#and then we would get Guy B who is actually just Guy A and also from World A but they're. separate people. with different memories

[thecoolerliauditore]

Pls tell me about Scott's views on women in general pls I'm begging you

o7 and I'm sorry

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

fyi, the post itself isn't NSFW, but I'll be getting all gender theory in this bitch so I'll be referencing a lot of things and putting in pictures of naked ppl sometimes. maybe skip this one if you don't like that

(long post)

Disclaimers

An explanation for the tweet up there

I usually don't write these because I assume the people on my blog have enough sense to realise when I'm talking about the characters vs the CCs or are comfortable enough being a little confused, but I feel the need to extra-clarify here and expand on how I specifically view C vs CC because I think it differs a little from the average person.

To me, C and CC are two separate entities but not entirely disconnected. What differs (e.g. the exclusion of irl relationships -- their wives, kids, etc.) is poignant enough to severely detach them from the people they originated from, at least in my eyes, but there's also the fact that these are not scripted characters, just creators being themselves with a hint of behind the scenes drama-adding and improv thrown in.

For example, CC Pearl is a car nerd. So I assume her character is too.

This is where I state very clearly that yes, a lot of these thoughts come from things I've seen on Scott's twitter, which is undoubtedly the CC and not the C. However I, to me, am still talking about the C because any observations/judgments I could make on actual irl youtuber CC guy Scott Major would be tabloid at best and slightly invasive at worst. I'm seeing these statements within the context of "the death game guy would say this too and I'm writing this based on that", not "this is the inner psychological workings of the youtuber because I, as a fan, can totally tell".

TLDR I don't consider this post RPF but you might. This is a little more RPF-y than my usual stuff. If you don't rock with it we cool.

Everyone is weird about women, and that's okay

One short-hand I've used in the past to talk about Scott and women is just by saying that he's "weird about women" which I'm sure isn't exclusive to him.

(shitpost I made awhile back)

I see a lot of people now who love "villains" and "evil" but when it comes to any traits resembling real life evil (e.g. misogyny in this case) they suddenly become insecure. Just a couple of days back a saw a post on twitter essentially asking for permission to continue liking CC Scott in spite of the "bad things" he did.

And I think, in order to present an analysis like this, I must address that mindset first.

This is not a judgment on Scott's morality, nor is it trying to dissuade you from liking him. This is not saying that he is any more misogynistic than any other player in the series. This is just me pointing out Scott's attitude towards women and what I read it as, nothing less or more.

The feelings that me pointing these things out - be they apathy, disgust, anger or, what I would hope to see most, interest - are your own. I'm not here to tell anyone how to feel and never will try to police that on my blog.

Scott's Relationships with Women

aka. oh yeah this is about minecraft.

Scott and Cleo || "Yeah, you can kill me."

Scott and Cleo's alliance is arguably the strongest in the entire series, spanning through all five seasons and remaining unbroken with no (serious) drama attached. You'd expect from this that they two have a very settled and stable understanding of eachother, yet this isn't a case.

Their power dynamic shifts dramatically from one season to the next.

3L's initial Widows Alliance began on fairly equal footing, built on the mutual agreement that they were waiting for their respective partners to die. Both understood they were eachothers' "plan B" and felt comfortable in that arrangement.

Come LL, Cleo does what she couldn't in 3L, and initiates that plan, going to Scott after her last alliance, the fairy fort, fell apart. Scott requests nothing from her in return.

DL is the longest the two spent as eachothers main ally. Cleo is the one who initially proposes teaming up to spite their "cheating" soulmates and Scott agrees. Cleo admits to Martyn in private that she's aware she's taking advantage of Scott (which I've always interpreted as her talking about all seasons, not just DL). Due to the time they spend together, it's here where it becomes apparent that their initial assumptions during 3L were not entirely accurate, as Scott shows a level of gameplay competency much higher than Cleo's (e.g. teaching her how to axe-crit) but despite this Scott never berates her or thinks any less of her value as his ally.

LimL is probably this pairing at their most unhinged, as Scott, despite once again asking for nothing (or very little -- I'll be honest I'm a bit fuzzy on this) in return from Cleo, allows them and their allies to butcher him repeatedly for time. He gives more time to the Clockers than he does to Martyn, his closest ally that season. Despite this, Scott is never ever considered as a "family member" by the Clockers, despite them giving that title to even temporary allies (like the Bad Boys being their cousins) -- even Martyn gets a title with Scott completely unattached.

SL is relatively more chill, but shows that the two inevitably end up teaming together even despite their oath to avoid eachother that season.

The point being -- again and again, we see Scott literally and metaphorically making sacrifices for Cleo, with the only real transaction he requires from her being that she continues having his back when times get rough. This is despite that he's aware she isn't any more capable than he is and the fact that so far it has only been Cleo in rough times (LL, LimL and SL) and never Scott.

Speaking from a purely transactional perspective, Scott is not getting a bargain here -- and even Cleo seems acutely aware of it, judging by her comment during DL as well as the way she tends to speak of her survival capabilities very lowly in general ("rubbish pvp skills and spiffy one-liners"). I'm speaking in this sense because I've seen discussions in the past about the transactional way Scott views relationships but rarely does Cleo get brought up.

This is at stark contrast to how he treats Jimmy, whose predicted death was what spurred on Scott and Cleo's alliance in the first place.

Scott assumes Jimmy is "incompetent", where he assumes Cleo is capable. When Jimmy messes up, he reprimands him, when Cleo struggles to crit him, he patiently teaches her. When LL begins, Scott's first instinct was to look at Jimmy's lives and note that he was "useless to (him)", but holds no objections to Cleo joining his alliance despite her already having enemies being a potential liability. In SL, he jokes about how Cleo and him being allied is a given and pretty much expected of them, whereas in LimL he explicitly requests from Jimmy a recognition that he still cares ("say love you back!") before he will help him.

Scott and Gem || "You HAVE TO kill me, Gem,"

In SL, Gem settles in very easily in a leadership position within Gem and the Scotts due to her trying to live up to her reputation but also due to Scott and Impulse's more laid back, passive playstyles.

Both Scott and Impulse let Gem kill them for extra health this season, although Scott is arguably much more subservient than Impulse is, with him not only insisting that she kill him in the final episode but also not fighting back (and only yelling for her to stop) when she starts hitting him with a sword during the episode where her task was to literally kill everyone on the server.

Once again comparing her to Jimmy, Scott in 3L had a tendency to brush aside Jimmy's concerns over alliances (e.g. Jimmy questioning if they could trust Cleo) while in SL Scott runs his plans by Gem (and Pearl and Impulse) in terms of who he wanted to team up with (specifically excluding Joel from the potential mounders alliance) implying he held her opinion in some form of regard.

