#and they HAVE been literally everywhere i look

[marsdql]

Unexpected — ༄˖°.🍂.ೃ࿔*:･

Extended verison of caught off guard !! ٩(ˊᗜˋ*)و ♡

Pairing: Brother’s best friend!Heeseung x fem!reader

Synopsis: You're shocked to discover that your longtime crush Heeseung is now friends with your brother, leading to a fanfiction-like (literally) story.

Genre/warnings: fluff, little suggestive?, brother's bestfriend, reader is 3 years younger, mention of stalking, alloooottt of teasing, no dividers in between the paragraphs… | wc: 25k I think.

𝙈𝙖𝙧’𝙨 𝙣𝙤𝙩𝙚: im so extremely sorry for the ungodly word count I wrote each part separately and forgot to take in consideration the amount of writing I was doing.. The poll said to not make this into parts so I just put it all in one post though!!!!!!! + Masterlist coming soon, request me your suggestions (｡•̀ᴗ-)✧ okay enjoy now

Your brother had made new friends during the first semester because of a lot of senior group projects, which made the house busy. Your brother and his friends wanted more quiet places to work on things, like each other's houses. It's strange that it was always at your house and not his friends' or the library, but whatever.

You didn’t mind much, until a particular someone came over, Heeseung, the 6’0 slim brunette senior you’ve been crushing on since you were in middle school, now a freshman. You followed him around everywhere with your friends, making it so obvious that you guys were following HIM. You would send him holiday letters provided by the school, stall his social media, follow his friends and him at one point until he removed you over a silly kpop story... everything… and now, he’s with your brother?! Since when!

Bad thoughts filled your mind as you remembered all the embarrassing moments he caught you staring at him, thinking that he’d tell your brother all of it if he sees you and finds out that you’re the sister of the guy he’s getting closer to each day. But you were hungry, so hungry, you needed to eat, you always do before taking a nap, it’s like a routine, he can’t just ruin your routine. You start making plans on how to get to the kitchen without Heeseung and your brother spotting you. After a few minutes of thinking, you finally build up the courage to get downstairs and pray for the best.

You tip-toe your way down the stairs, attempting to make as little noise as possible, and to your surprise, the two boys are on the island table right across the fridge, you’re doomed, he’s going to see you, you can’t just walk back upstairs!

“Y/n? What are you doing, you look so stupid right now.” Your brother blurts out which makes you jolt up and fix your posture. Shoot. You forgot that they can see you from their perspective more than you can see them. But you act fast, “huh? Oh! Hi um.. I was just counting how many steps we have to the stairs.. for a math project!” What the heck was that response? Whatever, it’ll do. As you finish your sentence, you give yourself an excuse to get closer so that it doesn’t get too awkward, and there he is, the Heeseung of your dreams, locking eyes with you with his stale and cold expression planted on his face, not one tiny bit of shock in his face when seeing you.


 “Hey by the way, don’t take a nap, mom wants you to help her with groceries, she’s coming in a minute, wait in the living room or something just don’t go back upstairs” your brother says before putting all his focus back to the project he’s doing with sousou. At this point, you mutter out a small “okay” and forget the snack you came downstairs for, heading to the couch to go on your phone and act like nothing happened(secretly glancing at Heeseung from time to time.)

30 minutes later, your mother comes back while your brother and mister take a bathroom break. You head to the garage, opening the door for your mother to bring the groceries in for you to then place them on the counter. You’re holding big heavy bags, making you groan trying to pick them all up, then all of a sudden, as you're trying to get up, you feel the weight getting lighter and lighter, thinking you're stronger than you thought, but to your surprise… It's the dream man helping you. “Are you that lazy? Couldn’t you have just picked them one at a time? Hm?” He says as he coughs out a small chuckle, picking up the bags with ease. You can’t do anything but stare at him and place them on the table, your lips forming an O but unable to make a sound or blurt any words out. Before you get yourself to say anything, he cuts you off with a “You’re not slick, we both know exactly why you’re so shy” what…????? “I’m not shy at all?! I have no idea what you’re talking about.” You scream before the nervousness gets to you. You never thought your first conversation with Heeseung was going to be like this. “Oh yeah? You think I don’t know what you do? All the letters you sent me the past 2 years? Common now, I’m not stupid hhh…” suddenly, he lets go of the bags and gets closer to you, your brother still in the washroom and your mother still outside. His cold expression is still there but with a slight smirk. Your cheeks and nose get red quickly, making him only grin harder as he sees the effect he has on you. “You wouldn’t want your brother to see all the cheesy things you’ve done, let alone your mother, hmph? Of course you wouldn’t want that, you’re such a nice girl they would never think you’d do that, you’re just a sweet girl who goes to school and hangs out with her friends, definitely doesn’t beg them to follow me around, right?” He’s so close to you, his words only making you blush harder. His eyes shift to the door as he watches your mother call for him “Oh hello Heeseung! Would you be a sweetheart and help me with these bags? Y/n, please put the milk away! I forgot something at that store, I need to go back and pick it up.” Of course, the young man quickly obeyed your mother and helped her out, leaving you red and shoving your face in the fridge to cool down, you’re cooked, you have no idea what's taking your brother so long, but it feels like an eternity… Since when did LEE HEESEUNG have the courage to say that? What’s he gonna say next???? You keep replaying the words he said a few seconds ago, making you go crazy all over again.

Hours later, 22:00, your brother and his friend passed out on the counter of the kitchen as you were laying in bed, bored and unable to think of anything except the incident that happened earlier. Your best friend would always write fanfiction of you and hee as a joke, not thinking anything of it because you knew you were not delusional enough to think a guy 3 years older than you would actually notice you or look your way.

Abruptly, you feel the urge to go to the bathroom, wanting to wash the guilt written all over you face from the amount of overthinking. As you get to the entrance, you notice a black statue from across the hallway, making your heart drop as it walks closer to you. Suddenly, your screams wake up the entire neighborhood, "I'm so sorry! I'm sorry, I'm sorry! I don't know what I did but I'm sorry I'll never wish death upon anyone else who likes Mingyu and joshua! I promise god I'll never ever hope that all S.coups fangirls except me will fall in a hole!" you close your eyes shut as you squeal and think its the end of your days.

Until that skinwalker finally decides to open his mouth and.. "BOO!" Heeseung screams as he shakes your shoulders, not initially intending on scaring you until he realized that you couldn't see his figure. Why did it have to be him again?! "Hey, I'm joking, calm down, you're okay. It's just me. What was all that blabbering about?" he says, again, with his famous chuckle you've probably heard more than actual words from his mouth. "You can't just do that! It's dark, nighttime and it's just annoying!" you wail, feeling surprised that you managed to actually say something to his face. "Huh? feisty, calm down scaredycat, do you usually see things?" You swallow, knowing that you not only see things, but hear things at night as well.

