#and they let us get so close to them I have a video of them swimming where you can hear them breathing cuz they’re so close

[i-m-snek]

"Why was Steve Irwin praised for free handling venomous animals, yet freehandlers today are condemned?"

(I live in the US, so this post and reference to law makers/the hobby is very US centric. Keep that in mind as you read, please) Let's pull back and take a look at -how- the free handling was approached when it came to Steve. At the beginning of each of his shows, there were several warnings posted, telling viewers how dangerous what he was doing was, not to try it at home, and that he is a trained professional with years of experience and access to anti venom. These warnings were repeated several times through out the the episode, both by Steve himself and the narrator. The animals were treated with respect, he would often avoid the head being to close to him, and he did it to show the lack of maliciousness of these animals. He also had an entire crew with him, so if he were to get bit he could be transported for treatment quickly and efficiently. His entire goal was education, not clout. Free handling keepers nowadays (A majority of the time) do not have any warnings on their free handling photos and videos. They post selfies with these dangerously venomous animals as if it's the most normal thing for regular people to handle them. There's nothing saying that it's dangerous, that it should only be done by professionals, etc. This encourages people who post on the internet for clout to try this, because it gets them attention. These people regularly have the faces of the animals close to their body, and in their hands, again, with no 'do not try this at home' warnings. Just photos as if the animal is not venomous. In a lot of places, training is not required to own venomous animals. You can go online, buy a venomous snake, and often times the person selling the venomous snake won't even ask questions. Dangerous animals are easier than ever to get a hold of, which makes the nonchalance of free handlers even more dangerous. It's not about putting themselves in danger, it's about encouraging others to do the same. Often time these venomous keepers that freehandle do so alone, with no one else around. In the event of a bite, the person may not be able to transport themselves to a hospital for treatment. They often also don't have anti venom on hand. A free handler getting bitten and dying can put the entire reptile keeping hobby in danger because the vast majority of people who write laws, know nothing about the difference in species. They do not care if the snakes are venomous or not, they will see that someone died from a snake bite, see all snakes and go 'this is dangerous' whether it be a corn snake or a cobra.

[chiara8104]

i was wondering if u could do lando x reader fluff? maybe one where they've been together for a long time and are going back in time and remembering the day they met, meeting the parents, friends. something like that PLEASE!!!!

New beginnings | ln4

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a/n: this is such an amazing request!! when I saw it, it immediately caught my eye!! I hope you enjoy! Sorry I haven’t been replying to all of ur requests! I have a singing audition and a physics midterm very soon and I’m pretty stressed! I will try my best to get to everyone’s requests! don’t forget requests are always open!! xo chia

summary: lando and y/n take a trip down memory lane.

warnings: fluff, swearing, use of y/n!, use of pet names, italics = hello mean flashback. not proofread (sorry loves!)

wc: idk

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Moving day

You had agreed to move in with lando after months of begging from him. And there you were, sitting at your apartment packing up all your things, putting them into moving boxes and carrying them downstairs.

You had walked outside to the moving truck and gave lando the box, he grabbed it out of your grasp and put it in the back. “How about some food?” You smile at him. “Why not,” he ginned back at you.

You both walked to the kitchen together. You scrummaged around in the fridge trying to find some type of food, the fridge was basically bare until you came across a couple eggs and some veggies.

You grab the eggs and crack them into a bowl, cutting up the veggies you found and adding them into the bowl. You turn on the last pan you had in the kitchen and started to made some omelettes for the both of you. You start to realize this was the last time you would be in this apartment, cooking a meal for you and your boyfriend. You started to feel sappy and looked back down at the now, cooked omelette.

You looked around in the cupboards to find no plates “fuck,” you mumbled under your breath. That was the first box you took to landos. “Something wrong?” Lando looked at your puzzled state. “I forgot I packed all my plates first, they’re already at your house,” you let out a heavy sigh. “It’s fine, we’ll eat out of the pan,”he smiled slightly at you. “Hopefully I can find some type of cutlery around here,”

As you continued to look around your somewhat empty kitchen, you find a couple old forks and knives laying around. Ones you forgot even existed. You swiftly grabbed them and walked over to lando. You both enjoyed the quiet, relaxing times with him. All the chaos can be so overwhelming, lando with f1 and you with university.

Once you finished your omelettes, you walked back to your room. There were a few boxes that were laying around, but one caught your eye. It was the sentimental box, full of Polaroids of your friends, lando, and even your old cat, Luna. You smiled at the photos, and scrummaged through the box. You found your old camcorder you thrifted back in 2018. You opened the camcorder, praying that it’ll turn on and to your surprise it did.

You scroll back to the first video taken on the camcorder and smiled. It was you. Walking with your camcorder in hand to a place in the park with a mysterious man. But that man wasn’t just anyone, it was lando. His voice was squeaky “hey!” he smiled at the camcorder. You grinned at seeing his younger state, until the camcorder got passed to lando to show yourself. You cringed at your old state, the ripped skinny jeans and old, beaten up black vans. “Oh god,” you quickly close the camcorder before lando walked in. “Holy shit, I haven’t seen this in years.” He walked closer to you, grabbing it out of you hands and opening it.

Lando scrolled through all the videos the two of you made over the past few years. Ones you forgotten about. Lando clicked on one, “hey guys,” you say in the background, your camera pointed at lando. “Today, lando is meeting my parents!” Lando turned beet red in the video, his anxious stance was very present in the video. He had some type of flowers he bought from the floral shop not too long before. Lando takes a deep breath and knocks on the door of your mum and dad’s home. Swiftly the door opened, your mum greeting lando with a big hug. “You must be lando! I’ve heard so much about you,” lando was tense in the grasp of your mum, but slightly relaxed a few seconds. He let go of your mum and handed her the flowers. “These are for you,” he said nervously, he smiled when she looked at them. “Oh! These are beautiful. Thank you dear,” your mum turned her body to let you two in. Hugging you when you came by. Once you had gotten further into the house the video stopped completely.

You smiled at lando who was giggling slightly at the horrible camera work, after all, he did have a photography account. You grabbed the camcorder out of his hands and started to record, "hey guys," you said in the background, the camera pointed to the (almost) empty room. "Lando is helping me move out. We're moving in together!" you cheerfully exclaim, you turn the camcorder to lando who is continuing to look through your sentimentals. You shoved the camcorder right in his face, he smiled and waved at the camcorder. "im showing this to our future kids," you grin. "Kids, eh?" he smirked, you hit him playfully, "duh."

You continued to walk around the apartment, giving a slight story to your 'audience' about every place in your apartment. Finally you got to the front door, a bittersweet feeling slowly started to kick in. You hear footsteps coming towards you, it was lando carrying your last box. You sigh heavily, placing the camcorder down, it pointing towards the two of you. "So, this is it, huh." you mumble, lando pats your back contently. "New beginnings love. I'm so excited for you to move in with me! " he was calm, hopeful, excited. You smile at his cheerfulness and gave lando a quick peck on the kiss. "I cannot wait to start my new beginning with you," your face lit up and you grabbed the camcorder from the ground. "Well, this is it! Bye guys," you smile. Lando peering over your shoulder, "byeeee!" he waves.

You sigh as you end the recording. You start to slowly walk out of your apartment, lando following behind with the last box. He places it down when he gets outside your front door, you hesitantly close it. You grab the keys out of your pocket and fiddle trying to grab the right one, you were anxious. What happens if you guys break up? All these negative emotions fill your thoughts until lando sees your uneasy state. He places his hand over your now shaking hand. You take a deep breath and lock your door. You turn to lando.

"To new beginnings," you smile.

"To new beginnings, love." lando kisses you.

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a/n: here we go! second fic. more are coming. I hope you guys enjoyed. I might make this a multi-part fic, with different cute videos y/n and lando find if people want that (comment or send in a request telling me!!) anyway, requests are always open. <3 thank you for everyone and their support on the max fic! everyone is so sweet and supportive.

[weaselandfriends]

Ender's Game (novel)

Is Ender Wiggin (pictured above as the little brother from Malcolm in the Middle) guilty of xenocide?

Actually, let's first answer a different, but related, question:

What game does the title "Ender's Game" refer to?

It's not as simple a question as it seems. There are three games that have a prominent role in the plot, all very different from one another.

The obvious answer is the Battle School zero-gravity game, where teams of competitors play glorified laser tag in a big empty cube. In terms of page count, most of the book is dedicated to this game. It's also the game depicted on the cover of the edition above.

Yet this game vanishes during the story's climax, when Ender is given a new game to play, a game he is told is a simulator of spaceship warfare. This "game" turns out to not be a game at all, though; after annihilating the alien homeworld in the final stage, Ender learns that he was actually commanding real ships against real enemies the whole time, and that he just singlehandedly ended the Human-Bugger war forever via total xenocide of the aliens. This is both the final game and the most consequential to the plot, despite the short amount of time it appears.

There's also a third game, a single-player video game Ender plays throughout the story. The game is procedurally generated by an AI to respond to the player's emotional state, and is used as a psychiatric diagnostic for the players. Of the three games, this is the one that probes deepest into Ender's psyche, that most defines him as a person; it's also the final image of the story, as the aliens build a facsimile of its world in reality after psychically reading Ender's mind while he xenocides them.

Because all three games are important, the easiest answer might be that the question doesn't matter, that the story is called Ender's Game not to propose this question at all but simply because the technically more accurate "Ender's Games" would improperly suggest a story about a serial prankster.

Fine. But why does the title use the possessive "Ender's" at all?

He does not own any of these games. He did not create them. He does not facilitate them. All of these games, even the simulator game, predate his use of them as a player, were not designed with him in mind, were intended to train and assess potential commanders for, ostensibly, the hundred years since the last Human-Bugger war.

It's in this question that we get to the crux of what defines Gamer literature.

These games are Ender's games because he dominates them into being about him. He enters a rigidly-defined, rules-based system, and excels so completely that the games warp around his presence. In the Battle School game, the administrators stack the odds against Ender, thereby rendering every other player's presence in the game irrelevant except in their function as challenges for Ender to overcome. The administrators acknowledge this in an argument among themselves:

"The game will be compromised. The comparative standings will become meaningless." [...] "You're getting too close to the game, Anderson. You're forgetting that it is merely a training exercise." "It's also status, identity, purpose, name; all that makes these children who they are comes out of this game. When it becomes known that the game can be manipulated, weighted, cheated, it will undo this whole school. I'm not exaggerating." "I know." "So I hope Ender Wiggin truly is the one, because you'll have degraded the effectiveness of our training method for a long time to come."

