#and they worry about her all the time

[a-dumb-sarcastic-bisexual]

Nimona headcanons just cause

Nimona and Ambrosius are both like sentient space heaters 

Nimona runs hotter than the average human being because obvi

But Ambrosius is a whole nother ballpark 

I just know this man hates summer more than the average person

Poor baby is just a miserable sweaty clammy mess and if anyone tries to touch him during summer he threatens to bite them

Nimona and Ambrosius always refuse to let the ac get higher than 60 degrees and Bal suffers 

Bal should be classified as a damn reptile 

Poor baby has terrible circulation

It’s bad enough that Ambrosius has dragged him to the doctor multiple times 

He clings to Ambrosius and Nimona in the winter because this man is constantly freezing 

I just know he’s a damn menace the second it gets a little chilly

This little brat will shove his hands up Ambrosius’ shirt the second he gets home to “warm up”

And he’s got a metal hand so it’s twice as cold

Ambrosius has been woken up from a deep sleep by freezing hands or freezing feet and will whine about how it feels like waking up in an ice bath

One time Ambrosius walked into the living room to find Bal chasing Nimona around while they were screaming “Frosty the snowman is trying to kill me with his icicle hands” 

Ambrosius is weirdly good with all kids he’s been described multiple times as a “natural parent”

Does he like kids…. That’s up for debate 

Like he doesn’t hate them if their parents raised them right but if that kid is a little bully then fuck no he doesn’t like them 

Nimona is also really good with kids 

He’s a little cautious around elementary school kids cause you know trauma and has weird beef with all middle schoolers 

Bal is fucking terrified of babies 

One time someone asked him to hold their baby and then walked off and which sent him into a panic attack 

He’ll go on hour-long rants about how fragile are and how he can’t be trusted with something that can suffocate if you don’t lay them down the wrong way

He’s okay with elementary school kids and doesn’t mind middle schoolers but he has massive issues with highschoolers for some reason 

A high school once asked him to visit and give a talk to the students and Ambrosius had to take his laptop away before he emailed them back saying “I’d rather chop my other arm off”

Honestly I think even though Nimona craves stability she also needs freedom 

So every couple of weeks she’ll go on little solo adventures 

She keeps the boys updated constantly about where she is but she never tells them when she’s coming back because she doesn’t even know 

Most of the time she’ll come back when she wants a homecooked meal (and when she misses the boys)

The boys are pretty used to this routine so they aren’t surprised anymore when they come home to a note saying she’ll be gone for a bit

They also aren't surprised when he climes through their window at 2 in the morning to wake them up and demand food 

Could he make it himself? Absolutely 

Does he want to? Fuck no where’s the fun in that 

Plus he knows no matter how much the boys complain about messed up sleep schedules and how he “gave them a heart attack” they'd rather be woken up in the middle of the night so they can make sure he’s healthy and fed 

When they do come home the boys “force” them into a sleepover in the living room where they eat a stupid amount of junk food and watch old horror movies  

And they call out of work so they can catch up and learn everything that can't fit in a text

[stromblessed]

Mizu, femininity, and fallen sparrows

In my last post about Mizu and Akemi, I feel like I came across as overly critical of Mizu given that Mizu is a woman who - in her own words - has to live as a man in order to go down the path of revenge.

If she is ever discovered to be female by the wrong person, she will not only be unable to complete her quest, but there's a good chance that she'll be arrested or killed.

So it makes complete sense for Mizu to distance herself as much as possible from any behavior that she feels like would make someone question her sex.

I felt so indignant toward Mizu on my first couple watchthroughs for this moment. Why couldn't Mizu bribe the woman and her child's way into the city too? If Mizu is presenting as a man, couldn't she claim to be the woman's escort?

However, this moment makes things pretty clear. Mizu knows all too well the plight of women in her society. She knows it so well that she cannot risk ever finding herself back in their position again. She helps in what little way she can - without drawing attention to herself.

Mizu is not a hero and she is not one to make of herself a martyr - she will not set herself on fire to keep others warm. There's room to argue that Mizu shouldn't prioritize her quest over people's lives, but given the collateral damage Mizu can live with in almost every episode of season 1, Mizu is simply not operating under that kind of morality at this point. ("You don't know what I've done to reach you," Mizu tells Fowler.)

And while I still feel like Mizu has an obvious and established blind spot when it comes to Akemi because of their differences in station, such that Mizu's judgment of Akemi and actions in episode 5 are the result of prejudice rather than the result of Mizu's caution, I also want to establish that Mizu is just as caged as Akemi is, despite her technically having more freedom while living as a man.

