#and there's something just off about it historically or within it

[sgt-tombstone]

y’all don’t mind if I ramble about a fic idea that’s been knocking around in my head for a while but will never get written, do you?

cool

it’s a grumpy-and-sunshine-professor AU where Simon is a history professor studying the history of death and Johnny is a professor of chemistry studying pyrotechnics. They both have fierce reputations within their departments; Johnny for being a lenient grader and an excellent teacher, and Simon for being a complete hardass

They’re secretly married to each other, but no one ever takes classes with both of them, so there hasn’t ever been a student that has found out. Johnny talks about his husband constantly, never by name, but his computer background is a picture of two unmistakably masculine hands with matching rings, obviously a wedding photo, and he usually starts class with a little story about something funny that his husband did the day/night before. It’s well-known that his husband is blond, massive, and an utter sweetheart. They obviously adore each other, if the weekend date stories that he tells are any indication (always innocent, of course)

Simon, on the other hand, never talks about his personal life at all. He starts class on the dot, getting straight to the point without any fanfare or chitchat. He’s a man of few words, and he uses them well and efficiently. He wears a ring on a necklace, and it sometimes slips out of his shirt during lecture, but no one dares ask (stories are told of the one student who did, and got a glare so acidic that he had dropped the class on the spot)

Then along comes (insert OC’s name here), who is a biology student focusing on infectious diseases. Johnny is her advisor and she adores him (not in that way, she’s a lesbian and he’s obviously besotted with his husband). She had him for her introductory chemistry classes and he was the only reason she passed; she’s trusted his judgment and advice implicitly ever since. So when she asks what class she should take for her required history elective, he recommends a class called The History and Impacts of the Black Death, and it sounds right up her alley but the professor listed gives her pause. She’s heard of Dr. Riley, of course; nearly everyone on campus has heard the stories of traumatized history majors avoiding Dr. Riley’s classes (ironically) like the plague. But she trusts Dr. MacTavish, so she registers anyway.

The class is tough. In her opinion, it’s way too difficult for an elective class, especially on top of her other upper level science classes, but she hasn’t gotten this far without knowing how to step up to a challenge, and Dr. Riley’s scathing feedback on her first assignment has her digging her heels in instead of throwing in the towel. The topic is interesting; she’d never really looked into the history of infectious diseases, and the Black Death is morbidly fascinating. She struggles a bit with the historical aspects of the class at first, especially when Dr. Riley expects his students to already have a firm grasp on Medieval history and she very much does not, but she’ll never pass up an opportunity to do some external research to catch up to where the rest of the class—populated mostly by history majors—is in their studies.

Towards the end of the semester, close to the end of November, the student’s mother finds out about her girlfriend and kicks her out late at night. With nowhere else to go, she remembers that Dr. MacTavish is both openly gay and has invited groups of students to his house for club meetings and field trips. It’s a little awkward, but she doesn’t have anywhere else to go, so she walks to his house in the rain. When she knocks on the door, Dr. MacTavish answers with clear concern, and he waves her inside quickly. She explains her situation, panicking about the entire thing because she’s standing in her advisor’s house at 10pm, her parents have just cut her off, and she’s scared and wet. Dr. MacTavish calls into the other room, presumably to his husband, asking for a towel.

The last person she expects to round the corner is Dr. Riley, holding a fluffy towel and an expression equally as concerned as Dr. MacTavish’s. His husband.

She has to sit down.

They sit and talk as she dries off and warms up. Johnny makes her a cup of hot chocolate while Dr. Riley—Simon—builds a fire in the fireplace. She huddles close to it as they talk, and she eventually ekes the story out of them; how they met, how they hated each other at first, how they fell in love. Simon is talkative and animated, drawing energy from the man sitting beside him, and the student finds herself enchanted by the two of them, the side of her professors that she never gets to see. It should feel like a breach of privacy, a line crossed, but it feels like staying up late with her uncles. They make up the guest bedroom for her and all go to bed, reminded that they all have class tomorrow.

The student ends up staying with some friends, couch-surfing in their apartment until she can get her feet back under her, but she spends several nights a week at the Riley-MacTavish household, delving into the intricacies of infectious diseases and their connection to society with Simon. She enjoys the friendly arguments the two professors get into and often chooses sides arbitrarily to keep them on their toes. She switches her advisor from Johnny to Simon (Johnny pretends to be upset, but he’s secretly overjoyed that Simon is connecting so well with a student), and ends up writing a thesis paper under his tutelage.

Idk how it’s gonna end yet, maybe with a far future scene where she sees the two of them at a conference and throws herself at them, wrapping them both in massive hugs. It earns her several very odd stares, especially from those who know Dr. Riley’s reputation, but she doesn’t care. They were there for her in the darkest night of her life, and she’ll always have a soft spot for both of them

[dyed-indigo]

How many wives did Luo Bingge have?

I see quite a lot of debate over this within the fandom, and this excerpt has been passed around quite a bit:

But I felt like I remembered Bingge being mentioned as having more wives within the text, so I decided to skim the books (CTRL + F on the Internet Archive PDFs worked wonders) to find as many references to Bingge's wife count as I could.

I was right that he was mentioned as having more wives (hundreds to be exact), on the back of the very first book in the series even. However, the backs of books are the domain of the publisher rather than the author, so this isn't really trustworthy info to go off of for canon purposes. Still, it made me curious to see if more wives were mentioned somewhere else within the series.

He is mentioned as theoretically marrying at least 100 women at once here, however this was purely speculation on what would have happened in Proud Immortal Demon Way if Luo Binghe truly aspired for marriage. He did marry many women in PIDW, however it's never made clear whether these marriages were out of love or were political (and for horny reasons, the stallion protagonist can never escape his libido).

613 is also mentioned as a number of wives, and seems oddly specific unless there's some Chinese number symbolism I'm missing here, however this is just an example of something that Madame Meiyin could predict with her fortune telling abilities. Her fortunes are mentioned to typically be about romance, so this could be Shen Qingqiu remembering an actual prediction she made in canon, however even if that were the case (which there doesn't seem to be evidence to support) it could simply be that Luo Binghe never got those wives within the novel, and was just implied to get them afterwards (cue Peerless Cucumber rant about Airplane's lazy writing).

There's mentioned to be dozens of women "barely glimpsed" within the harem, presumably in addition to wives like Ning Yingying and Liu Mingyan who were more significant, but that still doesn't give us an exact count. If the initial harem count is accurate, it does imply that most of the women within it were just written to fluff the numbers a bit.

Bingge is mentioned to have "never refused" any requests to join his harem. RIP Bingge's understanding of boundaries, but, again, we have no clue how many women even asked to join. Demon Emperors are powerful, but also scary, and Shen Qingqiu is... perhaps an unreliable narrator when it comes to any version of Luo Binghe's appeal factor.

Bingge is mentioned multiple times to have had sex with hundreds of women, however, not all of the bedded were wedded. Madame Meiyin, for example, is mentioned as someone that Bingge slept with but never married, and there's no evidence that i could find that she was the sole exception in a sea of wives.

In conclusion, while manwhore Bingge is real, his count of actual wives is more than likely less than 100, as originally specified. (Though I wouldn't blame you if you thought otherwise, the emphasis on the harem size being "innumerable" and "uncountable" in the narration is quite a lot, and historically many Chinese emperors had a larger harem than Bingge.)

At least, he had less than 100 wives in the novel. In the donghua, on the other hand...

Well. That's a fairly definite amount.

[maxdibert]

What are your headcanons on Severus and the Malfoys? Do you think he genuinely considered them friends, or was it part of his cover? Or were they ever really friends at some point?

I have so much to say about this! I actually have two different versions of the story, and I think both of them could be canon. I can never decide between them because both seem plausible, so I’ll share my opinion on each and let everyone decide which one fits best.

Despite being a poor, scruffy, half-blood kid from a working-class background, I think Lucius took Severus under his wing because, after all, Lucius was already a 15-year-old teenager who was likely quite involved in pure-blood extremist circles and had probably heard of Voldemort by then. He was probably trying to make a good impression by recruiting as many people as possible. And despite Severus’ background, treating him with respect was a pretty shrewd move to maintain unity within Slytherin and promote that “us against the world” mentality. This would ultimately foster the cult-like environment that developed during that era. I also think that, after seeing that Severus, beyond his background, had a strong interest and talent for the Dark Arts and was a good student, Lucius probably saw that Severus’ skills could be useful, which is why he kept him under his wing. Lucius Malfoy is often portrayed as a snobbish buffoon, but besides being a shrewd man, he’s part of high society, old money. And even the classist aristocrats know how to make use of the working class and recognize talent because, historically, they’ve maintained their position by exploiting such talent.

I think Lucius and Severus maintained that mentor-pupil relationship for many years, and once Lucius graduated, he intervened to help Severus be accepted and valued within his House while also using him as a sort of personal charity project. Like Cher in Clueless (who’s based on Emma Woodhouse from Jane Austen) taking on an awkward kid from the North without wealth or pedigree and turning him into someone fit for high magical society—a kind of social experiment, if you will. I think this made Severus feel indebted to him, at least before Voldemort killed Lily. I also believe that, during Severus’ school years, his gratitude stemmed not only from this “mentorship” but also from the fact that, for the first time, someone believed in him and motivated him to pursue his ambitions. Lucius was like a father/older brother figure whom he respected and appreciated for seeing him as more than just a poor kid with nothing.

That said, my interpretation of their relationship splits into two possibilities once Severus becomes a double agent.

On one hand, there’s the idea that, after Lily’s death, feeling guilty and determined to actively work for Voldemort’s downfall, Severus emotionally distanced himself from the Malfoys as much as possible. The relationship they developed over the next 18 years would then be solely a means to an end—to gain favor with someone influential within the Ministry and among the most important dark wizards. Deep down, it was all a façade because the Malfoys also represented everything he despised and regretted being a part of, so he decided to cut off any emotional attachment to them. Basically: it was all fake.