There's an awkward silence between you two, both standing in the dark with nothing but the light of the bathroom reflecting on eachothers skin. "So? You ain't gonna speak ‘bout nothing YOU'VE been doing? You just gonna stay quiet like that?" You gulp hard, since when was he this bold and confident? What did he expect you to say, then there you are, too scared and shy to talk again, obvious shyness on your face, making heeseung aware of it, once again. He would always secretly tease you, manspread in front of you while looking at you, trying not to stare at him back and attempting to put all your focus on your friends. He would lean against the wall and look at you up and down as you walked past him, with your face buried in your friend's back, trying not to go crazy over his state. He knew the effect he had on you, since the start, it boosted his ego the most. "You shy, doll?" He whispers as he gets closer, not scared of anyone catching you both being so close, almost heads touching.

“W-what if someone catches us like this?, you can't be so close..” You mutter under your breath, forcing the words out of your mouth knowing that you don't really want him to move. “Hm? You gonna stop me? I'll stop if you tell me to, you just gotta use your words, pretty” he whispers once again, looking down on you as he pushes both your bodies onto the wall near the door of the bathroom with his chest. Your lips are shut, unable to get yourself to push him away or say a word.

He feels you slowly giving in, he knows you would, you might know information about you but he knows all your body language, he knows how nervous you get when you're alone with him and he's ready to take advantage of you all. GO HIT THAT GUM JILGEONG!!(sorry i got bored) You feel 1000 knots in your stomach from his breath hitting you cold neck, seconds later, “Take me to your room.”

Saying that his words shocked you was a huge understatement, you were feeling so many emotions that you just went numb. Sight went foggy and you couldn't think anymore, the last thing you remembered was showing him the way to your bedroom. Heading to your bed with wobbly legs due to the fear you were feeling, you had zero idea on what was going to happen. How is this the first day you talk to Heeseung and it's already this crazy? You always imagined scenarios and insane stuff, but now it feels like you just manifested them all because this craziest one is coming to life.

“Cute room. Surprised you don't have any photos of me.” The tall man says as he throws himself on the bed. At this point, you would've been able to speak to him like a normal person, but all his flirtatious words made u only use your movements, no verbal communication in sight. He stares at your BT21 plushies with disgust, pushing them off the bed with his foot, is he really still annoyed about that instagram post? Or is he still jealous? “Hate those people” he huffs as he turns to his side, seeming amused with your sweet candy-like scent on your bed. “Why are you scared of your own bed?” He comments as he watches you stare at him from your desk, realizing that you arent on your bed because HE'S ON IT. “I-im not scared, maybe you're just too big for my bed and I can't fit.. Fatty..” ‘What'd you just call me?’ “Huh? What! I didn't say a-anything?” ‘No no i deeefinitely heard something, did you just call me fat?’ “Okay yes! I did, am I lying though? You're not slick, I know the locker you share with Jay is greasy as hell!” you squeal as you make a disgusted face. ‘Yeah? You saw me get out of class to get a cookie too? Or were you too busy trying to hide from me to be able to see what was in my hand?’ Shoot, You cant reply to him with anything, both answers are wrong.. ‘Yeah that's what i thought.’

“W-what are you doing in my room, why do you wanna be here?” You ask him, innocently. ‘Because I don't break my back sleeping on the couch and I have enough manners to not barge into your brother's room when he's asleep.’ “It's better if you sleep in my brother's room than anyone finding out you slept in mine…” 'I'll leave before anyone wakes up. Comon, I wont do anything.’ It's not like he’d do anything anyway, he's as nonchalant as ever and obviously wouldn't try anything on you, he knows you wouldn't actually give into THAT, plus, he's glad youre not like that, atleast at your age.

As Heeseung takes over your bed, you are still in shock. He is sprawled out like he owns the place, watching you from the other side of the room with a small smile on his face. When someone dares to call you out on your personal space, you feel both irritated and agitated.

He pats the empty spot on the bed beside him with the same smirk and asks, “Are you really just going to stare at me from over there?”

You pause, but you cannot maintain any resistance and end up stumbling over. You take care to maintain some distance between you while sitting on the edge, but he does not let you off that easily.

Hee laughs and creeps closer, making you all too aware of the distance vanishing between you two. “Calm down, I don’t bite.” When you look up, you see him observing you with that recognizable sparkle in his eye that indicates he is relishing every moment of it.

You make an effort to minimize it by rolling your eyes, but your cheeks’ redness most likely shows that you are not paying much attention. “Heeseung, what are you even doing here? Wouldn’t you be better off downstairs or not settling into my room?”

With a low chuckle, he leans back comfortably without shifting. With a playful tone, he raises his eyebrows and asks, “What, do you not like me here? Your mom is still out shopping, and your brother is unconscious. I thought, why don’t I keep you company since it’s just the two of us?”

Even though he still teases, his eyes are now softer. For a moment, he seems to be genuinely interested in you rather than just making jokes, as if he is looking at you differently than he has in the past. As the air between you thickens and you feel trapped but unwilling to move, your pulse quickens.

He leans forward abruptly, getting so close that you can feel the warmth of his breath. “Are you sure you actually want me to leave?” He whispers as his gaze moves over your face, capturing every tiny expression you are unable to conceal.

You catch the words in your throat. Before you can respond, he raises one hand and gently brushes a flyaway hair out of your face, his fingers remaining in place for a beat too long.

He whispers, “Tell me to stop, and I will,” in a low voice that is so intimate it chills you.

However, for some reason, you remain silent. You cannot decide whether you want him to stay or enjoy the excitement of him being this close to you and staring at you as if you are the only person in the room.

All he does is smile, that knowing smile returning to his face. He leans back and whispers, “Thought so,” remaining close enough to feel the electricity of the distance.

The weight of the moment presses down on you in the most euphoric way, making it seem like it will last forever. Even though Heeseung’s smile is still there, his eyes seem softer now, almost tender. He seems to be assessing each response, blush, and look as though recording them all.

In a low, informal voice, he begins, “So.” “Will you explain to me why you stare at me all the time, or will you continue to act as though it’s not obvious?”

He tilts his head, leaning a little closer to make sure you are not escaping too easily, but your face turns red hot, your heart pounding, and you quickly turn your head away. Please do not be so shy around me right now. He laughs softly and adds, “We both know you have been looking for a while.”

It feels like the words are stuck in your throat when you try to say something. He moves, keeping you cornered with his arm braced against the headboard next to your shoulder. The closeness is dizzying.

At last, you are able to find your voice. “I’m not… Really, I wasn’t. It’s not as if I—” His gaze prevents you from forming a coherent sentence, so you trail off.

Evidently taking pleasure in your agitated state, he laughs. “So it was not intentional that I always caught you staring at me in the hallway or whenever you passed by with your friends?”

Your lack of response is sufficient, and he smiles, obviously enjoying your response.

He leans slightly closer, until you can feel his breath fan across your cheek, and murmurs, “I guess I was right, huh?” He says quietly, “But you don’t have to be embarrassed, you know,” in a tone that has become more earnest and almost comforting. “I kinda enjoy it.”

