#and they used to characterize us as crazy anyway

[precociouspuppeteer]

I have lots of money to spend.. but I must save.. it hurts, but I need to be patient!!

[3416]

also it just hits different the way that media members talk about mitch and auston bc like... these are guys that interact with them daily/weekly.... and know a bit more of what they're like... their personalities and habits. and we all sit online in our little bubbles away from them, but it's the CONFIRMATION THAT THINGS ARE JUST AS.... !!!! as they seem with them. they want to play together and help each other and it's seeped its way into the toronto narrative no matter what else is going on on a larger scale.

[sunhalf]

made some very minor rules updates! the main one :

i won’t fill out interest checkers or send in rules passwords; it just feels quite formal for what is, to me, a very casual hobby!  if we’re mutuals, I WANT TO WRITE WITH YOU — & as king of pulling AUs out of thin air, there’s almost never a time where i can’t or won’t write with a particular muse.  just assume i’m up for anything & i’ll communicate my boundaries if they come up!

i totally understand the appeal and, especially for folks who can be anxious about approaching others, the comfort of having it in writing that a mutual wants to write before reaching out, but — well, if i didn't want to write with you, i wouldn't be following!! please assume me following is me jumping up and down with glee at the prospect of writing with you. my rules specifically beg mutuals to send me unprompted asks / starters / etc., and that applies to all of you and all your muses! i don't need to know a ton about your muse / their fandom / their world etc to party hard, and some of my favourite dynamics have come about from somebody just chucking a starter at me and being like 'x and y are friends now and here's the starter to prove it.' i am always down, and trust me when i say that if there was a muse on your blog i simply Could Not Stand To See Or Write With the chances of me following you in the first place are ~ 1%

[headspace-hotel]

I forget why, but I was on the Wikipedia page for polycystic ovarian syndrome, and I started researching hirsutism in women, and I learned the following things in this order:

there's a diagnostic criteria used to evaluate how hairy a woman is

This is important because being too hairy is a diagnostic criteria of most disorders that cause hyperandrogenism

Disorders that cause hyperandrogenism can be diagnosed by...measuring how hairy you are (this is the main and most important diagnostic criterion for PCOS)

Disorders that cause hyperandrogenism are important because they are correlated with obesity, infertility, and...being too hairy?

I think to myself, wait, what is a normal range for testosterone in women? I find this article...which set reference ranges for "normal" testosterone levels in women...EXCLUDING WOMEN WITH PCOS?

Quote: "Polycystic ovary syndrome (PCOS) is another notable condition in genetic (XX) females, which is characterized by excessive ovarian production of androgens. This condition is included for comparison with DSD, as the affected females with PCOS are genetic and phenotypic females. The elevated levels of testosterone in these females can lead to hyperandrogenism, a clinical disorder characterized variably by hirsutism, acne, male-pattern balding, metabolic disturbances, impaired ovulation and infertility. PCOS is a common condition, affecting 7%-10% of premenopausal women."

So: the study claims to demonstrate a clear distinction between the normal range of hormone levels in "Healthy" men and "healthy" women...with "healthy" being defined in the study as...having hormones within the "normal" range.......................

So I researched what the clinically established "normal" range for testosterone in women is

THERE ISN'T ONE????

Quote from the above article: "Several different approaches have been used to define endocrine disorders. The statistical approach establishes the lower and the upper limits of hormone concentrations solely on the basis of the statistical distribution of hormone levels in a healthy reference population. As an illustration, hypo- and hypercalcemia have been defined on the basis of the statistical distribution of serum calcium concentrations. Using this approach, androgen deficiency could be defined as the occurrence of serum testosterone levels that are below the 97.5th percentile of testosterone levels in healthy population of young men. A second approach is to use a threshold hormone concentration below or above which there is high risk of developing adverse health outcomes. This approach has been used to define osteoporosis and hypercholesterolemia. However, we do not know with certainty the thresholds of testosterone levels which are associated with adverse health outcomes."

What the fuck?

What the fuck?

It's batshit crazy to make a diagnostic criteria for medical disorders by placing arbitrary cutoffs within 2-5% of either end of a statistical distribution. What the actual fuck?

"The results came back, you have Statistical Outlier Disease." "What treatments are available?" "Well, first, we recommend dietary change. You should probably stop eating so many spiders."

Another article which attempted to do this

Quote: "Subjects with signs of hirsutism or with a personal history of diabetes or hypertension, or a family history of polycystic ovarian syndrome (PCOS) were excluded."

"We're going to figure out the typical range of testosterone levels that occur in women! First, we're going to exclude all the women that are too hairy from the study. I am very good at science."

Anyway I got off topic but there are apparently race-specific diagnostic tools for "hirsutism." That's kinda weird on its own but when I looked more into this in relation to race I found this article that straight-up uses the term "mongoloid"

[rassicas]

today on splatoon mythbusters: is Agent 4 a country bumpkin?

no lol this is probably the funniest widespread misconception to come out in recent years A big part of it is because people misunderstood this map.

I came across this trivia point on the wiki page for agent 4 while making this post LOL agent 4 has better access to public transportation than 95% of you With all that green on the map and nothing marked in between, It seems that people have been assuming the population density of inkopolis looks something like the image on the left. While it's unclear exactly how big the population is of inkadia and the surrounding area is, going roughly off of how irl east Tokyo and neighboring Chiba prefecture look, i think its safe to guess were dealing with an urban area that looks more like whats on the right.

(side note about population count: i take the account of the Low Water Party with a grain of salt since that isnt even a real number they used. something that is more reliable is that graffiti artist Sally has over 240k followers on social media. while followers can be from anywhere in the world ofc, it sounds like her fanbase is largely in inkopolis. i think its safe to say inkopolis is a very big city!)

If we're to look more at the irl equivalent of the area, it seems the Inkopolis Coastal Connector is based on the Keiyo Line. Following that line roughly to where 4's house is lands us in a ward in Chiba city. It doesn't look like much, but about 100k people live in that area. Not a super crazy urban area like tokyo, but still urban.

(incidentally, a major landmark on the Keiyo line is Makuhari Messe, where 3 of the irl splatoon idol concerts have been held. maybe a coincidence but maybe gives more credence to the idea that that's what the coastal connector is based on?) Apparently on the Japanese side, there's a theory that 4 is from Yotsukaido, which is a little further north of the area i circled. why there? Yotsukaido means "4 town street"...4...haha

Ok enough guessing based on "vibes" and real maps that may or may not be accurate to how things are in the splatoon world. The Actual lore: On Splatoon base it's confirmed they grew up about 40 minutes away from Inkopolis by train, close to the city. That's like a nothing amount of distance.

Another developer interview from 2017 goes into more detail.

Inoue: Agent 3 had a very "I've finally made it to the city" feeling, with a strong desire to become fresh. 4 on the other hand, not so much. Rather than being someone from the countryside, they're more like someone who came from a commuter town within the greater metropolitan area. It's like a place where the limited express trains wouldn't stop at, but the semi-express trains would (laughs).

so agent 4 is very clearly, a city kid. agent 3 is the country bumpkin, from an area so far away its not even on the map. According to splatoon base...

Far enough away that they moved to inkopolis alone. meanwhile 4 lives close enough that they could just go home to their parents after battling.

Also this is something that I never see brought up. Amidst the dubiously canon early concept comics in the back of the artbook, there's a comic about agent 3 leaving their hometown, mentioning they live in a seaside town called [REDACTED] with a population of 5000.

Again, these comics are dubious since theyre so old. but there are ideas in these comics that have carried over to the final games in some form, and this is consistent with agent 3's final characterization that they come from a far away small town and had a longing for the city.

anyway tldr i think its funny how agent 4's fandom characterization/backstory got swapped with 3's all because of a misread map

[yeah-thats-probably-it]

#doesnt bertie do something similar with his vocabulary lapses and the numerous instances of 'if x is the word i mean'#bertie is writing his stories after the fact just like jeeves - he could look it up. he doesnt. in jeeves in the offing bertie gets a word#wrong ergo dahlia doesnt understand what he means and bertie reacts as though it were self-evident that dahlia couldnt have understood him#even if he'd used the right word: 'you are probably not familiar with the word but its one i've heard jeeves use'#if we assume that that is how bertie looks at the world then he doesnt have to look it up - to bertie people like him (people who will read#his writings) dont know words like jeeves does and therefore it is unneccessary to be 100% sure which word he means - noone else would know#and while jeeves doesnt include literary allusions in his narration he very much establishes himself as an authority in that area#except he does it through bertie - he is writing a guide addressed to new valets and right at the beginning he quotes emerson at bertie#who is immediately portrayed as the guy who cant remember the name of the play he saw the evening before. jeeves is absolutely showing off!#there are three foreign words set in cursive in the first paragraph alone! but the difference is while he may be showing off he - just as#you said - has nothing to prove - he is already the authority and here hes just establishing another way in which a valet#has to keep the upper hand

@noandnooneelse's tags for further discussion about jeeves as a narrator but responding in the tags because that's the most superior method of communication

you guys ever notice how in his dialogue when he's in bertie's presence, jeeves uses quotations and references constantly, but in his THOUGHTS during "bertie changes his mind," he doesn't use any? this is obviously because he doesn't care if we the audience know he knows shakespeare, but he will languish and die if he doesn't get to dazzle bertie with his wit and knowledge every five seconds

