#and they have actual backstories you can flesh out
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anyway sorry i haven't been around here much - i've been busy with irl stuff! like dnd! i've been playing with some friends and it's been really fun so far :)
here's my character, badette:
she's a barbarian tiefling who was raised by giants, and can, consequently, become a giant when she's in a rage! also she has wings and can fly. so imagine you're fighting something and then you see a flying, raging, giant pink tiefling about to attack you with her greataxe. i'd be terrified
#i'm still fleshing out her backstory and personality but i love playing her so much!! dnd with friends is so fun!!!#badette#shh peri shhh#also the logistics!!! of drawing tops on a winged character!! is hell!!!#how can she put on a jacket? or a backpack? i don't know! i'll have to figure it out! which is actually half the fun lmao#my art#if you guys remember bav... yeah badette's a reworked bav lol i burnt out on bg3 so bad i don't think i can play it anymore :( sorry bav :(
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hi tumblr im pyrr pyrriax and im in my trimonthly artist arc, lord help me and all the projects that are currently sitting in my drafts while i am lured in by the siren song of drawing
#haunted ecosystem#this is not helping with how much my hands hurt on a daily basis this is why i type and dont handwrite/draw very much.#im lured in regardless and i really need to find an artform that doesnt Hurt but for now. digital art <3#like theres a difference between my dumb doodles (quick easy not much different from regular computer usage) and actual art#but im an artist at heart i spent sooooo long being an artist and thinking i was shit at writing. that is wrong! im actually kinda good#im rambling in tags today because i have been not social (my partner is in genshin hell and my beloved is. somewhere.)#okay but on another note i reread the first. couple chapters of wtds this morning? the pacing is a little weird and the tense is fucked#but its actually a lot better than i thought it was? you can tell i was fleshing everybody out in my head and i totally forgot about how#i described the watcher [who i am STILL redacting the name of until we get there] and just. ough. pandora being very logical#and then jumping to the latest chapter and fucking sobbing because i forgot about how it went and just. pandora and his.#whatever the fuck is wrong with him.#i have gotta start recommending people read that again. its surprisingly friendly without context because of how i approached it#that fic has taught me so many things its actually a little comical. it also made me relearn how to make and write ocs so thats fun#once i finish that main fic (and i WILL i am actually planning to sign up for a thing. im finishing it i swear.) i finally get to show off#more of the world and characters ive crafted. showing backstories and what-ifs and all these oneshots ive been keeping close to my chest#for like absolutely ages because i dont want any spoilers on my tumblr#and. im finishing that fic in pseudo-memoriam of somebody who deleted their accounts everywhere. still miss you dane!#ok this has completely gone off topic ily tumblr im going back to drawing and i might make a new pfp#it'll still be lavius but it'll be fray lavius since i think about him a lot and i like his color palette.
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so I've got a bunch of short little unconnected vignettes I've written about a few of my OCs, and a few of them I like and kinda wanna share but the thing is I'm not... actually sure what to do with them ? like, logistically? one of my friends will sometimes write little snippets about his paladin and post them to the facebook group for that dnd campaign (which, sidebar, is my favorite thing I get SO HYPED every single time and I wish more of my friends did that) BUT... I got people not on facebook who know about my blorbos and maybe 👉👈 they also would wanna see my lil written snippets about them 👉👈 but I guess I'm a little on the fence about posting very short bits of out of context writing to my art blog...? but then again I'm probably overthinking it 🤔
#I ended up reading a bunch of them the other night because I was trying to remember how one of them went#but I had to open like four different 'Untitled' docs in google drive to find the one I was looking for sdkjhgdfk#it's not even 'they're so good I wanna show off my writing'#it's more 'lemme talk about elyss' father and brother. actually no-- let me just show you'#I started one about melliwyk unexpectedly falling asleep for the first time#I started what was meant to be a series of vignettes for juniper's childhood but all I have so far is the day of her birth#which needs editing but also I made myself emotional rereading it because I'm stupid skjfhdfg#me: june is an orphan just because I want her to have been raised by her grandmother and aunt; her parents aren't really important#me writing about hazel looking at her newborn daughter and loving her so so much: ohhh my god she loved her SO SO MUCH 😭😭😭#... ANYWAY point being: just little backstory scenes or moments that flesh out background NPCs-- things like that#stuff that doesn't come up in game and would be hard to Do Art About but that I think about and want to share somehow#hmmmmm#OH tumblr has polls now maybe I can just stick a poll on the art blog#about me#my OCs#my art#(kinda)
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#(ramblings in tags. dont read if u dont wanna see criticism of female character writing in naruto)#(i think im pretty chill but it's still negativity so look away if u dont wanna see this)#my hot take (?) is that the naruto author is 100% a misogynist and that HAS to factor into your analysis of his female characters#im only getting thru the anime in increments bc the way theyre written is so frustrating#and fandom discourse surrounding them isnt great either#(i already know the gist of how it ends bc the ending is infamous for being hated so idc about spoilers)#from what ive seen everyone generally knows the female chars are written terribly and arent respected by the author#but dudebros hate them for gross misogynist reasons#and in contrast fans of those female characters get so defensive that they loop right back around to being misogynist#idk how to explain it but its odd seeing fans say “its empowering actually!” for the female chars to end up in miserable marriages#with less combat involvement than the male chars despite taking up the same profession/training#like yeah in a vaccum these conclusions are fine and completely neutral. but we're not in a vacuum. this was written by a male misogynist#how do i articulate that u can personally like characters w/out pretending misogyny didnt play a role in their development + conclusions#and critiquing the way female characters end up is not misogyny. its basic media analysis#like if i were to apply this to MHA i would say Midnight's death was poor writing in comparison to Nighteye's (narratively similar)#bc it supposedly was supposed to give development to the class. particularly Momo since Momo was the one she was rooting for#however hori did not bother showing more interactions between Midnight and her so it falls flat. her death even happens offscreen#and Momo wasnt there to confront the ppl who murdered her. it was Mina. so Midnight's arc wasnt completed satisfyingly#her death ends up becoming meaningless for Momo's development and purely for shock value so the war has stakes#as opposed to Nighteye and Mirio having a fleshed out relationship/backstory and a proper goodbye#there was a difference in the way the author wrote male mentorships and female ones. critiquing that is fine#now imagine if some Midnight fans went “its misogynist of you to downplay her death. she was noble and heroic and a girlboss”#it misses the point completely bc they interpret writing criticism as shade against her as a person#anyway thats what a lot of female character discourse in naruto feels like#and thats not even mentioning the cesspool of dudebro sexism but i avoid them so i dont see it as much#anyway in conclusion naruto would probably be a great series if the author wasnt a raging misogynist#sorry for the rant#my post
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One of the bats has to go undercover as a patient of a particularly suspect new and upcoming therapist. Bruce already has a backstory fleshed out and a cover identity, but that's no fun now is it.
Dick: Okay, the bat council is now in session. First things first-
Steph: I'm the realest.
Jason: Shut the fuck up.
Dick: No, no arguing. We're here on a MISSION.
Tim: That's right, a very important mission.
Dick: One of us has to go undercover as Dr. Hoffman's patient. But why? Why are we seeking therapy?
Tim: Wrong answers only. If any of you get too real, Dick can and will find you a real therapist.
Dick: And Tim, no superhero related answers. Bernard's PowerPoint nights give you too much of an advantage.
Tim: You're just jealous I know that Batman is actually a tulpa.
Jason: You shut the fuck up too.
---
Dick: Okay, I'll go first to get the obvious answer out of the way. I'm going because I'm secretly Batman, BUT I'm not here about that. I just have incredibly selective amnesia and can't remember the code to the Batmobile.
Jason: Oh that one's good. Let me think.
Steph: Hoffman is a man, right?
Dick: Right.
Steph: Easy, I'll claim womanly problems. Maybe get prescribed a vibrator.
Tim: *wheezes*
Dick: Ok Gotham's in the dark ages of psychology but not THAT much.
Steph: Spoilsport. Fine, I'm Batman's long lost twin sister.
Duke: Come on, we can't all go to therapy because of Batman.
Jason: I don't know, I feel like all of us should go to therapy because of Batman.
Cass: I'll go because I'm Batman.
Jason: I'd vote for you.
Duke: I think I would go because Metropolis isn't real.
Tim: Like, the whole city is-
Duke: It's a conspiracy. The government wants us to think there's this wonderful city where nothing bad ever happens and an actual alien from space saves the day. Tries to make us buy into some utopian bullshit.
Tim: Hoffman's just going to drive you there.
Duke: Ha! He's not getting ME to a secondary location. He might be in on it.
Steph: Compelling, definitely compelling. I nominate Duke's for first place.
Jason: Don't jump the gun.
Tim: Yeah, you haven't heard ours.
Steph: Well? Let's hear it then.
Tim: I'm an alien spy, sent here to study humans. Only I'm not doing well because I was taken in by rich people and they act weirder than me. I want to know what it means to be human, but whenever I look around all I see is how to make a good margarita. It makes me... sad.
Steph: That's no good. We said wrong answers only.
Jason: Solid four out of ten.
Tim: Fuck off.
Jason: I think I would go because I was convinced I was the second coming of Jesus which is all fine and good, but my whole family is Jewish so it's making things a little awkward at the dinner table.
Steph: You did come back from the dead.
Jason: I did and I'll tell him that. Took a little longer than three days this time, though.
Tim: Okay, I'll be honest. Jason and Duke's are the best.
Dick: Hold on- Damian, do you have an answer?
Damian: Of course. And not one so foolish.
Duke: Well?
Damian: Well, my whole family is comprised of vigilantes and I'm under a lot of stress to be one as well and continue the family tradition. I will of course swear him to secrecy and avoid naming any vigilantes by name.
Dick: ...
Jason: This is what I'm talking about. This is exactly what I'm-
Dick: Yes, okay. Game's over. All of you are getting psych referrals in your inbox by the morning.
Steph: What about-
Dick: Duke won.
#tim drake#dick grayson#jason todd#damian wayne#stephanie brown#cassandra cain#duke thomas#my writing tag#this is obviously a joke and not a real 1:1 representation of reasons to seek therapy#let's see how long before someone wildly misinterprets it#batfamily
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Cooper Howard x vault born reader. She's from one of the more messed up experiment vaults, when she uncovered the truth of the vault she runs away from it. The first interaction they have is when he tells her he fucking hates vault dwellers and she tells him "I don't really give a shit what YOU think of me". She's been in the wastes a good long while, has a lot of skills and they end up traveling together and getting close. The area she is naive in is sex her interpretation is it's boring, and hurts. He of course tries to explain that it's not suposed to feel like that. They become really close he asks if he can show her which she agrees, she cums harder than she ever has before he has to remind her to breath through it, maybe she squirts and is embarrassed he realizes it's new for her, tells her it normal and that he loves it. Bonus points for: squirting, choking, hair pulling.
Cooper Howard | The Ghoul x fem!Reader
Synopsis: A discussion with The Ghoul reveals things that you never wished to tell him, including your views on intimacy, and lack of experience. When he offers to show you what you were missing out on, how could you say no? Tags: Not Beta Read, Prompt Request, Backstory for Reader, Virgin Reader, Inexperienced Reader, Banter, This one might be even more OOC for The Ghoul, Soft Ghoul, Smut, Squirting, Doggystyle, Hair Pulling, Dirty Talk, Choking, Confessions (kind of) Author's Note: i know that vault 75 is actually like on the other side of the us from where the show takes place but this vault always stuck out to me so i needed to use it for the prompt lmao. also thank you anon for the amazing prompt (and my first ever request :D) ! i hope this fulfilled it sufficiently!
If you’d told yourself a year ago that you’d be traveling the surface with an irradiated man dressed as a cowboy who only kept you around because you could make him his drugs, you’d call yourself insane, and rightfully so.
But here you were, following after him like an obedient soldier, just like you were raised to be. For the past few months, you had wandered alongside The Ghoul, searching for your purpose on the surface. There was a deal between you two; he’ll travel with you, and you’d make him the chems that stopped him from turning into a feral.
It was a reluctant acquaintanceship at best, The Ghoul keeping you at an arm's length, and you didn’t blame him. The reason he had difficulty trusting you fully was because you were vault born, which he made abundantly clear when the two of you first started traveling. You spent the first eighteen years of your life in Vault 75, where you were trained, both mentally and physically, to become the perfect soldier and scientist that would bring justice to the surface world. That had been your life’s goal, up until you turned eighteen.
Along with the rest of the top peers, you were selected to make your way to the surface. But before you could leave they provided a vaccine, claiming that it would build immunity against the radiation that still plagued the earth.
In actuality, it had been a sedative, and you remember awaking some time later, suspended in a glass chamber. For days, months, years, you weren’t quite sure, you were prodded, stabbed, cut open. It was pure agony, moments that you only remember in your darkest dreams, leaving you panting and shaking. To this day, you still weren’t fully sure what they had done to you, but you knew they had quite literally taken things from you that you’d never get back.
Somehow, you managed to break free of the sedative that they continuously pumped into your body, keeping you alive yet without control of your body. You weren’t certain how you managed to escape, but you remembered that your hands and knuckles were bloody pulps, glass embedded into the flesh, fingers broken and mangled. Even now, you could still see the scars that still lingered, and the way your fingers looked off, bones not set right. It caused you issues and aches, but luckily today was a low-pain day.
A gruff drawl snapped you out of your reminiscing, and you looked up from your hand into the eerily human eyes of The Ghoul, who had stopped in front of you. “What?” You had missed what he said.
“The fuck you doin’?”
“I… my hand hurts,” you lied. “Sorry.”
He angrily grumbled something under his breath, yet you watched him dig into one of the pockets of his trench coat. He pulled out a small pill bottle, and after double-checking the contents he tossed it to you, and you caught it with your non-injured one. “Keep yer head on,” he added before turning to keep walking.
You didn’t have to look at the bottle to know what he’d given you: painkillers. He’d always give them to you whenever your pain would flare, and each time you reevaluate your relationship with him. You couldn’t figure out if he detest you or cared about you, whether he saw you as a friend or foe. He was a confusing person, and his hard exterior and guarded responses to your questions made him hard to understand.
“Thanks,” you mumbled, and if he heard you he didn’t respond, just continuing to walk away. Tucking the pills away, you jogged to catch up with him, keeping a few feet distance between the two of you.
Looking around, you tried to make some sense of the dilapidated buildings and cracked roads, creating an image in your head of what you imagined the town to once be. Full of energy, full of life, able to roam without fear of being killed by man or creature, or fear of being slowly poisoned to death by radiation.
There was a row of buildings on either side of the road, most caved in, but there were still a few that remained, windows shattered or boarded up. Rusted mental skeletons of cars littered the road, you and The Ghoul having to weave around them. Glass crunched underneath your boots, and you swore you stepped on a few bones.
Glancing at the road, you noted how elongated the shadows were, and you didn’t have to glance behind you to know that the sun was setting, night right on the precipice of falling. Not wanting to become a late night snack for a deathclaw or some ferals, you cleared your throat, getting the attention of The Ghoul. He stilled, turning his head over his shoulder to look at you. “We should find a place to stop soon.”
You watched him debate it for a second, eyes flicking from the setting sun to the walk in front of him, then to the buildings on either side of you two. Eventually he came to a decision, sighing. “There’s a standin’ building’ down a little ways. We’ll stop there.”
You were eager to finally rest, the rifle in your hands was becoming heavy and the straps of your backpack were digging into your shoulders, so you had a bit more energy in your step as you continued down the street. As you reached the end of the street, you were able to see the building he had mentioned. It was an old shop of sorts, any signs long since gone, but it looked still relatively intact.
The Ghoul got there first, like he normally did. Opening the door with one hand, he held his gun in the other, raised and ready to shoot. He swept the room as he entered, and you follow hot on his heels, gun at the ready.
In the dim light, you were able to see rows of shelves in the main area, a small desk with a register tucked into the left corner. There was a closed door behind the desk, and another on the rightmost wall of the building, also closed.
Stepping further in, you were able to start making out the contents on the shelves: boxes and packages of food, no doubt beyond edible, labels faded away. But you also saw a few cans of food littering about, but you’d have to look through them once you’d cleared the building.
Focusing back on the task at hand, you watched him peer into the far right room, before turning and speaking to you. “Check the desk,” he kept his voice low, as to not alert any possible dwellers. Nodding, you carefully made your way over to the desk, eyes rapidly scanning your environment.
You tried to open the door, but it merely rattled against the frame, locked shut. If you had the tools, or the patience, you would’ve tried to pick the lock, but you didn’t care that much. Besides, if there was anything in there that was alive, it wouldn’t be able to get you.
The desk didn’t have much to offer, either. Partial destroyed papers dotted the desk, and the register sat broken and open, robbed of the pre-war cash that once resided in it. You were a tad bit disappointed; it always made for great kindling.
Searching through the rest of the drawers, you only found garbage, and after a few moments you gave up trying to find anything of value. You slowly made your way back over to The Ghoul, who had better luck than you with his door. You could hear him digging through drawers as you entered, and you were sure to make some audible noise so as to not startle him.
It was a small living area, a twin bed tucked into the corner, as well as a kitchenette and small desk. A TV and couch sat in the center, and you saw another door, opened by The Ghoul, which you presumed was the bathroom. “Not bad,” you commented. This was truly one of the better places the two of you had stopped at; this at least had four walls and a roof.
He grunted in response, still rifling through drawers. “Find anythin’?”
You shook your head. “I’ll go look again,” you responded, and before you backed out of the room you dumped your bag on the floor. You sighed happily at the relief, rubbing your shoulders as you began to look through the shelves again.
You didn’t bother to look at the boxed goods, heading straight to the few canned items you saw. The cans were still whole, thankfully, but the labels were long since gone. Shrugging, you grabbed the cans, about four in total, and brought them back to the other room, dumping them on the counter of the kitchenette.
“What’s that?” You heard him ask, spurs clicking on the linoleum floor as he came over to you. The room was now illuminated by a small oil lantern placed on the desk.
“No idea. But they’re still good. Probably.” You spoke as you moved to sit on the counter, legs dangling. Man, did it feel good to sit after walking all day. You reached for your knife, cursing when you felt empty space instead, your knife in the bag instead of on you.
Before you could even get down, The Ghoul handed you his knife, the blade glinting in the low light. He pointed the handle towards you, and you took it from him, and you murmured a small thanks. You got to work opening the first can, hunger making your stomach rumble. The knife plunged in and out of the tin top, peeling back the rest once you got most of it cut.
It was an almost gelatinous red substance inside, with darker red, round something suspended in it. It smelled sweet, sugary even, and you tried to tilt it into your mouth, but it didn’t budge. Maybe it had gone bad, then.
Confused, you reached down to the drawer that was in between your legs, managing to get it open enough to reach your hand in. You grabbed the first utensil feeling thing you could find, and to your delight it was a fork. You didn’t waste any time, taking a decent-sized forkful and bringing it to your mouth.
It was overwhelmingly sweet, and you’re sure you made some face, because The Ghoul was chuckling lightly. It wasn’t bad, but it almost hurt to eat, and the gelatinous nature of it made it stick to your teeth. “That’s whatcha get for eatin’ unlabeled food.”
You shook your head. “It’s not bad. It’s just… sweet.”
He hummed curiously, and you offered the can to him. You laughed when he eyed it suspiciously. “I promise you, it doesn’t taste bad. And I haven’t poisoned it,” you teased.
“I’m surprised you haven’t,” he grumbled, but he took the can from you.
“I wouldn’t,” you grabbed and handed a utensil to him. “I rather like your company.”
See, as fun as it was to be out on the road, nothing but the endless horizon in front of you, it was the nights that you truly cherished. He didn’t talk much while you walked, keeping a literal and metaphorical distance between the two of you. It was like when he was on the road, he was The Ghoul, a cunning and vicious bounty hunter. But when it was just the two of you, secluded away in some abandoned house, around a fire, wherever, it was like the human side of him resurfaced, leading way to conversation and… friendship?
You had no idea if he considered you a friend, but you knew you considered him to be one. It wasn’t like you had any other person in this wretched world, your “friends” from the vault turned enemy. As a wanderer, it was hard to build and maintain relationships with other people, so you chose to just stick with The Ghoul.
And you wouldn’t lie, there was something beyond “friendship” that you felt for The Ghoul. It had taken too long for you to even admit that to yourself, so it was unlikely that you were going to admit to him. Besides, it went against everything that you were raised to believe, and even though you’d long since left the vault, their ideas were still ingrained into your brain.
“Not sure why,” he muttered before eating a spoonful of the mysterious substance. You were barely able to see it, but his upper lip twitched into an almost smile. You always liked when he smiled. It was rare for him, a genuine smile. He’d sneer and smirk, sure, but it was those true smiles that got your heart beating faster and your knees getting weak. You refused to name the reason why your body reacted the way it did, not wanting to face the reality that you felt something for The Ghoul just yet.
“It’s pie filling. Cherry pie filling, to be exact,” he lifted up another spoonful, one of the dark red balls on it, covered in the sheer red substance.
“Cherry pie filling?” You said each of the words as their own question. You’d never heard of any of what he was talking about.
He rolled his eyes, handing the can back to you, and you took another bite. You still weren’t used to the sweetness of it. “Fuckin’ vault dwellers,” he sighed. “Cherry’s a fruit. Pie is a pastry. Filling is what you put into pie.”
It didn’t clear up anything, but you nodded anyway, not wanting to annoy him further. “Interesting.” Taking one final bite, you set it next to you, moving on to the next can. You were in the middle of opening the second one when he spoke
“You mean to tell me they didn’t have pie in your vault?”
You weren’t expecting his question, and you halted mid-cut. He never asked you about the vault you grew up in, and you never told him anything besides the name and that you left. He made his opinion on vaults and vault dwellers abundantly clear when you first met all those months ago, back when your relationship was a tenuous allyship. You hadn't cared what he thought about you and your old life then, telling him straight to his face, and you certainly didn’t care now. But it was curious that he was willingly asking you about it now.
“No,” you drew out the word, mildly suspicious. “If it didn’t have good nutritional value, then it wasn’t allowed. So no candy, no sugary drinks, no pastries. Nothing like that.” You answered while opening up the second can, and you recognized it immediately: sweet corn.