The other version, and the one I prefer because it feels more realistic, is that Severus, as the abused and abandoned child he was, would always experience cognitive dissonance toward people who treated him well during his most vulnerable years. It’s something evident in his view of Lily, even though he was joining a group that literally wanted to kill people like her, and I can see it applying to his view of the Malfoys as well. Though they were a family actively working to end people like Lily, and Severus would ultimately have to confront them if it came to it, he’d still struggle to sever his emotional ties with the Malfoys. Just as he couldn’t understand why his friendship with Lily was ending because of his choices, I don’t think he’d be able to emotionally cut off the Malfoys, even if he knew they were terrible or knew he might eventually have to face them in battle. Much like how Lily being the first person to treat him with kindness was enough to make him risk everything to atone for his indirect role in her death and his support of Voldemort, I think Lucius “taking him in” also carved out a streak of loyalty in Severus toward his family. Severus strikes me as someone fiercely loyal to anyone who’s shown him kindness or understanding, even if that loyalty is against his own interests. And despite everything, I think he genuinely cared about the Malfoys. While he no longer admired Lucius, I think he still respected him in a certain way, like a younger brother who knows his older brother is a jerk but still sees him as his older brother.

I also think Narcissa had a kind of “older sister” vibe for him—that when she and Lucius were dating and Severus was still a kid, she saw him as this scruffy little guy, like a cute but poor puppy. And that impression probably stuck with him too. I think he always felt more comfortable with her than with Lucius, since she was associated more with the maternal than with authority. While his favoritism toward Slytherins was partly to maintain appearances and partly due to resentment toward Gryffindors, I believe he genuinely liked Draco. This affection, though, was likely another form of cognitive dissonance because Draco was far more similar to James than Harry ever was (in terms of character, classism, and using his status, family name, and influence to torment others). But just as his hatred of Harry was a reflection of his resentment toward James, his affection for Draco was probably a reflection of his relationship with Lucius and Narcissa.

[thewolfisawake]

Muir Uaigh

Muir Uaigh, or the Sepulchre Sea, also called the Buried Sea is a location within the Unseelie. The Buried Sea is its common name and merely refers to the fact that the sea, like the rest of Unseelie, is 'buried' beneath the mainland. It does indeed flow to the oceans. It is actually a little deeper than most of inhabited Unseelie. Yet paradoxically, as fae tend to be, the sea is not dark nor dreary. It's essentially their equivalent of beaches. There are geometrical rock structures that can serve as areas to rest, there are rich black sands that can be played and lie in. And the water is very navigable with the underwater scape its own marvel.

However, this is only one part of the Buried Sea. The part that the Unseelie have made habitable and safe. The other half is truly called Muir Uaigh and is meant to be treated like you would with fae...with caution. This part of the sea does appear similar to the main beach, in fact there are several other beaches that do exist but its protection is not nearly as strong as the Buried Sea. Protection from what?

Well, obvious are kelpies. While they cannot charm fae quite the same way, as they have similar mythical origins, they are can be quite aggressive if they are startled or feel that anyone is treading in their stomping grounds. As such they might pummel or trample unfortunate folks or just outright drag them out and drown them (fae are immortal in that they do not age, not that they cannot be killed). They are like other creatures in nature though to Unseelie.

No, the real issue comes with the mermaids. Yeah, yeah, everyone knows what they're like. Half-fish, half-humanoid. Can be good or bad. And yes, these kinds lean towards the siren sort of danger. But in a different way. See, the legend behind the mermaids that reside here and why it is called the Muir Uaigh is that this sea draws souls on the verge of being lost or wishing to be lost. So often it draws Unseelie that do not wish to live to its depths either by jumping from the cliffs to it or walking into the waters. It also draws souls that are in grief or suffering grave misfortune. It is release and freedom. Unfortunate to quote the song, it would take the suffering.

It is believed souls lost this way are reborn into mermaids that have a vagueness or no memory of their previous life. They seem to live normal lives in the sea and do not eat others. However, there are some that have this feeling within to relieve others. And its these...rather motivated mermaids that are a problem. Their songs reaches to find a being's longing. Whom or what they long for, positively or negatively. This what lures others into their depths to be drowned. Even if their bodies are retrieved, their 'soul' or 'essence' is stripped from them and thus can never be returned unless you, idk, risk fighting some fish people for the soul. To which, yeah, you could have time for that in theory. Once a body comes within the water, it is usually wreathed within the long and colorful seaweed to be anchored in place until, well, the soul releases.

Now, these mermaids aren't as irresistible as a siren so it's possible to escape but it's really a 'but would you risk it?' question. They also aren't very durable and can be injured and killed like any other creature. It's also, not every mermaid is like this. Some do just want to be left alone and some just want folks to heal. The latter of these are called caesg, mermaids that assist and actually travel very far (like to rivers and streams on the surface far). They can grant minor wishes to those that capture them. But the odds of getting a caesg vs a mermaid...is it really worth it?

So yeah, the naming sense is fitting in both senses. The Buried Sea is usually what's referring to safer areas, spots that either mermaids do not tend to frequent or have been repelled from. It is named such because it quite literally below the land. Muir Uaigh refers to the sea at large and is a 'sea of graves.' It is the part that fae are to be careful about.

[fingertipsmp3]

I got a job interview on the same day my current contract ends lol. Is my run of bad luck coming to an end or is it more of the same though 🧐

[mm-lurking]

Emperor Blade AU brainrot

I'm struggling to finish my Blade wips so have this for today. Inspired by my interest in historical Chinese dramas (forgive me for my limited knowledge), Im writing this at 12am please don't mind me with the grammar mistakes etc thank you WC: 1000 ish Warnings: blade x fem! reader, NOT proofread! --- Emperor Blade who picks you during the wife selection stage. You, a middle-class woman with a clan that is neither too powerful nor weak, just ok. You, who compared to the many beauties with influence and high political power, are just average. But that doesn't matter to him as he calmly picks you from the list of candidates, dumbfounding his advisors and court members. Emperor Blade who only picked a wife because of the pressure his court was putting on him. In his thundering dominant reign of purging corruption and enemies, he had never considered being married even once. Marriage to him was an inconvenience and an unnecessary contract to sign.

Emperor Blade who keeps you at an arm's length, treating you just right so it's not controversial yet keeping you so distant that your only companion is your right handmaid. He doesn't speak much to you, and your conversations are short and out of formality. You barely see much of him as he spends most of his day running the nation and the times he is free he rarely visits you.

Emperor Blade who frankly doesn't care what you do or say, as long as you let him be and don't cause trouble. You're merely a pawn in his eyes, a pawn to get everyone to shut up and let him reign however he wants without interfering, that is -until you're pulled into the games of politics.

Emperor Blade whose eyes are raging with a fire his court members have never seen when a faction decides to take advantage of the awkwardness of your marriage and hurt you. He has never liked innocent people being involved in the deception and web of lies of politics. The anger in his voice followed by the withdrawal of his sword makes everyone present cower with fear as they rush to cease his anger so they can save their own heads.

Emperor Blade who works tirelessly at night to figure out who had dared to poison you so shamelessly without any consequences, his jawline clenched and knuckles white as he looks through all his reports to find the mole within the palace walls. Despite saying he doesn't have time for you before, he finds a way to visit you when you're unconscious in your bed, holding your hand as he looks over your peaceful face. Your touch is comforting yet foreign and despite his initial reservations, he finds himself wanting more.

Emperor Blade who rushes over to your chambers when he's informed that you're awake so he can see you for himself and breathe a sigh of relief. There is a twinkle in his eyes that you have never seen before but in your weak state, you shrug it off as your imagination. He swears to find the ones who have hurt you and promises to keep you safe. The tiny smile he shows you has you flabbergasted for the rest of the day.

Emperor Blade who does not hesitate to execute the perpetrators publicly as a warning for everyone to see, to fear the consequences of what would happen if anyone even thought about hurting his wife, his empress. He makes sure you're not watching so he doesn't subject you to the brutality of his role as the emperor. To him, he does not find the need to scare you with his powers. He does not want you to fear him.

Emperor Blade who is slowly but surely falling in love with you. You find yourself welcoming him into your chambers more and more as he drinks tea and chit chats about his interests with you, something you were confused by at first but now have become accustomed to. He loves how you eagerly listen to him and offer your opinions if asked while making sure he's comfortable in your space.

Emperor Blade, who swore to never fall in love, has his heart beating faster and faster whenever he sees you, his breath hitching in his throat when you pass by him in the halls wearing your beautiful gowns. Your scent is intoxicating and he finds himself addicted to you, unable to get enough of you.

Emperor Blade who asks you to accompany him to the pavilion to admire the moon one day. He asks you to wear your favourite gown and says nothing more, leaving you confused but curious. You comply as you meet him in front of your palace, shyly smiling as he admires you.

Emperor Blade who takes your hand into his own, causing you to gasp as the public display of affection. His grip is firm and unwavering, a sign that he doesn't plan to let go. He dismisses his guards and your maids, leaving only you two alone as you both walk to the pavilion and stare at the night sky. The moon is bright and beautiful today with stars that twinkle in the sky like jewels.

Emperor Blade who pulls you into his arms, lifting ur chin with one hand as he looks into your eyes. "You're beautiful", he murmurs causing you to blush. The faint redness of your cheek makes him chuckle as he draws closer. Your noses are touching and your hearts thumping.

Emperor Blade who before only viewed you as a pawn, an inconvenience and a waste of time, now looks at you endlessly as he flicks his gaze back and forth between your lips and your eyes, asking for silent permission as his grip on your waist tightens and the gap between you two closes.

Emperor Blade who asked you to keep your distance from him now closes the distance between you both with a kiss, a kiss that washes away every painful thing he had said to you before. The winds of the night embrace the both of you at this moment as if it were a sign of acceptance from nature itself, a thumbs up almost.

Emperor Blade, a man of fear, blood and formidable reign had now become a man of affection, love and security. A man who swore to never love and never be married is now a man who is deeply in love with you. As the night continues and the moon illuminates your figures, he promises to cherish you and be your man for the rest of your life. A man whose tenderness, warmth and devotion are reserved for you and only you to see. ⋇⋆✦⋆⋇ ©mm-lurking 2024 do not copy, steal or reuse my work.

