#and there have been plenty of cast changes and new productions for stuff I already like!

[annabelle--cane]

uh oh gang I miss musicals

[parachutingkitten]

Y'all suck at dissecting Kai's character, so I guess I have to do it.

And I'm not even a Kai stan. He's a bottom tier ninja for me, which I guess means you can trust me, cuz I'm not biased, but also why am I the one doing this? I don't know about y'all, but recently on my dash, the method by which Kai fans try to make him sound good is... saying the writers hate him, ignore him, and that he isn't written well? Which... I mean there is a little bit of truth to, but like yikes guys, is this the best you got? Kai is a wonderful character with plenty of attention from the writers, a meaningful piece of the cast when put in secondary rolls, fairly consistent character writing with actual progression and valuable qualities that help the team without having to be the smart one- despite what some posts might tell you.

Let's get one thing cleared up: Ninjago isn't the best written show. By high level Hollywood standards, most the character arcs are kinda weak or too heavy handed, character consistency can be iffy, and most things serve the plot rather than the characters. There is no character you can point to and say "wow, this character is written so well! No complaints!" Nya and Jay were butchered by their weird love plot, Cole's one season doesn't actually give him an arc, Zane's been nothing but the robot numbers guy for like 10 seasons now, and Lloyd seems to be incapable of doing anything but relive the same one piece of dad angst for depth. Sorry, it's true. All the characters suck when you look at it from a large scale writing perspective. So when I say Kai is well written, I mean by ninjago kids show standards- cuz that's the scale we're working on. No, you couldn't drop Kai into a well written drama, but as far as ninjago goes... he's got a lot going for him, and by no means is he the biggest victim of poor writing.

(fair warning, wall of text below)

The title is a bit disingenuous. There are plenty of good Kai character break downs. What I am presenting here is a more positive perspective. On the whole, I will tend to give the writers the benefit of the doubt, and credit for what they do right writing is hard guys. That's what I'm doing here. I don't see much sense in getting mad the writers on behalf of Kai, or any other character. Ninjago is a simplistic ensemble show that works because of the identifiable simplicity of its main characters with some deeper layers hidden underneath if you keep watching. They've given us a damn good show with some damn enjoyable characters, so here are some criticisms I feel are a little flawed:

First, let's get the 'focus' thing out of the way. Apparently there are people saying Kai doesn't have a season yet? Which... what? I mean, I get that the pilots aren't a full season, the first two seasons, though he is the central protagonist, aren't "Kai seasons" as we've come to define ninja focus seasons, season 7, though he gets majority focus, he shares with his sister. But like... did y'all just forget about season 4? You know, the season where he had the title card, was on the box sets, got the love interest, and the majority of the A-plot? not to mention it's the best season don't @ me Like... if season 4 isn't a Kai season, I can make a damn good argument that season 3 isn't a Zane season, and I doubt anyone wants to go down that rabbit hole. I really can't wrap my head around this one. And I get that the fandom hates season 11 for some reason, but like you can't just pretend it doesn't exist. Kai has a consistent arc across 30 episodes in which he takes his powers for granted, loses them, and learns that, not only does he have value within the team without them, but that his element is intrinsically a part of him that he reclaims, bringing them back more powerful than ever, and with new respect for them. That's one of the most solid arcs in the whole series- the location is even thematically connected to his element. That's some good stuff right there! (Quick plug for season 11 if you haven't watched it in a while. Give it a rewatch, you might be pleasantly surprised)

Not to mention the writers give him fun side stuff all the time. Lots of fears of tech and water to overcome, a deep protective streak with Lloyd, becoming a chancellor, having a true potential actually relevant to the plot as a whole, blacksmith responsibilities, befriending dragons, hanging out with his dad. Not to mention actual focus stuff we haven't talked about yet, like his whole "my dad is evil" phase, and his "I might be evil" phase with him and Skylor. And on top of that, even when he doesn't have an explicit side plot, he's always just a fun and dynamic side character to make jokes or give exposition.

Now, into character stuff. Let's start with Kai's hot headed-ness. Some people say he's been loosing this quality, and I will admit, that's true! But those that claim this makes him inconsistent... I strongly disagree. In early seasons, Kai's temper would lead him to snap at his friends or make stupid decisions that set the team back (see episode 2 Zane freak out)- these are bad things. These are character flaws, yes? Now, in newer seasons, people say that he's inconsistent, cuz sometimes he'll be hot headed, and sometimes he won't. I'd say, this is exactly how being hot headed... works? It flares up without warning, and as an individual gets control of it, it'll pop up less and less often because they're channeling it into productive things - like say directing the anger towards an enemy (see season 11 end freak out). Kai has gained control of a character flaw, and though it still pops up on occasion, the fact that it's a once in a while kind of thing speaks to his growth. I have a little brother who has this exact personality, and watching him grow up, I can tell you, this is how it is. He used to snap all the time, and he still does sometimes, but much less frequently, because he's a more mature person with better control of his emotions. This is a good thing. This is overcoming personal flaws. This is progression we're seeing.

And while you're hyper focused on this one aspect of him, things like his cocky confidence haven't changed a bit. I mean, that season 3 bit between him and Pixal, and his season 11 "fire maker" streak have the exact same energy. You can not convince me otherwise.

Another adjacent quality that hasn't been dampened is Kai's impulsiveness. This can be a good quality of his, he'll get into a fight without thinking, getting the jump on the enemy. Good stuff. But, this has become such a well defined trait of Kai's that it has been used in a comedic capacity. This is what happens when a character is extremely consistent to the extent that both the audience and the characters in universe would be able to predict their actions. Kai's impulsivity used to be a more serious quality that put himself and others at risk, and was a big power move whenever he did something rash, but it's become such a staple of the show that it's now being used for comedy. That isn't Kai's impulsivity going away, that's Kai's impulsivity being recontextualized for the sake of the show. The season 9 "Who's stupid enough to jump on that thing" isn't a joke at the expense of Kai just for being dumb, it's a joke at Kai's being so predictably impulsive that everyone already knows he'll be the one to put himself in an insane amount of danger without thinking twice (you know, something stupid that might get him killed). But because in this instance, the danger is warranted, this is bravery. It's a complement to his character- it's what ends up defeating the colossus. Why are some people so bothered by this joke?

Oh right, cuz for some reason people want to peg Kai as the smart one? Look, Kai isn't stupid, none of the ninja are. All of them have smart moments (all of them have dumb ones too) and Kai can certainly handle himself, but "smart" is definitely not one of his defining characteristics- I think some people are confusing smart for his actual strength. Connected to his impulsivity, Kai has very good simplistic instincts. He sees the big picture and looks at the most surface level solution- which when the situation calls for it, that does indeed make him smart. But the same logic that led him to think "This snake has a glowing target on its head, lets hit it" also led him to think "I'm in a video game, therefore I am immortal." Are you really going to look at me and say he figured out Lloyd was the green ninja through logical deduction and a careful consideration of the facts? No. He had a gut feeling, and he trusted it. Instincts- instincts paired with his impulsive following of said instincts is what leads him to solve problems- and sometimes, that can be extremely effective. This goes for other ninja too. Jay isn't the smartest ninja- I would really only classify Zane and Nya as having intelligence define them (hence their ship name). But Jay is extremely creative and crafty. He also knows his was around mechanics, and as such, this will lead him to come up with creative tech based solutions which are smart. But, idk about you, if I had to point to another ninja as being 'dumb' it would 100% be Jay. Kai is a lot of things. He's passionate and determined and confident and persistent. He's a good improvisor, he's powerful and he's charming! These are all wonderful qualities, he doesn't also have to be the smart one. I am the worlds biggest Pixal stan, and she's a smart, sassy, powerful character, but I'm not gonna sit here and tell you she's also hilarious and adaptable and strong willed. She's a straight man to all the ninja's antics, extremely tied to her samurai x suit, and lets people push her around all the time. That doesn't mean she can't be funny, or self interested, but when she does act these ways, it stems from her other more prominent qualities. That make sense?

And while we're clearing up what Kai isn't, please stop characterizing Kai as an overly protective brother - especially romantically. The only two times he's been romantically protective to Nya are in Wu's Teas which I mean, come on and in the pilots when Jay is literally a stranger. For crying out loud, by the end of the pilot, he's smiling when Jay and Nya hug. That's not overly protective, that's just normal, any reasonable person would react this way, protective. And it's such a great stereotype break for a kids show like ninjago, having an older brother who actually trusts his younger sister to be her own independent person who can make her own decisions. I mean, I guess it's fine if you HC differently but like... idk, I don't buy it.

Now, is there still room to criticize the writers? Yes. Hell yes. But not to an extent greater than any other character. Could he have had more of a defined reaction to events of the most recent season that I won't name for the sake of spoilers? Yes. But could Zane have reacted for more than .5 seconds at being an evil war lord for apparently 60 years? Yeah. Has Kai taken a back seat in the past 4 seasons? Yeah. But so has Lloyd- and he's literally the main character of the show. Not to mention two of those seasons have gone to people who had to wait over ten seasons to get one to themselves, and one of them is a 40 minute special. Kai's doing just fine.

Anyway. Kai is great. He's a fun, stereotype breaking, impulsively driven, ball of energy and confidence who gets a good amount of screen time and some fun side plots.

One last thing to clear up: no hate to anyone. This isn't targeted at anyone specific, this post has been a long time coming, I've just seen some weird overblown claims on various platforms over the past few months and I finally sat down to write about it.

I like the Kai content we have. After all, if the writers were really that bad at writing him, then no one would like him.

Wow this was so much longer than I thought it would be. Um... if you have other long winded rants you'd like to see from me... let me know I guess?

[arcadejohn127-9]

How would the demon brothers [+ undatebles if you can no biggie tho if not] be with an MC who is plus sized and is super insecure about it? Like they try to get skinnier but can't and they get upset about it or get teased by other demons for being bigger. Side note: your writings are INCREDIBLE. Just like you 🤗💜🎆⭐

Thank you for the request and the compliment! You're too kind!

Oof weight lose and being bullied for my size is something I know abit too well, I always feel sad when I see plus sized people Insecure about their weight

I'm all for people wanting to lose weight to be healthy or just wanting change but when it stems from self hated and an unhealthy mindset - I just can't stand it

Demon brother's with a plus sized MC who's insecure

Warning: angst with fluff

Lucifer:

He isn't a man who's to shy away from being rude and blunt to people

He wouldn't date someone for pity or lie

When he learned you were trying to loose weight

He and the other brothers all treated it how Asmo's diets go, he tries and fails and everyone makes no real effort to not tempt him with food

When he found you crying in your bedroom however

"What's the matter? You're crying, what has upset you?"

"You." Was all you said, trying to calm yourself

He, of course, wanted to know what he did

He kept pestering you until you finally snapped at him

"You're treating my wants like it's a joke! I want to lose weight and none of you are being supportive of it! Why can't you just let me do something for myself?!"

He was taken back

He sat beside you, taking your hand in his

"Why do you want to lose weight? This plan has come rather unexpectedly."

"Because I'm too big! Everyone thinks so! No matter what I do all nothing works! Don't you think I'm ugly?"

"Since when did being big equate to being ugly? Are your height makes you ugly?"

"my height...? What does that-"

"Weight isn't something we can always change like our height, some people just can't change their physical appearance, it can only happen naturally and even then it may be a small amount gained or lost."

"I think I get what you mean."

"I hate admiting this but- I'm not good at this kind of thing but I think you look wonderful, if you really wish to go on a diet I'll support you but it needs to come from a healthy and non destructive mindset."

He poked. your forehead before kissing your hand

Mammon:

"Mammon? Don't you get embarassed when you're out with me."

"You are pretty embarassing sometimes."

He wasn't pay too much attention, not catching up on your tone

"Oh.....I see....maybe I shouldn't come out with you tonight."

You already didn't want to go out, the outfit Mammon got you - whilst it looked expensive - was tight on you

"HUH?! now what's this all about? You trying to quit on the great mammon?!"

"Well- I'm much bigger than the demons you hang around with, aren't you ashamed? They're way more attractive than-"

He rushed to your side, gripping your arms

"Don't even finish that sentence, ya hear?! Who told you - you didn't look fucking fantastic?! No one talks to my baby like that!"

"But it's true-"

"I swear on Goldie that isn't true! You are the most stunning jewel I've seen, I'm so lucky to be with someone that looks like you! You're personality is already top notch - your body is like a shiny bonus I don't think I deserve!"

He pulled you into a hug, holding you like you were the most valuable thing to him

"You're gorgeous, just tell me who's been bullying you and I'll make sure they know their place, I never want you to feel like that."

Levithan:

Levi was showing off this cast of anime style chatacters from the game he was playing

All of them were so thin and muscular

Everyone had the perfect curve and ideal bodies

"We should cosplay these characters! Don't worry, you don't need to know everything about them - I think you'd really pull off this one, you two already have the same personality."

You looked down at yourself and then back at the Character

You frowned, clutching your stomach

"Really....? But they're so- well look at me!"

He looked at you, raising a brow as he tried to find what you were getting at

"They're a warrior who saved the universe with a knife, it's not supposed to be realistic-"

"I'm talking about my shape, levithan! I'm fat! I'm disgusting! They're built like a god!"

"YOU'RE built like a god! There's plenty of Gods from your worlds stories that are shaped like you! What's the issue?"

"you didn't even deny I was disgusting, those demons were right-"

"What demons?! Are you seriously letting some normies tell you you're gross? What do they know? I'm the luckiest demon alive to be with you and those demons can choke on salt water - you point them out and I'll get my army on them!"

"you really think that? You wouldn't like more if I looked more like your smile chatacters?"

"Media is based of toxic media where they focus on only one type of beauty standard, it's a problem within the game world that they don't add plus sized chatacters."

"i- yeah I guess so....I didn't expect you to really care about that."

"of course I care!"

You both sat in silence, you were processing his words and leaned against his shoulder

"Do you still want to cosplay together?"

You paused before nodding

You both went through the game he's playing, whenever the overly vain chatacter came out levithan would argue with them

Claiming you to be the most gorgeous being in the world not them

Satan:

"I heard some rumours today, have demons been bothering you about your weight?"

You froze as Satan closed his book, shifting in the seat

You stepped back, avoiding eye contact, regretting coming to your room instead of helping mammon with some silly plan

"No...there's been no issue."

"Oh? Then why is there laxatives and diet guides in your school bag? You know I don't like it when you lie to me especially if it means you could be putting your body at risk."

You noticed your bag beside his feet

You immediately grew frustrated as you knew you were being called out

"Why did you go through my bag?! That's my own bussiness-"

"you said I could get my textbooks back, I found them in your bag - I'm sorry I went through your stuff but this isn't fine! You're going to force your body to push itself unnaturally."

"I just- i just want to get thinner, no matter how many times I try it doesn't work! I'm tired of seeing myself in the mirror and people telling me that you don't actually love me-"

"Some people just don't have it easy when it comes to weight lose, going on a diet isn't the best - I can go on cooking duty more often and make sure you have healthier meals."

He was at your side now, stroking your face

"Do you love me....? Truely?"

"of course I do, I've never loved anyone as much as I love you - you make me feel things I never thought i would, your size is the last of my concerns, I'm just scared you're going to hurt yourself."

You nodded, tearing up as you let him hold you closer

You tried to apologize but he silenced you, telling you that your emotions are valid

Asmodeus:

"Darling~! Let's take a bath together, I just got a new bath bomb and some soaps!"

He shook the mini basket filled with bath product's

"really...? Are you sure you want to do that, I'm not sure, I feel really bloated today-"

You were desperate to avoid getting naked Infront of him

Every once and a while he would ask to take a bath together, he respects your discomfort but wants to keep the offer open

"Oh, that's no issue~ we can have some tea Barbatos gave me, it's great for bloating!"

"why do you wanna see me naked so much? I'm not anything to see - wouldn't you be uncomfortable?"

"Uncomfortable? Why would I feel that?"

"In not the smallest person around-"

"Means you got more to love! I love your body!"

"But you're so gorgeous and slender, why would you ever love my body?"

He couldn't understand your feelings; confused on how you could see yourself in a negative light

"because I love you more than myself, I'm still the most special demon around but you're just something else, something I could never stop adoring!"

Beezlebub:

"Do you want to go eat with me? hell's kitchen is having a party."

Beel peered into your room, showing the hell's kitchen site

"I'm not sure about that, I've been trying to cut down on my eating."

"what? Why? Are you sick?"

He immediately got concerned, shuffling over to you

He placed the back of his hand on your forehead

"No- I'm not sick, I just think I should loose some weight."

"oh....then you can still go eat with me, I'll just eat more of your portions."

"you don't have any issue with me losing weight?"

Your insecurities started to chew at you

You weren't really sure what you wanted; you wanted him to be cruel and straight forward about hating your body

It would make your feelings feel more grounded

But you couldn't bare it if he didn't like your body

"It's your choice - should I be concerned?"

"no way! It would be for the best anyway, right? Atleast then I'll look better-"

"What does your weight have you to do with your looks? I think you look fine."

"you don't think I'm too big? Wouldn't you prefer someone more petite? I know you like small things-"

"I like you, I don't see any issue with your body."

It did feel a little ridiculous to think the avatar of gluttony would be bothered by your size but you still couldn't help but feel worried

He suddenly picked you up, kissing your cheek

"I can hold you in my arms just fine, your size will never stop me from liking you, I think you're beautiful."

Belphegor:

He was laying on your thigh's, watching a video comp of people falling over and getting hurt

"Should I loose weight?"

His phone was suddenly dropped on his stomach, staring up at with you surprise

"Why do you ask? Besides, it's not my decision to make - it's your body."

"yeah but wouldn't you prefer it if I was, ya know, thinner?"

He looked at you as if you just said something stupid

Adjusting his position snuggled against your thigh's

"Why would I prefer that? You wouldn't be as comfy."

"is that all you care about? If I'm comfy? Would you be upset if I did lose weight?"

"No, because I love cuddling you so I don't care about your size but I like you the way you are."

"it can't be that simple, there's no way you just like me when I look like this."

"I'm not sure why you're thinking of it like it's complicated maths, I like you- no I love you and very happy with the way you are."

You wanted to argue, trying to find a way to figure out how he's wrong

But you couldn't

"You're my favourite person in this house - don't tell Beel - I wouldn't trade you for the world."

[goblins-riddles-or-frocks]

Do you feel like the Crows were adapted well because I personally feel that while Nina and Matthias were fine, even great, the other Crows were done a disservice. Their introductions were changed to be a lot less memorable imo, Kaz was an idiot for not expecting Pekka Rollins to return the blow (I mean, come on! Book Kaz would never), their storylines in this season will take away some of the build-up and/or development of their stories from the books later on and the very fact that they got mixed up with the Alina story was not entirely smart imo. The chances that they would succeed in their mission were small, the screenwriters missed their chance to add a lot of depth to Inej's character considering her backstory and the fact that she is now tasked with kidnapping a person (and she wasn't nearly scared enough of Tante Heleen even though she is still her property while in the books she is terrified of her after years of not being in her grasp anymore) and the fact that there is another way to cross the Fold that is allegedly safer and the Darkling knows of? Wow, what a plot hole. Jesper's addiction to gambling was also treated a lot more as a plot device rather than part of his journey as a character. Personally, I don't like how they were adapted. They had a couple of good scenes but they felt pretty lackluster and not nearly complex and fleshed out enough considering how much screen time was spent on them. At one point I was almost feeling like the show runners wanted to make the show about them actually and yet... Their characterization seems subtly but profoundly misdirected.

So this is literal months after the show’s release but I wanted to rewatch to figure out my thoughts before I responded. But my boyfriend wanted to watch it with me, but he also doesn’t really binge lol so it took awhile 😂

But yeah I agree the crows were overall adapted fairly poorly. The biggest problem for me was that their plot went essentially nowhere. It was just one long easter egg for book fans as a cash grab because SoC just has the larger and more vocal audience.

I understand the choice to adapt it all in a single TV show, and to include them all in the first season from a practical stand point: negotiating screen adaptations is difficult, just because the one project happened, it’s no real guarantee that a second series would actually make it through production hell and not fizzle out like plenty of other announced TV/movie adaptations; and early cancellations are fairly frequent, so there’s also no guarantee that a linear adaptation would stick around long enough for the Crows to be introduced.

So consolidating the IP and the fan bases makes sense, but artistically it just didn’t really work. Their entire plotline was just #hijinks. They didn’t really have any character development of their own. And while the main plotline was already really poorly paced, the occasional segue into a random *completely stagnant* plot just weighed it down even more. Like I wish they actually had something to do, or that we’d simply gotten their canon backstories, or a nonlinear glimpse into the future with the Ice Court heist. Just literally anything beyond the weird improv game style plotting we got with zero real development. Or like ideally the screen time could’ve been used to…god forbid… actually flesh out the world building and to give us a better glimpse of Ravka and how things works, maybe some court intrigue or anything else. (Give us back Genya’s scenes 😭😭)

I don’t know it was just a very poor use of screen time. And I’m just personally not as invested in the Crows without the intricate plot to bolster them, so I was pretty meh about their presence.

I did like the brief moments of characterization we did get, and seeing the main trio’s dynamic before anyone else joins up. Kit Young managed to somehow carry the entire show despite the script practically giving him nothing. His performance was fantastic and just like… the sheer personal charisma it takes to be that charming with so little help from the writing. I’m generally happy with the casting choices, they were all fun. It was just the writing team that really didn’t show up for them.