You look up and meet his eyes as those final words give you a start. They have an unexpected quality that makes it seem as though he has known you as well as you have known him. There is still teasing, but it has a deeper, more genuine undertone.

“Wait—what?” Your voice barely rises above a whisper as you manage to blurt out.

His eyes remain fixed on yours as he smiles, softer this time. “Are you sure you don’t know?”

You do not trust yourself to say anything more, so you shake your head. He sighs as if he is having a hard time believing what he is going to say.

“Y/n,” he whispers, “I have been interested in you since long before tonight.”

The words linger between you, vibrating with an intensity that catches you completely off guard, and you freeze. Heeseung’s eyes soften, becoming completely serious instead of playful. His closeness now seems more like a confession than a tease.

You mumble, “Wait,” hardly believing your own voice. “You have not been ignoring me?”

He nods slowly, his previous sly smile giving way to something more real and vulnerable. “Yes, I have noticed you, but I wouldn’t say I have been staring at you. Do you think I have not noticed your gaze on me? Or the way you become silent around me? It’s clear, y/n.”

You are rendered speechless by the shock of what he said. Your heart is thumping in your chest and your mind is racing as you try to process this new reality. You have always known Heeseung was self-assured, perhaps even arrogant, but this? You have never seen him like this before. It is honest and unvarnished, and for a split second, you cannot even tell if you are dreaming.

Trying to gather yourself, you ask, “Are you serious?” but your words come out more breathless than you meant.

He responds softly, “I don’t joke about this kind of stuff,” as his thumb lightly brushes the side of your arm, warming your skin. “I have been trying to determine whether you were feeling the same way or if I was just dreaming.”

Your pulse quickens at the thought, and you bite your lip. The air feels heavier and thicker now, and the room feels smaller. In this moment of unsaid tension, everything around you seems to fade into the background, leaving just the two of you.

You do not say anything for a few seconds, allowing his words to register. You have long admired Heeseung from a distance and wondered what it would be like to be near him. However, you never imagined that he would share your sentiments. And now here he is, publicly acknowledging it, his eyes full of sincerity.

“I…,” you finally manage to say, “I did not know you would notice,” in a hesitant and low voice. “After all, I believed I was being subtle. I did not want to cause any strangeness.”

Hee laughs, his voice deep and comforting. “Clever? You? I promise you, y/n, there is nothing subtle about the way you gaze at me. However, I enjoy it. I have enjoyed it for some time.

For a moment, you question whether you are dreaming as the words hit you like a wave. The fact that he is sitting so close to you and that his hand is now resting on the bed between you two, inches from where yours is, makes the entire situation seem unreal. Even though everything is so personal, there is still a lot of uncertainty, which makes it difficult to completely unwind.

You ask, just above a whisper, “So, what now?” as a mix of anxiety and excitement rises inside of you.

Heeseung’s face softens as he inhales deeply. “Now?” he asks in a soft yet purposeful tone. “y/n, all I am waiting for now is for you to say what you want. Because I am listening to whatever it is. I would rather not hurry you. I have been waiting for you to solve it as well.”

For the first time in what seems like an eternity, you release the tension that has been building between you, and your heart skips a beat. You see the honesty and rawness that mirror your own feelings when you look into his eyes.

You look at him with fresh clarity and say, “I think I have figured it out,” in a quiet but firm voice.

It is the same spark in his eyes that has always held you, and Heeseung’s smile is back, albeit softer this time. “Yes? What did you discover?”

As you slowly extend your hand and touch his, you sense a spark of electricity.

His smile grows, and everything seems to be in harmony at that precise moment. There is no longer any hesitation or act of deceit. Now that you and him are at last in agreement, you can look forward to seeing where this unspoken bond may take you.

With his hand now resting on top of yours, Heeseung whispers, “I am glad you figured it out,” his voice barely audible above a whisper. “Because I have been anticipating that statement from you.”

And then everything is different. Something new—something thrilling, something genuine—replaces the tension and the air feels lighter

Neither of you could have imagined as Heeseung leans in and lightly touches your lips. A thrill is sent through you by the gentle touch of Heeseung’s lips against yours, but it is cut short by the distinct sound of footsteps approaching the door. Panic sweeps through you in a flash, and your heart jumps into your throat. With wide eyes, you instinctively glance at the door as though it might save you from the looming catastrophe as you swiftly pull back.

You hear your brother’s voice, loud and clearly irritated, as the door creaks open just a crack. “Y/nnie? Are you in there?”

Quick as ever, Heeseung leans back and puts just enough distance between himself and you to appear casual, but you can tell he is not nearly as shaken as you are by the way his eyes dart to you and the faint smile that is still tugging at his lips.

You force yourself to swallow in an attempt to control your panic. “Yes, I’m here!” you call out, your voice a little too high-pitched for comfort.

Your brother is standing in the doorway, obviously bewildered, as the door opens wider. His brow furrows in that manner that indicates he is going to ask a ton of questions, and he blinks twice as his eyes dart from you to Heeseung. “What on earth are you two doing in here?”

Your mind is a jumble of ideas and excuses as you fumble for the right words. “Nothin’! Nothing bad, really. We were just—uh, talking.”

Your brother folds his arms across his chest and his eyes narrow. “Talking?” he asks again in a suspicious tone. “You two talk like this all the time?”

Heeseung gives you a barely contained smile when you meet his gaze, as though he finds the entire situation humorous. He is not phased at all, of course, because he has always had that arrogant confidence that helps him get out of a tight spot. In the meantime, you are just a few seconds away from losing it due to embarrassment.

“Indeed, we were just catching up. We haven’t seen one another in a long time,” Heeseung’s voice is smooth and unaffected, as if a single sentence would allay your brother’s suspicions.

Your brother looks back at you with a raised eyebrow. “Catching up in her room, you two? Doesn’t that sound a bit suspicious?”

You give Heeseung a quick, frantic glance, hoping he will save you, but he is taking too much pleasure in this. “Again, we were just conversing. Nothing strange,” Heeseung says with a nonchalant shrug. “But we can go if you have to. I don’t want to invade your territory.” He says with a chuckle.

As though this whole exchange is one big headache he did not sign up for, your brother pauses, still glaring, and then sighs. Then he turns back to the door and murmurs, “Anyway, just don’t make it weird.” “You understand what I mean when I say that you don’t want to hear anything too strange from this room later?”

Heeseung shakes his head and lets out a barely contained laugh as he leaves. His voice is light as he says, “He’s got nothing on us,” but his grin remains mischievous and a bit too knowing.

With your heart still pounding, you release a breath you were unaware you were holding. You mutter, attempting to steady yourself by running a hand through your hair, “I can’t believe he just walked in like that.”

Leaning back against the bed, Heeseung laughs. “Slow down. In any case, he’s too ignorant to solve anything.”

Despite his playful tone, there is a surprising undertone of protectiveness in his voice. He looks you in the eyes, and for a brief moment, you are the only two of you. The tension from earlier returns, but this time it is different—more at ease.

You start to say, “Well, I suppose we should wait until he returns downstairs before we—” but Heeseung cuts you off, his eyes softening.