Mizu can hide her mixed race identity some of the time, and she can hide her sex almost all of the time, but being able to operate outside of her society's strict rules for women does not mean she cannot see their plight.

It does not mean she doesn't hurt for them.

Back to Mizu and collateral damage, remember that sparrow?

While Mizu is breaking into Boss Hamata's manse, she gets startled by a bird and kills it on reflex. She then cradles it in her hands - much more tenderly than we've seen Mizu treat almost anything up to this point in the season:

She then puts it in its nest, with its unhatched eggs. Almost like she's trying to make the death look natural. Or like an accident.

You see where I'm going with this.

When Mizu kills Kinuyo, Mizu lingers in the moment, holding the body tenderly:

And btw a lot of stuff about this show hit me hard, but this remains the biggest gut punch of them all for me, Mizu holding that poor girl's body close, GOD

When Mizu arranges the "scene of the crime," Kinuyo's body is delicate, birdlike. And Mizu is so shaken afterward that she gets sloppy. She's horrified at this kill to the point that she can't bring herself to take another innocent life - the boy who rats her out.

MIZU'S ONE MOMENT OF SOFTNESS AND MERCY, COMING ON THE HEELS OF HER NEEDING TO KILL A GIRL TO SPARE HER THE WORST FATE THAT THIS RIGID SOCIETY HAS TO OFFER WOMEN, AND TO SPARE A BROTHEL FULL OF INNOCENT WOMEN WHO ARE THE CASTOFFS OF SOCIETY, NEARLY RESULTS IN ALL OF THEIR DEATHS

No wonder Mizu is as stoic and cold as she is.

And no wonder Mizu has no patience for Akemi whatsoever right before the terrible reveal and the fight breaks out:

Speaking of Akemi - guess who else is compared to a bird!

The plumage is more colorful, a bit flashier. But a bird is a bird.

And, uh

Yeah.

I like to think that Mizu killing the sparrow is not only foreshadowing for what she must do to Kinuyo, but is also a representation of the choice she makes on Akemi's behalf. She decides to cage the bird because she believes the bird is "better off." Better off caged than... dead.

But because Mizu doesn't know Akemi or her situation, she of course doesn't realize that the bird is fated to die if it is caged and sent back home.

Mizu is clearly not happy, or pleased, or satisfied by allowing Akemi to be dragged back to her father:

But softness and mercy haven't gotten Mizu anywhere good, recently.

There is so much tragedy layered into Mizu's character, and it includes the things she has to witness and the choices she makes - or believes she has to make - involving women, when she herself can skirt around a lot of what her society throws at women. Although, I do believe that it comes at the cost of a part of Mizu's soul.

After all, I'm gonna be haunted for the rest of this show by Mizu's very first prayer in episode 1:

"LET" her die. Because as Ringo points out, she doesn't "know how" to die.

Kind of like another bird in this show:

[watchingwisteria]

listen there really was just something about how in the book, snow’s 3-page descent from hesitant lover boy to deluded mfer happens entirely in his mind. lucy gray gives him no indication whatsoever that she suspects him, that she’s going to leave or betray him. he’s just sitting quietly in the cabin waiting for her to return when that seed of calculated suspicion, which he has needed to survive the capitol, takes a hold of him and chokes the life out of any goodness left inside him. it really drives home your terror as a reader that “oh my god did he kill her? did she escape? what happened to her? why would he even think that?” in a way that when the movie had to adjust for visualization it lost some of that holy shit this guy has lost it emphasis.

[heartorbit]

find another role, carry on the show

[welcometogrouchland]

ANOTHER SKETCH DUMP! Featuring more of me playing with lineless art. Batman reborn era trio (dick, damian and steph) I miss you...when will you return from war. Also featuring Steph designs bc I've seen ppl dissatisfied w/ her current look, some good mom Talia, and Jason Todd poetry club. Duke is confused not that Jason would start a poetry club but that he'd have such mid poetry opinions. (ID in Alt)

[eerivee]

My deep gnome bard Pandora! She's a major antagonist in our campaign and she might be just a little bit obsessed with the moon. That's bad news for everyone.

[claraoswalds]

#mrs flood who are you: time lord edition

[expelliarmus]

[nelkcats]

Batcows and millionaires

Of all the things he could do on a Wednesday night, Danny didn't think he'd be following the last wishes of a ghost cow but life takes its twists and turns.

With Wulf's help and a lot of persuasion he managed to translate what the spirit was trying to tell him, apparently "Batcow" wasn't meant to be a ghost, but neither did she wish to leave her former owner alone.

