#and then here you are showing everyone that not the whole fandom is bad

[zenkindoflove]

Oh my god, I read all your fics with Eris/Alexius on ao3 and while I am not usually someone who reads main pairings with OCs, you made Alexius blend so seamlessly into the world of ACOTAR I just !!! Aaaa! I just finished Summer Heat and !!! God, it's probably my favorite of yours so far, regardless of whenever you get around to making a sequel or not.

Anyway, sorry for rambling, I hope you have a great day and thank you sm for sharing your writing

Omg, nonnie, you made my day just now. I don't normally get anons about any of my fics, so this was such a big surprise and just 😍. Please, if you ever want to come off anon and chat, I would love to know who you are!

It really makes me happy that you gave Eris x Alexius a try and you liked them! Alexius is my baby, and one of the things I really tried to do as I developed his character was to really fit him into the world of ACOTAR, both in terms of his family, his friends, and his magic. I've definitely tricked myself into thinking Alexius actually exists in this world. So idk what the hell I am going to do when I read the next book and he isn't there. 😆

Ahhh, Summer Heat. I'm so happy it's your favorite because I really tried so many new things in that fic. And I know it's been months and months since I said I would work on the sequel, but obviously some other things took over, like writing Pull Me In Deeper, which took me a lot longer than I expected it to. But I'm glad it did because I loved what that fic became too. My plans now are to work on my Secret Santa fic and Carrion Flowers in the fall, and then dive back into Summer Heat's sequel when those are done. I really do want to write it because it's going to get a lot more into exploring some of my head canons and world building around Elain's magic and how they will approach Koschei. So I see it as me learning how to explore more fantasy writing (along with lots of romance and smut with Elucien and Erixius).

And never apologize for rambling to a fanfic author about their work. I am inherently a little monster about hearing what people think, so please always tell me any and all of your thoughts! 💕

[roostertuftart]

Can we stop W the “if you have a different opinion on sp you clearly haven’t watched the show” bit. it’s. Very annoying

[kitsune1366]

"Ahh, but you have to not fear death, becau--"

"Oh, cool! Not a problem I'm already dead. Well, half dead!"

...

...

...

"w h a t ? ? ?"

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[anthurak]

Something I’ve always found rather curious about the Adventure Time fandom, specifically Bubbline shippers, is that nobody seems to talk about how the show slipped in what might be the most angsty, hardcore and emotionally raw Bubbline stories disguised as a wacky Rashomon-style recap in the episode Ketchup.

Like it’s pretty clear that Marceline is doing the whole ‘Lollipop Girl and Rockstar Girl’ puppet-show because she doesn’t want to traumatize BMO with what happened while they, Finn and Jake were gone, and also because she herself doesn’t want to revisit those memories directly.

But when we start reading between the lines and recognize that Marceline’s embellishments are really more to tone DOWN events, I think we get a very stark and raw depiction of what Marceline was doing when Patience set off Ooo’s elemental apocalypse.

Just to kick things off, how much does anyone want to bet that this joke translates to ‘Marceline and Bubblegum had a fight and Marcy was giving Bonnie some space… and because of that, Marceline wasn’t there to protect Bonnie when she was kidnapped by Patience.’?

Kinda adds another layer to Marcy’s whole ‘I was so afraid something bad would happen to you’ breakdown in Come Along With Me, doesn’t it?

Next we have ‘Rockstar Girl smacking off the potato-heads growing on her’ which pretty easily translates to; ‘while everyone else was getting overrun by the elements, Marceline was able to fight off the elemental contamination for possibly entire days while she tried to find a way to help Bubblegum’. And given what we see with Finn and Jake only able to resist the contamination for maybe a few hours at a time, and how willpower was one of the only things that could hold it off, that says a LOT about just how DESPERATE Marcy was to help Bonnie. I mean, you want a really hardcore and messed up image? Imagine if Marceline was actively cutting or RIPPING off the contaminated parts of herself to keep it from spreading and regrowing those parts with her vampiric regeneration?

Then we have ‘Rockstar Girl went after the Blue Tranch’, which I can only imagine translates to ‘Marceline going on a GOLB-DAMMNED WARPATH to hunt down Patience St. Pim’. And let’s remember that A. Patience was currently a super-charged Elemental and B. Marceline would still be fighting off elemental contamination herself, whether the Candification from Bubblegum, the Ice-ification from Patience, or even both.

I mean, when we think about it; ‘Rockstar Girl played some really loud music that the Blue Tranch didn’t like’ quite possibly translates to the most insane battle of the entire show. Like on one side we’ve got Patience St. Pim, seasoned Elemental who could already make Ice King look like an amateur, super-charged with elemental energy making her probably the most powerful Ice Elemental in thousands if not millions of years. And on the other side, we’ve got Marceline, consumed and possibly more than half-crazed with rage, fear and desperation to help Bonnie, going ALL-OUT with her numerous vampire powers, possibly some of her demonic powers, all while fighting off the encroaching elemental contamination.

And if ‘The Blue Tranch begged Rockstar Girl to stop and go away’ is anything to go by, I think we can assume that Marcy utterly WRECKED Patience’s SHIT. As in, Patience may well have ended this fight with an axe in her gut, a claw choking the life out her and Marceline threatening to devour her very SOUL if she didn’t tell her how to help Bonnie.

(Here’s another fun thought: Something that notably separates Patience from the other current elementals of Ooo is that whereas Princess Bubblegum, Flame Princess and Slime Princess are all physical manifestations OF their elements (Gum, Fire and Slime, respectively), while Patience is human. Yet when we see her during the arc, she seems to have lost her human body and assumed fully elemental form as well. Now we could of course assume that this is simply due to the elemental overcharge just like the others. Buuuuttt… what if Patience was FORCED to assume this new form because her human body could no longer SURVIVE after the utter THRASHING she received from Marceline?)

Finally, we of course have the end. Something which seems all too easy to imagine even with Marceline’s toning down of events:

Marcy rushing back to the Candy Kingdom as fast as she can. Even though she’s exhausted from her fight with Patience and the days spent fighting off the elemental contamination. To the point where now she can only barely hold it off and maintain her sanity. Perhaps she wonders if this is what it was like for Simon during their time together…

Even though she knows speeding back this fast is only draining her strength faster, but that doesn’t matter to her. Because what matters right now is the trinket, potion, or something or other clutched in her hand that Patience gave her. Something that Marcy can’t be sure will even work. But she hopes it will. That’s the only thing keeping her going, the only thing holding her together at this point.

A blind, desperate HOPE that this will save Bonnie…

When she finally returns to what was once the Candy Kingdom, Marceline finds the massive tower of gum. Perhaps like Finn and Jake later on, Marceline at first isn’t sure what she’s looking at and thinks Bonnie is at the top. So she flies right to the top in a burst of speed that drains her already dwindling strength even further.

And there Marcy finds Bonnie. Or rather, what Bonnie has BECOME. Perhaps she doesn’t even remember Marcy.

Perhaps for Marcy, this is like losing Simon all over again. Except instead of the father who raised and cared for her over ten years, it’s a woman that Marcy has loved for the better part of a millennium. A woman she was only just able to start loving again after so long. But now, just like Simon… she’s gone.

And this realization does what all the elemental power of Ooo could not.

It breaks Marceline.

Just like that, Marceline doesn’t even try to use the ‘antidote’ Patience gave her. Instead, perhaps Marcy gives Bonnie one last kiss and just… accepts the madness.

Because now, at least they can be together.

[galactic-rhea]

WDYM Anakin is Luke and Leia's dad

I dunno if this post will reach the Star Wars fandom but I hope it does because I'm sure you all will get a good laugh at me.

As of recent I have developed a good hiperfixation for Star Wars, the thing is I knew nothing. NOTHING about Star Wars besides the fact it had aliens and...a war...in space? And funny swords. And main character is Luke or something, I spent over 20 years ignoring anything about Star Wars and somehow missing most references out there.

And recently, literally less than a month ago I saw a gif and said to my partner "oh this guy this guy looks cool, this gif looks nice" and he said "Oh well, he's a good character." And it all developed into me watching Clone Wars, the animated series you know and...and I was kinda blown away, on my opinion the show IS GREAT. And I love every character and their interactions, I love how much they focus on side characters, and they all seem very well written. I got hiperfixated really fast and saw Anakin and I was like "Omg, babygirl. He's a blorbo now."