And yeah the “kidnap the sun summoner” plot was just… not a great idea imo. It makes sense for how to centralize the main goal and have them be relevant (unlike Nina just off having her random separate adventures lol) but just… it obviously wasn’t going to be successful. Even for an audience that hadn’t read the books, Alina was clearly framed as the main character. And the Crows heist plotline was handled with a sort of… humor I guess? where it’s absolutely clear from the first few episodes that they are not going to actually kidnap her and get the money. So with an impossible plot, you’d think they’d focus on character work instead, right? And yet!

Like you said, that could’ve been an excellent time to get into Inej’s head and flesh her out, give her moral dilemmas, etc. And just establishing where they are as people and giving them depth and things to emotionally overcome. But I feel like they were just deliberately held in limbo, probably because the writers were trying to preserve all their arcs for the SoC era in the plotline. (FWIW the random human smuggling train didn’t bother me as much. It established the steampunky adventure vibes Nikolai brings in later, and like crossing the fold isn’t impossible in the books either. It’s just extremely dangerous, which I think the show did address at all. Having completely secure borders isn’t really realistic in any sort of setting)

I’m really curious to see what they do with season two though. A lot of people have been talking about the Ice Court heist being introduced but that’s still not exactly chronologically a thing that happens yet? I don’t really…like… this writing team’s take on completely new content. I think they spin existing stuff in cool ways, but none of the wholesale new stuff completely worked for me. So I’m not even sure what I’d prefer here lol.

[athingthatwantsvirginia]

How Kurt Cobain

PART TWENTY-SEVEN OF THE DO YOU SEE HER FACE? SERIES

Pairing: Jess Mariano x Original Character (Ella Stevens)

Warnings: drinking, anxiety about future, plentiful pop culture references, this is the product of intense writer’s block so who knows its quality honestly 

Word Count: 4.3K

Summary: Ella takes a morning walk through Philly. Then, she takes Jess to Lane’s wedding.

Tangled beneath the sheets, Ella awoke with the sunlight streaming through Jess’s window and into her closed eyes. She squinted as she cleared her throat and shifted to find Jess’s side of the bed empty. Furrowing her brows, she raked a hand through her messy hair and sat up against the green wall, Nietzche’s eyes looking over her almost comically. Still, she found no Jess in the room, though the door was slightly ajar. The smell of coffee drifted in from the kitchen. She worried frantically if she had missed her interview with the Dean.

“Jess?” she called.

After only a moment, he waltzed in with the paper in one hand and a mug in the other. He smirked when he saw the scowl on her face. Yet another thing he could count on never changing. Ella Stevens was not a morning person. “Yeah?”

“What the hell? Why didn’t you wake me?” she demanded, rubbing at her eyes with both hands.

Jess snickered. “Like it’s so easy. I tried. You told me to fuck off.”

“I did not.”

“Oh, but you did. Twice.”

Groaning slightly, she shook her head at herself. “Sorry.”

“No problem. I’m used to the colorful vocabulary by now,” he shrugged, taking a long sip of his black coffee.

She rushed over to her bag, convinced of her tardiness.

“Woah, where’s the fire?” Jess asked.

“What time is it?”

“Relax. It’s only nine. Your interview isn’t until eleven, right?’ he asked, smug smirk ever-present.

Blowing out a small breath, she nodded. “Yeah. Jesus. I thought it was noon.”

“Why?”

“That’s usually how late I sleep when I forget to set an alarm,” she said, running her fingers through her hair again.

He chuckled. “Well, you’ve got a while. I had to get up to let the poet guy in. There’s donuts in the kitchen. Campus is only a few blocks away. I can walk you there later, if you want.”

Biting the inside of her cheek, she tried to fight the smile which threatened to cross her face. “I don’t need an escort, Mariano.”

“Oh, right. I forgot you know exactly how to get there from here,” he said, feigning understanding.

She rolled her eyes. “I brought a map.”

“That’s cute,” he teased.

“Fuck you.”

“It’s not the twentieth century anymore. Just let me walk you, Stevens.”

“Okay, fine,” she conceded, finally letting herself break into a little grin.

.   .   .

Cloudy light shone through the overcast sky in gray tones, but the air was light. Philadelphia was not due for rain. Ella breathed in the city as they strolled down the sidewalk. It was a little grimy, but so alive. The pulse of the noise and the people made her feel excited, inspired. She would have to draw something of it as soon as she got a moment. Jess had his hands shoved in his pockets, stealing occasional glances at Ella. He saw the same wonder in her eyes that he had when she’d come to visit him in New York all those years ago. A pleasant warmth radiated throughout him, and for just a little while he stopped wondering where they stood with each other, what would happen, about the words they still needed to speak.

She fiddled with the thin strap of her watch as she walked along. “Do you like Philly better than New York?”

He perked his head up as she suddenly broke the silence between them. “Oh yeah. Less people. Better art scene.”

“Really?”

“Definitely. And it also helps that my mom doesn’t live here.”

“Ah,” Ella replied knowingly, nodding slightly. “So, you guys haven’t talked much since the wedding, I take it?”

“Every now and again,” he shrugged.

They turned down a road lined with coffee shops and bookstores. Ella could tell it was a backwards way of getting to campus, but expected nothing less of Jess. It made her want to smile. The more she saw of the city, the more she could tell he belonged. Finally, he had a place where he fit.

“She did call me when April showed up, though,” Jess continued casually.

Ella uttered a small laugh. “Yeah. That was...straight outta left field. She’s a good kid, though. Can recite the whole periodic table in like sixty seconds. She kinda reminds me of my brother.”

“Adam?” Jess asked.

Ella nodded, the warm breeze blowing her bangs back from her face. Her hair was in a low bun, and she was dressed in the same clothes as the day before. Most of her wardrobe wasn’t the most professional. And straight-laced clothes, she thought, were an important balance for her visible tattoos.

“How’s he doin’?”

She shrugged, smiling lightly. “He’s good. Almost done with his junior year. He’s applying to all those big schools. MIT is his top choice, I think.”

“Jeez. Another valedictorian in the family?”

“Maybe. He might get a full ride, especially since…” she paused, biting at the inside of her cheek. Looking over at Jess, she saw his curious expression. He seemed more open than he ever had, comfortable in his own skin. When she continued, her tone was firmer, more direct. “Well, my dad left to live with my uncle in Baltimore a few months ago. It’s just Adam and Fiona back in the house. He’ll get lots of financial aid points for having a single step-parent.”

“Oh, that’s…”

“Yeah. But, I think everyone’s better off,” she said, averting her gaze from him. Again, Jess thought he saw her try and grab for a necklace, but instead she reached up to tug gently at one of her small earrings. “Once the baby thing didn’t work out with Fiona, my dad started drinking more and...I think he realized he’d never...losing my mom. He’s never gonna be the same. Adam’s doing well, though. And Fiona’s doing better. It’s better.”

He hummed in acknowledgement, appraising her with a careful eye. “I’m glad, then.”

“Me too.” She cast him a tiny, reassured smile. “Sorry. That’s heavy stuff and it’s not even afternoon.”

“Nothing for you to be sorry over,” he replied.

Rushing over a crowded crosswalk as the seconds blinked off the timer, Jess took her hand to lead her. She wouldn’t be late, but he could tell she was anxious to get where she needed to be. “We’re almost there.”

He thought for a moment about disentangling their fingers, but she gave his hand a squeeze instead. His heart glowed with nostalgia and hope. The noise around them seemed like music. Cherry trees, which dotted campus, were blooming and they stepped over the petals beneath their feet. Hardly thinking, Jess ran a thumb over the smooth skin of the back of her hand. Her smile grew.

They were approaching the brick building which held the dean of the art school’s office. Students whizzed past them with backpacks and frantic looks. A sense of surrealism dawned on Ella. She was going to end up at an Ivy League, after all. Just a little later than she had once hoped she would. The air smelled clean and damp with spring.

“So,” Jess began, coming to a stop a few feet from the walkway which led to the double doors, “after this, you’re all set?”

“Guess so,” she said, slightly breathless with the moment.

He hummed, looking around him. “Y’know, this morning, I was thinking-”

“That’s a bad sign,” Ella interjected.

Jess rolled his eyes. “Age has not helped your stand-up material, Stevens.”

“I disagree,” she said shortly. “Please, continue.”

He sighed heavily, separating their fingers and running a hand over his mouth. “Well, you don’t have a place to live here yet, right?”

“Not yet.”

“I was thinking maybe you’d want to come live with us. Above Truncheon,” he said, spitting out the words as fast as he could.

Ella’s eyebrows shot up in surprise. “Really?”

Jess nodded shyly. “My bed’s big enough. And I don’t have that much stuff; there’s room for you. Chris already loves you. I’m sure Matthew wouldn’t mind either. And your sketches are down in the main room anyway. We could put a price on them and...only if you want to. I know it’s a lot to process, so you don’t need to answer right now or anything.”

Her eyes were calculating as she gathered her thoughts. “Just so I’m clear...you want us to get back together. And you want us to live together in your apartment. With Matthew and Chris. Above Truncheon.”

“Yes,” Jess confirmed, tone growing more confident, though his heart was beating painfully against his ribs.

“Are you sure? I mean...we haven’t seen each other in two years. Maybe time has corrupted me,” she said, voice serious despite her weak joke.

Again, he sighed. “I think we were both pretty corrupted to begin with-”

“How Kurt Cobain of you.”

“And I don’t care how long it’s been. We’ve got a lot to make up for. I feel like I’ve been waiting for you forever. And I’m tired of waiting. I’m ready to try again. Really try, this time. But only if you are. Only if you want this too,” he said.

A familiar nausea rose in his throat, and his hands began to shake. The only other time he’d taken such a leap of faith, it hadn’t gone over well. But everything was different. He was settled, with a steady income. She had graduated, and was finally embracing her dreams. His foolish hope persisted, even still. When he’d woken up next to her again, in a bed which he’d bought himself, and eaten breakfast with her, read morning papers with her, he could think of nothing he wanted more. Communication, he reminded himself. Open and honest communication. Even if he still wanted to roll his eyes at just the thought of Luke’s self-help nonsense.

“And,” he continued, when she hadn’t said a word, was only turning thoughts over in her head silently, “you don’t have to say anything now. I...dammit. I should’ve done this after your interview. I just got caught up after yesterday and this morning. I wasn’t sure if I’d see you later and...I didn’t mean to freak you out. I’m sorry. Really, you don’t have to say anything-”

“Jess,” she interrupted, finally locking eyes with him again. “Just shut up for a second.”

“Okay.”

After chewing on her thumb nail for a moment, she blew a breath out through her nose with finality. “Can I get cactuses again? There was no place for them at Lane’s. And, Jesus, you guys have got to organize your living room. I mean, the kitchen and your bedroom are okay. But I have no idea how you guys even find anything. The piles of paperwork on the table are, like, seven feet high.”

A slow grin formed on Jess’s face, and the worry began to clear from his brown eyes. “You can do whatever you want, Stevens.”

“Truer words never spoken,” she agreed earnestly. “You better make room for my fucking records then, too. They’ve been living in my car for way too long.”

Jess chuckled, nodding slightly. His eyes lingered on her lips. “I was thinking about kissing you, just now. Is that okay?”

Ella thought her heart would melt at his words. “Go for it, Mariano.”

Jess brought his hands to her waist and kissed her. For the first time in years. Ella smiled into it, pressed against him. It tasted sugary-sweet, from the donuts they’d eaten. Her fingers tangled into his hair, longer and less greasy than she remembered. But it felt much the same. A tingly joy began in her stomach and then spread throughout her body, new and old and welcome and perfect.

.   .   .

Of all the people not to be at Lane’s wedding, Ella did not expect Luke to miss it. For some reason, he was still out of town for April’s field trip. Not that it was any of her business, but she couldn’t help be slightly irritated at his absence. However, she wasn’t entirely alone. Though Lane and the other people in her life weren’t exactly sold on him, Ella had taken a shot in the dark and invited Jess. At Mrs. Kim’s millionth reference to her loneliness, her lack of a date, Ella had finally let it slip to Lane. She had seen Jess again. They were talking on the phone every single night. She was set to move in with him in a week. And, soon, she was calling him up. Hearing the surprised tone of his voice, his apprehension to come back to town. But, honestly, he’d caved a little quicker than she thought he would. All it had taken was her offering to try Hemingway again. And Kerouac. She knew she was going to absolutely loathe the latter, but it would be worth it.

As the ceremony ended, most of Lane’s family, including her mother, left the gathering in town square. None of them were eager to party with the townies. Kirk revealed the white food truck parked on the street opposite the gazebo to actually be the bar. He was exploring business ownership, and Yummy Bartenders was his most recent endeavor. Lorelai, without Luke and somehow having ended up with Rory’s father, Christopher, as her date, flocked straight to the alcohol. It made Ella snort a laugh, but inside, it made her heart ache. Luke and Lorelai had taken so long to get together. And now, things were headed nowhere good. A hot, dry sunlight shone down on them in yellow tones, and soon the sky would darken. Everyone’s mood had changed as soon as they left the church. Lorelai ripped off the bottom half of Lane’s dress, revealing her calves joyfully. Standing beside Ella, Rory let out a hoot of excitement and rushed over to the new bride. Snickering, Ella took the long pin from her low bun and let her blonde waves loose down her back.

Jess tucked her hair behind her ear gently as they both took a moment to breathe. The church had been stuffy and hot, filled to the brim with people. The air was no cooler, but at least there was a wide open space to mingle in. Grabbing his hand, Ella ventured a glance at Jess. As soon as his rusty Ambassador had rolled into town three hours earlier, she could sense how anxious he was. Maybe just being in Stars Hollow made him uncomfortable, or maybe it gave him too many flashbacks to his own mother’s wedding.

“You okay? I have the key to the diner, if you wanna go. I called Luke earlier and he said we could stay in the apartment. I’ll be up there later,” she said, tone apologetic.

Jess shook his head. “No. I’m fine. Just don’t know where we should sit.”

“Next to Miss Patty?” she asked. The dance teacher had noticed her across the way, and Ella waved back at her.

“She’ll eat me alive,” Jess sighed. “What about with Rory and Lorelai?”

Narrowing her eyes, Ella considered it. Then, she bit the inside of her cheek for a moment. “I don’t know. I haven’t been so close with them recently. And I don’t know if I wanna get in the middle of the happy family back together.”

“Fair enough,” Jess agreed. “Alright. Miss Patty and Babette, then. But I’m counting on your protection.”

Her grin grew wicked. “Don’t worry, honey. I’m your knight in shining polyester.”

.   .   .

Hep Alien was on fire, despite the wasted state of every single band member. Balmy breezes blew and Ella’s flushed skin was finally beginning to cool down. The night was dark and the sky clear. Every so often, her eyes flicked to Rory, Lorelai, and Christopher’s table. Sookie and Jackson had been sitting with them, but they had long since left. Without Ella to babysit the kids, they’d had to hire a new girl. Jackson could barely handle the nerves at a random high-schooler watching his babies. Ella twirled her rings nervously on her fingers, while Patty, Babette, and Maury chain-smoked across the centerpiece floral arrangement. Jess, at her side, had his arm around her shoulder. He stroked her upper arm absently.

He raised an eyebrow and followed her gaze to Rory. “What’s with you?”

“Hm?” she asked, blinking the reverie from her eyes. Facing him again, Ella was struck by how much more mature he looked. Back in Stars Hollow, but as a man with a publishing business and a decently neat bedroom of his own. Despite the uneasiness brewing in her stomach, she also felt pride appear. It didn’t shock her where he ended up. But it still made her feel such joy to see him successful and content.

Jess nodded in the direction of the Gilmores, three tables over. “Did something happen between you guys? Is it why you weren’t a bridesmaid?”

Ella shook her head. “No. I wasn’t a bridesmaid because Mrs. Kim hates me with the fire of a thousand suns. I mean, my outfit alone is probably enough for her to condemn me.”

Giving Ella a once-over, Jess smirked wider. Her camisole dress was black, with small pink flowers embroidered on it. It had thin spaghetti straps and fell above her knees. Of course, there were no heels on her shoes, black leather ballet flats. The ensemble was so very Ella, along with her dark eye makeup. And, it was true, Mrs. Kim was not a fan of anything which could be described as ‘so very Ella.’

“It does give off a certain Beetlejuice vibe,” Jess agreed.

“The best compliment you’ve ever given me,” she said lightly, then turned back to the crowd of wedding-goers. “But...I don’t know. Rory slept with Dean when he was married and then took a year off from Yale and stole a boat.”

“What?” Jess chirped, almost choking on the watery soda he sipped. He’d debated going to the bar, but decided against it. Best not to get drunk in the town where everyone hated you. Especially when your long lost girlfriend didn’t drink anyway.

A certain sadness came to Ella’s smile, shrinking slightly. She tugged at her earring. “Yeah. And she was fighting with Lorelai forever. They weren’t talking. I’m also pretty sure the guy Rory’s dating now is some trust fund kid from Yale with a porsche.”

“Ugh,” Jess grimaced, unable to hold back his distaste.

“We’re just...different. We grew up. Went in different directions. I mean...Lane and Rory are still best friends. I was friendly with her at a bachelorette party last night. But it’s weird now. I can’t...I don’t really know her anymore, I guess.”

Jess nodded.

She shrugged again, deflective. “I still love Lorelai. But I haven’t seen her much lately, since Luke didn’t want her to meet April, which is a whole different beast. Things...changed. But, hey, maybe I changed too.”

“You did,” Jess said. “But not in a bad way.”

She scoffed, gently plucking at the collar of his white button-up. He wore with it black pants, completing their gothic look when they stood together. Ella knew, though, that both of their outfits came cheap and basic. That’s why they had them. Of course, he still refused to wear a tie of any kind. “You too. Still a jackass, though.”

“Glad you see me in such a positive light.”

“But, in an arguing-with-me-about-Kerouac kind of way. Not in a gnome-stealing, running-off-to-California kind of way,” she explained, feeling goosebumps rise on her pale skin where his fingertips still brushed against her arm.

As much as Jess lived in his words, touch had always been such a major form of communication with him. Older and able to judge it more easily, Ella could see it. It calmed him down, made him feel safe. She could understand that. It was what happened when someone grew up in a place where they were often touched in anger.

“Well, the Kerouac defense will never change. He’s a genius,” Jess insisted mockingly.

Ella rolled her eyes, leaning back against him. “You’re impossible.”

“Right back at ya.”

The band began one of their familiar White Stripes covers. Ella couldn’t count how many times she’d heard it over the years, during nightly practice. It was so odd to see Lane in a wedding dress, all grown up. A nostalgic smile ghosted over her lips and she sighed. Neither she nor Jess said a word for a long while, comfortable in each other’s grasp. June crickets and cicadas sung, mixing with the sound of Zach’s vocals. Patty and Babette laughed heartily at something across the table. The air smelled of cigarettes and beer and summer-cut grass. Soon, the song faded away and Zach played the opening chords to something different, something Ella hadn’t heard him play in a long time. “Sweet Thing” by Van Morrison, a cover they’d attempted after Ella moved in, when she’d let Lane hear one of her Jeff Buckley live albums, on which he did his own cover of the song. She broke into a full grin. It was the perfect song for a late-night wedding reception, romantic and long and calm.

Jess seemed to notice her brightening up at the tune, as he sat up and faced her with a mysterious smile. “You wanna dance?”

She snorted a disbelieving chuckle. “Excuse me?”

“Do you wanna dance? I know you like this song.”

Ella raised her eyebrows. “Liking the song is one thing. Subjecting everyone to the horrifying visual of my dance moves is another.”

He rolled his eyes, standing up and extending a hand to her. “So dramatic. It’s a slow song. And we didn’t dance at Liz and TJ’s wedding. Making up for lost time.”

“Fine,” she sighed, taking his hand, and letting him pull her up. “But it’s your funeral.”

“I like to live dangerously,” Jess said, leading her to the dance floor.

“Whatever, James Dean.”

Before they were out of range, Miss Patty blew a stream of bluish smoke in their direction and gave a bark of haughty laughter. “I’d watch out for her, young man. Have you heard about the domino incident of 1992? Ella made the Gazette. Her talents run more towards the musical.”

His smirk grew. “I’ve been warned.”

They passed Lorelai on the way, lingering by the bar and sipping her Manhattan. Tumbler filled with cherries, sugar on the rim. The sight almost made Ella want to chuckle, almost grimace. The drink looked as sweet as cotton candy, but she would expect nothing less of a Gilmore woman. More than half of the sleepovers she’d had with Rory involved a midnight raid of the kitchen. S’mores pop tarts were one of Ella’s personal favorites. Lorelai reached out an arm to stop them, wavering drunkenly on her feet.

“Ugh, I can’t believe Sid Vicious is back,” she slurred to Ella, pointing at Jess angrily.

With Lorelai so close to her face, Ella could smell the tequila on her breath. “I told you before. He’s got more of a Richard Hell vibe, in my opinion.”

Jess blushed, but said nothing. He only tightened his grip on Ella’s hand.

“Your uncle is out of town,” Lorelai continued, facing Jess.