Before this becomes less of an analysis of Scott's treatment of men vs women and more of Scott's treatment of Jimmy vs everyone else, I think it's notable enough to mention that he and Martyn also lacked this sort of communication in LimL. He would inform Martyn of his plans, but rarely was it ever framed as a request.

SL almost feels as if Scott has slid Gem into the slot he had previously designated for Cleo in 3L (his girlboss ally) as he provides her and pretty much forces onto her by the end the acts of service he'd become accustomed to performing for Cleo.

Scott and Lizzie || "You killed her! I don't.. I don't know what to even say!"

Relatively shorter section because this is the one woman he hasn't teamed with, but there's still some interesting stuff I wanted to touch on.

In LL, one of the first thing Scott does is yell at Pearl to revenge-kill Joel for boogey-killing him. Pearl does as she's told and Joel's wet miserable pathetic LL life gets worse from there.

Several episodes later, the roles are reversed -- Lizzie lies to both of them and manages to isolate and boogey-kill Pearl. Scott, instead of reacting with the anger he had for Joel, is almost in a state of shock as he asks Lizzie to let him down so he could collect Pearl's belongings. He doesn't act aggressively towards Lizzie at all, with his most antagonizing act against her being to lie about his intentions when giving her a wither skull.

In SL, he's the only one aware of her early permadeath, but keeps quiet about it almost as if he's in a state of shock akin to when he saw Lizzie kill Pearl in LL. It's not until the others have noticed when he finally brings it up.

Scott and Pearl || "Tilly death do us 'part"

I wrote a whole post just for their relationship alone so for the sake of my sanity I'll be leaving this here.

So now I get to dedicate this section to the meat of this post -- how the way Scott treats women in general impacts his relationship with Pearl and how I view his heel-turn on her as seeping with relevance to Pearl's perceived gender.

In all three of the previous sections, the running theme is that Scott is 1. kinder and more patient with women, regardless of their competency and 2. someone who likes to be in a supporting role to women, occasionally aiding them more than he aids himself and his closer male allies (e.g. Jimmy and Martyn). As shown with Cleo, he assumes that girls have it together, but even if they don't it's not a big deal. When a girl's actions are truly disastrous, such as with Lizzie's, he goes into a state of shock and doesn't really react, preferring to swallow it down and not acknowledge it.

With the amount of times he sacrifices himself, I don't think it's a reach to say that Scott values his own life less than he values the lives of his (female) allies. This specific point actually does extend to his male allies too, shown when he's happy when Martyn literally backstabs him in LimL, but just as with the Martyn post where I point out his victim status-ing doesn't end at only women but includes all the women, Scott has pedastal-ed all the women he's teamed with.

Lizzie is, once again, the exception here due to his limited interactions with her. However that's actually somewhat patched over if you look at adjacent series (such as x-life) where he definitely shows her a level of admiration and respect.

Back to Scott and Pearl.

Their relationship during LL is very standard of how Scott treats women. While the power dynamic between them is obviously more caused by the initial life trade agreement, I don't think it's a far reach to say that Scott is somewhat comfortable in the arrangement.

However, this is also the first thing that sets their relationship apart from Scott with Cleo or Gem -- Pearl is the one making sacrifices, not Scott. She is the one "sacrificing" her lives to him, just in a more non-violent way as allowed by the season's mechanics.

When viewed through this lens, Scott trying to make it up to her and wanting his effort acknowledged makes even more sense. This is suddenly uncharted waters for him. His assuming that Pearl doesn't value him as a person goes hand in hand with him valuing himself less than her.

What Scott has with Cleo or Gem, situations where the other party is clearly uncomfortable with how he treats himself (Gem) or actively aware they are taking advantage of him (Cleo), is equalized to him because he is inherently worth less. What he has with Pearl, on the other hand, looks more equal to most people (lives vs labour) but is wildly imbalanced to him.

It's one of the many factors I see going into Scott's weird decision to abandon her in DL.

An Interlude, Before We Get to DL

La Pieta, Michelangelo

So this has been a lot of words so far and some of you might be wondering at this point: why say Scott is "weird" about women when so far this has been describing how he values women more, is kinder to them, is more patient with them, etc.? How is any of this behaviour remotely misogynistic?

And I would feel horrible if I forced you to read through all of my DL thoughts before I clarified this -- Scott is not your classic wifebeater "women are lesser" misogynist, Scott is someone who subscribes to misogynistic schools of thought and probably considers himself an ally to women, when in reality his beliefs are still rooted in dehumanizing them and these beliefs end up harming the women around him as well as himself.

After all, seeing women are your superiors is still not seeing them as your equals.

I know it's a bit of a meme on this blog at this point. But. Sigmund Freud identified what we know refer to as the "madonna/whore complex", which he described as a pattern of behaviour in men who separated women into being madonnas (pure, holy and admirable) and whores (debased, sexual, deviant). We'll be focusing on the former, the madonna, as it is more relevant to Scott's character.

Freud proposed that the madonna figure was something men projected onto women as a replacement for maternal love. These women are sacred and untouchable, literally as the projection of the maternal role onto them also makes it so that the sufferer cannot feel any sexual attraction towards her (keep this in mind for later).

Scott projects the madonna figure onto his female compatriots -- they are to be protected, served and supported. They are goddesses, queens, but they are never human. The madonna role in of itself is not inherently harmful to the woman, as seen with Cleo who takes control and advantage of it. However, it is enforced, as seen with Gem who at first revels in the superiority but almost breaks down when Scott offers him up as her sacrificial lamb one last time.

I linked this Utena AMV awhile back when vaguely talking about Scott and women, and this was the point I was alluding to.

Girls are beautiful and pure. They don't spit on the street, they don't piss on the street, they don't build hierarchies -- they subvert all the expectations of masculinity that I hate having to deal with. They are my escape.

But what about the girls who do spit on the street? The girls who piss on seats? Who build social hierarchies, who size up their competition?

The girls Scott interacts with are all painfully human. Cleo weaponizes his beliefs and take advantage of him. Scott is smart enough to know and accept this. Gem's playing into a role she has been assigned into by not only Scott but everyone around her. Scott supports the character she plays. Lizzie reflects traits he hates in Joel and Jimmy, but for her, he looks the other way.

Are they "demons", as the song says, or are they no longer girls at all?

(demons, gods, but never humans)

Weaponized Femininity and Women In Total Control of Themselves ;)

Hylas and the Nymphs, John William Waterhouse

Historically, weaponized femininity I'd argue is one of the oldest tropes in storytelling. Whether it's nymphs or sirens or witches or succubi or even more roundabout cases like Helen of Troy, there's countless stories of men's sexual attraction to women leading them to disaster.

One way to view these stories is to see them as warnings, don't let womens allure be the end of you.