With a tone that conveys something unsaid, he asks softly, “Before we what?”

You look him in the eyes and feel the tension between you two return. This time, the separation between you is not about actual distance but rather about the potential outcomes and the uncertainty of what lies ahead. You can’t shake the feeling that something could change everything right in front of you.

You confess, “I… I don’t know,” not knowing how to move through the distance between you but unwilling to let go of the bond you have just found. “However, I am aware that I’m not yet prepared for him to solve this.”

With his confidence fully restored, Heeseung grins. “Don’t be concerned. We will resolve the issue. Furthermore, both you and I are aware of what really happens next.”

The ease with which he returns to his typical, carefree self makes you laugh and shake your head. However, you realize that perhaps—just possibly—you are ready to stop acting like everything is easy and let whatever happens between you and Heeseung play out naturally as you sit there with him and hear your brother’s voice reverberating in your head.

Reblogs & Comments are appreciated!

[ marsdql ] •⩊•

[vidavalor]

Hi @masnadies & friends! I don't really have a literal map, just an idea of where I think things are from what we've seen in S1 & S2. I love @mochacoffee's map & think that it makes sense that a ton of the space in the upstairs rotunda is shelves of books-- particularly, the bit visible from the main part of the shop downstairs-- but also that there are rooms up there, as we saw in S2. Aziraphale designed the shop as a space for him and Crowley so I think there's actually a lot of intentionality behind it. I've had some thoughts on this for awhile so I hope you all don't mind me sharing them here.

Some ideas on what rooms might exist and where they might be in the shop, how the threshold/invites work based on what we've seen, and what new room in the shop I would bet is going to be in The Finale. Also, what the story purpose in making the shop mysterious enough that we're having these conversations might be.

Design-wise, I think that the whole interior of the bookshop is built to look to any angels that might enter the front door like it's nothing but a bookshop that is a cover for the angelic embassy. Aziraphale only has the embassy so he can have the bookshop, which is really a cover for having as close to a house as Aziraphale had been able to manage while being a working angel. The way they are using the bookshop as a metaphor for Aziraphale (and for Crowley and Aziraphale) and its design tells us a lot about Aziraphale and his relationship with Crowley. What we have been allowed to glimpse of the bookshop-- and when, and in what order-- is very much intentional and part of both the design of the story and pf Aziraphale's design of the shop, imho.

In S1, the show uses the bookshop metaphor for Aziraphale by focusing more on Crowley's relationship with the bookshop than on Aziraphale's relationship with it. Each episode gives us more and more information regarding what level of access Crowley has to the shop that is symbolically Aziraphale as a way of slowly showing the audience the depth of the intimacy of his and Aziraphale's relationship.

In 1.01, we see Crowley feel safe for the first time in the episode when he and Aziraphale are in the bookshop. We see him on his couch, their familiar setup and being able to speak freely and have some privacy in the shop. Crowley's glasses come off for the first time in the minisode. It's the setting of the bookshop that helps to establish how close they are from the jump of the story. Each subsequent episode, though, begins to unfold that even more.

When the shop goes on fire, we find the doors will open for Crowley-- basically, that he has a key to Aziraphale's place. When Crowley goes back to the shop in Aziraphale's body during the body swap, we see him able to identify which books in the shop weren't there before Adam adjusted reality-- telling us that he spends so much time in the bookshop that he knows every detail of it. When he meets Aziraphale in the park afterwards, he tells Aziraphale that the bookshop is just as it was, with not a single smudge and everything in the same places that they always were.

While we just saw Crowley on the ground floor of the bookshop, this comment-- delivered while he's literally in Aziraphale's body, for fun symbolism-- is saying that Crowley has unfettered access to the entire bookshop and knows the whole place so well that he knows everything in it, everywhere, by heart, and could tell if anything was amiss in the shop. He knows his way around every room in the bookshop and has permission to go into any of them that he wants because they're basically his, too.

So... Crowley, while in the midst of the sexual metaphor that is the body swap, is seen telling Aziraphale that he went through their entire house and everything is fine, and this is not a conclusion that Crowley could have drawn without having gone into Aziraphale's bedroom-- and without being familiar enough with it to be able to tell if anything is amiss. This is the end of the steady progression of information about Crowley and the bookshop throughout S1 and it comes when they're in each other's bodies, ahead of the romantic Ritz finale.

In S2, we start to see a little more of the shop but what of it we see is reflective of the conflicts happening in the story, as it would be, right? First, we find out what's behind the door of the room behind Aziraphale's desk that remained closed in S1 and it's a subtle but potent reveal-- it's a room being used like a massive storage closet.

It's Aziraphale's actual backroom, not the office to which he brought Gabriel and Sandalphon in S1, which is built to be a place to which he can bring a visiting angel. This backroom is painted the color of Crowley's eyes and is a hodgepodge of random things that are being stored back here without a shred of the structure of the rest of the shop. While Aziraphale's bookshop is cluttered in a good way, that isn't what's happening in the backroom we see in S2. There's an open privacy screen in the corner that seems to be blocking off nothing. There's furniture and books just kind of pushed into the room-- random lamps. A chair just kinda stuck in there near the door. It's a storage unit, basically, and not a room that is in use, and it looks like it's holding things in limbo for a future that may or may not happen. It's stuff that belongs to he and Crowley that neither want to give away but that neither have room for in their lives at the moment. It's a total holding pattern of a room and Muriel bursting into it is literally the (literal) closet door being broken down by the supernatural cops, right?

In S1, the bookshop itself is essentially their closet but, as the supernatural characters like Gabriel and Muriel keep pushing further into the shop in S2, even as Crowley and Aziraphale wind up stopping hiding their relationship in S2, in the first half of it, we have this closet room representing them trying to try to find a space to talk openly in their own house during the chaotic week they're having.

Then, we see use of the home bar space in 1941 a bit, and this one is really interesting. While we saw this space in the present in S1 while Aziraphale was trying to figure out how to tell Gabriel about the antichrist kid mix up, now we see Crowley and Aziraphale using it and see that this table that Aziraphale keeps clutter on during the open hours is basically the dining room of the bookshop. It's positioned so that it's not in direct view from the front door of the bookshop-- just like how Crowley's couch is tucked away from immediate view of the door by the bookshelves.

If you look at the front of the shop-- everything between the front door and the cash register counter-- it actually does look like a little bookshop in its own right. The display tables and shelves and stacks of books along the wall. These are probably the books that Aziraphale can part with, if he absolutely must lol, and is really the only part of the shop that is truly the bookshop. Pretty much this bit below and the bookshelves where Crowley pulled the Jane Austen book that is on our right out of sight below:

Because the bookshop is metaphorically Aziraphale, I'm of the opinion that, technically, basically anyone can theoretically get through the front door. Humans are obviously kept away by locks and closed signs and restricted to business hours (whatever Aziraphale feels those are at any given moment lol.) The supernatural characters, though... The threshold, as Shax discovered in S2, is not actually the front door. Likely symbolic of how Aziraphale will give anyone a chance. The threshold is proven in both seasons to be the cash register counter-- the point at which what is meant to look entirely like a bookshop is really becoming Aziraphale's house, whether it seems that way to others or not. But, still, it means everyone can theoretically get into the entryway, right?