“That he is,” Jess said shortly. Time had passed, but it was clear Lorelai still wasn’t quite over her contempt for him. Though, he could definitely recognize what an asshole he’d been as a teenager.

Lorelai laughed bitterly. “He’s with his daughter. Who Ella’s met and you’ve met and Rory’s met. And I haven’t met!”

Searching her head for a careful response, Ella was utterly relieved when Rory came up from behind her mother.

“Hey, mom, let’s get some coffee for you, why don’t we?” Rory asked, voice bouncy and nervous.

“You got her?” Ella raised her eyebrows at Rory as she took her mother by the shoulders and began steering her away.

“Oh, I guess we’re going over here now,” Lorelai muttered in drunken surprise.

“Yeah, go have fun,” Rory answered with a little wink, disappearing into the crowd with her mother, headed for the table where her father and some steaming coffee sat.

Blowing out a long breath, Jess shook his head. “I take it that she and Luke aren’t seeing eye to eye.”

“Understatement of the year,” Ella scoffed. “No matter where she and Luke are though, I think you’ll always be a portrait of Sid Vicious to her.”

“Not even with the haircut?” he asked as they made it to the edge of the wooden dance floor.

“Not even with the haircut,” she replied with a smug smirk.

With a heavy breath, Ella placed her hands on the back of Jess’s neck as he brought his hands to her waist. She felt glad Hep Alien’s version of the song was nearly ten minutes long; it would have nearly been over after Patty’s warning and Lorelai’s ramblings if not.

“Don’t worry, Elle. Just follow my lead,” Jess said quietly, beginning to sway side to side, taking small steps.

“Shut up, I’m focusing,” she hissed, watching her feet.

He chuckled slightly. “Relax. Just look at me.”

Sighing again, Ella managed to drag her gaze away from her shoes and up to Jess’s big brown eyes.

“Hi,” he whispered, smiling fondly.

“Hi,” she replied, feeling the anxiety in her stomach lessen slightly. “Deja-vu, huh?”

“Maybe a little,” he said, shrugging. “But I’d say things are looking a little sunnier now.”

“Still finding those silver linings.” Ella gave him an affectionate peck on the lips.

Why was she nervous?, she asked herself. She didn’t need to be. Maybe it was the future creeping up on her, or her exit from the only place she had ever lived only a week away. But, as she looked at Jess, she felt her heartbeat slow. And her lips even turned up a touch at the corners. Where she was going, he’d be.

[aion-rsa]

How Thor Changed the Marvel Cinematic Universe

https://ift.tt/33NlKGy

Marvel’s Thor, the first theatrical live-action film to feature the comic book giant’s version of the Norse God of Thunder, opened in theaters a decade ago, on May 6, 2011.

Directed by Kenneth Branagh and starring a then little-known Chris Hemsworth in the title role, Thor was the fourth film in the still-nascent Marvel Cinematic Universe. It was also — as we look back at it now — a pivotal one in the development of the MCU.

“I’m very proud of my part of it,” Branagh told us a couple of years ago about his handling of Thor. “Which was providing a sort of backbone that they could comically riff off, but at least it originally contained some of the high stakes Nine Realms import that that larger mythology has to have as well.”

Thor took the franchise off the Earth for the first time and into the cosmic side of the Marvel mythology, introducing audiences to the Nine Realms, the kingdom of Asgard and other mind-bending concepts that comic fans had adored for years but which were a major risk to put in front of mainstream moviegoers.

Even the character of Thor — with his helmet and his hammer and his arch way of speaking — often seemed to skate perilously close to laughable in the pages of the comics themselves. But he was also a mainstay of the Marvel line and a charter member of the Avengers, the superhero team that Marvel based its entire initial run of films upon.

Marvel

Thor didn’t take the Rainbow Bridge to the screen

A Thor movie based on the Marvel Comics version of the character had, surprisingly, been bandied around for years even before there was a Marvel Cinematic Universe.

The God of Thunder debuted on the page in Journey into Mystery #83 (August 1962), created by Stan Lee, Larry Lieber, and Jack Kirby. A founding member of the Avengers, he joined Iron Man, the Hulk, Ant-Man, and the Wasp in the pages of The Avengers #1 (September 1963). In the ensuing decades, he has starred in multiple iterations of the Avengers comics, plus many ongoing and limited series of his own.

An animated version of the character debuted in 1966’s Marvel Super-Friends show, while the first live-action incarnation of Thor (played by Eric Kramer) showed up in the 1988 TV movie The Incredible Hulk Returns, a follow-up to the late 1970s series The Incredible Hulk.

While Thor continued to turn up in various animated Marvel properties, it was in 1991 that the first full-length, live-action Thor movie was proposed — by no less than Sam Raimi.

The director, who later went on to make the first three Spider-Man movies and who is now working in the MCU on Doctor Strange in the Multiverse of Madness, revealed to the The Hollywood Reporter in the wake of Stan Lee’s passing that he pitched a Thor movie to the Marvel Universe co-creator over lunch.

“We worked together writing treatments and took it to Fox and pitched it,” Raimi recalled. “And they said, ‘Absolutely no. Comic books don’t make good movies.’ This was in 1991.”

The rights to Thor bounced around Hollywood for a few more years (at one point it was set up at Sony with David S. Goyer writing and possibly directing) until landing back at Marvel Studios, which had reinvented itself as an independently financed production company in 2005 with distribution through Paramount Pictures. The studio, run at the time by David Maisel with Kevin Feige as president of production, hired Mark Protosevich (I Am Legend and the unfilmed Batman Unchained) to write a script for Thor, with Matthew Vaughn (X-Men: First Class) coming aboard to direct in August 2007.

Marvel

Enter Tom Hiddleston as Loki…

No sooner did Matthew Vaughn sign up to direct Thor than he seemingly left just as quickly, although it was officially announced in May 2008 that he was departing. Creative and budget issues seemed to have sealed his exit. “Marvel loves the script,” he wrote in The Guardian in late 2007. “The only problem is that it has been costed at $300m and they ask how I am going to reduce it by $150m.”

Even though Thor had already been scheduled for a June 4, 2010 release date, Marvel still had to find a director. Talks were held with Guillermo del Toro, but he decided to direct The Hobbit instead (which he ended up leaving as well). At the end of its search, Marvel finally chose Kenneth Branagh, the Irish actor and director best known for his epic adaptations of Shakespeare’s Hamlet and Henry V — which kind of provided an idea of the tone Marvel was looking for.

Branagh was finally signed in December 2008, telling MTV News, “It’s a chance to tell a big story on a big scale…It’s a human story right in the center of a big epic scenario.”

Once Branagh was signed, the movie’s release date was pushed back from June/July 2010 to May 6, 2011, providing plenty of time for the film’s extensive visual effects to be designed and created and for Branagh to find his cast — starting with the God of Thunder himself.

Read more

Movies

Upcoming Marvel Movies Release Dates: MCU Phase 4 Schedule, Cast, and Story Details

By Mike Cecchini and 1 other

Movies

How Black Widow Could Build The MCU’s Future

By Kayti Burt

The first person allegedly approached was Daniel Craig, who had just starred in his second James Bond film, Quantum of Solace. It was because of his commitments to the already massive 007 franchise that Craig turned down the hammer-wielding Asgardian, although it’s somehow hard to imagine the tough-as-nails Craig as the egotistical (at least at first), young Odinson.

A long list of young, relatively unknown actors tested for the part, including Chris Hemsworth (who was just making his brief but scene-stealing appearance as James Kirk’s father in J.J. Abrams’ Star Trek), his brother Liam, the equally obscure Tom Hiddleston, Kevin McKidd from Grey’s Anatomy, Alexander Skarsgard (Godzilla vs. Kong), Charlie Hunnam (Sons of Anarchy), Joel Kinnaman (The Suicide Squad), and others. But Chris Hemsworth ultimately won the day, with Hiddleston landing the consolation gift that would keep on giving, the role of Thor’s villainous adopted brother Loki.

“That was my starting point, was that you have a character with a predisposition toward mischief,” Hiddleston said about playing the trickster god, during a 2010 set visit attended by this reporter in Manhattan Beach, California. “An inclination toward chaos and a delight in imbalance, and you couple that with the fierce intelligence that he has, and a chess master’s ability to manipulate events three or four steps ahead of the game.”

Adding even more gravitas to the production was the signing of the legendary Anthony Hopkins to play Thor’s father, Odin, along with Natalie Portman as Jane Foster, Rene Russo as Thor’s mom Frigga, Colm Feore as Laufey, the king of the Frost Giants, Idris Elba as Heimdall, and others. Also signed: Samuel L. Jackson for his third appearance as Nick Fury (in an end credits bonus scene) and Jeremy Renner as Clint Barton/Hawkeye, marking the live-action debut of the bow-and-arrow-wielding Avenger.

Filming on Thor began in mid-January 2010 and wound down in early May, with shooting taking place at Raleigh Studios in Manhattan Beach, California (Marvel’s studio home in the MCU’s early years), Santa Fe, and other parts of New Mexico, and locations in northern California.

Colm Feore told The Deadbolt that the Shakespearean training which he, Branagh, and Hopkins all shared enabled them to quickly communicate with each other while shaping the characters and finding the right tone: “One of the things that was enormously helpful on Thor was that during the breaks, Tony, myself, and Ken would be talking in Shakespearean shorthand about what the characters were doing, what we thought they may be like, and how we could focus our attention more intelligently.”

During that same set visit to the Manhattan Beach set of Thor, Marvel president of production Kevin Feige told this reporter and others that the movie was going to feature more extensive post-production work than other Marvel films. “When you walk around Captain America or Iron Man, you can get it,” he explained. “With Thor, what you’re seeing is only 30% of what the movie will be. This is the big question mark and to me that makes it the most exciting. I like it when people don’t exactly know what we’re going to do.”

Reshoots were completed in late 2010, while The Avengers director Joss Whedon shot the end credits scene in which Nick Fury reveals the Infinity Stone known as the Tesseract to Dr. Erik Selvig (Stellan Skarsgard).

Marvel

Marvel takes a big swing with Thor’s hammer

Introducing Thor and the Asgardians — who were essentially aliens, with technology so far ahead of our own that they seemed like gods to the ancient, more primitive people of Norway more than a millennium ago — was a major gamble for the MCU and its then-president of production (and now Chief Creative Officer) Kevin Feige.

Out of Marvel’s first three films, Iron Man and Iron Man 2 were massive, out-of-the-box hits, while The Incredible Hulk was a middling success at best. Yet all three films were Earthbound and dealt with plausible (as far as it went) science and technology. The science of Thor was — to borrow a phrase from the late science fiction titan Arthur C. Clarke — indistinguishable from magic.

“Asgardians are kind of ‘been there, done that’ when it comes to that kind of stuff,” said co-producer Craig Kyle to this reporter and others on the set visit. “For them to send you across the universe, it’s as easy as turning a key … Their technology is only as sophisticated as it needs to be to do extraordinary things.”

Making Thor, Odin and the other inhabitants of Asgard, Jotunheim and the rest of the Nine Realms into extra-terrestrial beings mistaken for gods by ancient humans took Thor away from sword-and-sorcery and fantasy and more overtly into the science fiction genre. But it also provided the film with a back story and mythology that was perhaps easier for modern movie fans to swallow — more Star Wars than the Völuspá.

“We just kept trying to humanize it all, and keep it very real,” Chris Hemsworth told Superhero Hype at the time about his approach to the title character. “Look into all the research about the comic books that we could, but also bring it back to ‘Who is this guy as a person, and what’s his relationship with people in the individual scenes?’ And working with someone like Kenneth Branagh, who has all those bases covered and has so many ideas, it was a hell of a time!”

In addition to taking the big creative risk of bringing Asgard and Thor to the screen, the movie took several other chances as well. Starting a tradition that Marvel would return to with films like Captain Marvel and Guardians of the Galaxy, Thor did not function as a traditional origin story. We meet Thor, Loki, Odin, and enter Asgard with only a brief introduction detailing the history of ill will and war between the Asgardians and the Frost Giants.

Thor’s journey in the film is not that of an ordinary character being bestowed with great powers and learning how to use them, the typical arc of a superhero film. He is fully formed here, if flawed, and as the film progresses he learns to be a better version of the immensely powerful being that he already is — with the help of the human beings that he meets during his fall to Earth.

When Thor — the likely successor to his father’s throne — reignites hostilities with the Frost Giants partially due to his own immaturity, Odin decrees him unworthy of wielding Mjolnir and banishes him, powerless, to Earth. That leaves the door open for the crafty Loki — who has discovered that he is not Asgardian after all, but the child of Frost Giants — to manipulate and scheme his way into power himself.

Marvel’s other big gamble was making Loki a much more fully developed antagonist than had been previously seen in many comic book movies. Skillfully portrayed by Hiddleston in a performance that made him an instant star, Loki is an empathetic, nuanced character whose longing for the love and attention of his adopted father — who lavishes more of both on Thor — leads him down a dark path and into a character arc that would take several years and movies to play out.

“I think Loki intuitively feels that he doesn’t belong there, he doesn’t belong with the family in Asgard and doesn’t belong in the pantheon of gods,” said Hiddleston at the time. “He’s confused about his place in the universe … We all reach a point in our lives where we think, ‘What the hell are we supposed to do with our life?’ Thor reaches that point in this film and Loki does as well, so yes, maybe if Odin had made him feel valued and respected and essential to Asgard, then it would have been okay.”

Marvel

Thor smashes all preconceptions

Thor had its world premiere in Sydney, Australia on April 17, 2011 and opened in that country — Hemsworth’s native land — four days later. It premiered in 56 more markets before finally opening in North America on May 6, 2011.

The film earned a 77% fresh rating and mixed reviews on Rotten Tomatoes, with critics praising the performances by Hemsworth and Hiddleston, as well as the grandiose family drama on Asgard, but less impressed by Thor’s journey to Earth and the climactic battle there against the massive golem-like Destroyer sent by Loki to kill Thor.

More importantly for Marvel, the film connected with audiences despite the perception that Thor was largely unfamiliar or dated. Thor earned $181 million at the North American box office and a further $268 million abroad for a worldwide total of $449 million.

While that ranks it near the bottom of the 23 MCU movies released to date (along with Ant-Man and Captain America: The First Avenger), it was a far from shabby showing for the early MCU and proved Marvel’s calculation that it could expand Marvel’s footprint on film beyond already established characters like Spider-Man, the X-Men and the Hulk.

“I liked it when people said, ‘Iron Man’s the B-Team. You’re calling out the B-Team!’ We knew it wasn’t,” said Feige on set about using what were perceived as lower-tier Marvel heroes. “We knew it was going to be great. And that holds true for Thor … here’s another one that will redefine us and at least raise the bar of what a comic book movie is, for both people who’ve read comics and those who haven’t.”

Thor expanded the boundaries of the MCU into the realms of space, alternate dimensions and cosmic conflicts, while putting another key part in place for the impending arrival of the Avengers. And while 2013’s follow-up, Thor: The Dark World, was a misstep and considered one of Marvel’s few outright failures, the studio brilliantly reinvented the character in 2017 with Taika Waititi’s Thor: Ragnarok, moving him away from the initial Shakespearean grandiosity and into a more humorous space.

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

That in turn allowed Thor and Hemsworth to have one of the most profound character arcs across the entire span of Avengers: Infinity War and Avengers: Endgame. His story in those films, the box office clout of Ragnarok, and Hemsworth’s enthusiasm for the role led Marvel to commission 2022’s Thor: Love and Thunder — marking the first time an MCU hero is venturing into a fourth solo movie.

Ten years later, while not a perfect film by any means, Thor is still an enjoyable, consciously weird Marvel epic that proved the God of Thunder could bring the lightning even to modern audiences. And while Thor has seemingly abandoned the throne of Asgard for now, his first film’s place in the MCU pantheon is secure.

The post How Thor Changed the Marvel Cinematic Universe appeared first on Den of Geek.

from Den of Geek https://ift.tt/2RWjeeA

[simul16]

Low Effort in Their Own Way

All happy families are alike; each unhappy family is unhappy in its own way." - Leo Tolstoy, "Anna Karenina"

I've been watching a fair amount of D&D content on YouTube of late, for varying reasons, and if I may paraphrase Tolstoy's famous quote above, I've learned that all good D&D channels make high-effort content, while each bad D&D channel makes low-effort content in its own way.

Low-effort content tends to be:

Content that is or can be created quickly; it doesn't require a lot of prep time (and the presentation usually allows this limited prep time to show)

Content that copies current trends; while a certain amount of response to significant events in the gaming world is to be expected, low-effort channels regularly feature content that basically boils down to 'here's my reaction to whatever rumor or scandal is currently being talked about among the community'

Content that does not spark or contribute to a discussion; when such channels go beyond simply recapitulating a recent event, they frequently spend very little time explaining their own reaction and seldom spend any time at all explaining or exploring contrary opinions except to make jokes or elicit emotional reactions from an over-simplified or straw-man version of the contrary opinion

Now let's start off by saying that I'm not knocking low-effort content per se; anybody who knows anything about online marketing can tell you that low-effort content has a role to play in any marketing strategy. Ideally, though, your low-effort content, the stuff that you can get out the door quickly and easily and get in front of your potential customers, exists to guide those customers to your higher-quality content that convinces them to buy your product, order your service, or otherwise become someone who believes that you have something of value to say. Because it's cheap and easy to produce, low-effort content can be cast far and wide to serve as a net to capture many potential viewers and guide them to the gold mine of the really important stuff you have to say. Unfortunately, when your low-effort content is what you have to say, it very much begs the question of what exactly it is people should be coming to your channel for.

Here are a few but by no means an exhaustive list of the YouTube channels that to me seem to feature way too much low-effort content.

The Dungeon Dudes

The Dungeon Dudes are two guys (Kelly McLaughlin and Monty Martin) who mainly do scripted back-and-forth style discussions of D&D-related topics. I've talked about the Dungeon Dudes before, when taking apart one of their recent videos, but they also stream a D&D game they play in on Twitch (and frequently post recordings of those sessions on their channel), do product reviews, and generally do whatever they can to maintain a consistent pace of content output, generally a minimum of twice weekly. They've been around for nearly four years now, and have amassed about 273 thousand subscribers on their channel, with over 44 million views for their content, which seem like decent numbers for a niche content channel. (Contract with CinemaSins, which exists as a viral content manufacturer, and has amassed over 9 million subscribers and over 3.3 billion views. I'm not trying to say the Dungeon Dudes are the CinemaSins of D&D; if they were, their numbers would probably look a lot more like those of CinemaSins.)

The big problem with the Dudes as content creators is that, despite being a niche content channel, they are clearly in it to try to eke out some kind of income or living from the work they put into the channel: they've got a Patreon, they use affiliate links in the descriptions of their product review videos to gain some additional referrer income, and they do sponsored content when they can get a sponsor. They started back in the summer of 2017 with a very 2016-era plan on how to succeed at YouTube: put together a bunch of short (5-10 minutes, occasionally longer, but go over 15 minutes at your peril) videos and release them on an iron-clad schedule to get people used to coming back to your channel and looking over your new content, and to their credit, they've kept up their content production schedule very consistently over the past four years.

They've also learned a few things during that time and have adapted the channel in response: their videos explaining rules and reviewing new products tend to be more popular, so they work those topics in on a more regular basis. They've learned that the YouTube algorithm has subtly changed over the past few years to reward channels that can provide longer 'engagement' (which gives YouTube more opportunities to run ads), and have expanded their video length to an average of about a half-hour, with their re-broadcasts from Twitch being extra-long videos (between two and two-and-a-half hours) which, while drawing fewer total views, probably draw as much or more 'engagement' from the algorithm for the views they have.

But the need to spit out so much content on such a rigid, unforgiving schedule means that they have to aim for quick-creation and easy digestion: putting subclasses into a bog-standard tier ranking, making 'top five' and 'top ten' lists that seem like they're being cribbed from a more thoughtful resource, and generally getting stuff out the door (like their 'Powerful Spell Combos Using Teamwork' video) without spending too much time thinking about how valuable or even accurate their advice happens to be. More to the point, it seems to be taking its toll on the guys who serve as the hosts of the show: Kelly McLaughlin has a fairly dour expression in general, but lately he seems to have the countenance of a man who's about to post a 'very special episode' discussing the dangers of YouTuber burnout.

The Dungeon Dudes feature low-effort content because they have to in order to support the publishing frequency they've chosen; if they were to take the time to put together a truly high-effort piece regarding one of their traditional topics, their Patreon subscribers would likely be asking why their release schedule had slowed down before their work was even half-done.

Dungeon Craft

The Dungeon Craft channel is run by a fellow who refers to himself as 'Professor Dungeon Master'; I have not yet found any reference in his channel or elsewhere that identifies who he actually is, so I'll just refer to him as Prof. Prof has been on YouTube a bit longer than the Dungeon Dudes, having launched his channel in October of 2016, and has put out 185 'episodes' (as of the time of this writing), thus averaging between three and four episodes per month. Prof's own 'trailer' video explicitly states his channel's concept: "Some channels focus on running the game, others on building terrain, others on painting minis. I do it all!" You might think, then, that this would be a place to find quite high-quality content, especially related to terrain and miniatures painting tips, but it seems like the main effect of Prof making his channel be about multiple topics (and there are plenty of topics he discusses that don't fit into any of those three categories above) is that he can't successfully communicate what his channel is actually about, other than about his specific opinions. Maybe that's the reason he's sitting at about 65 thousand subscribers and just under 5 million views.