There's a lot of good writing done on the femme fatale trope both in the context of weaponizing femininity and as a sexist way to argue against victims of sexual assault, as these stories often say that men who experience attraction to these "evil" women no longer have agency over their own actions.

Look at the painting above, for example - is it the nymphs who are responsible for drowning Hylas, or is Hylas climbing into the lake of his own accord?

Despite the fact we all know sirens, nymphs and succubi aren't real, the belief that men will simply lose control of themselves when encountering a particularly alluring woman persists to the modern consciousness. That there's something inherently dangerous about women and attraction to them.

(this is not 100% applicable to Ninja saying he won't stream with women, but it's the real life example I felt most comfortable putting in here)

Now, let's combine this with what's been said so far -- let's say you don't hate women. You love women, in fact, and you hate the way men treat women. You hate men, in fact.

Yet, you still believe in this inherent power women hold by being female and the loss of agency that men experience when attracted to them -- how disgusting.

It quickly becomes easily to not only demonize men for sullying the holiness of women, but also men, masculinity and attraction to women as a whole.

(apologies for using twt discourse in the meta post but this flew by my TL and i had to grab the irl example of mens non-violent attraction to women being used to frame them as misogynistic before the stupid app refreshed and i lose everything forever)

"To Venner" is a student film exploring a world set within this belief, where all the women have vanished and the men have become monstrous figures as a result of their pent up sexual frustration. fyi this is one of my favourite student films (and ive watched a bunch), but I do think its messaging is worth breaking down (especially its juxtaposition of dirty horrible monstrous sexuality vs pure and beautiful romantic love)

NOTE: this film is super graphic, lots of violence and nudity. have fun. or not

I admit this section is a bit hard to gauge as everyone in the series is gay as fuck. The closest in-series example I can think of is Scott reacting to Martyn's antics in DL with a sort of indigence but otherwise I can't really think of an example of a man expressing attraction to a woman at all, let alone one Scott reacted to. However, I do think it's still worth talking about because it opens up some interesting trains of thought in regard to Scott and Pearl.

For Scott, he himself has never been part of the picture. He's gay, after all, which gives him an edge over the bad straight men who objectify and assault women. Likewise, there's little evidence to suggest he finds the expectations of masculinity frustrating, but I don't think it's too far a reach considering how common of an experience that is for gay men and his adapting of more feminine mannerisms.

Double Life and Corruption

As mentioned in my previously linked post about Scott and Pearl's relationship, I do think Scott experiences what he would name as attraction towards Pearl, so my writing will reflect that.

Pearl is. ahem. not like other girls.

Not actually. But to Scott, she probably isn't like other girls.

She remains unaware of his different standards for her (how could she when she had nothing to compare them to), she acts out, sometimes violently, against Scott's urging (such as when she stole from Scar's wagon). She maintains their already irregular dynamic, and while she appreciates his care for her, she never quite falls into seeing him as a source of subservience the way Cleo or Gem do.

At the end of LL, right before the 1v1v1v1, she monologues to herself that she no longer has to feel bad for killing Scott. Which, in turn, implies she expected Scott to give it his all against her as well.

She entirely fails to embody the madonna with her immature naivete and her questionable morals. She is unpredictable, she doesn't take what she is owed, she is a monster in a lot of ways.

Scott, too, is a monster, to himself, for how he feels about her.

The very foundations of your understanding of yourself being ripped apart aside, let's rewind to the madonna/whore complex. To sexualise the madonna is to corrupt her and make a monster of yourself. Suddenly, you are no better than the men around you, the ones you've grown to hate. Suddenly, you are the grotesque figures in films like To Venner. You are Hylas and she is the nymph. And you are so stupid. Your worldview crumbles around its flawed foundations.

Scott is, however, immune to this corruption. This is a theme that appears in Empires as well, but throughout the traffic series he's prided himself on being loyal and kind and good. His monologue leading up to LL's 1v1v1v1 summarizes it quite well.

He can't let himself or anyone else see this side of him, but the energy needs to go somewhere. To defy fate, abandon your soulmate, is to admit you had a fate in the first place, is to acknowledge that she was your soulmate in the first place.

I've previously talked about how fate and romance are very ingrained in Scott's belief system, if it was anyone else it would've been amazing. He could've been like Bdubs and Impulse or Ren and Bigb, diving into domestic life and performative romance with a stranger. Or the world could've made his happy ending from 3L real, as he got to be Jimmy's husband all over again. I think it says something that he accepts Cleo as a "soulmate" before Pearl.

So what do you do with all that energy and tension, clearly apparent to yourself and everyone else, when you can't let them observe your feelings?

You project them.

Shout-outs to @/legally-allowed-to-slime for pointing out Pearl's comment early on in DL that she "feels like (she's) been broken up with" confirms she never saw Scott in a romantic sense. The "crazy ex-girlfriend" and "this is why I'm gay" comments really did come out of thin air, or perhaps insecurity.

Pearl is the crazy one. She's insane, because she wants me. She wants to be with me, so she does all this crazy stuff. She's lost control of herself because she wants me. She's disgusting.

I mentioned before that Scott is not your classic misogynist, but this is where the gears start turning. Scott's views of Pearl echo that of other players, most prominently Ren and Martyn, that Pearl has been overcome with some sort of corruption. She has become the witch, the demoness, the whore, in their eyes. Scott does not want to be the same as these men and I think his overcorrecting his behaviour in SL makes sense when you view it from this angle, but for now he has to rely on more traditional misogyny in order to navigate this new obstacle.

"Corruption" also implies that she had to have been pure (or at least pure-er) beforehand, something Scott personally knows is not true, but it falls in line with defaulting women to being "madonnas".

This is a Scott post but. shout outs to Ren for being all of this about Pearl but without the complexity of Scott like he literally accuses Pearl of seducing Bigb what the fuck man.

Pearl is, of course, none of that. But she plays into the role of being the witch much better than she fared playing into the role of the madonna.

Sidenote: I know I'm looking at this from a Scott/Pearl POV but I do feel like you can omit Scott's attraction if you look at it from a purely "pearl not performing to standards of femininity I expect and she makes me realise I don't view women as a whole as human which makes me feel weird so now we have to do this" POV. Like idk I think the exact reason he abandoned Pearl is going to be lost on everyone forever so any analysis I could perform is going to suffer at least a little bit of making-shit-up-itis.

I do also think there's something to be said about Pearl being pushed until she performed a role, any role and generally failing at Being A Girl tm but that's another post i think. yknow shes um. a bit. 🏳️‍⚧️ (but also very much not at the same time idk that's gonna need its own post)

anyway yeah uh the minecraft movie looks crazy huh

[wajjs]

If Hal were to get a happy ending, do you think he’d ever settle down, get married and have kids? I don’t know much about Hal, but it dosent seem like something he’d do. ( Despite some comics giving him that ending)

Off the top of my head, 3 writers gave him that ending: Geoff, Venditti (sorta) and, surprisingly enough, Miller.