So, how do Crowley and Aziraphale have any privacy if the supernatural beings can all get through the front door?

Because they have found a way to exploit the angels and demons' dislikes of one another to get it.

Technically, the bookshop is an angelic space and an angel could demand entry to it and there's nothing Aziraphale could do but allow them to go wherever they wanted. This is the one weak spot because, while the demons won't want to deal with an angelic space and will just stay away, the angels are a different matter. Even if they cannot get past the cash register area without an invite, they need to believe like they have control over the space in order for Aziraphale to be able to keep it. So, why do the angels frequently turn up at the door asking to be let in, even if the vibes are very much that they feel it's sort of dumb that they have to ask and Aziraphale knows he has to say yes? Why don't they just go through the door?

Aziraphale out-psyched them, basically.

He told Heaven the truth-- the threshold to the shop is not the door but the cash register counter-- but he also told them that they were all going to make sure that the demons in Hell thinks the threshold is the front door. He told them that this is how they'll keep the embassy secure because, it being an embassy, they might have to allow a demon in during the daylight for spiritual counseling towards the light (the excuse for Crowley being seen sometimes entering the shop during business hours) but they can't just let a demon have unfettered access to a heavenly space-- that would be unseemly!

So, that's Aziraphale's argument for the threshold in the first place-- he needs control over the embassy space in order to protect it for Heaven and not just let these demons wander around in it unchecked. But he's made it so that Heaven thinks they're getting one over on Hell by making them think they're all in on the joke but that, for security purposes, they need to keep up the charade. They've all been told that they're supposed to go to the door for an invitation so that, if any demons are watching the place, they won't get suspicious that the door isn't really the threshold.

Crowley is keeping this going with the demons in S2, as well, when he leads Shax to think that the threshold is the door before she figures out he's lying during the bookshop attack. He also lies about his ability to invite people in, implying that only Aziraphale can, which we see later is untrue. Technically, anyone that Aziraphale has invited in can invite in other people behind them, which is how Maggie ended up inviting in all of the demons during the bookshop attack, and also why Crowley reminds Gabriel not to let anyone in when he rushes out of the shop after Shax while Aziraphale is in Edinburgh.

So, Aziraphale basically told Heaven that they all would know the truth, of course, that the threshold was the cash register but that they all wouldn't want the demons to find that out, right? That wouldn't be a very secure embassy. They need the demons to think that it's the same rules for everyone. Aziraphale's gotten them all to play along by making them go to the door and ask to be invited in, even though they could, technically, get in the front door and up to the cash register without an invitation. He's basically found a way to make them all ring the doorbell by exploiting their own prejudices against the demons.

This is shot now because, when Crowley and Aziraphale backed all the humans up into the living room, behind the cash wrap, Shax figured out that the door wasn't the threshold and tested her theory on poor Mr. Brown of Brown's World of Carpets, basically proving what we saw back in S1 when Gabriel and Sandalphon showed up.

They arrived when the shop was open and Aziraphale was busy inside with basically the only time in the series he has ever had customers lol and so there was no reason for Gabriel and Sandalphon to need to be invited in at the door because the shop was in normal business hours and it was Gabriel who was there. The rules of the other angels and demons wouldn't be seen as applying to him-- but they both did need an invitation to go any further than the cash wrap. Aziraphale brought them into his back office, which is a room he was willing to sacrifice to visiting angels as a way of seeming totally transparent and keeping them from wanting to search through the rest of the shop.

But, anyway, I think this is why the shop is built the way it is-- it's a house that is designed to pass as a bookshop so it can pass as an embassy-passing-as-a-bookshop, so that it can exist. Aziraphale has never really wanted to run a bookshop; he just wanted his books and a safer, home-like place he and Crowley could be together in. It's a bookshop just because Aziraphale has so many books and that made it the best cover for the fact that it's not really much of a shop at all-- just the front part of it is and Aziraphale has to fight to keep anyone from trying to buy any of the books that are in the other 95% of the shop, all of which are really his and/or Crowley's.

It's set up so that if the angels ever are just inside the front door before the cash wrap--or if they go only into the backroom where Aziraphale brings Gabriel and Sandalphon in S1-- that they're basically just seeing what looks like a bookshop. If they look up into the second-floor rotunda from near the door or most places on the ground floor, they just see a second floor of shelves of books that they can presume that Aziraphale is selling to the humans. It's not until we go up there with the characters in S2 that we see rooms exist up there... tucked out of sight from below. The further we press into the shop and the more we go around corners, the more we see that its design is intentionally attempting to hide what the real purpose of the bookshop is.

Aziraphale and Crowley cannot trust that there won't be some night when, idk, Sandalphon or Michael or somebody decides to just suddenly appear in the front part of the shop instead of knocking at the door. If they did, they wouldn't be able to physically go any further than the cash register counter-- but they could see into the shop from there. That seems factored into Aziraphale's design of the shop.

Aziraphale built it so that if he and Crowley were having dinner or wine at the table in the bar area like they were in 1941, Part 2 or if they were cuddled up on Crowley's couch, that they're around corners or otherwise obstructed from view enough that it gives them the opportunity to not get immediately caught should an angel blow past the established norms of entry and show up in the front part of the bookshop. The table in the home bar and Crowley's couch are both positioned so that a person cannot directly see them from the front door of the shop, which would buy them both time should someone show up in the shop. The place is built to make it so that no one can get past the cash register counter threshold and, even if they get past the door and into that space without Crowley or Aziraphale realizing it, they likely won't catch Crowley in the shop, no matter what time of day they show up.

So, the main floor bookshop space is visible to everyone but rooms that are more personal or that are hiding something from Heaven just by existing are buried a bit further into the shop or behind a door that has been right there the whole time but that the show is taking longer to open.

It wasn't until S2 that we saw into the private room in the back-- the closet, as the two of them were kind of trying to come out of it when it came to their relationship. It's also not until then that we get to go upstairs and, when we do, see that the spots that you cannot see directly from the door below have rooms. This is Aziraphale's private residence and even this? Is mostly set up to be able to deflect, should Heaven ever get up here. Have a real look at Gabriel's completely bizarre room here:

This is the unused bedroom of the bookshop, really-- not Aziraphale's actual one. It looks like a messy monk lives in here. One the size of a hobbit, apparently, because that bed could not get any smaller. This room exists basically in case Sandalphon ever shows up and demands a tour. Here's Aziraphale's room that he can claim he never really uses and just has for pretense or in case there's an emergency and someone needs to lie down. Nothing to see here, Stasi-a-Fond, just my tiny, dollhouse bed that I absolutely cannot fit in on my own, let alone with that six feet of legs demon! Jim's bedroom is as much of a closet as the back room downstairs is.