And because of the show, this was super unexpected, but somehow I also got, really got, into the ship with Padmé because omg, cool woman. Literal happy squeaky noises of someone who was in a bad state and needed some good ol' distraction and comfort.

Now, like I said I knew nothing about Star Wars as a whole. And I still haven't watched the movies, besides the ocassional gif?

So imagine my shock, my surprise, my...bewilderment when I realized.

"Wait a minute, LUKE IS ANAKIN'S SON?! HOLY-"

Ladies, gentleman, and others, I think I came very late to this party and I don't even know how it took me so long.

Not only that, but because of this sudden love for the series, I went to my friends circle like "BESTIE, GUESS WHAT, I HAVE A NEW BLROBO AND A NEW FAV SHIP AND EEEP"

And my friends are like "omg that's amazing, what is it?"

I tell them, and of course they all know these characters and they all react like they know this very bad secret fact and I got told several times already "Please, don't watch the episodes 2 and 3 alone, it will hurt."

I feel like blissfully walking among rainbows and blue skies while everyone else know that my future is doomed. Somehow.

(Uncomfortable silence)

Not only that, but then I spent a whole deal of time thinking "Where the heck I have seen these guys" cus there was some fmailiarity I couldn't just point out and then one day I woke up, brushed my teeth and of all sudden I realized and it was such a shock.

Do you know how SURREAL is to get very into a character, and into a ship, and then realize they're the same from that super widespread meme that has been around for who knows how much time?

I swear I thought that meme was from some old medieval fantasy movies or something.

But alas, Star Wars now is EVERYWHERE. People do references to Star Wars ALL THE TIME and it's just now I'm catching them.

I got spoilers. From a meme. In a youtube review that had nothing to do with Star Wars hah. Everything is a spoiler, the world is an apparent spoiler. Now I'm here, trying to avoid spoilers from something everyone seems to know, even my family knows. It's so surreal and I wouldn't have it any other way 😂

Anyways, if you read until here, know that a wild ride still waits me, cuz I'm only starting Season 3 of Clone Wars and I don't plan to watch the movies until I finish the series.

And yes, I made this blog just to ramble freely about SW and draw stuff because it sparked my inspiration after a long art block.

Have this doodle I drew after watching the two first episodes, my offering for you reaching this far.

Note: Wouldn't Anakin and Padmé's ship name be Animé? Cuz that's hilarious.

[seulszn]

Listen I love TLOU and the fandom very much but a lot of people (not calling anybody out) need a reality check and need to grow up. I wanna say my two cents on things that bother me in this fandom.

1. Boycotting for Palestine

I have seen multiple times on multiple occasions where people would sit on their phone and complain about why writers are “flooding the tags with this boycotting bullshit” and honestly all I have to say is your super childish you can’t take a hour or a week out of your day to raise awareness on a important topic that is affecting millions of people? Your so horny so down bad for pixelated characters that you don’t care about the innocent children, women and men that are dying in Palestine? The boycotting isn’t gonna stop just because you want your needs filled, the boycotting isn’t going to stop because you think it needs to, it’s not gonna stop until Palestine is free. And if you wanna read things that bad then read nobody is stoping you but a take into ignition that if a writer is spreading awareness then don’t be ignorant and say stupid shit

2. Less Sex and more angst or other genres.

Listen I love Abby and Ellie just like everyone else and I read a lot of smut about them but does that all y’all see when y’all look at them? As sex objects? Like I’m not saying that you should stop writing smut for those characters but write other things to that don’t involve smut, like angst I see a lot of people under that tag say how they wish writers would as write other things that isn’t just smut and majority of the time when they say that they get hated for it. It lowkey gets boring reading fanfics where the whole plot is smut, smut, smut. And again I’m not saying to stop writing smut but please for the love of whatever you believe in write other genres.

3. Black inclusivity

As a black writer and a black person TLOU tag isn’t inclusive enough. I know you must be thinking “Why are we speaking about this again?” Because I’m honestly so tired of how uninclusive the fandom is like I said before Ellie dates WOC if you don’t know what WOC is it’s Women Of Color all of Ellie’s girlfriends where WOC now I’m not saying you can’t write for Ellie as a white person and I’m not saying that never did all I am saying is once again all of Ellie’s girlfriend where POC

Riley was a Black African American who Dated Ellie

Cat the girl who wasn’t mentioned alot but is in the game is Asian American who also dated Ellie

Dina is a Jewish (Mexican, Middle Eastern ) American who dated Ellie

Also yes we know when the reader is white coded so don’t try a put that you don’t mention when race mentioned cause you do and we can tell when you do “She’s Petite and cute with her long blonde hair” or whatever you bitches be saying we know when you guys aren’t inclusive the whole point of fanfiction writing is to be inclusive is to make sure that readers can see themself in your xreader so if your putting all these “white things and then labeling your story as “the readers race is not mentioned” or that OC stuff that y’all do then just label the story as a white reader or a OC reader

4. Futa, trans and masc

Now here I’m gonna discuss two or three things starting off with Futa and Trans. Now I don’t know when “Futa” or “Trans” Ellie and Abby came from but a lot of you readers need to understand and learn the difference between the two because they are both very different things.

Futanari: is the Japanese word for hermaphroditism, which is also used in a broader sense for androgyny. Beyond Japan, the term has come to be used to describe a commonly pornographic genre of eroge, manga, and anime, which includes characters that show primary sexual characteristics from both females and males. In today's language, it refers almost exclusively to characters who have an overall feminine body, but have both female and male primary genitalia (although a scrotum is not always present, while breasts, a penis, and a vulva are). The term is also often abbreviated as futa(s), which is also used as a generalized term for the works themselves.

Transgender (often shortened to trans) is someone whose gender identity differs from that typically associated with the sex they were assigned at birth. Some transgender people who desire medical assistance to transition from one sex to another identify as transsexual. Transgender is also an umbrella term; in addition to including people whose gender identity is the opposite of their assigned sex (trans men and trans women), it may also include people who are non-binary or genderqueer. Other definitions of transgender also include people who belong to a third gender, or else conceptualize transgender people as a third gender. The term may also include cross-dressers or drag kings and drag queens in some contexts. The term transgender does not have a universally accepted definition, including among researchers.

Mind you I am not transgender I am nonbinary but I see a lot of transgender people speak up about how offensive it is to write a character as Transgender but it’s not really transgender but a Futanari remember a Futa is a character who is assigned a gender at birth but just has extra sexual parts like a penis.

Now another thing that bothers me is how y’all Masculinize Masc Lesbians as if they still aren’t women themselves like every time I read a fanfic with Ellie or Abby or even Vi and Sevika from Arcane you guys like to ignore they fact that they are also women themselves like it’s not gonna kill you to give those characters feminine compliments there shouldn’t be a reason why your calling these women “handsome” or other Masculine compliments and also a lot of Masculine women where makeup it’s not just a feminine woman thing. Masc Lesbians are women they aren’t men so stop treating them as if they are men and ignoring the fact that they are women

5. the Innocent childish reader gotta stop.

They title says enough I don’t think I need to say too much but a lot of y’all get innocent and corruption mixed up but a corruption kink is When you find the idea of "corrupting" someone, mostly in a sexual way, like taking virginities or introducing people to stuff like bdsm etc. It's the idea of having someone "pure" do "bad" things under your influence. And innocent is not corrupted or tainted with evil or unpleasant emotion; sinless; pure. not guilty of a particular crime; blameless. (From the dictionary)

Y’all need to understand yes not everyone knows what sex is but everyone knows what a vagina is what a penis is, what a orgasm is and what sex is but they may not knows what happens when you have sex so making the reader what y’all call innocent isn’t innocent it’s honestly to me perverted cause the only one who would say something like “my cunny feels weird 🥺” or that “what is sex 🥺” is a child. Children don’t know what sex is children don’t know what pleasure or orgasms is and when y’all say “the reader is a Bimbo” is also funny cause Bimbos know what sex is as well yes they may be stupid but they aren’t slow so before you make a innocent reader please think “am I making my reader act like a child or am I gonna make her really innocent like how regular grown ass adults act?” so don't get not knowing and "innocent" mixed up

6. The stories where they have sex inside a church also gotta stop

Now I’m not a Christian but these stories are honestly really bad and are Blasphemy a lot of people have come out and said that they don’t like the fact that people are writing stories about church in a sexual way like their shouldn’t be any reason why your characters are fucking inside a church, that’s like stomping on someone’s dead grave. You guys do shit like this and then wonder why Christian’s don’t like us. Religion isn’t something to be sexualized it’s not something to be playing with either this idc how much you hate Christianity you can be a Atheist, or Catholic or Jewish but please for the love of whatever you believe in don’t sexualize people’s religion.