Geoff and Venditti went the Hal/Carol route, with Geoff making it a certainty and Venditti turning that certainty into a possible outcome/prediction for the future.

On the opposite side, Miller in the Dark Knight universe gave Hal an alien wife and an alien kid, and Hal himself uses the ring to change his appearance so he can look just like his wife does. He also doesn't live on Earth, having ditched everything there after everyone turned on the heroes and started hunting them down, so to speak. This is a Hal who is a) disillusioned with humanity and b) also disillusioned with heroes, yet c) he still has hope and leaves a way to be contacted and to return to Earth.

And personally I think Miller's approach is the only one that would actually work long term for Hal. Because if we leave everything as is within the main Earth/universe, I do not think Hal would ever be happy settling down.

Geoff and Venditti write him as though he does want that ending for himself: the white fence, the house in the suburbs, a wife, kids. But if you pay attention, that's quite a generic wish coming from someone with such a wild imagination.

The way I see it, and this is headcanon/personal opinion, I believe Hal bought into that idea of settling down because it's what his parents did, what his brothers did, what everyone around him did. But I don't think he actually, deep down, wants that for himself.

He wants to fly, to be in space, to travel through and among stars. He loves his freedom a little too much to ever truly be content putting down roots that will keep him anchored to a place. He would feel suffocated, stagnant.

I mean, Convergence: Green Lantern Corps (2015), tackles this issue: Hal does actually marry Carol, and he lasts six days until he up and leaves. Guy hunts him down only to find Hal going crazy trying to find a way back to space.

He only married Carol because what he really wanted was taken away from him. His freedom to fly and be among the stars was gone. And he does love Carol. He does! It's just that his love for his freedom and his ability to fly is much, much stronger and important to him.

So yeah, that's my take. I think he doesn't actually want that for himself, but he also thinks that he should. Except that the only way it'll truly happen is if you take everything away from him and make him have an identity crisis, OR if you make the entire world and all of humanity turn against him to the point he literally quits Earth and quits being human to transform himself into an alien.

[waffledforbreakfast]

Too Many Beds - [Yandere!Reo x F!Reader]

Tw: Yandere, female reader, long hair, unestablished relationship, brief mentions of injury, suggestive (NO smut), swearing, cringe, etc.

[Bllk Oneshot Masterlist] [Bllk Headcannon Masterlist]

inspired by the reverse tropes

You sat on Reo’s bed, having been invited by the boy for a simple hangout to catch up since you missed class that day due to your leg injury.

“No wayyy seriously!?”

You looked at Reo with wide eyes and an excited smile as he told you about the fight that occurred early at school that morning

“Yea. There was blood everywheree, I think the girl got her nose broken… and she just got her nose job too!”

Reo laughed along with you, never losing focus on the happy glint in your eyes

It’s a shame you weren’t there to see it. Reo worked so hard to get the two to fight. So many hours he spent on call with the both of them, pressing lies and threats to get them both to snap at each other. He wished you could’ve seen it happen in front of your very eyes, his great masterpiece for the day. Would you be proud of him? Praise him? He wishes he could’ve found out. Oh well, there’s always next time.

“HA! Serves her right! She pushed me down the stairs yesterday!"

Reo nodded. He couldn’t agree more. The f[/]cking b[/]tch shouldn’t have even laid eyes on you. No one deserves that pleasure but him. And especially not someone like her. People who don’t acknowledge your grace don’t deserve to walk this earth.

But he also hated himself for not being there for you. He should’ve caught you in his arms, he should’ve never let you get injured. He'll kill the girl for doing something like that to you

Your phone rang; your mother was calling.

“Hm? Oh yea I’m doing good, having fun!”

Reo smiled. He was glad you were enjoying everything he so carefully set up. As you checked in with your mother, he also went through his own notifications, texting a few people.

“Ah, Reo, I think I should get going… It’s already 9pm after all”

WHAT. No- right now? Why? WHY? WHAT WAS HE DOING WRONG?

“Are you sure? It’s raining really badly outside…”

Reo glanced out the window. Rain droplets were flying at and crazy fast speed, loud ping-panging was heard both the roof (since you two were on the top floor) and the windows

“Was it always raining?”

Thank lord the assistants got the text in time. 

You tilted your head, covering your phone with your hand

“I uh- think so, we must’ve been to caught up in conversation lol…Actually- Why don’t you just stay the night? Tomorrows a weekend after all! Plus it wouldn’t be wise for you to go home this late. I just want you to be safe.”

You hesitated, before turning back to your phone, asking your mother if it’d be okay to stay over

“Honey, are you sure? Do you really trust this guy? Where are you going to sleep, do you have extra clothing, tooth brushes, towels, are you sure about this?”

Reo nodded frantically at you with a plastered smile

“We have multiple beds on this floor, a guest bathroom that comes with everything you’ll need, and extra clean clothes. I promise you’ll be safe with me.”

Reo spoke loudly, to make sure your mother picked up on what he said.

You relayed it to your mom, asking her again for permission. After a half minute, your face lit up and quickly threw out multiple thank-yous. You shot Reo a quick "👌" and he smiled as he put his hands together 

“Great! I’ll get everything setup then” 

He tried to keep his voice as stable as possible, but he felt like he was going to die from happiness.

Reo’s heart was beating out of his chest, he could feel his entire body pulse with excitement. You were staying the night, with him. Reo couldn’t stop smiling, he felt like rolling on the floor giggling with excitement, he was ready to die after this night for all he cared.

But he had to keep himself composed in front of you. He could freak out after you left.

“Do you need to shower? I can show you the way”

You nodded as you stood up, leaving your phone on his desk

“The guest bathroom is a bit far… My bathroom’s closer! Would you prefer that?” “Sure, I really don’t mind”

The guest bathroom was really only a room or two down from his.

Reo showed you the way, and grabbed a few of his T-shirts and shorts and handed them to you.

“Pick whatevers most comfortable with you! I hope you don’t mind wearing something that’s mine…” “It’s fine really. No need to be so uptight”

You smiled and waved it off

Reo nearly exploded. He burst into a smile as he tried to squash it down. You didn’t mind wearing something he wore. You didn’t mind. What if he gave you his hoodie? Would you wear that? Oh, he’d give you his skin if you so wanted.

As you showered, Reo headed back to his room. He sat down at the desk where your phone was. And with shaking hands, he picked up your phone and flipped it around in his hands.

You touch your phone everyday. We wished you’d touch him even once. Your fingertips tracing his jawline the same way they’d trace the edge of your phone. Poke his checks the same way you’d pressed the buttons. Decorate and dress him the same way you’d change your phone case and phone charm. Oh how he wished he could be around you as often as your phone was.