So, what lives down the little hallway on the ground floor, back out of sight? And, even better, what is the room at the top of the stairs to the left of Gabriel's bedroom? We were shown this door but it remained closed for all of S2. It is to S2 what the closed back room that we saw in S2 was to S1-- this door we saw a few times and then went into in the next bit of story.

Given its location in the shop-- conveniently at the top of the stairs and beside another bedroom-- it's likely that this is Aziraphale's bedroom. Unlike many, I think that Aziraphale does sleep. (I'm pretty sure Gabriel is wearing Aziraphale's pajamas in that "Jim's Mug" scene in S2.) Regardless of his sleep habits, though, he has other uses for a bedroom and I don't think it's collecting dust.

There are also some spaces in the vicinity of Jim's room that I think could be a bathroom, which Aziraphale could claim is necessary for customers, as you all have said above. Do his customers need the likely nice shower and that probable clawfoot tub? 😂 Not exactly, but Aziraphale likely would say fuck it and figure he'll come up with something if Heaven finds out. He can tell Michael he's baptizing people up there or something. I think that the lure of bath time with The Serpent is likely too strong to pass up.

We know there's a kitchen in there that Aziraphale was using for the literal portion of his baking in during Lockdown, which I think is probably what's located if you keep going past the private room and the home bar into that unseen space. See from where Aziraphale emerges in the bit below?

Nina, Maggie & Gabriel follow him into the room afterwards and they all seem to be coming from some place down the little corridor that leads further back into the shop. I'm pretty sure that's where the kitchen is. I think that's also the direction from which Aziraphale came when he brought Muriel tea in S2 as well. I'm sure it's very warm and cozy but I have a sneaking suspicion that it'd be a room we'd find surprising in its organization. It would be one of the rooms in the house that makes it pretty clear that Crowley spends a lot of time in the shop. I wouldn't be surprised if there are some-- gasp!-- plants in there-- potted culinary herbs, probably. He likes to cook for them sometimes.

I don't think it'd be super-necessary to show the kitchen but I actually think there's a chance we still might see it in The Finale largely because of the fact that I think we're going to flash back to the aftermath of Aziraphale blowing up his halo and briefly see some of what went down between then and the next morning-- namely, the convo with The Metatron that Aziraphale says the next morning took place, and the aftermath of that. If we go back to that night, we could see Aziraphale, Gabriel, Nina & Maggie talking in the kitchen. They also might cut that bit of it for the film but, either way, that's the area where it seems to me like the kitchen might be-- hidden pretty deep in the back of the shop, suggested to us but completely out of sight of Heaven.

If we consider that the bookshop is being rolled out to us slowly and in an intentionally incomplete way so far in support of a story that is doing the same... and if we then ask what big rooms remain that we haven't yet seen? There's really only the kitchen and Aziraphale's bedroom.

So, what haven't we seen in the bookshop yet ahead of The Finale?

The kitchen and Aziraphale's bedroom... food and sex. 😉 Not really terribly dissimilar things to these two...

It's been there all along but, as the story hits its end game, I think they'll likely reveal it a little more directly and, if they keep going with the way they've been using the bookshop to tell the story so far, they're going to use going into the previously unseen bedroom in the bookshop to do it. The one, new room we're getting for sure in The Finale is Aziraphale's bedroom-- likely circa 1941. It'll be clear that while it's the first time we're seeing it, it's a space with which Crowley is already plenty familiar.

Then, off to their South Downs Cottage where they can finally just have their own damn house without all of these shenanigans.

Speaking of the bookshop, theories on what could be upstairs?

ooooo the BIG QUESTION.

so we can see a bit of the second floor in all these pics:

basically all we know for sure is there are A LOT MORE BOOKS, both stacked around the railing and on the circle of shelves. neil has decided not to comment on what else might be there (YET 👀) but he’s confirmed that much.

apart from that, we can see from the outside that there are six windows on the second floor:

i’m going to assume they’re part of the shop because they’re Very On Fire when the rest of the shop is on fire. SO. taking all that into account, you end up with something like this:

where the thin grey circle is the railing and the brown one is the bookshelves (as you can see in the first pic, it doesn’t circle all the way around!)

the rest is a complete mystery. i mean i’m sure the actual set was empty because they didn’t need to fill it, but in theory there’s room for some interesting stuff! with the first floor for scale i can imagine a whole flat built around that circle of shelves — a bed aziraphale never sleeps in, comfy chairs, every other angel knick-knack he’s encountered in his life. in my personal headcanon it’s all books and hoarded items covered in dust, which he leaves for authenticity.

thank you for asking!! i’d love to hear other people’s thoughts if they want to share :)

[hetalian-veteran]

Art Styles I Personally Think the Hetalia Characters Looked Their Best In (and Why) Part 2

Link to Part 1, Link to Part 3

Please note that I am referring to the show and not the webcomic. This is primarily because I didn't always have access to the webcomic and thus the show is what I've always been most familiar with. I will also refrain from talking about characters that have only appeared in one season.

Also, please keep in mind that these are just my opinions. And if you have any different ideas of what designs looked better, that's totally okay. At the end of the day, I'm just here to have fun.

America: Seasons 1-4

It was kind of hard to choose which design was best for America, seeing as they are all very similar to one another while also having different qualities that I liked. But I ultimately settled on the one from the first four seasons. I adore the WWII bomber jacket, as well as how the character in general was animated back then. Not to mention that the older art style just fits him so well. A lot of Americans have an "if it ain't broke don't fix it" attitude about things, so I find it fitting that, at least in my opinion, this also works for aph America. He looks great everywhere else, but I won't deny I have a nostalgia for the original. This was an exceptionally close tie with his design for season 5. Not to mention I once drew aph America fanart for an art project in middle school and got an A on it.

England: Season 5

Okay, I'm gonna be real here. This all came down to the eyebrows. Well, not entirely, but it definitely played a large part. I never had a problem with England's design in seasons 1-4, but those eyebrows though. They were so distracting. I understand wanting to give characters a prominent feature that makes you go, "Yep this is (insert character here)." But I think England's eyebrows were too overdone in the previous seasons. However, I also believe they were far too thin and lightened up in seasons 6-7. Season 5 had a good balance. Not too thick but not too thin. Also, I feel like his facial structure and design made him look kinda weird in season 7.

China: Season 5

So... I'm gonna be honest here. All of the other designs for China make him look like a young girl to me. Yes, he still looks sorta feminine in season 5, but not like he appears in seasons 1-4 and 6-7. In season 5 he actually looks more like an adult man to me. Not to mention his hair. Because holy crap that is some of the most beautiful hair I have ever seen put to animation

Russia: Season 6

This was a close tie between all his designs, but it ultimately came down the hair. Yes, I know, I talk about the characters hair a lot. But that really was the deciding factor for Russia. All his designs look great in that the long coat and vertical lines throughout give me the impression of a Russian nesting doll. Now, whether that was intentional on Hima's part or not, I cannot say. But it's a cool detail that I always notice whenever I see him. When it comes to his season 6 design, I like not only how innocent he looks (which is an important part of the design Hima intended from the beginning), but that his hair has some more fun detail too it. It looks so soft and fluffy, not like the previous designs that made it look like he had water dumped on his head.