That’s all I can think of at the moment if I think of more I’ll of course make a part two to this but don’t take anything I said here to heart it’s just my blunt honest opinion on things in this fandom and if I get hate for this 🤷🏾‍♀️

[illusioncanthurtme--art]

im curious, why do you like fiddlestan?

i like them in theory (all the pain potential, jeez!) but i feel like i'm missing something very obvious

Oh boy, you’re about to open pandoras box with this one -

I’ve liked fiddlestan for a LONG time, almost a decade now, (EXHIBIT A!!!), and honestly, I’ll admit that the ship is mostly based on speculation. So maybe you’re not missing something obvious, maybe I’m just delusional. I can’t speak for everyone, all I can do is explain why I like it: because it’s deeply rooted in several layers of irony. 

It’s ironic because fiddleford spent the better part of a YEAR dealing with fords nonsense. (And I KNOW, it’s not all bad, but really, especially if you read journal 3, that poor man was put through a LOT. He was definitely taken advantage of, at LEAST a little.) And after grappling with the acceptance that your longtime friend and unrequited love will never return your feelings, having lost the man to some crazy otherworldly nightmare machine, who shows up?? But his TWIN BROTHER who’s HUMBLE and KIND and TEN TIMES MORE DOWN TO EARTH?? It’s ironic, because they don’t know each other, yet they both have years of history with the same person who’s wronged them, and, they can make out about it!! THEY CAN FUCK TO SPITE HIM!! Stan stole his brothers name (and committed multiple crimes under said name), stole his house, and stole his research partner!! And… it's ironic because it’s Grunkle Stan and old man Mcgucket. That needs no elaboration.

(these are all my personal takes/headcanons! Like I said, this ship is based solely on interpretation, so I’m sure a lot of fiddlestanners like fiddauthor too. There’s like a billion different ways to interpret this ship.)

Also -

Their personalities are surprisingly similar when you stop and think about it!! You put those two in the same room, and they’d come up with some highly devilish scams together. They both have moral codes that are a little… ambiguous. And… I can’t believe I’m gonna pull this out as *canon fiddlestan documentation* but these are the kind of crumbs we’re working with here: MABELS DREAM IN THE SOCK OPERA CREDITS!!!! Although it’s not something that actually happened, and it’s just a reference to statler and waldorf, they are IN CHARACTER!! I think this is how they would actually act together if they were friends!! Just two old dudes, hanging out together watching tv, making fun of whatever they’re watching. If you’re in the room, you might get roasted too. Just a couple of old farts. It makes me so happy to think about. 

No fiddlestan rundown post would be complete without the fandoms EXTREME STRAW GRASP at Old Goldie and the Flame Retardant Raccoon. Soos calls mcgucket a “prospector guy,” amongst the other obvious comparisons you can make between fiddleford and goldie. Goldie is something stan used to like a long time ago, but he’s all old and fucked up now, best to throw him away and forget about it. BUT, as it turns out, there’s still good in that old thing after all. SO LETS GET MARRIED IN VEGAS!!!! It’s an extreme stretch, but… It’s a fiddlestan trope that they, at some point, have a crazy night of fun+romance in vegas together.  And I personally like to think that they return when they’re older+happy and tie the knot for reals. The raccoon speaks for itself - it’s one of the ways you can compare stan to a raccoon. And of course, mcgucket's raccoon wife. 

This is where it starts to get a little angsty, and if you “get all the pain potential” then you may have already given this some thought - but why does stan treat fiddleford the way he does if they used to love each other? The whole “UGH, this guy” comment in land before swine, looking all uncomfortable around him in fight fighters, choosing the spot furthest from where mcgucket lotions himself at the pool, and the “possum breath” comment in the last episode (and fiddleford actually has the mental clarity to look perturbed after he says it). Stan is hurt!!! He’s upset!! If they used to be a Thing after the portal incident, something must have happened between them for fiddlefords mental illness to get the better of him, and for him to choose to erase both stan and ford from his memories. I, personally, think that it was deep rooted internal homophobia (being raised in the south, that runs deep), and being scared for getting too close to stan. They were getting too comfortable, and that scared him. What about his family? And tate? His son can never meet stan. He can never let his wife know. And all the paranormal fuckery incidents leading up to this that already weakened his mental state, the portal incident, already having zapped his brain a few times, would have sent him over the edge. So I’m thinking they would have gotten into a fight of some kind, and fiddleford would have stormed off. Thus leaving stan having to live in a town with the person he USED to love, who doesn’t remember him at all!!! What!!!!! That sucks!!!! Only upside to fiddlefords memory erasure is that it makes it easier for stan to pretend nothing ever happened. But it’s still not easy. Also, if word ever got out that old man mcgucket used to be his boyfriend, he would never be able to live it down. So he compensates by being an ass towards him. Fuck. 

But then!! If fiddleford has the chance to heal!!! (say… maybe… when the twins are on the stan o war II) then stan would come back to gravity falls and see fiddleford looking like the person he knew thirty years ago!!!! WHAT!?!?! CAN’T RUN FROM YOUR PAST FOREVER, CAN YOU!?!?! And you KNOW fiddleford would remember what happened with stan. How long can stan keep himself in denial?? And now we’re opening up the can of worms: how the FUCK does this information reach ford?? That your brother used to canoodle with your research partner and might STILL BE?? That has so much potential too. 

Ok I wasn’t expecting to write those last two paragraphs but it’s A BIG PART OF WHY I LOVE FIDDLESTAN!!! It’s a crazy fucking rollercoaster ride!!! This thing has so many angles!!! And that’s just MY fiddlestan interpretation - I’ve seen a lot of different takes on the sort of story that would transpire between these two. But no matter what you’re cooking, It’s always a LOT. 

There’s probably so so much I didn’t touch on here. If anyone else wants to throw in their two cents as to why they like fiddlestan, please, add something!!!

[fantasywater]

Octavia WILL bend the knee

Here I will go in-depth into why Octavia will not be given the same grace in the fandom as Blitz did when she has her Full Moon Reckoning with Stolas.

NOTE/WARNING: I have seen and read the leaks, and they will be part of the reason why I feel this way.

What I mean by Full Moon Reckoning:

This is when the writers finally allow a victim of Stolas to be fully and rightfully angry at him for all the transgressions he has done to them, and more importantly when the FANDOM treats the actual victim's pain as the take back my power moment that it is.

The reason for this distinction is that I have noticed that Stolas is the fan favorite, and therefore it seemed all his wrongdoings got default reasons for not being that bad.

However, when Full Moon aired an odd and swift negative wind hit his character, and it has not abated.

Even with the newer ep the wind didn't lessen it got stronger.

It's like some spell broke.

It feels like a genie that can't be put back in the bottle.

He has gone from the fan-favorite to the most criticized.

The fandom is pretty unanimously on Blitz's side and has stayed on it.

However, as I've stated Octavia will not get this.

Octavia's pain in Sinmas is going up against:

Blitz and Stolas are male

Octavia is female, and a female in a Yaoi series at that. The women exist only as one-note plot devices for male pain, and that's even when said women themselves are technically leads(Loona, Millie).

2. Blitz and Stolas are main characters

Octavia is a side character who has barely been in two episodes spanning two seasons.

3. In the leaks Octavia takes up for her mother twice

Basically, she goes to bat for the fandom's hatesink.

4. Two other fan favorites(Fizz and Asmodeous) are written to be Team Stoliz

Plus, apparently, they are going to be against Octavia's mother and therefore Octavia.

5. THE MOST IMPORTANT REASON why Octavia is going to get it both barrels from the fandom is that Blitz and Stolas are canonically a gay couple by Sinmas.

Viv said an important arc will be finished by season's end, and I saw a post from her patron where she point-blank says they are a couple by the end of season two. Also more proof to me is that Blitz is very affectionate to Stolas in the trailer and in the leaks.

Speaking of, if you go to YouTube pretty much every comment is praising the ship sailing. A daughter is painfully estrangling herself from her beloved father, while he cries and begs for her mercy, and all everyone can talk about is getting wet over a toxic ship flying into her pain.

Recap TLDR:

Blitz got fandom grace because he is THE main character and was at the time rightfully against Stolas.