In this argument, Anderson views the game the way games have been viewed since antiquity: exercises in acquiring honor and status. This honor is based on the innate fairness inherent to games as rule-based systems, which is why in ancient depictions of sport the chief character is often not a competitor but the host, who acts as referee. In Virgil's Aeneid, for instance, the hero Aeneas hosts a series of funeral games (the games themselves intended as an honor for his dead father). Despite being the principal character of the epic, Aeneas does not compete in these games. Instead, he doles out prizes to each competitor based on the worthiness they display; his fairness marks him symbolically as a wise ruler. The Arthurian tournament is another example, where Arthur as host is the principal character, and the knights (Lancelot, Tristan, etc.) who compete do so primarily to receive honors from him or his queen.

In Ender's Game, it is the antagonistic figure Bonzo Madrid who embodies this classical concept of honor; the word defines him, is repeated constantly ("his Spanish honor"), drives his blistering hatred of Ender, who receives both unfair boons and unfair banes from the game's administrators, who skirts the rules of what is allowed to secure victory. Bonzo is depicted as a stupid, bull-like figure; his honor is ultimately worthless, trivially manipulated by Ender in their final fight.

Meanwhile, it's Ender's disregard for honor, his focus solely on his namesake -- ending, finishing the game, the ends before the means -- that makes him so valuable within the scope of the story. He is "the one," as Anderson puts it, the solipsistically important Gamer, the Only I Play the Game-r, because the game now matters in and of itself, rather than as a social activity. In the Aeneid and in Arthur, the competitors are soldiers, for whom there is a world outside the game. Their games are not a substitute for war but a reprieve from it, and as such they are an activity meant to hold together the unifying fabric of society. The values Anderson espouses (status, identity, purpose, name) are fundamentally more important in this social framework than winning (ending) is.

Ender's game, as the Goosebumps-style blurb on my 20-year-old book fair edition's cover proclaims, is not just a game anymore. Its competitors are also soldiers, but the game is meant to prepare them for war; the spaceship video game is actual war. And as this is a war for the survival of the human race, as Ender is told, there is no need for honor. The othered enemy must be annihilated, without remorse or mercy.

This ethos of the game as fundamentally important for its own sake pervades Gamer literature beyond Ender's Game. In Sword Art Online (which I wrote an essay on here), dying in the game is dying in real life, and as such, only Kirito's ability to beat the game matters. Like Ender, Kirito is immediately disdained by his fellow players as a "cheater" (oh sorry, I mean a "beater") because he possesses inherent advantages due to being a beta player. In an actual game, a game that is only a game, Kirito's cheat powers would render the game pointless. What purpose does Kirito winning serve if he does it with Dual Wielding, an overpowered skill that only he is allowed to have? But when a game has real stakes, when only ability to win matters, it is possible to disregard fairness and see the cheater as heroic.

This notion of the "cheat power," a unique and overpowered ability only the protagonist has, is pervasive in post-SAO Gamer literature. To those for whom games are simply games, such powers can only be infuriating and obnoxious betrayals of the purpose of games; to those for whom games mean more than just games, for whom games have a primacy of importance, these powers are all that matter.

That's the core conceit of Gamer literature: the idea that the Game is life, that winning is, in fact, everything.

What sets Ender's Game apart from Sword Art Online is that it creates the inverted world where the Game matters above all, but then draws back the curtain to reveal the inversion. The Buggers are, in fact, no longer hostile. They are not planning to invade Earth again, as Ender has been told his entire life. The war, for them, is entirely defensive, and Ender is the aggressor. And due to Ender's singleminded focus on Ending, on winning, on disregarding honor and fairness, he ultimately commits the xenocide, erases an entire sentient species from existence. He wins a game he should never have been playing.

The obvious counterargument, the one I imagine everyone who has read this book thought up the moment I posed the question at the beginning of this essay, is that Ender did not know he was committing xenocide. The fact that the combat simulator game was not a game was withheld from him until afterward. Plus, he was a child.

Salient arguments all. Ones the book itself makes, via Ender's commander, Graff, to absolve him of sin at the end. They're probably even correct, in a legal sense (I'm not a legal scholar, don't quote me), and in a moral sense. In real life, it would be difficult to blame a 10-year-old in those circumstances for what he did. But in the thematic framework of Ender's Game the book, these arguments are completely inadequate.

Ender has been playing a fourth game the entire story. And this is the only game he doesn't win.

A game is defined by its system of control and limitation over the behavior of the players. A game has rules. His whole life, Ender has been playing within the rules of the system of control his military commanders place upon him.

Their control extends even before he was born; as a third child in a draconian two-child-only world, his existence is at the behest of the government. Graff confirms this to Ender's parents when he recruits him to Battle School: "Of course we already have your consent, granted in writing at the time conception was confirmed, or he could not have been born. He has been ours since then, if he qualified." Graff frames this control utterly, in terms of possession: "he has been ours." He does not exaggerate. Since Ender was young, he has had a "monitor" implanted in his body so the army could observe him at all times, assess whether he "qualifies"; even the brief moment the monitor is removed is a test. "The final step in your testing was to see what would happen when the monitor came off," Graff explains after Ender passes the test by murdering a 6-year-old. Conditions are set up for Ender, similar to the unfair challenges established in the Battle School game; he is isolated from his peers, denied practice sessions, held in solitary confinement on a remote planetoid. It's all in service of assessing Ender as "the one."

Ender wins this game in the sense that he does, ultimately, become "the one" -- the one Graff and the other military men want, the xenocider of the Buggers. He fails this game in the sense that he does not break it.

The other three games Ender plays, he breaks. Usually by cheating. In the single-player psychiatry game, when presented with a deliberately impossible challenge where a giant gives him two glasses to pick between, Ender cheats and kills the giant. "Cheater, cheater!" the dying giant shouts. In the Battle School game, Ender is ultimately confronted by insurmountable odds: 2 armies against his 1. He cannot outgun his opponent, so he cheats by using most of his troops as a distraction so five soldiers can sneak through the enemy's gate, ending the game. At the school, going through the gate is traditionally seen as a mere formality, something done ceremonially once the enemy team is wiped out (there's that honor again, that ceremony), but it technically causes a win. Even Anderson, the game's administrator, sees this as a breach of the rules when Ender confronts him afterward.

Ender was smiling. "I beat you again, sir," he said. "Nonsense, Ender," Anderson said softly. "Your battle was with Griffin and Tiger." "How stupid do you think I am?" Ender said. Loudly, Anderson said, "After that little maneuver, the rules are being revised to require that all of the enemy's soldiers must be frozen or disabled before the gate can be reversed."

(I include the first part of that quote to indicate that Ender all along knows who he is really playing this game against -- the administrators, the military men who control every facet of his life.)

Ender beats the war simulator game in a similar fashion. Outnumbered this time 1000-to-1, he uses his soldiers as sacrifices to sneak a single bomb onto the alien's homeworld, destroying it and committing his xenocide. Ender himself sees this maneuver as breaking the rules, and in fact falsely believes that if he breaks the rules he will be disqualified, set free from the fourth game: "If I break this rule, they'll never let me be a commander. It would be too dangerous. I'll never have to play a game again. And that is victory." The flaw in his logic comes not from whether he's breaking the rules of the game, but which game he is breaking the rules of. It's not the fourth game, Ender's game, but the war simulator game, simply a sub-game within the confines of the fourth game, a sub-game the fourth game's administrators want him to break, a sub-game that gives Ender the illusion of control by breaking. When Ender tells his administrators about his plan, the response he receives almost taunts him to do it:

"Does the Little Doctor work against a planet?" Mazer's face went rigid. "Ender, the buggers never deliberately attacked a civilian population in either invasion. You decide whether it would be wise to adopt a strategy that would invite reprisals."

(And if it wasn't clear how much the administrators wanted him to do this all along, the moment he does it, they flood the room with cheers.)

Ender wins his games by cheating -- by fighting the rules of the game itself -- and yet he never cheats at the fourth game, the game of his life.

In this fourth game, he always plays by the rules.

In the inverted world of Gamer lit, where games define everything, including life and death, it's a common, even natural progression for the Gamer to finally confront the game's administrator. Sword Art Online ends when Kirito defeats Akihiko Kayaba, the developer. In doing so, Kirito exceeds the confines of the game, not simply by ignoring its rules and coming back to life after he's killed, but by demonstrating mastery against the game's God. Afterward, Sword Art Online truly becomes Kirito's Game, with nobody else able to lay claim to the possessive. Kirito demonstrates this control at the end of the anime by recreating Sword Art Online's world using its source code, completing the transition into a player-administrator.

(Though I wonder, how much of a class reading could one give to this new brand of Gamer lit? If classical games were told from the perspective of the one who controlled them, then is there not something innately anti-establishment in Kirito overcoming the controller? This is the gist of many other death game stories, like The Hunger Games, though none of them may be the most sophisticated takes on the subject, more empty fantasy than anything else.)

Ender never fights or defeats his administrators. He never even tries, other than rare periods of depressive inactivity. He doesn't try even though the option is proposed to him by Dink Meeker, an older student whom Ender respects:

"I'm not going to let the bastards run me, Ender. They've got you pegged, too, and they don't plan to treat you kindly. Look what they've done to you so far." "They haven't done anything except promote me." "And she make you life so easy, neh?" Ender laughed and shook his head. "So maybe you're right." "They think they got you on ice. Don't let them." "But that's what I came for," Ender said. "For them to make me into a tool."

Instead, Ender finds comfort in the control exerted on his life. When sent to Earth on leave, he seeks out a lake that reminds him of living in Battle School.

"I spend a lot of time on the water. When I'm swimming, it's like being weightless. I miss being weightless. Also, when I'm here on the lake, the land slopes up in every direction." "Like living in a bowl." "I've lived in a bowl for four years."

Because of this, Ender never cheats against Graff. He could; Graff states several times that Ender is smarter than him, and the fact that they have Ender fighting the war instead of Graff is proof he believes it. But Ender never considers it. He never considers gaming the system of his life.

If Gamer literature emphasizes the inversion of the world order, where games supersede reality in importance (and, as in Sword Art Online, only through this inverted order is one able to claim real power by being a Gamer), then Ender's Game acknowledges both sides of the inversion. For Ender, the games he plays are not simply games anymore. The psychology game, the Battle School game, the war simulator game; all of these he must win at all costs, even if it requires disrespecting the foundational purpose of these games. But his real life? Ender wants that to be a game, craves it to be a game, can't live unless the walls slope up around him like a bowl, can't stand it unless there is a system of control around him. He does what Graff tells him, even though he recognizes immediately that Graff is not his friend, that Graff is the one isolating him from others, rigging things against him. He does what Graff tells him all the way up to and including xenocide, because Ender cannot tell game from real life. That's the core deception at the end: Ender is playing a game that's actually real and he doesn't know it -- or refuses to acknowledge it, since nobody has ever tricked the genius Ender before this point.