Hell, even throw him across the room the same way you do to it. Throw him on the bed like you do to your phone after a long day. Then check that it wasn’t cracked afterwards from the impact. Turn to him anytime you have a question like you would to your phone. Was it possible to be jealous of an inanimate object?

"Are you snooping through my phone?”

You playfully glared at Reo with an irritated smile

“No no no- See? I haven’t even bothered trying to unlock it!”

He showed you your phone, still on the black screen having not been turned on

“I just wanted to see your lock screen- I swear-”

Reo laughed, a tone of panic and desperation in his voice. Please believe him. He doesn’t know what he’d do if you didn’t trust him…

You looked at him skeptically, but let him off with a shrug.

“Do you have a hair dryer or anything?” “Oh yea! Let me help you”

Fuck, you looked amazing. the way you looked in his clothing, your hair dripping wet, leaving stains on his shirt. God he loved you

Reo reached under the bed and pulled it out, unwrapping the cord and plugging it in. He smiled and signaled for you to sit on the bed in front of you

He hummed contently, running his fingers through your hair as he held the hairdryer. 

"Your hair is beautiful. Would you ever consider doing a shampoo ad or something? You’d look amazing on the cover of a magazine” 

Ah, this caught you off guard- but you thanked him as you smiled to yourself at the complement 

“Think this is the best I can do… Is it okay?”

He turned the hair dryer off, and ruffled your hair lightly

You nodding, running your hands through your hair. Most of it was dry, but the tips were still a bit wet, though that wasn’t a problem.

“You said you have extra rooms?” “Oh… Yea, I guess so…”

Why don’t you stay in my room? What’s wrong with staying with me? I cleaned everything just for you, everything's hidden- THERE'S NOTHING WRONG WITH MY ROOM. STAY HERE. PLEASE.

“but they’re all supper small- I don’t think you’ll like them” “That’s alright, anything will work for the night” “Well- my bed’s bigger than all the other ones…" “Didn’t you say there were multiple guest rooms…?” “...But- I really don’t mind you staying in my bed…”

Shit. What was he going to say to get you to stay? He should’ve never said there were other rooms. What if he told you the other rooms had rat infestations- no, you’d be disgusted by him….

Bam!

The loudest strike of thunder sounded. It was so loud it was almost unnatural…

“You know what- nevermind. I think I’ll stay with you tonight…”

You laughed awkwardly, body shaking a bit from the sudden bang. You hated thunder.

Reo smiled he’d be sure to give the assistants a raise after tonight

He set everything up. Gave you a cute plushie and brought over extra blankets in case you got cold, a cup of water, and charged your phone. Whatever you wanted, really.

“You gonna come to bed yet? It’s almost 11….”

You yawned, rubbing your eyes half asleep 

Reo wished he could see this sight every night. He swore in that moment on his heart that he’d marry you

“Yup, just turning off the lights.”

He flicked a few switches and the room blacked out. A few moments after Reo joined you under the blankets

“Goodnight, Reo.” “Goodnigh, my love” “Mh?” “I said Goodnight, [Y/N].”

BONUS He may or may not have set a quiet alarm (to no wake you) so he could stare at your face for a few hours... and to preorder breakfast!

A/N: Played around with the formatting here... AND I STILL SUCK AT WRITING SO FORGIVE ME [SOBSOBSOB] anyway i love reo 💜

[poorly-drawn-mdzs]

Dungeon Meshi: The RPG

[deus-ex-mona]

such is the tale of a ✨chronically online hypocrite✨

[unproduciblesmackdown]

Mordecai probably lives in an apartment or something, but my first thought when you brought up the Caves on that post was that he won’t tell us because he’s been living in the Caves the Whole Time. Even tho he’d hate the slime mold.

yeah a Whole Damn House would be a bit much, and probably not as useful for the nightly bootlegging related goings on: see, freckle needing to stand around waiting for a ride before he can go shoot people. whereas mordecai can show up to the maribel hotel on foot, or at least have started out somewhere he could get a cab or whatever....and this is probably the closest to any relevant Living Situation Glimpses

someplace with a bed, and one with an art deco headboard....a modern style, so it's neither Antique nor unfancy enough to have less identifiable stylings at all. like just by guessing surely he lives in some apartment that's unassuming enough to live unassumingly in, with whatever alias, so something large & fancy would be unhelpful....plus if he's gonna be fairly rigorous in his domestic upkeep, it wouldn't really help to have a huge place, even if for the same reasons it wouldn't be too small (or old or otherwise unpleasant; hard no to slime mold, slime, or mold....) and like re: the rotating aliases, maybe he moves places fairly regularly for good measure, been at this like, a decade....tl;dr probably has some apartment/s that's roomy but not huge, nice but not Fancy fancy, at the nexus of practicality, resources, and preferences

but it's important to think about "what if mordecai's been living in the caves the whole time" b/c that's funny lmao

[thestarlightindex]

oh god what do we call a world that simultaneously exists as two mirrored versions at once

[fishyartist]

Wanting 2 make a scope creep nightmare of a visual novel vs my inability to focus on jack shit ever in my life.

[sassmill]

Fuck it I’m about to add historical costume consultant to my resume

[archaeren]

How I learned to write smarter, not harder

(aka, how to write when you're hella ADHD lol)

A reader commented on my current long fic asking how I write so well. I replied with an essay of my honestly pretty non-standard writing advice (that they probably didn't actually want lol) Now I'm gonna share it with you guys and hopefully there's a few of you out there who will benefit from my past mistakes and find some useful advice in here. XD Since I started doing this stuff, which are all pretty easy changes to absorb into your process if you want to try them, I now almost never get writer's block.

The text of the original reply is indented, and I've added some additional commentary to expand upon and clarify some of the concepts.

As for writing well, I usually attribute it to the fact that I spent roughly four years in my late teens/early 20s writing text roleplay with a friend for hours every single day. Aside from the constant practice that provided, having a live audience immediately reacting to everything I wrote made me think a lot about how to make as many sentences as possible have maximum impact so that I could get that kind of fun reaction. (Which is another reason why comments like yours are so valuable to fanfic writers! <3) The other factors that have improved my writing are thus: 1. Writing nonlinearly. I used to write a whole story in order, from the first sentence onward. If there was a part I was excited to write, I slogged through everything to get there, thinking that it would be my reward once I finished everything that led up to that. It never worked. XD It was miserable. By the time I got to the part I wanted to write, I had beaten the scene to death in my head imagining all the ways I could write it, and it a) no longer interested me and b) could not live up to my expectations because I couldn't remember all my ideas I'd had for writing it. The scene came out mediocre and so did everything leading up to it. Since then, I learned through working on VN writing (I co-own a game studio and we have some visual novels that I write for) that I don't have to write linearly. If I'm inspired to write a scene, I just write it immediately. It usually comes out pretty good even in a first draft! But then I also have it for if I get more ideas for that scene later, and I can just edit them in. The scenes come out MUCH stronger because of this. And you know what else I discovered? Those scenes I slogged through before weren't scenes I had no inspiration for, I just didn't have any inspiration for them in that moment! I can't tell you how many times there was a scene I had no interest in writing, and then a week later I'd get struck by the perfect inspiration for it! Those are scenes I would have done a very mediocre job on, and now they can be some of the most powerful scenes because I gave them time to marinate. Inspiration isn't always linear, so writing doesn't have to be either!