[kitten4sannie]

ᴛᴀꜱᴛᴇ ʟɪᴋᴇ ᴠᴇɴᴏᴍ

ꜰᴇᴀʀ ᴘʟᴀʏ/ꜰʟᴏɢɢɪɴɢ ➠ ʏᴜɴʜᴏ/ʏᴇᴏꜱᴀɴɢ

pairing: enemy emperor! yunho x empress! reader x scribe! yeosang

genre: historical au, smut

summary: you have another tension filled meeting with the stubborn man that wants nothing more than to conquer and own you. your new dedicated scribe records everything.

w.c: 4k

warnings: hard dom! yunho, bratty pillow princess! reader, bricked up witness! yeosang, monster cock alerttt, cnc, light mxm, exhibitionism/voyeurism, name calling/pet names, degradation, dirty talk (this man…he’s so nasty in this i’m not even sorry…), lots of manhandling, spanking/flogging, dacryphilia, half dressed kink idk, spit, hair grabbing, threesome elements, some cucky vibes, a little dash of praise, rough wall sex, creampie, yeosang licks everything up… AHEM, oral (receiving), fingering, cum eating, squirting

a/n: i was extremely high when i wrote this and i am down bad astronomically for yuyu and yeosang so yeah something religious happened to me during the writing process !! i mostly blame it on jackson wang bc that song is sooooo…. rfhhehwh it turns me into a rabid animal ngl anywaysss i hope you enjoy lovelies xx

Now Playing:

ᴄʀᴜᴇʟ ʙʏ ᴊᴀᴄᴋꜱᴏɴ ᴡᴀɴɢ

0:01 ❍─────── 4:28

Volume: ▁▂▃▄▅▆▇ 100%

ᴘʀᴇᴠ | ꜰꜰꜰ ᴍᴀꜱᴛᴇʀʟɪꜱᴛ | ɴᴇxᴛ

As the empress of your country’s land, it’s always been up to you to partake in the anointed trivialities that required your royal attention. Aside from drawn out, traditional ceremonies to endless horse riding and archery lessons with a seasoned member of the congregation, you spent most of your time having meetings with your supposed suitors, having to listen to their boundless, self-important monologues about their days in battle, coming to know just how much knowledge they held in combat and war strategies, and fighting the urge to pull your hand away when they would hold onto it, pleading you with their eyes for your approval. It all bored you to tears. 

Though, there was a particular individual that you couldn’t seem to keep your mind off of, no matter how hard you tried. Jeong Yunho, an emperor from the land that bordered yours. A man from a bloodline that your family had gone to war with many times over the years. Despite that you were quite literally sleeping with the enemy, you couldn’t help yourself. You had never met anyone like him before. Instead of asking and pleading for your attention, time, and body, he simply took it. Took what he wanted from you without a care in the world. He wasn’t even bothered by that fact that your dear scribe still sat in the meeting room with you, hazily scribbling down everything that occurred and what was said, spilling bottles of ink onto his scrolls due to how flustered he was from witnessing the way Yunho forcefully conquered his dear empress with a domineering smirk plastered on his sweaty face, the panting emperor’s cock routinely disappearing underneath your disheveled ceremony garments and into your willing cunt. 

“Your Highness, Lord Jeong should be here any second now,” your fresh-faced scribe began from across the meeting room, setting up various sized brushes in a line, smoothing out a few creases he found embedded in the elongated sleeves of his ceremony robe. He suddenly looked up at you, concern present within his widened honey brown eyes. “Should I make more tea?” 

“That won’t be necessary, Yeosang, but your intention is very sweet, thank you,” you replied softly, making your way across the room in your heavy garbs, taking the time to run your fingers through your newest scribe’s hair, offering him a smile that made him drop one of his brushes. “Lord Jeong doesn’t drink much tea. He…prefers to get straight to business.” 

Yeosang’s smile dropped slightly when your hand left his hair, his eyes traveling your form as you sat on your knees in front of the meeting table, watching you take a sip from your steaming celadon cup and nod your head in approval of the flavor. “Have you considered his marriage requests? I’ve read some of the letters he’s sent to you…” The young scribe blushed suddenly, his eyes lowering to look at the blank spaces on his scrolls. “They’re quite intense. Does that sort of thing interest you?” 

You rested your chin inside the palm of your hand, your gold bracelets dangling from your wrist, squinting your eyes at Yeosang, your lips curling up ever so slightly. “It does, very much so. Lord Jeong is one of the most interesting men I’ve come across thus far…I’ve greatly considered his offers, despite him being the enemy.” 

Yeosang tilted his head, a few locks of his hair falling into his focused eyes. “If I may ask, your Highness…What’s stopping you from accepting?” 

You ran your finger around the rim of your celadon cup, looking at your reflection within the black tea, your smile fading. “I don’t want the excitement to end, Yeosang.” You looked back up at him, unable to keep yourself from smiling gently at his confused expression. “Marriage, as beautiful as it is, brings monotony, which brings contempt…” 

“Ahh, I see now,” Yeosang nodded slowly, giving you a sad smile back, feeling like he understood his empress a bit more in that moment. He squeezed his fingers around the intricately carved wooden brush inside his grasp.  “Your Highness, may I ask you a question?” 

Just as you were about to respond, the large, jewel-encrusted doors of your meeting room opened with a groan. A tall, handsome man dressed in an extravagant, hand-sewn traditional robe came strolling in like he owned the place, holding an expensive mahogany box within his large hands. 

“Oh, princess, I’ve brought you a present,” Yunho called out teasingly, walking up to the table. He acknowledged Yeosang’s presence with a nod, who bent over to bow. The confident emperor sat down across from you at the table, his eyes hooded, his lips quirked up perversely as if he was reminiscing about your previous meetings. “Hi. Did you miss me?” 

You rolled your eyes, pretending as if you didn’t care about the emperor’s arrival, despite your heart and core throbbing rhythmically from him simply sitting there across from you. “What did you bring me, Yunho?” 

“Something that’ll have your little scribe here pulling at his robes when I’m done using it on you…Maybe he’ll even spill his ink all over himself like your last one…” Yunho’s eyes shifted from Yeosang, who gulped, to you, who simply sipped on your tea, his long fingers rubbing along the smooth edges of the mahogany box. 

You tilted your head to the side, idly biting at the tip of your manicured nail. “Is that so? Well, get on with it. I’m a busy woman, as you know, and I don’t like when my time is being wasted with nonsense.” 

Yunho simply scoffed, shaking his head slightly, sitting there silently for a moment, the only sound in the room being Yeosang’s wet brush expertly sliding across the scroll and your nails tapping against your tea cup. 

All you registered was the sight of Yunho swiftly getting up onto his feet and heading in your direction, his feet thumping against the mat below. Before you even realized what was happening, you were laying face down on the table, watching your tea pool out onto the sleek wood, your intricately crafted tea cup now split in individual pieces. Yunho had you held down by the neck, his fingers closing around it, his warm body pressing against yours, able to feel his stiff cock against your ass, even through your thick robes. 

He chuckled at the gasp you let out, bringing his lips near your ear to purr huskily, “Am I still wasting your time, princess? Or is getting your little cunt all nice and wet for me something worthwhile?” Instead of letting you answer, Yunho simply reached past you, flipping the boxe’s lid open, bringing it closer for you to take a good look at its contents. Inside the box sat a hand-woven flog, the edges of it decorated with a silver finishing, making it glisten in the light. “Do you like your present? I got it made just for you.” He rubbed his cock along your ass, his free hand roaming over your upper thigh to the curve of your ass. “Can’t you see? I’m in love with you…” 

“Oh, please.” As you tried to get up, Yunho pushed his body weight down onto you, holding your wrists down with ease. “Do you really think I’m going to let you use your little toy on me in front of my innocent scribe, Yunho? Who do you think you are?” 

“I’m simply a man who’s head over heels for you, Y/N…Take some responsibility…” Yunho quickly reached past your neck and down to your chest to rip open your garments, tugging on them while you continued to resist until your bare body was revealed underneath the many layers.

Yeosang dipped his brush inside the bottle of ink with a shaky hand, his cheeks flushed, unsure if he should speak up, his eyes fixated on you, never having seen you in such an indecent state before. “Sh-should…I keep going, your Highness?” 

When Yunho forcefully bent you over his knee and pulled your disheveled robe up to reveal your ass, his large hands squeezing into it, you nodded your head weakly at Yeosang, feeling a bit dizzy from being treated in such a way with your lovely dedicated scribe watching on. “Please, don’t let us stop you from doing your job, Yeosang…you’re doing so well…”  

“Thank you, Your Highness…” Yeosang blushed from the praise, dipping his brush back into the ink, before pressing it to the scroll, thankful that his garments were thick enough to cover his stiffening length.

You weren’t able to reply to Yeosang when Yunho abruptly slammed his open palm against the curve of your ass, a moan leaving your lips instead of words. He smacked the other side of your ass to watch it bounce and groped along it, squeezing your sensitive flesh between his slender fingers. “That’s it…just look at that color…Wish you could see it, princess. Shall I add some pretty shades of purple and pink too? You’re my canvas, Y/N…I’m sure you’ll let me paint you with my cum next, right? Just like every time, yeah?” 

“Fuck off, Yunho,” you grumbled, attempting to climb out of his lap, throbbing at the feeling of him grabbing you by the waist and holding you still, knowing you couldn’t get away even if you tried. 

“You weren’t saying that last time, princess. You were begging me for more…” Yunho picked up the flog, running his fingers along the woven leather, before he cracked it in the air, making Yeosang and you jolt from the sudden loud noise, bringing joy to the emperor. “Take a deep breath for me, Y/N…” 

Just as you did so, Yunho brought the flog down onto your ass, watching the individual leather straps leave pretty red marks on your skin, groaning, “So pretty… you’re so pretty for me, princess…” and repeating the motion, lacking the proper self control to stop himself, even when you began to cry, his arm wrapped tightly around your middle. 

“F-fuck…! Stop!” You kicked your legs and thrashed around until you were able to wiggle out of his grasp, just barely making it over to Yeosang’s large scribing table, before Yunho slammed you down onto it, knocking over one of the ink bottles with his rough handling of you. 