Actually, that's not true. They tricked him twice before. Ender twice attacks his peers physically, with brutal violence. The administrators conceal from him that he murdered both his foes; he simply thinks he hurt them. The only way to trick Ender is to do so in a way that insulates him from the consequences of his actions. The only way he will allow himself to be tricked.

So, is Ender guilty of xenocide?

Under it all, Ender believes he is.

The dying Buggers, after reading Ender's mind, recreate the psychology game in the real world. The story ends when Ender finds this recreation, yet another blurring of the lines between game and reality.

The psychology game is different from the other games Ender plays, because nobody expects him to win it. Its purpose is not to be won, simply to assess his mental health. Yet Ender approaches it like the other games, cheats at it and systematically kills all his enemies until he reaches a place called The End of the World. (Another End for Ender.) His drive to win, to dominate, does not come solely from the pressures of the system around him, but from deep within himself, which is what Ender fears the most. But it is here, at The End of the World, where Ender finds atonement, both in the game and in the game-made-real. In the game, he kisses his opponent instead of killing them, and reaches a resolution he is happy with. He stops playing the game after doing this, though the game seems to continue (when an administrator asks him why he stopped playing it, he says "I beat it"; the administrator tells him the game cannot be beaten). It is through this act of love that Ender can escape the game-like system of control that puppeteers him no matter how smart and clever he is or thinks he is.

In the game-made-real, Ender finds his atonement in the same place, The End of the World. The Buggers left for him here, in this place that they (reading his mind) understood as the location of his mercy and compassion, an egg that can repopulate their species. Through this egg, Ender is given the chance to undo his xenocide. But that chance is also contingent on what The End of the World means to Ender, an end to the game, not simply the games he plays but the fourth game, the game of his life. Ender's Game.

[sirfrogsworth]

Let's talk about macro extension tubes.

I just saw this video recommended to me.

This has so many views and it is so bad.

This is not how macro extension tubes work.

At all.

You can't just keep adding more of them to get more macro. All you are doing is reducing the amount of light reaching the sensor and making it harder to take your photo.

All lenses have a minimum focusing distance (A) and a minimum working distance (B).

The minimum focus distance is measured from the sensor. This is the absolute closest distance where you can attain sharp focus on a subject. This is usually the spec the camera manufacturer gives you, but it isn't very useful because it doesn't take the length of the lens into consideration.

Minimum working distance is how close the end of your lens is to your subject. You figure this out by adding the flange distance (google it for your camera), and then add the length of your lens, and then subtract that from the minimum focus distance.

Whatever is leftover is how close you can get to stuff.

In this example, this is as close as the lens can get to the flower before it can no longer achieve sharp focus. If you get any closer, it will be blurry.

If you have a short working distance, this can be problematic for macro work. Your lens could create a shadow on your subject. You might be so close that you disturb the insects you are trying to shoot. You risk scratching your lens if you are shooting near rocks or other scratchy objects. So finding a macro lens with a decent working distance is always optimal. You can back off from your subject and get a lot of light in there and not have to worry so much about disturbing critters.

But if you don't have a macro lens, you can increase the magnification of any lens by adding extension tubes. It is a low cost way to get into macro photography, but it isn't a perfect solution.

Before I can tell you what macro extension tubes do, let's quickly talk about what macro actually is.

Macro magnification is usually measured starting at 1:1 reproduction or 1x. (Some manufacturers start at 0.5x or 1:2 reproduction, but most photographers don't actually consider that macro. So watch out for that in lens specs.) 1x magnification means the thing you are shooting will appear on the sensor the same size as in real life.

So if a lens has a 0.25x magnification, an object will only take up 25% of the image sensor. (The rectangle on the right side.)

But at 1x magnification, it will be reproduced exactly as it is in real life on the sensor.

If you have a 2x lens or 2:1, it would appear twice as big as the image sensor.

So what does an extension tube do?

Extension tubes are just spacers that shorten your minimum focus distance. They take the red arrows and change them to the yellow.

They push your lens farther from the sensor and allow you to get closer to your subject.

This causes an increase in magnification.

Think about how a magnifying glass works. You pull it closer to you so that everything gets bigger in the lens. That's essentially all the tubes are doing.

The first downside to extension tubes is they reduce the amount of light by quite a bit. The inverse square law says the farther light travels, the lower the intensity. So the more tubes you add, the more light you have to add to the scene. Or you have to do a really long exposure on a tripod.

But the decrease in working distance is a problem as well. You may find you have to put the front of the lens a few millimeters away from your subject to get a meaningful increase in magnification. And because you can't phase into objects, there is a limit to how many extension tubes you can use to affect magnification.

At some point, you are actually placing the working distance *behind* the front of the lens. After this point you can no longer increase the magnification. You're just making your lens focus farther away.

You could keep adding more and more extension tubes, but it would not allow you to get any closer to your subject.

If you put 20 of them on, you are just doing this...

At some point, you'll have to violate the laws of physics.

The lens used in the video is already a macro lens capable of 1:1 reproduction.

This lens has a minimum focus distance of 160mm. But it has a minimum working distance of only 43mm (1.7").

Extension tubes are measured in millimeters. The ones in the video come in 16mm and 10mm sizes. He alternated them.

So in order to reduce the working distance to the point a subject would nearly be touching the front of the lens, he could put on a maximum of 3 tubes.

The red lines below show how much each tube would reduce the working distance.

A 10mm, a 16mm, and a 10mm would reduce the working distance by 36mm—leaving him about 7mm of space in front of his lens to achieve focus.

He could add another 10mm tube if he didn't mind his subject basically touching the lens, but it is very difficult to get that close in a real world scenario and achieve a decent result.

If he put on 20 tubes, that would reduce the working distance by 260mm. And since there is only 43mm in front of the lens to work with, he is overshooting the minimum possible working distance by 217mm or about 8.5 inches.

He's basically doing this...

He overshot by about 17 tubes—worth about $400. Though he probably made that money back in views. So I guess it was worth it.

But it is really bad information and may cause people to buy a ton of tubes expecting to get super macro results.

The only real way to significantly increase magnification is to buy a lens specifically designed for it. They make macro lenses up to 5x and after that you are looking at microscope objectives.

With extension tubes you might be able to get a non-macro lens to achieve close to 1x or better, but there is no low cost way to get much beyond that.

To review...

Figure out your minimum working distance. If google fails to give you the answer, you can just get a tape measure and figure it out on your own.

Let's say that the working distance is 50mm.

That means you can add up to 50mm of extension tubes to get a bump in magnification. (Though that would be touching the lens, so I'd probably do 30 or 40mm of tubes maximum.)

Adding more tubes beyond 50mm will not increase your magnification.

It will just make your camera look like it is compensating for something.

[nonhuman-help-column]

Hey hey hey! Can you help a werewolf out?

I seem to not be shifting as often and I was wondering if I could have some advice or like ideas on what i could do to help shift (any kinda advice is welcome!)

(Nothing too physical as I am disabled with my legs, not drastically but it can be hard to do thing for extended periods of time)

So, similarly to what I told the tiger yesterday, start with time outside being still and observative. Animals spend lots of their time idle, and sometimes settling down and getting yourself out of your head and into your surroundings is what it takes to quiet the human side of your mind and let your animal instincts take the lead.

In fact, here is a little practice that I personally do to help induce a shift, modified a little for wolf specific language.

Go outside and find a comfortable place to sit. Consider kicking off your shoes if you're in an area without many sharp things to step on.

Look all around you, notice what any birds, bugs, squirrels, etc, are doing around you. Notice what kinds of plants are growing in different areas. Is what grows in the shade different than what grows in the sun? Is anything blooming or fruiting? That sort of thing. This should start to help you stop mulling over your day or any human life worries you have.

Once you feel pretty relaxed and familiar with your surroundings, close your eyes. Remembering what you saw before, try to now mentally recreate your landscape using other sensory input. Notice how the wind hits you and any scents it brings (Did you have a field of flowers? Sun baked grasses? Exhaust from the road?). Notice how it sounds rustling through different plants. What temperature it is. Notice what animals you can hear and what that means in relation to the surroundings you remember. The sound of birds tells you which direction the clumps of trees were. The croak of frogs tells you the direction of any water. The click of grasshoppers wings forms a picture of where the tall grasses were. Slowly, you should be able to paint a pretty vivid picture of what is around you using your other senses even without sight. This trains you to notice that input the way a wolf would.

When you feel you have painted a pretty good picture of what is around you, keep your eyes closed and hold onto that image, but start to turn some focus on yourself. Picture the way your ears would swivel to follow those sounds. How your nose might twitch and flare to investigate that scent. The way your fur and whiskers would be blown by the wind. Think about how your claws might squish into the grass and dirt or scratch against the stones beneath you. Slowly but surely, you should find yourself painted into that mental image as well.

Open your eyes. Look around yourself as a wolf, sharp and ready. Notice how the world looks and feels different in this state. If any of the scents and sounds you noticed earlier interested you, and you feel safe to do so, investigate them. You might be surprised what you find. From this point, do as you wish! I usually find that the shift peters out on its own after a while.

Keep in mind that you don't need true wilderness to do this. A backyard or city park is just fine as long as you won't be bothered.

That's a pretty long intense one though!

Here are some smaller activities to help either as a supplement to doing that practice or in place of it if that one doesn't speak to you.

- Journaling. I've fallen off the habit lately, but I used to love just sitting down by myself with my pen and paper and writing a little journal entry about my kintype or nature or any small shifts or animalistic things I noticed about myself that day. If you're worried about not having anything to write, pick a day to think of a bunch of writing prompts and put one at the top of each page. Then you can just flip through your journal and pick whichever one you feel like answering that day.

- Sleeping with the ambiance of your biome playing

- Watching videos of wolves doing whatever you are doing at the moment. Wolves eating while you eat. Wolves sleeping or cuddling while you rest. Wolves fighting when you're angry. That kind of thing. Wolves are very social creatures, so I imagine seeing others participating in the same thing you are would be euphoric.

[pilonciillo]

lol didn’t think someone giving money would give me anxiety

[depresseddepot]

having a breakdown btw wtf was i thinking applying to a job that is a 7 HOUR ROUND TRIP FROM WHERE I LIVE

[medievalwitch]

No one knows how close I was to orcas yesterday

[madamechrissy]

Pornstar Satoru

Pairings- Pornstar Satoru x shy f!reader

Warnings- mentions of sex and sexwork, masturbation, mentions of drug use, weed smoking, Gojo has an OF hehe, lots of longing, pining, Satoru can't get hard if it's not you, whipped ass Satoru

This will be a FULL fic as a thank you for 11k followers (I can't BELIEVE I'm almost there!?!??) I wanted to show a little preview first, so here are some hcs!! Thank you all sm for following meee <3 Comment to get tagged!