He didn’t ask any further questions, so you didn’t elaborate. Not needed to do a taste test of the sweet corn, you set it aside, then opened the other two cans, which were baked beans and tomato soup. Wordlessly, The Ghoul grabbed two of the cans, making his way over to the couch, and you followed behind him, the other two cans in your own hands.
Sitting side-by-side, the two of you ate in silence, and you propped your legs up on the coffee table in front of you. The two of you would eat half the can before passing it off to the other. It was how you shared your dinners for at least the past month.
It didn’t take long for there to only be the pie filling left, and you held it in your better hand. Even though you’d been free from the vault for some time, a part of you still felt wrong for indulging in a treat like this. Pushing those memories aside, you took another bite before passing it to the man next to you. You jumped when you felt his gloved fingers brush yours, and you missed the way he knowingly chuckled.
Sighing, you sat back against the couch, ignoring the armor that dug into your shoulders, and you found your eyes flicking back down to your hand. You traced over the scars littering it, a familiar pattern to you at this point, and you flexed your fingers. They popped and cracked, bending unnaturally, and it caused a small jolt of pain to shoot through the nerves. You hadn't realized your eyes weren’t the only one on it until you heard the man beside you speak. “How’d that happen?”
Now you were suspicious; he sounded like he actually cared. “Did you get replaced with a synth?” You asked, bewildered.
He rolled his eyes in response, taking another bite before setting the can on the coffee table in front of you two. “I realize I don’t know a lot ‘bout you.”
“I didn’t think you cared,” you admitted. “But,” you added when he glared at you, “if you really want to know, I got it by punching something. Repeatedly.”
“If that’s your fist, I’d hate to see the other person,” he muttered.
“Something, not someone. It was, well, glass.”
“Why the fuck were you punchin’ glass?”
“It was the only way I could escape.” You laughed humorlessly when he glanced at you, confused. “What, you think I left the vault freely?” You shook your head. “After my eighteenth birthday, they trapped me in a chamber so they could harvest stuff from my body, pumping me full of sedative and rapid-healing agents. Something about creating the ‘perfect human’. Eventually, the drug they used to keep me docile stopped working, and I was able to smash my way out. I’m pretty sure there’s some glass still left in my hand,” you chuckled, stopping when you realized he wasn’t joining in. “It’s fine. I’ve repressed most of the memories anyway.”
“Not well enough,” he muttered more to himself, and you couldn’t help the small bit of dread that washed over you at the realization that he knew about your nightmares. They made you feel weak, and you didn’t want him to think you were.
“Well, I….” You trailed off with a sigh, finding it not worth it to try and disagree, sitting back on the couch. “Rude.”
“So you do have nightmares.” He chuckled at the glare you gave him once you realized you fell into his trap. “Are they ‘bout that?”
“Is this an interrogation?” You asked, getting defensive. “Why the fuck do you care? You haven’t before.”
“If ya paid attention, I said I barely know anythin’ ‘bout you. Figured if we’re gonna continue to travel I should know more besides your name.” He sighed before adding, “This ain’t an interrogation. You… you can ask me whatcha like.”
His reluctant openness made you feel more comfortable, and you relaxed a bit. “Really?”
“Sure, why the hell not. But answer my question first.”
There was silence for a few beats. “Fine. Yes, they’re about when they had me trapped. It’s… it’s mostly the pain I remember. And their faces, the people who raised me, who I trusted. watching me through the glass. I forget most of the details when I wake, but that’s what sticks out.”
The Ghoul didn’t offer any verbal response, merely nodding his head slowly. You prayed that he couldn’t see the way your hands shook as you willingly brought up those memories in your brain. You shoved them away, forcing a light smile on your face. “My turn.” Adjusting so that your back rested against the arm of the sofa so you were facing him now, your knees tucked up to your chest. “What’s your name?”
He scoffed. “Out of all the questions, that’s the one ya go with?”
“You don’t have to-”
“Cooper. Cooper Howard.” His response cut you off, and a small smile lifted the corners of your mouth.
“A pleasure, Cooper Howard,” you smiled gently. It was hardly noticeable, but something shifted in him when he heard you say his name, but you weren’t quite sure what exactly.
He cleared his throat while adjusting in his seat, his eyes flicking away from your own. “Better not make me regret tellin’ ya that.”
Your slight smile fell at his semi-threat. “I’m assuming you don’t want me to call you that, then.” His responding silence was answer enough, and you didn’t press it further. “Do you got any more questions for me?”
“Plenty,” he seemed more comfortable now that the attention was off his past life. “Why the hell are ya still travelin’ with me?”
You thought of your answer for a moment. “I wasn’t lying when I said I enjoyed your company. And it’s not like I’ve got any place to go.”
“We’ve traveled to plenty of towns. Why don’t ya just stay there?”
“Do… Do you want me to leave?” It almost hurt to ask. You thought things were amicable between the two of you, and the thought of leaving your one “friend” was something you truly did not want to think about.
He regarded you for a few moments, eyes dancing over your face. “I suppose not,” he finally sighed out, crossing his arms and resting against the back of the couch.
“Good,” you tried to not sound too relieved. “You’re stuck with me.” You swore you saw a smile tug at his lips.
“Unfortunately.” He didn’t sound too upset about it. “Anythin’ else?”
“Why didn’t you kill me when we met? I tried to rob you, and I’ve seen you kill people for less. You had the gun right to my head; why didn’t you pull the trigger?”
“That’s two questions.”
Rolling your eyes, you scoffed. “They’re the same damn thing. Just… why didn’t you kill me?”
“I dunno why I didn’t kill ya right away. Somethin’ made me hesitate. And then once I realized you was a vault born, I figured I could get a good amount of caps for you, so I kept you alive.” The Ghoul sighed. “I expected to only keep ya ‘round for a week. But then you saved my life, even though I had ya captive, and I couldn’t bring myself to sell you. That’s when I set you free.” He chuckled as he reminisced. “But for some fuckin’ reason, you decided to stick around, and I thought I was gonna regret not killin’ or sellin’ ya.”
“Do you regret it?”
“That’s three questions now, sweetheart.” Your cheeks grew warm at the nickname. It wasn’t the first time he’d called you it, but it always elicited the same reaction from you. “But no. It’s nice, havin’ someone you trust enough to watch your back. After years of solitude, wanderin’ this godforsaken Wasteland with you has been a pleasant change.”
You don’t think you’ve ever heard anyone regard you so kindly, which was insane because of who it was coming from. “Thank you,” you responded, sincerely.
“Before I inflate your ego any more, it’s my turn. Do you miss life in the vault, back before all… that?” He gestured to your hand.
“Honestly, you’d think I would,” you chuckled. “No danger around every corner, no radiation, no worry about dehydration or starvation. It was secure, but so constricting. Every part of my life was monitored, from the foods I ate, to the things I did, to the people I spoke to. If the higher ups didn’t like it, they’d make me change. If anything threatened the ability to become the most optimized person, then it was removed. I’ve had more freedom during the time I’ve spent up here than I did for the first eighteen years of my life.” You took a breath. “So, no, I don’t miss it.”
It went like that for a good while, you weren't quite sure how long, and eventually the two of you finished off the pie filling. Questions were shot back and forth, and you learned some things about the man beside you that you never thought you’d know. He learned more of the experiments led by Vault 75, and your role in it. You refrained from asking him about his life before becoming The Ghoul, and although he didn’t say it, you could tell that he was grateful. He had long since shed his coat, draping it across the back of the couch, down to only a once luscious blue button down. His hat was also off, sitting on the table alongside the now empty cans.
You had asked him about the strangest person he’d met, and he was recounting this one “doctor” he’d met in Filly, with greased hair and a rotted cap, selling ailments for quite literally every predicament. “Pretty sure he was fuckin’ the livestock,” he added, and you gapped at him, horrified. “Strange fellow indeed. But, after that it probably has to be this vault born I met, who no matter what I do, refuses to leave.”
“I’m second after that? I… fuck you!” You’d never sworn at him before, but now felt like a good time to change that.
His brow raised, shocked, and he grinned at you. “Looks like I’m rubbin’ off on ya, sweetheart.”
Rolling your eyes, you tried to hide your own smile behind your knees, which were still tucked up close to you. “It’s your turn. Although, I don’t know if I wanna respond after you insulted me like that.”
“My apologies,” he responded, not sounding sorry at all, especially with the way he continued to chuckle as he thought of a question. “Did ya have friends? Lovers, perhaps?”
If you weren’t blushing because of the nickname, then you certainly were now. It was a taboo subject in your vault, having lovers. Romantic companionship was seen as a hindrance, a liability. “I had some friends, sure, but they all turned out to be back-stabbers or were taken like me. I don’t know if they survived; I couldn’t stop to rescue them if I wanted to live.” You shook off the bit of guilt you felt when thinking of the others. “But I wasn’t close friends with anyone. As weird as it is, you’re the closest thing to a true friend I’ve ever had.”
“You only answered half my question.” Damn him. “Any lovers?”
“No.” Your hand was looking quite interesting now, and you traced over the familiar pattern of the scars again.
“‘No’? That’s it?” If looks could kill, The Ghoul would be six feet under right now. “Touchy subject?”
You realized that no matter what you said, he was still going to continue to ask. Groaning, you let your head sag back off the couch, not wanting to make eye contact with him when you responded. “We weren’t allowed to take… lovers. There were no romantic relationships allowed in the vault; they were seen as a liability. And I know that they’re not, but it’s been drilled into my brain that they’re wrong, that they’re… improper, and I’d rather not talk about it.”
When he didn’t respond, you thought he lost interest in the subject, and you slowly began to lift your head back up. “How the fuck did you guys repopulate?” And there your head went back down, face burning.
“IVF. They took the eggs and sperm from the captives, as they were the best genetically, physically and mentally, and then put them in the body of one of the scientists.” You chose to not add the fact that there was an entirely real possibility that you had a kid or two.
“So no sex then?”
Something like a groan and a curse left your lips, and you squeezed your eyes shut, embarrassment and something else washing over you. How you wished for a raider or synth or anything to break down the door and kill you. “No,” you responded, and you missed the way his gaze locked on to you, intrigued by your answer.
“So you’ve never-”
“No!” You didn’t let him finish his question, not caring about what you just admitted to him.
“Not even after you left?”
“No.” You were getting really tired of your same responses.
“Why not? It ain’t like you got your vault monitoring everythin’ ya do anymore.”
“Well…” you sighed, running a hand over your hot face. “It seems boring, from what I heard. I’m just supposed to, I dunno, sit there in pain while they use me for their own pleasure. It’s never appealed to me.” That last part was a lie, and you both knew it. You just wanted to hold on to some semblance of your pride that was lying in tatters around you.
He had the audacity to laugh, and you wished the couch would just swallow you whole. “I dunno who told ya that, but it ain’t like that. Not even fuckin’ close.”
Shakily, you exhaled, your heart feeling like it was about to beat out of your chest. You couldn’t believe you were having this discussion, with The Ghoul of all people. His next words had you going deathly still, staring wide-eyed at the mildewed ceiling. “Can I show ya?”
In just one sentence, he managed to change the entire atmosphere of the conversation, of your relationship. You wouldn’t deny, the idea of being intimate with him was appealing, and definitely not the first time you’d thought of it. What made this time different, though, was that you didn’t push those thoughts away, disgust and shame not overwhelming you. And it was also different because this wasn’t just a scenario that you’d played out in your head, alone while you slept. No, this was actually happening.
“What?” You managed to stammer out, sitting up slowly. Your mouth went dry at the way he stared at you, almost hungrily. You squirmed under his intense gaze, which seemed to please the man.
“Can I show ya what it’s supposed to feel like?” He repeated again, and one of his gloves hands crept across the couch, resting an inch away from where your legs were. “If ya don’t want this, just say the word, and we can pretend like this ain’t ever happened. But I can promise ya won’t regret it.” For once, you were grateful for his self-assurance and cockiness, as it bolstered your own confidence in your decision.
It felt like five hours had passed before you nodded, and you felt his hand brush up your clothed calf, gripping the muscle lightly. “Lemme hear ya say it, sweetheart.”
Even though it was far from the first time he’d called you sweetheart, the implications now made your face burn even more. He made it sound dirty, and you had to take a breath before speaking. “Show me.” Your voice barely came out as a whisper; any louder and you feared it would crack.
You let out a startled noise when he pulled you close to him using the hand on your calf, the action effortless; you’d forgotten how unnaturally strong he was. You were now laying down fully on the couch, hair splayed out around you. He moved between your legs, hands now braced on either side of your head as he leaned above you. His face hovered a few inches from yours, and you could feel his breath as he spoke. “You gotta let me know if ya don’t like somethin’, deal?”
“Deal.”
You shivered when you felt him caress your cheek, a surprisingly gentle gesture from the rough man you knew. He smiled at your body’s response to him. “Finally,” he muttered out, but you didn’t get a chance to ask for further elaboration before his lips were on yours.
Unlike his touch, they weren’t gentle, almost bruisingly strong against yours. You groaned, and you could feel him smirk. The hand that had been touching your face settled, grasping the side of your face in a warm, gloved palm. The other hand remained braced by your head, keeping him upright. You found yourself latching your own around his wrist, the other grabbing a handful of his shirt, trying to find some way to keep you grounded.
Kissing felt even better than you’d imagined it would. You didn’t think it would be so enjoyable, feel so good, so right. It was like his lips were made to slot perfectly against yours. If you concentrated hard enough, you could taste cherry pie filling the both of you had eaten. You jolted when you felt teeth tug at your bottom lip, a droplet of pain in the sea of pleasure, and your grip tightened even more, threatening to tear the clothing. You didn’t think he would mind.
Energy pulsed through your body, and you found yourself unconsciously beginning to move, your hips moving in small circles. A familiar tension began to form in your lower body, something you felt during your late night thoughts of The Ghoul. Even though it was only just forming, you’d never felt it this intensely before, and you were desperate for some kind of relief.
An amused chuckle left him, pulling away slightly to do so. You almost whined at the loss of contact, and you attempted to pull him back down with the hand that currently had a fistfull of his clothing, but he didn’t budge. “Eager?” It was a rhetorical question, but you found yourself nodding anyway.
“Please.” What you were asking for, you weren’t quite sure. Your words trailed off into a sigh when you felt his lips return, this time along your jaw by your ear. He left your cheek, running down the front of your body tantalizingly slow.
“Where’s these manners comin’ from?” It sounded like his voice had turned raspier, and it elicited a shiver from your body, his lips still pressed close to your ear. “If this was all it took for ya to start actin’ all proper, then I would’ve done this weeks ago,” he teased, and his fingers ran underneath your breasts.
Maybe it was his lips on your skin, or the way he pressed his body into yours, or the way he touched you, but you lost control of the words tumbling from your mouth. “I would’ve let you,” you admitted, and even though it was quiet you heard his breath hitch.
“Yeah?” His voice had somehow gotten even raspier, and he groaned when you nodded. “Fuck, sweetheart,” his teeth nipped at your earlobe before moving further down your neck. You no longer felt his lips; instead you felt tongue and teeth leaving marks, growing more fervent as he descended.
You let go of his shirt, your fingers popping uncomfortably, yet you paid it no mind. You rested your hand on the back of his head instead, almost immediately pulling it away, unsure if he wanted to be touched or not. But you felt him gently grab your wrist, bringing your hand back to where it had once been, making an approving noise when your fingers made contact.
When he reached the strap of your shoulder armor, you felt him immediately get to work at losing the strap, and you sighed in relief when fresh air hit the newly exposed skin. He tossed it to the side somewhere, and it didn’t take long for your chestpiece to join it. The only thing left on the top half of your body was your bra and tank top, yet you felt completely naked, both because of the lack of armor and the way his eyes bore into your body.
His eyes trailed over the top of your chest, which was rising and falling rapidly, greedily taking in the swell of your breasts. You gasped when he took them in his hands, kneading and toying with the tender flesh. Even through the thick material of his gloves and your clothing, you could still feel his heat. But you wanted to feel him closer. You wanted to feel his bare hands on your body.
Before you could even comprehend what you were doing, you were tearing off your tank top, throwing it somewhere in the room. You arched your back, your chest pressing further into his touch, and he groaned. Reaching behind, you had enough confidence to unlatch your bra and remove it, but not enough to look him in the eye. Your cheeks were burning, a flush creeping down your neck.
“Fuckin’ perfect,” you heard him mutter, and his praise gave you enough confidence to finally return your gaze to his, expecting them to be locked on your chest. And they were, at least until he felt your eyes on him. His pupils were blown out, irises gone, and the almost predatory smirk on his face made you look away again, the tension in your body growing.
“Take them off,” you whispered when his touch returned. His movement stilled, much to your dismay. “Your gloves,” you pleaded. “Take them off.”
When he didn’t respond, you forced your attention away from the ceiling, breath catching when you looked into his eyes. “And here I was praisin’ your manners,” he rebuked, and even through the lust in his eyes you could see a playful glint. “C’mon, you can do better than that.”
“Please take your gloves off,” you responded immediately, not caring if you sounded desperate. “I wanna feel your hands on me, please.”
“Much better,” he practically purred, and you watched him bring a hand up to his own mouth, tugging the glove off his hand with his teeth and letting it fall, landing on your body. It almost felt wrong to see his hands without gloves on them; it felt like he was more undressed than you.
He wasted no time in returning his now bare touch to your breasts, and it felt better than you thought it would. Fingers dexterously toyed with your now perked nipples, pulling little noises from you. You never thought it would be enjoyable to have someone playing with your breasts like this, but you were happily proven wrong.
It was when his mouth joined the fray that your noises turned louder, his lips wrapping around your other nipple. When his teeth grazed the sensitive bud, your hips bucked right against his, and you felt him groan against your chest. Wanting to hear that noise again, you repeated the action, and your ears were blessed once again.
But your victory was short lived, and the hand that had been by your head the entire time finally moved, pressing your hips down into the couch. “Behave,” you heard him growl, not halting his attention towards your chest. But you did see his eyes flick up, making it look like he was glaring at you, and you found your mouth going dry. You nodded, not finding it in yourself to go against him just yet, to see how far you could push him. You hoped there would be a next time.
He continued to lavish your chest for a few more moments, swapping his hand and mouth, continuously building up that tension in your core. You fought against the desire to move your hips, his “threat” still ringing in your ears. Your hand was still resting on the back of his head, trying and failing to keep your nails from digging into his scalp. A particularly hard suck had them biting in deep, but any apology you had died on your lips at the sinful moan he let out, followed by a string of expletives. You took a mental note to do that again later.
With a pop, he removed his mouth from your chest, and he let you pull him up into a searing kiss. His hand sneaked down between your bodies, which you only realized when you felt his fingers run beneath the waistband of your jeans and underwear.
He pulled away, sitting back on his heels, and you weren’t quite sure who was panting heavier. You immediately missed the feel of his body over yours, the comforting weight of him, and you couldn’t help the small pout that formed on your lips as you tried and failed to pull him back down again. “Please,” you whispered, hoping that your words would convince him. And you could tell they almost worked, his jaw clenching as he grit his teeth.
But he didn’t relent. Instead, you watched as he began to slowly unclip your gunbult, your armor, your kneepads. Every bit of protection against the Wasteland stripped from you, joining the pile on the floor, leaving you only in your clothes. It was freeing, yet a bit nerve wracking, your chest continuing to rise and fall rapidly.
You tried to lean down to help with your boots, but he swatted your hands away, silencing any rebuttal with a look. It took a few moments, but he eventually was able to remove your boots and socks, but you barely heard the sound of them hitting the floor over the loud heartbeat in your ears. He practically ripped off your pants, his patience becoming thin because of the boots, but you were just grateful he didn’t actually ripped them. Good clothing was hard to come by.
His gaze was locked onto your lower body as he eased off your underwear, the final article of clothing on your body joining the rest. You were almost glad to be rid of them; they were cold and uncomfortable, and damp, for some reason. But it didn’t seem to put off The Ghoul. In fact, it seemed to please him immensely, an almost proud grin on his lips.
You quickly grew embarrassed under his ravenous gaze, his eyes trailing over every inch of your body. You tried to close your legs, or at least tuck them to your chest to try and cover you, but he was having none of it. Two hands, one gloved and one not, wrapped around your ankles, pulling them back down and out. “None of that. Lemme see ya.”
Swallowing, you relaxed, at least as well as you could. It became easier when you saw how much he was loving your body. His eyes jumped around, like he was trying to memorize every detail of you. “Like I said. Fuckin’. Perfect.” You weren’t expecting the sheer honesty in his voice.
The hands on your ankles began to slowly trail up, making goosebumps appear on your skin. It was like your skin was a million times more sensitive when someone else was touching you. You got lost in his touch, your eyes fluttering close, simply enjoying the feel of another person.
They shot open when his touch suddenly left, and you gaped at him, confused. You watched him adjust so that he was now sitting normally on the couch, resting against the back of it.
You understood, though, when he patted his legs, wanting you on his lap. With shaky movements, you complied, but were once again confused when he stopped you, hand resting on your shoulder. Wordlessly, he turned you so that your back was to him, and you let out a startled noise when he roughly pulled you onto his lap, his still clothed chest pressing into your bare shoulders.
Moving the hair from your neck, you felt his lips return their ministration on your neck, and your head rolled back, giving him more access. Both hands were on your body, ungloved one returning to your breasts, the other skating down the side of your body. You gasped when it began to inch towards your center, and you felt him chuckle. “So sensitive,” he commented almost absentmindedly.
You felt him grip your thigh, spreading your legs even farther so that they went around his own, now using his knees to keep your legs open. It left you completely exposed and at his mercy, but you felt comfortable, safe even. Relaxing fully against his chest, your head now rests on his shoulder, and if you strained enough you were able to look at him. It was clear by the expression on his face that he was enjoying this just as much as you were, if not more.
He reached his hands around your body, and began to pull the glove off his other hand. You stopped him with a gentle grasp of his wrist, tugging his hand to your mouth. Just like he did, you took the material between your teeth, and he was able to free his hand with a tug. “Thank you, sweetheart,” he rasped. “Think ya can do one for thing for me?”
“Anything,” you responded, and you felt two of his fingers, the middle and ring, trace your bottom lip.