However, being at a slightly lower 'tier' of content production than the Dungeon Dudes is not itself any kind of crime or even indicative of poor quality -- after all, one of my favorite D&D lore channels on YouTube is RavenloftTravelAgent, and she's got just over a thousand subscribers and only about 50 thousand views on her videos. No, Prof could have a very high-quality, high-content channel with the subscriber numbers and views he has, but he doesn't.

Prof's issue is almost exactly the opposite of that of the Dungeon Dudes: instead of cranking out a rapid-fire, breakneck volume of content to keep up with an arbitrary content production schedule because that's how you make a living producing content for YouTube and you have to keep feeding the hungry algorithm, Prof cranks out content that's very easy for him to write because he's been involved in the game for a long time and already knows that the way he learned to play the game is the best way. Any topic that comes up related to D&D, he's got an opinion and can spit out a script explaining his opinion quickly because it's the same opinion he's held for decades. Classic D&D didn't have skills, so the next edition of D&D shouldn't have them either. Classic D&D had slow advancement, so slow advancement is better than fast advancement. This becomes even more obvious in the videos that have very little or nothing to do with running a D&D game, such as where Prof explains why he thought Avengers: Endgame sucked, or why he thought Season 8 of Game of Thrones was 'nearly perfect'.

Some of the oddest episodes of Dungeon Craft have to do when Prof makes admissions that make him out to be, well, the D&D channel for 'that kind' of old-school gamer: the ones who can make comments to each other that they can't make in front of their wives or significant others because the latter find the comments sexist, the kind of guys you can complain to about not being able to tell a Polack joke at work, the guys who treated D&D in the 1980s and 1990s the way that guys in the 1950s and 1960s treated golf where they could build a wall between the world as it existed and the world as they wanted to believe it was (and, if we're being honest, the way that they believed it should actually be). Nowhere is this more evident than in the video where Prof starts by discussing the hot, rich girlfriend he had once who tried but never got into D&D who he just had to break up with, and which by the 3 minute mark has him "calling bullshit" on the idea that relationships are built on compromise and negotiation. (I mean, you saw this coming, right? Right there at the end of the last paragraph about how the ending of Game of Thrones was so good? You knew that's where this was going, right?)

And, of course, he's not immune to just jumping on the latest bandwagon to contribute his drone to the chorus of voices talking about things just to be talking about things. It shouldn't be surprising that Prof jumped on the bandwagon of the lawsuit brought by Hickman and Weis against Wizards of the Coast over the upcoming Dragonlance trilogy, which turned out to be a nothing-burger. Even weirder is the tag in the description of that video which says "Analysis you can't get anywhere else", even though the video doesn't contain anything that hadn't already been discussed over the three weeks between the lawsuit and Prof's video other than Prof's own opinions about it. My favorite howler that Prof makes in this video is his assertion that, because Hickman and Weis got a lawyer to file a lawsuit, that means there's definitely fire under that smoke, because "big law firms do not accept cases they don't think they can win", which both ignores the existence of SLAPP suits as well as the existence of authors who seem to take perverse glee in suing rival authors just to drive them out of the industry. He's also responded with multiple videos in response to Cody at Taking20s controversial 'illusion of choice' essay, and his response to Ginny Di's essay on making online D&D suck less didn't include any of Ginny's solid advice on making online play more compatible with an in-person mentality (recognizing interruptive behavior, or using text chat to maintain side-conversations that would otherwise not be distracting in person), but instead gave these recommendations to players:

Keep your camera turned on

Mute yourself when not talking

Don't distract yourself with technology during the game

Nothing specific on recognizing how online play differs from tabletop play and suggesting ways to bring those two styles closer together, just commands because he's the DM and he says so. Or, in other words, low-effort, opinion-based content.

Nerd Immersion

Nerd Immersion, a channel by Ted that started in May of 2014 and has amassed over 70 thousand subscribers, starts his "channel trailer" video by leafing through a book, then looking up and saying, "Oh, hello" as if he'd just noticed that there was a camera on pointing at him while he's sitting in his orange-trimmed gaming chair. That, sadly, is roughly the level of thought that goes into the actual content contained on this long-tenured but seemingly still super-niche channel.

The weird thing is that at some point, it was obvious that Ted put some real effort into this channel. There are defined sections of the channel that focus on particular things, avoiding the Dungeon Craft problem of 'what topic is our channel about this week?' On Tuesdays, Ted posts a top-10 list. Ted comes up with an idea for a series, like 'Fixing 5E' or 'Reviewing Unearthed Arcana', posts regular articles until he's said what he means to say, then ends the series. (There hasn't been a new Fixing 5E video in roughly a year, meaning that Ted isn't wasting his own time and that of the viewer continually beating horses he's long since killed.) And he comes up with some great ideas for series, such as his series reviewing products on the DMs Guild; that particular series comes out somewhat irregluarly, but not so irregularly that you think he may have stopped doing the series without telling you.

Nerd Immersion's big problem can be summed up by simply looking at the list of videos on his channel and noticing that when he puts his own face on the thumbnail of the video, the startling frequency with which he's shrugging or has a puzzled face or just seems to be presenting himself as if he's not sure what's happening in his own video. I mean, I get it -- that's his image, the personality he wants to present to his audience. He doesn't have all the answers (a refreshing change from Dungeon Craft, honestly), but has some things to share if you're interested, so go ahead and take a peek. But then you take a look at those different sections we spoke about earlier and see that the 'Fixing' series all have the word Fixing at the top of the screen, the Nerd Immersion logo in the top left, two images underneath the text, one on the right side of the page and one on the left, separated right down the middle, and they all have Fix-It Felix on the far right. The Top 10 videos always have Top 10 at the top of the thumbnail. The Unearthed Arcana reviews all have 'Unearthed Arcana' at the top, then 'Review' in an odd off-set to the right beneath 'Unearthed Arcana'.

In other words, Ted has a formula, and he's damn well going to follow it.

Now it's not a bad thing to have a workflow -- if you're going to be cranking out videos at the volume that Ted does (not to mention the others on this list), you'd better have some kind of process for making the video, getting the thumbnail on it, etc.; otherwise each new video is a horrible nightmare of effort as you re-invent the wheel for every project. Nobody wants to do that, and the results would likely be unwatchable. Having a process is a good thing. But the Dungeon Dudes clearly also have a process -- they've put out at least two videos a week for three and a half years, so they damn well have a process or they wouldn't have been able to get out that much content. Looking at their channel, though, shows you that while they have a brand, and one that's evolving over time to boot, they're not just making the same video over and over again, or at least you wouldn't think that from looking at the thumbnails.

Ted's most interesting videos are where he's interviewing another person or even just having another person in the video, because having another person around clearly takes him at least a bit outside his rigid formulaic comfort zone. The problem is that those videos are few and far between -- the review of the infernal tiefling is about eight months separated from his interview with Celeste Conowitch about her Venture Maidens campaign guide. Also interesting are his unboxing videos, because Ted clearly likes minis and takes some degree of joy in cracking open and looking at new minis. His unboxing videos aren't as irregular as his interview videos, but they are fairly recent, with the first appearing just a few months ago, so it's still not clear if this is going to be a new regular part of the channel, or just another series that goes until he says what he wants to say about minis and then stops.

Most of the stuff on the site, though, is just, well, stuff, cranked out on a formula and thrown out into the digital void with the same soft-spoken volume regardless of whether it's major news or a press release. As an example, while pretty much everybody had an opinion on the Dragonlance lawsuit, Ted covered when the suit was announced, when it was dismissed by Weis and Hickman, when the actual trilogy that was the subject of the novels was announced, and the official release date of the first book in the new trilogy. When it came time to get ready to announce the newest campaign book, Ted was on the job, posting a video preparing for the announcement, another video later the same day when his original prediction of a Feywild adventure book seemed to be contradicted by other rumors that the book would be a Ravenloft book, then posted yet another video when the actual book was leaked on Amazon at 11:24pm later that same day confirming Van Richten's Guide to Ravenloft, posted the video discussing the official announcement of Van Richten's Guide to Ravenloft the next day, and then the day after that followed up with more details on Van Richten's Guide to Ravenloft revealed in Dragon+. That's five videos in three days, for a grand total of just over 100 thousand views combined. The intention seems like Ted wants to be the CNN of the D&D news scene, but with those kind of distribution numbers, the result is more like your local home town's shopping circular that occasionally also features stories about the latest project to fix the potholes on Main Street. Just like nobody's doing 24/7 news coverage of your local town council, nobody is (or probably should strive to) doing 24/7 coverage of the gaming industry and Wizards of the Coast. At some point it just becomes running a script, pressing a button to upload the next video, because it's news, and while you don't have to think about news to quite the same degree you have to think about more opinion-based topics, once you stop thinking about the process and what it is you're making, all you have left is executing the formula, over and over again, and both the input and the output becomes repetitive.

Repetitive videos, in repetitive formats, with repetitive text, to keep the monster fed for another day. I can admire the effort that goes into it, but the overwhelming presence of the formula involved in cranking out this content keeps me from feeling that it's worth engaging with. It's low-effort, because the effort has been meticulously removed from the process.

I could go on, but I think I'll stop here. There's not really any constructive criticism I could provide to these channels because, as I hope I've pointed out, it seems like low-effort content is pretty much the only thing these channels have to offer or in truth can offer, and anything that might cause their owners to re-consider their channels to improve their content would almost certainly lead to a very different if not wholly different channel. With things being as they are online, there's no guarantee that any new, higher-effort channel would be any more successful than the old low-effort one (remember the RavenloftTravelAgent channel with absolutely miniscule numbers; effort doesn't automatically equate with success). I can't even claim that being low-effort channels necessarily makes these channels bad (despite what I said in the intro); after all, they all have at least some good ideas, especially Nerd Immersion, and they each have subscribers and a following. I guess this is just my way of putting some small amount of effort into explaining why I don't feel like doing more to help these channels succeed, because I'd rather put my support toward channels making higher-quality, higher-effort content, especially because its not the content itself, but people engaging with that content that really drives a channel's success.

[wonderfulworldofmichaelford]

Is It Really THAT Bad?

Dr. Seuss is no stranger to cinematic adaptations, and even less of a stranger to animation. And whenever Seuss gets animated, you can typically expect good things, as opposed to when his work is live action, in which case you can expect…

Yeah…

Anyway, imagine the excitement people must have felt when the creative team behind Despicable Me and the writing team behind the underrated gem Horton Hears a Who got together to do a fresh new take on The Lorax! This was in Illumination’s heyday, before they ended up showcasing that they’re more interested in churning out cheap products for maximum profit, so there was plenty of hope that this could be good. Then came all the commercial tie-ins.

Now, this alone shouldn’t be indicative of the final product. Maybe stuff like this is just a bunch of suits horribly missing the point of the original story! Maybe the actual film will be better! Well… while the film was no flop, and while it certainly got a better reception than most of the films I’ve talked about here, the film was derided by many for being an extremely shallow and lacking adaptation that adds unneeded junk to a story that didn’t need it in such a way that ultimately dilutes the message. It turns a story that operated on shades of gray and turned it into a cartoonish spectacle that would make even Captain Planet blush. Not helping was the rabid fanbase on Tumblr who shipped the Once-ler with… himself… or Jack Frost… forever tainting the film in the eyes of those on the internet.

Things got so bad eventually even the [REDACTED] Critic reviewed the film in his usual over-the-top, accentuate the negative style, and as some people still treat his word as gospel, this has most likely colored the perception of the film. So while it’s certainly not to the same level of infamy as the usual subjects of Is It Really THAT Bad? I still wanted to put this movie on here and ask one simple question:

How ba-ah-ah-ad can it be?

THE GOOD

So let me just get it out of the way: the movie’s villain song, “How Bad Can I Be,” legitimately is awesome and is frankly one of the best villain songs ever. No, I’m not kidding. It’s just a fun, rocking number with some neat visuals, and while it’s a shame the cut rock opera-esque “Biggering” is probably the better song, this one is definitely more fun and meme-worthy. Shake that bottom line!

Now, the casting is, for the most part, pretty fantastic. Minor characters like the grandma played by Betty White are a lot of fun, but really, the main piece of awesome casting is Danny DeVito as the titular Seuss creation. DeVito as the Lorax is just so incredible, perfect, and inspired that it boggles the mind how anyone could possibly come up with such amazing casting.

As far as antagonizing forces in the film go, the Once-ler’s awful, vile family are enjoyable in a “love to hate” sort of way. While it’s certainly kind of iffy that they felt the need to give the Once-ler more of an excuse for his actions beyond just simple greed, it isn’t so bad that what they came up with was familial pressure. In fact, they’re actually much better at antagonists than O’Hare, the actual villain of the film, and the fact the movie give him so much focus despite having such fascinating characters that would have had a really great thematic purpose; hell, they should have been the rulers of Thneedville instead og O’Hare! There’s so much untapped potential with these, quite frankly, very interesting characters.

I guess I should say the Once-ler is a pretty decent character in and of himself, but he very much suffers from the same problem the Jim Carrey Grinch does – he’s a good, enjoyable character in his own right, but he’s not a very good Once-ler. In fact, he at points borders on “in name only” territory. Still, he does have a pretty solid arc, and that villain song slaps, so… I think he’s solid, and Ed Helms does a good job voicing him.

THE BAD

Jon Lajoie, while in character as his misogynistic moron rapper MC Vagina, said this:

When I first heard this lyric, I didn’t understand it… but his words were a prophecy, because that is, in all honesty, the plot of this film. Our flavorless protagonist Ted really just wants to get the Truffula trees back so he can get into the pants of the local smoking hot redhead hippie, Audrey. It gets to the point where Ted’s motivations are so boring and shallow that Audrey actually would have made a far more interesting and compelling protagonist, seeing as she already has an inexplicable knowledge of the trees and cares about nature. When they already changed so much in the story I don’t see why they couldn’t just make the protagonist a girl while they were at it. As it is, she barely has any presence and feels like a waste, which becomes all the more awful when you know she’s being played by a stunt casted Taylor Swift instead of an actual voice actor or even an actor period. At least Ted is Zac Efron, an actual actor, though he doesn’t do a particularly good job himself.

Then we have our villain, O’Hare. O’Hare has all the subtlety of a Captain Planet villain but none of the cheesy goodness and fun. Sure, Rob Riggle does some good delivery and gives O’Hare some memetastic moments, and sure, his selling of canned air is oddly prescient of things that happened in real life in India (though technically President Skroob Spaceballs beat him to the punch by a few decades) but it doesn’t really redeem O’Hare from being an excessively weak villain who is shoehorned into the plot solely to turn the story into a black and white morality tale. It… doesn’t work at all. What also doesn’t help is that O’Hare has an absolutely repugnant character design, looking like if Edna Mode got mangled by a sixteen wheeler and left in a ditch on the side of the road.

Finally, this movie just doesn’t really respect the story to any great degree. As mentioned above, it waters down a story that presented arguments from both sides and, while still ultimately showing the Once-ler to be wrong and shortsighted, did have him make some valid points. Here, the story is presented as there being a clear cut good and evil in a horrendously unsubtle and unpalatable way. Yes, we get that extreme deforestation and overuse of resources is bad, you don’t need to beat us over the head with it. It doesn’t help that the film also crams in a bunch of cringeworthy pop culture humor that really doesn’t add much to the story; say what you will about the anime scene from Horton, at least there was a bit of substance and reason for it. Having characters sing the Mission: Impossible theme is just making a reference for the sake of making a reference.

Is It Really THAT Bad?

So I’m gonna say that I don’t particularly find this movie to be good, per se. It’s very dumbed down and more than a little undermined by the various brand tie ins. It is a poorly executed black and white morality tale that was crafted from a very deep and engaging piece of children’s literature, and on that level, I don’t think this movie works even a little bit. Still, there’s some enjoyment that can be mined from this, particularly from some of the more so bad it’s good moments, as well as DeVito’s performance and some actual good moments of story and character. There’s some stuff to like here if you dig a bit, but really, I don’t think you really should have to do a deep dig into The Lorax to get some enjoyment.

Overall, I wouldn’t really say this movie is totally bad, but it’s definitely not good, either; it veers more into the territory of “so bad it’s good,” which is a shame but also kind of refreshing. It’s definitely an interesting film to talk about, and there are a few things about it that work, but ultimately it’s not enough to really raise the film to the level of the classic animated Seuss adaptations or even to the level of Horton. At its best, it’s okay, and at its worst, it actively undermines its own messages. I think the 6.4 it has is pretty fair… maybe a bit too fair, if I’m being honest. I’d give it something like a 5.7 or 5.8.

Again, it’s not the worst thing ever like some might tell you; hell, the adaptation of How the Grinch Stole Christmas Illumination would go on to make is probably a worse movie. But it still doesn’t really do anything that adds to the story its telling, and it ultimately comes off as saccharine, forgettable childish fluff. It’s really a harmless movie, but it’s still probably gonna grate on anyone who holds the original story in high esteem. The {REDACTED] Critic was a bit hyperbolic in his review, but I do think he was right in principle. This movie feels like a calculated, corporate adaptation meant to be as inoffensive and marketable as possible much like every Illumination film post-Despicable Me. And if there’s one thing The Lorax shouldn’t be, it’s “inoffensive and marketable.”

[whispersafterdusk]

Lost in Time - ch 14

It'd been four days since their tussle with the spy; they hadn't heard or seen any hint of them, and so far the only injury that had turned up at Xu's clinic had been a woman who had fallen on a bit of wood.  Asher had gone into town long enough to get his broken tooth pulled (front right tooth on the top...he looked like a doofus when he smiled now) and had immediately returned to camp to hunker down and wait out the spy's next visit while the Civil Corps members had gone on a manhunt across the marsh and into the neighboring desert area.

So far, nothing.

They'd briefly discussed the suits again; Eli couldn't make up her mind on whether this Access suit thing was an original (less worrying) or if Duvos had figured out how to piece one together (really worrying).  Asher shared her worries -- the thought of Duvos mass producing those things for their soldiers, even if they weren't working like they did in Eli's time, would still pose a huge problem if the continent ever went to war again. ((Continued below cut))

He did know she'd given up on the trail cameras for now but she was still working on something out in the tent; it used a lot of the same pieces that she'd set aside for the cameras but also several new, different ones that she'd sent Petra and Selene after. The centerpiece of these new additions was a detached screen that she'd marked out dimensions on - she was either cutting it down to size and needed the middle-most section or she was dividing it into a rectangle and eight smaller squares that were all roughly the same size.  She hadn't done anything with the screen yet aside from measuring and marking out those squares but there were small piles of nigh identical looking chips, boards, and wires that were already assembled and sitting in a neat little line on the rubberized canvas under her cot that he assumed had to be put together first before the screens could be attached to them.  

It had been a fascinating sight to watch her work with such tiny components; he hadn't had a chance yet to ask her what those things were (interrupting her while she was working on them seemed like a poor idea since it looked so...fragile, in a way) but he was looking forward to seeing the finished product, learning what the gadgets were for, and why she needed so many of them.  It also piqued his curiosity about Old World tech in general; so much of it seemed purposely designed to work with pretty much anything else.  Maybe Old World technology didn't so much depend on the parts as it did the programs to run it...which in turn made him wonder, assuming they ever got to a point where they knew how to read and create new programs, if all the old relics could be made to work again like they did back then rather than being pieced together with spotty knowledge and prayers.  

Behind him Adam, Arlo, and Eli were all asleep inside the tent with the front flaps pulled closed to block out as much of the unusually plentiful sunlight as possible - there wasn't a cloud in the sky and it was considerably warmer today than it had been lately; he appreciated the warmth and imagined his sleeping companions probably did as well but found himself going back and forth on whether he was truly grateful for the "sunny" part of this sunny day.  On the one hand, that suit made the spy near-invisible but not intangible so they should still cast a shadow so if the spy was dumb enough to try sneaking in close in broad daylight Asher was hopeful he would spot that before they got close enough to be a danger.  On the other hand he doubted they would actually be that stupid. The constant prickle at the back of his neck - the feeling of being watched - wasn't a sensation Asher enjoyed, and it also wasn't something he was used to experiencing for such a prolonged period of time; he had no proof though that he WAS being watched, and that was probably bothering him more than the prickling was.

The grumpy sigh he huffed out whistled a bit as it exited through the gap his missing tooth had left behind; that annoyed him to no end too. Asher didn't consider himself an overly vain person but damn it he'd liked how he looked; it had taken a couple years to be at peace with the sunken in scar across his nose but at least that made him look...adventurous.  Dashing.  Daring.  A missing tooth made him look like a drunkard, and it would be a long trip to Seesai to get a replacement that wouldn't prematurely discolor.  Adam was right in that he could easily get a tooth closer to home but, again, discoloration was a problem -- whatever that woman in Seesai did to keep the false teeth from coloring was a closely guarded secret...no one knew what she did or what recipe she used, not even her family if they were to be believed.

He supposed it was a question of if he wanted to look stupid with his tooth gap or look stupid with a yellowed tooth in a few years. Neither thought was especially attractive and brought with it a sort of helpless frustration that, coupled with the prickling feeling of having eyes on him, made him want to get up and move around to burn off the pent up energy and emotion.  