“Crying just for me, princess? You’re making me so hard,” Yunho sighed into your ear, moving closer to your face to lick one of your tears away, his hot breath hitting your cheek, your ass stinging more when he grabbed it roughly, bolts of pleasure shooting into your core. 

 “You fucking asshole…” you choked out, about to pull yourself up when the emperor pinned your hands painfully behind your back, feeling his knee press in between your thighs. 

Yunho tugged more of your garments off without a care in the world, huffing and as he shoved his hand in between your thighs from behind, rubbing two fingers along your clothed cunt, before tearing it off with ease. “Ahh, that’s what I thought…You’re so wet for me, Y/N.” He looked to Yeosang, who was blushing wildly, still just sitting there and haphazardly recording the chaos that was occurring right next to him, knowing it wasn’t his place to interact in any way unless either of you allowed him to. Yunho continued to rub at your cunt, enjoying the noises you and your gushing slit were making. “Hey, scribe, make sure you make a note about how fucking soaked your empress gets from getting manhandled by an enemy emperor. That’s an important detail, isn’t it, princess?” 

You struggled underneath the man, starting to feel ink soaking into your expensive garments, some of it staining your cheek. “Yunho, get off of me, or so help me–” You suddenly found yourself gasping for air, having been flogged again, though this time some of the leather straps reached your cunt, feeling it sting pleasurably in between your trembling thighs. 

Yunho looked over to Yeosang, who had his fingers clenched around his brush, his free hand in between his clenching thighs. “Hey, Yeosang, do you know why the previous scribe quit?” When he shook his head, Yunho grinned, admiring the pattern of bruises he left on your ass, running his fingers lightly over them. “He couldn’t handle watching his beloved empress cry and take what I so graciously gave her, but you can, can’t you, Yeosang?” 

He bit his bottom lip, feeling conflicted, not sure if he should nod or not. He instead looked to you, his eyebrows knitted together with concern. “Your Highness…” Yeosang whispered softly, hesitantly placing one hand on top of yours, holding it tightly. 

You looked up at him, smiling gently, blowing a bit of hair out of your hazy eyes, reaching your other hand over to rub the top of his knuckles. “It’s okay, Yeosang…I want this…” 

Yunho grabbed you by the hair, forcefully lifting up your head so that he could get a good look at you, practically drooling at this point, his cock throbbing against your backside. “Say that again…Let me hear it…” 

You turned your head to look at him, smiling sweetly, before you pursed your lips and sent a wad of spit onto his cheek, satisfied with the way it dripped down along his tightening jaw. “If you hurry up and fuck me instead of continuing on with this bullshit, I’ll think about it.” 

Turned on beyond measure, Yunho grabbed your own jaw, forcing it open so that he could send a wad of spit straight down your throat, chuckling darkly at the moan that escaped your parted lips. “This is why you’re my favorite, princess. You’re such a bratty little thing, just aching to be put in your place, huh? You want me to do that? Fuck you into submission in front of your sweet little scribe? Just say the word….” 

This time around, Yunho could see the desperation on your flushed face, your lips forming a pout. “Please…” you whined, surprising yourself and the two men watching you with your sudden act of obedience. 

“Oh my god, that’s fucking it right there…” Yunho groaned, pulling at the sash wrapped securely around his slim waist and pulling it loose, so that he could gain access to his undergarments, quickly tugging his stiff, leaking cock out. “Do you draw portraits too, scribe? This slut’s pretty face should be kept in the history books…” 

Yeosang nervously shook his head, starting to spread the ink across his scroll from watching the way Yunho pushed you up against the wall, so close to Yeosang that his garments spilled into his lap, forcefully wrapping your legs around his waist, just as he fully sheathed himself inside you, your soaked panties pushed to the side.

“No? That’s too bad…Well, at least jot down the fact that I conquer your Highness’s tight little cunt every time I give her a visit…” Yunho huffed out, smiling at you with his canines showing, his hands cemented tightly around your bare waist, bringing himself down to one of your tits to suck it into his open mouth. 

“God, will you just–aaah–shut the fuck up and…nnngh…fuck me properly?” you asked in between pants, barely able to take the emperor’s thick, oversized cock without feeling like you were going to break, your nails digging into his straining upper back through his garments, one side of his robe starting to drape off one of his broad shoulders. 

“Yeah? You want it rough just like every other time, don’t you, whore?” Yunho groaned against your skin, dragging his tongue up over your spit-laced tit to attack your neck with his lips and teeth, leaving your skin in various shades of red and purple. “Write this down too, scribe. The people should know that this pretty princess can’t cum unless she has a horsecock ramming into her cunt. Isn’t that right, Your Highness?”  

You couldn’t even speak at this point, from the way Yunho lifted one leg up onto the scribe table, using the leverage to fuck into you as deep and hard as he could, about to cream yourself from the way he kept you pinned down, just using you like a doll made for his pleasure. 

Now almost directly underneath his empress and the enemy emperor’s rapidly joining bodies, Yeosang couldn’t help but look up, fixated on the way your cunt spread open each time Yunho slammed himself inside your clenching hole, feeling a few drops of your mixed arousal drip down onto his face and roll down his warm cheek. He gingerly opened his mouth and held his tongue out, now pressing his brush directly into the soaked paper, leaning his back against the wall behind him, his hand beginning to rub at his pre-cum soaked cock that was still trapped underneath his heavy garments. 

“God, you’re so fucking wet, princess…I think I might…slip out…” Yunho sighed heavily against your ear, roughly nibbling it with the aid of one of his canine teeth, slowly sliding his cock out of you and slapping his heavy cock against your abdomen, smearing his pre cum onto your skin. 

The feeling of being completely empty just as you were about to cum almost sent you into a full-blown rage, practically ready to start another war with Yunho if he didn’t stick his cock back inside you. You abruptly grabbed him by the hair, clutching a tuft of his damp icy blond locks, leaning in so that your lips ghosted his. “Fuck me, you goddamn bastard. Make me cum.” 

This time Yunho didn’t play any games, simply rubbing his cockhead back and forth over your throbbing clit just to make you shudder against him, before he slipped back inside, immediately pounding himself into you, essentially leaving you breathless. “Look at you just taking it, princess… I know it’s big…You’re doing so well for me…taking it so good, princess…I’m so proud…” 

The sudden bout of praise coming from the enemy in such a sickly sweet tone, especially while he began to pump hot loads of cum into you, sent you barreling over the edge, not doing your dear scribe any favors when you began to babble nonsensically, tears beginning to fall from your eyes from the overwhelming pleasure taking over your body. 

“Yeahhh, take it, princess…I’m gonna knock you up so you have to marry me.” Yunho chuckled darkly, his fingers squeezing into your hips, pressing a rough kiss to your lips, biting at your bottom lip before he pulled away. 

“You’re disgusting,” you huffed, grimacing at him, despite the fact that your thighs were still trembling. 

“Don’t say that, princess,” Yunho whined, leaning his forehead against yours, slowly pulling out inch by inch. “You know how hard that makes me…” He looked down to Yeosang, who was breathing heavily underneath the both of you, his mouth agape, splashes of arousal decorating his pretty, flushed face and damp hair. “Hey, scribe, you’ve been a good boy just sitting here and watching the whole time. You want a taste of your Highness’s used cunt?” 

Feeling sufficiently dizzy, Yeosang looked to you for approval, feeling his cock pulse at your slow dazed nod, bringing his hands up to your thighs to caress them, bringing his lips up to kiss and lick at the wetness around your cunt with a gentleness that would’ve had you collapsing if your legs weren’t securely hooked over Yunho’s shoulders. 

“Make sure you get it all…” Yunho murmured softly, completely pulling out of you with a wet, shlick sound, dribbles of his cum beginning to gush out of your gaping hole, allowing Yeosang to collect it inside his drooling mouth. Yunho brought a free hand to Yeosang’s head, holding him against your cunt, finding great joy in the desperate, sloppy manner in which he ate you out, like a delirious, thirsty man that had just found a hidden oasis. 

It was when Yeosang slipped his slender fingers deep inside your pulsing cunt, his hot mouth closed around your sensitive clit, that you began to whine and whimper, one arm hooked around Yunho’s neck for support, your free hand going down to grab onto Yeosang’s hair when Yunho let go, gazing down to find him already looking up at you with half closed eyes. 

“It’s so good, you’re so good for me, Yeosang, I’m going to…oh my god…”  

Yeosang clutched one side of your bruised ass with one hand, curling three of his fingers inside you and rubbing them against your clenching walls, lapping at your clit, his thighs closing together, his cheeks bright red from the praise. 

All the while, Yunho simply watched on, his chest swelling with pride, occasionally leaving kisses and licks on your straining, marked-up neck. “Cum for him, will you, princess? Won’t you soak his pretty face with your squirt?” 

Having your lovely scribe in between your legs, eating your cunt like it was his assigned job to do so, having your sworn enemy pressing his heated, sweaty body against yours, more filthy words leaving his lips for your shared pleasure was all far too much. “Yeosang…!” 

Yeosang found himself being covered in a warm spray of liquid, tasting your squirt on his tongue, closing his eyes for a moment to bask in the pleasure of it all, opening them back up just in time for you to pull him into your arms, your bare body against his half-dressed one. “Your Highness…” 

“I didn’t mean to do such a dirty thing to you, Yeosang, I’m so sorry…” You used your sleeves to wipe some of the wetness away from his face, blushing more than you had during the whole night. 

“Your Highness…” he repeated, softer this time, giving you a shy smile, pulling his robe apart until you could see what he had done to himself. 

Your eyes widened at the milky stains of cum splattered across the insides of his ceremonial garments, looking back up into his eyes, returning his shy smile. “If I had known you had such an affinity for me, I wouldn’t have looked for suitors this long. Who needs them when I have you?” 

Yeosang reached up to hold his heated cheeks, dumbfounded by the string of events, unable to believe that his beloved empress could feel such a way about him. “It’d be an honor to always be by your side…”

You giggled, reaching up to place a hand over his, your thumb brushing over his pretty birthmark. 