While Octavia will get to have her say she is also a woman bit player up against Blitz THE male main character who is now with Stolas THE male fan favorite in a gay romantic relationship.

She will also make the unforgivable sin of taking up for her cheated on mother Stella the hatesink.

Blitz and Stolas will also have the backing of two other favorites Fizz and Ozz as well as the rest of I.M.P.

The YouTube comments ignoring her anguish for the now canon ship are simply a taste to come of what the fandom as a whole is going to do.

Basically, this poor girl doesn't stand a chance.

I WANT to eat crow.

I realllly do.

That's why I employ the fandom to give the same grace they gave Blitz these last two episodes to Octavia as well.

However, this show is made by a fujoshi for fujoshi and that's why I know in my heart of hearts she will be damned instead.

Now, I've stated that the fandom is probably going to kiss the Stolitz ring against Octavia, but let's go into what I think the show is going to do.

Yes, after a year in the show and two seasons overall, Blitz finally got to angrily reinsert his personhood to Stolas, and yes it was cathartic and I'm glad it happened.

However, that doesn't change the fact that four episodes after Full Moon his fate is to be his abuser's boyfriend.

Also, if the merchandise is said to be hints of the creator's thoughts then his final destiny is to be his husband.

Basically, if the main character ultimately bent the knee then so will Octavia.

While the fujoshi in charge does allow them to assert their pain their ultimate fate is to comply.

Essentially it's just lip service to shut critics up.

She, and apparently his voice actor, has said don't worry everything will be alright, and by everything it's obvious they mean Stolas.

She has also said she likes happy endings so you can bet there will be none given to Stolas that doesn't have Blitz and Octavia by his side.

Also make no mistake Blitz's own daughter is also there to help the story ignore their pain. The seed was planted in Seeing Stars when Octavia warmly hugged, hung out, and was gaslit by a complete stranger. It's also why she's her ''sister' now in the pride poster.

Yea, Loona has a big part to play in season three alright, and it's to brainwash Octavia's distress so Stolitz can reign supreme.

Realistically if a fujoshi fangirl weren't writing this show this is what would happen:

Now that he has the crystal; Blitz would completely cut ties with the guy who sexually extorted and depersonalized him for a year. Not become his boyfriend/husband.

Sometime in season three Octavia finds out about her father's (poorly written) abuse and attempted murder attempts by her mother. However, instead of seeing him as a martyr, she states that Stella's actions toward him DON'T NEGATE HIS toward Octavia.

He still broke his own daughter's mental health with his infidelity and abandoned her as a consequence of his own actions i.e. illegal grimoire lending.

She then states she still wants him, and her other toxic parent, out of her life for good.

Her final words are Goodbye Dad... No.... Stolas.

Stolas for his part should be having some serious self-reflection by season 3. He should be strongly asking himself if Blitz was worth Asmodeus's self-fulling prophecy of losing his title, wealth, home, and daughter.

It should be NO, but a fujoshi is steering.

What she is going to do instead is make them use Octavia's pain to trauma bond into domestication.

Then Loona and the writing, in general, is going to make sure Octavia solely blames Stella: The Convenient Stolas Trump Card so they can all just be a family already.

Bonus: We will even get to see Octavia kick her mother from the palace with Stolas' signature GET OUT this time.

Ultimately Blitz and Octavia's misery will not mean anything. As the official car sticker merch states they will be a blended family and their suffering by Stolas be damned. 

However, I do have a small (delusional) theory that Ms. Fujoshi could throw a curveball:

Apparently, she has been liking a lot of Vassago and Stolas romantic fanart, but with a of course jealous Blitz. 

What if Vassago is Disney Princess Stolas's true endgame.

The guy who gets to show him what an actual healthy relationship looks like, and for a romantic like him this would be his true Prince Charming.

Sure Stolas ending up with a prince(and therefore getting everything back through him) just drives home that dirty, poor, broken, baggage-having, hypersexual Blitz was ultimately never going to be good enough for Purity Angel Stolas in the first place.

However, on the bright side, he's finally away from his abuser...

So on that note, Blitz's true endgame is Fizz. 

His real first friend. His real first love.

The correct star-crossed lovers.

The person who actually knows the true Blitz and can meet him blow for blow when he gets messy instead of running away crying with self-pitying gaslighting.

However, since she seems to hate her own main character Blitz's true endgame is going to be tainted.

Foreshadowing Number 1:

I've always found it curious that right after the can we make-out line the very next scene is Fizz coming back to Ozz wiping his mouth.

Why even put that thought in the audience's head unless....

Foreshadowing Number 2:

When Blitz shoots the stalker the mirror that Fizz and Ozz are kissing in front of breaks right down the middle, splitting them, with Blitz's face the last thing seen in the fracture.....

Basically, she is going to have Blitz and Fizz get together by cheating on Ozz, and the fandom is going to blow them both up for it.

Other Tidbits:

Blitz still very much has feelings for Fizz.

Even how he acted when he met him shopping in Full Moon showed this, and he fully blushed in the storyboard.

This is something he has never done for Stolas.

You know the endgame we should be rooting for and all that.

Also Fizz full-on blushes(cage) in the Opps storyboard.

Of course, the show properly erases those because we can't have anyone shipping Blitz or Fizz with their true soulmate.

Apparently, in a leaked script bit, Blitz falls in love with Stolas because he reminds him of Fizz. I mean my dear Stolitz shippers it should be a yikes on a bike for that alone.

[linkspooky]

DOOMED SIBLINGS: THE TODOROKIS VS. THE FIRE NATION ROYAL FAMILY

I received an ask in my inbox about how Zuko doesn't owe Azula any forgiveness. Truthfully I wasn't even going to respond because this isn't an avatar blog, but then I watched this video.

Not only do I disagree with the basically everything in this video, but I am going to make the argument that both Zuko' and Azula's arcs are both incomplete with the way the show left the two of them in the final showdown.

In order to make my argument I'm going to compare Azula and Zuko's relationship in avatar to Shoto and Toya's relationship in My Hero Academia and use the latter as a more positive example.

Unnecessary Redemption Arcs

The common fandom opinion I want to argue against is this idea that Azula's ending is a perfect tragedy, and therefore doesn't need to be expanded upon. There's also a sentiment that redeeming Azula would somehow ruin the impact of this perfect tragedy.

I'm about to argue against both of these points.

Azula's arc doesn't work as a tragedy.

Because of this her arc is unsatisfying and unfinished.

I'm going to address the first bullet point but before that let me add another disclaimer. The reason why I think Azula's arc isn't an effectively written tragedy isn't because I like Azula.

Before we even get into the My Hero Academia comparison let me bring up something completely different. I do like Azula, but I like Terra Markov from Teen Titans a lot more and I would not change a thing about her tragic end.

AZULA'S ARC IS NOT A WELL-WRITTEN TRAGEDY

Terra in the comics is what a lot of people accuse Azula of being. She is stated in the text and by her creators to be an unfeeling sociopath. She was also never intended by her creators to be redeemed.

[About Terra] The very first time we see her, she’s trying to blow up the Statue of Liberty. It’s just that all the fans assumed because we went out of our way to make her cute — but not too cute, with the buck teeth and everything — everyone would assume that she was gonna become good by the end and that was never the case. First thing, we made a promise that day that we would never renege on our view that she’d never become good. It’s sometimes hard to do that with characters you like. You want them to become good or something like that. But we never liked the character enough—because we knew what we were doing with her—we never allowed ourselves to fall for the character. Because that’s bad. That’s bad storytelling. You’re doing what you want as a fan at that particular point, not as the creators. T

Now let me clarify, both creators of New Teen Titans say some nasty things about Terra and don't recognize her sexual abuse, but here's the thing. You don't have to read a story 100% the way the author intended, sometimes the story says one thing and the text says something different.

I am going to use Judas Contract as an example of a story where the character from the start was never intended to be redeemed and why that's a positive in this case.

Terra is a teenage girl, the bastard daughter of the king of Markovia and a random American woman who presumably has had no stable home her entire life because she's working as a mercenary at fifteen. She teams up with a man that is in his mid fifties and even starts a sexual relationship with him (this is statutory rape she cannot consent) and Deathstroke uses her to infiltrate the Teen Titans and learn as much as possible.

Terra is sent to live with the team and spy on them for several months. The whole time she only ever engages with them in a fake spunky persona, and never shows her real cutthroat self. She leads Beast Boy on in a fake romance to make him trust her and secure her place on the team. The way you'd usually expect this arc to go is that Terra would grow fond of the team and be torn in her loyalties.

