaza in respect - with jealous crawling up his ribs at such love, he wants somebody to dote on and love him so romantically

[readwritealldayallnight]

Yours, Mine, Ours

Simon ‘Ghost’ Riley x Reader

wc: 1.5k words

warnings/tags: fluff

“So did the other two actually say no or did you just never invite them?”

“‘Course I invited them, you asked me to, so I did.” Simon replies with ease, keeping his eyes fixed on the road ahead of him. “They’re smart lads, lovie, they knew to say no all by themselves.”

You shake your head at him in disbelief but the smile that’s been plastered across your face ever since the two of you pulled out of your flat’s parking doesn’t budge. Simon’s been driving for a few hours now, and as stressful of an experience as that is alone, you’re too excited to mind the long journey in the car.

Simon is on leave for the next two weeks, something about Price having to attend a funeral following a death in the family, and deciding that everyone on the force was due for a bit of time off. Seeing as the Captain was going to be preoccupied during his time off duty, he had asked if Simon wouldn’t mind checking in on his house for him, making sure things were alright. He’d even offered for the two of you to stay in the guest room for the duration of their leave.

Simon had explained how Price knew that the two of you were living in a small flat in London, and apparently his home was in a beautiful, forested, isolated area which meant he had essentially no neighbours, something he also knew would appeal to Simon. He offered for the two of you to stretch your legs out there at enjoy the property, including the privacy that came with it.

Wanting to be polite, you’d told Simon he should extend the invitation to Soap and Gaz, thinking they might enjoy a nice, quiet stay-cation as well at their Captain’s place away from it all. It would appear your lover had different ideas in mind however. Though you couldn’t blame him entirely, the thought of having the cozy cabin all to yourselves was certainly more appealing.

Every which way you look outside the car, your vision is filled by endless blurry trees as you zoom by, the colours of the leaves having finally changed into the warmer, more vibrant colour palette that came along with the autumn chill. If the drive up to his property was any indication of how beautiful the area really was, then you were in for quite the treat.

Entranced by the beauty of the landscape in comparison to the city lights you’ve grown so used to, you fail to notice the glances Simon keeps sneaking your way, the smallest of satisfied smiles seemingly permanently etched upon his face beneath his balaclava. He was grateful that after explaining the situation and Price’s generous offer to you, you had been too excited to ask many questions, instead getting a jump start on packing a duffel bag or two.

You were one of the most intelligent, clever, curious people he’d ever known, and it was normally quite difficult to get anything by you. He was therefore feeling rightfully proud of himself as he drove you nearer and nearer to the home you believed belonged to his Captain. In actuality, there was no funeral for Price to attend, the sergeants had certainly not been invited along on your getaway, and the home you’d be staying in wasn’t Price’s.

It was yours.

Yours, and Simon’s.

The two of you had been living in that shoebox of a flat he’d considered as ‘satisfactory’ when he was only staying there as a bachelor, for far too long. As ideal as the location might have been, there simply just wasn’t enough space for two people to live together, even considering Simon’s absences for work and that fact that when he was home, you two were essentially always on top of one another anyways.

You’d both been searching for a new flat for what felt like ages now, none of the places you visited feeling like the right fit. Simon would be weary about a certain neighborhood, you’d be concerned with the lack of any balcony or outdoor space, he’d ignore the price tag that felt your eyes bulging, and you’d shake your head as you walked through doorways that had him needing to duck down.

Little did you know, Simon had been doing his own house hunting, outside of the city. You had told Simon you were fine with staying in London, understanding that it’s convenient to have everything near by. But Simon didn’t want to give you just ‘fine’. He wanted to give you a home. The home he intends to spend the rest of his life with you in, plans on carrying you over the threshold in your wedding dress, hopes to carry sleeping newborns in their car seats through the door.

For months now, Simon has subtlety been learning more about what that home looked like to you. He’d look over your shoulder as you scrolled through Pinterest, casually asking if you could show him your boards, you know just for fun, and paid very close attention when you showed him the one named ‘future house’. On his phone, he had a list a mile long in his notes app, from secretly writing down every comment you made while watching your home reno shows. He’ll casually ask you what you think of the houses you drive by, jotting down your answers in his mind, remembering likes and dislikes.

He believes that like you, it’s the people filling the home that matter more than the structure itself, as proven by the way you continue to put up with his minuscule flat. He knows you mean it when you say you’re alright with another flat. But he has the money goddammit, he has the means to do this for you, and when the listing came up for a home in what you’d revealed as being your ideal area to settle down in one day, the house resembling the amalgamation of everything he believed you’d described as being your perfect place, he knew he had to put an offer in.