[butchhamlet]

do you have any good shakespeare retelling book recs?

what a beautiful time to ask this, says guy who has left this ask collecting cobwebs in his inbox for months! because guess who has two thumbs and just finished queen goneril by erin shields! WHAT a fucking play, holy SHIT, this is some of the best characterization of the lear sisters that i've ever read and the exploration of womanhood as filtered through class + race + shitty families + political maneuvering is so so so good. also the things shields does with the og playtext... chef's fucking KISS

anyway, recency bias aside, i've been meaning to make a post about my favorite shakespeare retellings for a while, and i think i never actually did it because i wanted to make a lear retelling ranking list and then i never read some of the ones on my TBR. so whatever. the learlist will happen someday. here are my favorites in general. (here is my goodreads shelf for the retellings i've read, good and bad, and here is the shelf for the ones i have yet to read.)

in no particular order:

a thousand acres by jane smiley: outsold. epitome of what makes an effective retelling--a book that clearly has something to say about and to the original text, but that also isn't afraid to diverge, to exclude here and zoom in there. ungraciously, this is "lear on a farm" and it starts a little slow, but holy fucking shit, i can't do justice in a paragraph to the way this book unraveled me. one of the best books of all time mayhaps. also, introduced the edmund character by describing his ass. 10/10

the last true poets of the sea by julia drake: i don't read that much YA anymore but jesus fucking christ. books tailored for me specifically. twelfth night retelling about siblings + mental illness + being bisexual + love triangles that actually make sense (emotions are confusing!) instead of being contrived + beautiful description + excellent dialogue + THE MENTAL ILLNESS. books that made me start crying in zoom class in 2020

rosencrantz and guildenstern are dead by tom stoppard: kind of a cop-out answer because we all know this one. but that does not detract from how good it is. this is one of those plays, at least for me, that makes me think, "ohhhhhh, THIS is what theater can do. this is using its medium to the absolute utmost." it is so clever and it makes me want to cry. i think about "i don't know. it's the same sky" more often than i can say

american moor by keith hamilton cobb: not exactly a retelling, but a one-man play about a Black man auditioning for the lead role in Othello, tangling as he does with his relationship with shakespeare's work and cultural dominance. suuuuuch a good fucking play even beyond the analysis of othello (which is excellent); the language is so fucking incredible. everyone who likes shakespeare should read this.

teenage dick by mike lew: modern teenage richard iii; this one's more reimagining than retelling, because it diverges pretty sharply from the plot of richard iii, but god, it's so fucking fun. and upsetting! really upsetting also.

foul is fair by hannah capin: i will be so real. i read this in high school and some of the YA books i've revisited since did not hold up for me. so idk if i can tell you this is "good" with my full chest. but the pitch is "lady macbeth gets sexually assaulted at a party and decides to fucking kill the boys who did it" and i stayed up until like 1am to finish it because it was such a vicious gleaming wild ride

the stars undying by emery robin: does this count? hard to say, because it's just as much a retelling of roman history than shakespeare's antony and cleopatra (honestly, more, since it focuses on the era where caesar and cleopatra were lovers, which is before shakespeare's play). but i'm counting it anyway because it's bisexual space opera cleopatra and it's the best book i've read so far in 2024 and it's making me crazy and i'm writing a thesis on it < genuinely

peerless by jihae park: macbeth, but college applications, featuring asian macbeths (they're twin sisters >:3) who think their classmate has taken their place in their dream school because of affirmative action/DEI. this play is absolutely VICIOUS. it's macbeth x heathers. think it mirrors macbeth in faltering a little in its final stretch, but it still fucks hard

the wednesday wars by gary d. schmidt: okay, not a retelling; this is about a preteen boy in the 60s. but it's one of the best most genuine and heartwarming books i've ever read and it manages to be hilarious while also foregoing cheap slapstick punching-low humor for a hell of a lot of warmth and passion. and the main character interacts with shakespeare a lot as a running theme so i can justify putting it on this list. #evangelizing

of course, i would be remiss not to mention that @suits-of-woe / @mjulianwrites has written the best take on Two Gentlemen of Verona to ever exist, and i mean that quite seriously. unfortunately it hasn't been published yet so we'll all just have to prayer-circle about it. i would also be remiss not to take the opportunity to. uh. coughs. do a bit of casual self-promo. if you 1. have ocd 2. have gender or 3. think about malvolio a lot. boy do i have the novella for you

will definitely add to this when i read more retellings; feel free to drop recs in the tags/replies/reblogs/my askbox!

[seraphont]

So... What your thoughts?

second watch through was much more enjoyable when I wasn’t in a stuffy backroom closet.

I really like the characterization of J being a little coward… pathetic… i don’t know how I feel about the execution of it, but it makes her character more fun to play with. Trying to save herself no matter what.

When she tries to bring V over to her side, and V refuses, she’s like “Wah I didn’t care for either of you anyway.” (Sure buddy.) Was such a good tell for her character.

I know this show is very blasé about death, using it for gags, but the shift to a darker more serious tone in the 6th and 7th ep, kinda left a dissonance when it was played as a gag again in the finale imo.

The smash cut to a dead Doll ( who was a rather big player) as a gag, made me gasp lmao. literally no reaction from the squad for the fate of Tessa either, it’s kinda a crazy missed opportunity.

Also Nuziv was so real that episode, I was giggling and kicking my feet

[neyafromfrance95]

I’m gonna be real here but your understanding of l Sauron and Galadriel and their relationship is far superior to the writers. It gives me chills. If you were one of the writers on board, the show would be next level.

I don’t think they’re clever enough to dive into it like that and aren’t even bold enough either, so we have to keep telling ourselves that we aren’t going to get Haladriel complexity sadly we might not even get Galadriel being complex since they’re already mellowing her down

omg, thank you! you made me blush fr :D

however, i think i simply interpret and put into words what we are actually getting. it's just that what we are getting is very subtle and subtextual. smtms vague bc they got no guts to more explicidly convey what i'm 100% sure they want to convey.

think about the already iconic "to worship the light of its queen" line. while s2 was airing, a few shippers started referring to sauron's yearning for galadriel as a "worship of the light" and concluded that he thinks everyone in the middle-earth must share his adoration. these takes were based on the subtle details, parallels and metaphors we saw in the show. but i never imagined that they would actually make sauron explicitly confirm this word-for-word! it is actually such an astronomical win for us!

and then galadriel altogether stops her feral and desperate fight when she sees halbrand in front of her. she drops all of her defenses for a moment and just looks at him. then when he recites his s1 speech, she closes her eyes for a second! bc her feelings for halbrand are so intense! this scene was literally a confirmation that galadriel loves halbrand, as we have suspected!

but yeah, right now, i'm very anxious about galadriel's characterization and arc in the future seasons. the ending made it seem like she suddenly fully overcame her darkness and was calmer.

and listen, while lotr!galadriel is calmer, she has never been this stay-at-home tradwife the incelbros say she is! she is thirsty for power! lotr!galadriel wants power more than trop!galadriel does, trop hasn't really tapped into galadriel's power hunger at all. and lotr!galadriel is still devoted to her fight against sauron! think about it, she doesn't go to valinor when celebrian does and she doesn't stay in the middle-earth while celeborn does! she only leaves the middle-earth for valinor when sauron is gone! and what about the crazy scary dark!galadriel when she is offered the one ring? what about the fact that she only passes the test after 3000 years and until then her heart greatly desires what sauron offers her? and how sad her tone is when she says she has passed the test (which doesn't even mean she has slain *him* in her heart, as her taking nenya to valinor can mean that she still holds onto their connection)?

my hope right now is that the ending was deliberately misleading and that the wound made by the crown will have a side effect on her.

unlike the majority of the shippers in our fandom, i never believed that galadriel would give in to sauron. not just bc her gaze is fixed on the light above as finrod taught her, but bc her pride wouldn't allow it. still, there are other ways to make her inadvertently succumb to the darkness! she was already on that path in s1 when her search for sauron slowly started to turn her into his mirror. their mind communication and the dark powers sauron could share with her through their bound could make her even more obsessed with slaying him herself, and that could be conflicted with her feelings for halbrand who she slowly realizes indeed is sauron.

it simply makes 0 sense for her to be obsessed beyond the reason with the idea of him for centuries and then get over it after one fight where she actually faces him!

anyways, fingers crossed that the incelbros don't get their way and the writers don't cater to the misogynistic demographic 🤞

[mchib]

‘We need more bipolar characters’ 