Yeah, that never happens.

Terra loathes the Titans. In fact she's developed a superiority complex about her meta human abilities and she doesn't understand why anyone would use their powers to help others. She despises the concept of superheroes in general, and because of that never bonds with any of the Titans. Her feelings never change from start to finish, because her creators intentionally wrote her as a character that can't be redeemed.

Terra is written to be a psychopath, but even with that intention in mind there are scene that shows a greater range of emotions. She has what could amount to a trauma flashback when Beast Boy too aggressively flirts with her and tries to kiss her and she reacts violently, trying to bury him under the earth.

Let's go ahead and interpret Terra as what is used as the fictional definition of a "sociopath" that is someone who feels no bonds with other people, someone with shallow emotions and someone devoid of guilt. Even if we interpret her that way, her story is still meant to be read as a tragedy.

Terra succeeds in her mission of infiltrating the Titans. Slade captures most of them, and the only remaining member Dick Grayson goes missing. Dick Grayson then unites with Slade's son Jericho, and the two of them team up in order to rescue the rest of their friends.

Even after all she's done the Titans try to make pleas to Terra during the final battle, which she not only rejects but responds to with violence. Which only confirms what I said above, Terra never grew to love them, she never regretted her actions, she only ever engaged with them with lies.

(Terra always lies, Terra always lies, Terra always lies).

Terra is declared by Raven to be devoid of emotions: "Her thinking is unlike ours. She feels no true love or hate. Her soul is corrupt. What she does is done without remorse."

Even after Raven declares this, however she still pleads with Terra to stop because she's going to hurt herself. Terra feels Slade betrayed her because he favored his son Jericho over her, so she decides to take both Slade and the Titans down. As the Titans fight her she begins to mentally fall apart ignoring their appeals to her and lashing out at everything around her. Eventually she makes one last attempt to everything around her, but the Titans escape and she only manages to bury herself.

At no point in the fight do the Titans give up on trying to reach her even as she's loudly screaming how much she hates them. Even after she's buried and it looks like she's dead, Gar and Donna both try desperately to dig her up on the slim hope she's still alive. When they find the body they even give her a funeral afterwards, even though they all think that Terra was beyond redemption.

Even the prose narration that accompanies her death is incredibly melancholy and bemoans her fate, at the same time as it calls her a outright sociopath.

There's no reasoning with her now. However slim, whatever sanity Tara Markov possessed is gone. Now there is only primal hatred! Hatred born, nurtured, and fanned. Hatred that festers and grows without care, without feeling, without plan. her pursed lips part and the sounds which echoes force are garbled and inhuman. Hot, boiling blood gushes wildly from the earth's open wounds, its skin fractures and cracks, and if a world could cry, it surely would. Her name is Tara Markov and she is little more than sxiteen years old, and due to the fault of no one but herself she is insane. No one taught her to hate, yet she hates without cause, without reason. No one taught her to destroy, yet she destroys with glee, with relish. Don't look for reasons which do not exist, plainly Tara Markov is what she is, and she has taken a great power and made it as corrupt as she. Hers was the power over the earth itself she could have brought life to deserts, hat to the frozen tundra, food to sraving millions. She could have damned raging rivers, and tunneled water to packed lands dry and dead. her powers were limited only by the mind which controlled them. A mind which sought not hope, not love, not life, but death.

If you go with the text that she is just a sociopath beyond redemption who hates and hates and hates for no reason, the narrative still mourns her because a sixteen year old with her whole life ahead of being consumed by hatred and then dying because of it is in fact sad.

If you read into the subtext then you can argue that the events of the story, contradicts what the narration is telling us. Terra is being sexually groomed and groomed as a child soldier by a man who is much older than her, even if she thinks he's a partner he clearly has all power in the relationship.

If you think about it that way then Terra is the ultimate bad victim. She doesn't cry and call for help as a victim of sexual abuse, instead she tries to claim power for herself, she manipulates, and she destroys any chance she had for a genuine relationship because she only sees all relationships as transactions she can gain or lose from.

Even if you only go with the first interpretation, the narrative still remains tragic because the Titans themselves did not want to give up on her, they did not want to watch this sixteen-year-old girl destroy herself. They never stop reaching out for her and it doesn't work, because there was no way out for Terra but death.

Here's the thing I don't think Terra's status as a sexual victim automatically means an ending where she dies is offensive. It reflects a reality that victims like Terra often go unseen because they don't present their victimhood in palatable ways, and by the time anyone notices it's far too late. Sometimes tragedies are meant to reflect a reality where many people do not get saved.

There's two reasons that Judas Contract works as a tragic story. Number one the creators planned Terra's ending right from the beginning. Which meant they never gave her any moment where she shows that she's redeemable. There's no genuine bond between her and the titans, no wrestling with the guilt of her actions, nothing.

Number two, Judas Contract is Terra's story from beginning to end. It begins with her betrayal of the Titans, and ends with her death. The death is also brought upon herself by her fatal flaw her hatred, which is what makes her the protagonist of a tragedy. Tragedies are stories where heroes are undone by their flaws. Terra also goes out on her own terms. She buries herself underneath her own rocks. Her death is a direct consequence of her inability to let go of her hatred. Terra's not fridged for anybody else's arc, she retains her agency until the exact moment of her death.

To simplify into bullet points, Judas Contract works because:

The creators thought out what they wanted to do with Terra.

Judas contract is Terra's story.

Now, getting to the part where we actually talk about Avatar, and I start complaining about that awful, awful video.

AZULA'S ARC IS NOT WELL THOUGHT OUT

I just went on a long tangent on how Terra, a character written to have no redeemable qualities can still be tragic. How the creators marked her as clearly doomed from the start, and how she brought about her end on herself, how there no redemption for Terra. How this girl had no real chance, and how regardless of the fact Terra is a lil baby sociopath her fall is still tragic because of how well structured the tragedy is surrounding her.

It's awful to kill off a sixteen year old victim of sexual abuse, but the ending just fits because Terra represents a certain type of bad, unsympathetic victim who doesn't get saved.

Azula's arc isn't as well structured. The ending does not fit. I'm going to start by refuting some points in the awful, awful video I did not like.

"Maybe it's okay if Azula's story ends where it does in the series we would separate how we would treat a real 14-year-old girl from a villain in a series, ad that's why any redemption arc isn't need i a story after all. A character needs of deserves a redemption arc when it becomes the most meaningful way to explore their character and place in the story, but a character deserving redemption usually comes before the story really needing it, and I don't think Azula's done anything to deserve it yet. They've got to exhibit some willingness and action to change..."

So the main reason I'm using Terra as my first example is because Terra is the kind of character that Hello Future Me is describing. Terra was written with the specific intention she'd never experience a change of heart, all of the friendships she makes with the Titans are fake, she very loudly experiences no remorse, or even self-reflection over what she is. Terra's pretty proudly a monster and she never experiences any kind of self-doubt or regret over what she's become.

I can disprove right away Hello Future Me's blanket statement (with no actual cited examples, just trust him guys) that Azula never did anything to hint she may deserve redemption. That suggests Azula is an entirely selfish character who uses, manipulates and thinks she's right and worst of all is comfortable being the way she is, and therefore incapable of doing the self-reflection necessary for change.

Azula does show the capacity to do selfless actions several times in the narrative, and even consider the feelings of others. There's the apology scene with Ty Lee and the way she interacts with her friends in general with the Beach where when she's not fighting in a war or trying to complete a mission for her father Azula 1) interacts with her friends in a normal way and 2) seems to express a desire to experience normal relationships not the hierarchical ones she's experienced all of her life.

However, that's not the example I'm going to use as her save the cat moment. I generally intend to interpret that as a sign that even though she treats Mai and Ty Lee as subordinates and that power she holds over them eventually leads to them leaving her, their friendship isn't just Azula abusing them and lording her authority over their heads 24/7.

No, Azula's save the cat moments all revolve around Zuko. Which is funny, because the entire fandom seems to regard Azula as Zuko's evil little sister who exists to do nothing but torment her.

The first and biggest is Azula deciding to bring Zuko home in Ba Sing Se, and telling a lie to her father that he was the one to slay the avatar.

Ozai: I am proud of you, Prince Zuko. I am proud because you and your sister conquered Ba Sing Se. I am proud because when your loyalty was tested by your treacherous uncle, you did the right thing and captured the traitor. And I am proudest of all of your most legendary accomplishment: you slayed the Avatar.