Pornstar Satoru is one of the most famous pornstars there are, hence him constantly wearing jet black shades and hoodies at times, he never knew just who he'd run into that would recognize him. Whether it's his flicks or his OF - he's the top .01 % - he gets a lot of notice, especially in bustling LA. But, he loves what he does, he especially loves watching his abs flex in the camera as he hits one of his lovely costars from the back.

Pornstar Satoru loves making the costars and girls he collabs with actually cum, where they're shaking and squirting all over his latex covered cock. Not that fake shit like he watches them do with other men- no Satoru makes sure to slam that curved tip against their cervix, to roll his thumb right on their clit with the perfect amount of pressure. Perhaps that's the secret to how famous he really is, along with his good looks.

Pornstar Satoru makes so much money from each shoot and is in high demand, so he can have whoever he wants as a co star. They line up to have a chance at him, watching his videos and aching for a chance to feel his cock hitting them deeper than damn near anyone could hit, to say they got to shoot with the Satoru Gojo. This just makes Satoru fuck them harder, smiling right at that camera, as women dream it's really them that have captured his pretty blue eyed gaze.

Pornstar Satoru thinks it's a pretty damn good life, being rich for fucking beautiful women on camera, as he's inhaling a blunt after a threesome shoot with his best friend - and often costar- Pornstar Suguru, as they talk about who got the girl to squirt more, right in the middle of a bouguie party in East LA. Suguru let's out a throaty laugh, while Satoru narrows his blue eyes. 'I had her cumming so hard she was shaking' he says, taking a hit and handing it back to Suguru. 'Nah, that was all for me, did you see...'

Pornstar Satoru stops listening when he sees you enter the room, completely out of place at the coke filled, booze filled party, wearing a pair of black glasses that cover half of your pretty face, and a little nervous look as you stand there, in a cute white pleated skirt and a big oversized sweater. Satoru smacks Suguru on the shoulder then and he coughs up smoke. 'Shit what is it?' Satoru looks back at you, when you're handed a drink, some guy flirting as you look down shyly. 'Who's she?' Suguru blinks a bit curiously. 'I don't know, she's pretty though'

Pornstar Satoru scowls at Suguru who snorts in laughter then. 'Satoru we don't have 'girlfriends' and she... looks like a good girl' your eyes catch his then, across the room, like something shifts as you smile sweetly, before peering at your phone, biting your lip in concentration. 'I'm talking to her' Suguru chuckles as he watches his friend, and Satoru feels his heart race when he comes too close to you, something he can't say he's felt, even pleasing countless beauties, nothing has quite altered him as your sweet turn of lips, as you look down at your converse, so out of place you're fucking adorable. 'Hey sweetheart... Satoru Gojo' he says, introducing himself with ease, expecting you to maybe notice him, get starstruck, fuck women get wet just near him, but you simply grin, and your name whispers through his mind when it spills from your lips.

Pornstar Satoru has you sitting with him later, you fall into easy conversation, you're a little gamer nerd, you love science and the environment, he just bets you were head of your ecology club in college, which you quickly confirm, all while you're in awe of just how beautiful this man is. He's sweet, he's sexy... you feel he shouldn't even be talking to you. You're pretty but... he's experienced so clearly, by every way he moves, he's worldly, so confident, and you've never really left this little part of LA, but the two of you can't stop talking, to the point you forget what brought you here.

Pornstar Satoru laughs with you, as you're sitting side by side, and he lights up a blunt, leaning back on the burgundy couch on the outskirts of the party, inhaling it deep into his lungs. 'Want a hit, sweets?' he murmurs, you take it nervously, putting it to your lips and inhaling a bit, before coughing, covering your mouth. Satoru chuckles, 'you're cute' earning your cheeks heating up. 'Can you tell I don't do this?' you're nervously tapping your leg now. 'Yeah, what does bring you here, doesn't seem your...' 'my scene?' he nods then. 'yeah, that.'

Pornstar Satoru watches avidly as you sip on your drink, wincing at the strong liquor. 'Well, my friend invited me over, but she's running late' Satoru grins now. 'Party time is different, everyone comes late, that's on time. About fifteen minutes late' 'oh no I came early!' you smack your own forehead, giggling along with him. 'Are you like... a model, or an actor?' you ask, eyeing him and his baby blues, the cheekbones so perfect, those lips that wrap the blunt again. 'You could say I'm a bit of both,' he muses, then spits out his drink when you ask 'what are you in!?'

Pornstar Satoru coughs just a bit, he's never been ashamed of what he does, but he's nervous for some reason to tell you. Why, he doesn't know. 'I'm... into some indie flicks' you brighten up then. 'Oh, let me know, I love lowkey films! I bet you're great' Satoru sighs, gulping down the rest of his drink and eyeing your cup. 'Want more?' you frown now, maybe you're asking too much, or offending this actor that you don't recognize him!? You nod, the amount of people around you making you press against this friendly, pretty white haired stranger just a little more.

Pornstar Satoru has another drink, eyeing the sea of bodies undulating in the extravagant mansion, and soon the two of you are dancing together you're cute and so awkward, Satoru's enjoying this far, far too much. He has plenty of costars and fans come up to the two of you, but he's too interested in showing you how to move your hips to pay them any mind, when finally your friend comes. Satoru instantly recognizes her, she's a pretty famous co star he's collabed with on her Onlyfans not long ago. When she sees you giggling and enjoying yourself so much, she damn near drags you away, making Satoru curse.

Pornstar Satoru eyes you when your friend whispers in your ear- 'you really don't recognize him!?' you blink curiously, looking at him more closely. 'Should I?' she sighs then, eyeing Satoru up and down. 'He was in my OF videos, we collabed' you heat up furiously then. 'I never watched your videos! I just subbed to be supportive!' she giggles. 'You're so cute, I thought you at least watched some?' you shake your head nervously. 'I don't really watch, is he... like an OnlyFans guy?' Satoru is back over with Suguru now, while you sip your drink, feeling your body warm up. 'He's the top pornstar there is, the collab was like a dream. He's really sweet but you should know is all, you're kinda...' you glare. 'kinda what?' she giggles again. 'you're just... sweet, emotional, is all'

Pornstar Satoru expects you to be done with him once you find out, after all you just seem innocent, uncorrupted for this city, not the kind of girl to be at this party where lines are being snorted off bodies, and people are naked and jumping in the pools, a heady, wild atmosphere. But you smile at him, as you murmur - 'he's sweet?' to your friend. She nods then. 'He is, but just know... he doesn't date so, it'd only be physical' you frown at that now, that's not something you think you can do, you're about as demisexual as it gets, hence your very limited experience. 'He doesn't date at all?' Your friend gently touches your shoulder. 'No, love, I'd hate to see you hurt'

Pornstar Satoru catches you before you leave later that night, when you are just feeling too out of place, his big hand wrapped around your delicate wrist, earning you looking up at him. He can't stop thinking how pretty your eyes would look rolled back, how good your lips would feel wrapped around his cock, as you relax a bit, turning and looking up. 'Headed out already?' he asks softly, you flush as you remember just what he does for a living, your friend had just described his cock in far too vivid detail. 'It's not really my thing, but I'm glad we met, Gojo' you smile so cute then, leaning up and pecking him on the cheek, his arm wraps your waist as he leans down, inhaling that sweet vanilla scent cloying to your skin.

Pornstar Satoru pulls you in closer, blue eyes staring under snowy lashes. 'Can I... get your number?' Satoru has never asked for a number a day in his life, but he delights in watching you shift nervously, nodding as you tuck your hair behind your ear. 'Yeah, I'd like that' he exchanges numbers, tilting your chin up then, watching the way your eyes dilate, the color spread on your pretty cheeks. 'She told you?' you clear your throat, nodding a bit, still being captured by his fingers. 'I don't judge at all, Gojo, I'd still like to be... friends...' your whisper is met with the most subtle kiss on your lips, shooting desire hot and heavy until Satoru releases you, plump lips smirking- 'sure, sweets, we can be friends'

Pornstar Satoru can't get you off his mind, the feel of your skin on his, the sweet sigh against his lips. He is on a big shoot and - the Satoru Gojo that never gets soft - is having trouble keeping it up, to the amusement of his costar Pornstar Sukuna. Satoru scowls at his comments, just picturing your sweet lips against his for that brief moment. A man who just fucks and fucks, and doesn't feel, is hung up just on some fucking kiss. He has to take a break after pleasing his costar with his fingers, she's cumming so much she doesn't notice, but the directors wonder why he's off. He's in his own dressing room, eyeing the phone, hands shaking as he decides to type a message - 'could you give me a picture, sweets, to save as your caller id?'

Pornstar Satoru finds his cock is right back on hard when you send one quickly, just a cute selfie with a little peace sign, but he sees your glossy fucking lips, the teeth indentations he aches to rub the tip of his cock on, along with just a hint of your breasts. Your nipples press against the thin material of your little tee shirt- Pokemon, he notices, smiling- his cock throbbing. 'Can I get one too?' you're biting that lower lip nervously as you ask, getting a picture of him shirtless then, doing nothing to stifle the curiosity in your mind, your heart racing as you seee his body. 'You at a shoot?' you ask in the messages, he hesitates before answering - 'yes' - and somehow you feel jealous of whoever his costar is. You message a - kill it, Gojo! - despite the feeling in your tummy, little do you know you're drowning his fucking mind when he performs later, feeling the star squirting all over his latex covered cock.

Pornstar Satoru can't stop texting you that week, he can't even get hard if he doesn't look at that picture, and you can't stop your curiosity, when you friend mentions he's doing a live stream. Since Satoru can hardly perform, he's decided to masturbate on live cam, in minutes making more than he'd make in a shoot, all while having your picture propped up. People are chatting, watching, dollars by the hundreds being tipped every moment, fuck he's making way more than he usually would, and he can think of you. He laughs softly, abs flexing as he hits the right angle, reading the comments, making you dripping wet, this isn't what you do!?

Pornstar Satoru is stroking his wet, slick cock that's glistening, up and down with his huge hand, and you feel your pussy clench, breath coming faster, unsure whether to look away or keep staring, meanwhile he's picturing you in all sorts of positions, on your knees, a fucking mating press. He's shutting his eyes for a moment, grinning as the viewers go crazy. 'I know, it's pretty, huh?' he spits right on that long, veiny cock of his, pinching his pink tip and whining, white lashes fluttering open right when he sees a familiar name enter the chat.