“Anythin’?” You nodded, not caring what that might imply. “Well, I’ll have to keep that in mind. But first,” those fingers tugged at your lip, “get those nice and wet for me.”
Even though you weren’t quite sure what you were doing, you parted your lips anyway, taking the digits into your wet mouth. Slowly, you began to bob your head up and down, running your tongue along the textured skin, barely tasting the saltiness of it. Whatever you were doing seemed to please him, because you felt his chest rumble with a groan.
Before you could build a rhythm, he pulled them out with a pop, and they glistened in the low light. He didn’t give you much time to observe them, though, because before you could process he was running them through your folds. The sudden touch in your most sensitive area made you try and shut your legs, but his knees made it impossible.
His chest rumbled with a light laugh, and you were confused as to what could possibly be amusing him. “Guess that wasn’t necessary; you’re already so damn wet for me.” You detected another hint of pride, this time in his voice.
Another swipe had you moaning, but then you felt his fingers locate something between your legs that made you cry out, your legs jerking involuntarily. “There we go,” he rumbled, and he focused his attention on that area, fingers pressing firm and slow circles into it. You weren’t quite sure what he was doing, but it felt incredible, the tension that had slowly begun to rescind returning.
You tried to tell him, but it came out as a garbled moan instead. “Feel good?” It was another rhetorical question, and you yet again nodded, and you watched his lips quirk up.
“Ghoul…” you moaned out, one of your hands reaching behind to hold the back of his head, needing something to hold onto as he continued to pleasure you.
For the first time since you’d met him, something like self-consciousness flicked across his face, gone as soon as it came. “That ain’t my name, sweetheart. C’mon, lemme hear ya say it,” he almost sounded desperate as he talked.
It took a moment for your lust-addled brain to remember what he had told you earlier in the night. “Cooper…” you sighed out, and he bit back his own moan, and you felt his hips jump the tiniest bit.
“And I thought I liked hearing ya say my name, but fuck, I like hearin’ ya moan it a hundred times more.” You realized that when you had seen something shift in his eyes when you first said his name was disdain, it was actually the opposite. That realization had you smiling, and you managed to pull him down into a messy kiss, the angle too weird to allow a proper meeting of your lips.
But it wouldn’t have lasted long anyways, another few moments of his fingers making you cry out again, that tension beginning to become unbearable, like it was just on the precipice of snapping. “Cooper.” It came out as a moan, but with a hint of confusion and worry behind it, unsure of what was happening with your body.
“You close?”
“Close?” You had enough focus left to be confused, and even though his fingers didn’t yield, you felt the rest of him go still.
“You’ve never… oh, fuck,” his voice turned husky, almost like a growl, “am I gonna make you come for the first time?” He sounded elated. It just created more questions, but another swirl of his fingers made all thoughts go out the window.
You fidgeted and squirmed, trying to escape the onslaught of things you were feeling. “Relax. I promise ya, this’ll feel good.” And because you trusted him, foolishly or not, you did relax, no longer fighting against him. It felt like you were a dam that was about to burst, and you barely registered that your nails were digging back into his scalp until you heard one of those delicious moans escape his lips.
That sound triggered something in you, and all at once that tension snapped, exploding like something that was pulled too tight. Pleasure ignited your body, making it feel as light as a feather. Every nerve in your body was humming, and you swore you blacked out for a moment.
His voice, gruff yet a bit concerned, brought you back to your body. “Breathe,” you heard him say, and you realized the dizziness you were feeling wasn’t just because of the mind-shattering pleasure you’d just felt, but you indeed had stopped breathing. Inhaling shakily, you felt some of that dizziness leaving now that oxygen had returned to your lungs.
An uncomfortable jolt had you glancing down between your legs, where he continued to pull every last bit of pleasure from your body. “S’too much,” you managed to slur out, your voice quite hoarse. He halted, thankfully, resting his hand on your thigh, still close enough to your center that you could feel the heat from his hands.
“You alright, sweetheart?” He sounded mildly amused, and if your muscles weren’t currently jelly you would’ve hit him.
“I… what did…” you said between gasping breaths, trying to get your heart rate back down.
“You just came. Rather loudly, at that,” he teased, and your incredibly hoarse voice made sense now. You were suddenly very glad that you were in the middle of nowhere.
Turning so that you were able to face him better, you felt the material of his pants rub against your bare legs, which wouldn’t have been too weird if it weren’t for the fact they were wet, borderline soaked. The hand that had just been resting on your thigh was brought into view, just as soaked as his pants, and you watched as he examined his hand, almost transfixed. “And messily,” he added, and you felt your cheeks burn even more than they already were.
You opened your mouth, ready to apologize, but nothing but an airy noise left you as you watched his tongue run from up from his wrist to his fingers. A pleased hum left him, his eyes never once leaving your own as he continued to clean his hand, like it was the most delicious thing he’d ever tasted, even better than the desert you had shared. There was a stir in your gut at the action, what you now assumed to be arousal coming to life as you continued to watch him.
When he caught you staring, his lips twisted into one of those smirks that made your stomach flip. Turning fully in his lap so you were now straddling him, you tugged his wrist far enough away so that you could kiss him. You groaned when his tongue swept between your parted lips, his slightly damp hand holding the side of your face gently.
With shaky fingers, you began to try and unbutton his shirt. You didn’t get far before he was suddenly standing, and even though he had an arm tucked beneath your thighs, you still clung on to him, legs and arms wrapping around him tightly. Not once did he remove his lips, even when he bumped into a few things on the way to the bed. It was like all that mattered was you and the way you felt.
The bed, which was barely big enough for one person, let alone two, squeaked obnoxiously when he lowered you onto it, but neither of you paid attention to it. And it wasn’t like you had to worry about anyone else hearing. Like on the couch, he hovered over your body, arms braced on either side of you. His lips were back on your neck, giving you a few moments to take heaving breaths of air.
For once during the entire night, you knew what was about to happen next, but even though you could feel anxiety threaten to grip your mind, you managed to shove it off. It was easier when you focused your attention on the man in your arms. His continued attention was nice, but you wanted, needed more. “Cooper, please…” you trailed off, hoping he got what you were asking for.
And you know he did, because you felt his lips curl into a smile against the skin of your neck, and he lifted his head up. You don’t think you’ve ever seen him so care-free, and the sight had your heart swelling, a small gasp leaving you as well. He looked good like this, and a part of you craved to see it for days to come.
“What was that, sweetheart? I didn’t quite hear what ya said.” For a moment, you retracted your previous stance, embarrassment making your ears burn. You either wanted to kiss or slap that shit-eating smirk off his face when he noticed how bashful you’d grown. “I’ll give ya whatever you want. All ya gotta do is ask.”
Your pride and embarrassment were at war with your desire, but a winner was quickly decided. “Please, I need you, Cooper.”
Apparently that wasn’t good enough, because he didn’t move. “You need me to…?” You groaned in frustration, and you tried to get him to just forget it with a roll of your hips, trying to make him break. It seemed to almost work, but you felt him press down firmly on your hips, pinning you to the bed. “That ain’t gonna help ya. Use your words.”
You sighed, finally relenting. “Fuck me, please,” you whispered out, and it finally seemed to do the trick.
“Atta girl,” he praised. “Go ‘head and roll over for me.”
As much as you wanted to be able to see him clearly, excitement had you turning over anyway, now on your hands and knees. The position was revealing and it almost felt degrading, but yet again you felt at ease, anticipation making your heart beat fast. Turning your head, you were able to see him a bit, and a moan slipped from your lips when you heard the sound of his belt being undone, the sound of a zipper following suit. This was really happening.
One of his hands gripped your hips, and you felt his still clothed legs pressed up against the back of your own. His cock, warm and solid, pressed into your entrance, a low groan pulled from your lips when he breached it. It was only the tiniest bit painful, not as bad as you initially believed it would be, like a muscle being stretched, which was earlier overshadowed by the pleasure it brought. He let out a groan of his own, the fingers on your hips digging in harshly.
Inch by inch, you felt him press himself fully into you, both of you letting out similar sighs when he was fully sheathed. Cold metal bit into your skin when his hips were flush with yours, the buckle of his belt no doubt going to leave imprints on your skin. He stilled once he was fully in you, giving you a chance to get adjusted to him, which you were grateful for. You could tell that it was taking every ounce of restraint in his body to just sit there, though, and it only took a few moments until you felt like you were ready for him to move.
All it took was you wiggling your hips for him to get the message, something like a sigh of relief leaving his lips. Slowly, he pulled out of you, fingers never once letting go of their grip. The sensation made you moan, and you could feel him everywhere, hitting all the right spots as he pulled out.
You grasped at the barely-together bedsheets, probably creating new holes in the fabric. It was less uncomfortable when he pushed back a second time, and you felt your head go limp between your arms, his name falling from your lips. He started creating a rhythm, hips beginning to pick up the pace. His hips snapped into yours, slowly at first, but gradually picking up speed.
You could do nothing but take it, pleasure making you lose control of your body. Your cries were becoming increasingly louder, that familiar tension returning, and you tried to bury your face in the mattress.
That was until you felt him grab a fistfull of your hair, yanking your head back up. It hurt, but it felt wonderful, and you felt yourself tense, a wanton moan louder than anything previous escaping you. “Fuck, ya like it rough?” His pace quickened, his cock spearing you relentlessly. It filled something in you that you didn’t quite know you needed, a craving satiated that you didn’t know you had. But now that you had it, you needed more of it.
You nodded, at least as best you could, the grip in your hair keeping your head still. It took you too long to realize that he was using the leverage from his grip in your hair to pound into you. “D’ya know how fuckin’ incredible ya feel?” He panted. “This cunt was made for me. For me to ruin.”
“Cooper,” you cried out, and he groaned in appreciation.
“Fuck, that’s right. Who’s fuckin’ ya this good? Who’s ruinin’ ya for any other?”
You certainly weren’t expecting him to be this vocal, but you were far from complaining. His voice, which normally electrified you, was driving you insane, the tension building up tenfold. You tried to say his name again, but it came out incoherent. “Oh, sweetheart,” he cooed before laughing lightly.
You were so close to your release again, and you could feel moisture run down your thighs, but you had little mind to be embarrassed now. “Cooper,” you were able to sigh out. “I’m… I’m close.”
His grip turned vice like, and you’re sure your neck would be hurting later because of the angle, but you didn’t care. “Let go. C’mon, lemme feel ya cum on my cock.” His words left no room for debate, so who were you to go against his orders? After a few more thrusts, you felt that tension snap again, pleasure once again washing over your body, making your arms turn to jelly. Panting, you collapsed on your arms, face squished against the mattress, the sound of slick skin on skin the only thing you could make out.
You didn’t stay down for long. Both hands wrapped around your front, pulling you flush against his body. He continued to thrust into you, and you felt another release begin to build, but it was too much. You made a sound of protest, something like you couldn’t come again, but he shushed you with kisses on your cheeks, which were damp with tears and sweat. “Just one more, sweetheart. You can do it.”
Nodding shakily, you felt his continue to fuck you, one arm wrapping around your stomach, the other holding right above your breasts. A startled noise left you when you felt his hand wrap around your throat, survival instinct kicking in immediately. With wide eyes, you twisted out of his grasp on your throat, panic evident on your face.
He had let go as soon as he heard any sound of protest, but he still lingered close by. “You trust me?” He asked, somehow still able to form a coherent sentence.
Your answer came immediately; you trusted him with your life. Why else would you travel the Wasteland with him? You nodded, a soft yes leaving you as you did. He pressed another grateful kiss to your cheek, a wordless thank you, and you felt his hand return to where it was. You still tensed when you felt his grip return, unable to turn off the instinct to be free of someone choking you, but you provided no further protest.
Fingers squeezed against the sides of your neck, and like with your hair he used the leverage to snap his hips up into you. Even though it was harder, you were still able to breathe, your gasps and noises labored. Yet you still found yourself growing dizzy, the restricted blood flow making you so, which just heightened the pleasure you felt.
Your third and final release of the night barreled into you, completely catching you both off guard. Your mind was so fuzzy; you couldn’t even get his name out. You were quickly snapped out of that haze when you heard him moan your name. Not sweetheart, not Vaultie, not any other nickname. Your name.
He eased you to the bed, hand leaving your neck, and you let out a small whine when you felt him pull out of you. You felt empty, lacking, and even though you knew it would upset your overstimulated body you wanted him back in you.
You had just rolled onto your back when you felt something hot splatter against your skin. You watched slack-jawed as he stroked himself to completion, his release painting your skin. The sight caused the flames of arousal to reignite, but you tried your best to snuff them out; you needed a moment.
He sagged forward when he was done, arms once again bracing him from completely falling on top of you. Silence now filled the air, which was significantly warmer than it was a bit ago. It was you who moved first, grasping the side of his scarred face and pulling him in for a gentle kiss. It was short, but probably the most passionate of the night.
When it broke, he sat up, getting up and off the bed and towards his belongings. You let out a noise of protest, and he just shot you a teasing look. “I’ll be back in a sec. We gotta get ya cleaned up,” he gestured to the remnants of him on your skin, and you watched as he fished out a canteen, before searching the area for something else.
You decided to glance over your body as you waited for him to return. Your skin glistened with sweat, and you could see various marks littering your body; you didn’t want to know what your neck looked like, where he focused a lot of his attention.
The feeling of the bed shifting snapped you out of your examination, and you regarded the man who sat beside you with a soft look, and you were surprised when he returned it. It quickly turned into a scowl when you felt a damp cloth brush against your stomach and breasts, the cool water making you hiss.
When he was done cleaning your skin, he handed you the canteen, and you took a few sips. You’d long since gotten used to the acrid taste of the Wasteland’s water, so it didn’t bother you, and you watched him finally kick off his boot. He was still fully dressed besides that, shirt sticking to his body.He set it beside the bed once you finished, before eying the bed that you were currently laying on.
“What?” You cringed at how raspy your voice sounded.
“Just dunno how I’m gonna fit.” In the back of your mind, you worried that he was going to push you away after all was said and done, so you were quite relieved to find the opposite happening.
With a grin, you scooted back until your head rested against the thin pillow, before opening your arms to him. Shock crossed his features for a split second, before a grin of his own grew on his lips. He was still hesitant when he entered your embrace, but he relaxed almost immediately, especially when your hands ran soothingly up and down his back. When you pressed a kiss to the top of his head, he practically shuddered, his face nuzzling into your skin. You wondered how long it had been since someone showed him affection like this.
You held him for a good while, your body calming down, and you thought over the events that had just transpired. Weirdly enough, you thought less about the things he had done and more of the words he said, especially right at the beginning. “Cooper?” You called out hesitantly, almost immediately regretting it. “Do… Can I call you that?”
He had raised his head when he heard his name being called, and you watched him debate it for a second. “Only in private. I’ve gotta reputation to uphold.” His response was gruff, but there was something warm in his eyes.
It made you giddy, that he trusted you enough to call him by his true name, and you hoped you weren’t smiling like a fool. “Alright, Cooper. What did you mean when you said ‘finally’?”
He chuckled lightly, propping up a big so he could respond properly. “What, ya thought this was a spur of the moment decision?” He shook his head. “Sweetheart, I’ve wanted this for a while.”
You gaped at him, stunned. “You… you have?”
“How could I not? I mean, look at’cha,” his eyes trailed appreciatively over your still naked body. “But you’ve got a fire ‘bout ya. You ain’t afraid of this world, even though you damn well should be. You ain’t afraid of me, even though I’ve given ya plenty of reason to be. You’re a fighter, and I… I admire that ‘bout you. I-” He caught himself, like he said something he wasn't supposed to. “I’m too sober to be discussin’ my thoughts with ya. All ya gotta know is yes, I have.”
You were once again left stunned, so you let your action speak for you, pressing another kiss to his head, trying to ignore the way your heart soared. You felt him shift upwards, and he kissed your proper. It was another short yet passionate kiss, and when he broke away he rested his head against yours.
“You wanna know somethin’, sweetheart?” His voice had dropped lower, and that familiar dark look was back in his eyes. So much for snuffing out the arousal you felt. He smirked when you nodded vehemently. “You wanna know the real reason why I always take first watch when we go to bed?” You felt his grasp one of your hands, loosely enough that you could pull it away if you wanted to, and he brought it between your bodies. You gasped when you felt the hard tent in his pants, having tucked himself away when he got up, but you knew it wasn’t going to stay like that for long.
“It’s ‘cause you do this to me. You should hear me out there, moanin’ your name like I do, imaginin’ your hand wrapped ‘round my cock instead of mine.”
Your tiredness was completely forgotten, the pleasant ache in your muscles nothing more than a gentle distraction. “Can you show me?”
“Fuckin’ gladly, sweeheart.”
#cooper howard x reader#cooper howard#the ghoul x reader#the ghoul#fallout#fallout tv series#fallout series#fallout prime#fallout show
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this is why he needs to die btw
just realized that because I’ve left my jackass DM’s campaign (therefore giving me full control over Dimitri’s story and lore) I could totally draw Dimitri killing my least favorite NPC with hammers and NOBODY can fucking tell me that it isn’t canon
#the uh. the roleplay in the groupchat got a little heated#genuinely I hate this fucking guy so much. I mean like the dm just sucked too but also specifically the npc in this case#fucking classist asshole piece of shit#every single time he was in a scene together with Dimitri he would just insult him endlessly the entire fucking time#and the DM was lowkey kind of controlling (think little kid on the playground who tells you what you can or cannot do while playing pretend)#so I was NEVER allowed to one-up him in any way because ‘killian’s sooo strong and smart and has never been cut by a blade actually’ SHUT UP#like. it was just playing pretend roleplay but genuinely it kind of went a little too far. like he just would not give it a rest at all#it would make me genuinely start to get angry and feel frustrated#and then whenever I said I hated the character he’d be like ‘bro he’s literally a good guy you don’t even know him bro his backstory-‘#HE HAS LITERALLY DONE NOTHING BUT INSULT MY CHARACTER EVERY TIME I PLAY WITH HIM#WHY WOULD I HAVE A SINGLE REASON TO LIKE HIM#sorry. sorry. apparently I had to get that vent out of me goddamn 💀💀#anyways. he’s also the one who cut Dimitri’s hand off#so long story short I hate his fucking guts and I want Dimitri to kill him slowly and feed his flesh to our direwolf puppy#and I hope he shits on his fucking grave when he’s done
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‧₊˚✧ ❛[ pocket powerhouse ]❜
━━━ .°˖✧ requested by @klerns-birdie ˚₊ ⊹
ft. logan howlett x f! reader x wade wilson — xmen, marvel
╰₊✧ entering the void with their tiny, mighty companion┊1.4k words
setting: deadpool & wolverine (2024) worst! logan contains: canon typical blood & violence (and murder lol), reader is described as short & cute, super strength mutation, reader is the one who kills sabertooth in this one, fourth-wall break
➤ author's note: this was funnier in my head
they had you surrounded on all fronts, some standing before you and others on armored vehicles, holding their weapons and fists up ready to strike at any moment. if they didn’t clearly have bad intentions, then you would have been flattered at this little welcome party gathering together after only a few minutes of being sent into the void. they probably heard the ruckus wade and logan were making since they simply couldn’t keep their hands off of each other.
meaning, they couldn’t stop beating each other up and using any means necessary to shed blood or break bones despite it all being healed within the span of seconds.
you find the only successful way to get them to stop trying to kill each other is by threatening to kill them first, throwing a punch into the ground to destroy it under you as a means to grab their attention while shouting that you’ll decapitate them if they continue.
they listen to you most of the time and drop the mini battles, not because they believe you would actually do it, but because they believe they are humoring you by doing so (and because they know to sit down and shut up when a pretty woman tells them to). with super-strength as your mutation, you could do it with ease, they know you can— it’s just so difficult to think that such a cute little thing who pouts when ignored and is frequently used as an armrest due to short stature would ever do anything of the sort. you still have yet to act on your warnings, only depending on bloodlust-filled glares to settle them down much like a teacher waiting for her noisy class to be quiet.
logan thinks you all bark and no bite, wade compares you to an angry bunny, it’s safe to say they take what you say with a grain of salt, exchanging amused looks and admiring how cute you are when yelling profanities and gory details of how you’re going to maim them. (blah, blah, blah, proper name, place name— backstory stuff)
the three of you cringed at the failure of johnny storm, grimacing when his balls probably got crushed on a metal pole and every time he hit his head before getting captured. his end goal was clearly to escape, but you didn’t quite know how he was planning to get there when he set himself alight and started flying.
“i know you!” a large man with flowing blonde hair jumped off the tank, landing with a heavy thud on the compacted sand.
“oh my god, that’s sabertooth, peanut’s brother,” wade explained.
“brother? they don’t really look anything alike aside from being… uh… feral?”
“well you see, apparently there are some discrepancies about that. the author isn’t sure about anything because her bitch-ass still hasn’t watched any of the x-men movies or done her research. something about ‘being too busy with real life,’ can you believe that?”
“okay, you lost me when you started talking about ‘an author,’ but lay off her!”
sabertooth growled at logan, “ready to die?”
“hey, don’t threaten him! i don’t care if he’s your brother, he’s my friend!” you interrupted, walking up to him, acting nonchalantly like he was a teddy bear when he was truly a grizzly. he was much taller than you too, towering over you and leaving you in his shadow.
“get outta my way, girlie” he barked, extending his claws, prepared to sink them into your flesh. “you’re lucky you’re cute, or else i already would have killed you.”
“aww, thank you! but i can’t accept compliments from someone who wants to kill my friend, so to that, i say ‘fuck off!’”
before he could let out a roar about how you should know who you’re talking to or swipe his claws at your face, you lifted your hand and slapped him across the face. it was much like a dramatic slap from television shows where the girl finds out her boyfriend is cheating on her or something, except his head went flying off into the distance and sprayed blood everywhere. it happened so quickly that his body stood there for a second before flopping over.
“oh my god!” wade exclaimed, cupping his face in his hands from surprise before excitedly clapping them together, “oh my god, that’s my girl— that’s our girl! see, that’s what happens when you enlist a y/n on your team, i told you that it was a good idea to take her with us!” he picked up the decapitated head and waved his arms around, paying no mind to the dripping red iron spilling on his costume, “you bitches saw that? she’s cute ‘n tiny but mighty, and she’ll absolutely fuck you up!”
the victory was short-lived as they took advantage of logan’s adamantium skeleton and other large pieces to scrap to trap all of you to a magnet. normally, this would be a breeze for you to get yourself out of, but you got hit in the head and quickly fell unconscious for them to ship you all away to cassandra.
when you finally woke up, you’re tied back-to-back with johnny and find your two companions in a similar position. “are you guys okay?”