Zuko: [Shocked.] What did you hear? Ozai: Azula told me everything. She said she was amazed and impressed at your power and ferocity at the moment of truth. [Inspired partly by this post]

Now the show seems to regard this action as Azula being an evil temptress who is there to tempt Zuko back to her side with everything he thinks he ever wanted.

That's only if you regard it from Zuko's perspective.

Think for a moment from Azula's perspective. Number one, Azula is someone thoroughly indoctrinated into Fire Nation propaganda who measures her self-worth based on 1) military achievement and 2) her father's approval and assessment of her talents. In Azula's own logic (wrongheaded as it is) she's helping Zuko. She's bringing him back home with his place in the line of succession restored and his father's approval.

Azula doesn't benefit from this gesture at all, in fact if her father discovers the lie she has as much to lose as Zuko does.

Now Zuko insinuates that Azula only brought Zuko along and told her father that he was the one who killed the avatar so she could let him take the fall if the avatar turned out to be alive.

However, if you look at the actual order of events that doesn't make sense. Azula saw the avatar die, she didn't know about the spirit water, and therefore had no way of knowing Aang could come back. In fact, it's Zuko who 1) knew about the spirit water and 2) decides to keep the spirit water and the fact the avatar might have survived a secret that is throwing Azula under the bus. After all she has as much to lose as he did and instead of sharing that information with her he decides to keep it all to himself.

Now Azula does imply that if the avatar were to turn out to be alive all of Zuko's glory would dry up, but this is only after Zuko 1) throws accusations at her and 2) makes it's pretty clear he's lying to her putting her on the defensive.

This is also a scenario where Azula doesn't have much to gain by bringing Zuko back, if you look at it from her perspective. If Azula just lets Zuko rot in a ba sing se prison, then her claim to the throne is secure. With Zuko back he's restored in the line of succession. She also, when making the decision to invite Zuko to her side probably didn't need him for her plan to succeed.

There is a dramatic moment of Zuko choosing to side with Azula over Katara which turns the tide in Azula's favor, but Azula can't see into the future and therefore wouldn't be able to predict that happening. If you look at it from Azula's perspective she 1) successfully infiltrated the city, 2) already had the Dai Lee in her pocket. She likely already thought she had the city secure at this point so her decision to extend a hand out to Zuko is therefore likely motivated by selflessness instead of self-interest.

That's important because usually when Azula usually only gives her help to others if it also benefits her in some way. Azula might genuinely see her recruiting Mai and Ty Lee to her side as a member of the royal family extending her favor and giving them status and security in their positions but it has the underlying motivation of 1) she keeps them in a position to beneath her and therefore in her complete control.

Azula will interact with Mai and Ty Lee like friends on the surface, as long she maintains control over them, but if they do anything to something that displeases her she'll do anything to regain her control.

Mai: I thought you ran off and joined the circus. You said it was your calling. Ty Lee: Well, Azula called harder.

This is set up in Azula's very first interaction with Ty Lee. Azula greets her like an old friends, Ty Lee even seems happy to see her, but the second Ty Lee tries to say no to her Azula goes to extreme lengths to "persuade her". Azula's friendship with Mai and Ty Lee is an abusive friendship because there is a power differential and even if Azula feels genuine affection for them both it's clear they're not allowed to say no. Mai and Ty Lee are put into positions where it's in their best interest to please her, and live in fear of the consequences if they don't do just that.

Here's the thing, I'm not arguing that Azula didn't deserve any consequences for her actions. I'm arguing that the setup doesn't match her eventual ending. Azula is set up to have Mai and Ty Lee leave her from the very first scene that Azula interacts with Ty Lee. It's satisfying because the set up matches the pay off.

It's also tragic because it's Azula continuing the chain of abuse. The video isn't entirely wrong (which is why they came to the wrong conclusion frustrating).

Azula's fall is about how differenting parenting styles can a child. Ozai's affection is exchanged for being useful. Something Azula would go on to repeat with her friends, whereas Iroh's affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

It's like... there it is it's so close. Here's the thing, Azula is set up for a tragic falling out with Mai and Ty Lee (and one she deserves) but the set up is different with Zuko. Azula's save the cat moment revolves around Zuko, and her genuine attempt to bring her brother home.

Yes, the first time Azula interacts with Zuko in season 2, she tries to take him home by force. However, by the ending of the season Azula's perspective on the matter has obviously changed because she begins by trying to bring him back as a prisoner, and by the end of the season invites him back as an equal.

There's no moment in Season 3 where Azula treats Zuko the way she does Mai and Ty Lee (unless Zuko provokes it first and puts her on the defensive) in fact most of her interactions are either them interacting normally (such as when Azula goes to find Zuko at their old beach house because she knows he'll be there and advises he leave instead of dwelling on their depressing memories) or Azula deliberately trying to look out for Zuko such as when she advises him not to go visiting with Uncle because it'll make others suspicious.

On the other hand, Zuko never at any point looks out for his sister the way Azula is demonstrated looking out for him. He doesn't say, try to tell her where he's going on the Day of Black Sun, or try to convince her the fire nation is wrong. There's a scene in the later part of Season 3 where Zuko is watching Azula fall to her death while sitting on a flying bison and not only sits there and does nothing about it, but sounds disappointed when she doesn't hit the ground and become an Azula Pancake.

That's pretty much the opposite of a save the cat moment. It's a "let the cat fall to their death" kind of moment.

Yes they were enemies at that point, but Zuko's the one who's supposed to learn that affection is something freely given with patience for imperfections and failures, something Zuko goes then on to repeat.

How exactly is he doing that in this scene?

The thing is... this setup doesn't have to be bad. Of course Zuko has trouble has trouble empathizing with Azula, he doesn't even think about sending a letter to Mai, Zuko's shown at this point to be like a healing abuse victim who's understandably focused on himself.

This in fact could be excellent set up with step 1) learning what genuine love and forgiveness is and 2) demonstrating those two things by applying it to others.

However, that's not where we got. We got Zuko watching his sister have a complete emotional breakdown, crying and screaming while chained to a grate and looking somewhat sad.

And once again to bring Terra into this, Terra is what Stay at Home and parts of fandom argue that Azula is. Terra screams at the top of her lungs how much she hates the Titans, how much she was always lying to them, and the Titans STILL try to reach Terra with words, try to de-escalate the conflict, when she's about to bring the rocks falling down on herself warn her she's going to hurt herself, and then when she's buried under rubble try to dig her out begging for her too still be alive.

Terra who's intentionally created by her writers to be as hatable as possible, is shown more compassion by the heroes in her ending than Zuko ever does to Azula. They also give Terra multiple opportunities to change until literally the very last minute, which Zuko doesn't do either.

What's set up is Azula has this save the cat moment with her brother, that Zuko is pretty much the only person she doesn't treat like a subordinate in the story (because she just like Zuko has a craving for familial love she tries to earn from her father). However, her ending with Zuko just taking her down doesn't fit that setup.

Azula's ending only fits if you consider her arc entirely from Zuko's perspective, which is the underlying issue. Azula's not the protagonist of her own tragedy, she's a plot object that's used to benefit Zuko's arc.

Azula's is written to have a downfall, the same way that Zuko loses everything at the ending of season 1 b/c of his inability to give up on the obsessive search for the avatar (and his father's love with it). Azula is written to be left by Mai and Ty Lee (this is the strongest point of writing when it comes to her since it comes from the beginning).

However, she's not written to be left completely alone and insane with the only empathy being shown is that her brother looks kinda sorta sad. That's only good if you view her as an object to further Zuko's arc, because isn't the ultimate culmination of Zuko beating his sister who has always been ahead of him at life? Azula needs to torn down completely without even some small glimpse of a hope of recovery so Zuko can be built up even moreor at least the writers of avatar seem to think so.

However, even Azula just existing for Zuko's growth and character development doesn't have to necessarily be a bad thing. This is where we get to MHA, which does the tragic siblings and the final Ag Ni Kai about 1000 times better with Shoto and Dabi.

THE GOOD

The comparisons between Shoto and Dabi to Zuko and Azula are made pretty often by the fandom. Shoto has a scar, Dabi has blue flames. Shoto has an arc about healing and learning what it means to be a hero, Dabi's arc is about self-destruction.