Your name.

hehe it'll be a FULL FIC not a drabble/oneshot - if you're interested in getting tagged drop a comment <3

perm tags- @alt--er--love @indiewritesxoxo @nanasukii28 @cuntphoric @loafteaw @n1vi @miizuzu @beachaddict48 @honeybunnnnie @re-tired-succubus @gojosukuna2268 @waterfal-ling @1brii @wise-fangirl @moncher-ire @orikixx @uhnosav @baepsays @designerpvssy @orixxxana @airandyeah @nina-from-317 @evelynxxo @naammiii @soyokosuguru @espresso1patronum @tomboy-disaster @iam-souless @lanii-i @cristy-101 @doeeyestoji  @cvixmei @mutsu422 @ivyvenus333 @g00seg1rl @suki91 @satoao-main @fairygardenprincesss @theonlyjuggernaut @huntyhuntycunty @lovelockdownff @ibreathesmut @s777athv @twinklywinkly @akiii143 @squeezyvalkyrie @cookielovesbook-akie @oinksa @cutelittlesugarfairy

[kaijutegu]

Alligator Bites Might Never Heal, But Doechii Is Good At Holding Alligators

Doechii won the Grammy for Best Rap Album for Alligator Bites Never Heal, but she also should have won the coveted and definitely not fictitious "Best Alligator Handling" award for the way she held Coconut on the cover!

(Yes, it's this Coconut.)

And the best part? She released a BTS video showing how they shot the cover, meaning that we can see more than just the still image! If a picture's worth a thousand words, video's worth... a lot more. (Sorry if it autoplays I don't think I have any control over that either way)

So, using the photoshoot images and video as evidence, let's take a look at how Doechii handled this alligator very well! I'm going to go into excruciating detail here because I think it's important to know why something is good just as much as it is important to know why something is bad. It's hard to understand alligator body language a lot of the time, so in this writeup, I will address how Doechii's holding the gator and what she's doing right, as well as point out how you can tell from Coconut's reactions that she is not distressed.

Body Support

In the album cover image, Doechii is seated, which is good, because even though she's a small alligator, Coconut is a very strong and powerful creature. That tail is pure muscle! But even in the standing images, you can see that Doechii is giving Coconut great body support and holding her correctly- close to the body, but without grabbing too tightly or being restrained uncomfortably. I think for a gator of this size I would have recommended pinning the back foreleg against her body for a little additional support and movement restriction- but I don't think she had to restrict movement because Coconut seems quite relaxed!

In the seated image, Doechii has one hand under Coconut's chest, supporting her sternum and head. The other hand is on top of her tail, and her knee is under the pelvic girdle. This type of hold lets the alligator feel safe; remember that these are aquatic and terrestrial creatures. An insecure hold that risks dropping them is going to stress them out and make them uncomfortable. By holding the alligator gently against her body and not squeezing, she's avoiding any uncomfortable pressure.

Head and Throat Support

In all of the images, Doechii is bringing her hand under Coconut's neck, creating a cradle with her hand so that the alligator can rest her head. But what she's not doing is she is not squeezing or grabbing the throat. The throat is one of the soft bits of an alligator, and squeezing it too tightly is very uncomfortable for them. But the way Doechii is supporting her gives her several degrees of freedom to move her head if she so chooses.

Body Language

Another indication of good handling is that it's clear that Coconut is not uncomfortably stressed. Alligators express displeasure with being held in a lot of ways, including struggling to get away, hissing, and holding their mouths open. (If you want to know more and see my sources, you can read my post on alligator body language. LOTS of info there, including peer-reviewed ethology sources that explain what alligators do and why they do it! Go get your data-driven answers!)

But Coconut isn't doing that; she's calm and alert. You can see in the BTS video that she's active on set. She's not shut down, and when she wants to walk around, she's not restrained. Obviously the video is an edited timelapse, and it's not the whole story- but when people show alligators in media, they usually don't know enough about them to edit out any uncomfortable body language. So I think that if she had been upset, we would have seen that.

We can also see in the video that Coconut is unbanded, meaning her mouth was not held shut. I thought they might have banded her and then edited the band out for the cover, but no, there was nothing restricting any distress cues. Banding is usually done for public safety, but the facility Coconut's from... doesn't do that, so I'm not surprised she's unbanded. At least it gives more evidence that she's not trying to gape!

One more good indicator that Coconut was comfortable is that she's got her eyes open, which you can even kinda see in the video if you zoom in. Reptiles will often squinch their eyes shut to avoid distressing stimuli or signal distress, and albino alligators have even more reasons to do this. They're much more sensitive to light than their pigmented counterparts. But it looks like her on-set work was completed quickly, meaning that she didn't have to be around bright lights for long.

In conclusion:

Doechii's album cover is an example of good alligator handling. Yay!

That said, please note that this is only about handling and is divorced from any other issues surrounding this particular alligator. (Read the body language post if you want more on that.) These are not issues I'm touching in this post, because that's not the point! I simply want to point out an instance of good handling and how you can identify relaxed body language in an animal that is notoriously hard to read when posted on social media.

[classyrbf]

classmate!gojo part 3!

classmate!gojo who has been watching you from afar for the past week now. His eyes are always gravitating towards you in class, trying to catch any other possible connection. He’s try so hard to convince himself that you’re not his mystery girl, but at this point he should just accept it. The photo of your nails was proof enough, not to mention how much of a rush you were in. Neither of you have texted or exchanged photos since then, and he’d be lying if he said it wasn’t driving him crazy. Every single day since then he can’t get you off of his mind, getting so hard from the thought of you that he has to sneak away to rub one out to your pictures or videos. He just can’t help himself.

He watches you in class, in the cafe area, even sees you walking on campus, doing normal things. He would have never guessed in a million years you were the one he sought after so badly. You hide it so well. But he knows deep down under that good girl persona you have, there’s a slut waiting to caught, waiting to be fucked and used like you told him all those times over text. He’ll make you break. He sees you sitting on a bench on campus just scrolling through your phone, knowing this is the perfect time to execute his plan.

He finally breaks contact, sending you a video he took of himself last night.

gojo: i miss you

it was simple, but he was hoping it’d work. He watches intently, a small smile spreading across your face, though he’s unsure if it’s because of him

gojo: send me something, yeah? miss seeing you, baby

and like clock work, he sees you get up, heading towards the bathrooms inside one of the campus buildings. What else to do but follow. He sees you slip into the bathroom, and now he finally has you where he wants you.

you enter the bathroom, riddled with excitement that he finally texted you. Maybe he didn’t catch on that you were the one sending him photos. Good, it means you can have more fun. You enter the stall, replaying the video of him jerking off, putting the phone close to your ear so you can his moans. You smile, your hands finding themselves under your skirt, rubbing your clit through your clothed pussy. Little do you know he’s standing right outside the door, waiting for you.

You unbutton your shirt and grab onto your tits, massaging them in your hand while you send him a video. Quickly, you send him another of your wet panties, still rubbing your clit.

you: missed you too. can you tell?

and gojo can’t believe it when he receives the videos, chuckling to himself at how slutty you can be. He saves the videos nonetheless and puts his phone back in his pocket, the bathroom door opening, you walking out, completely caught off guard. Your heart thumps against your chest, mouth hanging open like you want to say something but nothing is coming out. All you know is that you can’t stop staring at him. He’s smirking at you, eyeing like a piece of candy as he moves closer towards you, leaning over to whisper in your ear, “I know you’re little secret.” You’re frozen, unable to do a thing. You couldn’t even deny it at this point. “Give em to me,” he demands.

“W-what?” You blink, voice barely above a whisper. He moves back, a smug smile on his stupidly pretty face. God, he smells so good. And his whispering? You’re even more wet than before. He knows what he’s doing to you.

“Your cute little panties. Give them to me.” He’s so casual about it and makes you even more nervous yet more intrigued. You turn to go back into the bathroom but he grabs your arm. ��No, no, no. Do it right here.”

“But—” you look around to see if anyone else is around.

“What? Scared of getting caught? Sure weren’t thinking about that when you sent me all these videos and pictures. So, hand them over.” He watches as you slightly bend over, reaching under your skirt and gently pulling your panties down, letting them fall to your ankles. You sheepishly pick them up, they’re coated in your slick, an embarrassing sight. He grabs them from you, chuckling at the wet stain. “Wasn’t so hard, right?” He shoves them into his back pocket.You shake your head no, unable to keep eye contact with him. All the confidence you had over text has completely disappeared in the presence of him. What were you even thinking? He’s Gojo Satoru. “Thank you for these, baby.” He steps closer towards you, cornering you against the wall. “Send me something else later on tonight. Oh, and make sure to stop hiding that pretty face of yours too, okay? I wanna see everything.” He grabs your chin, tilting it up so you were looking at him.

“Why don’t you just fuck me already? We’ve both been waiting long enough,” you abruptly ask. It was taking everything in you not to drop on your knees and let him fuck your face.

“I can fuck you right here if I wanted to. You know how’ve riled up you’ve gotten me for all these weeks? I get so hard thinking about you that it hurts. I can’t fucking cum if it doesn’t involve you. You’ve taken over my mind, made me go on this chase to figure out who you were. So, if I wanna make you wait a little more, then I’ll fucking do it.” He gritted his teeth, gripping your chin slightly tighter. “Remember, only good girls get rewarded.” He smirked, pulling away from you before walking out of the building like nothing happened.

previous part

[arolesbianism]

Thinking abt her <333333 (oni gas range)

[noisilyscreechingsong]

Dp x Dc short idea

Jason is Danny’s dad

Warning: Language

Jason had just returned to the family publicly about two weeks ago. It hadn’t even been that long for him to settle before something happened. The press weren’t even off his ass and he has Alfred requesting he return home for an urgent matter immediately, which is butler speak for get your ass here right now!

The family was happy but adjusting to everything. They had mandatory family dinners at least twice a month and voluntarily got together more frequently, mostly just the siblings, but every once in a while Bruce would sneak in for a movie in the family room.

Alfred was pleased with the progress the family has made over the course of many years. It finally felt like everything was coming together and maybe settling down. He knew he thought that too soon when he answered the buzzer at the front gate. They weren’t expecting any visitors and looking at the video feed it was a young woman with hands on her hips glaring back at the camera. There were two large bags with her and surprisingly enough a young child playing in the grass just a short distance behind her.

“Wayne Residence, Alfred Pennyworth speaking, how may I assist you, ma’am?”

“Lettin’ me in for starters,” she says back with venom on her tongue.

“My apologies, but you do not have an appointment.”

She snorts, “Nah, but ya see, I saw that bastard on the news and thought I’d drop off what he gave me.”

To get her point across, she turns and looks back at the little boy not paying her any attention.