“they’re asleep, but i’m okay,” logan answered, voice uncharacteristically amiable. despite being just as annoying as deadpool, he liked you a whole lot more and never spoke to you as roughly as he did to him. you were sweeter, more empathetic and understanding that he needed his own space, and, he isn’t going to lie, very easy on the eyes. “and you?”
“i’m okay! my head really hurts though…” you winced and shook your head a few times, trying to get the pounding sensation out. “god, this place is crazy. first we get teleported to this junkyard and then—”
“did you really mean what you said back there?”
“what did i say?”
“well… you…” god, he felt stupid, he was about to back out and say ‘nevermind,’ but he knows that you wouldn’t have let him go so easily. “you said that i was your friend…”
“yeah! you are! i mean, i killed your brother for you even though you could have done it yourself, putting myself in danger just so that you didn’t have to— you better consider me a friend too!”
he should tell you that you shouldn’t call him that nor think of him that way since nothing good ever comes out associating with him, but he can’t bring himself to say the words he’s routinely told others to successfully push them away. something about the look in your eyes, the way they sparkled when you looked at him. something about your smile, toothy and full of hope for the future to make up for his lack of. something about you makes him keep his mouth shut.
instead, he looks away, muttering a quiet word of thanks.
you tilt your head in slight confusion, not understanding the depth of your statement yet and how it managed to pull a word of gratitude out of a man who was in a constant state of irritation, but it made you irrationally happy and giddy inside.
wade was murmuring a few unintelligible sentences before coming to, and despite wearing a mask that covered his entire face, you could envision the mild look of disgust behind the leather as clear as day. “ew, why are you smiling like that??” he took a glance at you and then back at him, repeating the process a few times. “what the fuck? you guys can’t have a love story and leave me out of it! i’m the reason you two even met—” he finally seemed to process the situation from the close proximity with logan, looking him in the eyes through the white fabric of his mask and trying to find a way to loosen it to no avail. “how long have i been asleep?”
“not all of you was asleep.”
johnny seemed to wake up as well, beginning to tell a whole bunch of exposition about this place you were trapped in, something about a monster that would swallow you up and a “her” who runs this entire place. he laughed at the notion of evading this woman’s grasp, but wade thought otherwise.
“nah, we can take her! i have a pocket powerhouse and the wolverine on my side, i’m not scared of anything!”
no one quite believes him, but it’s nice to see that your optimism has rubbed off on him.
#📜. her works#logan howlett#logan howlett x reader#wade wilson#wade wilson x reader#wolverine#wolverine x reader#deadpool#deadpool x reader#deadpool and wolverine#deadpool 3#marvel#marvel x reader#x men#x men x reader
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A Masterpost for the Revised Version of TGCF
Due to the amount and frequency of misinformation about the revised version of TGCF, I wanted to make a post to serve as a resource for those who are confused about it, while also helping to debunk some of the sensationalist rumors floating around.
This post will be edited to include new things as needed.
⚠️Spoiler Warning: if you have not finished reading the original novel, or want to experience the new scenes from the revised naturally/fresh, please proceed with caution! I've intentionally kept things as vague as possible, but some spoilers are unavoidable!⚠️
✨ PART ONE: Frequently Asked Questions ✨
🔹What is the "revised" version of TGCF?
MXTX had been working on a revised version of TGCF since completing the original, as mentioned this in her postscript/afterword, and in an online interview (Q.27) done years ago just as she competed TGCF. That's all that was known for several years.
In early 2023, TGCF was finally released in print format in mainland China — and this was revealed to be the revised version! Due to regulations, this was a censored edition. However, in early 2024, the uncensored edition was uploaded to JJWXC (the site where all of MXTX's webnovels were originally published)! It's currently fully available to read in Simplified Chinese.
If you want a more in-depth explanation about the revised, please see my post about that here.
🔹What does the revised change compared to the original?
Several scenes have been added, some removed, others expanded upon. Overall, MXTX reportedly wrote 100k characters (words) of new content. While the overarching plot of each arc and the novel as a whole remains the same, it's a more cohesive and polished story. Pacing in each part of the story has been adjusted to flow better, especially in arcs notorious for feeling slow or disjointed.
Some segments have had fairly significant changes — namely the Bloody Banquet/Fang Xin Guoshi arc. (Though it still plays out much the same way.) Most others have smaller changes.
A new extra was also added, called "the Ghost King Dressed Down," which has been translated by Scarabsi on twitter.
🔹How does the revised version effect characters?
Apart from certain minor characters — such as the child Lang Ying who was removed entirely — there haven't been many drastic changes. The biggest thing was side characters like Lang Qianqiu and Ling Wen being given notably more backstory to further flesh them out. Their characterization itself hasn't changed, however.
🔹Which version is canon, then?
Whichever you want, and you can mix-and-match! MXTX has given fans her blessings and encouragement!
🔹How do I read the revised version in English?
Currently, there are no official or unofficial English translations of the whole revised version. Nor are there any plans to do so for the near future.
However, there are English fan translations of a few notable chapters, which you can read here. There's also instructions on that site on how to read the rest of the updated webnovel in English, using a browser extension.
Additionally, the audio drama is adapting the uncensored revised version, and has been doing an amazing job! Check out how to listen to that with English subs here.
✨PART TWO: Debunking Rumors & Clearing up Misinformation✨
Note that all chapter numbers given will be referencing the webnovel's. The old chapters are also available towards the bottom of the page as "serialized versions."
(Translated screenshots provided are janky because it's just basic google MTL!)
🔸"Mentions of Mu Qing's mother was removed from the revised!"
Not at all! Both his parents are still mentioned, along with how Mu Qing is the primary breadwinner due to his mom's failing eyesight. (Ch. 57)
🔸"The earring scene isn't there anymore!"
The earring scene is still very much there! Not actually sure why this is a rumor at all, when the whole earring thing spans several chapters. Here's the conclusion of it (Ch. 59):
🔸"Characters have been butchered in general, with Mu Qing especially getting scenes cut!"
No character (who didn't straight-up get deleted) has been butchered. Nor has any character been singled out for having their scenes deleted/changed, because that's happened to every character — yes, including Xie Lian and Hua Cheng! — and they also have new scenes added!
E.g. the scene where Mu Qing picks the cherries is removed, because that whole section was changed. (However, it's still mentioned that others are prejudiced against him due to his background, and so on.) Meanwhile, there's a brand-new scene that shows Mu Qing's aptitude in treating wounds, as well as he and Feng Xin having new hijinks as "junior officials" with Xie Lian, and more.
Despite the rumors, characters haven't been flattened to make them more one-dimensional compared to Hualian. Perhaps the idea of certain scenes being cut sounds scary for characterization, but a lot of the original has been retained one way or another. In many cases, MXTX just condensed things, or moved them around. The revised is meant to be looked at as a whole, after all.
🔸"Mu Qing now leaves for no reason in Book/Arc 4, instead of for his mother!"
Mu Qing clearly states in the revised that he wants to leave in order to find a way to improve their situation, since they anyways cannot agree amongst themselves. Just like in the original, he was frustrated and felt there was no point in continuing along the same path. (Ch 152)
And yes, he does not bring up his mother in the revised scene. For context: there is a three year gap between the end of Book/Arc 2 and the start of 4. Which means in the original, Mu Qing didn't mention his mother for those three years. Given the events leading to his departure, and what follows, this causes several inconsistencies.
That is a whole topic unto itself, however. But it's not surprising the revised did it a bit differently.
🔸"Feng Xin isn't as funny anymore!"
Feng Xin is actually one of the least changed characters! This rumor likely stems from the scene where Xie Lian reveals his password, to Feng Xin, who no longer rolls on the floor while laughing. Or maybe it's a miscommunication based on the printed revised, which censored some of his (and Qi Rong's) cursing. But that was only for the printed!
🔸"Ling Wen's character isn't as interesting because of the changes!"
People will really say anything on the internet. She's been given more depth and complexity, if anything. There's new scenes that expand on her background and early days in heaven, and her relationship with Bai Jing has been given a lot of extra attention. Her motivations and actions remain the same, but if the subtext was missed in the original, it could have led to some readers thinking of Ling Wen as certain way. Like a ruthless girlboss.
The revised reiterating that this isn't the case doesn't change or detract from her, as that was one of the points of her story to begin with. Plus, the revised arc gives Bai Jing much-needed characterization.
🔸"Ling Wen's ascension is now due to Jing Wen/not on her own merit/etc!"
Frankly, this rumor might be due to people not properly understanding how ascension works in TGCF, and thinking the revised is adding something that they forgot was already in the original. The revised didn't change anything about the manner in which Ling Wen ascended.
You can actually check out the revised Brocade Immortal arc here for yourself, as it's been fan translated!
🔸"The dynamic between Hualian is different in the revised!"
Their dynamic is exactly the same as before, only reinforced if anything. If the new additions are enough to destroy someone’s image of Hualian or turn it on its head, that’s definitely not a fault with either novel version!
🔸"The scene where Hua Cheng is disguised as Lang Ying and accidentally catches Xie Lian bathing is removed!"
Unfortunately, yes, the bathing scene is gone. However, Hua Cheng in disguise is still there — he's a village kid instead.
🔸"MXTX made changes to side characters/ships because she felt threatened by their popularity compared to her main couple!"
This one just doesn't really make sense, because several side characters were given *more* content — including their relationships.
Lang Qianqiu finally feels like an actual character. Quan Yizhen and Yin Yu have new stuff about them. Shi Wudu has some clever little cameos. Pei Ming’s feelings about Yushi Huang are brought up. Pei Xiu’s backstory is even more heartbreaking. Qi Rong has new scenes that make him feel genuinely menacing. Xiao Ying’s been completely revamped. These are just to name a few, and excluding things already talked about above.
It seems unlikely that MXTX would go through the trouble of adding to her side characters if she didn’t care about them, felt they weren’t important, or thought they were getting undeserved attention. Besides, popular characters like Shi Qingxuan and He Xuan had no cuts to their arc!
Looking at the actual metrics… MXTX has no need to feel threatened by her side ships vs her main ships.
#tgcf#tian guan ci fu#hob#heaven official's blessing#meta#guide#i think? idk#if youre reading this going 'wow ive never heard of any of those rumors!' congratulations and good job
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Name: Gooigi (again)
Debut: Luigi's Mansion (3DS)
When I was playing Luigi's Mansion 3 for the first time, I was thinking, "I sure love Gooigi. I wish I could write a Weird Mario Enemies post on him, but we already have one..." but I now realize! That post was written before the release of 3! We had no idea! No idea.
Who is the Mario character with the most fleshed-out backstory? Is it Mario, with his monolithic catalogue of media appearances? No, the insight we get into his past is simplistic at most. Is it Rosalina, with her beloved storybook? She comes close, I will admit, but there is someone who comes closer! Can you guess who it is? Can you guess the character I am hyping up in the post with a big image of Gooigi at its forefront? Yes, you can! It's Gooigi.
Indeed, Gooigi has seven entire pages of lore from the official website, written from the perspective of E. Gadd himself, explaining his origins, how he does what he does, WHY he does what he does, everything! You can read it here, and I'm not going to waste time repeating what was already said. I will just paraphrase: Goo is made from coffee mixed with ghost energy. Gooigi is the result of Luigi's digital data being zapped into it for a default form. Gooigi was sent back in time to Luigi's Mansion 1 for training and research purposes, and is now stored in a canister in the Poltergust G-00.
Got it? Good. Here is Baby Gooigi. How precious! Back before he had any Luigi in him at all. This is Goo in a human-shaped mold, and you may notice the mold itself has no face. Baby Gooigi learned how to express agony all on his own! It's no wonder they took a photo of this milestone!
Now with Super Mario Bros. Wonder, we have TWO gelatinous Luigis to choose from. And why not both? Gooigi is a separate entity, so Gooigi and Wubba Luigi can coexist! But not always... when playing Luigi's Mansion 3 single player, Luigi and Gooigi must be controlled separately. Luigi is able to will his consciousness into the doppelgangreener to control its movements, and it's here that it gets extra weird! Weird to the point that this game basically has multiple possible continuities?
Gooigi is NOT scared of ghosts, at all! He is an anomaly to them! This is very much "distinct character" behavior. But how is this the case if Luigi wills his soul into Gooigi? Well, both concepts are kind of true at the same time! As we can see here, cutscenes will actually change depending on if the game is in single-player or co-op play, portraying different events! Really really weird! It's like if Schroedinger's Cat was a pair of funny green men, one with bones and organs, and one translucent. So what is the truth...? (Spoilers for Luigi's Mansion 3 ahead...)
In the ending, even in single-player mode, Gooigi is portrayed as his own sentient character! Even though this contradicts the "consciousness transfer" lore, I think this is the "true" intention for him. It's much more fun and less awkward if he can be active at the same time as Luigi! I also don’t think they care that much about minor gameplay features being lore-compliant, since Polterpup got pupils in the end of the second game, and those were removed in 3 without explanation.
Unfortunately, as the hotel crumbles after King Boo's defeat, Gooigi falls from the top floor and dies.
He even says "bye-bye" before the fall. I can't believe this. How could Nintendo allow something so upsetting? They thought it was okay to let Gooigi say "bye-bye" rather than "goo-dbye"? That has "goo" in it! It would have been perfect. (I am not actually upset by this at all and "bye-bye" is more in character)
After splattering on the pavement he reforms, because duh. He's goo. You can test this for yourself! Scoop a glob of mayonnaise out of the jar with your hand. Next, travel to the top of a skyscraper. Finally, drop the mayonnaise off of the side! When it hits the ground, it will not have died. Science Fact!
As silly it may be, I was a bit worried Gooigi might die for real, even though that wouldn't make any sense to happen. I was just thinking of modern Paper Mario, introducing new buddies only to take them away by the end. But I should have known that Luigi's Mansion is not at all like that! This is the series where they gave Luigi a dog, and that was that. We don't see Polterpup as often as we should, but it cannot be argued! Luigi has a dog. What would stop them from keeping Gooigi around? Nothing, that's what! He stays with E. Gadd, and is not going anywhere!
Just like Polterpup, I would love to see Gooigi more, though. I would love for him to be Luigi's answer to Metal Mario! Gooigi driving a kart! I don't care that he dies in water, and I don't think Nintendo would care too much either. I would like to leave you off with The Big Question. This is a new, distinct character, who is "genetically" similar to Luigi. As such.
#gooigi#luigi#luigi’s mansion#luigi’s mansion 3#mario#mario allies#mod chikako#weird mario all-stars
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ATLA Live Action Series Review:
The Good
Aesthetically this show felt right. Sure sometimes the outfits didn't quite feel lived in, but I always felt like I was watching a fantasy world with decent effects and interesting design. Also, I really enjoyed the sets!
Bending: Yes some of the fights feel very quick, but the bending looks cool. It is certainly better than 10 benders lifting one big rock. I can honestly say the opening bending fight scene gave me so much hope for this show.
Kyoshi Warriors: I loved seeing them in live action, and I thought Suki's performance was great!
Omashu: I think the mashup of the mechanist made sense since that is an important character overall and I would hate to see him cut. However, both Jet & the secret tunnels felt sloppily thrown in.
Northern Water Tribe: I really loved the way it looked, and appreciated the two episodes we spent here. I think Yue gained more agency in this interpretation, and why shouldn't the moon spirit be a waterbender. Also, episode seven felt the most in tune with the original show's spirit.
Zuko: I think he was one of the most fleshed-out and best parts of the show! Dallas Liu really captured Zuko's spirit, and the scene between him and Aang in episode 6 was wonderful!
Soundtrack: Hearing the original soundtrack bits is always great, and when I first heard the ending music I was so excited.
Is the show perfect, no - but I wouldn't mind a season 2.
The Bad
Pacing: Turning 20 episodes into 8 was bound to lead to some cuts...but oftentimes times things felt too quick or disjointed. I think there were editing problems contributing to this for sure, but sometimes things skipped around too much without a clear purpose as to why. Also, why bring in plots from later seasons when you barely have enough time already?
Writing: This show definitely suffered from exposition dumping, though it did get better as time went on. I think the biggest example of this is actually opening in the past rather than the present. We do not get to learn along with Aang that the world has changed, instead, we get to learn that 100 years have passed....which doesn't hold the same tension or worldbuilding.
Clunky Dialogue: Along with exposition, clunky dialogue is another example of bad writing. I think sometimes I felt like the acting was kind of meh in the beginning, but then over time I began to realize it had far more to do with the lines characters were trying to deliver. The actors themselves are not bad, just cursed with awkward writing and lines that feel out of touch with the setting they're in.
Main Trio: I don't entirely know that I believe Katara, Sokka, and Aang are friends as opposed to 3 people stuck together to save the world. Aang feels a little too somber for a young kid running away from his responsibilities, Sokka is protective, but not exactly the heart of the team, and Katara is sort of just there until the last two episodes. Where is her struggle, her desire to learn so strong she steals from pirates? Also, while Gordon Cormier did a great job, Aang does zero waterbending on his own, is overly serious, and tells Katara not to fight. Where is his desperation to protect his friends? It feels like they all lost emotional depth.
Tension: Bringing Ozai, Azula, and Zhao out in the beginning immediately causes us to lose the realization there is an even bigger bad. Part of why Ozai is so terrifying is he is a primarily silent villain until the third season when we finally see the face of the "big bad evil guy" behind it all. Yes, they add to Zuko's backstory, but again, they are revealing the villains too early. Azula is the antagonist of season 2 and one of my favorite characters, so I hope they do more with her in the future. Finally, Zhao is supposed to be an example of the uncontrollable nature of fire unrestrained, instead, he comes off as vaguely threatening with the supposed true power being Azula.
Characterization: While all characters are bound to lose something in a shorter show, it still felt like certain characters were more mutilated than others. I am sure there are 100 different opinions on who, but I think the biggest victim was Katara.
Katara: Katara manages to go from a complete novice to a bending master in what feels like a matter of days. The journey feels short, and that makes the results feel largely unearned. Katara is one of the strongest personalities in the show, determined, kind, and fiery. In many ways, she is the unpredictability of water - equally dangerous as it is necessary to live. She is the child of a war who lost her mother, forced to grow up too soon, and even raised her older brother. Yes, Katara often gets stereotyped as the mom friend, but overall she feels underutilized in this show. We really don't see enough of her journey until the very end.
Iroh: Iroh was always comedic but most importantly wise. Even when Zuko is trying to give himself advice, he mimics Iroh. Instead, he seems to be used more as comedic relief without the underlying experience. He just doesn't feel right. Also, he kills Zhao instead of Zhao getting himself killed - which is less about Iroh and more about the writing than anything.
Ozai is weirdly a little too nice. Yes, he burned Zuko and pits his kids against each other, but he feels toned down in a show claiming to be more mature than the original cartoon.
Azula is perhaps more realistically worried about losing her status as the golden child, but she is also missing the cruelty she and her father share. I understand worrying about making your character cartoonishly evil, but the Fire Nation is currently a deeply nationalistic empire trying to control the world. Where is the deep-seated belief that they are better than other people, not just trying to bring balance to the world? There is a line between creating complexity and toning down the very real evil inherent in this plan.
Roku: I can only say what the fuck was that. He was barely there, and not the serious master to Aang's youthful exuberance.
The Ugly
Show, Don't Tell: The show's single biggest issue seems to be speeding through story parts by simply stating things. Instead of allowing the audience to discover, trusting that we are smart enough to understand, let's just blatantly say things like Zuko is the only reason the 41st division is alive to their faces. Even though in the context of the story Ozai literally already said that.... it's the division, the division for Zuko, Zuko's division.
Thematic Misunderstandings: I think this show makes several minor changes with major implications, such as airbenders actively fighting the firebenders, when airbenders are known for their pacifist nature and the lie of an Airbender fighting force is actively propaganda. Similarly, Aang very quickly accepts his role as the avatar and doesn't even run away in the beginning. Without this conflict between his desire to be a carefree child and the fact that the world needs him - the show loses a key aspect of Aang's character. Also, the obsession with downplaying the avatar state as something dangerous feels like a disservice to the tradition, connection, and strength of the avatar, which can be permanently destroyed as the trade-off for that kind of power. It's dangerous for the balance of the entire world, not just because it's powerful!
The Agni Kai: Zuko's fight against his father is one of the defining moments of Ozai's cruelty, not just because he is willing to fight his child, but because Zuko tried to do everything right. Zuko shows deference to his father, apologizes, and most importantly refuses to fight! The determination not to upset his father and still be grievously injured and banished is a hugely important theme for the fire nation and Zuko's life as a whole. He tries to do everything he is supposed to and only regains his father's acceptance after he "kills" Aang. Zuko's struggle between moral vs. social right and wrong in contrast to his family is hugely important to his character.
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TLDR: ATLA was a fantastical animated television show that was never afraid to show character development and flaws. When you turn 20 episodes into 8, you are bound to lose something. You hollowed out the middle, leaving the shell of important moments and events without ever wondering if all the times in between formed the true spirit of the show.
Rating: 6.5/10 It's perfectly fine and worth a watch. Not a disaster, but certainly falls flat of the original.
#atla#avatar the last airbender#avatar the last airbender tv#atla tv#spoilers#natla#i loved it i hated it i mostly sat through it#i would like a season 2 though#aang#katara#sokka#zuko#iroh#uncle iroh#azula#ozai
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hello!could you write a reaction to the dragon's house × !fem!reader, when she was flying over the sea with the dragon and one of the enemies was on the ship and shot from a crossbow.
(she and her dragon are alive but slightly injured)
Aegon,Aemond,Jacaerys Velaryon-romantic love
Alicent,Daemon,Rhaenyra,Helaena,Laenor Valeryon-platonic love
sorry if there are any mistakes! I hope everything is clear💝I've actually been thinking about this for a long time💥
HOTD characters reactions of when reader is hurt
The summary: The characters each find out during your usual flight around kingslanding that you were shot down by some people belonging to a certain group that hate the Targaryen traditions and believe it to be an abomination.