Dabi's not the center of his own story, he exists to foil Shoto and help Shoto reach the endpoint of his character development however that's not necessarily a bad thing. These are both two pairs of tragic siblings, the main difference is that MHA doesn't feel the need to tear down one sibling in order to build up the other. In fact, the final step to Shoto's arc is HELPING Dabi, not PUTTING HIM DOWN.

Not only that but the decision to help Dabi is a decision that Shoto makes on his own, and him going against the tide of a society that has already given up on Dabi and would much rather have Shoto shoot Dabi like a mad dog. Which makes the decision to do so even more powerful and emblematic of Shoto's growth.

Now you could say that Shoto and Zuko are too different to compare their arcs, Zuko has a redemption arc, and Shoto has what most people would probably term a healing arc. Shoto starts out the series as a hero.

However, this is what annoys me about the redemption arc debate. A redemption arc is really just a normal character arc. However, calling it redemption drags things like morality and forgiveness into the debate. if you take remove the discussion about moral philosophy both Zuko and Shoto have character arcs where they start the story defined entirely by their home situations and their father's abuse (hence why they have big obvious scars on their face), recover from their trauma, and go on to find an identity outside of their father and form healthy non-abusive connections with others.

In fact I'd see the theme of both arcs are the same, to literally find balance within themselves. Shoto is divided quite literally into right and left sides, fire and ice, and even seems to view himself as half of his father and half of his mother. Zuko is someone who's permanently marked and dishonored by the burn scar on his face. He suffers from an internal imbalance as well. Iroh says that Zuko is the descendant of both Roku and Sozin and therefore both pathways are open to him (but wouldn't that apply to Azula too). Zuko says to his father that the fire nation has destroyed the balance to the world and he's going to leave to assist the avatar in order to fix it.

Shoto's balance isn't just about fixing his internal trauma though, it's also about finding a balance between his family which has defined his entire life up until this point, and his desire to become his own hero not the hero his father groomed him into.

It's why the culmination of his arc is Shoto reaching out to save his family member Toya, because it's the ultimate balance in wanting to heal his family, and also the kind of hero he wants to be, someone who saves and brings peace to others instead of just violently putting down villains. He can bring peace to his family and become his own hero in one action.

However, let's go back to the beginning of Shoto's arc, because saving Toya as an endpoint to his arc is set up pretty early on.

Shoto's arc begins with Deku, a stranger breaking down Shoto's walls as an outsider in order to allow him to look past his own trauma and recall for the first time what he wanted outside of his resentment towards his father. This sets up the idea early on for Shoto that sometimes you need outside interference, help you didn't ask for, especially when you can't see outside of your own problems.

What Deku brings about ultimately is a change of perspective, Shoto's so hurt by the memory of his mother throwing boiling water in his face and everything that came after that he can't recall the memory of her telling him he could be who he wanted to be.

But, you want to be a hero right?

Shoto takes away two things from this arc, sometimes you need help even when you're not asking for it, and sometimes a change in respective is required in order to take the first step forward.

He goes to demonstrate these things multiple times, but here's two exaamples. The first Shoto demonstrates immediately after the tournament arc. When Iida is about to go down a dark path and commit a revenge killing on Stain. When, as a result of that IIDA is paralyzed and about to die in an alleyway, it's Shoto who both notices Midoriya and Iida are missing and shows up in the clutch. He's practicing the same thing that Deku taught him in the last arc: Giving help that's not asked for is what makes a true hero.

He even mentions the second idea, that a small change in perspective can be all it takes to save someone, and he wants to do for Iida hat Deku did for him. His words are the one who convinces Iida to stand back up again when he's paralyzed.

If you wanna stop this, then stand up. Because I've got one thing to say to you. Never forget who you want to become!

However Shoto's arc doesn't end here, because one of the major conflicts in MHA is that heroes don't pick and choose who to save and a true hero will give help even to those people who don't ask for it.

This is a point which further develops when Shoto's abusive father starts to show a change of heart at the end of the Pro Hero Arc. Shoto still holds his father accountable for what he did in the past, but he also acknowledges that if he had the capacity to change then so does Enji. This isn't about whether or not Enji is forgivable, this is an extension of what Shoto learned. Shoto originally believed he was controlled by the circumstances of his birth, that his fate was set in stone, but a change in perspective allows him to realize he can determine who he wants to be. So, Shoto is just applying what he's learned, Enji has the capacity to grow.

There's one final piece of setup that I want to cover before showing how these separate dies all culminate in saving Dabi. Shoto's not only someone who has to find balance between his family and his desire to be a hero.

The theme of balance is written into the quirk itself. Enji basically practiced eugenics to create Shoto as his masterpiece. He noticed a flaw in his own quirk where he could only make his flames so hot without overheating. So he arranged a quirk marriage with Rei who possessed an ice quirk to create a hybrid ice and fire quirk that he could use to cool himself off to prevent him from overheating.

Enji only ever cared about the fire half of Shoto's quirk. His ice quirk only exists for his flames to grow stronger. This is shown when Enji is trying to force Shoto to learn all of his signature moves, because he only cares about Shoto's flame quirk. Shoto was created to carry on his father's legacy, and surpass him with an even more powerful flame quirk. Part of his character development is him learning how to use his quirk in his own way.

This is a theme that continues in the class training arc where Enji is still repeating the behavior of trying to force Shoto to learn his signature moves instead of considering what he wants at all, because still Shoto only exists in Enji's mind to carry on his legacy.

This all culminates in Toya's decision to save his brother. The first is his action in choosing to identify with his brother. If Shoto believes in his own capacity to change, and even his father's, then why would he deny Toya that same chance to change?

The foiling between Shoto and Toya isn't supposed to reduce the two of them to "Shoto is the good one, and he's the bad one", but instead Shoto and Toya were both in a point where they were consumed by hatred and couldn't see any other path in life. Therefore if Shoto was able to change because someone gave him help when he didn't ask for it, then Toya not only has the capacity to change - but in order for Shoto to stick to his stated beliefs that the smallest of things can bring about a change in people he has to be the one to give his brother that chance to change.

It's not about whether Dabi is worthy or not, it's about the themes in Shoto's arc finally being paid off.

Shoto's identifying with Toya, and even parts where he tells Bakugo he'll make Toya sit down and make Toya tell him his favorite food indicate that from the beginning Shoto's intention was to find a way to stop Toya without killing him (which is what several of the adult heroes were encouraging him to do).

@stillness-in-green does a more succinct summary of this plan.

Just me?

Because, like, Shouto had a plan. He spent the time between the two war arcs specifically developing a brand-new combat technique that he planned to use to shut down Dabi's combat advantage without killing him. He convinced his dad not to change the plan like Endeavor was hesitantly sounding him out about[1]; he went out and talked and asked questions, and even if they weren't the right words every single time, he did his best and he did it with intention. If Dabi proves to be dead, it won't be because of anything Shouto did to him; it'll be because Dabi himself chose to stand back up, take a warp gate across the country, pick a fight with the guy who doesn't have the power set to shut him down without unduly hurting him, and trying to replicate an Ultimate Move specifically tailored for someone with a balanced power set Dabi doesn't have. And if Dabi lives, it's still going to be because Shouto booked it across the country and used that same technique to stop him again.

Shoto's decision to save Shoto is also a continuation of his decision to help save Iida from Stain. It's not enough for Shoto to experience a change of heart about his own life, he's got to take what he learned about people's capacity to change, and the importance of connections and then put that into practice and help others the way he was helped.

However, it also further develops the theme of giving help that's not ask for from Iida because Shoto's not saving a mostly heroic kid, he's saving Toya to help break a familial cycle of abuse (because murdering the abuse victim isn't how you end the cycle of abuse... actually).

Shoto's last lines to Dabi are also a refutation of this idea of destiny that he once thought he was ruled by. It's once again, Shoto teaching someone else the lesson he learned. Toya says a warped rail can never mingle with a straight and narrow one! In other words Shoto can never understand or get along with Dabi, because Dabi will forever be defined as the failure because of the circumstances of his brith, whereas Shoto will always be the success.

His final action is a decision to break the cycle they were born into: no, we're gonna mingle whether you like it or not.

Shoto's ultimate move Phosphor is not only a move he designed far in advance to take down Dabi non-lethally, it also is a rejection of his father's teaching method. Toya says he only ever taught me how to turn up the heat. Enji only valued both Shoto and Toya for their flame quirks. Developing his own quirk and breaking away from what his father wanted, specifically in order to save his brother. It's Shoto rejecting what his father created both of them for (a successor to his quirk) and finding his own path. By using that move to take down Dabi he's not only teaching Dabi their flame exists for more than just destruction, he's also by letting Dabi live giving Dabi a chance.