“Danny!” She snaps and he jerks his head to look at, who Alfred is assuming is, his mother. “Come here.”

He hops up at his own pace and dusts off the grass on his knees before trotting over. She leans down to angle the young boy away from the camera and pushing back his hair.

He couldn’t see it well before by the way the boy was positioned before, but Alfred could clearly see a prominent patch of white hair on the left lower section by his neck. Just like the white batch on Jason.

“You gonna let us in now?” She asks rudely.

Alfred has already determined he did not like this woman. He still buzzes them in. He contacts Jason immediately followed closely with Bruce.

Alfred then helps the two carry in the bags, while subtly checking for any weapons or explosives. Instead he finds things meant for a child.

He really didn’t like this woman.

Bruce is the first one to arrive down the stairs, pausing towards the bottom. He glances at Alfred and can see the displeasure in the butler’s eyes.

“Hello, ma’am. I’m Bruce Wayne, nice to meet you.”

“Fuckin’ everyone knows who you are, Brucie Wayne,” she huffs with a roll of her eyes.

Bruce glances down at the very young child who is hearing the foul language. He couldn’t be more than five, and completely oblivious as the little boy runs a hand along the wall and looks around at everything. He particularly keeps going back to the shiny chandelier above their heads.

“Who might you be?” He asks the woman, coming back to her as she almost touches the vase on the entry table. She draws her hand back to fold her arms across her chest.

“Grace.”

The name seems ironic compared to her behavior.

“And how can I help you, Miss Grace?”

“Your thought-to-be-dead son left something of his. I’m here to return it.”

It took no detective to determine she was talking about the boy currently using the door frame to the sitting room as leverage to rock back and forth, holding on with his tiny hands. Bruce could see the splash of white among the dark hair from this angle.

Bruce hums.

“Is that so?”

“I’ve already contacted Master Jason. He should be arriving soon. Shall I prepare some refreshments in the drawing room?” Alfred informs.

“Thank you, Alfred. Right this way,” he says to Grace, directing her toward the left while pulling out his phone to ask Tim to prepare the proper equipment downstairs.

“Danny!” The woman calls with impatience. She glares at the little boy who calmly turns to look at her, then skips behind them.

Grace huffs but doesn’t say anything else as they enter the room. She sits herself in the middle of the love seat and Bruce takes one of the chairs across from her. The boy, Danny, explores the room thoroughly, walking around without pattern and investigating every nook and cabinet to keep himself entertained. Very curious little child.

Bruce tries to engage her in conversation to dig up more information, but she firmly wanted to wait for Jason before divulging anything. He did however find out that Danny is four and needs to be enrolled in kindergarten next turn. Grace works night shift but wouldn’t say where.

Alfred came with three waters, one in a smaller plastic cup for Danny, and a plate of crackers and cut up fruit.

Grace eyes the butler with a raised brow. However, the first words Danny has spoken in their presence is a cute, “Thank you, mister,” before munching on a cracker and sipping from his cup. His curious eyes flick over the fruit and wanders over to his mother who picks at a rip in her jeans. He taps her knee and she sighs.

“What is it?”

“What’s that?”

Danny points to the fruit.

“What’s what?”

He creeps forward to point directly at the blackberries mixed in with the blueberries and strawberries.

“Blackberry,” she answers shortly.

“What’s it taste like?”

“Why don’t you try it and find out?”

He must have approved of that suggestion and reaches in to clumsily wrap a tiny hand around one of the dark berries. He flips it over in his hand for a minute, observing it at all angles, feeling the texture of the little bumps, before shoving it in his mouth. Danny leans his body over the coffee table to drag the bowl closer and rummage through it for more goodies.

Really looking at him, Bruce could see Jason’s freckles and the few other similarities like his square jaw and lip shape. He hasn’t seen it yet but Bruce bets Danny has the same crooked grin as his son.

He has the woman’s pale complexion and nose shape. His hair was straight like hers instead of Jason’s curls, but Danny took his dark coloring compared to her light brunette.

The boy was an adorable mix of both his son and this woman. He almost felt the test was unnecessary, but he didn’t stop Alfred from replacing the plastic cup and take it back to the kitchen where he knew it would be handed off to Tim.

Thankfully it was a day where there weren’t any meetings for either of them to attend.

Surprisingly, it isn’t Jason that enters the room first, it’s Damian coming home from school. The fourteen year old, almost fifteen, holds a leash in one hand with Titus standing patiently next to him, ready for his after school walk.

“Father, I heard we have guests.”

The teen stops in the doorway and Danny turns with interest until he spots the animal, then his eyes bug with excitement.

“Mommy, doggie,” he whisper shouts.

She just hums in affirmative, looking the new arrival up and down.

Danny grabs a blackberry from the bowl and trots over to Damian. He holds out the piece of fruit.

“This is a blackberry,” he states proudly.

Damian blinks down at the small child. Titus tilts his head, his nose working hard.

“I’m aware.”

“You can have it, if you let me pet your doggie,” he negotiates like he needed to give something in order to receive permission.

Damian looks up to his father for answers.

“Jason will be here soon,” is what he gets instead, his father’s lips twitch.

Damian looks back down in sudden realization when he sees the similarities between the man and this boy. He sighs tiredly.

“Pennyworth. A wet washcloth if you please.”

“Right away, Master Damian.”

“Next time, you only need to ask to pet Titus, you do not need to give me anything in return,” he tells the child.

Danny looks down at the berry sitting in his stained hands.

“So you don’t want it?”

“…Maybe later.”

“Okay!”

Danny skips back to carefully set the berry off the side on the tray, as if to save it for Damian for later like he said. He jogs the short distance back to them.

“Can I pet your doggie now, please?”

Damian takes the washcloth Alfred hands him with a nod and crouches down to get level with the boy.

“We must wipe our hands first. We don’t want anything sticky in his fur,” he explains as he holds out the washcloth for Danny’s hands.

The four year old looks down at the stains to see what he means and then places his hands on the washcloth for Damian to get the juices off.

The teen then calmly explains how to properly approach a dog he does not know by letting Titus smell the back of his hand first and then to always stay calm and confident.

Titus, the gentle giant that he is, had no problems letting the tiny child pat him and run small fingers through his short fur. It was endearing to hear the giggles when Titus used his big nose to sniff at the child’s face and neck. Sitting down, Titus was taller than the child standing up, which would have been scary to some kids, but Danny seemed to love Titus instantly. The little boy easily telling the dog what a good boy he is even with the dog sitting there doing nothing.

“Titus needs his afternoon walk now,” Damian informs.

Titus stands at the word walk, clearly ready to go.

“Oh, okay.” Danny turns to the big dog to reach up and pat his head twice. “Bye-bye, Titus. Have a good walk.”

The two leave and Danny skips back over to hang over the arm of the love seat his mother sits in, typing on her phone.

“Mommy, did you see the doggie? His name is Titus. He’s a good dog.”

“Uh-huh,” she comments without really listening.

“Do you like dogs, Danny?” Bruce asks with a smile.

Danny looks at him like he forgot the man was there, tilts his head as he studies him for a moment. Bruce waits patiently until Danny deems him okay and perks back up with bright eyes.

“Uh-huh! I love dogs! Mommy says we can’t get one ‘cuz our ‘partment is too small and they’re dirty. You’s guys are lucky,” the boy rambles as he wanders around the coffee table to get closer to Bruce and away from his distracted mother.

“How do you feel about cats? Damian has a black and white one around here somewhere.”

Danny shrugs and they continue to have a rather pleasant conversation about different animals and foods and each of their houses. It takes up the amount of time for Jason to walk through the door, seemingly already informed of the situation from Alfred.

Jason was… flabbergasted. Bewildered. Caught unprepared. He was a lot of words. Mostly he was scared.

Did he really have a child? A son? If that was true then he missed so much. He missed all of his firsts. First words, first steps, first laugh, first everything.

Would the boy even like him? What if he saw all his scars and was scared of him? What if he didn’t want anything to do with Jason after not being in his life this whole time?

But the boy might not be his. There’s that. That could be… Jason didn’t like the disappointment that thought brought.

Grace was the first one he noticed. Her ripped jeans and low cut top being out of place among the antique furniture and Persian rug. She scowls at him, putting her phone down.

“Finally decided to show up?”

He bites back a comment. He broke several traffic laws to get here, it wasn’t his fault he was fourty minutes away at the time he got the call.

He glances over at Bruce and instead his eyes zero in on the child standing by the armchair Bruce was sitting in.

Just one look and he knew the boy was his.

He looks to Bruce anyway for confirmation, since he has no doubt he sent off a sample to Tim hiding like the troll he is in the basement. The man nods. Jason sucks in a deep breath and suddenly needs to sit down.

He sinks heavily in the matching armchair next to Bruce’s, separated only by a round end table. Jason can’t stop staring at those big, blue eyes that are filled with such curiosity and innocence he almost breaks down right then. But he can’t. He has to be strong. He can’t just walk away to get a handle on his emotions. He’s a dad now.

“You’re a hard man to find,” Grace folds her arms over her chest.

“I’ve been busy,” he answers lamely.

She humphs and looks away with a shake of her head.

The boy, Danny Alfred said his name was, creeps around Bruce’s legs to get closer, obviously seeing something in Jason enough to investigate. The room is quiet as they wait to see how Danny will react.

Coming to a stop right before his knees, Danny stares up at the large man with lots of scars and muscles from what he can see. He wasn’t scared. There was just something familiar that he couldn’t quite put his finger on. He looks… he looks like… and he also feels almost like…

Furrowing his brows in a pout, he knows his Mommy doesn’t like it when he does it, but he still makes his eyes burn with green.

The man gasps and his eyes also swirl into an angry green.

“Daddy?” Danny asks with hope and joy.

Daddy swallows and then nods.

“Yea, buddy, I’m your dad.”

“Daddy!” The boy cheers, jumping in place with a wide smile. “Daddy! Mommy, look! It’s Daddy!”

Danny wastes no time climbing into the man’s lap and wrapping his arms around him as far as they’ll go (not very far) to press his ear to Jason’s chest over his heart. He’s practically vibrating with excitement and Jason makes sure to set a large hand on his back to hold him close.

“I fuckin’ knew it,” Grace hisses, her eyes wide at the display earlier. Both of their eyes had returned to their calmer blue and teal color, but everyone in the room saw it. “I knew he got it from you.”

His eyes narrow in warning, pulling the boy closer to his chest. He sets a hand over Danny’s exposed ear to protect him from the harsh words he’s probably already heard before.

“Do you have any idea how creepy it is to deal with a tantrum when your kid has fucking glowing green eyes?”

“Did you hit him?” Jason growls, the vibrations seeming to settle Danny even more.