YOU COULDBNT EVEN HANDLE HIM

first of all i think this is common knowledge but he exhibits a complex and erratic personality which i think could potentially be interpreted as symptom of bipolar disorder - bipolar is a characterized by extreme mood swings that include emotional highs (mania) and lows (depression) - throughout the series and manga (i think the manga shows this better) mellos behavior fluctuates dramatically displaying periods of intense energy impulsivity and irritability which align with manic episodes,,. - in the manga mellos depicted as ambitious driven and sometimes reckless in his pursuit of catching Kira. he has a chronic case of impulsive decision making such as kidnapping poeple and hijacking a character showcases a lack of regard for consequences which is a hallmark trait of manic behavior - i also think mellos extreme emotional responses ranging from fits of rage to moments of despair mirror the intense mood swings characteristic of bipolar disorder. he also struggles with self esteem and identity also point towards bipolar disorder... individuals with bipolar disorder often experience fluctuations in self esteem oscillating between grandiosity during manic episodes and profound self doubt during depressive episodes - mellos constant comparison to near (who he he and only he sees as his rival) and his need to prove himself could stem from underlying insecurities exacerbated by his mood swings

him developing bipolar could totally be a normal trauma response from literally a lot of abuse that he has faced, most of the main characters from wammys house show no signs of like rebellion or outlandish behavior like he does but that doesnt necessarily mean that nothing happened and i think the author gave characters such as near and the other orphans way too much mental fortitude. bipolar can be developed at any age and its especially common between ages 15-19. not to mention other than it being genetic, theres a huge link between bipolar and childhood trauma. like imagine being groomed your whole childhood into this competitive environment with other 4 year olds to be the smartest toddler so u can substitute this crazy genius when he dies. and think of it like come on theres no chance all of these kids desperately wanted to be detectives when they grew up there was definitely like some sort of foul play. L is an exception obviously since the orphanage became abusive after he came and he was treated like a king basically while the other orphans mental state was completely disregarded because they were only brought in from several corners of the world solely to be his successor. in fact the first generation orphans were literally expected to kill themselves because of the pressure and A killing himself literally was not a shock at all to the orphanage in fact i suspect that a lot of the first generation orphans made to succeed L had a horrible mental state and also killed themselves which if you think about it B (which stood for backup) losing his mind was completely normal even if the way he went about challenging L was not. not to mention how he had to live with shinigami eyes but thats for another post lolol.,,, anyways yeah mello's behavior is actually justified when you think about how much of an abusive household he lived in even if its kind of obvious that the author disregarded coming up with an explanation for the orphans mental wellbeing and how it would have affected their adolescence except from the character of mello and even when they show mello they basically make him seem insane and watari like an angel . reading the la bb murder cases from mello's perspective really opened my eyes to like how it actually was in wammys house u can really understand it from his tone and stuff also with that one page hold on lemme find it

'but what if they could copy him? what if they could make a backup? that was us. L's children, gathered from all corners of the world. children gathered together, never told each other's names. but even for a genuis like watari, creating a fake L was easier said than done. even for near and i, who were said to be the closest to L... the more we tried to be like him, the closer we got, the farther away he was, like chasing a mirage. so i hardly need to tell you what it was like when wammy's house was first founded, when he was still experimenting. the first child, A, was unable to handle the pressure of living up to L and took his own life, and the second child, beyond birthday, was brilliand and deviant. B stood for Backup.'

'L was the goal of everyone in wammys house. everyone one of us wanted to surpass him. to step over him. to step on him. M did, N did and B did. M as a challenger, N as a successor. B as a criminal.'

sorry for my complete lack of spelling punctuation and grammar but i think i got my point across and also big thanks to @monards who helped me finish this draft by giving me the energy to continue and also encouraging my crippling death note addiction by feeding into it with questions and remarks like 'woah!' and 'eureka!'

[sparklingcid3r]

Do you have thoughts on Darry's pov about Pony getting jumped

If you guys ever want to just have a terrible night, go back and reread the way Pony describes Darry in the first chapter. It’s actually brutal and I can’t believe he let Darry read it😭🙏 He wanted that A bad

Because I swear, yall don’t need my thoughts on Darry’s pov because Pony is pretty much gifting to us, it’s just that it’s muddied by his own personal bias/narration that you miss just how much characterization Darry gets. If you take out Pony’s internal thoughts, you’d think Darry was the tamest/most thoughtful of the bunch through actions alone, even if he comes off a little heated.

I’m gonna go ahead and do it here anyway to show you what I mean. We’ll go in order from Darry’s first appearance to the end of the chapter, but I’m only giving you his actions and his dialogue. Toss up a prayer now bc Darry is done FILTHYYYY

(ignore my highlights, i j started annotating lol)

Immediately we’re introduced to Darry as the person who’s literally getting Pony back on his feet. He’s shaking Pony by the shoulders to get him to respond because he doesn’t always realize his own strength compared to Pony’s. This is probably the relationship he has with most of the gang since he’s most likely the one working out the most consistently of them all, what with his job and gym runs.

But when Pony tells Darry to stop, it’s not like Darry glares at him and says “I’m just checking on you.” Instantly, he recognizes he’s being too rough and apologizes.

This is a few lines later, after the description of Darry and their father, but Darry’s still the only one talking at this point. I thought it was interesting that he jams his fists into his pockets, and my thoughts are that he’s physically restraining himself from Pony as to not hurt him worse, especially since he’s asking Pony how badly he’s just been hurt.

This is Darry’s reaction to Soda calling Pony an okay kid and Pony grinning in response and calling Soda crazy. It’s the most sibling thing I’ve ever seen idk, especially when Darry just grins at Soda’s teasing and lets it go. It’s literally Darry being a softie in front of Pony, but it just doesn’t click for Pony yet give him a minute he’ll get there🙏 in two hundred more pages

I was pretty surprised when I went back and read the book. For some reason I misremembered Darry as being completely hypocritical whenever talking to Pony about school smarts vs street smarts, but he’s pretty much going out of his way to compliment Pony here.

And I mean, these are pretty tame bites at Pony, overall he’s being pretty lighthearted with his words. I wasn’t reading this with an angry Darry in mind, just an exasperated one that wishes his brother thought about his own safety more often so Darry didn’t have to do it for him.

Y’all probably remember this from the movie lmao, I love Patrick Swayze’s portrayal of Darry, I think he nails the character completely. Darry’s so obviously not angry at Pony here, especially not when he’s laying off when Soda tells him to.

Dally is figuring out who’s going to the Nightly Double with him, and I was surprised by Darry’s reaction. Canonically he doesn’t even like movies, Pony literally said it a few pages ago, so he’s either faking his disappointment (lmao) or would have actually gone for Dally, which was wild to think about.

So this was also pretty interesting. Even when I was a kid, my parents let me go outside and play with the neighbors for hours at a time, pretty much until it got dark. Things were veryyy different in the 60s, where it was normal for parents to go to sleep with their kids out in the night and wake up with them home, weekends especially. When considering that their parents are yk, dead, Darry wanting Pony to keep his grades in check on the weekdays only and handing off the reins on the weekend is pretty cool of him imo lol

And this was just adorable

But that’s it, the rest of the chapter is Soda and Pony talking about Darry, and then Pony’s internal monologue about how much he doesn’t need Darry and doesn’t care about him, but that he knows he lying to himself :(

Their relationship is one of the single greatest things in the book and honestly, Hinton makes it clear from the beginning what Pony realizes later: that Darry never once “didn’t care” about Pony or thought of him as a burden. Maybe he’s overbearing sometimes, but for someone who has so much pressure on him nearly all the time, he does a pretty good job with what he’s given 🤷‍♀️

His biggest flaw is his inability to communicate how he’s actually feeling to Pony, who he should know by now doesn’t take well to visual cues. But other than that, gold star for Darry Curtis!⭐️

[rotisserory]

Aventurine Is BPD Coded- Some Thoughts

Ahhh welcome back everybody to another installment of 'Rory writes a ridiculously long essay nobody asked for to shine light on characters who exhibit symptoms of borderline personality disorder so that we can learn to recognize symptoms portrayed in media that aren't just 'crazy manipulative abusive ex' and start to treat the disorder with a shred of compassion' !!

A good chunk of you follow me because of my essay I wrote on Reo Mikage from Blue Lock, my beautiful borderline princess, and I am PLEASED to announce that my essay is now the first result when you search 'Reo Mikage BPD' on Google, AND he has since been added to the BPD character database !! Saving the world one baddie at a time, no need to thank me B)

Today, I want to write something out that I've been dying to share. I think Aventurine can be read as a BPD coded character, and I think he would be able to cop a diagnosis should he go see a therapist (which we all know he CLEARLY has not done). I've been puttering around posting this because I've been spending so long on a full, all encompassing analysis of this sick blonde man, but I want to take a quick break and kick my feet over BPD Aventurine, so I invite you to come kick your feet with me!

Some context before I start:

1.) Borderline representation is extremely important to me. I've got the BPD / CPTSD combo meal, so I'm having TWICE the fun !! But seriously though, it's not easy being viewed as crazy and 'bad' all the time. Trauma disorders are rough enough as it is just to live with / overcome, but it's worse when there are books, forums, blogs, shows, ect. dedicated to hating you and talking about how evil you are. So, I get really excited when I spy BPD-coded characters (especially if they're likable people and not just ghoulish irredeemable villains or manic pixie dream girl characters). Fans, characters, and even Aventurine himself refer to him as 'crazy' 'insane' 'unstable' which only further rang my BPD bells because he's not crazy; he's just traumatized!

2.) I’m not a psych, so I obviously can’t diagnose real people, and don’t use any of this to diagnose yourself (I don't need the scandal!) I do, however, have a masters degree in English and structured the basis of my education and published my thesis on mental health, cluster B personality disorders specifically, so I read and research a LOT. I’m confident enough in my knowledge to diagnose anime characters (lol).