And if there ever was anything about the house you didn’t like or wanted to change, he’d gladly do it for you, no questions asked. You want to paint the bedroom? Just tell him what colour you want. You want to change the railing on the wrap around porch? He’s on his way to the hardware store already. You need him to dig a stump out of the backyard to make room for your garden? Sit back and enjoy the show lovie, he’s on it. And when the time comes to build a crib? Well he may as well baby proof the whole house while he’s at it too.

He’s pictured your reaction a thousand times over in his mind. He imagines you’ll maybe give a small gasp when he turns the corner of the long driveway and you first see the cozy, two-storey home, surrounded by never-ending foliage of red, orange, and yellow leaves, the time of year perfect for appreciating autumn in the UK, as well as the privacy the tall trees grant you. He thinks the first thing you’ll comment on will likely be the windows, an item high on your priority list he knew to adhere to.

He imagines you kicking off your boots as you step through the door, pace quickening to explore every room, spinning in the kitchen as you joke about how jealous you are of Price. He pictures you groaning with envy when you spot your dream master bathroom, insisting to Simon that since you’d been tasked with checking in on the home you may as well see every room, right? He plans to explain away the obvious sparseness of the home as the Captain not having lived here long, as being very non-materialistic after all his years in service.

He’ll continue to play along for as long as he can, part of him knowing that you know him well enough that you’re likely to catch onto his deception at some point. However he hopes that before you start rummaging through kitchen cabinets and find them empty, too empty even for an absentee captain of a homeowner, that you’ll mention something along the lines of wishing you could stay here longer. That’s when he plans to slip a key into the palm of your hand, revealing that you might be able to stay longer than you believe.

The small piece of metal that’ll unlock the rest of your lives together, sits heavy in his pocket, in contrast to the light feeling in his heart when his hand reaches across the dashboard to grab a hold of yours, knowing that the content, lovesick smile you offer him is likely stretched across his face as well, staring right back at you.

Though you’re unaware that Simon is currently driving towards your home, and not away from it, you’re gently stroking the scarred skin across his hand, feeling as though your home is sitting right next to you, holding your hand and your heart at the same time.

[sysig]

Getting closer, getting really close now I swear (Patreon)

[cornedbread]

#underutilized ship its literally robot x mechanic he could fix him #need more wellchair in our lives

i need to spread dave x billy propaganda. the world needs to know about them. they are autistic boyfriends!!!!!!!!!!!!!!!!

[priniya]

ᯓᡣ𐭩 FORTS AND DADDY TIME! ᡣ𐭩ᯓ

pairing. oscar piastri x leclerc!wife!reader

summary. when you need to stay at work for longer than expected, you leave oscar with your daughter. when you come home earlier than your husband thought, the cutest scene plays in front of you.

notes. tysm for loving my previous dad!oscar fic!!! this one’s also not proofread but lets pretend like there is not a single mistake in here 😙😙😙

days like this were the hardest, especially with the thought of oscar’s summer break inevitable ending occupying your mind. every year, you wanted to make sure you had spent the maximum time with him and chloe, before parting your ways for a while again. going back to the office, while you were spending the precious time with your husband and daughter, was something you hated, mostly, because chloe was the biggest daddy’s girl on earth. some people might’ve gotten jealous over the fact that they’re not their baby’s favorite parent, but you loved watching oscar interact with chloe.

but honestly, leaving them alone was still a bit of a stressful situation for you and your emotions were all over the place as you tried writing down all the necessary things just in case oscsr forgets, which wasn’t likely to happen, but still — you wanted to be more than sure.

“baby, i know how to look after chloe.” oscar laughed softly, his arms wrapped around your waist as he stood behind, placing a single kiss on your neck. “we’re gonna have much fun today, right, squish?” he asked, when the little girl leaned on his leg, looking up at the two of you with a sweet smile. she nodded eagerly, earning a small chuckle from you.

“i good girl.” chloe replied confidently, wrapping her arms around oscar’s leg, wanting to stay as close to him as possible, despite it was you the one leaving (even if it was for a few long hours). “mommy good girl, too! and daddy good girl, too too!” the two of you had to stifle a laugh as your daughter praised you on being good girls.

a few minutes later, quite a couple of reassuring words from your husband, a few wet, sloppy kisses on your cheeks and a literal push out of the door and oscar was left with your little squish. at first everything was calm, chloe was sprawled out on the carpet, playing with her little’s pet shops collection, making a little voice-over, while your husband was preparing a strawberry smoothie for her.

though, before he knew it, he was dressed in one of your dresses, wearing a plastic tiara on his head with stickers plastered all over his cheeks, while sitting at chloe’s small, colourful table with some of her favorite plushies (a panda named jimmy, a koala named arty [after her favorite uncle], ginny the giraffe and daphne the dolphin).