His thoughts were interrupted by the sound of rustling grass; before he could truly react to the sound Eli came into view and he relaxed slightly.

"You're up - uh, early.  Or however you want to consider it."

She shrugged as she sat down on one of the rocks ringing the firepit.  "Eh, it happens.  Sometimes you just don't sleep."

"Any new ideas?"

For a time she didn't respond; silently Asher surveyed their surroundings - everything still seemed to be as it ought to be.  He still felt twitchy though...he was ready for action, or for anything that wasn't sitting here keeping watch.  Maybe with Eli awake he could exercise or something.

"Not really," Eli finally responded.  "I can think of twelve different ways to disable that suit but they all require tech that doesn't exist anymore.  And it's not something I could put together from stuff that's left here."

Asher nodded, then glanced back toward the tent; when she'd come out she'd left the tent flaps open and he could barely detect movement inside -- Arlo shouldn't be up for awhile yet but it was looking like Adam was waking up.  "So what's all that stuff you've been working on then?"

"Hi-Defs."

"I've no idea what those are."

"They're wrist-mounted computers.  A lot of their functionality isn't going to work right in this day and age but back in mine they were onboard guidance systems with maps of all the regions, could make and receive calls, they kept track of addresses and your appointments and bank accounts and whatever else you wanted to track, they could project 3D images, take pictures... They could do a lot of things depending on the model you had."

He blinked at her; only half of that had sunk in as he'd gotten a bit hung up on the concept of a wrist-mounted computer.  "Really? Why those then?  If they're not going to work right, I mean. ��What will they even be able to do?"

"I want them mostly for communication and maps of this region. I'd need signal transmitters in some strategic areas but once I get it all tethered to the facility they should work.  It's going to take a lot of footwork to get maps updated since it'll have to be manual scanning rather than satellite surveillance...or, hmm.  Maybe some satellites survived."  She paused for a moment, then shook her head.  "Nah, shouldn't rely on that.  Arlo mentioned there's a space station segment out in the wastes but even if there's enough left there to scavenge I doubt I could get a link going with anything that might be left up there, and even if I managed it I still wouldn't have a way to issue orders or anything like that." There was another pause and a sigh, and a wistful glance toward the sky before she returned her attention to him.  "Mine will be the sort of central control for them all outside of whatever computer station I decide to run them off of. My aim is to give them to anyone involved with the security of this facility."  

"Huh." Him with a high tech device...not something he'd considered before.  The idea was...kind of exciting, to be honest.  "So maps and talking to one another.  Is that all we can hope for?"

"Communication and map display is, bare minimum, what I'm aiming for, with maybe a basic calendar and clock function.  I'll have a look at what I can immediately do once I've server-flashed Pauline and get at least one transmitter up for testing."

"...and you've lost me.  What's a server-flash?"

She laughed quietly.  "-right.  It's hard to determine what terms survived the years and what didn't - with Petra and Merlin it's at least a 50% shot that I don't have to define something for them.  So!   Server-flashing.  I take the main operational files for an AI and do a sort of...quick copy of their foundation.  Pauline's an AI but not a living AI so I don't need to worry about her personality or anything, just the uh...the semi-intelligent framework she runs on."

"Yeah, going to need that taken down a few degrees still.  Pauline seems just as smart as Stewart but she doesn't have personality?"

"Nope.  She's just a regular assistant AI -- a sort of input-output response machine with just enough programmed intelligence to appear sentient but she can't learn or grow as a...uh...well, not as a "person" exactly but she  -- she won't ever change.  She just is what she is.   AIs like her you could make infinite copies of and they'll never, ever stop being identical copies unless something on the outside alters them.  Stewart on the other hand, if I were to make a copy of him, that copy would develop its own personality if given enough time to learn and live and the same would happen with a regular living AI."

That...sort of made sense.  At least, it was simple enough that he could grasp it without her needing to explain it more in-depth.  "And you're going to use her to run the Hi-Defs."

"After some minor reprogramming yes."

He nodded slowly; having a little, easily accessed map right on his wrist would be neat, even if it was just of Portia.  And if it worked well here maybe it could be expanded out into the other cities and nations too...and, oh man, would that make mapping the Peripheries way easier too if all they had to do was walk through it with the Hi-Def recording or whatever it did to create the maps -- suddenly he could think of all sorts of possibilities and perks to having one of the things.  "What would be the range on these things?  How would they figure out and store maps?"

"Range depends on what kind of signal strength I can get.  Hi-Defs have their own localized signals so they'll all be able to 'talk' to one another within a certain range, and also interface with the signals coming from the transmitters at a much wider range.  I'm pretty sure I'd only need sixteen or so at some key points to cover all of Portia and a bit of the outlying areas.  As for updating or creating maps it'll have to be manual scanning -- someone is going to have to start from an already mapped point and then let the Hi-Def scan the territory as you travel through it.  It'll take awhile but the program that runs a Hi-Def is robust enough to piece it all together without too much extra work needed.  And they have their own onboard storage to hold it all."

"Neat...and amazing."  As a more comfortable silence fell Asher tossed a few thick branches onto the fire and nudged them into place with a blackened, straight branch he'd purposely kept as a sort of log poker.  If Adam was stirring too then he should probably get the fire's heat evened out so he could start cooking. "Did you end up camping a lot as a ranger?"

"Yeah.  I went camping for fun too."

He carefully poked at the fire for a moment.  "...do you miss doing that?"

There was a long pause before she answered.  "I miss a lot of things."

Asher winced a bit.  "I'm sorry, I shouldn't have asked that."

She shook her head and flashed him a strained smile.  "Nah, don't be afraid to ask things.  The funny thing with pain is the more you experience it, the easier it is to tolerate."

"I don't think it works that way with this kind of...you know."

With a shrug she turned to pick up the cooking kit (which was in a large leather satchel that had seen better days) that was off to the side of the firepit.  "Works well enough for now.  I don't want you guys walking on eggshells around me, and I can't hide from it forever.   Hell, I can't hide from it even if I wanted to."

Asher was quiet as she handed the satchel over; he pulled the kettle out and stood to go fill it from the water barrel they'd installed just inside the tent flaps, then came back and sat it among the coals to start boiling.  A feeling of guilt had settled like a rock in his stomach -- that had been such a stupid thing to ask her.  "If you ever want to...talk, or something.  I'll listen."

The smile she gave him this time was less strained.  "I know.  It's appreciated."

As he bent to re-arrange a few half-burned logs she got up and walked out of his immediate line of sight; behind him somewhere he heard Adam's low voice and then the man's plodding footsteps as he came over and took Eli's place on the rock.  Asher just managed to catch the sight of Eli disappearing into the tent as he glanced back but she quickly came back into view a moment later.

"I'll be back in a bit - I need to grab a few things from town."  She had her pack slung over a shoulder but it hung limp and empty.  "Don't bother cooking for me."

"All right.  If you're sure," Asher replied.

"I am." With that she began to jog toward the path that, eventually, led back into Portia.

Asher watched her go and then sighed heavily, looking over to Adam.  "You ever feel like a massive idiot sometimes?"

"Sure," Adam grunted.  "Then I remember I'm not you and feel better."

Asher rolled his eyes and resisted the urge to whack the man with the fire poker stick; when he didn't rise to the man's banter Adam gave him a strange look.

"What did you do?"

"Nothing.  I think.  How do you want your eggs this time?"

------------------------------------------------------

Dr. Xu had acquired a wooden chair with a really comfortable cushion and a small wooden table for Harrison to work at; it sat in the corner near the front doors so it would be out of the way of everything else in the clinic but its position did mean that usually, when someone walked inside, Harrison was the first thing they saw.  Already several tourists looking for headache or muscle ache cures had approached him at the table to ask after the medications, even when Dr. Xu was clearly within view at his desk further in the room.

He kept telling himself to find humor in the situation but it was starting to get a little annoying - especially after someone actually moved a stack of books out of the way to "speak to him" with Xu staring on in surprised confusion.

It was enough to have him dreading the sound of the doors opening, and so today when they slid open he actually flinched and carefully peered over the top of the book he had propped up in front of him.

To his surprise it was that girl from days ago - the one who had fallen on the driftwood and gotten it through her arm.  She looked bright eyed and chipper, with no other obvious injuries, and he inwardly groaned as she looked around, spotted him, and came right over.

"Hey there!"

"Hello.  How's the arm healing up?"

She smiled and slipped her coat off, then pulled her sleeve up to show the bandage there.  "It's all fine and dandy - itchy, but doesn't seem infected or anything."

"Well, that's good." He went silent as she pulled her sleeve back down and got her coat back on, then cleared his throat awkwardly.   "So...what did you need then?"

"Ah, hello there -- how is the arm?"

Harrison sat up a bit straighter as Xu came over; the girl gave the doctor a smile.

"It's all good.  A bit itchy but seems to be healing."

Xu nodded.  "Excellent to hear.  Now, what brings you back to the clinic?"

The girl's smile faltered a bit and Harrison swore he saw a tinge of pink appear in her cheeks.  "Ah...well, uh, I came to um.  Talk to him, actually-"  

She pointed shyly to Harrison, and he blinked at her in confusion.  Talk to him?  Why?

Xu seemed just as confused as he was.  "Oh?"

"Yeah...um, private matter."

"Huh?" Harrison blurted out.

She turned her attention back to him and rubbed at her injured arm awkwardly.  "Um.  If you have the time, anyway."

"S-sure, I guess."  

He stood up and came out from behind the table; the girl took a few timid steps toward the door and when he followed along she headed outside into a much brighter day than Harrison had been expecting.

He raised a hand to shield his eyes and looked over to her.  "What did you need to talk to me about?  Did I do something wrong with your injury?"

She shook her head, hard; it was hard enough to dislodge a few wisps of hair from the messy bun on top of her head.  "No no nonono, nothing like that.  I was just um, wondering if you'd...like to go get coffee or lunch sometime?"

With that the woman stood there, lightly scraping the toe of her shoe into the mud; Harrison felt like someone had abruptly switched off all the lights inside his brain.  She wanted to go get coffee, with HIM?

"Uh..."

"It's ok if you don't want to," she went on in a rush.  "I don't mind.  You're probably busy.  I shouldn't have asked."

"N-no, no, it's-" Harrison interrupted.  "Ah - no one has ever asked that before.  I think my brain shut off." He offered her a weak, slightly sheepish smile, and to his surprise she returned it.   "But...why me?"

"I...dunno.  You're from Lucien, like me.  I don't meet a lot of Lucien natives when I travel around.  And, you're.  Um.  You know...cute, so I thought, why not?"

Now it felt like his ears were on fire.  "A-ah," was all he could say.

An awkward silence fell and it went on entirely too long for Harrison's liking; he was hoping she would say something...he wasn't sure WHAT, but he wanted to hear SOMETHING, anything, that would take the burden of this conversation off him until his brain caught up.

"So..."

"Ah, uh, yeah, um, sure," he said finally.  "I-I mean, if you're sure."

The girl's face brightened and she bounced on the balls of her feet for a moment.  "Hee!  Yay!  Ok, so when are you next free?"

"Later this evening?" he offered.

She nodded.  "All right then - later this evening.  Down at that restaurant in the square?  The knight one?"

Harrison nodded, feeling lightheaded; he completely missed what she said as she waved and then headed off down the hill.  Too late he returned the wave, and then leaned against the clinic doors behind him.

"What...just happened..." he muttered, rubbing at his forehead.

He, Harrison, had a date tonight.  

...wait, did she ever even give her name?

"Oh boy..."

---------------------------------------------------

"Haven't seen you in a bit," Django said as Eli walked through the door.

With all the afterimages swimming around (it was REALLY bright outside today) Eli could barely see him, and somewhat stumbled her way toward the counter.  "Been helping the Pigs out at the facility."

"Ah, that'd be it."

She managed to find a stool and sat down.  "I had to come back for some supplies and I'd like to take some treats out to the them as a surprise."

Django nodded.  "I see, hmm.  I just pulled an apple pie out of the oven, and I've got some Black Forest cake made just this morning.  Won't take long to whip anything else up either," he said as he flipped open a menu to the dessert section and slid it over to her.

"Thanks."  She picked it up and held it in front of her; with the afterimages it'd probably be another minute or two before she could clearly read it.  "Do you know if they've established any favorites?"

"I know Arlo doesn't really like sweets in general.  I haven't talked to Asher or Adam enough to know about those two."

Eli frowned; good thing she'd asked.  "All right, no sweets for Arlo then.  I know he likes spicy things at least.  How about...an order of vanilla pudding, some of that apple pie, and that spicy spaghetti stuff?"

"Sounds good."  

As Django headed off toward the kitchen Eli folded the menu properly and returned it to the pile, then leaned forward to brace her elbows on the counter and put her forehead in her hands.

Every idea she'd had so far to disable that suit all required things that weren't around anymore; the easiest would be a localized EMP to overload the projector circuits and force it into a reboot cycle where it wouldn't be able to disguise its user until it fully restarted itself.  A sliver shot would do similar in that it would disrupt the projectors by confusing its sensors with a quick burst of hard light mirror shards.  Or she could use a taser overload, or a bolt drainer, or a sys-dis (a system disabler - it would scramble all the circuit signals), or even a battery overcharger.  So many things she COULD do, if she was in her own time period...

But she wasn't, and simple ideas like trying to use water or some sort of paint or even dirt to try and short out or otherwise mark their target probably wouldn't work -- Access Suits had built in miniature shield generators evenly interspersed among the projector sensors that pulled double duty at repelling water as well as dirt, dust, or mud-like materials.  She couldn't safely rely on the hope that those generators were as damaged as the faulty projectors; if they were working correctly they might get two seconds, tops, of visual assistance if they were to try and douse the spy in something...two seconds could seem like forever in a fight but since there was no telling what else that spy might be armed with by now Eli was not about to risk anyone around her with so many unknown variables (it was as much for the spy's safety as well as their own that they be able to clearly see what they were doing the next time they clashed - she'd hated firing blindly at the spy and it'd be a really simple matter for someone to accidentally kill someone else).

"Something the matter?"

Eli jumped at the sound of Django's voice just over her shoulder.  "You walk really quietly when you want to."

Django chuckled as he moved back behind the counter; he had a few containers in hand that he neatly lined up on the counter in front of her.  "Old habits I guess, haha.  It'll be a few minutes on the spaghetti."  

She slid her pack off her back and pulled a cloth bag out of one of the front pockets, then sat it on the counter; before she could say anything Django picked it up and began to slide the containers inside.  

"It was an honest question though - something on your mind?"

Eli paused, then huffed out a sigh.  "Just trying to figure out how to hunt down a ghost, is all."

Django's eyebrows raised a bit.  "Wasn't aware we had a ghost problem outside of our haunted cave."

"Not a literal ghost," she replied, laughing quietly.  "More like someone pretending to be one."

"I see.  Not exactly your run of the mill problem to have."

With another sigh Eli rested her forehead on her hands again.  "I'm not exactly a run of the mill person."

Django nodded slowly, rubbing at his chin.  "...you know, how about we have a quick dart game while we wait on your spaghetti?"

There was something...odd, about his tone.  Eli eyed him but couldn't detect anything other than his usual smiling demeanor -- he sounded off but looked fine.

"...all right," she answered, standing up and aside as he shuffled out from behind the counter and led the way toward the back game room.

There were a few others in the restaurant; Eli found herself waving at folks as she went and narrowly dodging Toby who was waving a report card at her (she made a mental note that there were only two more months for Toby to prove he'd kept his grades up enough for training) and then she was in the game room with Django already retrieving the darts from a drawer in the prize counter.

He didn't say anything at first as he handed her the three green darts while he kept the red ones. "So.  Looking for a person pretending to be a ghost, you said?"  Django lined up a dart and then tossed it a breath later; it landed right on the border between a bullseye and the next ring out.

Eli huffed then laughed quietly.  "I feel like I'm about to lose.  Terribly."

Django tossed another one and it landed squarely inside the bullseye.  "I've had a lot of practice.  Where's this ghost person lurking?  Out at the facility?"

"...yeah," she answered after a pause.  "We have an uninvited visitor out there."

The third dart he threw, to Eli's surprise, flew well off to the left and embedded itself into the thick safety backboard that the dartboard was mounted on.  "When did this ghost show up?"

"Recently."

She watched silently as he went over and slowly took the darts down; when he was out of the way she took her first throw and it barely stayed within the board, embedding itself into a bottom right section that wasn't worth any points at all.

"Humor me.  Was it someone you think is on the smaller, lighter side?"

"I...guess.  Couldn't really get a good look at them, obviously."   Rather than taking her second throw she turned around to face him; he'd moved over to lean against the prize counter's front, arms crossed over his chest and a somewhat brooding look on his face -- seeing something other than his usual cheerful expression immediately made her forget all about the dart game. "All right, spill: what are you getting at?"

Django inhaled and exhaled slowly.  "Did Arlo tell you about that Rogue Knight we had, not too long ago?"

"Yeah, I've heard about it.  He said you were the one who was able to drive them off too.  You think this knight guy came back?"

He shook his head.  "No, I don't think your visitor is the same Rogue Knight I fought that day.  But you mentioning a ghost brought back some memories, from when I was younger.  Of a different, more dangerous knight, in her own way."

Eli walked over and dropped her remaining darts onto the counter.  "Are knights just a common thing now?"

"Not anymore.  In the older days - meaning, the older days of our current era, between the Calamity and when humanity was finally recovering - folks took up the title of knight as they fought to protect their homes and people from both man and monster alike.  Humanity didn't have much left back then...just a lot of old stories and memories of how things once were, but the legends that were even older than the Old World still managed to survive.  Such stories helped keep the survivors alive, and while it's a tradition that's been mostly overwritten by the Civil Corps and other law enforcement nowadays, there's still a fair few of us who stick to those old stories and the honor that comes with claiming the title of knight."

Eli watched him as he spoke; the brooding look had given away to something more resembling a thoughtfulness - a softer, more introspective look, and as he talked his chin was slowly dipping down so his gaze ended up on the floor just in front of his feet.

"So..." she said quietly into the pause that followed.  "Why did me mentioning a ghost make you think of another knight?"

Django finally lifted his gaze and flashed her a grim smile.  "I drove that Rogue Knight off with the belief that he wouldn't dare step foot here again.  I still believe that, in fact.  But I've been on my guard for any hints of other troublesome knights that might show up to try and finish the job he left undone.  It just so happens that I know of a woman who called herself the Ghost Knight -- I knew her when I was a younger man.  We even fought together a few times to clear out monster nests or drive off bandits."

Eli's eyes widened.  "You're kidding."

"I wish I were.  You mentioning you were looking for someone pretending to be a ghost brought her to mind."

"Who is she?  What's she look like?  Why would she be here?"

"I don't know.  I never learned her real name, and she never learned mine.  I never even saw her face - only the strange suit of armor she wore.  As for why she's here-"

"Is she a mercenary for hire?" Eli interrupted.  "What - how did - how do knights function?"  At his mildly surprised look she slumped her shoulders a bit.  "Sorry - didn't mean to interrupt you."

Django chuckled and pushed off from the counter, moving to line up to throw his darts again.  "Not a problem.  I can only guess at why she'd be here -- same reason the Rogue Knight was, I wager.  I wouldn't call her a mercenary...that's not what we did.  But, it's been over a decade since I last spoke with her, and people can change."

Eli shifted and leaned against the counter almost in the same spot he'd just vacated, putting him and the dartboard at her back as she stared a hole into the wood in front of her; if this person was this Ghost Knight that Django had known years ago then that meant it was a good chance that this spy's having an Access Suit was just...a one-off. One person who got their hands on something that actually still worked.  That was one fear off the list, at least.

"Django... How did this woman fight?  What did she do as the Ghost Knight?"

"Scouting," came his answer, quicker than she'd expected.  There was the sound of the dart thunking into the board before he continued.  "No one was better at it than her.  And in a battle she was the best flanking attacker you could hope to have on your side."

"Flanking...  Does that mean she didn't take people on in a direct manner?"

"She avoided that as much as possible but she was still capable of defending herself if she had to."  Another thunk of a dart.  "Can I ask you a favor?"

"Sure."

She turned around from the counter in time to see Django turning as well, flicking his wrist and sending the dart at the board without looking or aiming; the dart stuck into the bullseye.

"If you find this person, and manage to capture them, I would like to speak to her."

"I... I mean, I'M willing to let that happen, but I'm not a Civil Corps person.  That's not likely up to me."

Django nodded, slipping his hands into the pockets of his colorful coat.  "If you can make that happen, I'd be indebted to you...  Excuse me, I should go check the spaghetti.  It ought to be done by now."

"Yeah, sure thing.  I'll head back up to the counter."

He disappeared through a small door into the kitchen and, as she said, Eli walked out of the game room and back to the counter where the rest of her order was sitting packed neatly into the cloth sack.

She looked over a shoulder at the restaurant's patrons; there were considerably more people here now than had been when she'd first walked in, and Django had purposely wanted to talk to her about it away from others.  She really, really wanted to ask him more about how this Ghost Knight woman fought, or where she'd come from, or--

'I'll come back when it's not busy, or maybe I can catch him at home.'

That he'd admitted he'd been on the lookout for any other trouble-making knights worried her...maybe she should also split her history lesson time between Isaac and Django.  