3.) If you're somebody who has a weird hangup about borderlines, feel free to either not read this, or do read it and soak up some useful information! Regardless, I know Aventurine fans can have some really wild takes (/neg) , so believe what you want at the end of the day! This is just my interpretation of what's festering in that sad brain of his. You can disagree all you want to, but what we're not going to do is spread hateful stereotypes or perpetuate negative stigmas about BPD! That's cornball behavior and I will call you out for it ^-^

CW for discussion of death, suicide, self injury, and identity disturbances

Anyways, if you ask me, Aventurine has a case of Beautiful Princess Disorder, and I'd like to explain why <3 So, buckle up! This will be another long one.

First, let me define BPD: it's a personality disorder characterized by a long-standing pattern of instability in mood, interpersonal relationships, and self-image. Though it's coined as a 'personality disorder', I urge you to look at it as a trauma disorder. People most often develop it when they are repeatedly traumatized during their formative years. It actually overlaps a TON with complex post traumatic stress disorder, which is why a lot of us baddies end up with both! (On that note, you could definitely view Aventurine as CPTSD-coded as well! I'm a stinky kinnie so I'll just say he's both <3) I won't preach too much on why it's so necessary to treat borderline as a traumatic stress disorder (since hopefully I'll be focusing my own personal academic research on that and I could yap for HOURS about it lol).

But when we look at BPD properly, it's evident that the basis of this disorder is that these people didn't have the opportunity to learn and foster proper emotional reactions. Because of the recurring traumatic events, sections of borderline's brains are underdeveloped as a result. They have a smaller amygdala and they have reduced volume in the prefrontal cortex, as well as other differences in brain development. I've heard it described as 'you were forced to learn some behaviors that helped you survive at one point in your life (for example, maybe fervent efforts to avoid abandonment, unstable emotional reactions, self harming tendencies, lying, mirroring, etc.,) but now you need to unlearn them, because they’re no longer helping you.'  They're trauma responses.

Aventurine shows us a perfect example of the kind of shit that would make someone develop BPD: dude grew up in extreme poverty, was constantly told he was special and he was supposed to bring good luck, watched his entire family and race die in front of him when he was literally still just a kid, was kidnapped and sold into slavery, was forced to murder roughly 34 people while everybody watched him like it was a game, probably went through several other fucked up things while he was enslaved, and then killed his slave owner and was promptly sentenced to death for it. That's...a whole lot of ridiculous trauma that would severely impact somebody's ability to mentally grow and develop correctly. The bulk of his childhood/adolescence was spent with no safety, no security, overwhelming guilt, constant fight or flight reactions, learning how to take on other personas to avoid violence or mistreatment – you get the point. He did not have a normal life and it is absolutely probable that he would develop a trauma disorder from the shit he's been through.

So then, what behaviors/signs does somebody need to exhibit to receive a Borderline diagnosis? The 9 diagnostic criteria for BPD are as follows:

1. Fear of abandonment

2. Unstable or changing relationships

3. Unstable self-image; struggles with identity or sense of self

4. Impulsive or self-damaging behaviors

5. Suicidal behavior or self-injury

6. Varied or random mood swings

7. Constant feelings of worthlessness or sadness

8. Problems with anger, including frequent loss of temper or physical fights

9. Stress-related paranoia or loss of contact with reality

As with my last post, I'm going to organize this based on the 5 immediate traits I think Aventurine exhibits most (you only need 5 out of 9 to receive a diagnosis, so let me cut to the chase and stop wasting your time w my yapping).

Fear of Abandonment:

Aventurine has a habit of wanting relationships and then pushing them away once they get too close. He also clearly has trauma associated with losing people prematurely.

First of all, let's look at Aventurine's tendency to view relationships as transactional. With the expectation that a friendship, partnership – whatever –  is mutually beneficial, that generally implies both parties will leave satisfied once the 'transaction' is complete. That’s his parting line in the game, actually! “Satisfied with our transaction, I trust?” 

That being said, he's already prepared for people to leave when they're done getting what they want from him. In one trailer (and the game) he refers to himself as "another cog in the machine known as the strategic investment department" and then says, "Your humble servant aventurine at your disposal [...] I can also play the role of ‘friend’ – if needed; Go ahead, use me as you wish, even stab me in the back if you see fit."

This is a very strange thing to say upon first meeting someone LMAO. He's speaking of himself like he's an object, rather than a person. Before the other party even says anything, he's basically saying 'hey btw if you end up disappointing me in some way, i'm already prepared for it!' Establishing relationships with the assumption that the other person will betray you/abandon you/hurt you in some way? Borderline behavior. God forbid somebody does try to break down one of these walls, we'll see Aventurine's second habit to avoid abandonment: pushing people away.

Something people don't necessarily consider is that ‘efforts to avoid abandonment’ doesn't always mean the person is on their knees begging you to not to leave them. It can manifest as someone being very flighty and purposefully cutting ties randomly/pushing people away from them so that nobody is able to abandon them. If you leave first, they can’t leave you, right? This is a very common behavior for borderlines to avoid the pain that comes with being abandoned.

The most notable moment of this, in my opinion, is when Aventurine tries to gaslight himself into thinking that Ratio really did stab him in the back during their ploy against Sunday. As we know, their fighting, bickering, and Ratio's 'betrayal' were all part of Aventurine's plan. When they leave Sunday's office, Ratio immediately asks if he's okay and if he needs help, and Aventurine is very dismissive/a little rude in his response. Ratio is confused because Aventurine is talking as if he wasn't the one who MADE this plan and TOLD Ratio what to do:

Aventurine is basically saying, "Hey babe this is not in the script we talked about! Let's stay on track, remember? You hate me, you betrayed me, and now you're leaving me!" And Ratio is like "Yeah okay but are you good? Because you don't seem good,” but Aventurine's heels are so far in the dirt at this point that he is NOT budging at all. When he's in the Trauma Maze, Future Aventurine grills him on this moment:

I get why this part confused some people; why would Aventurine think this when the plan was his idea in the first place? Because, he subconsciously doesn't want to get too attached to the idea that Ratio might ACTUALLY care about him or want to help him. He's forcing himself to think "no, that's not what he was doing, he was planning on actually ratting me out all along, he was only asking about my wellbeing to get in my head."

However, I think it's evident that Aventurine wants relationships/attention just as much as everybody else does, he just won't let himself have it. To further this idea, I think the lyrics to White Night (the Penacony trailer theme song) are worth looking at (these specifically):

I don't wanna be alone tonightOh, lead me with your altered signThere's no one else left for me to loseHeadin' to the other side, other side

I don't wanna be alone tonightI'll bring you to my best disguise'Cause you don't need, don't need to know the truthLet me rave forever in your life

The song is obviously about Aventurine when you look at the lyrics, but these lines in particular just further my point that this man does NOT like the fact that he's alone. He wants relationships, he wants closeness, but he rejects it at the same time out of fear that he might lose somebody prematurely again and doesn't want to experience being abandoned or being rejected for his personality (his real one or his fake one), which leads me to...

Unstable Self-Image; Struggles With Identity or Sense of Self:

The shift from Kakavasha to Aventurine screwed this guy up REAL bad. A MASSIVE part of Aventurine's character, in my opinion, is his struggle with his identity/sense of self. I mean, he literally had to kill off who he used to be in order to live how he's living now, and he didn't have much of a choice in the matter. Jade sums it up pretty well when Aventurine is sat before her on trial: 

Aventurine joining the IPC comes with the price of...well, becoming 'Aventurine'. Since I'm clocking him with a BPD diagnosis, the identity disturbance would have probably happened before this moment, and I think it did. I'll bet it started festering after that first massive traumatic event where he watched his family die and tried to rationalize how that was possible with his 'good luck' (since that was really the only consistent idea he had about himself), and it probably only got worse when he became fixated on the fact that whoever tf he is, he's only worth 60 copper coins (did the math – that's about $3). That's gotta cause some massive identity issues. He's coined as this ‘good luck charm’, this ‘blessed child’, a ‘beacon of hope for the Avgins’, and somehow, he ended up in the absolute worst situation possible while simultaneously dooming all of the Avgins (obviously not his fault, but he thinks it's his fault).

When Jade tells him to pick a new identity, ironically he picks one that is everything he probably grew to hate after his childhood/adolescence.

Associating with the wealthy? The rich were the people who paid to brand him and enslave him. The IPC? Promised to help the Avgins but disappeared when the Katicans invaded, then came back and kidnapped him to sell him as a slave. Now he's both wealthy and a part of the IPC, and you have to wonder how he truly feels about it. We'll look into that more later. Regardless, he's not really 'free' now, even if he isn't technically owned by a master anymore. He's chained to the IPC because this is life now; this is his identity. Where else would he even go? What else would he do? (Die, perhaps?) It's not like he can go home, or go live a peaceful life out on the countryside somewhere. He made 'Aventurine' his entire life and his entire personality. On that note, I really like this quote from his third character story:

“The aventurine, that symbol of power and of the future, is about to be officially handed to him — Yet it would have no more allure or value in his eyes as soon he obtains it, even though he had sought it by putting his life on the line.