“Please, I’m not my mother,” she dismisses with a sneer.

Could have fooled him.

“Everything was fine until he started doing freaky shit. I don’t know how to raise a meta kid, alright?”

“What are you talking about?”

Now he was just confused. What stuff was Danny doing that Grace thought he was a meta?

“Don’t try to pretend you don’t have powers too,” she points viciously.

“I’m not pretending. I don’t have powers. I don’t have the meta gene. What can he do?” He demands while being transparently clear.

She just glares back at him, obviously not believing him. That didn’t exactly matter at the moment.

“What can he do?” He repeats with emphasis.

She puckers her lips like she’s tasted something sour and then lifts her chin.

“Why doesn’t he just show you, huh? Danny- Would you stop babying him? Danny, show him the things you can do.”

After Jason takes the hand off the boy’s head, Danny turns to his mother warily.

“But you don’t like it,” he reminds, like she forgot.

“He wants to see it, so show him,” she waves a hand at Jason like he just asked for something he would regret.

Danny leans back to look up at his dad.

“You won’t get mad? Or scared?”

He sounds so unsure and scared. As if Jason could ever hate him. Jason really wants to punch something. Preferably something with her face on it.

“I promise I won’t.”

Another parent might have something more profound to say to reassure their child, but Jason was just starting out and honestly, it was more than Bruce would ever say.

Danny thinks for a second before wiggling to get down. He looks back once more at his mother who gives him a ‘get on with it’ motion.

The boy fidgets a little before covering his face with two hands like he’s playing hide and seek, then- disappears. Jason jerks at watching his son blink out of sight like a Martian.

“Boo!” Danny pops back into view, exactly where he was standing before with his hands out like any child on Halloween.

Jason blinks and then starts laughing. This was karma. Danny could literally become invisible, something the Bats train to do for years.

“That was good, buddy,” Jason chuckles, ruffling the kid’s hair.

Danny hesitantly smiles back, a bit of hope and pride in those eyes.

“There’s more,” Grace interrupts, seemingly uneasy with how well Jason reacted.

“Yea?” Jason directs to Danny, his focus on his son.

Danny gives a shaky nod, glancing over worriedly at Bruce who is just silently watching. Jason could see the tension in his shoulders but also the intrigue.

The boy places a hand on the coffee table and focuses on his hand. It took a few minutes of concentration before Danny’s hand went through the table like he was just dunking his hand in a pool instead of through a solid object.

He pulls his hand out and they could see it be slightly translucent.

“That one’s harder to do when I want to,” Danny mumbles.

“You mean it mostly happens on accident?”

Danny nods.

“I drop a lot. And get stuck sometimes.”

Yea, Jason can see how that could be a problem. He can’t imagine how terrified Danny was the first time a body part got stuck in an immovable object. He really wishes he could have been there for him in his panic.

“The last thing is hard too. But I’ve been practicing. Watch!”

Danny jumps once, twice, and on the third time he lingers in the air, coming down slowly like someone in water or astronauts on the moon. Danny pushes off the ground a fourth time, this time floating steadily higher like gravity meant nothing to him.

Despite the kid obviously have done this before and enjoying it with his giggles, Jason stands under him in case he falls. And falls he does. Suddenly, like the strings being cut and gravity taking hold of him again, Danny plummets into Jason waiting arms. The boy grunts on impact and then smiled sheepishly up at his dad.

“Sorry, Daddy. I promise I’m doing better.”

“That’s okay, squirt. I’m glad I was here to catch you.”

Jason plops back into the chair with his child in his lap.

“Anything else up that sleeve of yours?” He teases but is equally as serious.

Danny shakes his head enough to make his hair fluff. Jason looks to Grace for confirmation and sees she is still recovering from Danny’s fall out of the air. How many times has she had to catch him? Or wasn’t able to catch him?

She clears her throat.

“I don’t know if it’s part of it, but he never gets sick. Never even had a cough.”

Children always get sick, that’s how they build immune systems. For Danny to have never gotten even a cold, Jason doesn’t know if it’s worrying or a good thing.

“Any allergies?” Is the first thing on his mind, thinking of what Alfred will need to know.

She shakes her head with a negative hum.

“In one of the bags is a folder with all of his documents. Birth certificate, immunizations, doctor visits. I also made a list of some favorite things and things he hates. It has foods on there too.”

That was… honestly more than he was expecting from her. But it also cements the fact that she intended to drop him off with him and then never see them again. She raised him for four years and she doesn’t even want visitation? Does she not understand there are legal documents she needs to sign to transfer custody properly?

“There are some things you need to sign, but it will take some time to get it sorted,” Bruce chimes in all business.

Long nails swipe through the air like signing her rights away was trivial.

“My phone number and address are on one of the documents. Just tell me when and where.”

She stands to leave and Jason can feel Danny tense up.

“Are we leaving?” He asks worriedly, climbing down from his seat on his dad’s lap. He didn’t want to go.

“You’re staying here. With your dad,” Grace says shortly, not once looking at the boy.

“Are you going home to get the rest of our stuff?”

“No. I’m going home. You’re staying here. End of story.”

Danny visibly thinks on that for a second then scampers after his mother as she leaves the room.

“Is it like Robbie where his mom lives in one ‘partment and his dad lives in a different one?”

Grace sighs and runs a hand through her hair. She’s clearly flustered and is showing it as irritation, but Jason can’t help but trail behind in case she says something that she shouldn’t.

“No, Danny, it’s not like Robbie. I- I am leaving you here and I’m not coming back, okay?”

Jason takes a step forward to draw her attention and send her a look that says ‘choose your words carefully, this is a conversation he will remember for a long time’.

“But- but why? Is it ‘cuz of my things? I’m sorry I scared you, Mommy. I didn’t mean to. I won’t do them again, promise.”

Jason grits his teeth at how desperate his son sounds, trying to keep his mother with him. Even making a promise he can’t keep.

Grace finally looks at her baby. Sees the turmoil and tears in his baby blue eyes. She gets down on her knees to get level and places her hands on his tiny shoulders.

“You will do them again and that’s not a bad thing. Your things are part of you. That’s okay. You’re not in any trouble. I just- I’m in over my head here, Danny. I can’t take care of you the way you should be taken care of, okay? But your dad can, I hope. So I’m leaving you here. With him.”

Danny’s lip wobbles and she has to restrain herself from not hugging him like she always does when he’s upset.

“Then- then you’ll visit, right? Like Chase’s grandma visits him?”

Why is this so hard?

“I don’t think so, baby. I don’t think you’re gonna see me again. I’m sorry.”

Danny is silent for a while. He wipes his eyes and sniffs.

“Are you goin’ ‘way like Jamal’s dad?”

The ten year old in the same building as them lost his dad in a wrong place wrong time type situation. Jamal had told Danny his dad went away forever so he couldn’t see him again. Grace had told him that when people go away forever, they get put among the stars he loves so much to be remembered.

Grace wears such a pained expression Jason half thought she was about to burst into tears.

“Kinda,” she nods. “So give me a big hug, okay?”

Danny was in her arms before she finished speaking. Jason didn’t exactly know why she wanted to stop all contact, but he had a theory that if Danny really was a meta (and with his powers he was leaning toward believing it) then Grace would want to distance herself as much as possible to protect them both. He met her in Crime Alley, he knew they didn’t live in a good spot. If any one of those crooks saw Danny use any of his powers, they could steal him easily from his single mother. She didn’t want to give those kind of people leverage to get Danny and sell him off. She wasn’t trying to be cruel, she was just trying to do what was best for her kid, even if that meant cutting her out of his life.

He had a strange new respect for her he didn’t want to acknowledge.

Grace takes a heavy breath and pulls away showing Danny’s tear stained cheeks. She wipes them like it would do anything.

“I gotta go now, Danny.”

“No,” he cries and Jason’s heart breaks a little more.

“We gotta say goodbye now. Please.”

Grace is just barely hanging on. Jason knows as soon as she walks out that door she’ll break down.

“I don’t want to. Don’t want you to leave,” Danny whines, trying to keep a strong grip on his mother.

She holds his hands in hers and gives him a serious look.

“You’re going to be fine. You’re gonna be just fine with your dad.” She leans in and whispers, “You’re not alone, Danny. You are never alone. Just look up. Look at the stars, baby, and you’ll be okay.”

Danny pouts, but thinks about those words.

“I like the stars,” he mumbles.

She smiles, probably the first one in a while.

“I know you do.”

She kisses his forehead one last time and stands. Danny whines. She steps away.

“Bye-bye, Danny. I- I love you.”

“Mommy,” he cries, tears and snot coming full force now.

Jason can’t take anymore and picks up his son to hold on his hip.

“It’s okay, buddy. I got you,” he assures. He turns to Grace who is having the internal battle of her life in the foyer. “I got him.”

It’s an assurance to her too, that he will take care of Danny, that he would be there for him. It was a promise.

Grace sees it for what it is and leaves out the front door without another word.

Danny screams and cries and struggles, but Jason holds on tight, scared he’ll fall or use his powers to get away and disappear. The man walks back to the drawing room so his son wasn’t staring at the door longingly.

As soon as Jason sits down, Danny struggles harder since they stopped moving. So Jason stands again, adjusting the boy in his arms and starts pacing a path around the room.

Bruce has already disappeared, not knowing what to do with a heartbroken child crying his eyes out. Alfred has cleared away the tray of snacks, leaving two waters on the table, one in a small, plastic cup. Jason spies Damian poke his head in for a second to see what the matter was, and upon seeing no immediate threat went off wherever. Other than that, father and son were alone to figure themselves out.

Danny was going through a lot for a toddler and Jason didn’t exactly know how to handle what happened either. He tried his best with speaking reassurances into the boy’s hair, but he didn’t know if Danny even heard him over his own crying.

It was a rough first meeting to be frank, but after a while (what felt like ages) Danny cried himself to sleep and Jason felt it safe to finally sprawl out on the loveseat with the boy laying on his chest. Compared to a grueling patrol, that was definitely worse. He never wanted to have to go through that again, but knew as a dad it was part of the job description.

[falesten-iw]

Nothing can truly show you the reality of what's happening in Gaza, not a picture, not a video, and not even words. The truth is far worse than anything an image can capture. Families are not just enduring genocide, they’re being erased. Their history, their homes, their existence, wiped away like they were never there.

What’s left behind? Bits and pieces. Fragments. A scrap of fabric here, a shattered memory there. People are still trapped beneath the rubble. Some are alive, their voices weak but desperate, pleading for help that will never come. There’s no rescue equipment. No teams to save them. And anyone brave enough to try is met with drones, striking down anyone who gets close.