France: Season 5

What can I say about this design that hasn't been said already? The only other character who had a bigger glow-up than France was Spain (who you can see my opinions on in a previous post). Literally everything here is an upgrade from his design through seasons 1-4. His hair looks so silky and soft, not like that yellow plastic we had earlier. Also, the hair ribbon tying it back looks so elegant and refined, fitting perfectly with the character. I also love the small detail of the ribbon being the same color of his eyes. It's a nice touch. His outfits this season are great as well. They are very simple, but still elegant, with soft, curved lines and balancing both warm and cool colors. Especially in his outfit during the Joan of Arc episode.

Canada: Season 5

I think I'm starting to have a favorite season in terms of character designs here. Canada just looks his cutest here, primarily because of his outfits. He has one of the most adorable and cozy wardrobes this season, and I want to raid this man's entire closet. I love the flannels and cozy jackets and hoodies that he has. As someone who grew up most of her life in northwest Montana (which, if you ask the rest of the US, is basically just lower Canada), I think I have to be a little biased here. Canada's design gives me the feeling of home in a way, and this is definitely a wardrobe that I embrace for a time growing up.

Austria: Seasons 1-4

The hair curl in his cowlick hits harder here, just getting that out of the way. There's more of a curl to it, which is more reflective of Himaruya's art style. And even though his wardrobe in the latter seasons is great, this one all around looks better to me. I like the royal blue lined with the deep red. And the cravat is just a fabulous detail that I love. Now that I think about it, everything about this design just feels very Himaruya. Like, this is one of his best character designs. There's also the placement of the mole on the bottom right-hand side of his face. In other designs, it's not as prominent. But here it's easier to see. I feel like it makes the design all the more unique.

Hungary: Seasons 1-4

THIS. This design for aph Hungary is top tier, and nobody can convince me otherwise. Something that has always intrigued me about Hungary is that she was raised primarily around men. So much so to the point where she saw herself as one growing up. But when she got older and realized she was actually a woman, she ended up adopting more feminine clothing and characteristics. Aph Hungary is a female character who balances both feminine and masculine traits. And her design from seasons 1-4 emulate this balance perfectly. Her long hair is a pale brown color, and her eyes a dark green. Unlike later seasons where she's given long, shiny, elegant hair and sparkling eyes. She's often found wearing either military uniforms or pretty dresses. We even see the evolution of her fashion from child to adult, where she goes from wearing her hair shorter to wearing it longer and with a flower. Her design encapsulates the idea that, yes, she is a woman. Yes, she is feminine. But at the same time, this is someone who has seen war and battle. (I might have to do a separate post about Hungary, because her design and character are honestly fascinating).

[respectthepetty]

To begin the ninth episode of Bad Guy, My Boss off with these two making out in Elyes' office is rude because Director Term has given pink equal light for the first toxic couple of Run and Fei Long and now Thiranai and Thiti get the blinding light of love.

If I was Black Brooding Elyes, I'd be livid too knowing that everyone is getting action in his bedroom and office EXCEPT HIM!

I know Pat knows Thiti is a spy, so I understand he is acting his secretary ass of here.

But . . . Elyes has to be on this too because there is no way he would let Pat argue with him like this. He is upset at Pat for calling him a boss, so my petty sibling in sin would make sure to remind Pat that he is the boss, and Pat is the employee by sending his ass on this trip regardless if Pat wanted to go or not!

Look at the barrier between them! Thiti, you getting too smug, son!

Thiti, that man doesn't love you! He is manipulative and abusive. Get your stuff from the office and run!

YES! My color-coded boys in love might be pendejos but they aren't stupid!

I could never hate Elyes! NEVER! Pat and Elyes are in the midst of a fight, yet Pat still runs to Elyes and tells him their fight is dumb because more important shit is going down, and ELYES LISTENS! There are so many couples out there that argue and let the argument get in the way of critical business, but not my boy Elyes. He is all ears and eyes!

They can't communicate about their relationship, but they are sure good business partners. They balance each other out at work, yett causing chaos everywhere else. Good for them.

Pat calling Elyes immature while pouting is why I love this show. They are both problems, and they both love it.

And now Elyes is going to eat like a commoner because he loves his Happy Human.

AND HE WILL SUFFER BECAUSE OF IT! Watching a person sweat when they eat something spicy is the closest I will get to experiencing real love because it makes my heart so happy. He is just eating in pain and being miserable all because he loves a boy.

Pat is me, and I am Pat. Never been happier than watching a man try not to cry.

The bathroom scene is perfection! They are both naked, vulnerable, no colors, no barriers between them, and Elyes is sooooo happy.

But Pat? Oh, Pat has Elyes all heated up and now he is about to hurt him with hard questions, and I am thrilled!

Look! Look at his face. Realization is hitting him! They are entering into a fight that he didn't even see he was walking into!

LOOK AT HIM!

And now we are right back to the point the colors keep making — Elyes is doing the most all so he doesn't have to do the bare minimum. Pat has said he loves him. Pat has shown he is loyal. But Elyes is so afraid that if he says "I love you" back that it's all going to blow up the same way it did with Run, but by him not saying it, Pat won't continue to be in what he believes is a one-sided situationship. Elyes already used the day's quota of brain cells, but I need my pendejo to stop arguing while literally naked, and instead get emotionally exposed, and TELL PAT HE LOVES HIM!

But instead he is going to put a hit out on the person who hurt Pat even though his ass has been emotionally hurting Pat for years.

Doing the damn most when he could be doing the bare minimum. I hate him (affectionately).

[lovecolibri]

SaL anon here friend, back to (continue to) bitch in your inbox. Just read @outrunningthedark's excellent comments on the sperm donor arc on my lunch break and felt the need to continue my tirade. I would add to her observations that, while we did see Buck break up with TayKay, it was over "drama" not a choice on Buck's part after really considering if he was happy (and why it fell so flat next to the eddieana breakup). Anyway when I left off I was bitching about how illogical the whole premise

of this arc was, and would have probably dropped my whinging over how nonsensical everything about it was if not for last episode. How the hell did we get from Buck saying "donor, not dad" to Hen in episode 3 to "I'm going to be a father" in the finale?? Is there some conversation that happened in KR's head she forgot to mention?? Because Buck seems pretty clear on what his role is in this whole process when talking to Hen, but now has done a 180 and is calling himself a dad. That's a pretty big leap, and while I agree Buck can get pretty enthusiastic or go overboard as part of his personality, he's not fucking naïve!! He knew then, and if he didn't, as you pointed out once, the mountain of paperwork he would have to sign to be a donor, that makes clear he's giving up all rights to that, sure as hell would!! So what changed, why is Buck suddenly convinced he's going to be playing a role in this kids life? More importantly, Eddie's snarky comment aside, why aren't his friends calling him out on this?? Again, this seems so contrived as a way to put Buck through the wringer at the expense of making him ignorant (what's that?? Oh, its the echoes of Michael Guerin's s4 plot). Anyway that wraps up both lunch and my bitching on this particular aspect of this dumb arc, next up we can talk about how there is no good way to wrap up this storyline or accomplish what KR supposedly wants (Buck's growth). Till later!!