She was worried about him, how he would take it, and refused to leave until the Ghost King himself promised to take care of Damian and let him know she was in a better place. Again, Danny could have refused her request, but he thought about Cujo, he thought about how he followed him everywhere, about the time the GIW captured him and almost killed him, and he understood a little, so he agreed.

So, the Ghost King ended up in the back of a mansion (of course the owner had to be a millionaire, damn it, couldn't he be a farmer?), watching Damian Wayne stare at the barn with melancholy. Danny noticed his hands were shaking.

With a sigh, the halfa landed beside him, wondering how he might approach the subject. He obviously hadn't expected a sword on his shoulder but hey, he'd initiated conversations in worse ways.

[turtleblogatlast]

Big Mama must have lost some serious standing in the yokai underworld because it’s gotten apparent that she keeps being beaten by a small group of teenagers and the occasional rat man, and when it’s not them then she’s taking L’s from her own schemes working against her.

And in the ensuing power vacuum, the Hamatos accidentally become the most feared crime family known to all the big bads of the Hidden City.

After all, they’ve publicly outplayed Big Mama multiple times, a couple of them have taken out the heads of two of the most well known criminal organizations, one took out Heinous Green, two are responsible for the destruction of Witch Town, they have ties to both the infamous Baron Draxum and Captain Piel, they won the Doom Dome death race, they’re Battle Nexus Champions, they’ve displayed insane feats of power and defeated impossibly strong enemies, most of them have been to jail, and they regularly mingle with humans.

You can just imagine the notoriety they’d accumulate from word of mouth alone.

[airoarts]

Leader and deputy

[Image description: a digital painting of Squirrelstar and Ivypool from Warriors. Squirrelstar is a small dark red cat with green eyes, standing in front of the much taller Ivypool, a gray tabby-and-white cat with blue eyes and many battle scars. The background is dark blue. end ID]

[catyuy]

Bridgerton time travel to just before season one.

Anthony immediately breaks up with Sienna and starts arraigning things for Kate's family arrival. Before being reminded by his mother and Benedict that he is Viscount Bridgerton first and others can help the Sharma's get settled in England.

Kate tells Mary that they are going to England now and tells Edwina to forget all that she told her about marriage, and she'll help her find a love match. Once she gets married to Anthony, after a decent engagement period, she starts helping Daphne, Lady Danbury and Violet with items that require a lighter touch then her husband's.

Benedict finds Sophie and gets her out of Araminta's clutches. Then he helps Anthony with various legal/financial matters to support all of their family and friends in the future. He also continues his art because he loves it.

Daphne helps Sophie find employment in the meantime and works with her mother to set up other social matters that will help them in the future.

Sophie is using this opportunity to help Posy get away from her mother as well. Lady Danbury eventually offers her room and board as a Governess for her grandson Gareth.

Colin starts to publicly court Penelope. She insists that he still travel and start his journals, and they can have a long engagemnet. He of course brings back gifts for everyone, even people who aren't legally in his family yet. He also takes Albion and Harry under his wing and has them hang out with the rest of the Bridgerton men.

Penelope takes this chance to improve her spy network Whistledown sources. She also makes sure to set up her sister's with their future husbands and warns her mother that her father is in worse trouble then she suspects. She and Eloise bring Madame Delacroix into their spy network inner circle. She uses her new excess funds to help various friends that are or will be in need.

Simon immediately courts Daphne and secretly finances the Sharma's ship passage. Then he gets roped into helping Lady Danbury and her various "charity cases" (she swats him for that).

Lady Danbury does her best for her various family members. Improving her relationship with her brother, arraigning outings with Gareth and the younger Bridgerton siblings. While keeping an eye on her nephews James and Marcus. She also takes every chance to invite Posy but not Araminta or Rosamund over to her house. As do the Bridgertons and eventually the Featheringtons. She also takes an interest in a young Lucy Abernathy.

Eloise does her best to support all of her siblings and their soon to be spouses. Meanwhile she's helping Penelope with her spy network Whistledown. She's also subtly trying to get Cressida to be nicer and convince her to set her hat on Lord Debling when he returns. She also talks about her new penpal Mr. Crane and his love of plants.

Philip Crane makes it look like George and Marina got secretly married before he left for war. That way her children are legitimate, and they don't have to marry. He and Eloise start up a correspondence again.

Francesca Bridgerton worries about choosing between John and Michaela but they both reassure her that they love her and are fine with whatever she chooses. They all spend as much time together as they can knowing John's time is short.

Gregory and Hyacinth are frustrated by being children again but decide to use it to their advantage and get even more info for Whistledown. After, of course, making sure that they have regular outings with Gareth and Lucy. They might have to wait to be married but they are going to be around their loves as much is proper until they are all of age.