A/N: They’re all personalised and hopefully different backstories, but have given reader the same dragon in all of them as making dragons are hard. The wound is also pretty much same, but the severity is altered in some places. In the platonic ones I made reader call them mother or father, since I made them a parent. Some of these are very different as I expanded on some more and developed others. You can tell which.
This ain’t fully proofread we die like Luke!
Taglist: @valeskafics, @humanpurposes, @watercolorskyy, @omgbrcat @blue-serendipity @arcielee @targaryenbarbie
Warning: Wounds, various gore mentions, incest, kissing, tried to make it gender neutral and lack of descriptions but there are some scattered about! (if I miss any let me know)
Aegon Targaryen:
When Aegon heard the news from his mother who’d rushed to inform him of your sudden injury, he all but sprinted to the infirmary where you were being treated by one of the leading maesters.
“My love, are you alright?!? I am so sorry my love I should have insisted to accompany you! When I find the man who did this to you I shall rip off his head and feed his insides to Sunfyre and Shrykos!” He declares, the words tumbling quickly with how much rage flooded his body at the sight of your wounded self. You could barely keep up with him if you were being honest.
“Aegon, my sweet husband, it is fine! ‘Tis merely a flesh wound!” You insist, yet wincing as soon as the reassurance falls from your lips.
“And yet here you are heavily bleeding, and in very much pain! You should take some milk of the poppy!” Aegon says, looking around to find the bottle, even when you try and insist you were fine. “If you were fine you’d be with me, in our bed, safe and unharmed! So don’t argue with me wife or my wrath will be misguided!”
You merely humour him by sipping slightly at the small contents of the cup the maester had passed to you. Yet still, you can’t deny that the liquid had its desired effects, as your previously aching wound now significantly dulls down to a mere small throb once in a while.
“Now wife. Tell me who hurt you.” Aegon demands, his eyebrows furrowed and his grip tightened on your body as he insured you would be unable to get away from him.
“Just some idiotic men thinking themselves higher than us my love. They shot at me and Shrykos from their ship when we least expected it with bloody crossbones of all things, and somehow barely managed to skim us. Yet they somehow did not expect the very large dragon to get angry that their rider and themself was just attacked with no prior warning. Shrykos certainly made sure to enact on our lovely families motto. By the time she was done with them, there was nothing left but fire and blood sinking to the bottom of the sea.”
Aegons face slowly turns more and more relaxed, and by the end of your tale he’s practically grinning for joy as he kisses you deep on the lips. “That’s my bloodthirsty wife!” He mumbles against your lips, forgetting all about his past aggressions to make you feel as safe and as loved as you could be in his arms. The maester that continues to awkwardly stand their waiting to finish wrapping your arm be damned.
Aemond Targaryen:
He finds out before anyone else, as he tends to wait for you after your dragon rides if he’s unable to go with you that day. So when you come back later than usual with blood dripping down your arm and half an arrow sticking out of you, he certainly is very angry, and very much willing to get on Vhagar and hunt down and kill those who dared harm his wife. Yet he knows he must stay calm for you.
He notices how you try and mumble your dragons name under your breath, so when he makes it past one of the dragon keepers he makes sure to let them know that Shrykos may be in need of some healing. He assumes by the way your mumbles quieten after he says the order that that was what you were trying to tell him. Yet when he actually looks at you Aemond quickly realises you’ve actually fainted from blood loss.
Aemond rushes you to the Maesters room where he insists only the best work on you, even though he couldn’t afford to be picky what with you bleeding out in his arms and all. Though after a few threats and lot of claims regarding his dragon, the maesters quickly manage to remove the arrow and stem the bleeding whilst you continued to lay unconscious on the healing bed. Aemond stayed by your side the entire time, holding your hand tightly in an act of reassurance. Even though you were still unconscious.
He stayed with you the entire time though. Still holding your hand even when he fell asleep. When you eventually woke, three days after you were injured, Aemond was sure to reassure you that you were safe. Even though by the tenth time you were very ready to smack him.
“Tell me ābrazȳrys who did this too you. Vhagar has been ready for the taste of flesh since I found you. I am sure Shrykos too is ready for the thrill of the chase of those who harmed both her and her rider. Tell me, so I can make sure we can tear them limb from limb.” His words drip malice, and yet there is distinct comfort within them. Aemond has never truly been able to show his affection towards you with displays of anything other than action. And in this moment, it just so happens that action involves heavy bloodshed and possible carnage.
“Those men who hale from the vale. The ones claiming our traditions to be an abomination. A sin in the eyes of the seven. They surprised me and Shrykos as we flew above the seas and got some good strikes. But don’t worry ñuha jorrāelagon. Me and Shrykos made sure to burn them to blood and ash before we needed to flee back to kingslanding.” You attempt to smile to reassure your husband, but if anything it appears to make it worse as you wince at the pain suddenly flaring through your whole right arm.
Aemond stays quiet as he makes sure to force you to drink some milk of the poppy.
“Ābrazȳrys. If you were to die, I would have gone to the brink of insanity. I would’ve gone to those peoples homes and burned them all to the ground for what they have done to my wife. To the future mother of my children. They have harmed you though. The have scarred you. And for that offence alone, I cannot allow them a single more moments of breath. I cannot allow them to live.” Aemond storms off leaving you laying there in half shock and half admiration. You knew he would be true to his word. Which is why when not even a day had passed since Aemond had left, you’d heard whispers of what Aemond had done, and you smiled and thanked the gods for a husband like yours.
Jacaerys Velaryon:
If there was one characteristic you could say your husband embodied to the fullest, it would be loyalty. As no matter how many other women, maids and nobility alike, threw themselves at the future heirs feet he always ran back to you.
Even when other men such as the Lannister’s attempted to charm you with their admittedly horrible, yet according to them successful attempts, Jace was always there with a watchful eye, making sure all knew who you belonged too.
He was protective too. A dragon while not in appearance but definitely in spirit. Jace would always find a way to make sure you were safest whether you wanted him to be involved or not. Even this noon when you wanted to get one last dragon ride before dinner, Jace still insisted there was no need. Yet your stubbornness knew no bounds it seems, as while his back was turned you made quick speed to where Shrykos usually slept and flew her into the great distance. A mere speck in the sky before Jace knew what had happened.
You had started the flight laughing with the biggest grin on your face, eager to see the sights from the sky. Yet of course things turned worse as men from one of the many religious groups of the seven kingdoms took notice of you and your dragon, and decided to shoot you with their admittedly massive weapons.
You dodged the best you could, and yet with a scream from both you and Shrykos, you realised you were both hit.
“DRACARYS SHRYKOS! DRACARYS!” You screamed, satisfied when you hear the hells and the screams of the men and the ships bellow. With your good arm, you steer Shrykos to the direction of dragonstone and order the instructions, before all appears to go dark.
When you wake, all seems strangely normal. That is of course, before you see the giant bandaged wound that is your arm. You can see a hint of red peeking from the bandages and are about to see if you could rewrap it, before Jacaerys comes through and with wide eyes realises you are awake and well as you can be.
“My love!” He shouts, running over and encasing you in his arms. Not hearing the low hiss you make when his hands clasp around your still admittedly sore arm. “Where have you been!? You’re hurt!” He yells, finally taking noticing your blood that steadily pools to the surface. “Let us get you to the maesters!”
As much as it hurt you to have Jace pull you like he did, you merely let it all happen so not to cause an event bigger fuss of you than what he already is making. Yet when you get to the maesters chambers and nearly find yourself fainting, that’s when you suddenly understand your husbands worry.
When you wake up though, it’s the feeling of Jaces familiar warmth that settles you as you gaze on his sleeping form. Yet as you wake, so does he it seems. As not even a few minutes after you’ve woken Jace is quick to rise with you. His eyes wide and worried as they roam you for anymore possible injuries you may possibly somehow have hidden.
“Are you alright my love?!” He asks, his eyes still roaming for even a moment of weakness from you. “There maesters took care of your arm and the arrow. And I heard word from the dragon keepers who tell me Shrykos is healing dutifully from his wounds!”
“Good.” You simply say, hissing slightly as you sit up and try to keep yourself grounded. “I’d kill then if she wasn’t.”
Jacaerys laughs at your threat, and his face looks almost serene as he just looks at you. His eyes going soft as his hands continue to hold yours. It’d be an almost affectionate moment had it not been for the sudden flare up of pain in your arm.
“Fuck!” You yell, hissing once again as you’re reminded of why you’re even in the maesters room in the first place. “It is alright husband I’m fine!” You insist seeing the worry now marking his face.
“I will worry when I want.” He simply says, kissing you on the top of your head before moving to sit next to you on the bed. His head resting on yours as he puts his arms around you. Your eyes shutting as a sudden hit of exhaustion hits you, yet you welcome it fully as Jaces arms feel just so welcoming and calming.
Alicent Hightower:
Alicent had always been like a mother to you. Caring for you when you were sick and making sure that you were always in your highest possible health. It was probably why she’d insisted since you were young to fully call her mother, even though you were not biologically related to her.
Whenever she heard about even the slightest of injuries though, she always worried relentlessly about the damage. Which is why when you appeared before her clutching a bleeding wound from your shoulder, you’re quite honestly surprised she hadn’t dropped from shock.
“Oh my darling what has happened?!” She’d gasped, frozen in shock as she stood there not knowing what really to do.
“Bastards on their boats took a few shots at me and Shrykos whilst we were on our morn flight. They got two good shots at us to hurt us but don’t worry. Before we got here Shrykos managed to give them what was coming for them…” You groan, holding your shoulder in your hand that has now from the lack of adrenaline, has begun aching dramatically.
“Oh never mind the men I care only about you!” She fusses, coming closer before stopping half way, staring between your shoulder and your pained face. Maybe Alicent will drop from shock after all.
“SOMEBODY GET THE MAESTERS!” You hear a voice yell, before all appears to go dark before your eyes. When you wake though, it is as if the light is blinding you. You blink a few times to ground yourself, and it’s with a sudden surprise you realise that you feel a familiar warmth on your hand. You turn your head slightly, stiff from the lack of movement you think, and realise Alicent is staring at you with great worry on her face.
“Are you feeling alright my darling? The maesters have cleaned and sewed up your wound, but according to them it shall take a while for it to fully heal. You must tell me dear girl, in detail, what happened out there. What did those people do to you?”
“After me and Shrykos took off, we flew to the stormlands. We were drifting round shipbreaker bay, when those men the council warned us over took notice. Crossbows the size of my arm began shooting at us mother, so I am grateful they managed to get me and Shrykos only once.” At the mention of your dragon, your face turns to worry. Yet before you say anything, your mother quickly moves to interrupt you.
“Your dragon is safe my love. The dragon keepers have been keeping me up to date on her healing, and she is steadily heading to full recovery. The arrow has been removed fully, and the wound has stopped bleeding.” She says, her face betraying her as she is unable to hide her distaste of your dragon.
“Thank you mother, I appreciate the consideration. I know you have no love for Shrykos, nor any of your children’s dragons.” You say, your honesty true as you smile in thanks and understanding.
“You’re welcome my heart…” Your mother smiles, her hand reaching out to hold yours. Which while you admittedly want to shy away from, yet you push through your discomfort to allow your mother this moment that you know your adoptive sister would not have allowed.
“I do not want you to fly unaccompanied anymore my heart,” Alicent begins, shushing your with a single movement when she sees you about to harshly protest. “I have discussed this with your brothers and sister, and they have all agreed. Aemond has already taken the duty on his ever eager shoulders, and has said he will ride with you tomorrow morn at your usual time. It may be in your best interest to thank him next time you see him.”
“Of course mother…” You sigh, already dreading Aemonds smug face and wanting to punch it. Yet you withhold yourself from groaning out loud only from your mother’s sake, who is still holding your hand with intended comfort, even though she is doing nothing but make your blood pump fast around your body. Still, you say nothing. Allowing her to believe she is comforting you with a motherly smile on her face.
Daemon Targaryen:
Daemon had always possessed an amusingly short temper. It was especially tested though whenever it regarded to you. Whenever you got yourself hurt as a child, whether than was to do with training or just an accident in the halls, he always demanded to know the man behind your pain. It’s why you weren’t at all surprised when he reacted that same way when you flew back to Dragonstone and stumbled towards him with an arrow stuck in your shoulder blade.
“Who has dared to harm you zaldritzos? Tell me so I can show them what the exact consequence is for messing with a dragon. I am sure caraxes is already fuelled with my anger alone and is ready to face those who dares spill such precious blood.” Daemon snarls, his face unable to hide its anger as he holds your body steady so it won’t suddenly collapse.
“Bastards from the bloody ships on the bloody sea. Got us good… got us good…” You slur, every word feeling forced from your very gut as your eyes grow heavier and heavier.
“Don’t you dare close those eyes zaldritzos! Don’t you fucking close them!” You hear him snarl once more. But still, you cannot resist the temptation of sleep as you disobey your father and close your eyes.
When you find yourself waking, it is Daemon is standing by you while you slept. His eyes hard and stern as they observe you.
“I suppose you’re mad?” You can’t help but say. Your face admittedly ashamed as you stare to the floor, unable to hold his stare.
“Of course I am mad!” He yelled, refusing to allow you to turn your head away as he forces you to make eye contact with him. “My daughter has gone out without telling me, and she has gotten herself hurt the same way soldiers are hurt in wars!”
“I am sorry father!” You say, tears brimming in your eyes as the disappointed and anger shines through his. “I cannot control where those bastard men sail-“
“But you can control where you fly!” Daemon yells back. His voice rough and frustrated as the inner dragon inside him comes out. “I have taught you better than this zaldritzos! I have been teaching you how to ride that dragon of yours since you were a mere child! So why was it you were no doubt flailing about the sky like an amateur, when I know you could have done better?!”
“I’M NOT LIKE YOU!” You shout, shoving your father away as he stares at you with an expressionless face. “I am not a great leader, or a great dragon rider! I am still learning father! My lessons have not yet stopped being taught! Those men on the ships who shot at us were the ones you had warned us about. The ones claiming our great traditions to be an abomination and deserving of punishment. Me and Shrykos did not know their affiliation as we flew above them. Only when the arrows began to fly for our heads did we realise… I got an arrow in the shoulder, which has now since been removed. Shrykos though listened perfectly and managed to get out of there without any particularly damaging wounds. Still, my anger shon through her, and we managed to light the whole of the fleet up in flames before we flew back home. Where of course, you found me…”
Daemon is silent throughout your rant, yet by the end, when you’re breathless with how quickly you spoke, his hand is placed on your non-injured arm in an unfamiliarly comforting manner.
“I know you are not like me zaldritzos. While I have made you in my image, I hardly expected it to be your only outcome. You have become strong. You have become a fearsome warrior able to bring honour to our family name and our ancestors. I suppose… I may have forgotten that I too have made mistakes. I am sorry zaldritzos…”
The tears that had brimmed earlier in your eyes now tear down your face now that you hear your fathers words. His pride. So you do the only thing you can think of at that moment to show your appreciation. You take your arms and place them around Daemons waist, pulling him into a hug where your head is against his chest. Thankfully his arms seem to automatically go around your own body, and you can’t help but find this act comforting and safe.
“Thank you…” You can’t help but murmur.
“I would never let anything hurt you…” He murmurs back. Words which to anyone else may sound meaningless, but to you, you know they hide your father’s true feeling of care.
Rhaenyra Targaryen:
Rhaenyra had always been a sort of mother to you. A light to guide you in the darkest of your days. Whenever you took ill or had an injury, it was always she who stood by your bed, holding your hand in her own. Even though both husbands and loyal guards warned her of her possibly falling ill herself. Not that she ever did somehow though.
It was like that now. That afternoon, you had decided on a whim to take Shrykos on a fight around the coasts bordering the land surrounding Dragonstone. Yet it seems you coincidentally forgot Daemons talk about the rising threat of a religious group following faithfully the followings of the seven, as you tried to fly past them calmly and peacefully. Shrieking in fear when you realise it was not a harmless fly that flew past your face just now, but a very deadly steel-tipped arrow.
You barely made it out of there alive. The only injuries you yourself sustaining being a few arrow nicks on your shoulders, and the worse of it being a shallow puncture from one of the few successful shots. Shrykos though took most of the hits. Her rage seething the more those pathetic men tried to harm both her and her rider. It was quite satisfying you must say, when you flew away with the fresh smell of burning corpses still behind you, lingering on your clothes.
Yet when you got back home and were standing in front of your mother, that satisfaction quickly changed to a strange sort of guilt when you see her horror struck face.
“What has happened my darling!” She tells, taking ahold of your arm to look at your injury while you yell at her to try and say you were fine, even though you wince as soon as she yanks you towards her.
“Bloody men on the coast of Gull Town decided to shoot at us from their fucking boats. They got only a few good shots before Shrykos managed to get to them. By the time we left, we ensured they became fire and ash. I doubt there are any men alive after that….” You say, barely able to stand as the sudden blood loss reaches you.
You’re barely able to think as your mother brings you to the castle hanging on her shoulder. Soon, maesters surround you whilst your mother fusses by your bed to the left of you. She insists and demands certain things, but by the end, your grateful to feel the pain in your arm significantly lessen not only due to the lack of wooden arrow, but also due to the large amount of milk of the poppy that was pretty much forced down your throat.
“Is it all better now my darling?” Your mother asks, putting your hand between her own to soothe you as if you were a small child who’d scuffed their leg falling on some loose gravel.
“It is fine mother!” You insist. Even smiling as you play the part of the healthy child, able to bounce back from any injuries. Yet somehow she can still manage to see through your facade.
“Are you sure?” She asks again. Her brow raised in questioning as she makes you feel like a young child again. Small, and helpless as you cry to mother.
“Yes I am fine!” You firmly say, taking your hand from hers and placing it on the cold clinical bed sheets. Already missing the familial warmth your mother’s hands had provided you with. “I do not need you pressing!”
“Okay my love. I believe you.” Rhaenyra smiles, acknowledging her child’s want for independence. Moving from the chair she previously had sat on so she can place a quick kiss to the top of your head and smile fondly at the way your nose scrunches. “I will leave you now my love. The maesters had said you’ll fully heal by the moons next turn, but you’re fit to leave the bed tomorrow morn. I’ll visit you then.”
As quick as Rhaenyra leaves, you find yourself already wanting her motherly touch to tell you it’s okay. Your legs tucking under your chin as you hold yourself under the covers, letting your eyes shut so hopefully you’re able to wake up tomorrow by your mother’s voice.
Helaena Targaryen:
Compared to all your other family members, it has always been Helaena you were closest too. A close bond forging between the two of you since girlhood that not once has ever been broken.
You were with her when she claimed Dreamfyre, just as she was there for you when you claimed Shrykos. You also made sure to try and be with her whenever she experienced one of her, moments.
Yet that morning, you were way too busy trying to get ready for your usual morn flight to be with her when she took what the queen would call, a funny turn.
‘Blood of the dragon lost twice over. Beware the boats from bellow filled with men of hate.’
She’d seen your injury and the fire coming from your dragons mouth, and being the anxious person she was, she waited at the dragon keeps entrance with her hands fiddling with each other.
When you fly in holding your arm to try and stem the blood, getting off with difficultly as you try and not fall, you almost scare yourself when you turn and suddenly find yourself face to face with Helaena, who holds a bandage ready to treat you with it.
“Give me your arm…” She softly asks, waiting for you to release your arm from your grip so she can slowly and carefully take the arrow from your arm, choosing to ignore your vocal cries of pain so she can make sure to get the arrow out. When she does, she chooses to just drop the bloody wooden chunk to the floor so she can quickly wrap your now gushing wound, which she cleans with a slightly damp clothe that can’t have been out of the water bowl for long.
“What happened?” She asked while she cleaned your red streaked arm.
“Do you remember those men Aemond warned us about? The ones who hate us for our heritage?” You ask, waiting to hear Helaena unique hum to show she’s truly listening. “Well when I was flying by Tarth, those men were in there boats and obviously spotted me before I spotted them. So they shot at me till they hit me.” You shrug, regretting it soon as you did as you hiss at the sudden flare up of pain.
“It’ll hurt badly. I didn’t manage to take any milk of the poppy from the maesters, so we’ll probably need to visit them soon.” Helaena simply says, giving you a smile before she takes your hand in her own. An act you cannot say in words how much it means to you, given how you know of her usual revulsion for physical touch.
So you stay silent. Allowing her to lead you to the maesters with a small smile on your face, that is wiped right off when you become face to face with them. They stare at your with judgement and soulless eyes as they remove you from Helaenas comforting warmth and instead force you to feel cold metal against your flesh. They ignore you as they unwrap the bandages. Only giving each other looks as they wordlessly judge the state of your body.
It almost makes you want to tear their heads from their bodies and feed them to Shrykos. Who no doubt is feeling your frustrations and anger down in the dragon pit.
Yet you hold your tongue for Helaenas sake, who is watching the maesters take supposed special care of you from the corner of the room. She gives you small smiles whenever you make eye contact, and it’s only with them you manage to pull through. The milk of the puppy though they force down your throat certainly makes you more cooperative though you must say.
“Thank you Hel, for looking after me.” You say, staring at her as soon as the maesters deemed you healed enough and left you. No doing to go get the queen to inform her of your sudden injury.
“It is no problem…” She softly smiles back, moving forward to stand next to you so she can hold your hand in her own. Her soft flesh relaxing you possibly even more than the drugs flowing through your system. “I will always be there for you…”
Laenor Valeryon:
Even though you always knew that Laenor could never truly be your father, he nonetheless always managed to act like one better than anyone. While your mother was busy attending to your brothers, it was Laenor who was always busy attending to you, making sure you were fussed in a way a princess should be fussed.
He always made sure to give you the bestest care a princess may need it. Like right now for instance.
“I NEED A MAESTER RIGHT FUCKING NOW!” You remember your father screaming while your vision slowly began to blur in a variety of difference places. “Where are you hurt ñuha nūmio? Where is the pain? What can I do?”
“Arrow in the fucking shoulder.” You groan, bile building in your throat as you resist the urge to vomit. “Only there father. Shrykos was hit too. Fuck it hurts so much…”
“Do not worry dear girl! The maester will come!” As he says this, guards come running with a maester in tow. The guards take ahold of you carefully as you nearly collapse under the sudden blood rush. The maester barking orders for what to do to you to cause the least amount of damage to your body as possible.