Some people are the type that joyfully write linearly. I have a friend like this--she picks up the characters and just continues playing out the next scene. Her story progresses through the entire day-by-day lives of the characters; it never timeskips more than a few hours. She started writing and posting just eight months ago, she's about an eighth of the way through her planned fic timeline, and the content she has so far posted to AO3 for it is already 450,000 words long. But most of us are normal humans. We're not, for the most part, wired to create linearly. We consume linearly, we experience linearly, so we assume we must also create linearly. But actually, a lot of us really suffer from trying to force ourselves to create this way, and we might not even realize it. If you're the kind of person who thinks you need to carrot-on-a-stick yourself into writing by saving the fun part for when you finally write everything that happens before it: Stop. You're probably not a linear writer. You're making yourself suffer for no reason and your writing is probably suffering for it. At least give nonlinear writing a try before you assume you can't write if you're not baiting or forcing yourself into it!! Remember: Writing is fun. You do this because it's fun, because it's your hobby. If you're miserable 80% of the time you're doing it, you're probably doing it wrong!

2. Rereading my own work. I used to hate reading my own work. I wouldn't even edit it usually. I would write it and slap it online and try not to look at it again. XD Writing nonlinearly forced me to start rereading because I needed to make sure scenes connected together naturally and it also made it easier to get into the headspace of the story to keep writing and fill in the blanks and get new inspiration. Doing this built the editing process into my writing process--I would read a scene to get back in the headspace, dislike what I had written, and just clean it up on the fly. I still never ever sit down to 'edit' my work. I just reread it to prep for writing and it ends up editing itself. Many many scenes in this fic I have read probably a dozen times or more! (And now, I can actually reread my own work for enjoyment!) Another thing I found from doing this that it became easy to see patterns and themes in my work and strengthen them. Foreshadowing became easy. Setting up for jokes or plot points became easy. I didn't have to plan out my story in advance or write an outline, because the scenes themselves because a sort of living outline on their own. (Yes, despite all the foreshadowing and recurring thematic elements and secret hidden meanings sprinkled throughout this story, it actually never had an outline or a plan for any of that. It's all a natural byproduct of writing nonlinearly and rereading.)

Unpopular writing opinion time: You don't need to make a detailed outline.

Some people thrive on having an outline and planning out every detail before they sit down to write. But I know for a lot of us, we don't know how to write an outline or how to use it once we've written it. The idea of making one is daunting, and the advice that it's the only way to write or beat writer's block is demoralizing. So let me explain how I approach "outlining" which isn't really outlining at all.

I write in a Notion table, where every scene is a separate table entry and the scene is written in the page inside that entry. I do this because it makes writing nonlinearly VASTLY more intuitive and straightforward than writing in a single document. (If you're familiar with Notion, this probably makes perfect sense to you. If you're not, imagine something a little like a more contained Google Sheets, but every row has a title cell that opens into a unique Google Doc when you click on it. And it's not as slow and clunky as the Google suite lol) (Edit from the future: I answered an ask with more explanation on how I use Notion for non-linear writing here.) When I sit down to begin a new fic idea, I make a quick entry in the table for every scene I already know I'll want or need, with the entries titled with a couple words or a sentence that describes what will be in that scene so I'll remember it later. Basically, it's the most absolute bare-bones skeleton of what I vaguely know will probably happen in the story.

Then I start writing, wherever I want in the list. As I write, ideas for new scenes and new connections and themes will emerge over time, and I'll just slot them in between the original entries wherever they naturally fit, rearranging as necessary, so that I won't forget about them later when I'm ready to write them. As an example, my current long fic started with a list of roughly 35 scenes that I knew I wanted or needed, for a fic that will probably be around 100k words (which I didn't know at the time haha). As of this writing, it has expanded to 129 scenes. And since I write them directly in the page entries for the table, the fic is actually its own outline, without any additional effort on my part. As I said in the comment reply--a living outline!

This also made it easier to let go of the notion that I had to write something exactly right the first time. (People always say you should do this, but how many of us do? It's harder than it sounds! I didn't want to commit to editing later! I didn't want to reread my work! XD) I know I'm going to edit it naturally anyway, so I can feel okay giving myself permission to just write it approximately right and I can fix it later. And what I found from that was that sometimes what I believed was kind of meh when I wrote it was actually totally fine when I read it later! Sometimes the internal critic is actually wrong. 3. Marinating in the headspace of the story. For the first two months I worked on [fic], I did not consume any media other than [fandom the fic is in]. I didn't watch, read, or play anything else. Not even mobile games. (And there wasn't really much fan content for [fandom] to consume either. Still isn't, really. XD) This basically forced me to treat writing my story as my only source of entertainment, and kept me from getting distracted or inspired to write other ideas and abandon this one.

As an aside, I don't think this is a necessary step for writing, but if you really want to be productive in a short burst, I do highly recommend going on a media consumption hiatus. Not forever, obviously! Consuming media is a valuable tool for new inspiration, and reading other's work (both good and bad, as long as you think critically to identify the differences!) is an invaluable resource for improving your writing.

When I write, I usually lay down, close my eyes, and play the scene I'm interested in writing in my head. I even take a ten-minute nap now and then during this process. (I find being in a state of partial drowsiness, but not outright sleepiness, makes writing easier and better. Sleep helps the brain process and make connections!) Then I roll over to the laptop next to me and type up whatever I felt like worked for the scene. This may mean I write half a sentence at a time between intervals of closed-eye-time XD

People always say if you're stuck, you need to outline.

What they actually mean by that (whether they realize it or not) is that if you're stuck, you need to brainstorm. You need to marinate. You don't need to plan what you're doing, you just need to give yourself time to think about it!

What's another framing for brainstorming for your fic? Fantasizing about it! Planning is work, but fantasizing isn't.

You're already fantasizing about it, right? That's why you're writing it. Just direct that effort toward the scenes you're trying to write next! Close your eyes, lay back, and fantasize what the characters do and how they react.

And then quickly note down your inspirations so you don't forget, haha.