Lady Bridgerton is delighted all of her children are in love and working to better the lives of their friends. She works with Daphne on subtly bettering things in the Ton. And is open to meeting with Lord Anderson when he is in town. But she makes sure all of her children are being "proper" before marriage to avoid any scandals. She decides to make Portia an actual friend and help her with her husband wrangling. (she often assigns her sons or her sons in laws to keep an eye on him at various locations). Mary joins them when she comes to town. They all get tipsy at Agatha's on occasion to let off steam.

I'm sure they're all getting up too much more mischief, but I can't think of anything else to add. Or who else they are forcefully adopting helping.

If somehow Queen Charlotte traveled as well, she's getting her sons to marry their wives sooner and letting her children know she loves them. She is spending more time with her granddaughter. She hopes that things will be different but knows her death cannot be changed. She also engages Penelope in a long-distance chess match, with Agatha having go between to inform the other of their next moves. When he's having a good day she's having family meals with George and their family. She still picks her Diamonds but its not as fun when she knows the Bridgertons have the whole Ton rigged now. However, they do know how to get things done and she can appreciate that.

[meandmyechoes]

[clarification: I meant Filoni decided Ahsoka is a Knight using the Bendu as a mouthpiece]

To anyone wondering why Ahsoka is addressed as "Jedi Knight" in the live-action show:

It happened in a fever dream

Ahsoka was knighted by the Bendu before Malachor in a Filoni tweet on 7 July, 2017. (Malchor aired 30 March, 2016)

This is a PSA but at the same time not providing grounds for it to be a sensible choice. It is an example of Filoni requiring the audience to follow every bit of non-source material for full context. For the second time at least. First time being Bane's grudge against Boba in TBOBF relied on an unproduced TCW Tatooine roadtrip arc between the two.

[owlsie-hoot]

"... everybody deals with possible grief in their own way, and Siegfried has to try and be a shoulder to cry on if it's needed, and a hand to hold if one would help." Sam West

[hephaestuscrew]

I'm sure Minkowski never forgot that Cutter was the first person ever to call her Commander. After recruiting her in Once in A Lifetime, he starts to call her Lieutenant, then breaks into laughter, before correcting himself: "What am I saying? Commander Minkowski." He draws attention to himself granting that title, stressing its significance. By initially calling her by a lower ranking, then conspicuously correcting himself, Cutter emphasises that he's the one granting her that title. Right at the beginning of Minkowski's employment with Goddard Futuristics, Cutter plants the seed for his line in the finale: "People cared about you because of what I made you: A soldier. A leader. A commander. I gave you that, and now? I taketh away."

And he does take it away. Cutter makes a point of calling her Commander in that first meeting, but he hardly ever calls Minkowski Commander after that. He almost always calls her Renée. He makes the point in that first interaction that he has the authority to grant her that title, and then in every subsequent interaction he tries to make the point that she doesn't have command over him. Having called her Commander once makes every time he doesn't call her by her title seem more deliberate. It's not that he never uses titles - it's that he uses them selectively. He gives her a taste of that sense of authority, but he doesn't want her to feel worthy of it.

In the liveshow, he cuts her off by shouting "I AM SPEAKING, LIEUTENANT!". Minkowski is the Commander of the Hephaestus in official terms at this point and Cutter even refers to her as "a mission commander" later in the same episode. So there is a deliberate malice to Cutter calling Minkowski Lieutenant here. Not only does it emphasise the use of authority structures as a means for control and the abandonment of first-name-basis false friendliness, calling her by another title makes his choice not to call her Commander even more explicit, denying her that authority.

Apart from when he recruits her, the only other time I can think of when Cutter directly calls Minkowski Commander is in Ep60, when he lays out his offer to let Minkowski leave on the Sol: "How does that sound to you, Commander?" Again, calling her Commander is a kind of power play, an attempt at manipulation, highlighting the sense of responsibility that motivates so many of Minkowski's actions. Cutter is prompting her to ask the question she would be asking herself anyway: what choice would a good Commander make? Just as he did when he recruited her, Cutter offers Minkowski something she desperately wants, and the use of her title here only draws attention to the idea that Cutter is the one with the power, choosing what to give her.

[a-dauntless-daffodil]

just can’t get over the heaven walkthrough

Lute and Adam rubbernecking at Vaggie “hey i’d know that bitch ANYWHERE!!!”

while Vaggie’s just strolled obliviously past them, all

“tra la la la laaa, if this cute seraphim girl touches my girlfriend's hands again I’m gonna REALLY earn my place in hell, fa la la”