------------------------------------------------

"Bye, see you tomorrow!"

Django gave Sonia a small wave and a smile as she headed out the front door; there were a few spots left to sweep and then he could put out the lights and head home himself.

Normally he enjoyed the absolute silence of the restaurant late at night - it gave him time to daydream, or plan for the next day's operations.  Tonight though... He couldn't help but think of that Ghost Knight.  Everything he could recall about her had come flooding back in a rush when Eli had mentioned someone pretending to be a ghost; any other time he would have dismissed it as silly old memories but now...

He bent and swept up dirt into the dustpan, and then moved to carry it over to the waste bin.

Ever since he'd driven that rogue knight off he'd been constantly vigilant for any hint, no matter how small, that someone else had arrived to plunge Portia into chaos.  He imagined most people would think he was being paranoid without reason and so had kept such worries to himself...maybe he shouldn't have done that.  Portia's residents had been panicked at first and demanding more protections from the Civil Corps folks after the knight incident but, as time wore on, they'd fallen back into their lives without fear of outside threats; would anything be different now if Django had shared his worries with Gale?

"Too late for that," he muttered to himself.

He swept up the last little dust pile and dumped it into the bin, then went to put the dustpan and broom away.

Once everything but a single lamp was powered down he dipped behind the front counter; for the most part he stored napkins, silverware, and small dessert plates behind here but after that Rogue Knight had left he'd started stashing a small box out of sight behind the formal cloth napkins that were only used during holidays.

The box was about the length of his hand from fingertips to the heel of his palm, and was just barely shy of being perfectly square.  Django popped the latch open and lifted the lid to reveal a delicate-looking pair of gloves made of silvery wires, each with a single wire that was much longer than the others that ended in a tiny plug; they were very hard to see among the loose cloth that padded the inside of the box, and he knew from experience that even when worn they were difficult to spot.

As he looked the gloves over he had his usual mixed feelings about them; hidden beneath his shirt and jacket were a pair of matching armbands hugging his biceps that had very small charge generators on it -- wearing the gloves with the lead wire plugged in allowed him to charge up and release a controlled shock that went off with a bang, a bright flash of light, and repelled anything he hit along with delivering a strong sting to his target.  

Much like the memories of the Ghost Knight now all his memories of having found these relics came rushing back; he'd once been a young, stupid man, with lofty ideals about what it meant to be a knight without truly understanding anything about knighthood.  He'd thought that finding these gloves had been the ultimate stroke of luck -- something to make him an unstoppable force of good in the world.  He'd been hilariously proven wrong, over and over, until he began to treat them as tools to compliment his own skill, rather than relying entirely on them.  

When he finally understood what the gloves true purpose ought to be he began to win more often and eventually they had earned him the title of Storm Knight; when he'd realized that his dependence on them had basically shaped his reputation he had almost thrown them away. The fear that someone else would make the same mistakes he did (or worse - that someone would use them to harm others) had made him keep them, and steadily he relied on them less and less over the years until he'd mothballed them five years before he retired. The Rogue Knight had been threat enough that Django had felt the need to take the gloves out of storage and thankfully with them - and with his reputation - that had been enough to scare the knight off.  

The problem with this Ghost Knight was Django knew reputation alone wouldn't drive her away.  She had fallen into the same pitfalls he had: thinking that Old World technology made her invincible, or at the very least better than everyone else.  Rather than learning and improving she had stagnated...and he'd watched it happen.

"You could have been one of the best..." he sighed, closing the box and tucking it under an arm.

She really could have been...maybe he should have fought her harder on her reliance on that suit.  Maybe she would have listened if he'd fully explained his own mistakes with the gloves.  Maybe he could have trained with her to show her there was a more honorable way of living. But then again, maybe there wasn't some magical combination of words that would have swayed her to his side and stopped her from getting mad and literally stabbing him in the back.

As he headed to the front door he reached his free hand around to rub at a spot on his lower back.  That old scar ached and itched when it was cold or wet outside but it was an old wound he'd learned to ignore; tonight it was a dull throbbing pain - probably exacerbated by the sweeping, or so he told himself before pausing to really examine that thought.

There used to be an old wives tale about how an injury caused by a mortal enemy would burn and ache when that enemy was nearby.  The Ghost Knight had been his companion once...he didn't think for a moment that they could be friends again but he could spare a bit of hope that the old tale was true and that he would know exactly when he was needed if it was truly her in the region.

[itwillalwaysbedestiel]

Supernatural Star Jensen Ackles Is Ready for What’s Next. Are You?

When it was announced that beloved CW series Supernatural was ending after 15 years, fans were crushed. But there's plenty to look forward to before saying goodbye. Here the show's star opens up about the “beautiful” final episodes, his next move, and how he finally got his hands on Baby.

By Emily Tannenbaum

October 14, 2020

Jensen Ackles’s Supernatural journey began and ended with a road trip.

Fifteen years ago Sam and Dean Winchester (played by Jared Padalecki and Ackles, respectively) began their drive across the country in a jet-black 1967 Chevy Impala, hunting monsters, demons, and, eventually, God himself. Ackles was 26 years old at the time (the same age as the James Dean–like figure he portrays on the CW series), single, and coming off a steady career on TV, including a popular role on Days of Our Lives.

The actor is now 42 years old and just finished filming the 15th and final season of Supernatural after the coronavirus pandemic shut down production for several months. To mark the occasion, he did what Dean would do: He took a road trip. But this time things looked a little different and not just because he lacked monster-killing weapons and the iconic Impala.

“It was a sprinter van,” he tells me, back at home in Austin, after driving to the East Coast with his wife, One Tree Hill actor Danneel Harris Ackles, and their three young children. And instead of fighting the forces of evil along the way, he questioned what life might look like without the show that's been a vital part of his identity for a decade and a half.

“I needed to get back home and start figuring things out and start unpacking my life that's been in Vancouver for 15 years,” he says. “What's the next move? Where am I headed next? What interviews am I going to do? Luckily, my wife was like, ‘Stop. Can you just take a breath for a minute and play with your kids on the beach?’”

So he did. But now he’s back, talking to me over Zoom with his new, prized commissioned drawing of Winchester brothers’ smashed-up Impala behind him (a gift from his wife by artist Alessandro Paglia), trying to put into words what it feels like to leave behind a 15-year legacy.

“How have you changed in the last 15 years?” he asks me. Well, I've watched a lot of Supernatural, to be honest.

Existentialism aside, Ackles is clearly ready for his next act, even if the show's massive, fervent fandom—known as the SPN Family—may not be. Back in March 2019, Ackles, Padalecki, and their costar Misha Collins devastated diehards when they announced they'd be ending the series on their own terms after more than 300 episodes. A bit of good news is that fans will still have the conventions that honor the show and cast meet-ups that take place all over the world. Eventually.

“I love how big it's gotten and how we feel like a traveling circus going from town to town,” Ackles says. “Obviously, we'll have to wait until we're all allowed to gather in large crowds again, but I think as soon as we can start going to concerts and festivals and movie theaters, we'll start those back.”

For now Ackles is preparing for his life beyond Dean Winchester, which includes his anticipated role as the first-ever superhero in season three of Amazon Prime Video's The Boys, as well as a new production company he's starting with his wife. He filled me in on all that, how the Supernatural finale changed due to COVID-19 restrictions, and, of course, how he got his hands on the iconic 1967 Chevy Impala—which he drove to Starbucks the morning of our call.

Glamour: I almost don’t know how to ask you how it feels to end a life-changing, 15-year project like Supernatural.

Jensen Ackles: I understand how rare it is and that it's a bit of a unicorn to have a show that runs this long and to be as intensely part of it as I have. I mean, you've got procedural dramas—you know, Law & Order and stuff—but a lot of those casts come and go. To have the same two leads in every single episode for 15 years, I think, is a pretty rare feat. So I'm proud that we did it. That was really the overwhelming feeling when we filmed our last day and our last scene. It wasn't a mourning process; it was more of a proud moment of “Look at what we've done.”

The finale of Supernatural was already planned before COVID hit. Did anything in the last two episodes have to change because of filming restrictions?

We had to drop some ideas we had for the final episode, but it didn't change the story. We were supposed to have a lot of familiar faces come back, and we were going to try to filter them into a montage. It was going to be almost a break from the story and a look at how far we've come—a little tip of the hat to the fans—and we would all be able to celebrate together. Obviously, we couldn't do that. So that part of the finale episode got nixed. But the story and how it ends up, that stayed the same.

You’ve been talking about wanting Dean’s Chevy Impala, Baby, for literally years now. Did you get it?

I've wanted it since the second episode. I was like, “Wait a second. What's going to happen to this car when it's over?” I've been angling to get that car since literally season one. I was thinking, Why wouldn't they give me the car?

Then as the years went on, I thought, Oh, I'm gonna have to fight for this now. So I kept seeing if I could put it in my contract, like for years and years, and the studio, the producers were like, “Don't worry, don't worry about it.” Wink. I was like, “Yeah, you say that now.” So, in my last contract that we had, I didn’t ask for a bigger trailer; I didn’t ask for more money or more time off or anything. I said, “I want the car.”

That car is sitting about 40 feet from me and my garage. I actually drove it to Starbucks this morning and picked up some coffee.

Your wife, Danneel, has been appearing on Supernatural since season 13. Do you two have any plans to continue acting together?

We've got a company now, Chaos Machine, and we're starting to produce things together. So it'll be a more of a producing team as opposed to an on-camera duo. That’s the thing with this industry...you never know where the roads may lead or what’s just around the corner. But she and I love that. And we certainly love a challenge.

You two already run a brewery, Family Business Beer Company, together while raising a seven-year-old and three-year-old twins. How do you work together as husband and wife versus as business partners?

Very similarly actually. Divide and conquer.

Speaking of behind-the-scenes roles...you’ve directed five episodes of Supernatural. Any plans to direct Jared Padalecki's new show, Walker?

I would absolutely love to, but with my new gig on The Boys, I don’t know if I’m going to be able to. We're trying to figure out scheduling.

They're in the midst right now of building my costume for The Boys, which is a custom-built superhero suit. That is way more intense than I anticipated, which is cool. But I have to literally be in L.A., like, every two weeks for the next three months. I think it's six fittings and they're each like three- to four-hour fittings. They're literally molding things to my body, so it's intense.

What will be on your playlist for you to listen to while they mold things to your body?

Actually, funny enough, that was the first thing they asked me. Laura Jean Shannon, the costume designer, she says this is important because every superhero [she’s worked on] has a type of music. So she was like, “What would Soldier Boy listen to?”

To be fair, the first time we see him, it's World War II. So we're talking the ’40s. So we listened to big band and swing the whole first day.

In addition to your new projects, you’ve also been posting a lot about Black Lives Matter this summer—from handing out supplies at a protest to giving over your social media accounts to Black activists and politicians. What have you learned?

Looking at my kids and being a father, I’m thinking, Wow, what kind of world are they gonna have? So I've started to listen a little more and I've started to want to understand other people's experiences so that I can make a better choice about the actions I take. I've gotten pushback—[in the past] even I've looked at actors using their platform to be political and been like, “You know, nobody needs to hear that. Just do your movies and do your show. You're not a politician.”

But I've now learned that, no, you've been given a platform now with social media. And even before that, when you would give an interview to a publication, there's a voice there that is yours and you get to choose how you use that. And I think that's a responsibility that people need to take seriously. So I’ve tried to do it as inclusively as possible.

Before I let you go, please tell me what fans can expect from the final episodes?

I've said a few times that the second-to-last episode really feels like the season finale and that the final episode feels like a series finale. The series finale, episode 20, is this beautiful throwback to the whole show—to what it was, what it has been, and what it is today.

Okay, one more! What’s the creepiest thing that’s happened to you on set, in honor of spooky season?

Anything that's kind of been paranormal or supernatural? I think that they stay away. If that stuff was to happen, it's not going to happen on our set because we've got too many tools to take them down.

If your lore is correct, that is...

Right? That's true. [Laughs.] Oh, it was pepper, not salt? Damn it!

Supernatural airs Thursdays at 8 p.m. E.T. on the CW. This interview has been edited for clarity.

[eirikrjs]

How are you seeing the plot changes on the FF7 Remake? i was thinking that it was my opportunity to play it, since i didnt play the original, but it seems to be way different.

Spoiler-free thoughts!

Hmm, like with most things about the game’s story and characters, if it applies to the core cast I’ve generally been pleased/accepting of it and applied to the brand new or expanded minor characters it’s garnered indifference or annoyance. That said, I’m still a few chapters short of beating the game. Like I think they did a great job keeping the original personalities (vs. the EU personalities) of Cloud, Aerith, Tifa, and Barret intact; other than the madcap gesticulations of the female characters early on (which I saw someone describe as mimicking J-pop idols--100% accurate and now can’t unsee), the original tone is there. FWIW, I last played the original game last summer.

This is contrasted with a character like Johnny, who now feels like he’s an invader from a bad Atlus sidequest. While the original includes lots of goofy stuff, some of the newer personalities clash because they don’t act like humans. Or at least FF7 melodramatic humans, definitely not perfectly rounded characters but there’s a defined range to their personality (which is why the idol poses seem out of character for someone like Tifa, for example, who was reserved in the original). Like, after playing with Atlus stereotype robot characters for a decade plus, you forget how good it feels to see a group listening to someone recount essential backstory with brevity and without overreacting. It’s not award-winning stuff, but it’s a bare minimum of effective storytelling craft you rarely see in modern JRPGS where I guess sheer amounts of dialogue have to compensate for not having the untold millions Square can pump into this game.

But I don’t think I’d recommend FF7R to someone who hasn’t played FF7 before. Like not long after the game begins there are scenes that seemingly expect you to know who characters are and their significance. Then again, it is Final Fantasy VII and surely anyone considering playing the remake is probably already aware of the more famous characters. I’m certain there are plenty of players in that boat already enjoying it.

In sum:

I like the battle system a lot; Tifa’s agile style especially

Original monsters in HD, even the bonkers ones

I understand the need for and am not too bothered by all the load tunnels

The story and dungeon padding is clear as day to someone like me who has played the original many times, but shouldn’t be too noticeable to someone unfamiliar... EXCEPT when it kills the tension

Original cutscenes are recreated with great respect and skill, some more than others but I won’t spoil

English VO has been good

Soundtrack is sublime

I will purchase that soundtrack

You will lose track of the number of remixes of Those Who Fight

Yeah, I like it a lot better than FFXV

I still listen to the FF7 OST regularly so this new soundtrack in particular has been keeping me engaged. FF7 is not just a favorite game, it’s an important game to me so I may be a little biased. I think the most accurate, most universal thing I can say about FF7R is that it’s the best Final Fantasy VII product since the original Final Fantasy VII.

[stillinaincrad]

The NineSpot: Anime I Really Liked with Sequels I Really Didn’t

Am not calling any of these the worst sequels of all time or likewise calling any of the originals the best ever by any stretch of anyone’s imagination, but these are sequels to anime series I fell in love with and didn’t really care at all for what came next. (am not considering OVAs or movies based on entire shows, btw, because they both almost always suck compared to entire seasons anime)

1. Is It Wrong to Try to Pick Up Girls in a Dungeon? (Dungeon ni Deai wo Motomeru no wa Machigatteiru Darou ka)

The original DanMachi series was proof-positive that predictable and cliché can still yield a really great tale when the directing and production is top notch. Everything that should have made it lackluster couldn’t outweigh the feels and I always end up smiling earlobe to earlobe. The characters are beyond well crafted, and it is still crystalline-clear that this project was someone’s pride and joy. I adore the original series. The Sword Oratorio spinoff was -meh- to me, it leaned too much on the original for hooks as it tried to fill in Ais’ backstory and ended up being more about Lefiya anyways (plus they blatantly stole the marquee anthem from Last of the Mohicans, which turns me off a thousand times every time it plays now). Oratorio provided some levity, but did nothing at all to advance the story. Then we got DanMachi 2, which started out with mediocre writing but a killer arc and the backbone surfaced for some amazing story depth to amass, but all we got in the end was the horribly lame Ishtar arc where a depressed fox girl doesn’t want to be a prostitute and Bell feels bad about it. I’ve felt exactly nothing for these characters since the original.

2. Overlord

Take a peruse through my blog and you will see that I have never campaigned for a second season of anything more than I did Overlord. I LOVE the first season, it is an absolute favorite of mine, and being that it is yet another Madhouse anime I honestly never expected more but always clamored for it because Overlord was absolutely deserving. When we finally got S2, it threw me for a loop because the original cast barely appears in the first four episodes, but then I found my feet and eventually got myself into the new episodes. Ironically, that is about all that this second season had to offer to me. The lizardmen arc is fantastic, definitely watch it, but when that ends? Here’s about all you need to know: Sebas has a softer side, Climb is a little bitch. There you go, onto season 3 (which is fantastic, btw). 

3. Full Metal Panic

FMP is one of my favorite old-school anime ever, because it balances great humor, great characters, and - despite a shload of filler in the second half - a great all-around story. It is SUCH a gem. Second Raid was a tad bumpy due to a new studio, but still fantastic, and Fumoffu was the comedic break that an already goofball of an anime conjured up and it totally fit as long as no one took it too seriously. Then, some 15yrs later out of nowhere we get Invisible Victory, which Xebec used to completely rewrite everything, and not in a good way. From go, Kyouka - an important supporting character from the outset - is killed and totally glossed over like it wasn’t significant asf, and I got pissed. Then all the already-established characters took on totally new personalities of grave seriousness, which was never the brand. When you take previously established characters who have always been hopeful, energetic, and buoyant to a fault, always looking forward and up - and suddenly make all of them overtly dramatic, hardened, and inordinately austere across the board, it totally cheapens the original and to an extent that superflous doesen't even begin to describe. Massive franchise fail, Xebec - dishonor on you, dishonor on your cow. Easily the sequel I have hated the most. As in, ever. 

4. Sword Art Online

Look, I am the last person you need to tell how much bad this series has divulged into. I was so all-in on the concept, the characters, the drama, and the love of the original series. Do you think it’s ironic that I’ve been doing this almost 5yrs now and haven’t changed my URL? I’ve always said that if the first Matrix movie were left alone and that was it - Neo giving that threat and then flying off into the credits and we have to make up the reality that may or may not have transpired after that -  that it would be in the top 10 movies ever made. That’s how I see the first arc of SAO. It was THAT good, I have somehow watched it more than anything ever made. I originally considered the whole second half of the first season to be filler and am always turned off at the molestation that it celebrates, but said it was ‘for the story’. Then the Sterben shiz happened and I said ‘yes, it’s the EXACT SAME STORY  but it’s going somewhere’, and then it did, to somewhere absolutely worse. I made it about halfway through Alicization and I up and quit altogether. SAO is such a shit franchise - the only thing that has gotten worse than the animation is the writing, the characters that used to be great are so incredibly shallow and annoying now, and I have made more fun of something I used to love than anyone. I am the first to admit I am a huge heel for most of what I have said in support of it in the past. But omg those first 14 episodes. I can’t label the initial tale of SAO as anything but amazing. And if those 14 episodes were the only episodes we ever got, I would easily call it one of the best anime ever made.

5. Date a Live

I almost have to laugh that I am about to mention Date a Live after that. DAL was never going to be confused with a good anime, but it was fun. It was silly and rampant and insane, but you still fell in love with the characters because they were totally and completely worth falling in love with. Then DAL2 happened, and I hate this season a little too much. It was released too soon, it was done too poorly, it was just every kind of measurable cringe. The only thing worse than the writing was the lackadaisical and pedestrian voice acting, and that’s saying a lot considering how intern-worthy the animation of the second season was. DAL3 redeems itself plenty, the characters become likeable again, and there is an actual story and it isn’t awful and harkens back to seeds planted that were never developed, and at least part of the budget was dedicated to better artwork. But wow - DAL2 is just pure hot garbage.

6. A Certain Magical Index (Toaru Majutsu no Index)

The first two seasons of both Raildex series have casts I'd pretty much take on an entire den of Wendol with a soup spoon to protect. They're just that good, so I was beyond excited when a third Index season was announced. I've never read the source material, so maybe some were ready for it more than I was, but Index III started off TOTALLY different - the blood and brutality is turned up past 10, everybody up and turned into an a-hole about everything, and it all felt very foreign to me compared to everything before it. But, I stayed in because I was still invested in the characters and wanted to see where it all went. It eventually reminded me a lot of the good 'ol days of anime where it wasn't always happy, where sometimes even the good guys made you feel bad, and where there was a fairly complex storyline that you really had to pay attention to if you wanted to keep up. The difference is, a lot of those shows were good. Index III just... was. I got nothing out of choking my way through the entire season, and really didn't care about anything but finishing it long before I ever did. I still feel a bit betrayed that this was the anime that fans waited 8 years for. 

7. Eureka 7 Ao

No need for any exposé. Screencap says it all. How you follow up one of the most epic mecha anime ever with this fail of a series is beyond me. Great music, absolutely abysmal writing. 

8. Infinite Stratos

Was Infinite Stratos good? Original, yes. Fun, yes, Characters that made you care about them, yes. But good? BWAHAHAHA NO, it absolutely was not good. IS is one of a handful of titles I chuckle about saying I enjoyed, because it's quite bad. Which is how you know IS2 is total dregs, because it's so very bad that it makes the first season look kinda decent. There was a story worth developing in place in the second season, they just chose to go full potato on the harem and fanservice elements instead, and decided that the writing didn't really matter. The ensuing episodes are for the most part just too much stupid to watch. 