Yunho cleared his throat, running his fingers through his sweaty hair, his robe already wrapped ornately around his body, looking like he did when he first entered the meeting room, besides the afterglow he was now sporting. “I’d love to stay here longer and experience this beautiful moment with you both, but my job here is done.” He patted both of your heads, as if he were a proud father, before heading taking a few elegant strides towards the door. Before he left, he turned back to look at you, his tongue poking into one of his canine teeth, giving you a shit-eating smirk. “Until next time, princess.” 

“There isn’t going to be a next time,” you muttered to yourself, rolling your eyes, your arms still around Yeosang, watching your smug enemy leave the room with a soft chuckle. 

Yeosang chuckled softly, reaching up to run his fingers through your hair, feeling confident enough to share his thoughts with you. “Now, let’s not kid ourselves, Your Highness.” 

“Heyyy,” you whined, giving him a pout, watching him pick up his drying brush up from the table. “Don’t you dare write that down.” When he motioned to dip his brush into the spilled ink, you hugged onto him from the side. “Yeosangggg, I’m still your empress!”

Biting the inside of your cheek, you rested your chin on his shoulder. “By the way, what was that question you wanted to ask me?”

Yeosang gulped, studying the ink-stained table below for a second, before turning his head to look at you, your faces just centimeters away from one another. “Will you replace me one day, Your Highness?”

Your eyes widened slightly, taking in your scribe’s vulnerability, wanting to return the same energy to him, as he was deserving of it. “Never, Yeosang. You’re here to stay.”

Yeosang blushed fervently, dropping the brush back down to hug you into his arms, nuzzling your neck gently, his hair tickling your skin, about to melt inside his empress’s grasp. “Promise?” 

You wrapped your arms tighter around him, pressing your lips to his cheek, waiting for him to look back into your eyes to whisper, “Promise.”

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[honoura]

Shaaloani: The Land of Enchantment Part One

Hello again! It's another lore-adjacent post from me about a niche special interest of mine. This time it's Shaaloani, the American Southwest/Northern Mexico inspired zone in FFXIV's Dawntrail.

I want to disclose a few things right at the start just to temper people's expectations: I will not be definitively ID'ing any of the indigenous-inspired structures or visuals as inspired by any specific tribe. That's not my lane! I'm going to link to things that they remind me of, for sure. But otherwise my hyperfocus is going to be on the physical environment, some animals, and the ceruleum as petroleum industry. It's what I recognize best! And what I know best, truthfully.

"Hon why are you doing this?" A variety of reasons honestly. After DT dropped I saw a lot of folks who did at least one of the following:

Commented on the Old West theme park aspect

Called it "miqo'te Texas"

Generally just called the whole map "Texas"

And if I'm honest... it bugged me! Not because I thought anyone was being malicious about it (it's mostly pop culture saturation I'd suspect), but to me it stung a bit that this zone, which I grew up on the fringe of, was... kind of flattened by a lot of people?

I don't know, the response to me just felt like people assumed they knew everything about it because they'd seen it already in movies or TV or Red Dead Redemption rather than the same open-mindedness about what was presented in places like Urqopacha.

This zone isn't just Texas -- yes there are some bits and pieces here (because it's pulling from the Chihuahuan Desert and the Sonoran Desert), but so much of it reminds me of New Mexico, Mexico, and Arizona. There's some Colorado, Utah, and Nevada there too! And the background story going on there is something that still happens in a lot of those states, by both the government and corporations alike.

That variety deserves to be celebrated! So come learn with me about the inspiration for Shaaloani!

Shaaloani Geography

Shaaloani has three major regions in the zone -- Eshceyaani Wilds, Pyariyoanaan Plain, and Yawtanane Grasslands. To get this out of the way, I'm going to tell you the one that reminds me most of Texas.

Ready?

Lake Taori of the Pyariyoanaan Plain.

It's river-fed, with canyons on both ends of the Niikwerepi. The trees crowding around it are cypress trees, as you can tell by the little nubby off-shoots called knees. To compare, here is a photo of cypress trees along the Frio River:

This is also reminiscent of places along the Rio Grande and Pecos Rivers, two significant water sources in West Texas. I also would not call them bayous! Bayous typically have brackish water, are slow-moving, and are way too far east.

However, it could be partly considered a ciénega -- which according to its wikipedia article:

"Ciénagas are usually associated with seeps or springs, found in canyon headwaters or along margins of streams. Ciénagas often occur because the geomorphology forces water to the surface, over large areas, not merely through a single pool or channel."

As a caveat, ciénegas generally don't have trees around them, but I also know that you can't really drown a cypress and they love sunshine. Regardless -- if you see trees in the desert they are typically growing along a water source. Balmorhea State Park has some cottonwood trees native to the area that are going strong.

Yawtanane Grasslands reads as a mix of the Chihuahuan Desert and the Eastern Plains of Colorado. Both are rather arid and home to a variety of grasses that can thrive in such a climate -- which has historically made both areas home to large cattle industries (whether or not this was ever a good idea is debatable, since cattle are very thirsty animals).

Meanwhile the Eshceyaani Wilds looks similar to the Sonoran Desert -- the red-hued soil and rocks, the abundance of cacti with the scrub brush and some drought-tolerant grasses. Here's a shot of the Sonoran within Saguaro National Park in Arizona:

Saguaros also only grow in Arizona in the States! As well as the organ-pipe cactus, which you see in Tender Valley. And prickly pears grow just about anywhere they can get a chance -- as well as barrel cacti, both of which we see in Tender Valley (along with what could be agave!).

You could probably make a case for it being a piñon-juniper scrubland -- everything's very short compared to those cypress trees, including the juniper trees! Piñon-juniper scrubland's found throughout the Southwest. There are also piñon-juniper savannahs and persistent woodlands intermixed in the same places. The difference lay in what plants you find with the piñon pines and junipers.

Visually, aside from the Sonoran Desert, I can also see a lot of New Mexico, like the Ghost Ranch in Rio Arriba:

It matches up with the mountains you can see, and both Yowekwa Canyon and Tender Valley. And of course, Tender Valley is likely a Grand Canyon reference, going by the sheer height of the cliffs. But you could also make a case for Canyonlands National Park in Utah.

There's a shot from Grand View Point Overlook within the park -- the closeness of the canyon walls and the warm earth tones also evoke Tender Valley!

There's also a lot of these sandstone formations in Utah that better fit Shaaloani -- like here in the Valley of the Gods:

Shaaloani Structures

I also at this point want to call attention to one of the two sites with cliff dwellings & adobe structures. We just saw Tender Valley above, which is confirmed to be old Yok Huy structures. But check out these Tonawawta buildings below.

As I stated before, I don't want to state which tribe these two styles remind me of. But I do want to say this again strikes me as another New Mexico and Arizona callback; both the Gila Cliff Dwellings and the Puye Cliff Dwellings are found in two different areas of New Mexico. And the Gíusewa Pueblo, also in New Mexico! Montezuma Castle is found in Arizona, and is pictured below! Look at that rich reddish earth color.

I also want to call attention to the place of worship for the Tonawawta in Yowekwa Canyon:

When I saw it my kneejerk response was to call it an ofrenda. But that's ultimately an incomplete response -- that was just the vibe I felt after seeing them during my life! What it also reminds me of are pictographs and petroglyphs. You find these all over the Southwest (the climate helps preserve them!), but I'm going to link some really great examples. I won't provide images to all though!

Crow Canyon Petroglyphs:

Piedras Madras Canyon at Petroglyph National Monument (New Mexico) Petroglyph Point Trail at Mesa Verde National Park (Colorado) Petroglyph Panel at Canyon Reef National Park (Utah) Nampaweap at Grand Canyon-Parashant National Monument (Arizona) Horseshoe Canyon at Canyonlands National Park (Utah) and the Hueco Tanks State Park (Texas)

In contrast, I don't want to spend a ton of time on the boom town structures in this zone; they are pretty straightforward references to mining towns during the different resource booms (gold, silver, copper, oil).

Similar blocky shapes, built out of wood. One thing I noticed as a neat addition are the decorative patterns painted on it -- again, I don't want to presume if there's a specific tribe tied to this. But I do think it's a neat touch and I want to think that's a design choice to convey the underlying theme that this is a zone at odds with advancing technology and wanting to keep hold of important traditions.

I WILL talk about the ceruleum wells and pumping though. Mostly because I'm impressed that they went with structures that so closely resemble early 20th century oil derricks. Those were also predominately made of wood (including the barrels, yikes!). The pump part of what's called a pumpjack were covered in the old days -- the ones we're most used to seeing now are made of metal and are thus left uncovered.

However, as you can see from this century old rig, even the wheel's made of wood:

I don't think ceruleum gushes the same way oil did -- it seems to behave more like natural gas. However, most natural gas pipelines do burn off excess, which can be seen as a little spout of flame atop.

Oil's occupied an awkward spot in the Southwest, and still does. Aside from the heinous crimes committed in Killers of the Flower Moon (where members of the Osage tribe were murdered for their oil shares in Oklahoma) and the Teapot Dome Scandal, oil is just... well.

Bear with me, I'm about to rag on Koana a moment.

The people who make the most money and have the most power over the average roughneck's life never live in the Southwest. They work in the c-suite and have more money than sense.

I find it very fascinating that DT chose to recreate this dynamic, this uncomfortable push-pull of a region rich in a resource, and it's being harvested at the suggestion and behest of a power that is physically removed from the area. And to some NPCs it's with a certain level of disregard to traditions and practices in place before, with the focus on the nebulous quantifier of 'progress'. Progress how? It depends!

But the folks at the highest seat of power never have to grapple with those questions, because to them it's a fairly cut and dry answer. This is the way to proceed, and if they want to take this nation into the "future", then this is the clear way to do it. It speaks to Koana's fixation on foreign technology to the point he de-values his own (partly due to his childhood trauma, which kind of prepped him to be susceptible to it).

Meanwhile the locals are the ones grappling the most with this change -- how it affects their plants and animals. Sometimes pits open up in the earth and ceruleum burns (which, Santa Rita New Mexico sank multiple times into the earth thanks to copper mining). On the map there's even discolored plants -- and they only occur in the vicinity OF the bulk of the ceruleum pumps.