“c’mon, princess squish, do a spin for daddy.” oscar smiled, watching as his daughter did a spin. he helped her get into her purple tutu dress, put a tiara and a few hair clips in the strands of her blond hair. to make her princess tea party experience even better, he took some of your eyeshadow palettes and put some on her to match her purple dress.

“i so pretty, daddy!” she squeaked happily, doing a little dance. “tea?” she asks as she plops down on her dad’s lap, pouring a pretend tea into his pink cup. “tasty, tasty.” she nodded, taking a sip.

“yeah, you’re my pretty princess, squish.” oscar chuckled, earning himself one of the most beautiful views in the world — his daughter grinning, showing him her baby teeth. your husband couldn’t help but to grin back at her, feeling her little arms wrap around his neck as she went in for a hug.

oscar was a sucker for moment like those, as much as he wished you were there to witness it, he loved spending time with chloe, seeing her grow up every day, noticing those slight changes in the way she constructed her sentences and how the incoherent babbling started to turn into actual words and sentences. he was counting down the days till she was old enough to not tire you out whenever on a flight, so he could see her happy face after a race and to show her the beauties of the world on a free day. god, she was the the most important person in the world for him in a way he could drop everything to make sure she was happy.

his heart ached painfully, every time he was away from you and chloe for longer than a few days and with his hectic schedule. everything seemed to be a lot better, when his lucky charms were next to him.

the princess tea party went on for almost another hour until the princess hosting it started to slowly get tired and tired, snuggling up to him after they finished cleaning everything up. it took them some time, because she had to give each of her plushies a few kisses before placing them in her bed, tucking them in. “you’re such a sweet girl, aren’t you, baby?” he chuckled, watching her as he leaned on the doorframe of her room.

she tilted her head with a tiny smile as she ran towards her dad, unfortunately, she tripped on the edge of the carpet, scraping her knees at the friction as she fell. tears started falling down her cheeks in an instant and oscar’s heart broke in half. he knew accidents happen all the time, but he wasn’t prepared for one involving his daughter, when he was all alone, even if it was just a small scratch.

“shh, hey, what’s with the fuss?” he asked in a calm voice, gently picking her up. your husband placed a few soft kisses on chloe’s wet cheek to calm her down. “s’okay, daddy’s gonna take care of your ouchie.” he reassured as she nuzzled her teary face against his neck, sniffling quietly.

“fait mal, daddy.” she sniffled. oscar was glad that once in a while, your brothers wanted to mess with him and spoke only in french before chloe was born, so he could pick up on what his daughter was saying. hurts.

“i know, squish.” he sighed, gently sitting her down on the couch, telling his baby to sit still, while she tried to wipe away her flowing cheeks. he sprayed antiseptic on her scratches, holding her hand with his free one. a small gasp left his daughter’s lips as the spray coated her ouchies. “such a brave, girl.” he coaxed, placing two band-aids on her disinfected knees (with puppies, of course). when her face was no longer in tears, a sad pout appeared on her lips, making oscar’s stomach turn.

“how about, we make a blanket fort and watch some cartoon before you go to sleep, hm?” he suggested, the pout disappearing in a second, being replaced my a grin. a blanket fort? that sounds super cool. he pulled a few chairs together, putting a blanket on top of it as chloe’s eyes widened in shock and excitement.

the final product was breathtaking, at least for chloe, because oscar did everything he could to make the blanket fort look magical as he put pillows on the floor, put up lights and brought his ipad to play chloe’s favorite movie.

before he knew it, his little girl was curled up against his side, his hand gently moving up and down against her back as her head rested on the side of his chest. her eyes were slowly closing, but she wanted to stay in the fort and he wasn’t in the mood to deal with a tantrum of a sleepy, cranky little girl.

when you came back from work, the apartment looked clean, as if oscar sedated your little ball of energy and hired a cleaning company. that was your thought process, until you noticed a blanket fort in the living room and your heart melted like a chocolate in a water bath. you quietly took off your shoes and tiptoed to the fort, peaking inside. seeing the view completely shattered your heart in the most positive way possible.

“you’re back already?” oscar asked quietly, not wanting to disturb chloe’s sleep as she was laying down on his chest. “thought it’d take a little longer.” he smiled affectionately at you.

“think there’s some room for me?” your mouth curled into a small beam as he nodded, quickly taking a spot next to him, finally noticing that he’s wearing one of your dresses and you had to stiffle a laugh.

oscar noticed your expression and groaned quietly. “we had a princess party.” he explained, though the pretend angered look quickly dissolved, replaced by a playful smile. “your daughter didn’t let me be a prince, so i had to stole one of your dresses. i’ll show you the photos tomorrow morning.” he kissed your temple as you snuggled up closer, your hand gently rubbing chloe’s back.

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!