Those who’ve managed to survive aren’t just hungry, they’re freezing. Imagine huddling in a makeshift tent, shaking not just from fear but from the biting cold that seeps into your bones. The wind tears through everything, ripping apart whatever tiny bit of warmth you’ve managed to cling to. Inside the tent, there’s no comfort. Only the sound of bodies rustling as they try to stay warm, muffled cries of grief, and the haunting sound of people buried beneath the rubble, their faint cries for help echoing in the dark.

The cold doesn’t care. It doesn’t spare anyone—not children, not parents, not the elderly. It sinks into everyone, leaving them numb, both physically and emotionally. Hunger takes what little strength they have left, and the cold takes their hope. This isn’t some tragic story from the past—it’s happening right now. These are my people. This is my family.

A single line can hold the weight of an entire story, and a single choice can save a life. What if you skipped that extra coffee, brush pack, or subscription and put that money toward rescuing lives in Gaza ? One small sacrifice from you could provide food, warmth, or even survival to my family who’ve lost everything.

You might wonder, “Does it really matter? Can I make a difference?” The answer is yes. Every dollar you give is a line of hope, a stand against the darkness. Don’t let this story fade. Don’t let Gaza disappear into silence.

Please help us and donate now if you can, and reblog this post to spread our story.

Vetted and shared by @90-ghost: Link.

Verified and shared by @el-shab-hussein: Link

Listed as number 282 in "The Vetted Gaza Evacuation Fundraiser Spreadsheet" compiled by @el-shab-hussein and @nabulsi : Link

Listed on the Butterfly Effect Project, number 957: Link

Additionally, Al Jazeera News has documented apart of my family's case: Link

If, for some reason, you couldn't donate via GoFundMe, you can donate via PayPal instead.

Donate on GoFundMe: Link

Donate on Paypal: Link

Please keep the conversion rates in mind when donating through GoFundMe. Every 250 SEK is equivalent to 25 dollars, and 506 SEK equals 50 dollars and so on. Note: There’s even a raffle for a handmade Palestinian thob if you want to participate : Link

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[why-animals-do-the-thing]

There's a viral video circulating from the Fort Worth Zoo, of two keepers who ended up in a habitat at the same time as a silverback gorilla. Spoiler for good news: neither the humans nor the gorilla got hurt. It's a bad situation that ended extremely well, and that's why I want to talk about it.

The audio for this video is mostly someone praying loudly, so if you need to turn the audio off to watch it, you won't miss anything relevant. If you don't want to watch it, here's the summary: it starts with a keeper running around the corner into the main exhibit, pursued by a large male gorilla. She is quickly able to get into a doorway at the back of the exhibit, but does not completely close the door because the gorilla is standing across from her, watching. He eventually moves off to the right hand side of the exhibit, where we can see a keeper is trapped in the corner at the front. She was trying to move towards the exit as he moved to the right, and she stops, standing very still behind a tree, while he stays along the far right wall. They stay like that for a minute, and then the gorilla runs to the front right corner, and the keeper is able to run to the door in the back of the exhibit and get to safety.

Let's start with basic information. Even though it's just going viral now, this video is from October of 2023. It was taken not by a guest, but by the zoo security officer responding to the situation. Hmmm, seems like he maybe should have been doing something else during that situation, instead of than taking a phone video. It's going viral now because the guy (who is no longer employed at the zoo) decided to post it on TikTok for his five minutes of fame. This guy immediately started giving all sorts of media interviews, answering questions like "why no tranquilizers" inappropriately, making memes out of his own video, generally distasteful shit.

Zoo spokesperson Avery Elander gave a public statement that "thankfully, there was no physical contact between keepers and gorilla, and all staff and animals are safe." A comment from the zoo has also indicated that the incident was due to keeper error. (As opposed to, for instance, something in the fencing breaking.) According to the guy who posted the video, a lock was left unsecured and the gorilla was able to open the door to the habitat. I don't know if I buy it, and again, this just... is probably why he doesn't have a job anymore. By sharing that detail - real or not - he places a ton of public scrutiny and blame on that keeper team. (If that's what happened, I can promise you it will have been dealt with internally.) He also was nice enough to say he wouldn't name the women in the video... but verified they're still staffers at the zoo... which means they're eminently identifiable! Excuse me while I ragequit for a second.

So there's two reasons I wanted to talk about this. The first is to make sure it is well known that this guy is purposefully and intentionally exploiting the worst day of someone's life for media attention. Their lives were in danger, and he's using it for fame. His name is in the media articles - I'm not going to share it because he doesn't deserve that attention. The second reason, though, is because this video is a masterclass on how to survive if you end up sharing space with a gorilla. Every zoo person I've spoken to or seen comment on the video is so, so impressed with how the keepers handled themselves.

The gorilla in this video is 34-year-old Elmo. All apes in AZA zoos are managed in protected contact, so keepers are supposed to be separated from them by a barrier at all times. The zookeepers were in the habitat putting out a mid-day meal when he got out. Watching the video, you can see he's not actively being aggressive towards them - he's not making threat displays or trying to approach them. Mostly, Elmo seems like he doesn't know what is going on and he's kinda freaked out about it. (This is confirmed in the zoo's press statement, too). The staff stayed calm, and importantly, watched and waited to see how he'd move and act.

The zoo did say one thing, though, that's a bit misleading. In one article, their press person I quote as saying “In general, gorillas are considered the “gentle giants” of the great ape species.” Just because this may be true in comparison to other great ape species doesn't meant gorilla aren't still incredibly dangerous. This type of messaging always worries me, because I think it leads people to misunderstand the risks of being close to megafauna. Gorilla are extremely strong animals, and their social norms/behaviors are very different from that of humans. That's why it's such a big deal any time people end up in gorilla habitats, and why sometimes in those circumstances lethal measures have to be taken to protect human life.

These keepers are incredibly lucky to be unharmed. These women stayed safe specifically because they're trained professionals who knew how to act around gorilla, they knew this particular animal well, and they'd learned the escapes from the exhibit just in case this ever happened. We should applaud them for their cool heads and quick thinking.

As for the guy who posted the video? As a colleague put it, may he always step on a Lego.

[xinganhao]

⛓️‍💥 svt trying (and failing) to gatekeep you.

ANON REQUESTED “SEVEN-I wanted to gatekeep you from everyone else but I failed-TEEN and their bff/gf??”

ⓘ INCLUDES: romance, fluff, humor. established relationships, use of pet names, mention of alcohol (soonyoung). headcanons under the cut. ・ NOTE: the laugh i let out when i saw this request. my favorite genre of svt fr. ‹𝟹

⛓️‍💥 how (and why) seventeen failed at gatekeeping you.

seungcheol posts a photo of you on weverse. it's simple enough: a picture of you across the table from him, smiling over a dinner date. the only caption is a single red heart emoji. the photo choice is intentional. he chose one where your face is clear and your identity is unmistakable, because he'll be damned if any other guy tries to hit you up when you're spoken for.

jeonghan falls into the rabbit hole of couple items. it starts with the phone cases, but it doesn't end there. clothes of the same style. shoes from the same brand. he swears he's not playing relationship olympics; it's just so clear to him that the two of you are the it couple. anybody who says otherwise can talk to your matching luxury bags, thank you very much.

joshua misses the fact that he hadn't switched instagram accounts. he has two: his work-sanctioned one, and the one where he keeps up with everybody that matters. the boys call it his 'shrine' for you, because that's where he actually keeps log of your little dates. until he accidentally posts it to his main. where's that damn delete button, and why is it so elusive?

junhui is on a roll during an interview. he's in a chatty mood, and he's feeling a little loose-lipped. when the interviewer cleverly asks about his love life— phrasing it like they already know he has one— jun is trapped. hook, line, sinker. he happily yaps about you, only to realize much later that may have not been the move. too late. the interview's already live.

soonyoung should have known that alcohol and a media engagement would not be a good combination. he had begged the producers to cut the footage out, but, alas; it was the most clickbait-y part of the video. how could they? now, everybody knows soonyoung can rant about how much he loves you for upwards of twenty minutes.

wonwoo isn't aware he was supposed to be gatekeeping you. one fine day, he drops a carousel of photos on his photography account. you're partially visible in some of them— the side of your face, the curve of your side, the flash of your grin. the two of you had been on vacation. the account is his archive, anyway; everyone else's opinion be damned. he wants to remember you like this.

it's not a name drop, but it's a close thing. jihoon's never been the type to declare things on sns, so he does it in the way that he knows. a throwaway lyric. an entire song. fine, maybe a mini-album. he could have an entire discography solely about you, if he's being honest. people can guess all they want. if you're immortalize in his song, then jihoon's job is done.

from the very beginning, seokmin has wanted to scream you off the rooftops. he holds back because he knows the consequences of going public. he can't resist it, though, and he eventually sneaks a photo or two into a photo carousel. he gets giddy at perfecting the soft launch, at nailing the art of perfectly-cropped photos and choice songs. it scratches that itch of his— the urge to have everybody know about you, while also keeping you to himself.

you and mingyu show up at fashion week, immaculately dressed from head to toe. talk about a hard launch! he giggles as he answers questions from interviewers. it's clear to everybody that he's absolutely smitten. there are literal models in front of him, and he's looking at you like you beat them out any day. he never really liked these types of events, but if he gets to have you at his side, looking like the goddess that you are— well. he might have to start responding to a couple more invites.

minghao shocks the entertainment industry with a well-worded essay on weibo about the importance of valuing an idol's private relationships. in true minghao fashion, he makes it abundantly clear how important boundaries are to him. buried underneath that is the confirmation that he is dating, yes, and that it's a part of his life he'll stake his career to defend. this is just his job, but loving you is part of his life.

seungkwan's cover of a western love song has fans swooning, but a dedication buried in the description of the youtube video has everybody flabbergasted. 'dedicated to my girl,' it simply says. no explanation. no name drop. seungkwan has a girl, and that's that. he accepts your wrath; he knows you'll secretly enjoy reading the absurd speculation with him. chaos is fun in moderation, and this is one of the ways seungkwan likes to poke the bear.

it's a series of unfortunate events for vernon. he posts a mirror selfie of himself— a rare one!— without knowing anyone can zoom in and see you on his bed, (thankfully) fully clothed but definitely looking very comfortable. like you belong there. he takes a long nap after, missing dozens of calls and waking up to hundreds of texts. oh, well. you were going to have to go public one day, anyway.

your privacy might have lasted if chan wasn't so damn obvious whenever the two of you were out and about. even on your most discreet dates, chan looks a little too happy to just be hanging out with a friend. the paparazzi catches wind. the final nail on the coffin is a close-up stolen photo of chan's lockscreen: a selfie of him planting a big, fat kiss on your cheek.

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