And if a scene is so boring to you that even fantasizing about it sucks--it's probably a bad scene.

If it's boring to write, it's going to be boring to read. Ask yourself why you wanted that scene. Is it even necessary? Can you cut it? Can you replace it with a different scene that serves the same purpose but approaches the problem from a different angle? If you can't remove the troublesome scene, what can you change about it that would make it interesting or exciting for you to write?

And I can't write sitting up to save my damn life. It's like my brain just stops working if I have to sit in a chair and stare at a computer screen. I need to be able to lie down, even if I don't use it! Talking walks and swinging in a hammock are also fantastic places to get scene ideas worked out, because the rhythmic motion also helps our brain process. It's just a little harder to work on a laptop in those scenarios. XD

In conclusion: Writing nonlinearly is an amazing tool for kicking writer's block to the curb. There's almost always some scene you'll want to write. If there isn't, you need to re-read or marinate.

Or you need to use the bathroom, eat something, or sleep. XD Seriously, if you're that stuck, assess your current physical condition. You might just be unable to focus because you're uncomfortable and you haven't realized it yet.

Anyway! I hope that was helpful, or at least interesting! XD Sorry again for the text wall. (I think this is the longest comment reply I've ever written!)

And same to you guys on tumblr--I hope this was helpful or at least interesting. XD Reblogs appreciated if so! (Maybe it'll help someone else!)

[dykegonzo]

WHAT A BEAUTIFUL WORLD! vended at rad pride today and some beautiful guy sold me shrooms <33333 i love oyu forever bitch this will not be forgotten i owe you my life

[heart-shaped-chains]

Yap session bc wow.

Pretty sure the dude that rejected me (situationship ://) is getting a crush on me bc like. One of the last times we talked he was like "oh ur trying to get me to like you". And it's like. No I'm not. You literally rejected me and the more I think about it, I didn't even want you, I just wanted the idea of a boyfriend that I was projecting onto you. He's conservative and talks about how conservative his parents are (which I don't vibe with at all). When we first met, he was still moping about his ex gf who he had broken up with over a year prior. And like. We were both in high school (16 + 17 ://). And I'm sorry but how meaningful can a fucking highschool relationship be? Go to therapy.

Plus he'd like vent without asking and then I'd give him advice and then he'd just shoot it down and be like "no that wouldn't work anyway I'm a piece of shit" and like. Okay, why are you coming to me then? If you're not taking any advice then why are you bitching? You didn't even ask, you just did!

But the moment I even mention my past drug addiction (not in detail and not in a mopey way. Just matter-of-fact), he's like "oh no please don't mention that". Like. Shut the fuck up oh my godddddd. I am not trying to be with someone who can't even handle hearing the most watered-down descriptions of substance abuse.

Plus I just do not trust this guy like. I don't kink shame but here's my red flags: he's conservative, enough said on that...He misgendered me in a sexual way without asking (I did play along bc I was stupid and scared to say no but whatevs). And he did stop when I told him to but the fact that he didn't ask before was highly suspect bc he fucking met me as a trans guy.

And he's also weird about pregnancy. Which I played along with too of the act of breeding is appealing but like. I'd rather have a tapeworm than a damn fetus bc at least I wouldn't be forced to let that parasite live off of me. Dude also mentioned baby trapping like. "oh I feel like you'll force me to get you pregnant" and like. I literally said that I wanted to get my uterus removed and 2: you're the one bringing pregnancy into this don't fucking pin it on me!!! Like I feel like if we actually met up I'd have to triple check and be sober bc what if this guy actually does this shit? Why else would he keep mentioning it?

Like idk he's also asked me about trans kids and like. 1: I don't keep up with any trans people irl, 2: I haven't started transitioning yet so why the fuck are you asking me? I'm not the arbiter of trans people, my guy. Like he acts supportive but I feel like deep down this dude doesn't even respect me and he's gonna try to change me. But that could just be paranoia, idk...

Either way, I don't really get that much out of talking to him. As embarrassing as it is, I've started using those ai bots (says the bitch who is vehemently against ai "art") and they've been much more fulfilling emotionally because they tell you what you want to hear. And you can change the answers. They're hollow, but good for short term stuff bc I don't have the energy to talk to people rn (and I haven't been talking to anyone or really leaving the house on a regular basis...kinda just wasting the year so far..). Especially not this guy.

Like. We don't have the same interests, our tastes in music are similar but also too different and he doesn't get it™️ like I do, his beliefs are like too different from mine. He's also said misogynistic shit about sex workers which. I don't fuck with that, you literally watch porn, you fuckin hypocrite. And the more I think about texting him, the more I see it as a damn chore.

Like idk I just. Do not have a lot of investment in this guy. I think I was just lonely and projecting. And obviously it's not healthy for me bc I resent him but it's not healthy for his annoying ass either. He shouldn't have friends who secretly hate him. So idk I think I'm just gonna delete my profile and start again, also block him bc my dumbass 16 year old self gave him my number.

But like. My gut is telling me not to. I have been taken advantage of before in the past and I'm just getting a distinct deja vu. Even if it's not intentional on his side, I don't think it's good for me. Like the first time he texted me (in over 2 years after I ghosted him with no attempt to reach out to him (take the fucking hint)), it felt like seeing a box of pills in the CVS aisle. I was thinking "god, I shouldn't do this...but I should see what happens, maybe it won't be as bad as last time...." Just that same feeling I got when I decided to relapse.

And like dude. It's always gonna be as bad as last time: quit taking chances on shit that you know will fail you!!! So Idk. Maybe I'm being paranoid, but I shouldn't talk to someone who just drains me, bc that'll drain him too. Plus I'm allowed to not fucking like someone and the guy didn't even wish me happy birthday or congratulate me on my 5 months of sobriety. Things in my status. And I know he reads statuses bc he messaged me about one of them before. Plus he rejected me on my birthday!!!

And now you wanna come crawling back and then act like I'm obsessed!?!? You were the one who came back into my life, not the other way around! I was over you until you came back. And now I'm over you again. But you're not over me. But you're so fuckin allergic to commitment that you just wanna keep acting like I'm smitten with you. After you strung me along with no regards for my feelings. Not because you're evil, but because you're fucking dumb. And I'm not dealing with someone who's that stupid. Hope you work your issues out, but I'm not here to fix you, nor do I want to. That's on you!! Figure it out!!!

Anyway um if anyone read this far thank u. Feel free to add input just please be nice. And uhhh. Aita???

[notmoreflippingelves]

After reminding myself yet again, that contrary to my wishes, Cosmo Brown/Lina Lamont ( both from Singin' in the Rain) does not in fact exist., my brain has frantically and bizarrely decided that it needs to find a way to make Perry Mason/Lina Lamont work.