He returns to his office in a daze. The aventurine stone emits a peculiar glow on his desk, seemingly congratulating and mocking him at the same time."Was luck truly on your side when you wrestled with fate?"”

Did he really luck out with this one? Comparatively, of course, this is better than his life as a slave, but he essentially just traded his rusted chains for golden ones. Becoming Aventurine might wind up bringing him a lot more pain than it was worth. 

Also, the outfit he chose? Covered in gold, fur, and jewels, all materials that somebody who knows nothing about being rich would assume rich people wear in excess. It's evident in his tacky taste (sorry honey I love you so much but the hat is just crazy work you look like a pimp) that he doesn't know anything about how to dress himself. And I bully him for being tacky but it makes sense! He dresses exactly how you'd think an out-of-touch billionaire would dress. Back to his sense of identity: it's very important to establish that Aventurine feels guilty about taking on this persona! That's all 'Aventurine' is: a persona. If he were to die tomorrow, the IPC would dust off that stone and give it to another bozo who would end up being the next 'Aventurine'.

While he didn't initially develop this personality subconsciously and it was a 'choice' to start playing this role (not that he had a plethora of alternative options), the perpetuation is damaging him mentally. He does a good job of keeping up the act, obviously. This theme that his entire personality is just one big act is overarching through the entire Penacony quest, but there's one moment in particular I really liked: when Sparkle is being a jerk and he has this offhand comment about how he's so frivolous, vain, and flashy, and how he'd hate to live anywhere where it rained since his outfit is too expensive to get wet.

Then, we have this interaction in the maze: Future Aventurine brings up the memory of him and his big sister playing dead, floating in bloody water to avoid being killed by the Katicans when they attacked. He mentions that it was his father's shirt, the last one his father left behind before dying, and that it was ruined. Aventurine says it wasn't ruined, and he's always kept it. (I wonder if that's the shirt he wore during his time enslaved?) Future Aventurine grills him and asks ‘why keep it? This new person that you are would never wear something so dirty and old. 'Aventurine' wouldn't want that old rag, it's not worth any money. 'Aventurine' would never splash around in murky water like that; he wouldn't need to.’ Nobody is hunting him, now he's the hunter. Future Aventurine makes the snide comment that he bets Aventurine wouldn't even dare to go outside in the rain, let alone do any of the things Kakavasha had to do, since he's so much more elite now. Aventurine, clearly hurt by the implication, says that even after all this time, he's never changed.

Of course, he hasn't. Deep down, no matter how much he tries to trick himself and everybody around him, he's still the same scared, traumatized boy he always has been. His future self chastises him for having an inferiority complex and mentions that with every gamble he makes, he has his left hand shaking in fear behind his back.

But the constant pull to push Kakavasha down and keep up this act that 'Aventurine' is the real him obviously perpetuated the identity disturbance in him and made it a hundred times worse, to the point where (as Future Aventurine points out) the hole he's dug is basically impossible to climb out of.

Because of this, I interpret Aventurine to constantly be struggling with his identity, not knowing who really exists under all the masks he wears, not knowing if he or anybody around him will ever figure it out. I imagine he feels very empty and unfulfilled, since as I mentioned in the abandonment section, he doesn't want to be alone. But the higher he climbs on the social ladder, the further he can separate himself from other people. This is a classic issue borderlines face. We masquerade as something we think the people around us will like, someone WE might like, but it always ends up leaving us feeling more empty than before.

(This is just an added bonus to chew on, but I got stuck on this line when I played through Penacony:)

Do you think once he became Aventurine and got the money and the resources, he researched toys that normal kids play with? Fancy ones like building blocks, stuff that he would have never been exposed to as a kid? Obviously baby Kakavasha would not know wtf building toys looked like, and I'm sure teenage Kakavasha didn't have the opportunity to browse toy catalogs. But, he recognizes the toy even though he says he's never played with them before. Maybe he considered buying it but decided against it, since it doesn't fit his new persona. Kakavasha doesn't exist anymore, so there's no reason to nurture that part of him. Anyways, just wanted to hurt y'all a bit more. Speaking of hurting ourselves:

Impulsive or Self-Damaging Behaviors + Suicidal Behavior or Self Injury:

I'm combining these two because my points kept blending together, so bear with me lol.

Aventurine is known for being incredibly reckless and putting himself in the path of danger over and over again. When discussing how he tricked Sunday with the Cornerstones, Future Aventurine asks:

I want to exaggerate how crazy it is (i can say that i'm also a bpd baddie) that he smashed his Cornerstone. I don't think a Stoneheart has ever done that before. Their stone is what makes them a Stoneheart. Ratio mentions that without it, Aventurine would be back to being nobody. Remember: that's what makes him Aventurine. You know, the persona that required him to kill off his former identity? Their Cornerstones are more important than the Stonehearts’ lives, as stated multiple times. But that's just it: Aventurine doesn't GAF about his life. He doesn't mind putting his life on the line to pull off his plan because he has that deep-rooted desire to punish himself for everything he thinks was his fault. He gets called out for gambling with his life multiple times during Penacony, and while most of the time it's reduced to him just being crazy (cough, bpd) or just having a severe gambling problem. Extremely hot take, but I think he gambles literally as another way to hurt himself. I mean, look at what he says when you ask about his hobbies:

"There's no denying it, my fascination is with the game of chance... be it the exhilarating rush of triumph or the extensive emptiness that follows, both are worth savoring, time and time again."

Being impulsive and risky, betting his life over and over –  it makes him feel alive. He knows the end result will hurt, that he'll have to face that 'extensive emptiness' and the extreme guilt he feels regarding his continued good luck, but he does it anyway.

Speaking of betting, his bets are always 'all or nothing', seemingly every time. Future Aventurine calls him out on always risking everything with every gamble, asking:

"Do you truly believe the greater the risk, the greater the reward?"

Or...do you just not care what happens to you? He doesn't need to risk a lot; he's never lost. He could bet the lowest amount and still win every time, and make a lot of money depending on what everybody else bet. In fact, that would actually be a better strategy in gambling (poker/black jack specifically), because it would insinuate that he's not very confident with his hand and prompt the other players to bet higher, assuming that they'll beat him.

I imagine he gets a shred of dopamine betting everything he has knowing that he'll probably win, but hey, who knows? Then after winning and multiplying everything he has, I imagine that 'extensive emptiness' that he refers to is the feeling of 'oh good, more money. More status. More success. A reminder that no matter what I do, I'm stuck here in this role forever.'

For some reason, he also thinks that taking risks makes him appear more confident and secure. He makes a show of always keeping up the big bets and he boasts about how successful he is, while clutching his hand behind his back thinking 'oh god, is this it? will I finally lose this time?' He brings this up when he's speaking with himself and he says, 'How could a weak person take such daring risks?"

Oh, the delicious irony.

That raises the question, though: if he wants to die so badly, why hasn't he yet? It's not like he had an easy life. He fought very hard to stay alive, so why does he act so recklessly now?

I think at his core, he's scared. Dying is scary. His family is there in the afterlife; would they be disappointed in the person he’s become? At the same time, being alive is exhausting. The constant emotional pain this guy probably deals with every day? It's gotta be heavy.

His behaviors around suicide remind of a classic passively suicidal person with BPD: maybe they don't necessarily want to die, but they're tired. They don't have an active plan, but If something is going to kill them, they're not going to move out of the way.

So, carrying out his Penacony plan makes sense. Of course he’s not completely sure what will happen when Acheron kills him, but because he doesn’t have anything to live for, he’s fine gambling with his life. He makes a show of finally throwing out every last chip, too, no longer clutching them under the table in fear. He was fine with smashing the Aventurine stone because it's not like he was planning on using it after his final show; the little bit of power it had left in it was more than enough.

That being said, we do have to address this little number:

Aventurine attempted several times in Penacony, he admits it flat out. The writers even went sofar as to bold this line specifically! I think this does also go hand-in-hand with him being passively suicidal, since he's pretty sure he'll live when he attempts in the dream, but he's gonna try it SEVERAL times just to be sure. Mentally healthy people wouldn't try it... once, Aventurine!

As if we needed more evidence that Aventurine constantly puts himself in danger, you know I HAVE to mention...the light cone:

n case you haven't read the description for this light cone, let me share it with you:

"You don't believe me?"He (Aventurine) provocatively looks at the man (Ratio) before him, then draws out a revolver, empties its cylinder, and leaves a single shot in the chamber.

"Seems like I'll need to get you up to speed on how I do things if our cooperation were to remain amicable."He pushes the gun into his opponent's hand, spins the cylinder, and points the barrel to his own chest.

He pulls the trigger repeatedly, and the smile on his face remains the same after three empty clicks."Life is a grand gamble, and I'll always be the final victor."

Now what the HELL is this? Mind you, this is the first time Ratio has met this man!!! Imagine you meet your new mission partner for the first time and he puts a revolver in your hand and fires it thrice, then leaves. WHO does that? (...a baddie, perhaps!)

I don't think it's a secret to anybody who has spent a reasonable amount of time around Aventurine that there's something off about him, and that there's a really deep sadness running through him. There's some instances where other characters mention his passive desire to die – A few quick examples I can think of:

The instance in Story IV with Opal:

"Maybe luck won't be on your side this time, and the bill for all your past good fortune will come due [...] But isn't that what you've been longing for?"