This is at odds with core beliefs, keeping up with traditional practices. It puts people in the place of 'do I participate in this system, which promises work and the means to take care of my family, even as it pits me against my cultural heritage?'.

Growing up in West Texas, one of the weirdest things to me (to this day) is how many people will claim they love the land. They do! They love the outdoors, they worry over how certain species of animals have become scarcer. But they also work in the single most damaging industry because it pays the most money. It lets them cover bills and give their kids what they never had.

That same push-pull is in Shaaloani narratively; when progress has been thrust upon you, how do you survive it? How do you make sure what's dearest to you comes along with you?

In Conclusion

I want to call it here for Part One -- Part Two after this will cover more observations I had regarding flora and fauna in the Shaaloani zone, and how that also shows the attention to detail given this zone! It's a good time! There will be dinosaurs!

[funhouse-mirror-barbie]

I just. I don’t really want to keep talking about it, but I have to get these feelings out because the more I think about Somerton’s excuses video the angrier I get, ESPECIALLY given his insistence in the video that there isn’t a real community within LGBTQ spaces—specifically this quote; “We wanted it to be a channel where every queer person could feel welcomed... And we failed at that. That is something that, in hindsight, I think is impossible to create.”*

Because wow! Aren’t you the one who called Becky Albertalli, a bisexual woman, straight ?? Aren’t you the one who has consistently stolen queer and lgbtq people’s work as your own , profiting off of their labor and research and time? Aren’t you the one who sicced your fan base on smaller creators who noticed your plagiarism??? Aren’t YOU the one who LIED blatantly about lesbians “historically having it easier” than gay men ?? That LIED about Radclyffe Hall’s book being banned and destroyed???? What was it you said?? That she got to go on with “her merry little life”???

Fuck you. How dare you.

How dare you say there is no community, no safe space for all of us, when you have literally done NOTHING but maliciously and consistently stolen from, lied to, manipulated, and put down and bullied the community.

You have done nothing but try to break apart and put down your lgbtq siblings, so of course you believe that solidarity, safety, and intersectionality within our community is not something that can exist.

There are lgbtq people who are actively working to make those spaces, where everyone feels welcomed, but you clearly see yourself as being above that, above collaboration and community, above listening to other’s experiences.

You only think that a space where all queer and lgbtq people are welcomed and feel safe is impossible because your goal was never to carve out that space. It was to make money and take advantage of the people who looked up to you.

You think it’s impossible because you never once thought about the people you were stealing from, never once cared about the community, our history, the activism of our elders and all they did, never thought about how your actions and lies would hurt the community.

Stop making excuses and lying. Be fucking better.

———————————————————————

*(Somerton, James. “A Measured Response.” YouTube, uploaded by James Somerton, 26 February 2024, https://m.youtube.com/watch?v=kCNByQ6WopM)

(And that’s how you cite a FUCKING source, James. It took me a minute, after two seconds of research on how to source a YouTube video. Fuckhead)

*I added the link to the video to make a point, as you need to have it in citations. The video is monetized, so please either don’t click it and watch elsewhere OR watch with ad-blockers.

[homunculus-argument]

The ancient Romans didn't really care that much about distinguishing legends from historical records, a cool story is a cool story regardless of how much truth there is to it. Anyway, this one guy, named Gaius Mucius Cordus, later given the cognomen Scaevola - "left-handed", because ancient Romans weren't all that familiar with steel, and "balls of steel" was not an available option. Anyway the story goes that as a young soldier, he sneaked into an enemy' camp to assassinate their king. The attempt failed and he was captured. Looking death in the eye, he figured that the best course of action would be to survive by sheer audacity.

So he looked the king he just failed to assassinate in the eyes, told him that yeah I came here to kill you, and you can kill me now but you better get just as lucky every single time, because there's like 300 guys beside me who volunteered for this mission. And then he stuck his entire right arm into a pyre that was within reach, standing perfectly still in place while letting his hand burn, solidly keeping eye contact with the Etruscan king the entire time, just as a way of going "this is what I am capable of doing. This is what I can and will do to myself just to flex on you. The fuck do you think you could do that would harm me."

And the king was sufficiently freaked out by this and decided to just go alright, fair enough, you win this one, by all means please do fuck off, seriously just get the fuck out of my camp. So Mucius was freed and allowed to return to Rome, alive and unharmed if one does not count the collateral damage of one sword arm. And the Etruscan king came to the conclusion that whatever the fuck the Romans have going on, he wants nothing to do with that, and sent ambassadors to Rome to negotiate peace.

Anyway, that's also vaguely how I feel every time I see a tumblr user whose screen name is something like "autistic-faggot". I'm gay myself and have nothing but respect for people on the spectrum, but if all I know about this person is that this isn't just what they're braced to be called, but what the have specifically chosen to name themselves, and how they prefer to be addressed, you can't tell them shit that would even make them blink.

[topazadine]

Things that immediately turn me off a fiction book

I'm pretty picky with what I read, because the time I spend reading is time that I could spend writing. I generally know if I will like a book within the first chapter, and I feel no shame in giving up if I'm not vibing with it.

And no, I don't believe in the "oooh read further it warms up" because does it? Does it really? Do I want to waste time finding out?

Frankly, at this point in life, I read more nonfiction than fiction because there's just so. many. bad. books. that are getting published. Worse than fanfictions.

Anyway, here are the things that make me give up. Maybe hearing this will help you as you write your own masterpiece.

Too Many Proper Nouns

Three characters maximum in the first chapter or two. Do not throw dozens of people at me. I will get confused and give up. Let me get to know the main character, by themself or with a few of their closest companions, before you make me remember everyone else. And go deep with those characters! I want someone to stick with!

You can reference other characters, to create a sense of a deeper world, but do not go all-in on them. Make it clear that they are just there to provide a bit of context, and we don't have to remember them yet. We should only be meeting three characters maximum.

Throwing Us Immediately Into a Dramatic Action Point

This is controversial I know, but I hate when something immediately starts with a battle. I don't care if any of these people live or die. I don't know them. I haven't grown attached to any of them.

Even just a page or two to get to know them first will help. You can have them gearing up for a battle, thinking about what's going to happen, maybe talking to their friends, maybe checking their armor, whatever feels natural for them. But do not just start with stabbing people! I don't care about them yet!

Too Many Details

Many this is just me, but I simply do not care about every piece of armor your character is wearing. I don't need to hear a play-by-play of every single color of every single thing because I don't care. Pick out a few specific things for me to focus on and that's it. Stop overloading me with colors and patterns and armor styles.

Yes, yes, you've done your research on historically accurate gear. That's great. It would be good for a movie. But if I have to look up different armor pieces every five seconds, I am glossing over it and moving on. I don't care. I'm here for the story. If I wanted an infodump about medieval armor, I would simply pick up a nonfiction book (and maybe I will).

White Space Syndrome

Tell me what the overall scene looks like instead of all these hyperspecific details of certain objects, like carts or emblems or whatever. I want to know where I am!!

Don't just say "a forest." Tell me what kind of forest. Tell me if it's a young forest or an old snarly forest or a swampy forest or a cold alpine forest.

Don't just say "a castle." Tell me if it's a bustling castle or a gloomy castle or a rundown castle.

Don't just say "on the sea." Cold sea? Tropical sea? Far far away from land or is land in sight? These are the things I want!

Too Much Backstory

For the love of god do not explain the entire history of this culture in the first chapter. The first chapter is for getting to know the characters we're going to be following. You can introduce those things slowly and carefully as the story unfolds.

I get that fiction writers are delighted by all the worldbuilding (or research, in historical fiction) they have done. But the reader does not care right away. They need to get invested before all those little specifics matter at all. My eyes glaze over and I give up because I don't want to have to remember all of that all at once. It's like you just threw a college textbook at my face.

Plus, if you're doing third-person limited, you have to remember that the character is not going to be thinking all of that! They won't say all of that either! Because they know all of that!

Even a general on the brink of a major battle is not going to go "yes, this all dates back to when we took Iuanfutila back in 181, when the brave Iuanfutilans protested the rule of our Yawwbaawnwhryr leaders ...." They are focused on the present moment, and they may discuss the backstory later. Tell us what we need to know now because that is what the character would be thinking too.

"Oh, but Topazadine, how will the readers understand the context if I don't tell them??"

There's a battle. Two groups are at war. Or something was stolen. Or two people are fighting. Whatever. We understand those things. We can get the basic gist of how things are going to play out by just showing us these things happening. Then, as we have gotten a feel for the characters, you can tell us more about the context.

If you walk into a store that's being held up by an armed robber, do you give a shit about his backstory, or do you only care once that person has been arrested and you have to testify? I think we know the answer. You're not going "ohhh why is he doing this??" at first. You're going "HOLY SHIT THERE'S A GUN WHAT'S GOING TO HAPPEN NOW???" and then you'll care about the other stuff later.

Too Much Play-by-Play

I also do not need a play by play of a fight scene. I need to know the general movements, and then the overall atmosphere. I want to feel what the character feels rather than feel like I'm watching a football game.

Your reader will fill in the gaps if you give them enough information, but when you overload them with every single action, they're now trying to keep track of what went where instead of how this moment is supposed to feel. And now the action and drama has gone out of the writing because it's become a manual of fighting techniques.

Pointless Dumb Conversations

"Oh, could you turn around for me? I want privacy."

"Sure, of course, I'm a respectable man." Manfred knew that a lady-in-waiting would be unsettled by the presence of a strange man, so he wanted to be respectful.

"Thanks."

"You're welcome."

Oh my god no one cares!!! No one!! We don't need this exchange. Cut it. This is stupid. Unless something is actually happening or something is meaningful about them saying this, shut up.

How to Not Write a Horrible First Chapter That Makes People Ragequit

Can you tell I'm mad today? I started and stopped three different books because they were all so bad.

Three characters max in the first chapter, with deep discussion of each. (One or two is better.) General appearance, demeanor, profession, whatever.

Restrain the urge to infodump! Dribble it out over the chapter!