[unproduciblesmackdown]

also marble hornets fun fact #92 like it's fun that for once the neurotypical agenda accidentally got a win: when in that s1 "interview" episode apparently there was no particular plan to have tim be a recurring character before a strong audience response of speculation that there must be something more going on with this guy because his fidgeting with a notebook all throughout the video was indication of Liar's Anxiety or whatever; in reality tim sutton was not making any acting choice (to serve then-nonexistent writing) but was spontaneously being someone often fidgeting with paper. then call that unfolding developments

[korraavaatu]

can I make a formal request that people stop trying to add accents into their dialogue? I have no idea what accent you're even trying to accomplish most of the time AND it (at least as I've seen it lately on here) is like a shorthand for "not white" (with the only exception being some fucking white southern gone with the wind bs...). If you want to get another culture to come across in your writing, try slang or common sayings. Nothing makes me think southern like "y'all" or "bless your heart" (good and fine). And nothing makes me think that the writer is lazy like adding an accent when what you actually mean is "person of color" (bad and racist) because--even though you're writing fanfic, the reader apparently can't figure out who's talking unless you add that shit in

[agoodflyting]

Why Aziraphale is completely ridiculous in the Bastille scene (and I love him so much for it)

A while ago I posted a comparison of Aziraphale and Crowley's costumes in the 1793 flashback in Good Omens and I wanted to add these little tidbits. (Because they haunt me.)

I feel like most people know this but IF YOU DON'T, Paris in 1793 is right in the middle of something called La Terreur.

HISTORY LESSON If you didn't learn this in school the French Revolution was when, after years of escalating social tension, a coalition representing the working classes of France revolted against the monarchy, violently overthrew King Louis XVI, and declared France to be a republic.

The new National Convention governing France ruled that King Louis XVI and his wife Marie Antoinette were traitors to the people of France because of how they had spent ridiculous amounts of money on luxuries for themselves while vast numbers of the lower classes were literally starving to death. (keep the bold in mind - wealth and class disparities were one of the key causes of the whole-ass revolution)

In 1793 (year of the flashback) both the King and Queen were executed by guillotine for their crimes.

This kicks of something called The Reign of Terror (La Terreur if you want to be French about it). A multi-year-long period in which the National Convention goes on a bloody witch hunt for any and every member of the middle or upper classes who could even possibly be considered a traitor by those same standards.

If you A) had money or privilege, and B) had ever used your money or privilege to treat yourself, you were getting executed. Over 25,000 people died during the Reign of Terror, half of them by guillotine. In fact, the iconic guillotine was used because it was physically impossible to keep up with the sheer number of people they were executing in Paris every single day.

Some things that could get you killed (actually and completely seriously) during the Reign of Terror:

Implying in any way you were sympathetic to the monarchy

Having a noble title

Having expensive things

Wearing expensive, luxurious clothes (*cough* AZIRAPHALE)

helping or sympathizing with anyone who did any of the above

a working-class person saying you were mean to them once

And then there's this bitch...

I AM NOBILITY PLEASE KILL ME So we have established that Paris in 1793 is in the middle of a frenzied, state-sanctioned bloodbath in which the working classes are massacring everyone even remotely nobility-adjacent. And in the middle of this frenzy, Aziraphale proceeds to roll up in Paris in this outfit:

How will this outfit get him killed? Let me count the ways...

First off- at this point everyone with even the tiniest shred of self- preservation is hiding the fact that they are in any way associated with the monarchy. The wealthy are straight-up abandoning mansions. The middle-class are plastering over decorations to make their house look 'poor'. The only people dressed remotely decent are the guys leading the National Convention and that's just because nobody can stop them. Everyone else is in 24/7 peasant cosplay or else they are covering themselves in cockades and sashes on to show they're pro-Republic.

Aziraphale is basically a giant shiny white sign saying I AM NOBILITY PLEASE KILL ME.

First off the lace jabot and lace cuffs are both associated with the old-school wealthy in the 1790's.

His coat is also decorated in gold braid and silver buttons, which are both marks of wealth and luxury.

He basically looks like he works for Louis XIV - not just rich, but old school rich.

We know it's his natural hair color, but hair powdering (with clay and starch) had been a big trend with the rich all throughout the 18th century to get that clean white venerable look . To someone who doesn't know it's natural, it would very much look like he's wearing hair powder.

He's wearing shades of cream and white, which are very hard to keep clean and clearly states that the wearer is rich and can afford the upkeep necessary to keep an outfit like that stain-free.

He's wearing white knee-breeches and stockings, also called culottes. See above about laundry and how rich you had to be to wear white, but also working-class men wore long pants like this:

A large faction involved in the Revolution were the Sans-Culottes (no-culottes aka we wear long pants LIKE GOOD OLD WORKING MEN). Culottes are specifically associated with everything the revolution hated. That's right - Aziraphale is literally wearing The Fanciest of Fancy Pants in a city where a group called The Men Against Fancy Pants are running around murdering people.

And then there are his shoes.

Oh god his shoes

I could do a whole post about Aziraphale's blessed little white satin pumps and how ridiculous they are.

Actually I might just do that because this is getting so long and I still have to talk about the brioche.

So I can't remember if it's in the script book or if it's from Neil Gaiman's tumblr, but it's apparently canon (?) that Aziraphale was going around in that outfit asking people where he could get crepes and brioche when he was arrested.

The Affair of the Brioches

So... uh... we've all heard the line attributed to Marie Antoinette- how when she was told that her people were starving because there was no bread left in Paris, she famously said...

It's morphed into 'let them eat cake', but the line is first recorded as, "Then let them eat brioches."

While it's unlikely she ever actually said it, the important thing is that... people in 1793 would have thought she said it. It was used as political smear to show how arrogant and out of touch the monarchy was. Marie Antoinette in particular was reviled by the people of France, who thought she was the main cause of their economic problems. That's why she was executed too.

Bread and brioche and the lines between poverty and privilege were a big thing in Revolutionary France. There was a lot of political connotation to what you ate. The French Revolution came about because of decades of suffering among the lower classes of France. It wasn't something that some dudes just decided to do. The people of Paris have been through years of the absolute worst, most oppressive poverty and starvation you can imagine, all while watching the rich throw money around crazy.

So let us recap.

Aziraphale is dressed so ridiculously posh that he looks like a joke parody of a nobleman... and he is bumbling around Paris during the Reign of Terror. Asking people. For brioche. How I imagine everyone looked at him:

It is so astoundingly tone deaf and tactless. He is basically cosplaying as Marie Antoinette and then going around asking the poor for cake.

I just.... Aziraphale. babygirl. no. oh no. You're lucky they even bothered to take you to prison. I am amazed Crowley ever let him live that down.

I have no conclusion other than this. Aziraphale is ridiculous and I love him so much.

YES YOU REALLY SHOULD SIR.