Opal implies Aventurine wants to fail on Penacony, which, as we've discussed, is an accurate assumption. Jade says something similar after Aventurine's stunt: when Topaz says the light in his stone went out, Jade replies by saying "he got what he wanted."

Also, I’d like to point out that Ratio must have been anticipating that Aventurine would do something rash, since he wrote that note (doctor's advice) long before he started grilling him after the meeting with Sunday.

It's also worth noting the nod to T.S Eliot's "The Waste Land" (a very long poem about life and death). You get the achievement Sibyl, What Do You Want? after playing through the past of Kakavasha's life, and once you defeat boss Aventurine, you get the achievement She Replied, I Want to Die. I don't think that one needs an explanation, but boy does it hurt! (There's other, smaller nods to him being suicidal, like the Waiting for Godot achievement – Google the story if you're unfamiliar. Not as relevant, but I must mention it bc it makes my english major brain go brrrrr)

Also, overspending/gambling/being loose with money is a very common vice for borderlines to indulge in and harm themselves with. It's also implied that he drinks a decent amount. I counted 6 bottles of SoulGlad in his hotel room just from the angles I could see, and he's shown to be passed out at the bar when Ratio goes to get him before they go on their little date-I mean, mission. Aventurine says 'he must have drank too much', and whether or not that was true is irrelevant since it was a believable enough claim that Ratio bought it.

Borderlines are (usually) self-destructive in some capacity, and while some very annoying people assume it's for attention, it's so much more common for it to be because our inner emotions are just so out of whack. Sometimes, matching the inner pain with outer pain is a way to cope. They might also do it to try and combat-

Constant Feelings of Worthlessness or Sadness:

Probably the most nagging, prevalent feeling Aventurine deals with is the constant feeling of worthlessness. One thing about this man? He hates himself. Like, really hates himself. Take a look at the missions during his maze in Penacony. This one is one of my favorites:

It doesn't get much more on-the-nose than him calling himself a selfish, useless loser. He gets stuck on that word, in particular. Loser.

Aventurine, at his core, views himself as a massive loser. Is that ironic because of how much he wins? Not really. Money and materials are just part of the Aventurine persona. He's 'rich' in stuff, but he's not rich in what he actually wants. I think it's obvious that if he had the option to quadruple his wealth or see his sister again just one more time, we all know what he'd be picking.

The only thing he wants is connection – connection with his mother, his father, his sister, anybody at this point – but he can't have it. His family has been dead for a long while, and as I discussed before, his fear of abandonment and his luck scare him away from forming any other relationships. 

This luck, this destiny to be blessed, leads him to reflect on his life a lot and wonder what the hell the point is. He treats himself like some sort of walking curse, because he's convinced that his luck is bound to hurt other people. Every time he wins, somebody else loses. The luck that keeps him safe destroys everybody else around him. As Future Aventurine puts it:

His luck is "built on the pain of someone" else. This perpetuates the constant feeling of guilt, which in turn, makes him feel worthless. Why is it him that's spared every time?

Then, right before you start his boss fight, Aventurine says,

"The architect's flawed stone, of no value at all."

Some people speculate he's talking to the MC when he says this, but I can't help but assume that he's referring to himself. Even if it was directed at the MC, so much of what Aventurine says in his bluffs and boasts are just digs at himself. He's sort of an expert at hating himself, and what do people who hate themselves do if not project? Especially when you consider the fact that aventurine is actually a really cheap, undesired stone. It's like $3 a caret and mostly only used to rip people off and pose as jade. I really don't think it's a coincidence that his character is based around a stone that is, essentially, worthless.

The way that Aventurine is also prone to giving people ridiculous amounts of money/gifts can be read as a frantic effort to keep relationships going and prevent people from leaving him (relating to my points on both his feelings of worthless and his fear of abandonment). He has a skewed view on relationships, since the only value that's ever been associated with him is monetary value and that of his 'luck', which in every context is spoken of as an asset to benefit people he cares about. His sister told him that his luck was 'the most precious wealth' of the Avgins and Jade sees him as an investment that can bring her more wealth because of his luck, but he views it as a massive burden that ends up wrecking everybody around him. So how does he prove to other people that someone as worthless as him should be allowed a seat at the table? Deep down, he thinks that he's still worth 60 red copper pieces, and he's desperate to show other people that he's worth more than that now – even though he doesn't believe it at his core. With all the money he wins now, he can throw it at people and say 'look, look how much money I'm worth now, you want me around because I can buy you anything you want, that's a useful quality in a friend!'

(I did use the 'seat at the table line' as a nod to what his slave master said to him when they were discussing his worth: "Don't forget your place, slave. You're not qualified to be at the table." Which is, painfully, what Aventurine says when you open up chests! He scoffs and says that "it's hardly enough for a seat at the table." :’) )

There is also, of course, Aventurine's overarching struggle with finding purpose in his life. We see a lot of his existentialism during his trauma maze, but at the end of his trauma maze, Future Aventurine finally stops ripping Aventurine a new one and is vulnerable for a second, saying he doesn't understand what he's ever done wrong to have suffered as much as he has.

Then, when he's in the Nihility and he's speaking to Acheron, making the decision on whether or not he even wants to keep going, he asks her:

As I said, he has this conversation with himself in the maze as well, but here he's actually being vulnerable and speaking to somebody else about it: what's the point in being alive if we're just born to suffer? If nothing else, this solidifies the emotional struggle that Aventurine is constantly having. I also think it furthers the idea that he has this nagging sort of emptiness inside of him which is another BPD trait: the feeling that you're empty at your core, and you're constantly trying to fill it with things (friends, money, substances, whatever) but nothing ever works. You worry if anything will ever make you feel 'whole' again, and pair with the the identity disturbance? You're left with a constant feeling of despair.

Other Points:

These are a few other random thoughts I have, inspired by in-game moments but I'm taking them for my own evil fiendish BPD narrative. Take them with a grain of salt.

I think the stigma he gets around 'being crazy' is really BPD-coded. Separate from the ridiculous discrimination he gets for being an Avgin where people assume he's a liar and wolf in sheep's clothing (which can this man catch a SINGLE break jfc), he also has this reputation of being crazy, insane, manipulative, cunning, and someone you want to avoid, which is more rooted in his reckless gambling habit and status with the IPC. Living with this reputation of being insane and unstable for...lowkey no reason at all? Very BPD coded. I think Aventurine leans into that stigma to keep people a certain distance away, but it also just ends up making him hate himself even more.

Also, his entire mantra is "all or nothing", which always rang my BPD bells as well. There's not a lot of gray area with him, which is a key trait in borderlines as we often display very black-and-white thought patterns.

In Conclusion:

I think Aventurine is a borderline princess <3

No but actually though, Aventurine is extremely smart, witty, funny, generous, and very kind-hearted, and he also happens to have a lot of BPD symptoms :^) I don't think it does any harm to view him as BPD-coded; in fact, I think it's great to associate positive, fan-favorite characters like this with BPD because it helps to humanize us. Borderlines are not violent, crazy maniacs, they're people who have been severely traumatized and developed some unhealthy habits because of it. They deserve love, respect, understanding, and communication, just as everybody else does.

If you actually made it this far, thank you for reading! I hope I was able to shed some light on Aventurine and his Symptoms. And, as I do in all of my BPD posts, here’s your reminder to kiss the borderline baddies in your life and tell them they’re important to you :^) Living with BPD is exhausting and I know I speak for all of us when I say that. We try so hard every day to stay positive and regulated, and though rewarding, it's exhausting and very hard work. Nothing makes us smile more than some recognition that we're trying our best !!

Till next time xoxo (and shout out to @roxirinart for helping me edit this monstrosity mwahhh mwah)

[hypernova-writes]

Hello. Hope you’re doing well and don’t overwork yourself! Many of us are more than willing to lend an ear.

Anyways, if I could, could I request a Yandere Medic x AFAB reader and either headcannons or an imagine (You may chose) of how he would react if the reader kept trying to escape him after being kidnapped, no matter how hard or what he tried?

Thanks! And feel free to ignore this request! And drink water!

A/n: Hello~! I’m doing fine! We’re recovering from a hurricane down here so we’re just getting power back! How about you <3 ALSO I LOVE THIS REQUEST SO MUCH. Growing up I had an interest in yandere’s and how they worked (I played a lot of yan simulator when I was younger-) and I always love to see how people characterize different characters! Anyways, I hope you enjoy this!

Yandere Medic Headcanons! 💉❤️‍🩹

Before we even start we have to figure out what type of Yandere is Medic exactly!

Based on his personality and how he acts, I would place him as the Mousougata (Delusional), Kanchigaigata (Wrong Idea), and Sokubakugata (Restraints).

So let’s start with the first two since they are very Similar!

The Delusional and Wrong Idea yanderes tend to create a world in their own mind where you are already their darling, they refuse to accept rejection, ignoring the feelings of their darling and truly believing that they are in love with them the same way that they are in love with them! They will get the wrong idea from a simple interaction, and truly believe that they are in a relationship with their darling.

Now onto Medic!