9. Blood Blockade Battlefront (Kekkai Sensen)

A bit of an odd duck, Kekkai Sensen introduced us to a world of enigmatic and strange bedfellows traversing a totally bonkers landscape of a world that somehow all manages to come together as a collective yaaas in the end. There is a unity that develops between them which task by wacky task binds these otherwise incongruent personalities together towards a common goal, and interpersonal gold eventually develops between them. The strengths of the individual are blended like watercolor to reinforce the weaknesses of the individual within the resulting eccentric genus. A cliché but nonetheless robust red string of fate ties all the loose ends together and a fantastic actuality of cognizance materializes between the ragtag cast and the forces that amass against them, and the first season ends with a feel-good that no one could have ever seen coming. It really is a great ride. Then the second season happens, and the glue that holds it all together feathers and ‘stuff just happens’. I was disappointed that all that great writing and plot that intertwines in the first season is totally absent in the second, and in the end it becomes just tales. I wanted so much more and got barfly stories regaled secondhand. 

[recentanimenews]

OPINION: The Life and Times of an Indian Otaku

  Makoto Shinkai's Weathering With You marked a historic first in my anime watching career. Contrary to popular belief, being the first anime to be released in Indian theaters is not the historic first in question (that honor goes to Shinchan: Bungle in the Jungle). Rather, Weathering With You would become the first film I'd ever watch on opening day — "first day first show" as we Indians call it. In the mad scramble to get tickets, I'd emerged a winner. Was it worth the struggle?

An emphatic yes. It was so good I went on to rewatch it twice.

    To fans in India: I’m so happy to tell that ‘Weathering With You’ (Tenki no ko) will release in India this October! We have licensed the Indian distribution rights to PVR Pictures and BookMyShow backed company Vkaao.

— 新海誠 (@shinkaimakoto) August 10, 2019

  The Indian theatrical release of Weathering With You in 2019 marked an important moment in the history of the Indian anime fandom. The story of how Shinkai noticed (and fulfilled) an online petition by Indian fans asking for its release here is already the stuff of legend. Because access to anime (especially in theaters) was so scarce in India, even in 2019, fans sought to have the film legally released in theaters. And thanks to Shinkai, it worked. To Indian anime fans, this represented the moment Japan — and the rest of the world — recognized our existence in the fandom. But Indian otakus didn't spring up overnight. Anime has had nearly three decades of history here. It just looks a little different than the rest of the world. The origins of anime in India go back to the '90s. Prior to the economic reforms of 1991, we had one — yes, only one — TV channel, the state-owned Doordarshan. The post-1991 wave of private TV channels brought with it a flood of international TV shows, among them anime like Robotech (which aired on the newly-created Star Plus). Ramayana: The Legend of Prince Rama, the anime adaptation of the Indian mythological epic of the same name, was released in 1992 and had a long and troubled production history, but the end product was a grand success, with its all-star Hindi cast and catchy songs turning it into a TV fixture for well over a decade. It even received a US release, with Bryan Cranston voicing the lead role. The remainder of the '90s would see various anime achieve varying degrees of success, from Nippon Animation's 1989 adaptation of The Jungle Book — which became a nationwide hit — airing in India starting in 1993, to late-night anime like You're Under Arrest and Gunsmith Cats. Despite this, there wasn't yet an actual fandom surrounding anime at the time. That would all change upon the turn of the century.

  Cartoon Network revolutionized the Indian anime market when the channel arrived in 2001. The launch of dedicated anime programming block Toonami brought with it two anime that would permanently shape the future of the fandom: Dragon Ball Z and Cardcaptor Sakura (albeit in its heavily-edited Cardcaptors form). While I never watched Dragon Ball Z (compared to all my friends at school), I did watch some Cardcaptors with my sister, which would actually be the very first anime I watched. My own viewing habits notwithstanding, DBZ was very much the anime of the moment. Schoolkids would frequently shout out famous lines from the iconic English dub. We'd even invented various hand games based on attacks and moves from DBZ. In 2003, another monumental shift would come as the childhood classic Pokémon hit the small screen, followed closely by Digimon, Yu-Gi-Oh!, and Beyblade. The merchandise associated with these franchises turned them into smash hits with a younger audience. All the cool kids had Pokemon cards and Beyblade tops. Battling with them at school was the stuff childhood was made of. To this day, these toys continue to sell well. Beyblade tournaments are still very much a thing. While many of my schoolmates were avid fans of DBZ, there were other trends in anime that could be observed, trends that had to do with language. From my experience, certain anime were only available dubbed in Hindi — a language spoken largely by the northern half of the country. Coming from a south Indian city with a significant north Indian population, I could observe a clear trend wherein Hindi-speaking north Indians grew up with these Hindi-dubbed anime, while people in the south (who spoke other languages) largely grew up with titles that were available in English (or Tamil, as fans of DBZ's Tamil dub can testify). Interestingly, these Hindi dubbed anime tended to be ones that were popular in Japan but not so much in the West — stuff like Doraemon, Shin-Chan, KochiKame, and Case Closed. This gave the north Indian anime scene a rather unique flavor. An even more interesting case is that of India's northeastern region (comprised of states like Nagaland, Manipur, and Meghalaya). Being culturally different from the rest of India, these states have had a history of consuming Korean and Japanese media, and they embraced anime and manga in a way the rest of the nation had not. Anime-related cosplay is huge in the northeast, with some of the best cosplay conventions in the nation taking place there and becoming a part of the local fashion scene. The general acceptance of otaku culture in the region continues to be high.

Eventually, anime would become a little more accessible to all. The launch of dedicated channel Animax in 2004 represented another watershed moment in the fandom. The shows Animax brought over were unlike anything we'd seen in the medium. Shows like Bleach, Fullmetal Alchemist: Brotherhood, Inuyasha, and K-On! redefined what anime meant for Indian audiences who had previously seen anime as a childhood interest and no different from other cartoons. As the channel slowly began to shift its focus to the older teen/young adult demographic, more mature anime like Cowboy Bebop, Hell Girl, Akira, and Welcome to the NHK challenged our conservative notions of what was acceptable to air on TV, especially considering these shows aired in daytime slots rather than late-night. This honeymoon period did not last. Animax was delisted by service providers in 2012. The years to come would be some of the most frustrating for us anime fans, as availability was at its most inconsistent and uncertain. While the channel attempted to make a comeback later on in 2016, it eventually disappeared for good in 2017. Despite all these problems, I look back on Animax fondly. Thanks to it, we became aware of the existence of the entity known as "anime." We began to actively seek out anime over other forms of animation. In short, it resulted in the formation of an actual fandom centered around anime. Anime fan clubs began to pop up in major cities like Mumbai, Delhi, Bangalore, and Kolkata. Widespread conventions outside of the northeast region came next. Anime Con India was started in 2010, followed closely by Delhi Comic-Con in 2011. Anime conventions in India are a curious thing. They are very unlike the sprawling, sophisticated conventions of the West. The funds simply aren't there for that sort of thing. I don't recall a single Indian anime convention that was attended by a voice actor, animator, or the like. So what are Indian cons about? In an interview with The Citizen, Anime Con India founder Nitesh Rohit talked about his reason for starting the con: "like any other belief and faith they all needed a temple to congregate (at)." This statement really resonates with me, and sums up what Indian cons are about. What they lack in scale and facilities, they make up for in intimacy and a feeling of togetherness. They are more or less small-scale events for anime fans to find other fans, to network with them, and basically feel less alone. Because feeling alone was part of the original Indian otaku experience. The early fandom was largely an urban phenomenon, as going to cons wasn't an option for everyone and the internet wasn't what it is today. So, you had these disconnected pockets of fans. People around you were unlikely to share your interest in anime and may have even judged you for it. The general consensus in India was (and still is) that animation is a medium for children. And remember, for a long time, anime accessibility varied by region. So, if you were lucky enough to find a kindred otaku, there was no guarantee they were into (or had even heard of) the same titles as you. This meant that we hadn't really had the ability to develop any sort of unique culture or traditions of our own. Things like going to cons, renting anime DVDs, memes and in-jokes — these things didn't exist for the vast majority of early fans who were school-going kids or college students of little means. A culture of our own wouldn't arise until much later — when that generation grew up.

  Of course, it wasn't just us who grew up — technology did, too. The internet became more ubiquitous. Social media and forums enabled us to network with each other regardless of location, in ways we'd never have imagined. To the scattered fandom of the early days, this has been nothing short of a blessing. The other big change ushered in by the internet was the era of streaming. Until then, most of our anime viewing took place on television and as previously stated, was not always very consistent. Accessibility improved greatly with the launch of Netflix in 2016. In today's India, Netflix is a household name, with a significant portion of young adults having access to a subscription. With a catalog of over 200 anime, Netflix has been responsible for pulling in many new fans. Plenty of people "come for the movies, stay for the anime." Series like My Hero Academia, Death Note, and One-Punch Man have become mainstream successes in this fashion, with a significant following even among non-anime fans. Another streaming service that is beginning to make inroads into the Indian market is Crunchyroll, with simulcasts like Boruto and originals like Tower of God, and the fact that it is free makes it accessible to anyone with an internet connection. Most Indian anime fans I know of have heard of Crunchyroll, and as more titles get licensed it is inevitable that its popularity will rise. And us otakus are doing plenty to help it do just that.

The success of Weathering With You is a shining example of the tight-knit nature of the Indian anime fandom. All it took was one person (an anime fan named Divishth Pancholi) to create a Change.org petition asking for its release in Indian theaters. The petition went viral, getting over 50,000 signatures and attracting the attention of Shinkai and the producers, resulting in its release here. Today, that event is seen as a smaller part of a greater Indian anime movement that is pushing for increased availability and acceptance of anime in India. Hashtags like #IndiaWantsAnime frequently make their presence felt on social media. This fandom isn't without its problems — it isn't the most inclusive when it comes to non-male fans, the "animation is for kids" specter hasn't been fully shaken off, and I'd love for anime BluRays/DVDs to be more widely available here. But I am grateful for the fandom's existence for getting me into anime in the first place. Without them, I'd have never been sitting in a movie theater on October 11, 2019, watching Weathering With You.

By: news+feed@crunchyroll.com

[aion-rsa]

Future State is the Next Evolution for DC’s Legion of Super-Heroes

https://ift.tt/eA8V8J

This article contains spoilers for Future State: Legion of Super-Heroes #1

Never let it be said that Brian Michael Bendis doesn’t know how to keep busy. The prolific writer has had his hands full since coming to DC in 2018. Arriving with much fanfare on both Superman and Action Comics, Bendis also relaunched Young Justice, co-created a new DC mainstay in Naomi, wrote the excellent Batman: Universe, shepherded the Event Leviathan mini, and more. All of these books introduced new characters, re-tooled existing ones (such as aging up young Jonathan Kent to his mid-teens), and set various wheels in motion throughout the DC Universe.

And in the midst of that he also rebooted the team with the largest roster in all of comics, the one that brings with it the most complex web of continuity, the one that requires the most amount of worldbuilding by virtue of its 31st century setting. I am, of course, talking about the Legion of Super-Heroes.

It’s been a little over a year since the launch of Bendis and Ryan Sook’s ongoing Legion of Super-Heroes book, which kicked off in the Superman titles, brought the now Legion-aged Jon Kent along (any good Legion needs a Superboy…it’s the law), showcased some truly spectacular new character designs in Sook’s art (new costumes and regular redesigns for Legionnaires may as well be the law, too) and established what the 31st century of the current DC Universe looks like these days. In true Legion fashion…well, it’s a lot.

The book seemed to reach a stopping point with its twelfth issue, taking a brief hiatus. But not too brief, because as part of DC’s Future State initiative, which offers tantalizing glimpses of the DC Universe to come across the entire line, Bendis returns to the 31st century with the two-part Future State: Legion of Super-Heroes, this time aided and abetted by Riley Rossmo on art. And like Sook before him, Rossmo followed one of those unspoken Legion laws and gave a bunch of the Legionnaires new looks. Great new looks.

But…isn’t Legion of Super-Heroes by its very nature ALREADY a Future State book? Not exactly, and fans of the recent series will find plenty of surprises even as it picks up on story threads from the main series. Oh, and if the roster wasn’t big enough already, there are some Legionnaires you haven’t seen yet, and some fan favorites everyone has been waiting for. Bendis told us all about it…

(This interview has been edited for length)

Den of Geek: Future State: Legion of Super-Heroes #1 kicks off with a time jump from where we last saw the team in Legion of Super-Heroes #12. What can you tell us about that time jump?

Brian Michael Bendis: We were going to do a time jump after the first 12 issues, regardless. That was the plan because it’s in the DNA of Legion where you don’t have to, if you don’t want to, there’s no reason to stay [in one time period]. You don’t have to do monthly, to monthly, to monthly, like you would on Superman or Batman because it’s a shared universe and anything that happens in one book affects all the other books.

Whereas Legion, because it’s a thousand years in the future, you can do five years later. You can jump and bounce around and show the story from different perspectives. So the jump was always on the list of things to do with Legion. And then DC called and said, “Hey, Future State!” And I’m like, “Oh, great. Already in my notes.” It was all already planned. It’s the future, of the future. I liked that, so I leaned into it hard.

The issue isn’t clear about how much of a time jump it is, though.

No. The hint I will give is that it’s not as big of a time jump as people might think, considering the dramatic changes that have happened around them.

Is that time jump, and whatever it is that happened, tied to the “Great Darkness” that was being teased in the latter part of the main run? Or is this a separate event?

It is a separate event, but it doesn’t stop the momentum where they’re headed. They’re concerned that this is The Great Darkness. They’re like, “Oh, this is The Great Darkness. We can deal with it.” And then they go, “Oh, shit. This wasn’t The Great Darkness. This was just a mild case of darkness.” As bad as the event was, there’s something else coming. They live in almost…not fear, but in dread of what this Great Darkness is, how it may manifest itself, and whether they’ll be ready for it when it comes.

It’s funny, when I spoke to you before the launch of the book, I had asked you about the potential to touch on existing Legion stories. At the time, you were like, “No, we don’t want to do that,” and you specifically mentioned The Great Darkness Saga as one where “people know what’s going to happen.” And clearly you’ve found a way around that.

I think when we brought back Secret War or other things at Marvel, you want to find something that fits the label, but elevates. You don’t want to just repeat the beats of something people have already seen. I personally like it when, if you don’t know anything about the history of the Legion, it completely works. But if you know everything about Legion, we’ve got something for you. That’s been my goal from the get go.

You had said that the time jump was already probably going to be baked into the book anyway.

It was. It was like my third note when I was making my notes for Legion. It was like, “oh, and we don’t have to follow a linear timeframe.” We can tell stories from anywhere in this period, even going to prequel stories and then stories that go before they were all gathered as well.

How much of the specifics of that were in place before it became Future State? Was Riley Rossmo on art already on the table? Or did that happen later?

No. I’m very happy to report that Riley was the first name requested, and he immediately said yes. I had worked with Riley on a couple of things. There’s something about his work that very deeply speaks to me. I just was like, I would like to see more Legion with him.

I said, “This is a grand opportunity. Just go nuts.” That’s what you want for someone like Riley, to give him an excuse just to use all his tools and all his imagination. He took it from there.

And the script was really like… sometimes you write scripts, and they’re emotional, and sometimes they almost take on a list of drawing prompts. I was just prompting him to go as crazy as he wanted to go, and I would then take the ideas from there.

How did you settle on which Legionnaires would be part of this? Did Riley have input into that as well?

I 100% said to Riley, “Who do you want to draw?” I do this with anybody I can. If there’s any space in which we can meet. I’m like, “What would you like to draw?” I’ve learned through many years and many collaborations that just asking brings a level of craft and quality to the finished product that everyone gets excited about. When an artist points to something and says, “I want to draw that,” they’re telling you, “I’m going to draw the hell out of it and this is going to be amazing.” So I always try to make it work.

He had a list of characters, some of which I already knew he was going to pick from our past work together. I was able to use most of them. Also, I told him what the hook of the story was, so it was easy to cast. There were some character needs we had, like Saturn Girl, but he had already picked them.

One of my favorite things about the Legion in general, and then particularly about this run of it, it’s always about how the characters evolve and how the costumes get redesigned on a regular basis. This was the first opportunity since Ryan Sook did the designs in the main run for that to happen. Did you discuss any of Riley’s designs beforehand?

I told him “Here’s what’s happened to them, here’s who did it, here’s why, and make your choices. Here’s what’s motivating the character.” And then sometimes he came to me with designs where I went, “Oh, I can write a whole of stuff about that.” So, yeah, it was a nice mix.

It’s nice to see the Duo Damsel change happen.

See, I agree with you and I hated it at the same time. One of my favorite storylines of all time is the Duo Damsel thing. But it’s also like the biggest tragedy in comics to me. It’s like a haunting thing. It’s losing a limb but it’s a whole person. So, I was excited to write it and dreading it at the same time. I knew I would feel it and I knew that Riley would bring a lot to it too.

You’re able to encompass that whole thing in just a couple of panels too. It was really powerful.

Well, if I remember correctly, that’s how they did it back in the day too.

Yeah. It was like, she came back and they’re like, “Wait, you’re alive.” It’s like, “well, kind of…”

Yeah, and no one knows what to say. It’s just so unique, the tragedy.

There’s a lot of characters who appear in this issue. Shadow Lass, Ultra Boy, Brainiac 7, Saturn Girl, Colossal Boy, Chameleon Boy, Cosmic Boy, Timber Wolf, Blok, Duo Damsel, Bouncing Boy, and Element Lad. I rattled off the people that I know for sure because they’re throughout most of the book. And then page eight and nine, there’s this spread and there’s a few Legionnaires that I can’t quite identify. Is that Shrinking Violent and Polar Boy? Who are some of these others?

That’s the Substitute Heroes. Time jumping was number three on my list of Legion notes, but I think the Substitutes was number eight. May I say, hilariously at the announcement of this relaunch of a Legion of Super-Heroes, the first comment was, “Substitute Heroes.” I was like, bring them. We don’t want the Legion, we want the Substitutes. I was excited to bring them in here, and it seemed like a good place. And also, Riley was the right person to infuse them with new energy.

Who’s the guy wearing the Superman crest and the hood?

You will find out next issue. A payoff’s coming.

On page 23, you give Bouncing Boy possibly his most badass moment ever. How long have you been planning that Bouncing Boy moment in your head?

Riley made it the most badass moment ever, I will say. If you really do some pseudo-super-Legion science, he really does add up to be the most powerful Legionnaire. I just thought it was a great way to celebrate that character, which I love.

That panel’s great. I almost want to see it in 3D.

Everyone gets their moment and then every once in a while, just something really special happens in the collaboration and you’re like, yeah, good. I absolutely wanted Bouncing Boy to have that kickass of a moment.

I have one more question about one of the mystery Legionnaires. There’s another great shot, another great spread at the end of the book. There’s a guy who is carrying a laser sword of some kind. I don’t recognize this character.

That’s Ferro Lad and his sword. He has a sword now. I love that design.

There’s one more issue of Future State: Legion of Super-Heroes out in February, but there’s no Legion in DC’s solicitations for March and April.

But there are Legion plans coming. Legion is a hard book to make. There’s 34 lead characters, and we try to shove as many of them on panel as often as possible because that’s one of the best parts of the Legion is the scope of it.

I think you can kind of tell from the jam issues and the fill-ins and the level of quality, attempting to keep it at the highest quality possible, yet still delivering that very special Legion feeling…instead of fill-ins that may not be up to the quality that we were doing, we’ll stop, get a story ready to go, and solicit it when it’s time. There’s more to come.

I know that’s frustrating for some people and some people just want it monthly. I get that, but not all books are created in the same way. It’s art. Even though it’s commercial art, it is art. The pandemic also takes a lot out of the schedule. When we’re ready, we’ll put out more. We’re planning stuff that connects to what’s going on in Justice League as well. Not to connect the two, but that is 100% within what’s happening.

Do you already have your artistic collaborators lined up for the next arc of the book?

Yes.

You’re not going to tell me, are you?

cnx.cmd.push(function() { cnx({ playerId: "106e33c0-3911-473c-b599-b1426db57530", }).render("0270c398a82f44f49c23c16122516796"); });

No. It’s very, very good news. I’m absolutely delighted, but honestly, I don’t want the person stolen. Sometimes that has happened to me. I don’t mean to be vague, but right now, I don’t want to oversell something that is down the line.

One of the cool things you did in the main run of the book was introduce legacy characters that fans don’t usually associate with the Legion, like Dr. Fate and particularly Gold Lantern. I want to know what kind of feedback you got from fans on those.

Well, I was actually quite delighted. I thought the purists were really going to hit us hard on any additive stuff, but most Legion fans know that almost every run of Legion has had the added characters to the roster.

It gets frustrating only because when there’s been a lot of time in between Legion books, so some of these fan-favorite characters from past runs don’t get as much face time because you’ve introduced Gold Lantern and “oh, Gold Lantern is standing in front of Ferro Lad. We want more Ferro Lad!” Which I understand, so you better make sure Gold Lantern is interesting enough that no one feels slighted because it’s not Shadow Lass. I must say the additions, particularly of Gold Lantern and Dr. Fate and Monster Boy, all seem to go over very well and I was grateful for that.