Okay so first of all, I could have saved both of us some panic if I actually READ your ask thread instead of just the heading that comes across my notification because you clearly ended your last part saying it was the last part! 🤦🏻‍♀️🤦🏻‍♀️🤦🏻‍♀️ My B!

I’m glad we’re going to have another ask thread to talk about where this arc goes from here because the more I think about it and the more I read other people’s comments about it, more I become incandescently furious about the whole thing, especially in regards to what Buck is supposed to be getting out of this arc now that there is a baby. So it’s probably better that we haven’t gotten that far yet because right now my response would just be 

ANYWAY, at least on this point I have somewhat of an answer I think! It seems like KR misinterpreted the line in her interview because what I and may others heard (and I believe saw on their captions as well) was “I guess it’s easier when you can just say “I’m going to be a father”.” Meaning, Buck’s trying to figure out how to say “I got this lady pregnant” without implying he did anything with her or is actually the father.

Here’s the thing though. That....kinda makes it worse? If he’s already moved past his concerns and is accepting the “donor not dad” thing then....why is the arc not closed? If he’s already gotten to the acceptance part, why didn’t we see any of that happening? (Again, I have...MANY THOUGHTS about that possibly being the closure of the arc but that’s not the point right now.) More importantly, since this clearly ISN’T the closure of the arc, WHEN is Buck going to start questioning things? Because up until now, he’s been super chill about the whole thing and quite frankly, now that there is a baby it is TOO FUCKING LATE to say “actually, I don’t think I can do this”. So where can this even go? I’m interested to hear your thoughts and if they’ll help make mine any more coherent but I’m just baffled at what they think they are doing here. This arc has had ZERO tension once he said yes. No on has pulled him aside to have A Talk and tell him they have concerns, which would allow him to get defensive and maybe give us a peek at what’s going on in his head (a mystery for quite some time now), the couple came to yell at him at work, but we saw he wasn’t trying to back out or even having concerns so it wasn’t anything, we haven’t seen him struggling or having second thoughts, just totally on board with the whole thing. So....what? The baby dies? Hard pass. The couple ghosts him? Buck gets left behind again. Shocker. He suddenly realizes he can’t have a baby and not be involved? Tough fucking luck, it’s happening and you can’t back out now. What is he gonna do, sue for custody/visitation rights? 

I know I said we were gonna talk about it later and we WILL, but just a thought to percolate on here, what is Buck supposed to learn from this storyline? Because the options are...limited.

a) It’s okay for people to use you for parts and you need to be more accepting of that and just be happy you were able to help them. Yeah, that’s the OPPOSITE of the less Buck as a character needs to learn.

b) That he’s just better off as “fun Uncle” and is totally cool knowing there’s a kid out there that’s his and he doesn’t need to be involved/is okay just getting cards and maybe sending a few gifts over the years/maybe kids aren’t for him? Again, NOTHING that fits with the character OR what the character needs to grow. His whole story has been about finding love and building a family and having people who will stay. Does he HAVE to have a biological child to make that happen? No, but HAVING a biological child and walking away because he’s “learned” he doesn’t need one to be happy doesn’t fit for him either. If he struggled and walked away BEFORE donating, they could go that route, but even still, for what we know of his character, I think having a child that’s his could be something important for him (one of the reasons I love a “Buck is asked if he wants to formally adopt Chris” arc in fics, because Buck really needs to know that he is tied to people), and brushing it off AFTER a baby is already on the way doesn’t really work.

c) That he isn’t ready to be a dad yet, and needs tp practice being on the sidelines of a child’s life? Not only does he have a niece for that, we have literally seen him “practicing” with Chris since season 2! 

Please, tell me where else this story could go? Because you know those two random side character completely divorced from the first responder world aren’t going to just be major fixtures in Buck’s life, hanging around. We didn’t even get to hear about Bobby’s sponsor who has been instrumental in his recovery and is besties with the whole Grant-Nash family, until two minutes before he was killed off. 

Anyway, gotta stop now and go watch some other show for a bit before I start eating drywall about this. Can’t wait to hear more of your thoughts my friend! This hiatus is going to be rough I think....

[fluffyartbl0g]

The one piece reread only makes the hardest moments hit even harder,,,, even when you’re rereading it poorly in portugese

Or AKA, i found out today that HINATA SHOYO reads one piece and I haven’t recovered since

[linktoo-doodles]

this game kinda rocks

[sciderman]

Yk, I hate that adaptations keep making Peter a high schooler, and not just because it means he never evolves, but because the adaptations now also include wider Marvel, whitch usually (thanks to the MCU) is at the modern day stage with legacy characters and new age teen heroes, meaning that Peter is taking up Miles' spot and you can really tell when they put him next to someone like Kamala Khan or Sam Alexander who are Miles' pals. Tho Peter taking Miles' stuff is just a modern issue overall, just look at MCU whitch just stole and re-skinned Miles' personality, characters, story-beats, even the costume to an extent and then made it worse.

agree 👏

[mattodore]

birthday boy with his birthday toy

[icantdothistodaybruh]

yea sooooo I may have or may have not watched and instantly rewatched all kuro musicals in existence in a spawn of one week and now have roughly 40 screenshots to redraw from

I think I might be insane or something

[kindaasrikal]

Love deeply platonic relationships where two individuals are practically platonic soulmates who care for each other deeply and have changed each other’s life significantly.

Hate it when the fandom sees is as romantic tho.

[menlove]

btw earlier I saw a woman across the intersection from me at a red light that looked genuinely literally So Fucking Much like 1974 may pang that my mouth did drop open and I was gawking at her like a freak

[jadeofblades]

SIGMA MOMENT‼️‼️‼️‼️‼️

[hood-ex]

My dad was Bruce-ing again today.

Dad: Where are your keys? I'm gonna go put more air in your tire.

Me: I already filled it up this week.

Dad: Oh okay.

Dad goes upstairs for a second and comes back with a bag in his hand.

Dad: Here, take this poncho and put it in your glove compartment. In case you have to pull over in the rain, put it on so other cars can see you.

So then I took my new bright ass orange poncho to my car, bypassing the three water bottles my dad had stuffed in the door pocket as well as the emergency phone battery pack charger he stuffed in another pocket.

[hauntingofthelamb]

[longagoitwastuesday]

I just saw a Gojo-like guy in a store. He was eyeing those purple shampoos for white dyed hair, I think. He had the height and the round glasses and all. It was uncanny, truly like out of the anime. Never had seen someone pull a character's look as well as this guy. I was this 👌 close to approach him and ask him to read Georg Cantor, like a cultist stalker, but fortunately (for him) I was with my mother so I behaved