It could start from when you first joined RED, you were a sweetheart to everyone, bringing them sweets as a way to get to know your new teammates.

When you get to Medic, you have to go to his clinic to meet him. You give him such a big smile as he feels like he just melts.

When he touches your hand, it’s almost as if sparks flew around him, he could suddenly feel the blood pumping in your hands, suddenly he wanted to know you more, he wanted to know Everything about you. Every. Single. Thing.

He would figure out your medical records, researching everything about you, He’ll know things about you that you wouldn’t even know about yourself!

When on the battlefield, he would always pocket you, to the point that other members on the team were beginning to suffer from it. Oh his Liebling had sliver of health? Help is on the way dear! But if Scout was near death? Go find a health back, his darling is more important!

Moving to the Restraints part of it. If he notices that you are beginning to pull away from him, he will not hesitate to drug you next time you come to visit him for a checkup. He can’t have his darling trying to run away now? You two were meant to be together!

He will make it to where you are so sluggish that you have to depend on him whenever you are in a battle, You can’t perform right unless you have ,Medic’s Medigun on you.

“Aww..You look so weak..you need a doctor..don’t you~”

Now onto the Imagine~

You knew he was crazy, but you just thought that was Medic being Medic. But when he started to become more obsessive over you, you started to take a step back. Medic wasn’t Medic anymore…

You were struggling to walk back to your room after struggling to get out of the med bay. You had gone to Medic after feeling sick, he had his back turned to you, and thinking you weren’t paying attention he pulled out a vial of what you noticed to be a sleeping agent. This prompted you to get up and made an escape.

No wonder you were feeling weak…he had been drugging you. All your vitamins, allergy medicines, the fucking shots you had gotten…He was tampering with them to keep them close.

You cried out as you felt a sharp in your leg, you looked down and saw a needle in her leg, she looked back and saw Medic smirking at her.

“and vhere do jou zhink jou’re going?…”

You could feel your body getting weak, and you struggled to crawl away. His footsteps were quiet and calm as he walked up.

“It’s is quite rude to leave before jour check up darling~.” He cooed as he walked over to you, standing over you with a small chuckle. He crouched down to caress your face.

“Jou’ll be out in a few. But don’t vorry. I’ll take good care of you my love~”

HI hi! Hope you enjoyed this~ Remember if you would like to support me: Here is my Kofi <3

Also! Please send me more requests like this I enjoyed this a little too much lol..

[bookish-bogwitch]

Thank you @roomwithanopenfire, @rimeswithpurple, @blackberrysummerblog, @nausikaaa, @larkral,

@hushed-chorus, @alexalexinii, @monbons, @whatevertheweather, @run-for-chamo-miles,

@artsyunderstudy, @mooncello, @brilla-brilla-estrellita, @forabeatofadrum, and @aristocratic-otter for the tags over the past few weeks. I've had a crazy month (90% in crazy a good way) and too frazzled to come up with my own WIP posts, but have enjoyed reading yours and being included.

Here are six ten moody little sentence from Chapter 11 of Basil Pitch's Diary. (In case you missed it, I posted Ch. 10, September, a few weeks ago, then fled the country.) Baz is hanging in in Niall and Dev's room:

The last time I was here with Niall, he’d told me to hold out for more than ear scritches and the occasional carrot. Now we sat on his bed with a chessboard between us. “Baz,” Niall said quietly. “What are you doing?”  “Beating you.” I moved my queen to menace his remaining bishop. “With Snow, I mean.” Niall did that thing where the rook and king hop around, which shouldn’t be allowed, and I realized he’d won. Again. Somewhere, in a parallel universe, there is a me who grew up with someone to play against, demolishing a Niall who never went to math camp.

Below the cut: musing, a posting plan, and more tags.

Musing: I've actually written a ton since the last chapter even though I've been AWOL, but for a while no matter what I wrote, Baz felt out of character. I'd write a scene, like it, and then think "but why is he doing this?" Then I'd rewrite with Baz behaving completely differently, and that also felt OOC.

I worried that I'd somehow doomed myself with inconsistent characterization, but then I figured it out: Baz at this point is deeply inconsistent. He presents himself to the world one way, he tells the reader / himself that he's something else, and deep down he's a secret third thing. And sometimes his masks slip.

To some extent this is every unreliable narrator. But boyo has REALLY tangled himself up at this point. Something's gotta give. Until it does--which it will, soon--I have to be very clear in my mind, even if Baz isn't, about which Baz is driving the Baz at any given moment.

A lot of you can do that sort of thing intuitively. I can't. So I've been building this out (showing you just the headers b/c spoilers):

This might stultify some (most?) of you. For me, though, it's freeing. When my brain isn't trying to keep track of everything, my imagination can unfurl.

"'Everything'?" you ask. "This isn't that plotty a fic." It's not, but it's already 2.5x longer than anything else I've written, which means developing skills I haven't needed before. Anyway, my BPD chart and I are having fun. We're very happy together.

Posting Plan

I pushed myself to get Ch. 10 up before leaving home for three weeks, because Ch. 9 had ended on such a wretched note. While I was happy to have gotten it up, I didn't love the self-imposed time crunch (though betas @cutestkilla, @facewithoutheart, and @thewholelemon were fuckin' heroes). Feeling rushed had me stressing and second-guessing choices that were probably fine.

My plan now is to pause updates until I have at least a very rough first draft of the final chapter, then post it all at regular intervals. I know a longish pause means some folks who'd been reading along will wait until it's complete, if they return at all. To those folks--sorry, and I get it, and thank you for reading in the first place, and I love you.

Tags and shy waves to @brendughh  @beastmonstertitan  @carryonsimoncarryonbaz  @carryonmylovelies  @creepyspice

@comesitintheclover @cows4247 @confused-bi-queer @artsyunderstudy@chen-chen-chen-again-chen

@chronicallyhomoerotic @drowninginships @dragoneggos @excalisbury @emeryhall

@erzbethluna @ebbpettier @fight-surrender @fatalfangirl @gay-at-ikea

@fiend-for-culture @forabeatofadrum @foolofabookwyrm-activated @arthurkko @j-nipper-95

@gekkoinapeartree @goblindad-emoshit @henreyettah @hertragedyconnoisseur @hushed-chorus

@icarus-n-flames @ineffable-grimm-pitch��@ic3-que3n @ionlydrinkhotwater @iamamythologicalcreature

 @ileadacharmedlife @ivelovedhimthroughworse @shrekgogurt @im-gettingby @youarenevertooold

@monbons @mooncello @raenestee @you-remind-me-of-the-babe @messofthejess

[astral-mariner]

Vegebul headcanons: Vegeta fell for Bulma first

So lots of ppl in fanfic often write Bulma falling for Vegeta first. I see it the other way around.

The ship explodes while he's training, and he suddenly has all this downtime he never had while serving under Freeza. They've had surface-level conversations before, gotten at each other's throats over alien-human misunderstandings as well as serious moral and/or experiential differences. But while he's recovering, he gets a bit stir-crazy and just...finds himself around Bulma rather often, and they actually start to get to know each other.

Bulma finds him dark and mysterious---fascinating to her in an almost scientific way because he's so like a human but so different at the same time. She admires his tenacity; though he would never characterize himself as a victim, she knows he's faced grief and hardship, and carrying on with such clarity of purpose anyway is heartening in a way. Meanwhile, Vegeta just doesn't understand why this woman insists on talking to him, making sure he takes care of himself... He can understand her providing gear and housing---she and her friends need him for the upcoming battle. But the interest, openness, and basic kindness she displays baffles him, especially when he is a sworn enemy of Kakarot's. With Nappa and Raditz things were always complicated. So many roles and expectations with him being their prince. But with this Earth woman, there are no expectations at all. So he doesn't know what to do with her.

He won't let himself think of her as beautiful even if his eyes linger on her. He has just seen so few women like her. Certainly, he's never spent so much time with one either. Always on his way to a new planet. No real friends or consistency of any kind. That's not to say he regards her as a friend. Of course not. He tells himself that she's useful. She has resources, power. And she pursues her own ends with intensity and fearlessness---saiyan qualities he understands.

And then she's in his thoughts day and night. He thinks of her scent or her voice when he's trying to train, when he's lying awake and can't sleep. That sparkle in her eyes when he challenges her, but it doesn't shake her in the slightest. Her laugh, her little touches. He's head over heels for her long before they have sex, but he has no context for feelings like that. He just feels like he's losing his mind.

And it scares the shit out of him. How can he focus on transforming and defeating the one who took his birthright and Freeza's death from him when this woman is just fucking haunting him? He doesn't even know it's romantic attraction. He won't even accept that he's sexually attracted even though his body reacts to hers however fiercely he avoids looking at or touching her.

Meanwhile, Bulma has just broken up with Yamcha. She's not really in a place where she's thinking about a new relationship. She might want to have some fun here and there now that she's single, sure, but she's much more focused on the arrival of the Androids. Especially since she knows how hard her future self worked to warn everyone and give them a chance to have a different outcome than she did. And Vegeta is a powerful asset to have on her side. As much of a jerk as he can be, he works tirelessly to prepare himself for the battle, and helping him become stronger may make a difference in their survival.