Our biggest pushback was on redesigning the costumes. That comes with every Legion redo as well. So I pointed that out. But part of it is that some of the biggest fans in the world have already dedicated cosplay, and we messed up their cosplay. This happened in the X-Men too when we redid Magneto’s costume. People were screaming at us. We’re like “Oh, because you bought the helmet. Okay. I’m sorry. I get it.”

But I just don’t think they take away from each other. I just know from Legion past and other franchises I’ve worked on that anything you’re earnestly adding to it is good, even if it’s got pushback in the moment. I live in a world with the things I’ve gotten pushed back on the hardest ended up being huge movie moments that everybody applauded 10 years later. “Good job on creating Ronin!” I’m like, “Really? Where were you when it debuted? Because people were ripping my face off.”

So compared to stuff like that, I think the Legion fans have been just really, really generous and cool about where we’re going. I think they can tell we’re real Legion fans and we’re not messing around, and we’re taking it seriously. Even though you may not agree with every choice we’re making, you see we’re making loving choices.

Future State: Legion of Super-Heroes #1 is on sale now. We’ll have more from Brian Michael Bendis about his upcoming run on Justice League very soon!

The post Future State is the Next Evolution for DC’s Legion of Super-Heroes appeared first on Den of Geek.

from Den of Geek https://ift.tt/3ceaRTK

[jswdmb1]

24 Frames

“You thought God was an architect, now you know

He's something like a pipe bomb ready to blow

And everything you built that's all for show 

goes up in flames - in twenty- four frames”

- Jason Isbell

This may come as a shock, especially to those who know me well, but I can be very stubborn. Sometimes this can work into my favor as it helps bolster confidence when I take a difficult position that I know is right, or it can help me persist when odds are long such as starting a new business.  But this often is a character trait that I know can hold me back.  In particular, I bristle at things I am told that I “should” do even when it clearly would be in my best interest to do whatever is being suggested.  It usually takes someone equally stubborn to get me to move off of my position, but this did happen recently.

My wife is always on me to watch various different television programs, but I always balk.  I watch some TV but is it well documented (on this blog) that it is pretty much limited to PBS and reruns of old game shows and sitcoms.  I don’t like to leave that comfort zone, and it takes a lot for me to try out a new show – especially one that is episodic that expects you to come back week-after-week. I know that means I miss out on a lot of good stuff, but I’m okay with that as it allows me to keep my time on the tube under control and I don’t get more involved with something than I really want to be.  But on this one particular show, she was quite persistent, and I was challenged to at least give it a try.

The show is Schitt’s Creek, and I am sure you have heard of it if you do not already know it well. If you haven’t seen it, do not worry, as I will not be disclosing too much about the program.  Even if you have heard a lot about it and feel you know the story, part of the charm of the show is watching the characters develop throughout the series, so plot turns and the such are not as important as in some other episodic series.  The basic plot is that an extremely wealthy family of four, including two adult children, are forced to move to a small town when they lose everything overnight due to a business manager not paying taxes.  The series starts with the scene of revenue agents raiding their mansion as the family frantically collects a few belongings, so no time is spent on their past life.  Every moment from the first scene is spent on their life afterwards which involves living somewhere in the middle of nowhere with a bunch of regular folks.  It sounds like a typical fish-out-of-water setting (think the second Bob Newhart show for the closest example), and that is certainly mined for plenty of laughs, but it quickly becomes clear that the show is about much more than this.

That is all you are going to get from me about the actual show, because no more details are relevant to the rest of this post.  Except that the acting in this show is brilliant and worth watching for that alone.  The father and mother are played by Eugene Levy and Catherine O’Hara, both of whom I have been watching for decades in their various film roles and on the hilarious SCTV program.  The chemistry between the two is so natural and genuine that you quickly adopt them as Johnny and Moira Rose and forget their 40+ years in show business as other characters.  The children played by Levy’s son Dan and Annie Murphy are equally good and get a lot of the laughs as their clear lack of reality in their past lives plays to insane results when applied to the real world of the town of Schitt’s Creek.  The supporting cast is not just a bunch of wacky neighbors but add much depth to the show and develop themselves over the course of the series, especially the character of Stevie played by Emily Hampshire. The character of Roland Schitt, played by Chris Elliot, may be the best second banana on television since Cosmo Kramer. Again, none of this gives away much if anything about the show or the various plot arcs, but it should give you extra motivation to watch as talent like this collecting in one place is rare indeed.

And why exactly am I so intent on you watching this show?  While the quality of the program and the enjoyment it will provide you is enough reason to dive in, I have discovered a much greater purpose to following the evolving journey of the Roses.  Even though the show was created over five years ago, and largely wrapped production on its sixth season before 2020, it has become for me the perfect allegory for the United States right now.  Our country is going through the same experience that the Roses went through much of the first two seasons.  After the sudden event of COVID-19, we found ourselves much in a place like Schitt’s Creek. Over seven months into this pandemic, we are still stuck in what life was like before and when will it ever return. I do not think this is much of a spoiler alert for anyone who is rational, but how the way things were is never coming back.  COVID-19 has wreaked havoc on our society, and we like to blame it for all of our current problems, but it simply laid bare all of our faults and weaknesses almost overnight.  We are now no longer able to push those existential problems aside and have to face them head on. Many of us are not up for the challenge and would like something to change things back overnight, but that is not happening.  It doesn’t matter if there is a vaccine, or a new president, we have to face that we collectively lived lives that were not grounded in reality and our fates hung delicately in the balance just waiting for something like COVID-19 to come and bring it crashing down.  Just like the Roses lost everything in one quick raid, we now find ourselves building our lives all over again in a strange place where we are very uncomfortable.

Now I know that is difficult to hear and very depressing, but here comes the good part.  Just because things have changed does not necessarily mean that we can’t grow and develop into something even better than we had before. Obviously, a deadly disease like COVID-19 is not something we ever wanted, and it has brought countless suffering and death to too many people, but it does provide for a starting point to helping us grow beyond some of the shallower lives we lead previously.  It may take a lot of tough love, but we will eventually get the virus under control and the big question will be what is next.  For me, there needs to be an evolution past wherever we were before this all went down. I think our guide can be the Rose family in Schitt’s Creek.  The a-ha moment for me came at the end of season two titled “Happy Anniversary”.  I will disclose nothing more about it other than to say it was a transformative episode not only for the Roses, but for my own outlook on things as we move into what will be a very dark winter.  

If you are a watcher of the series, some of this may make more sense to you, but I think even you could benefit from another viewing to see if you can apply some of this to your own life as well.  I am actually only through Season 3 so far (I know enough about what lies ahead to be able to write this post, but it hasn’t ruined a thing for me), but I am already making plans for starting over to pick up things I missed the first time around. And it is important that you start in the beginning and move through the episodes sequentially.  Not so much because you will lose the story, as many of the stories are self-contained within an episode, but because you will miss out on the character development along the way (again, kudos to the actors and actresses in this show who so brilliantly developed these characters). I know this is playing it up quite a bit but trust this one-time reluctant viewer to be assured that your time is going to be well spent.

This many come off as a review, but it really is not.  I mean, if I were a reviewer, I would include some of the above in my story (and end with four stars or whatever the highest rating is), but this has become so much more for me.  It has served as a life-saving antidote to the poison spewed in traditional media and social media that makes me nauseous on a daily basis.  I find myself occasionally daydreaming about a funny scene I saw, or a subtle profound moment in the show, which has replaced some of the constant worry about the pandemic, or economy, or the election, all of which have a life-or-death feeling to them.  It has proven to be a rare new tool in my arsenal against anxiety and it will end up being one of my lasting memories of 2020.  That is a lot to say for one show about a year as particularly disastrous as this one, but I sincerely believe that.  

So, don’t be like me and be stubborn if you haven’t seen this show.  As soon as you read my last sentence, get yourself on Netflix and start watching with Season 1, Episode 1.  And make sure you don’t have anywhere to be tomorrow because the one negative is that it will be hard to stop once you get started.  But I think it is okay right now to binge on something that is finally showing us that there is a way to succeed in life without putting others down or placing selfish pursuits over relationships.  So, dig in and enjoy and I promise that I have learned one other thing throughout this experience – keep an open mind.  Because when you keep your mind closed, you shut out a world of possibilities, even when that world seems to have none.  

Enjoy,

Jim

[nikkalia]

Storytime with Auntie Dragon: Betrayal edition

Gather round, children, it’s time once again for “Storytime with Auntie Dragon.” Today’s episode: NYC & Betrayal, a tale of adventure, excitement, and how a certain actor is seemingly easily impressed with modern technology. Hey, it’s pretty snazzy stuff…

We begin our tale at the dawn of November. Your dear Auntie D had just purchased a house, and because closing fell in such a way that I had no housing payment in November, there was some spare cash to be had. A friend of mine who lives in the UK (@mrshiddleston-uk) had been talking about her upcoming trip to the states to see our beloved Mr. Hiddleston in his Broadway debut, and after careful scouring of countless calendars, I decided that the Boychild could miss a day of school to make the trip and decided to go. Another friend ( @silverink-goldenlies) came along for the ride and the trip was set. 

THE TRIP: Bloody hell, why is it every time I drive north, roads are torn up? I mean seriously. I spent more time on the brakes because of construction than I did with the cruise control engaged. For 698 miles! I did not, for those who may be curious, drive up I-95. Oh, the hells to the NO. I have driven that stretch of disaster quite enough to know that it’s a toss-up as to whether you get Hell on earth or a multi-lane, multi-hour parking lot. And that’s just around Richmond. D.C. is worse. Much. Worse. But I digress…

I-78 is (mostly) a beautiful drive. Lots of mountains, rolling hills, farmland, all that. From southern Virginia up through parts of New Jersey, there are lots of farms. LOTS of farms. With cows. And steers. And horses. And even an alpaca - dude had a long neck. Somewhere along the way, every time we passed a farm with cows, @silverink-goldenlies would just blurt out “cows.” In the middle of a conversation, “cows”.  Passing silence for miles and suddenly, “cows.”

And occasionally, “cows. And horses.” The boy child would even chime in now and again. 

THE ARRIVAL: We made it to NYC around sunset. When we were 25 miles or so out, I spied the city skyline and told @silverink-goldenlies to look out the window. Poor thing was so excited I think she almost cried. We took the Lincoln Tunnel into the city because I missed an exit. Which reminds me, Google Maps, get your turn-by-turn shit together. I spent more time on the road than necessary due to a lack of “in 500 feet, turn here.” Waze doesn’t treat me like that. It just crashes. And Waze has Cookie Monster voice. Anyway…Lincoln Tunnel. That was fun, kinda. I kept having flashbacks of Independence Day with the fireball coming up the tunnel following the alien attack. Not cute.  

We emerged in the city and I very quickly learned that upstate NY driving is totally different than NYC driving. I lived in Albany for a couple of years, and in upstate, you can use your signal and mostly expect someone to let you in, or at least get out of the way. Not NYC. Nope nope nope. You signal, insert the front fender of your car and hope the person you’re essentially cutting off is paying attention. It only took one missed turn (thanks Google) for me to learn the ways of the natives and navigate correctly through the city. Which I did successfully. At rush hour. Praise Asphaltia, Goddess of the Road. 

Cows.

NYC: After a night of bullshit sleep thanks to the rock-solid beds of the LaQuinta - Queens, our party was up and in the city by 9:30 am. I’ve always had this mental image of NYC being small because of how tightly packed everything is. My friends, that is absolutely not the case. The city is M A S S I V E in both size and scope. I was totally a tourist, videoing everything in Times Square and looking up like I expected the sky to fall. I learned something I never knew, and never really thought about: they leave the big crystal ball on top of the building after New Year’s. It’s sitting up there, pretty as you please, changing colors all year long. Who knew?

We hit the highlights of Manhattan like my son speed runs through Dark Souls. Times Square, Hard Rock New York, the M&Ms store (3 floors…3 FLOORS of chocolatey goodness), one of two Lego stores, and Rockefeller Plaza. The tree is up, but not on display. I need them to slow down on the trimming it back. There won’t be any tree left, and it’s looking a little scrawny, to begin with. Ice skating was in full effect, but we didn’t go. I knew I had a show and another 10-hour drive back to NC to get through, and doing it on a seriously bruised ass would not have been a good look.

Noon hits and we head back towards the Jacobs theatre. By the time we got there, the box office was open and there was already a line. Thank the gods for online purchases. Easy in, easy out. Around 1 pm, we met up with the lovely @mrshiddleston-uk and attempted to get lunch at some Irish pub. @mrshiddleston-uk briefed us on all things stage door and helped to craft a plan of attack to get the best spots for meeting the cast. The line to get into the theatre was already formed and growing by the time we decided to bail on the never appearing food. 

THE JACOBS THEATRE: This is a gorgeous space. The theatre is on the small side, but I genuinely believe that there isn’t a bad seat in the house. We were in the balcony house left and could see every bit of the stage. Beautiful architecture, comfy seats - if not a little (LOT) short on the legroom - and a pretty chandelier made the place feel cozy and warm. The staff was wonderful as well. I’d totally see another show in this space. 

BETRAYAL: So here’s the part you all came for, right? Right. Cows. To be honest, I’d never heard of Harold Pinter before Tom Hiddleston took the role in the London production, much less read any of his work. I didn’t know what to expect except for what I’d heard from @mrshiddleston-uk after her viewings of the London show. The concept of the show is intriguing enough - following a love triangle in reverse order with a minimalist set and lighting design. I’m a tech nerd anyway, so I was excited to see how well this would work. 

Oh. My. Goddess. This show was AMAZING. It’s been a very long time since I’ve been to a show that totally sucked me in to the point that I was actually invested in the story. Betrayal did just that. From the moment the curtain rose (more on that in a sec) until the stage went black, I was sucked into the world of Robert and Emma and Jerry and how the affair went from disintegration to conception. I have absolutely no sympathy for any of these characters at the end of the day. They are all seriously flawed and have caused themselves the pain that they experience in this story. But, that’s what makes good drama, right?

The sheer lack of set made it easier to pay attention to the actors and the script, which is a huge perk in this game of verbal tennis. The characters go from normal speech patterns to the famed Pinter pauses to this back and forth without missing a beat (or a syllable) that will make your head spin. The boychild told me later he found it a little hard to follow, which is understandable if you’re not used to hearing it in an English accent. 

There was a lot of play with light and shadow in this show. It’s no secret that all three actors are on stage for the duration of the play, with the “odd man out” lurking somewhere in the shadows. It was thrilling to see, to be honest, because you catch yourself looking around to see what the odd man is doing while the two in focus characters are speaking. Robert standing against the back wall facing the wings; Emma curled up on the floor eating an apple; Jerry sitting off the side with his back against the back wall. All making little gestures or motions that hint at what that character is experiencing in that moment in time. 

Even the shadows themselves told a part of the story. The sharper focused shadows cast by Robert and Emma when she confesses the affair created a tension that doesn’t exist when Robert is lurking in the background of scenes involving Jerry and Emma or Emma hiding almost when Robert and Jerry are in the forefront. I found myself watching the shadows in this scene more than the actors themselves. It’s that intense. 

One other tech geek note: the back wall moved. Now, I’ve seen plenty of moving sets. Hells, I’ve moved a few in my time. But this simple change had a tremendous impact. When the wall moved forward, it cuts the surface area of the stage down to 1/8th of what it was at the beginning. It puts the confession right in your face. You can’t get away from it, just as the characters can’t. There’s nowhere to go, nowhere to hide. They, and you, just have to deal with it. Absolutely brilliant on the part of the designers. Enough about the sets, or lack thereof. Cows. I could go on all day. 

THE CAST: We’ll start with Zawe Ashton. She’s a perfectly lovely woman, all smiles and bubbly at the stage door, very sweet. I don’t know that I like her as an actress. Or maybe I don’t like her character, Emma. I haven’t really decided yet. But, if there was a downside to this show, she was it. Her laughter was fake to the point of cringy, and there was something noticeably self-absorbed about her on stage. The other thing I noticed is that she was never standing or sitting straight. She was always twisted, curled up, or otherwise contorted in some fashion, and that gave me a twitch. An acting choice? Maybe. It would stand to reason that this was some subconscious outward expression of Emma’s mental/emotional state. She struck me as whiny, and maybe a little “woe is me” to boot. My thought throughout the play was, bitch, you got yourself into this. Suck it up.

Charlie Cox as Jerry. Great guy at stage door, seemed to be enjoying the fans. Again, I haven’t read the play so I’m not 100% on what Jerry is supposed to be, but Charlie was giving some serious lovesick puppy vibes for this show. And that’s all I got from him. Maybe bits of remorse here and there, but not much. Some great comedic moments, but otherwise, he really didn’t stand out for me. 

Tom Hiddleston as Robert. We’ll discuss stage door in a minute. I’ve worked in the arts and journalism long enough to know that you often hear about how someone “is” but that’s not really who they really are. They pretend to have a presence that doesn’t exist, or they’re not as talented as they, or their agent, would have you believe. And sometimes that “wonderful” actor is really just a prick in real life. Children, I am here to tell you that Thomas William Hiddleston is EVERYTHING he’d cracked up to be.  

When the curtain goes up at the show open, Robert is sitting in a chair, and all you see of him is legs. The man has legs for days…digressing again. Cows. Tom has such a presence that you know exactly where he is. When Charlie and Zawe are sharing their scenes, your eyes can dart straight to Tom. I remember actively looking for Charlie and Emma in scenes they weren’t involved in, just to see what they were doing. Never, ever had to do that with Tom. He was always there, always on the edge of the shadows. 

His performance as Robert is an emotional roller coaster. I watched him run the gamut and back again several times over the course of 90 minutes, and really wonder how the hells he does it every day (and has been since June). No wonder he looks exhausted. He was giving that trademarked smile in some scenes, growling with anger in others (your Loki is showing), and on the verge of tears in still others. I looked down at him during the confession scene and his eyes were brimming, reflecting the bright white light that was shining on him. That one hurt my heart.  Dude can do anything, and I need someone to give him more meaty roles on film. And for the love of the Gods, cast him in a romcom, comedy, something! He’s proven time and again he can act - let him have something besides Loki. 

Disclaimer: I love Loki, don’t get me wrong, but I hate to see talented performers pigeonholed into one role. Tom is so much better than that, as most of them are. 

STAGE DOOR: The show ends, the lights come up, and I can’t get the damn Hard Rock Cafe bag out from between the seats. So this is how it’s gonna go down, eh? WRONG. ANSWER. I get downstairs in record time only to be blocked by old people who can’t decide if they need to pee or not, then distracted by Tom speaking on stage about the fundraiser the theatre is doing. That voice, those long assed legs, and holy hells is the end of the stage right fucking there??? 

FOCUS WOMAN! Cows. Eldery folks having determined that yes, in fact, a stop by the loo is in order, I’m out the door, still struggling with the bag and my coat and not being run over by those who are sprinting to the barricades set up to queue for stage door.  Sprinting. Really? It’s like, 300, 400 feet maybe, from the entrance to the stage door. I wanna have 0.5 seconds in front of Tom too, but damn y’all. It ain’t that serious. 

Secure in our spot upfront and personal by the lovely @mrshiddleston-uk, I got myself squared away and place the Facebook group chat video call. We all agreed that since @firithariel, @igotloki, and @mischeviousbellarina couldn’t be there in person, we’d bring them along digitally. For once, my phone behaved. Did I remember to put them on speaker? That would be a no. 

So, Zawe comes out first, signs programs and chats with fans. She really is adorable. Charlie comes out next and follows the same route, and then the man of the hour (and really the whole point of this trip) emerges in the “uniform”, looking a little frazzled. But, he makes the rounds of autographs, even going so far as to sign a Thanos Funko. 

Really? REALLY? Thanos? How you gonna do my boy wrong like that? Grrrr….. Amusing thing was that Tom really didn’t even acknowledge it, but he looked annoyed by it. 

That’s when Tom got to our merry little band. @silverink-goldenlies showed him the tattoo done by her husband of a Loki helmet with runes surrounded by flowers. He seemed thoroughly impressed with it. I’m next, with our video chat going strong. I asked him to say hi to the girls, and he got a weird look on his face until he saw the phone. He did a double-take, “There are four people on the screen! How did you do that?” We told him about Facebook group chat and where the girls were located. There’s a video floating around Instagram/Twitter of his reaction. It’s entirely too cute. He leaned in and smiled, said hi to them, showed them an autographed program, and handed them to me. He looked me right in the eye for about a second and a half then moved on. I can still see it in my mind, and it makes me smile every time. 

Tom finished the autographs and came back around for selfies. Mine is blurry AF, because of course, it is. It’s the only one I have of him. Maybe I’ll try to fix it in Photoshop. A fucking photographer can’t take a damned selfie. SMH Oh well, you can tell it’s him. @mrshiddleston-uk got some great shots, and I’ll always know I was there, that we spoke, however briefly. 

I’ll spare you the details of the trip home because, well…traffic. And cows. 

And so ends the tale of the very long too short awesome weekend in NYC where I got to meet Tom Hiddleston. 

Thank you for coming to my TED talk.