Give the setting more attention than random little details that ultimately do not matter. I don't need to know the pattern of the curtains on the horsecart that's about to be burnt. Don't care.

Do not give a play by play of every single action that a character takes because it's boring and no one cares.

In media res is great but do NOT start with a big climactic intense battle or fight or whatever because we don't know these characters and don't know who to root for (or why we should care).

Your character is not going to give us a history lesson in why this conflict is happening. Do not do it yourself either. Give us just enough to get intrigued and no more. Think how your characters would think and what they would prioritize in discussions.

If a conversation is just pleasantries and has no purpose, drop it, we don't care.

[machveil]

General König Headcanons

just some personal thoughts I have about him as a person

he’s very organized, everything he owns has a place and if it’s not in it’s place he throws a fit

why is his coffee table moved over an inch? who did this? it’s not lined up perfectly with the couch anymore >:( and his coaster is missing! ruins his mood for an hour

and it’s noticeable when he lives alone if something is off. he lives extremely minimalistic. he has the bare bones essentials, the only decorations are things he’s super interested in (a bookshelf absolutely bloated with original copies of historical and military books, a display case with antique weapons, etc)

that changes if he has a pet, but I talked about that already here

as much as he likes to keep his home organized and neat, he’s artificially clean I’m so sorry

yes, his home looks spotless… that said, if he wipes up a little spill with a paper towel he’s definitely the type to rinse it under the faucet, squeeze it out, and let’s it dry if the spill wasn’t ‘that bad’. yes, it’s gross, but “look, I can use it again, Maus.”. you have to keep an eye out for him when he cleans stuff because he cuts corners sometimes

only dusts things he specifically uses - his desk, the coffee table, the cabinet by his front door. he neglects to clean his bedside table. coated in a lining of dust except for a rectangle patch where he keeps his latest book. forgets that he should definitely clean his computer keyboard and phone screen. complains about allergies but it’s “only in my house” - denies that the dust is the problem. is pleasantly surprised his allergies magically went away after you dusted everything for him… still denies the dust was the problem, his immune system ‘just kicked in’

always forgets that his vacuum doesn’t have infinite storage. the first time you went to empty it all the lint and dust in the cage didn’t come out because it was so compressed. he’s broken at least one vacuum before because the cage broke (yes, all the gross contents spilled out onto his floor, he was pissed for a week)

if you ever become his roommate prepare to be cleaning. it’s not that he doesn’t clean, it’s just that’s his version of clean is… “look, everything is spotless— don’t open the closet”

that said, he always changes the batteries in the fire alarm, always makes sure the fire extinguisher under the sink is within it’s expiration date, and double checks all doors and windows are locked at night - cleaning he’ll side-eye, safety he’s dead staring at

if you, for any reason, get wigged out because “König, I think I saw something move outside :(“ he wouldn’t hesitate to buy a security system. it’s not for him, he’s built like a behemoth, it’s entirely to ease your mind

definitely buys a ring doorbell so he can talk to you when you’re coming in (“don’t forget to lock the door behind you, Maus.”)

[persephonaae]

TERFs GO AWAY I’m nonbinary and as this is a look that is about exploring my own identity, gender is included in that. I’m not a woman, I am not your “divine feminine”. An edit I wish I didn’t have to make.

Here are some of the pictures of the Minoan/Mycenaean look I did yesterday! Mind you, it's all very generalized since I haven't made any clothing studies from these time periods yet, so I had just grabbed random clothes and jewelry from my closet that I could at least pass off as the ~vibe~ . I went for a pretty simple interpretation of makeup back then and ended up not really putting a whole lot on my face before the decorative elements, just a very thin amount of white foundation, but even so I figured my skin is pretty pale as it is that if this were historical I probably would have just been fairly bare faced anyway in a similar fashion. I tried to stay pretty close to how makeup might be applied back then and not go too anachronistic, and if I did it was for photographic or artistic purposes (namely, light contouring on my nose not for any sort of like, modern feature minimization, but to make sure my own Greek ethnic features weren't flattened by lighting levels or camera perspective)

Overall this was a really fun exploration of historic culture! Seeing the finished makeup on myself kind of brought over this cultural euphoria for me, even though many things have changed since ancient Mediterranean civilizations, there's almost a feeling of sameness in exploring the history of your heritage and seeing someone who looks or feels like you in ancient art. (But also a brief little disclaimer: the Mediterranean has been an extremely diverse region for thousands of years! I'm just one way of looking and that absolutely isn't representative of all people of Greece, neither then nor now!) I want to explore more historical fashions within this realm, and next time try a more extreme version of the makeup, something that feels more on the ceremonial side than casual like this one.

[reasonsforhope]

Interior Department Announces New Guidance to Honor and Elevate Hawaiian Language

"In commemoration of Mahina ʻŌlelo Hawaiʻi, or Hawaiian Language Month, and in recognition of its unique relationship with the Native Hawaiian Community, the Department of the Interior today announced new guidance on the use of the Hawaiian language.  

A comprehensive new Departmental Manual chapter underscores the Department’s commitment to further integrating Indigenous Knowledge and cultural practices into conservation stewardship.  

“Prioritizing the preservation of the Hawaiian language and culture and elevating Indigenous Knowledge is central to the Biden-Harris administration's work to meet the unique needs of the Native Hawaiian Community,” said Secretary Deb Haaland. “As we deploy historic resources to Hawaiʻi from President Biden’s Investing in America agenda, the Interior Department is committed to ensuring our internal policies and communications use accurate language and data."  

Department bureaus and offices that engage in communication with the Native Hawaiian Community or produce documentation addressing places, resources, actions or interests in Hawaiʻi will use the new guidance on ‘ōlelo Hawaiʻi (Hawaiian language) for various identifications and references, including flora and fauna, cultural sites, geographic place names, and government units within the state.  The guidance recognizes the evolving nature of ‘ōlelo Hawaiʻi and acknowledges the absence of a single authoritative source. While the Hawaiian Dictionary (Pukui & Elbert 2003) is designated as the baseline standard for non-geographic words and place names, Department bureaus and offices are encouraged to consult other standard works, as well as the Board on Geographic Names database.  

Developed collaboratively and informed by ʻōlelo Hawaiʻi practitioners, instructors and advocates, the new guidance emerged from virtual consultation sessions and public comment in 2023 with the Native Hawaiian Community. 

The new guidance aligns with the Biden-Harris administration’s commitment to strengthening relationships with the Native Hawaiian Community through efforts such as the Kapapahuliau Climate Resilience Program and Hawaiian Forest Bird Keystone Initiative. During her trip to Hawaiʻi in June, Secretary Haaland emphasized recognizing and including Indigenous Knowledge, promoting co-stewardship, protecting sacred sites, and recommitting to meaningful and robust consultation with the Native Hawaiian Community."

-via US Department of the Interior press release, February 1, 2024

--

Note: I'm an editor so I have no idea whether this comes off like as big a deal as it potentially is. But it is potentially going to establish and massively accelerate the adoption of correctly written Native Hawaiian language, as determined by Native Hawaiians.

Basically US government communications, documentations, and "style guides" (sets of rules to follow about how to write/format/publish something, etc.) can be incredibly influential, especially for topics where there isn't much other official guidance. This rule means that all government documents that mention Hawai'i, places in Hawai'i, Hawaiian plants and animals, etc. will have to be written the way Native Hawaiians say it should be written, and the correct way of writing Hawaiian conveys a lot more information about how the words are pronounced, too, which could spread correct pronunciations more widely.

It also means that, as far as the US government is concerned, this is The Correct Way to Write the Hawaiian Language. Which, as an editor who just read the guidance document, is super important. That's because you need the 'okina (' in words) and kahakō in order to tell apart sizeable sets of different words, because Hawaiian uses so many fewer consonants, they need more of other types of different sounds.

And the US government official policy on how to write Hawaiian is exactly what editors, publishers, newspapers, and magazines are going to look at, sooner or later, because it's what style guides are looking at. Style guides are the official various sets of rules that books/publications follow; they're also incredibly detailed - the one used for almost all book publishing, for example, the Chicago Manual of Style (CMoS), is over a thousand pages long.

One of the things that CMoS does is tell you the basic rules of and what specialist further sources they think you should use for writing different languages. They have a whole chapter dedicated to this. It's not that impressive on non-European languages yet, but we're due for a new edition (the 18th) of CMoS in the next oh two to four years, probably? Actually numbering wise they'd be due for one this year, except presumably they would've announced it by now if that was the case.

I'm expecting one of the biggest revisions to the 18th edition to add much more comprehensive guidance on non-Western languages. Considering how far we've come since 2017, when the last one was released, I'll be judging the shit out of them if they do otherwise. (And CMoS actually keep with the times decently enough.)

Which means, as long as there's at least a year or two for these new rules/spellings/orthographies to establish themselves before the next edition comes out, it's likely that just about every (legit) publisher will start using the new rules/spellings/orthographies.

And of course, it would expand much further from there.

[am-i-the-asshole-official]

WIBTA for breaking up with my boyfriend because he likes my body?

TW for ED but please hear me out:

My bf (30m) and I (28f) have been together for a little over 5 years. When we got together I had an extremely stressful and physically demanding job. Shortly after our relationship started I relapsed with an eating disorder that had been a problem since prepubescence; I started restricting heavily at age 11 and had struggled with it on/off since then.

After quitting that terrible job and regaining some agency in my life, I spent a couple of years really focused on recovery. Without giving specific numbers (cause triggering) I'll say that I was extremely underweight to an unhealthy level for at least a year and experienced severe health complications because of it. I nearly died from heart problems and had a big wakeup call that caused me to change my whole life. I've done the work of recovery without medical help (history of omission with doctors) but have had support from my bf, and am currently at the highest weight of my life.

at a recent checkup my Dr talked a lot about "healthy lifestyle" and mentioned my weight gain over the past couple of years. I'm still within the "normal" range for my height and build, but the after visit summary/chart notes denoted risk of becoming overweight. Idk if my Dr would have brought it up if my history of ED was in my chart, (and I did switch primary care practices a few years ago, so they weren't treating me at my thinnest) but it still shook me a bit and I will admit to feeling very triggered.