Sure, it tickles her scientist brain to have an alien living on her property she can ask about space and otherworldly tech whenever she wants. And Vegeta himself has a fascinating (if dark and disturbing) personal history. He's not what she expects in some ways. Proud, and yet also very reserved and even shy. Aggressive and intense, but at the same time thoughtful, introspective, and so dedicated to his calling that she realizes it's a spiritual thing for him, perhaps even religious.

She finds herself enjoying his company even when she knows that she shouldn't. He's not exactly a true ally. He's not a good person. But he's just so...interesting. And he's more attractive than he seems to realize. She indulges a fantasy or two of what he might be like in bed. But it's not serious. She knows she shouldn't. It would never work out. It would be so fucking complicated and fraught for everyone involved. There's no way an alien man would have the same (or even compatible) ideas about relationships or sex. Even if Vegeta did, he'd never fucking tolerate having a frank conversation about it. He's really kind of a prude.

And yet...they spend more time with each other, and the tension between them just builds. Over months and months, it builds slowly but surely. And one day, it just fucking breaks. One evening, they end up closer than usual. Touching each other, and it gets really intense really fast. No time to really discuss where things are going or what anything means---they just need each other in that moment. And it works out. Somehow. It's almost too easy. Despite all the cultural differences. They have sex, and it feels...good.

For Vegeta, sexuality had previously always been something tainted with negativity. What's the point of having a drive for sex, after all, when you're the last of your kind, and fleeting pleasures are hardly more than distractions? But with Bulma, everything just felt so fucking right and good. Like finally getting to experience all the things he'd always wondered about and longed for even if he never admitted it to himself. Things he thought were impossible. Having sex in a situation where he had a real choice in the matter. With a woman when he had spent his whole life having to accept the fact that no saiyan women had survived. On top of everything, not only does he want her---desperately---but she wants him in return. How she squirms when he touches her, how her scent changes, how she trembles and whimpers when he gets to do all the things he never let himself want before.

It just completely and utterly unravels him, and he can't get enough of her. He thought that, just maybe, if he gave in and slept with her, she wouldn't fucking haunt him anymore, but it just gets fucking worse. He needs her like water. Like if he doesn't get to be in her presence and touch her, he will just fucking lose it even more than he already has. And it fucking terrifies him. He's only ever wanted one thing: to transform and make things right after Freeza destroyed everything. But now he's preoccupied, and he can't handle it. He doesn't know what to do. What any of it means. What he really wants out of any of it. And he has no idea what she wants either. Only that however many times he tries to stay away from her, they always end up tangled up again. He couldn't even tell her how he feels even if he wanted to because he's so clueless about what's happening to him.

Meanwhile Bulma is just absolutely floored by how intense everything is from the beginning. She wonders if it's a saiyan thing, or if he's just intense like that himself. She doesn't know what Vegeta's full history with sex is, but she knows it's complicated. All she knows is that he kisses her like it's his last day on Earth. That he fucks her like he couldn't resist her if he tried (and he does try). And she can't help but ride that high. She brings this mysterious, strong, and austere man to his knees, and her power over him is intoxicating. She knows she shouldn't play around with someone so dangerous even if she's convinced he'll become an ally eventually. She knows that most of her friends wouldn't approve. It's not like she wants to DATE Vegeta. But gods...his desperation, the way he almost worships her, how wild and even frightening he can be---she can't help but indulge herself at least a little bit even if it's against her better judgment. It's not serious, after all. It's not like Vegeta of all people would even want to be some kind of partner to her anyway. He just wants sex (right?), and that's all she wants too. So she proposes a friends-with-benefits situation that they are determined to keep on the down-low.

Vegeta's head is just spinning at all of this. He still doesn't fucking know what to do with her. He can't have an attachment to her---especially not now when his sole focus needs to be transforming---but imagining his life without her is just... So he just lets her call it whatever she pleases, as long as no one else is involved and no one else knows about it. The weakness all the more glaring and real if other people know about it. He can tell himself he is just having sex with her so he can stay focused on training. Nothing more than that. Certainly not.

Over the course of it, Vegeta's feelings for her just intensify. If he was head over heels before they had sex, the more time they spend and the more intimate they become, he only falls more madly in love with her. And while Bulma tells herself that feelings aren't really involved for her beyond the friendship she develops with him, she has little pangs of romantic longing that hit her out of nowhere from time to time. Almost hard not to when the sex is the way that it is. She wonders sometimes if he has feelings for her. Real feelings. But he just couldn't, right? She's just being a silly hopeless romantic like she was when she was younger, and she's over that. He's an alien with a tortured past, and he's not boyfriend material, and she's fine with that. That's not what she wants anyway. Certainly not right now with the end of the world around the corner.

We all know how things go down after this, though, don't we?

But yeah. I headcanon Vegeta falls first and harder, whereas Bulma falls gradually after they become involved. Bulma has experienced good relationships before, and she wasn't looking for a romance with Vegeta in the wake of her breakup. Vegeta, on the other hand, hasn't experienced romantic love or sexual attraction where things weren't fucked up and fraught in some way before. So his "relationship" (re: passionate affair) with Bulma means so much more to him even if he couldn't articulate it. It completely blows him away, but he doesn't have the context or emotional insight to make sense of it. So he just panics, lol.

[zhuoyichenpretty]

aww yeah ep 20 GOOD

I guess I do (very casual, broadstroke) episode commentaries now, halfway through the show lmao. Spoilers below!!

Bai Jiu BETRAYAL?

Wen Xiao WANTED?

Zhuo Yichen DETECTIVE-ING?

Ying Lei BACK?

*crowd cheers*

The dots are connecting like crazy with the big bad's whole inner core crusade and also with the simultaneous demon case like I did not recognize Ao Yin as the demon Li Lun first released eight years ago but oooh do I enjoy that minor payoff.

Love the repeated use of the demonic-spell-restraining sigils now that we've been introduced to them though I wonder why the Bureau doesn't ever seem to make use of them. Maybe they don't deal with enough powerful demons to need to paint those in their own (very empty) dungeon? Or perhaps just plot convenience. (edit: someone has pointed out the Bureau indeed uses them!! I'm just blind <3)

Anyway I kind of wish in the Chongwu Camp dungeon PSJ fought a little bc she's so cool in action and their bailing was a little abrupt, but it makes sense that they'd have an immediate getaway plan. Also this is an ep 19 comment but that line Mr. 3-Face Mask delivered about PSJ being fated to always be betrayed by her little brother(s) HURT. So good.

Back to the Bureau, I do love me a good framing, and I'm also happy to get a tiny bit of the episodic demon-murder-case style back. WX was v clever to hide out in Situ Mansion, and (small detail but) I appreciate that the others catch her up on the Bai Jiu thing onscreen. As an aside, I also like that the actress for WX got to be double-casted even just briefly. Seeing some of the actors get to play around with portraying various extremes in characterization and costuming is a ton of fun.

And then yay Bai Jiu backstory at last~! It's crazy how much that blood moon fucked up everyone's lives eight years ago huh.

Everything ZYC says to him is on point (and honestly, ZYC is really quite adept at comforting others, he just sucks utter ass at it when it's his fault and he has to apologize lmaooo) but of course my favorite scene in the whole episode is as follows:

The very slight shine in the waterline, the bittersweet smile/grimace as, deliberately or not, ZYC's words indirectly echo everything about the circumstances between the two of them right now??? Whew. They did that for me specifically.

Anyway, this was a good one to chew on for me, packed with plot movement enough that I didn't feel unsatisfied with just one episode. I'm glad that so far it seems like the release schedule bears in mind what episodes should be watched in pairs for maximum effect (eps 16/17, 18/19 specifically) and which ones are okay to stand alone for the day, but I also don't want to speak too soon haha. We'll see how ep 21 fares.

Also since this is a ZYC stan account (lmao) I have some obligatory ZYC thoughts that I haven't managed to fit anywhere else. I've been meaning to comment on this for a while now and was reminded by this episode: I love the fact that ZYC actually smiles quite often. I think it's a bit surprising every time he does because he so easily fits the archetype of stoic broody action hero, but it really is just an archetype he's fit himself into, and it's never clearer than when they flash back to smiley baby!ZYC (how freely and purely he used to give those smiles away...).

On the other side of this is also how caustic and biting he can be with his words, whether sarcastically or otherwise, and how clearly his face telegraphs his emotions in general. I love that he actually emotes quite a lot and isn't cold and unaffected in the least, just pouty frowny and awkward.

The last piece to this for me is probably his age (which I very much appreciated being established super early on) and how convincingly TJR portrays him as young and inexperienced and extremely earnest. He's so sincere in everything he does that it really doesn't take much to move him, which also (imo) makes his arc less overdone.

We all know from the start what direction his development will likely go, how he'll learn he's mistaken about ZYZ and how he'll grow to have a more nuanced view of the world as he creates more bonds with others. But he's so emotional and emotionally aware that it doesn't really take much push and pull to get him there. And actually, it's not untread ground to him—he is moreso thawing, in part returning to the open-hearted nature that he had to very abruptly shutter away rather than fundamentally changing as a person. I think to me, that makes his character more compelling to watch because his cynicism about the world is perhaps the least sincere thing about him. It's entirely learned, and not by choice. Relatable.