When you get to the healing room, you’re placed roughly onto a bed where now a whole group of maesters now flock to you like a group of crows over a fresh carcass. They all say a different method on how to treat you, yet it’s Laenor whose voice shines louder than them all.
“You will not cut up or harm my daughter!” He yells, his voice firm and harsh as he glares at them all. “You will take out that fucking arrow, and you will heal her. Or I swear, as the heir of the realms husband, I’ll make all of you fucking regret it!”
All is silent, and yet with a firm glare they all scatter to complete your father’s order. Soon, cloth is finding its way in your mouth to quench your screams as hands force the arrow once imbedded in your arm is forced onto a silver plate. Blood gushing down your arm in an admittedly disturbing manner.
By the end, there is an elder looking maester stitching up your blood coated arm, and an arrow head and some wood pieces. Laenor held your hand with every scream and every clench of your body. He made sure you felt as safe as you could in the presence of the same type of men who killed your aunt. He also made sure to quickly push them out as soon as they were done with there work. Nodding along in a dismissive manner as they insist they are still needed.
When they are eventually shushed away however, with the door shut quickly behind them, Laenor quickly finds himself by your side again. His hand laced firmly in yours as he takes a lone damp cloth so he can clean away the dried blood still decorating your wounded flesh.
“Does it hurt much? I can always call a maid to fetch you some milk of the poppy?” Laenor insisted, his touch delicate as he makes sure not to harm you in any way.
“It merely stings…” You shrug, wincing though soon as you do due to the sudden flare up in your shoulder. “I do not need any milk of the poppy father. I can manage my pain.”
“I can see that…” He grins, even chuckling when he sees your own smile. “Though, I must ask. What happened? You did not exactly give me much information before the maesters came for us.”
“Me and Shrykos began our normal journey to the direction of Runestone. But on the coast of Gull town, it appears those men mother had recently warned us about, the ones who deem our customs immoral and a disgrace to a seven, spotted us before we spotted them. They took no time before they were shooting at us with giant crossbows on their ship. They took us by surprise, and managed to get only a single time, but that was enough to enact Shrykos’ rage. I didn’t even say the command father! Shrykos enacted our joined rage and set fire to their ships and their bodies. If they weren’t dead by the time we left, I am almost sure they are all at least dead by now.”
He takes in your words carefully. Murmuring small words every so often while he holds your hand as a sigh of sympathy. When your done though, his face is smeared in deep anger. A hatred you have never seen your father show ever before in your lifetime.
“Well it’s a good think they are dead though,” He finally says, snapping from his thoughts with a huff. “Because if they were alive, Seasmoke would be gorging on a feast right now!”
“Thank you father…” You simply say, falling into his arms that welcome you immediately. You close your eyes and allow yourself to bask in his familiar comforting warmth.
#laenor velaryon#daemon targaryen#aemond targaryen#aegon targaryen#alicent hightower#Helaena targaryen#Jacaerys velaryon#rhaenyra targaryen#house of the dragon#aemond targaryen x reader#ewan mitchell#jacaerys velaryon x reader#jacaerys targaryen#Aegon Targaryen x reader#aemond x reader#Aegon Targaryen/reader#Aemond Targaryen/reader#Jacaerys velaryon/reader#Jacaerys Targaryen/reader#my works#laenor valeryon#house of the dragon fanfic#hotd#hotd fanfic#phia saban#olivia cooke#Tom glynn carney#Matt smith#aemond targaryen imagine#Aegon Targaryen imagine
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Dr. Ratios predictions, theories and ideas I have for his lore BECAUSE SO MUCH HAS HAPPENED AND I AM INSANE ABOUT HIM AAAAAAA
‼️INCLUDES DISCUSSION OF LEAKS SO BE WARNED‼️
So, I’m sure if you like Dr. Ratio even a little bit or have kept up with what leakers are doing, you have heard of a little something.
That little something being our new planet in coming in 3.0 is Ancient Greece inspired
Oh boy.
And oh it gets better, thanks Sparkle for playing genderbend Ratio during Cosmoddesy because
Yup, this is his planet.
I’m well aware it will be like 7 months before we start getting proper leaks about this place, but for now, let’s do some speculation shall we, because if there’s anywhere we are gonna get his backstory/lore/a story centered around him, it will be here.
So let’s begin
Whatever the hell I think is gonna happen during 3.0
A) He will serve as a guide for the Astral Express in navigating this planet
I don’t think he will immediately go to them to help, or they will immediately seek out him, but rather coincidentally or through the connivence of circumstance he will end up helping lead us around, at least partially until we really get roped into a conflict.
Or, it’s the other way around, where we kinda are left to our own devices a bit and then something happens and either by his own decision or something that’s forced upon him, Dr. Ratio now has to supervise from now on.
Personally I find the second option way more interesting and I think it has way more potential for angst so I’m going with that one let Ratio be dragged around by a malicious entity or his own experiences I’m so here for it.
B) Something happens.
Wow, descriptive.
Ok, what I really mean is that something bad happens like a prophecy comes true or the express breaks something or a stellaron comes to eat people’s grandmas and Ratio is implicated in it.
And this is where the fun begins, as the nature of what this something is can completely shift the story in very interesting ways.
Perhaps he was prophesied to doom Amphoreous’s civilization with his presence or something, and was abandoned by his parents on another planet?
Perhaps he has connections to the leaders there who desired for him to be their puppet/tool, so he left to find his own path and now they are trying to force him back.
Perhaps he failed at a test of theirs when he was younger, some universal trait on the planet that he couldn’t live up to and was exiled because of it. Now that he’s back, they blame whatever bad thing happens on Ratio.
I actually really like these particular theories as Ratio has a lot of themes about creating your own destiny, so seeing him resist one forced upon him would be compelling. Moreover, I feel as though an arc demonstrating how exactly he wanted to become a Genius/where he got all his insecurities and motivations from is not only necessary for his character but would flesh out the way we see the path of Erudition in general, even if I already really like the way they have gone with it so far.
C) Resolution/Self acceptance
I doubt they will permanently kill him, it just doesn’t suit his character at all.
However, do I think is he gonna get messed up by whatever that “something” is? Yes.
If the story centers on this remains to be seen, honestly, I doubt it will considering we have the entire cast of the planet and its own lore to meet and learn about, but I do think Ratio will be a major player and I hope how he feels gets some of the plot’s focus as we have quite literally only have 1 full scene of him where we see who he truly is, and it’s all the way back in 1.6 (Ratio-Screwllum conversation my Roman Empire).
Like guys I needed this man bleeding out screaming dying crying throwing up clutching his wounds looking up at the screen like a kicked puppy losing all hope in himself and others YESTERDAY
I NEED SOMETHING BAD TO HAPPEN TO HIM FOR CHARACTER DEVELOPMENT AND BECAUSE RATIO IS SO HIGH STRUNG THAT ANY AMOUNT OF PRESSURE WILL CAUSE HIM TO SNAP SO PLEASE HOYO LET HIM BREAK!!!
He needs another scene where he’s being sincere, he needs a scene where he’s being vulnerable, Ratio’s marble facade needs to crumble to reveal the man underneath and I need that man to pick himself back up again knowing he can allow himself to be human as well AAAAAAAAAA
His connections to Acheron
If you have seen my other posts I have already talked about this at length, however the brainrot for this particular detail is all consuming so let me just demonstrate:
Dr. Ratio has the same philosophy as Acheron, an emanator of Nihility.
Look.
Essentially, they both believe that only in desperate situations will humans reach their full potential and begin to truly live for themselves. Moreover, they also both try and offer the tools to help people save themselves, Ratio with knowledge and Acheron with destroying the dreamscape, and that even if people can only become their true selves through struggle, it is the guidance and love of other people that will allow them to pick themselves up.
Interestingly, pre-2.2 I also believed Ratio was walking the path of Nihility, due to how he engages with knowledge. That very viewpoint spawned from the 1.6 conversation I just showed you, as Ratio demonstrates to the audience that he does not care about knowledge in of itself, but rather the value it can bring to people.
Now, this sets him apart from the Genius Society members, who believe knowledge is inherently valuable and that it is what brings the universe meaning to them. Every person Nous has acknowledged has expressed this belief, which is why they were acknowledged and Ratio isn’t.
Before you say it, no, it’s not that he isn’t smart enough, quite the opposite actually.
Screwllum himself acknowledges his genius and time and time again are Ratios myriad of accomplishments brought up. In universe plenty of people believe he should have been instated into the society by now as well:
These are just the ones that implicate the society directly, as so many of Ratio’s character stories also mention just how accomplished he is.
Moreover, in 2.3 we are getting a new Sim Uni update made by Ratio himself, centered on humanity because of course it is, therefore he’s even smart enough to do the same things the GS members do, even collaborating with Screwllum to work on their favorite pet project.
So, what does this have to do with his lack of acknowledgment, and the path of Nihility?
I have established Ratio is smart enough and that he doesn’t view knowledge in the same way the other member’s do. Therefore, this difference in mindset is why Nous has never acknowledged him, because as much as Ratio thinks he is walking the path of Erudition, his personal philosophy and behaviors have never aligned with that, even if he thinks they do.
I mean, the man says it himself, even if he doesn’t realize the implications of it:
“The Path of Erudition has neither reason nor logic. While geniuses wander among the stars, the ordinary can’t even trace their footsteps.”
That is the path the Genius Society members walk, the path Ratio is criticizing in this sentence, the path he refuses to travel along himself, because what defines Ratio is that he will never leave the ordinary behind to stumble alone.
That is the path of Erudition.
And Veritas Ratio does not follow it.
So what does he believe in?
Finding your own path. Forging your own future, in the face of a meaningless universe, that is the only thing we should do, the only thing we CAN do.
“even a life marked by failure is a life worth living”
That’s what Ratio believes.
It doesn’t matter if the masses cannot escape their mediocrity, if they will never be geniuses, if their efforts will go unacknowledged, because the universe doesn’t care, therefore they shouldn’t either. There is no grand test, no final destination, no perfect goal people must attain.
Destiny is uncertain, and people’s fates are theirs to choose.
Dr. Ratio believes people can still improve themselves, and that it doesn’t matter if people cannot reach the ceiling of knowledge, as they should still push themselves off the floor and stand up.
He doesn’t think anything confines people from bettering themselves, and that it’s pointless to deliberate over whether one can achieve perfection or not, they should strive to improve themselves regardless and live their best lives because why not? Sure there’s nothing saying they can, but there’s also nothing saying they can’t, and in the face of a meaningless universe, devoid of purpose, one must create their own, and he dedicates his life to aiding others in realizing this.
Ironically, Ratio does not take his own advice. He can recognize the merits of the masses, but he cannot appreciate his own. Ratio is forever walking forward, but he cannot see the path ahead of him, or appreciate the lengths he has gone, the distance he has traveled, and the lives he has improved.
Ratio spreads knowledge across the universe, believing that is what Nous desires, what the Erudition means, or rather should be, which is partly why he views himself as mundane, as a failure.
Not just because he is as ordinary as any other person, but because Ratio thinks he hasn’t succeeded in his goal without Nous’s acknowledgement. I think he believes that he hasn’t done enough, that he isn’t smart enough, that he will never be good enough, therefore no matter what has happened, Ratio is doomed do be as mundane as everyone else, and his accomplishments will never be worth the gaze of the entity who inspired him to help others in the first place, as that’s what Ratio believes they would want.
However, helping others is not something Nous cares about, it’s something Dr. Ratio cares about. Even if he doesn’t understand or acknowledge it, Ratio’s accomplishments are meaningful, and he has walked his path further than most ever have.
However, that path just isn’t the path of Erudition, it’s the path of Existence.
Initially I believed it to be the Nihility, and in a way I’m not wrong, considering one must cross underneath the shadow of the Nihility to find the Existence, so in a way he is still approaching them.
However, as always, Acheron clarifies everything.
The Nihility envelops all, therefore it is meaningless. And before our final ending, our predetermined destiny (death), we have so many choices to make, therefore we should make them, as it makes both our life and death develop a completely different meaning.
As I have stated, this is what Ratio believes in, even if he attributes it to the Erudition, rather than the Nihility.
Ratio’s entire goal in life is to help others bring meaning to their lives and guide them in the right direction so they can begin to choose for themselves, using knowledge as his means to do so.
Which is exactly what Acheron does, “on the still waters of oblivion, I guide the wandering souls,” isn’t just a line she says because it sounds cool, rather, that is her goal as well. An emanator of Nihility, whose goal is to help others find their meaning in the universe.
But Acheron doesn’t just want that. She is looking for the Existence, and to kill the Nihility (meaningless) forever.
Which is significant, because if Ratio believes the same exact thing she does, and is walking the same path as she is, then like Acheron, he is heading towards the Existence, not the Erudition.
And Nous will never acknowledge him, not because he isn’t smart enough, but because he never followed them to begin with.
In fact, we know what Ratio is, or rather, what he might end up becoming.
So far no Doctors of Chaos have succeeded in their goals, but perhaps Dr. Ratio, Dr VERITAS Ratio, will be the one to do so. After all, who else could it be but him?
How fitting that the man named after truth would be the one to find it.
That fuckass owl
Glaux I want to throw you into a blender
This is Professor Glaux, one of the figures from the Hanunue-Clockie Era of Penacony who did some things like bring the stellaron there, was a scholar of the Intellgenica Guild, became the first dreamweaver, inspired the paper birds, did some shit with the Nightingale Family and presumably died.
I know, horrible explanation, especially considering I haven’t even done the quest this guy is from, but hopefully that’s all the information you need for now so I can introduce you to this theory (which I did not create, sadly I don’t remember who did but it was someone on twitter somewhere so shoutout to them)
That being… Dr. Ratio is Glaux
I hate it I’m sorry. But I will attempt to explain where it’s coming from.
A) Glaux has very similar references to Ratio, aka they are both associated with Greek culture, wisdom and owls
Glaux is the Greek word for owl and they are heavily associated with Athena, the god of wisdom.
Now Ratio has extremely obvious owl, Greek and wisdom association if you have looked at him for any longer than 2 seconds so I’m not gonna bother to demonstrate it, they have similar references, moving on.
B) The Intelligencia Guild + their titles
They are from the same faction, and both are referred to as Professors (ratio gets called that more in the CN version I think), and at least Ratio dedicates his time to spreading knowledge, which I think is something Glaux shared.
C) This occurrence in Gold and Gears
You know, the one where a student kills themself because Ratio thinks they are an idiot.
Well, it’s complicated because apparently the story told in Gold in Gears takes place a long time ago??
How long I don’t know as my brain melted in my skull when trying to piece it together, so please do correct me if I’m wrong, I’ll try to make sense of it later.
Moreover, this is also complicated by the fact that this particular occurrence was used by Herta to teach the trailblazer some mechanics of the sim uni, which makes me thing it’s not a part of the lore/timeline in it in general, and just something funny she added in anyways. Continually, there are also occurrences from characters like Argenti and of the Genius Society members themselves, so I don’t think every event is set in the distant past.
However, I think this idea comes from the other person in that occurrence, Dr. No5, but he also kills himself in it, and I can’t find anymore information on it, so I doubt it. (also apparently in the Chinese version the Ratio they refer to isn’t in the way they refer to Dr. Ratio/the one we know so idk)
Either way, what this means is that if this occurrence did take place a while ago, then Ratio must be super fucking old and he must have been part of the Intellegencia Guild during that time, like a certain owl aka Glaux, who was part of it.
D) Ratio’s weird origins
By weird origins I mean we know jack shit about his past (although we finally know the planet he’s from!) and for all we know the man could have spawned in one day, with some other theories even coming to that conclusion, like the infamous worm theory.
Essentially, if you put this all together, Ratio was once an owl-humanoid named Glaux who was from the Amphoreous, and then became part of the Intelligencia Guild a while back, which is when that occurrence happened. He then went to Penacony, did some stuff, faked his death and like came back as Dr. Ratio on that planet again, which is why we don’t know anything about his origins.
Can you tell why I hate this theory as a concept.
I find it to be dumb, nonsensical, a waste of potential and just straight up random as hell. However it is also objectively valid and could have happened within the plot of the game which is why I hate it so much because please hoyoverse do not go in this direction I will skin you.
However, I do not think Ratio has nothing to do with Glaux.
Rather,
A) The stuff Glaux did on Penacony is meant to parallel how Ratio acted there, as both served as a guiding figure for people on their respective timelines
B) Ratio is the same species as Glaux/ they are from the same planet (Amphoreous).
Now this I fuck with heavily. Yes, Glaux is way more owl looking than Ratio is, however more human versions of his species could exist, and Ratio could just have the ability to like shift forms or something.
He also looks extremely similar to the owls on Ratios design, which I now deem it appropriate to show to you the metric fuck ton of owls in Ratios design.
(there’s a few more btw I just couldn’t fit them due to the image limit LMAOO)
Why do you have so many, and why is it the same fucking owl, same culture, same goddess referenced, same symbolism????
Like even if I hate the 1 : 1 Glaux-Ratio theory, they are clearly connected, and this is no accident on behalf of the developers.
Therefore, I would keep an eye out for Glaux mentions in the future, especially on the planet coming in 3.0, as I 100% believe that they are from the same planet. There’s no way they can’t be connected in some manner, and if I am right about this I will be annoying about it for the rest of time.
I can’t believe owl Ratio might actually be a reality.
So uh, let’s put this all together.
We go to Ratio’s planet in 3.0, problems happen and we learn both his past and his connections to that owl species Glaux is from which likely causes even more problems. Bbg probably gets his ass handed to him in 3.0 and 3.1 and gets to make up for it in 3.2, ending the arc off more fulfilled as a person, and perhaps making some realizations about himself including that he isn’t actually following the path of Erudition. Then we skip all the way to endgame when the trailblazers are fighting Nanook and him and Acheron come in with the steel chair hopped up on Existence juice to give the trailblazer enough of a will to live as to not succumb to the Nihility because oh my god how can you defeat the embodiment of Destruction. We somehow win and Dr. Ratio gets married to Aventurine and they ride off into the sunset roll credits we all cheered.
So, yeah.
If I’m even a little bit right about this I will be the most insufferable person on this planet. Anyways I hope you enjoyed reading this, and even if these theories don’t end up being true I do still think the speculation gives a lot of insight into his character.
#honkai star rail#hsr#dr ratio#veritas ratio#hsr dr ratio#dr ratio hsr#hsr theory#hsr leaks#i am insane about this#I will be insane about it#You don’t understand.#GIVE IT TO ME HOYOVERSE GIVE IT TO MEEEEEE EEE#God I can’t wait for 3.0 I need Ratio to get his ass kicked PLEASEEE#HE NEEDS TO SNAP! HE NEEDS TO SNAP!#Aventurine pls save your husband from my delusions thanks#Acheron#Acheron hsr#she always shows up#I swear
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Things I liked about the Netflix ATLA and some critiques:
Before you read. Please go watch the series, take off your blinders and keep an open mind. It’s surprisingly good. This review has spoilers.
They reordered some scenes so that emotional moments would have a larger pay off. Like getting to see and experience Aang’s relationship with Monk Gyatsu, and seeing his tribe before it was destroyed. So when he has his breakdown in the air temple with Sokka and Katara later, you really feel and understand his agony.
Azula is introduced earlier, with a story running simultaneously with the Aang’s journey but not involved with his. So she has a chance to be more fleshed out and explored before she becomes a major threat. Only time will tell if this more complicated Azula comes close to the animated one. Big shoes to fill, but not a bad start.
Fire Lord Ozai plays a more sinister and oppressive role. Not a faceless boogeyman anymore. You get to see his machinations and the cruel games he’s playing with his family, and see the emotional abuse that warps them.
Appa is adorable as fuck, and so is Momo. So well animated, such gorgeous care put into them.
Kyoshi, Kuruk, and Roku make more of an appearance. With Kyoshi narrating the prologue. And if you loved the novels you’ll see they incorporated more of Kyoshi and Kuruk’s backstory from the novels than what we saw in the animated cartoon.
The acting was competent, even if a little wonky at times. I found Sokka very endearing, I loved the kid they cast as Aang and you can tell they really tried to find a balance between serious and playful. They didn’t always hit it, but the effort was there.
Zuko was great. I think they nailed him and he had great chemistry with the actor playing Iroh.
King Bumi was great, I love how they made his internal struggles more complex. He wasn’t just a crazy old man anymore. He was a crazy old man who was weary and worn down by the horrors of loss and war. A crazy old man who struggled to reconcile that the best friend he lost is the avatar and wasn’t there for him.
I loved the costume and set design. It was like stepping into the actual world of ATLA. Cities were complex and well constructed. Every setting was incredible and the attention to detail was intense.
Zuko’s boat is full of artifacts he pilfered from the Air Nomads while hunting for the avatar.
They changed how Aang got the bison whistle so it makes more sense and fits more seamlessly into the story. It never made sense why a random peddler would be selling a bison whistle if air nomads and bison have been gone for 100 years. Not impossible for a peddler to do, but not probable. The Netflix series actually gave more meaning for the artifact and changed how Aang received it.
Emotional points in the show are now more intense and brought me to tears.
Commander Zhao is more competent and conniving, and his presence felt more dangerous and less comedic.
Sokka’s outright sexism was changed from putting girls down, to just manly machismo, talking himself up. Not gone, but not degrading. They decided to let the sexism message shine more prominently with the northern water tribe, rather than tackle it twice with Sokka too. (Sokka’s sexism being solved in one episode was never well written to begin with. And the animated series quickly forgot about it and moved on to him tackling more important issues, like his being a non bender inadequacy, his leadership journey, his physical combat journey, and him finding himself as more than just the funny sarcastic guy.) For time constraints, it was better the Netflix series did not to tackle the same problem twice, especially when you might not have the resources to give both sexism issues the gravity it deserves. By focusing the sexism problem to the northern water tribe they were able to give Katara more attention.
We got to see Katara’s water-bending go from being ultra sloppy and weak to badass. It feels like they are spending more time focusing on her developing into a warrior rather than being the mom of the group. I’m honestly not sad about it. She’s still the hope ridden, emotional glue, but now it feels like she explores that warrior side a little deeper. It felt so earned when she got the title of master at the northern water tribe finale.