The job I moved to is quite sedentary compared to the previous terrible one - I wfh, and very rarely have to be on my feet or do strenuous activity. In addition, I have chronic pain issues that make exercise difficult, and so historically have just restricted to maintain/lose weight because it's easier for me physically to just be hungry than to work out. I didn't want to go down that road again though because of how intense and scary it got last time.

My bf is a personal trainer and specializes in working with low ability clients and people recovering from long illness/injury. When I told him that I wanted to start exercising more often and get a good cardio routine going, he was really excited and started immediately putting together an "action plan" (what he calls it w his clients idk) for me. Then he mentioned how I'd need to add on a bunch of meal supplements and snacks to avoid losing weight and I got upset.

We're a plant-based (vegan) household and live with a roommate (bf's friend) so mostly eat/cook communal dinners and have various breakfast & lunch plans on hand, so we already eat pretty healthy and make sure to have a good balance of macro/micro in the meal plan. My intent was to eat the same but increase my activity level to get out of the danger zone without restricting. I don't generally snack and rarely eat dessert, just the 3 squares.

I told my bf that I needed to lose weight and be more active according to my doctor, and that I wasn't comfortable with having protein supplements, smoothies, and snacks in addition to regular meals because that would defeat the purpose. He got really sad and said that he likes the way my body is now, and while he supports being more active, he doesn't want the size of me to change. His exact words at some point were "you look so good now, I love the amount of you that there is and I like the way you jiggle." It kind of made me feel sick and wonder if he has like a secret size fetish or something?

So I've been thinking of breaking things off with him and moving in with a friend or back in with my parents, but idk if this is actually a red flag or just the disorder talking? He did help me a lot with recovery but if he's going to keep me from being healthy or wants me to gain even more weight then maybe it's better to leave - would this be an asshole move? I honestly don't know.

[fairyhaos]

How To Fucking Write: a guide by fairyhaos

this post details:

ENEMIES TO LOVERS

hi gays and gals! "how to fucking write" is back after a longgg hiatus ^^ this time we're discussing enemies to lovers which is, i think, a universally loved trope! please do send an ask if you have any requests for what i should write advice for next, and do reblog this post if it was helpful for you :)

# - HOW TO WRITE ENEMIES TO LOVERS.

.. bullet point one : choose your e2l

the most important thing when starting is figuring out what type of enemies to lovers you’re writing about. this is mostly semantics: lots of writers/ advice givers will tell you that there’s only one real enemies to lovers (when they’re literally enemies) but personally, i believe that “enemies” can be used as an umbrella term for loads of different relationships.

figure out what kind of “enemies” your characters are. this is by no means an extensive list, but enemies to lovers can include:

literal fighting enemies

(academic) rivals

2 people who snipe at each other a lot

betrayed(????) by one another

…and many other types.

figuring out in which way they’re enemies helps write out their dynamic, and also setting. 

for example, you’ll often see type #1 used in historical, fantasy, battle or mafia settings, where there will be two “sides”, either due to family feuds, country/ kingdom feuds, etc., so their dynamic often feels more serious and more emotionally charged due to history and/or ancestral beliefs that they’ve grown up with.

it’s often seen as the “truest” form of enemies to lovers, because the characters interact with the intention to genuinely hurt each other. this will therefore affect the way you write them, since it has to seem like there is genuine, mutual animosity between them.

example : [court of lies on ao3] — taegyu, enemies to lovers

(holy fuck this is such a bad example but) as you can see, enemies to lovers works well within historical settings, since themes of betrayal, bloodshed and battles lends itself nicely to the trope.

knowledge of how to write fight scenes can be quite useful (fightwrite.net helped a lot with writing mine), along with making sure that dialogue uses action tags that showcase the characters’ emotions. 

type #2, on the other hand, most likely takes place in universities, high schools, and sometimes in offices, where academics are important and it’s less about trying to hurt one another, and more about being royally pissed off by the other person’s presence.

there are certain nuances to how the characters interact depending on what kind of enemies to lovers situation they’re in, which is why it’s important to figure that out first.

.. bullet point two : figure out the why .

next, try to find out the why. why are they enemies? 

it is imperative that you explain their situation to the readers and make them understand why the characters are enemies, and most importantly, why they can’t get together right now. enemies to lovers often goes hand-in-hand with slow burns for exactly this reason.

are they enemies due to clashing beliefs? a certain incident that happened between them, or to someone they know? maybe it’s just repressed feelings?

for every type of enemies to lovers, and for their subsequent settings, there’s often a set list of reasons that most writers use to explain why they’re enemies. 

historical settings often have some sort of feud taking place, or a betrayal. academic rivals focus on, well, academics, but social factors of popularity are often used. and “enemies” who snipe at each other often have very superficial reasons that they dislike one another, such as a bad first meeting or a misguided impression of personality.

the reason doesn’t particularly have to be something as dark and deep as convoluted morals or someone killed someone else’s father. they still need to overcome their enemy relationship and become lovers, after all.

but having a reason helps your readers feel more comfortable that the story will go somewhere and that there truly is an obstacle that’s preventing your characters from getting together at the very beginning. and if that reason is an interesting one, then… well, all the better, i suppose.

.. bullet point three : the friends part

for a good enemies to lovers that has your readers truly invested in the story, the lovers potential has to be there too, even when they’re enemies.

the characters also have to have respect for each other, above all else. if the situation becomes dire, they need to be able to understand one another’s views and work together, or at least recognise that they share some ideas and have moments where they get along.

this will a) make the transition from enemies into lovers more natural and b) create the tension that makes e2l so popular.

the best ways to show these moments are by having scenes where the characters have no choice but to work together, and in that time, begrudgingly admit that the other person isn’t as bad as they first thought.

it could be a group project, them fighting for the same cause for once (against a corrupt/ unfair policy), having to get along briefly due to mutual friends, or any situation where they have to act amicably for once and, most importantly, learn a little about one another in the process.

okay, but yena, how can i write those scenes? what can i do to create that tension?

describe certain actions, mannerisms, and the way that they speak to each other that showcase acceptance and positive emotions. this can come in the form of:

lingering eye contact

them agreeing on something

smiles!!!! 

a pleasantly surprised inner monologue 

dialogue being more lighthearted

A doing something for B without being asked

(this is extra hard mode but) creating an inside joke

…and whilst it is a little shallow, an acknowledgement of the other person’s attractiveness always works really well, too.

example : [my other e2l taegyu fic on ao3]

as a rivals to lovers fic, their dynamic already started off more playful than in the other example i showed, but you can see that their conversation is more teasing, as they become more comfortable with talking to each other normally.

the term “enemies to lovers” always felt a little weird to me, because it’s important to remember that it’s often more like “enemies to friends to lovers”, because the characters need to develop a liking of one another first before they can think of themselves in a romantic relationship.

.. bullet point four : the oh moment

why do they become lovers in the end? 

what is the tipping point? what makes a character realise that they’ve fallen for someone they once believed to be their mortal enemy? do their feelings hit them all at once, or is it a slow build up? and what are they going to do about it?

enemies to lovers lends itself very nicely to the feelings-hit-me-like-a-truck trope and the iconic oh moment. writing the inner monologue is a good way to showcase the exact momene the penny drops. for example, i have a loose “formula” that i like to use when writing oh moments (whether they’re in e2l fics or not):

[dialogue/ action of B as A watches them]

[inner monologue of A showcasing fondness for that action]

[inner monologue of A recognising how their feelings changed over time]

[action from B that solidifies overwhelming fondness and has A surprised by their feelings]

[the oh / oh no moment as the penny drops and A realises what this means]

this is by no means the only way to write out a “feelings realisation” scene, but it works very well, because the inner monologue can use varying sentence structures and a bunch of metaphors and figurative language to build anticipation.

example [venus and sun on ao3] — seoksoo, friends to lovers

this extract essentially follows the outline i described, and seokmin’s acknowledgement of joshua as sweet refers to how he had previously known little about him, merely referring to him as “nice” before their relationship gradually built up to that moment.

for a really effective oh moment, the characters need to have a chance to reflect on how their relationship has developed. they need to be able to notice their growth and draw their own conclusion from there.

.. bullet point five : be careful . 

finally, some precautions.

with enemies to lovers, the whole attraction is the tension between the characters, the original animosity that is actually hiding their repressed feelings. but they still have to fall in love at the end, despite what they put each other through.

do not make them do something that they can’t take back.

this is quite important with enemies that physically fight each other. giving near-fatal injuries, or paralysing or physically disabling them (again, fightwrite.net is useful in giving info in this) is definitely not good lover-material. 

unless the injuries were given when the character was (maybe magically) influenced by someone else, or your characters are traumatised enough to be able to accept each other despite everything, then it’s a good idea to stay away from severe injuries that they inflict on the other and focus more on tense dialogue and opposing beliefs.

however, it’s still equally as important to be careful with emotional hurt that characters cause one another too. don’t make a betrayal too unforgivable. 

as a writer, you have to be empathetic: think from your character’s point of view. constantly ask yourself if character A will be able to forgive character B if they do something. ask if they can still fall in love with character B if they hurt them in some way.

if they can’t, then you know you’ve gone too far, and you need to dial it back.

and as a somewhat obvious but still just as important sidenote: e2l based on stockholm syndrome (captor x captive situations) or bullying to lovers is never okay. the power imbalance along with the trauma that can be developed from that means that it is not a healthy, viable, good relationship in the slightest.

never have your characters do something that you’d feel uncomfortable being the receiving end of. they’re meant to be lovers, remember? even when they’re not there yet, the characters should still treat each other with respect.

…unless, of course, you’re looking to write a somewhat toxic/ unhealthy relationship. in which case, by all means.

... and that's it ! if anyone has anything else to askt hen just shoot me ask, because i'd love to help however i can :)

taglist (send ask to be added!): @mesanthropi @stqrrgirle @weird-bookworm @blue-jisungs @eternalgyu @yumilovesloona @lvlystars @luvjoshuahong @kikohao @maesvtr0 @cxffecoupx @bleepbloopbeee