The actor playing uncle Iroh nailed the role. I couldn’t think of a better live action adaptation of Iroh. I love him so much.
The shirshu looks fucking phemonal.
Koh was scary as fuck and I love it. They really nailed his horror elements. Even if I’m a little sad that they changed some things about his face stealing. (He eats faces now to steal them, rather than stealing when someone shows emotion.)
The three actresses who play Mei, Azula and Tailee actually look appropriate for their age. Since they are introduced earlier, they are clearly younger, and since this show is intended to get more seasons, the casting choice made sense as we are intended to watch these girls grow up over the course of the entire show. These actors will get older, and the characters will get more menacing and sharper. It’s great. It’s thoughtful. I love it.
We get to see Zuko’s dynamics with his crew more. And find out that he did more than just speak out against his father at that meeting. His outburst at that meeting saved an entire squad of soldiers, and they don’t even know it. Zuko feels such disdain and bitterness because of the situation, and his crew doesn’t even know why. It’s so complex, you can see how the abuse Zuko endured causes him to take out his anger on his crew, and in turn they are bitter back. And it’s this cycle, that festers. But the crew also grows with Zuko, they change and evolve as he evolves. And it’s such a delight to watch.
They could have cut the Secret Tunnel minstrels altogether, given the time constraints and that the episode was mostly fluff in season two. A fun romp, but not necessary. But the creators knew people loved the minstrels so they found a way to use them anyway. Because they knew they were special. I am thankful for that, even if they show up waaay earlier than they should.
I was honestly more sold on Sokka and Suki’s relationship in the live action. It’s was so adorkable. Do I wish it had more time to develop? Yeah, of course I love a good slow burn. But that didn’t mean it wasn’t fun as hell watching the two flirt so badly with each other. Sokka being a buffoon, and Suki overstepping and being too rough, before realizing she was being too hard.
Some Critiques:
They reordered some episode storylines to happen at the same time, and while it does bloat some episodes. it’s understandable due the episode and budget limitations. In the cartoon, during the inventor episode Katara didn’t have a lot to do, and during the freedom fighters episode Sokka didn’t have a lot to do. So they ended up combining both stories into one hour long episode in the live action, so that both Katara and Sokka would be involved in something. Is it the best? No. But it makes sense. I get it.
Katara starts off bland in the first episode and it takes a bit for her to grow into the character.
The past avatars can be a bit strong with the doom and gloom, and I wish they’d toned that back.
Koh and Heibei (I dunno how to spell the panda spirit’s name) got combined to the same episode, and Koh stole Heibei’s spotlight. Again, I understand why these got combined, but I think it could have been handled a little better and Heibei should have gotten more closure.
There should have been a ninth episode, placed between the two episode Koh storyline, and the Northern Water Tribe storyline. Why? Because the Koh storyline was really heavy and intense. And it leads right into the season finale. An extra ninth episode should have been added with a more lighthearted tone. Something to ease the tension between the two very intense storylines.
Aang should have been using a glider to flit about the temples in the first episode. But it’s not something that ruins the whole show. It was a dumb that only happens in a single episode in the season.
I really missed Momo and Appa’s presence. They appeared atleast once in every episode, but it was still sad they weren’t more of a presence. Again I understand why. They were so beautifully animated that everytime they were on screen it (without a doubt) cost the production thousands of dollars. They were generous including as many of the unique animals and creatures as they had.
I still don’t think Sokka had enough time to develop a relationship with Yue at the northern water tribe. It was rushed and contrived in the animated version, and it was rushed and contrived in this Netflix version. There also wasn’t any of the chemistry like Sokka had with Suki to make the whirlwind romance work. I never liked the romance from the original, and I wasn’t a fan of it here. But that’s ok, because it’s such a small and insignificant thing.
In conclusion most of the changes I can see made were due to budget, and episode limitations. The creators were clearly trying to bring theater-cinematic quality to what was essentially an eight hour long film. And you cannot deny that this show is stunning. Absolutely breathtaking. Most of the episodes cut were filler, and while hilarious and mostly loved by fans, were stories not as necessary in the grand scope. You could feel the love and appreciation the creators included in this series. It wasn’t soulless, it wasn’t a heartless cash grab, it wasn’t a shot for shot (thank god) but it also didn’t butcher the source material.
I understand that the animated show creators had creative differences with the live action Netflix adaptation creators. But that doesn’t mean that the Netflix series completely failed. As every fanfic writer out there knows, the original authors are not going to love what you create based on their works. Tolkien hated every adaptation of his works, HATED them. But no one is going about saying that the Lord of the Rings trilogy movies were hot garbage. A creator doesn’t have to endorse a project for it to be good.
Netflix ATLA is good, it’s not perfect. And it never was going to be perfect. The cartoon it was based on wasn’t perfect either. But the ATLA cartoon was definitely some huge shoes to fill that set a bar very high. Any adaptation was going to struggle to be just as good.
I think the Netflix adaptation was a treat and a pleasure to watch. I think people should go into it with an open mind and see that it’s not trying to replace the cartoon. It’s a love letter to the cartoon.
PS: According to behind the scenes commentary on the Nickelodeon ATLA cartoon, the reason we didn’t get a season 4 was because the creators wanted a live action film. Nickelodeon offered the original cartoon creators the option to make season 4 or to spend the budget meant for season four on a live action ATLA film. The original creators chose the live action film directed by M. Night Shamalan. They wanted a live action for their show over a 4th season. They had no idea M. night would butcher their baby with his pathetic film all those years ago.
This show was a second chance after the M. night abomination. And you know what? It’s a pretty decent adaptation. And guess what? With a resurgence of interest in the series, we are getting more animated content for the original animated series. There’s definitely something for everyone on the horizon if this succeeds.
#netflix atla#avatar the last airbender#atla#live action adaptation#live action avatar#review#my thoughts#positive#loved it#it was great#go watch it#recommendation#pros and cons#a thoughtful and positive breakdown from someone who is generally picky and pessimistic about adaptations#spoilers#many spoilers
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Hey since your requests are open, could you maybe draw Hal? Doing anything, I don't really care what (only if you want)
day 96
YES i actually got 2 thinking about hal today thanks to this post (and my tags even passed peer review yippee thank u) ANYWAY. in addition to all of that. I HAVE ALWAYS THOUGHT he and aradia would be friends.
ok i wrote all this out and it got long and kinda rambly bc im tired so im putting it under a cut lmao HALRADIA FRIENDSHIP RANT IN THE READMORE
i think there would be.... maybe a little tension given that aradia eventually ended up in Her Own Flesh And Blood Body and hal would presumably not have that option?
but overall i think after the way her friends treated her as a robot, and the experience of going from experiencing life as a living breathing organic person to a bodiless entity to HAVING a body but that body not being the same as the one you remember.... idk! it's like EXTREMELY EXTREMELY SPECIFIC AND MORE THAN A LITTLE TRAUMATIC and they could share it with each other!! how fucking lovely is that.
not to mention they both kind of have a history with equius?? (assuming this is post arquiusprite in some way. i certainly have an extremely self-indulgent "everyone lives" au for this scenario where they're able to safely separate into their pre-sprite components and then hal and aradia become buds.)
REGARDLESS i think it would be interesting for hal (who has ostensibly nothing but positive shit to say about his connection to equius) and aradia (who has some truly fucked things to say about her experiences with equius) to Talk Through All That.
not 2 mention the parallels that can be drawn between dirk/hal's perception of their relationship with jake being this kind of... Manipulative Pining Weirdness, and aradia being on the other side of somebody else's Manipulative Pining Weirdness and sharing that perspective without even knowing about all of that dirkjake backstory OUGH im tellin u it is all a very complex and wonderful scenario to consider and like, im not even much of an alpha kid aficionado tbh. hal experts chime in on the comments i know youre out there and i wanna hear your takes.
#day 96#year 5#aradia megido#lil hal#homestuck#im not kidding btw HAL ENJOYERS WHAT IS THE VIBE HERE#also to clarify i think hal's confusion is largely due to the. Hey How Did You Get A Flesh Body factor more than anything#aradia's situation is uhhhhh Strange
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Summer 2024 anime roundup: ALL IN ONE
hey! i also post these reviews on my ko-fi. this is a labor of love so if you like the stuff i write, i'd really appreciate it if you'd throw a few bucks my way. thanks!
Well, I'm much busier now than I was in the first half of the year, so that means less time for anime and less time for writing about it. I managed to watch only (ONLY?) nine shows this season, so might as well put it all in one post.
As always, each show's OP is linked in the title.
Let's jump in.
Returning anime
NieR: Automata Ver. 1.1a, part 2
After a COVID-plagued production delayed the last few episodes of its first half last year, A-1 Pictures’ adaptation of Yoko Taro’s landmark action-RPG returns to deliver the real meat of the story. And as with the game, the first half of NieR: Automata Ver. 1.1a was something I’d classify as “pretty good!,” while the remainder is what makes the entire endeavor worthwhile.
I’m happy to report that not only did the studio not lose a step, but they improved on the presentation of Ver. 1.1a immensely. The action sequences are superb and expressive throughout, and the CGI integration is actually, y’know, integrated this time out. The score, both original and borrowed from Keiichi Okabe’s contributions to the NieR duology, remains as evocative as ever. They also ramped up the cheesecake more than a little bit, and let’s be real, that was the draw for a lot of people in the first place.
If there’s any one thing Ver. 1.1a can claim as an advantage over the game’s narrative, it’s that the former does a lot more work in building on A2 as a character. There’s just enough to chew on in the game, but having more of her backstory from the YoRHa stage play and manga adaptation integrated into the narrative makes for more of a meal. Having A2’s history and real personality pinned up as a backdrop as she struggles to suppress both really fleshes out her journey and eventual resolve as shit continues to hit the fan. She’s also just a big ol’ tsundere sometimes. And not for nothing, but they gave her an absolute DUMPY for no reason, but I can’t really pin that as a negative.
9S’ whole thing happens too. I really don’t have much to add to that.
When I reviewed this show’s first half at the end of 2023, I mentioned that the initial concern with the anime’s very existence is that it’s adapting a narrative that is functionally being told through the very fact that it’s a video game. The delivery of the game’s true ending, especially, is so innately A Video Game that it’s functionally impossible to adapt directly into a television show. I’m happy to say that although that function is lost, Ver. 1.1a’s ending is still plenty satisfying (and I’m told especially so for Drakengard fans, without giving too much away). Something is still very much lost in the transition, though. In his review of the penultimate episode, Anime News Network’s James Beckett wrote:
What the anime of NieR:Automata has not been able to capture in these critical final moments is the way that the game makes its players complicit in the tragedy in a way that they could never be if they simply sat down and passively watched these events unfold from behind the safe veil of the fourth wall. It would be like if we were each individually guided on stage to place our hands on Hamlet's shoulder and push him gently onwards to his final destination. It doesn't change anything about what happens in the story, but it changes everything about what it means to us.
These acts of “ludonarrative culpability,” as Beckett called it, are the reason why Yoko Taro is considered an auteur in the gaming sphere. Both NieR games are tragedies writ large, and Yoko’s genius lies in making you, the player, carry out the tragedy, often well before you realize what you’ve wrought. And to Beckett’s point from his review, NieR: Automata is a perfectly fine sci-fi story in its own right, but the game puts the blood squarely on the player’s hands and inserts them into the narrative in a way that simply watching cannot. The connection I felt to the story was only there because I’d already played the game myself; I can only imagine how it would feel if this was your introduction to NieR.
So to return to a question I suggested at the end of last year: Do I recommend this to people who haven’t played the game? Eh, not particularly. It’s a well-made show, to be sure, but there’s enough missing from what makes Automata such an exceptional game that I’m not sure I can recommend it wholeheartedly if you’re not already familiar. Then again, I wouldn’t really know how it reads from the other side. To those who know and love the game, Ver. 1.1a isn’t quite the “Rebuild of NieR” some were hoping it to be, but it’s an interesting companion piece that takes surprising strides to tie it even closer to the preceding franchise. If you’re a newcomer? YMMV. Either way, play the game.
Oshi no Ko, season 2
I spent far more time than was necessary in the Discourse Mines following Oshi no Ko’s thunderous debut last year and a controversial (but fortunately inconsequential) turn of events in the manga shortly after the season finale. Though I remain one of the series’ foremost glazers, I’ve had my moments where I worried that maybe I overrated it a bit in my head, that I carried too much water for writer Aka Akasaka, and that I’m still riding the high of the series’ premiere.
Oshi no Ko’s second season completely erased any lingering worry almost immediately and reminded me and the world that yes, it Really Is That Good. The “It’s So Over” switch flipped to “We Are So Back” as soon as best girl Kana Arima and co-lead Taiki Himekawa dazzled their co-stars and one another with literally colorful displays of their acting prowesses. My expectations continued to rise as an active reader of the source material, and studio Doga Kobo continued to surpass them. This adaptation is just that good.
Aqua’s quest for revenge and Akasaka’s continuing examination of Japan’s entertainment industry both lead us into the world of stage acting, specifically 2.5D adaptations of famous manga and anime. Aqua is cast alongside Kana and his sham girlfriend and former reality show co-star Akane in an adaptation of the fictional smash hit shonen manga Tokyo Blade, along with several members of a theater company to which Ai once belonged. While Aqua is more concerned with getting dirt on Ai’s background than he is with acting, Kana and Akane have much more personal stakes as they try to show one another up and still put on the best play they can. Kana can’t stand Akane’s absolutist, matter-of-fact approach to acting (nor the fact that she’s fake-dating the guy for whom Kana’s down abysmal), while Akane, who idolized Kana as a child and is disappointed to see her take a step back as an actress, is trying her damnedest to rekindle the spark that convinced her to pick up acting in the first place. On the fringes, rookie actor Melt Narushima is trying to make up for a heinous performance in the first season that earned him the scorn of his more experienced castmates as well as a mangaka’s permanent ire.
A good amount of this arc does feel like Akasaka was still sorting through his feelings about the Kaguya-sama live adaptation when he wrote it, but he also gave himself some room for reflection on his own side of the equation as a mangaka. Tokyo Blade’s creator, Abiko Samejima, holds her creation very dear and is not impressed with the script. Her friend and former boss, Yoriko Kichijouji, is entirely too familiar with how badly the process can go; her own manga, Sweet Today, was horribly botched in this show’s first season, and she wants to help Abiko-sensei keep a level head. Kichijouji-sensei is the voice of reason this time out as she points out all of the concessions creators may need to take in order to get their work adapted and the unimpeachable truth that mangaka are basically crazy people (and you can practically hear Akasaka screaming through her lines; four months after Kichijouji said this in the manga, Kaguya-sama published its final chapter, marking Akasaka’s retirement from illustrating serialized manga). At her urging, in addition to an all-nighter helping Abiko-sensei make a deadline, the play goes off without any more hitches.
I didn’t much care for the Tokyo Blade arc in the manga but I knew full well that it would translate well to anime just as well as the acting sequences in the first season had. Akasaka’s decision to have the actors treat the stage as a battleground felt a little silly on the page, but experiencing everything again in sound and motion reminded me that this was the same genre of psychological competition that made Kaguya-sama one of my all-time favorites. Doga Kobo is just stupidly good at adapting manga. God, the animation is incredible. Character animation is as deliberate and mesmerizing as always, and emotional moments are punctuated by interpretive splashes of watercolors. Melt’s breakout on stage was a standout moment in the manga, but the abstract, expressionistic depiction of his redemption was so perfectly conceived on screen that life imitated art: Kichijouji-sensei cried in the anime, and manga artist Mengo Yokoyari cried in real life.
I could go on and on and on, but if you’re already this deep into Oshi no Ko I really don’t need to tell you anything else. This season, for all its gorgeous visuals and onstage glory, does not hesitate to remind you at the worst possible moments that this is still ultimately a revenge story and pulls the rug from you just as gleefully as it dazzles. The first season was already exceptional, but the second cements Oshi no Ko as an all-time great adaptation. As a fan of the manga, this is as good of an anime as I could ask for, and then some.
Mixed Bags
My Deer Friend Nokotan
I’m just exhausted.
I’ll admit, I bit a little too hard on the marketing. The preview trailers promised madcap, nonsensical fun on the level of Nichijou or Asobi Asobase, the cast was exceptional, and the OP’s refrain was a total earworm (Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan! Shikanoko Nokonoko Koshitantan!). It even has the cast jumping in the air! And we all know the Ryo Yamada rule! This was going to set the bar for gag anime!
Oh, how little I knew. Y’know how sometimes you see a trailer for a middling comedy movie and you can tell they already gave away all of the movie’s best jokes? Turns out My Deer Friend Nokotan did just that. I did temper my expectations; it’s not like I thought this was going to be the second coming of Nichijou or anything, but I guess I was still expecting something, I dunno, funnier?
The premise seemed to lend itself to a good comedy either way: Torako Koshi, a former delinquent, has successfully expunged her prior reputation and worked her way up to becoming her school’s student council president. All of that is nearly thrown away when a bizarre new student, Noko Shikanoko, immediately clocks her and almost spills the beans. Also, Shikanoko (who prefers to be addressed as Nokotan) has antlers and can commune with deer. She may even be a deer herself. She hoodwinks Koshi into starting a Deer Club at school, where they recruit Koshi’s upsetting younger sister Anko and the languid, rice-obsessed Bashame. Allegedly, shenanigans ensue.
Take this with a grain of salt, as humor is very subjective, but this show just plain isn’t very funny. Nokotan’s gags hit at least as often as they miss, and a lot of them just feel unforgivably dull. One bad segment can feel like an entire episode. The only reliable gags are gross-out humor, outsized slow-motion violence, or Nausicaä references. Everything else is just Koshi barging into the lower third of the screen to shout about how wacky the joke was just then.
Look, I know that humor doesn’t always translate across cultures. The things I don’t understand about Japanese humor could fill several libraries. I do, at the very least, get the basics of the boke/tsukkomi dynamic (fool and straight-man, basically) and how the reaction to a silly thing is usually the real punchline. I’ve absorbed enough Japanese media to adapt to that momentum. That nearly goes out the window here, because Koshi’s role as the tsukkomi is a straight-up momentum killer. It’s rarely just a “wait, what?!” or a “yeah, that’s rich coming from you;” it’s usually more like “wait, that is so ridiculous! You couldn’t possibly have pulled that off! And what’s that you’re wearing all of a sudden?” The rhythm is just gone. Comic timing? Don’t know her. Even if I thought the joke was funny at first, you could probably see any semblance of a smirk fading off my face by the time she was done. And hey, maybe some of this stuff doesn’t translate. Maybe it’s not that funny in Japan either.
The other characters outside of our main two really don’t help. Anko’s whole “yandere siscon” act isn’t very funny to start with, and she brings nothing to the table otherwise. Bashame is such a nothing character that even Koshi was sick of her by the end of the season. And while I feel like a good narrator can add a good level of je ne sais quoi to a comedy anime (see: Kaguya-sama), an overly intrusive one can actively take away from the humor (see: the Kaguya-sama dub). Nokotan’s narrator comes at it with a sort of winking, nudging “HEY, WE’RE A GAG ANIME” energy that gets too grating, too quickly. What doesn’t help is that he eventually affects a fake-desperate “please watch this show and tell your friends!” bent that called to mind Ron Howard’s narration in Arrested Development’s third season as it was approaching cancellation. Meta humor, as in the latter, can absolutely elevate the level of comedy; 100 Girlfriends in particular wielded it like a machete. In Nokotan, on the other hand, it betrays a clear lack of confidence in the writing, and there’s nothing less funny than comedy that doesn’t even believe in itself.
It’s not all awful, I swear. There are genuinely some very good gags; Nokotan’s cat-and-mouse game with an anachronistic matagi was a blast from beginning to end, and the skin-suit gag got a bigger laugh out of me than almost anything else I saw this season. Any good anime, especially a comedy, lives and dies by its voice cast, and Megumi Han’s performance as the titular Nokotan is this show’s whirring, beeping life support. She makes the absolute most of her considerable range as the jokes call for it, while somehow never stepping on her own toes by dipping into her Kana Arima voice from Oshi no Ko. Koshi shares a VA with Hatsune goddamn Miku. Bashame is pretty much only tolerable thanks to the languid performance of relative newcomer Fuuka Izumi, whom I’m very glad to hear in something that isn’t Gushing Over Magical Girls.
And aside from the music (the OP, to be fair, is infectious), that’s about all there is to like about the production. Did Studio WIT really make this? It looks like it could’ve been made by anybody, and that’s not a compliment. The uncanny CGI deer were the only real visual standout, and even those lost their shine before long. Something attempting to be this audacious needs to have a look to match, and Nokotan falls flat. Again, maybe that’s on me for trying to hold it to the standard Nichijou set.
I’d honestly be surprised if this gets picked up for another season. I’d be hard-pressed to come back for more.
No Longer Allowed in Another World
(CONTENT WARNING for discussion of suicide)
Osamu Dazai was one of the most complex and fascinating figures in Japan’s modern literary canon, right up there with his ideological opposite and real-life rival, Yukio Mishima. Dazai was, frankly, a disaster. He was a serial womanizer, terrible with money, repeatedly disowned by his family, unemployable, a deadbeat dad, and hopelessly addicted to drugs and booze. His magnum opus, Ningen Shikkaku, or No Longer Human, is a stark semi-autobiography, just barely fictionalizing his repeated failures of dignity and self-preservation, including his several failed attempts at double-suicide with his many illicit lovers. The same year it was published, however, Dazai was successful in his final attempt, drowning himself alongside his mistress in 1948.
But like, what if he got hit by the isekai truck instead?
Isekai Shikkaku, or No Longer Allowed in Another World, fully Goes There. The series begins with the legally distinct, unnamed Sensei and his lover Sacchan blindsided by an anachronistic truck along the riverbed. Sensei comes to, alone, in a monastery inspired by the JRPGs from well after his time. He doesn’t know what’s going on and he doesn’t care. All that matters is that he’s still alive, and that sucks for him. Sensei is greeted by Annette, an elf priestess in a virgin killer sweater, who is shocked to discover that not only has he not gained a single stat boost by coming to this world, but he’d also rather kill himself than take her up on the standard offer of an OP cheat skill (and he’d also just rather kill himself in general). So he bounces to go find Sacchan. His refreshing outlook on the new world, as opposed to the other excitable losers who got isekai’d before him, completely melts Annette’s brain to the point of falling in love with him on the spot, so she dons her sluttiest Persona 3 battle armor to chase after him.
Sensei hates this shit. Contemporary western fantasy hadn’t made its way to Japan yet in his time, so he has zero point of reference in this world, and he sure as shit has no clue what a JRPG is. The level-up jingles give him migraines. He has no self-preservation instincts and the only solace he has in this strange new world is a jar of toxic sleeping pills that he munches like M&Ms. He has no interest in or aptitude for fighting, so when he encounters a big-tiddy catgirl being squeezed half to death by a walking tree’s branches, Sensei sees the perfect opportunity to get himself killed. Unfortunately, his blood has become so toxic from said pills that piercing his skin instantly kills the tree, saving the young lady he incorrectly names Tama. Much to Annette’s consternation, she joins the party, and they set out on Sensei’s quest to find his lover and finally die in peace.
As you can guess, that’s not what happens. For some time, we see Sensei throwing himself in harm’s way, floridly imploring various fantasy monsters to kill him in one shot with their big bats, to the point where they get creeped out. His vaguely-threatening exhortations for death make for a fine formula, but one that can wear thin quickly. Before it gets that chance, though, the seed planted in Annette’s introduction bears fruit: The visitors to this world from our own aren’t here in isolation, and they have succeeded in completing the usual isekai goal of overthrowing the demon king. There’s now a massive power vacuum, and nature abhors that shit, so a cabal of erstwhile isekai protags dub themselves the Fallen Angels and decide to take over.
This turn was, to put it bluntly, the main thing that kept me watching. There’s a fine bit of commentary inherent to this framing that the type of wet-noodle, borderline faceless self-insert isekai protags tend to appeal to antisocial losers who would rather give into their basest impulses than see an opportunity to actually better themselves. This is not at all lost on Sensei; his keen eye for the human condition leads him to interrogate the Fallen Angels his party encounters so that he can write about their own failures as humans, as well as the gaping voids in their previous lives that led to them acting like petty tyrants as soon as they gained a bit of power and treating a brand new world like their own personal playground. Sensei’s writings reveal that he did indeed gain a power when he came over to this world; if he sees fit, a finished book will surround its subject and reanimate them back in their original world and afford them a second chance to right their wrongs or, in one particularly moving case, start over on the right foot.
For as audacious as No Longer Allowed’s premise is and as impeccable its comic timing and voice cast (you will find some absolute heaters completely buried on the call list), I just didn’t find it all that compelling. Isekai as a genre is so oversaturated that it was old hat to call it oversaturated even five years ago, so while I do try to pan for gold, sometimes I just come up with a neat-looking river stone. Hell, I can’t even say this one’s all that neat-looking; there’s nothing that looks all that great about it to begin with. The character designs and backdrops are pretty standard JRPG-style stuff that you’re just as likely to find in the likes of Helck, with lackluster animation to match. Didn’t care too much for most of the characters either. Even for its commentary on the isekai genre and the type of person it caters to, No Longer Allowed just ends up shaking out like another isekai series.
There’s clearly more at play here, and I might just go ahead and read the manga because I didn’t really find myself looking forward to watching the anime. Maybe it just didn’t translate well. No Longer Allowed in Another World does clearly have something to say under its silly premise, but its method of getting that message across is, ironically, buried underneath the usual trappings of the genre it’s trying to say something about.
Wistoria: Wand and Sword
I’m gonna preface this by saying that Wistoria is probably the best anime I watched this year that I’ve classified as a “Mixed Bag,” save for Jellyfish Can’t Swim in the Night. I’m generally of the mind that excellent production can make up for a middling story (my enjoyment of the likes of Solo Leveling and Wind Breaker this year was pretty emblematic of that), and that is the case here for the most part. Wistoria, story-wise, is nothing special; it’s your standard power fantasy set in a magical school, but the entire presentation is just almost fascinating enough to overcome that hurdle.
Hell, it’s almost not even worth going over the plot. Unassuming boy named Will goes to a magic academy, he doesn’t have any magical aptitude, so he makes up for it by honing his hand-to-hand combat prowess in the school’s designated dungeon. It’s Mashle meets Solo Leveling. Will gets picked on (like, a LOT), but he doesn’t care, because he made a promise long ago to reach the pinnacle of magical society to reach his childhood friend, who happens to be a genius mage. There are duels, there’s a tournament, there’s monsters, you know how this goes.
Will has allies in the school, namely a female friend who’s madly in love with him as well as a professor who covers for his shortcomings in magic-related subjects, but remember that this is a self-insert fantasy: There are also increasingly menacing bullies for him to put in their place. Will is challenged by a Snape-like instructor, a classmate who just hates him so much for not having magic aptitude, and a top performer at the school who’s just flat-out evil (and racist to boot!). And of course the latter two also have goon squads of snickering hangers-on. Will always succeeds, of course, because despite his shortcomings, he’s the strongest and most specialest boy. It’s almost like an isekai without the isekai. Too bad we find out that Will is hilariously shredded, which kinda blows a hole in the self-insert aspect.
Goofy shonen-isms aside, there’s still plenty to enjoy here. Varying types of magic, artifacts, and fantasy races abound, and lore is sprinkled throughout the show in character biographies in the commercial break eyecatches. The story does get gradually less stupid as the season goes on and characters are better fleshed out. And hey, there’s nothing wrong with watching a really strong dude beat the shit out of monsters and assholes.
The only thing that really kept me coming back to Wistoria was that, plainly, it looks and sounds fucking awesome. It’s not the best-looking anime I watched this season (that would either be Oshi no Ko or one of the next two anime on this list), but Wistoria takes such a surprisingly cinematic approach to such an uninspiring story that I couldn’t help but keep watching. The lighting effects are lush, combat animation is bonkers in its best moments, and the score is pretty darn good too. It definitely takes some big swings at simulating camera movements and perspective shots that don’t always accomplish what they set out to do, but I can appreciate the ambition bleeding through. I can see the vision, and that’s what counts.
The actual content is pretty paint-by-numbers, but Wistoria is well-made enough that it’s worth a shaky recommendation. Maybe just turn your brain off until the action picks up. I've heard the manga gets pretty good from here on out, so I'll probably stick it out for another season.
The Gems
The Elusive Samurai
If you’re not already familiar with this series, do me a favor and watch the OP linked right above. Pretty good character animation, right? Expressive, weighty, plenty of personality. The colors pop like crazy too! A lot of the time, an anime series will heavily stylize its OP to attract eyeballs and YouTube metrics, oftentimes bringing in outside animators and directors for a unique feel. In the case of The Elusive Samurai, I cannot stress enough that all that animation is the standard.
Yes, this show looks exceptional. Even putting aside the fact that it’s historical fiction, this show has a truly timeless look to it that I still struggle to put into words. The Elusive Samurai is clearly a modern production but bears all of the hallmarks of what great animation has always looked like when a studio is willing to invest in it: Colors are so bold and saturated that I want to take a damn bite out of them, backgrounds are painstakingly hand-painted even for brief cuts, and there even seems to be a film grain overlay to really sell the classic feel. It’s not perfect (I’ll get into that later), but holy shit is it a feast for the eyes.
Adapted from the pages of Weekly Shonen Jump, The Elusive Samurai is a heavily fictionalized retelling of the fallout of the Siege of Kamakura in the 14th Century. Tokiyuki Hojo, left without a family in a bloody coup of the shogunate, is prevented from committing suicide by enigmatic priest Yorishige Suwa and then thrown right back into the fire of the battlefield. Yorishige, who has prophetic visions of the future, foresaw Tokiyuki’s ascent to leadership and wants to see how he fares in battle. Tokiyuki didn’t bother with his training as a young master, instead playing elaborate games of hide-and-seek with the Hojo clan’s advisors, so in the face of certain danger, he’s left with no choice but to do what he does best and run the fuck away. And as with evading his training, Tokiyuki realizes that it’s way more fun than actual combat, and the future is suddenly even more clear to Yorishige: Evasion, not bloodthirst, will guide Tokiyuki’s path to revenge.
At Yorishige’s increasingly unnerving behest, Tokiyuki goes into hiding at Suwa Shrine and begins building a squad to take down the usurper, Takauji Ashikaga. Along with Yorishige’s daughter, Shizuku, he teams up with young warriors Kojiro and Ayako, and in their travels pick up the crass, kitsune-masked thief Genba and the food-obsessed swordsboy Fubuki. It’s fine as extended casts go, though we don’t get much from a few of them past their introductory arcs. Tokiyuki is an absolute delight, though. He’s a sweet and joyful kid despite his circumstances; real shonen protag material. And most importantly, he’s completely over Yorishige’s shit.
I’m a sucker for magical realism, and The Elusive Samurai delivers. Yorishige really does appear to be a prophet, to the point where he can even predict Dragon Ball Z (yes, really), and he and Shizuku are capable of pulling off acts that any actual person would consider a literal miracle. Mythical beasts roam the land and those that were slain appear to reside on a different realm accessible to the Suwas. All of Takauji’s top soldiers have senses and abilities far beyond anything human or animal, and Takauji himself seems to have borrowed some of his prowess from the devil himself. With this show’s commitment to top-tier visuals and animation, the sky's the limit for what we can see, and it kept me glued to my TV every episode. It almost made me want to watch Demon Slayer. Almost.
The cast has some solid performances from familiar names and voices: Yuichi Nakamura is his usual blusteringly silly self as Yorishige, Aoi Yuuki is a riot as Genba, and Katsuyuki Konishi (Kamina himself!) infuses Takauji with appropriate menace. There’s some Chainsaw Man and Bocchi sprinkled into Tokiyuki’s clan of rookie warriors as well. Good stuff, but what really caught my attention was a surprisingly familiar voice giving life to the bug-eyed villain Sadamune Ogasawara: None other than Yutaka Aoyama, the narrator of Kaguya-sama: Love is War. Nobody could have more perfectly infused Sadamune with the appropriate level of self-serious goofiness than the guy who narrated Kaguya-sama’s balloon game like it was an NFL Film. Perfect casting.
As incredible as this show looks most of the time, the remainder does have a critical issue: CloverWorks didn’t seem too invested in hand-animating horses or any of the show’s characters riding them, so it opted instead for CGI. Very poorly-implemented CGI. I really try to take stuff like this as it comes, but the modeling looks way too video-gamey for the style the rest of the show is going for, to the point where I’m taken out of it. There’s really no excuse for something this uncanny with the high bar The Elusive Samurai set for itself early on (and yes, Uzumaki is airing as I write this, and I’ll talk about the similar problem that show has at the end of the year).
I know I just said this about Wind Breaker last year, but this may be CloverWorks’ other Big Shonen Hit. It certainly has the juice, between the wacky gags and shockingly brutal violence, and CGI issues aside, the studio has clearly invested in it. A second season is already on the way, and I’d say it’s paid off. If the studio can iron out the kinks, this could end up becoming an all-timer.
Makeine: Too Many Losing Heroines!
If I haven’t made it clear enough, my anime journey has turned me into a bit of a romcom guy. Couldn’t tell you why. Maybe it’s because Tenchi Muyo was a formative anime for me, or maybe it’s because I got on Kaguya-sama relatively early in my return-to-weebdom trek and I’ve been chasing that high ever since. I could go on and on about the ones I’ve watched and which particularly stood out, but we’d be here all day. At the same time, though, a burgeoning market for the genre, particularly among the shonen demographic, means that there’s gonna be some real slop out there. Plenty of anime, manga, and especially light novels are targeted at the “lonely boy who wishes cute girls would attach themselves to him just because he’s A Nice Guy” type, and while there are some genuinely excellent series that cater plenty to that kind, there’s a well-defined line between the good and the trash.
Makeine is well aware of that line and elects to skip rope with it. Genre subversion is at its best when the work in question shows a genuine care for the milieu it’s satirizing, and Too Many Losing Heroines is to trashy light novel romcoms what The Eminence in Shadow is to edgy isekai and Bang Brave Bang Bravern is to vaguely homoerotic mech warfare. It’ll slap you in the face with every dumb threadbare cliche you’ve come to expect from the genre, and it’ll do so with a smile.
These stories are usually fronted by a total wet noodle and Kazuhiko Nukumizu is the soggiest soba you’ve ever seen. His main interests are water fountains and hey, wouldn’t you know it, light novel romcoms. As far as he’s concerned, he’s a background character with the personality to match. He’s thrust to the forefront, though, when he’s caught staring at his classmate, Anna Yanami, embarrassingly picking up the pieces from being brutally rejected at a cafe. She forces herself into Nukumizu’s booth and helps herself to several courses’ worth of stress-eating on his dime, which he never agreed to. As recompense, Anna decides to cook him lunch until her debt is more or less repaid, and would you look at that, Nukumizu just made a friend!
As the title would suggest, Anna’s not the only lovelorn maiden finding her way into Nukumizu’s school life. He’s exhorted into joining the school’s literature club, where he meets the track runner, Lemon Yakishio, and the lit club’s stammering stalwart, Chika Komari. He also has to bear witness to each of their own crushes backfiring and deal with the fallout. And amidst this chaos, there’s plenty of botched confessions, getting locked in storage closets, boob faceplants, and all the other nonsense you’d expect from the genre. And it’s terrific! And in the midst of all this, even as Nukumizu seems to be a passenger in this journey, you see him ever-so-slowly realize that he has some agency and grow closer to these girls. Makeine is plenty silly and more than a little stupid, but there’s plenty of heart in here as well.
The offbeat character dynamics and clever dialogue are what really make this. Everyone is just refreshingly weird in their own ways. Anna is a complete menace and totally convinced she’s the protagonist of life, and she may not even be wrong. I almost don’t care whether she and Nukumizu get together or not; they’re such a fun “serious guy/goblin mode girl” pairing that I’m not that interested in their dynamic changing. Komari and the lit club VP Koto are a dynamic fujoshi duo, ensuring that the club’s shenanigans aren’t too shonen-centric (and funny enough, Koto has her own idea for an Osamu Dazai isekai). Everyone in the student council has something demonstrably Wrong With Them, the homeroom teacher is a disaster, and the school nurse probably belongs in prison. I love every single one of them. I could’ve done without Nukumizu’s offputtingly-clingy little sister (and learning about her analogue in this season’s other romcom LN adaptation, Alya Sometimes Hides Her Feelings in Russian, was enough to put me off of watching it), but it looks like one of her own female classmates is in love with her, so that could be gold in later seasons.
A-1 Pictures, to borrow an industry term, put its entire pussy into this production. As with last year’s Heavenly Delusion, there was so much love put into the lighting effects, background art, and character animation that I felt like I was watching a Makoto Shinkai film at times. All of those elements working in tandem massaged my brain in such a way that when every episode ended, I was left confused because hey, where the hell is the rest of the movie? Makeine is also loaded with killer visual gags, and I give A-1 a ton of credit for letting those jokes land without calling too much attention to them, unlike a certain other show I watched this season. The opening and endings were real treats, with three different EDs as the season progressed, each depicting one of the titular heroines’ personal journeys (and performed by each respective girl’s VA, no less). This is some real investment on the studio’s part and it absolutely paid off.
I promise that every time I compare a romcom to Kaguya-sama, it comes at a great inner struggle to prevent myself from doing so, but if that anime is truly over and this is where A-1 is focusing its resources, Makeine may very well be a worthy successor. I really can’t say for sure whether this or The Elusive Samurai was the best new anime of the summer season, and it doesn’t help that they aired on the same day and I’d always watch them back-to-back. Just know that they’re easily two of the better anime I’ve seen this year.
Mayonaka Punch
If “mega-cancelled YouTuber starts up a new channel with a bunch of disaster lesbian vampires” isn’t enough of a hook for you, I really don’t know what else to tell you.
Masaki got kicked off her popular NewTube channel after punching one of her co-hosts, and the internet is letting her hear it. Maybe barging in on the “we’re firing Masaki” live stream and tackling one of them didn’t help either. Rather than film the bog-standard apology video, she figures she can just wing it and start up a solo channel. Masaki decides to start by playing the hits and drunkenly recreate her first channel’s breakout video in a spooky abandoned hospital, and finds more than she bargained for in a vampire named Live (pronounced like it’d be short for Olivia) who really, really wants to drink her blood in particular. Masaki nearly falls to her death in a panic, only for Live to save her and reveal that she has the very filmable ability to fly, so Masaki cuts a deal: If Live can help her get a new channel off the ground, Masaki will let her drink her blood.
This is tremendous content, so Masaki moves in with Live at Banpai Manor along with her vampire roomies to produce a new channel, co-starring the eternal 10-year-old day trader (night trader?) Ichiko, the soft-spoken fujoshi musician Fu, and the heavy-vaping gambling addict Tokage. They name the channel Mayonaka Punch (because mayonaka means “midnight” and because Masaki punched the shit out of her former co-host) and quickly get to work trying to beat Masaki’s former channel to their goal of a million subscribers (and a delicious lunch for Live). Even though they try to pass off their vampire shenanigans as Very Good CGI, they run afoul of a vampiric authority figure for exposing their identities, so they have to get internet famous the old fashioned way: Cute Girls Doing Cute Things.
I can’t quite put into words what a blast this show is. Mayonaka Punch frequently barrels along at a madcap pace, often punctuated by an electro-swing score, as its cast of loud idiots (and Fu) carom off of one another to chaotic effect. The voice cast really sells it, too: Ikumi Hasegawa (Kita in Bocchi the Rock!, Vladilena in 86, Übel in Frieren) owns every ounce of Masaki’s mounting exasperation as she deals with all the vampire nonsense while continuing to avoid the consequences of her own actions. Fairouz Ai continues her MVP-caliber resume for 2024 in style as Live, infusing her with a kind of desperate manic energy as she scratches and claws for Masaki’s approval. This was easily my favorite of her many roles so far this year, and two years removed from Chainsaw Man’s debut, it’s been a treat to hear her once again voicing a feral, bloodsucking loser.
As silly as Mayonaka Punch gets, though, it delivers some serious emotional blows when you least expect them. The fourth episode, centering on Fu’s history, is one of the best of any anime I watched this season. There’s also some very interesting history between Live and the head vampire’s go-between, Yuki, that was told through (though partially buried by) a series of video game facsimiles, and I hope there’s more there someday. And, of course, there’s Masaki’s evolving relationship with Live, with romantic undertones so tantalizing they might as well be overtones. I really thought there wasn’t enough time left in the season to reach a satisfying conclusion, and though it might not have fully reeled in the yuri bait, I was pleasantly surprised at how well everything tied together.
Mayonaka Punch’s ending is open enough that I can only hope it gets a second season, but I’m not about to hold my breath. That’s a tall order for original anime that don’t set the world on fire, but this one has all the right pieces for a future cult classic. Liked and subscribed.
Suicide Squad Isekai
When this was announced, the only reaction it really got out of me was “Sure dude, why not.” As far as what this show is, it does what it says on the tin. It’s an isekai featuring a motley crew of anti-heroes plucked directly from the David Ayers and James Gunn Suicide Squad films. You already know what you’re in for.
Sure enough, this is a straight up Suicide Squad story from the jump: Harley Quinn and the Joker (the latter sporting yet another heinous makeover) try to pull off a heist, it goes sideways, Harley gets arrested and forced into Amanda Waller’s scheme to mine rare resources in another world alongside Deadshot, Clayface, Peacemaker, and King Shark. It’s your standard JRPG-style isekai fantasy world, except the previous Suicide Squad of Enchantress, the Thinker, Ratcatcher, and Killer Croc seem to have run roughshod over tensions between races and kingdoms, leaving Rick Flag alone to pick up the pieces.
And what ensues is pretty much what you’d expect. Everyone looks appropriately anime; Psycho-Pass character designer Akira Amano did especially good work with Harley, to the point where I’m shocked that a billion-yen idea like “anime Harley Quinn” was slept on for so long. All of this makes it even funnier that Peacemaker is still very much just John Cena. Character designs aside, Suicide Squad Isekai only seems to look good when it wants to; most of the moment-to-moment stuff looks a bit muted but absolutely pops off when business picks up. There’s even a flashback sequence of Deadshot and Ratcatcher that has a sort of loose, crumbly Masaaki Yuasa look to it. Despite the genericism of the setting and inconsistency of the aesthetic, though, Suicide Squad Isekai still carries plenty of style with it. The intro and outro are both blasts; I didn’t realize until the season ended that the “Tank!”-style OP was by Tomoyasu Hotei, the composer of the most iconic piece of music from Kill Bill. The ED (content warning: Mori Calliope) heavily features Amanda Waller getting down in ways I can only hope to one day see Viola Davis recreate.
The fusion of American and Japanese styles is definitely awkward at times; the occasional references to other Warner Bros properties like Lord of the Rings and Tom and Jerry feel particularly shoehorned in considering this is a Japanese production, but the voice cast makes up for a lot of faults. Anna Nagase captures Harley’s freewheeling energy perfectly, and her penchant for nicknames is extra cute in Japanese when she’s calling the Joker “Purin-chan” or King Shark “Nana-chan.” Jun Fukuyama is a real standout as Clayface, channeling the flashy spirit of Joker (not this one, the Persona 5 one) to animate Basil Karlo’s irritating showmanship. Takehito Koyasu as Peacemaker doesn’t quite have the self-serious goofy energy we’ve come to expect from the live action version, but it’s such funny casting on its face that I don’t really mind. Can this tradeoff go both ways? I want John Cena as DIO yesterday.
For a Studio WIT production and a story by Re:Zero’s writers, Suicide Squad Isekai may occasionally feel like less than the sum of its parts (par for the course for the property’s recent adaptations, unfortunately, save for the Gunn film), but if you don’t come at it expecting too much you’ll have a good time. Far from my favorite this year, but it’s a crowd pleaser, and those, I like.
#anime reviews#nier automata#oshi no ko#my deer friend nokotan#shikanoko nokonoko koshitantan#isekai shikkaku#no longer allowed in another world#wistoria wand and sword#the elusive samurai#makeine#too many losing heroines!#mayonaka punch#suicide squad isekai
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