From a conversation with @class1akids

Dabi was the last push to unlock Shoto’s full power. Until then he was on the track of mastering flashfire like Endeavor planned for him (except for his own reasons) but realising the fighting Dabi with fire was gonna kill them both and also he’s simply no match fire only helped Shoto to fully take control of what his quirk is Like his quirk development goes parallel with how he faces each member of his family and finally meeting Toya is like the last piece of his puzzle to find his own full power and identity.

It's not just Shoto decides to save his brother because he's just that nice, his arc is literally incomplete without it. The act of creating phosphor a move specifically to save Dabi is both him unlocking the full power of his quirk (by balancing the fire and ice sides of his quirk) but also achieving balance between trying not to leave his family behind while at the same time becoming his own person and hero outside of his family circumstances.

Citing my conversation with class1akids again:

Toya is endangering everyone at Gunga. Endeavor has no means to stop him and when he tries to murder suicide Rei interrupts and his “hero way out” is taken. All he can do is watch helplessly as his family is about to burn to death with a bunch of strangers he tried to protect. But it would do Shoto dirty to use his heart technique to kill his family and the strangers so he comes in a clutch and I see that confrontation as the power trauma vs the power of healing in the family. With Shoto who is a true hero, they can put the fire out and save the family and strangertoo. Shoto become a balanced hero and bring relief and reassurance, Endeavor was completely helpless, and Toyas inner child got the attention he wanted, plus depending on how you read it, he may have become less suicidal.

Shoto also, and I want to point this out desires to stop his brother not to take him down but because he doesn't want him to hurt any more people. He's again finding a balance between two ideas 1) Shoto needs to stop his brother in order to stop him from creating more victims and 2) Shoto needs to find a way to stop him that's not just putting him down because Toya himself is a victim.

Shoto also, and I must point this out for the comparison between Zuko and Azula goes out of his way to engage Dabi in conversation, ask him why he didn't come home and what happened to him in the years after he died. This is especially poignant because unlike Zuko and Azula who grew up together, Shoto basically had no relationship with his brother (and the rest of his siblings really) before Toya died because Enji purposefully kept Shoto separate from all the "failures."

So yes, the act of saving Toya is more for the completion of Shoto's arc than any redemption arc for Toya but Toya's not just a plot object to move around for Shoto's arc, Toya has his own agency all throughout. In fact it's the fact that Toya resists being saved every step of the way that provides the challenge that Shoto needs to grow in order to be able to save him.

Toya's not just after revenge against his father that's the surface reason, Toya is also just blatantly suicidal. Toya's birth is marked as a failure, his death wasn't even acknowledged by his family and everything stayed the same in his absence, so he created Dabi while praying at his own shrine in order to mourn Toya. Dabi can't find any meaning in his life where he was born as a failure, so he'll use his death taking revenge against Endeavor for having been born in order to give his life meaning.

What makes Avatar look especially bad in its treatment of Azula in comparison to how MHA treats Dabi, is that Dabi is way, way less redeemable than Azula. For one Azula has clearly proven affection both her friends and her brother (and I don't think she even deserves Mai and Ty Lee's forgiveness they had every right to walk out on her and want nothing to do with her again.)

Dabi is probably the ugliest victim of the League of Villains. The rest of the league have far more moments in their bonds with each other. Toya is the outsider to the league even if there are some subtle hints to his affection (he tries to show up to save Twice, and also burns down Toga's family house to comfort her). The villains are mostly shown to be redeemable by their positive friendship with each other, and Dabi at several points denies the league's bond (he pulls a Terra and yells out loud at the top of his lungs none of the league matter to him). Unlike with Terra you can argue this is most likely Dabi trying to cover up his real feelings. However, the fact that he feels the need to hide his affection from the league shows he's purposefully distancing himself from any bonds whatsoever.

Unlike Azula who has gone out of her way to help her brother in one major way, and also shows hints in early season 3 of having that sibling bond with him Dabi just straight up wants to murk Toya. Azula also tries to murk Zuko, but that's only when Zuko leaves on the day of Black Sun (one without telling her, and two something that probably left her alone to deal with the consequences of lying to her father for his sake). Either way, Azula's behavior in early season 3 is setup for the fact that their sibling bond can be salvaged.

Dabi is way worse to Shoto in comparison. Dabi in the first part never saw Shoto as his own person, just a puppet of his father (puppets have no autonomy or personhood). His feelings towards Shoto only went so far as Shoto was someone who could kill in order to upset Enji. Dabi also doesn't particularly care for the rest of his family as well (only calling out Natsu's name when his brain is literally melting), they're either ways to hurt endeavor, or he wants to drag them in hell with him. Heck his last words after being saved is telling everyone to die and go to hell.

Dabi doesn't bother to make bonds with the league or have any lingering affection for his family because Dabi's determined to seslf destruct. He's given up on life the moment he saw that he died and nothing changed in that household, now all that's left is for him to create a meaningful death by dragging his family to hell with him.

Dabi is also even as a child made out to be an unpleasant victim. He attacks baby Shoto with his flames early on out of jealousy (even though he later admits that he was being unfair to Shoto). He makes the situation in the house worse by loudly screaming and demanding his father's attention. He screams at his mother and throws her complicity in Enji's abuse in her face.

This is in comparison to Shoto who in childhood flashbacks we are only ever seen either 1) crying, and 2) trying to comfort and protect his mother. Toya's even made out to be difficult to empathize with as a child - which like flew over half of the fandom's heads because he got accusations of somehow abusing his father and the rest of his family in that chapter at 10 years old. However, that in a way illustrates my point.

The fact that Dabi is so disliked by a certain portion of the fandom is because Horikoshi paints such an ugly portrait of Toya in the way he expresses his victimhood. It's done deliberately too, because number one Toya by resisting Shoto's attempts to save him and trying to self destruct instead retains agency as a character. He makes decisions even though they're bad self destructive ones, he's not just a prop. Number two, the fact that Toya is intentionally portrayed as such an ugly victim makes Shoto's decision to break the cycle of familial abuse by saving Toya and not leaving a single family member all the more poignant.

Toya is an uglier victim than Azula, actively trying to kill himself in a way that Azula isn't, and treats Shoto way worse than Azula ever treated Zuko and yet Azula isn't shown the sympathy or given the salvation that Toya is.

Because once again, the writers didn't think about the ending of Azula's arc or of Azula as her own character. Shoto defeating Toya is the culmination of his desire to break the cycle of abuse in his family. Zuko putting Azula down is just to make Zuko look better. It's in service of Zuko's character instead of both of their characters.

THE BAD

Avatar isn't setting up some gritty ending where the bad guys can't be stopped, they can only be killed. In fact it's pretty close in tone to MHA.

Season 3 especially is the season that really begins to hammer in on the themes that even the people on the enemy side are still human after all. The headband shows that Fire Nation children are indoctrinated into the war, but they are in the end still children. There's the story between Avatar Roku and Sozin, and once again Iroh saying that Zuko has both options becoming like Roku or becoming like Sozin available to him (but not Azula I guess). There's Zuko joining Team Avatar, even after he betrayed Katara in Ba Sing Se and should have burnt that bridge then and there. There's Zuko working to earn their trust again when no one on the team really owe it to him.

The main character of the show is a pacifist, who deliberately learns a way to stop Ozai without killing him before the final battle because he doesn't want to break the values taught to him by his culture.

If the entire theme of season 3 is redemption, healing and that the fire nation are not inherently evil then why does Zuko's sister and character foil end the last shot of the series screaming and crying with no one comforting or even attempting to sympathize with her. Why is this one character marked for tragedy in a show that is about redemption and healing and showing compassion to your enemies and very specifically not a tragedy.

Toya literally burns all of the flesh off of his body, and somehow he has a gentler ending than Azula, because at least Toya's arc ends with all the members of his family showing up to try to cool down his flames, and when he's on the ground burnt to a crisp his father finally apologizes to him. Toya is a skinless burnt chicken wing, my boy has no skin, and somehow he's better off than Azula.

I don't think the writers gave Azula such a cruel ending because they don't like her, but rather because they just didn't think about her ending outside of what it meant for Zuko. Which is why you get moments like Aang who is apparently a pacifist who doesn't want to kill the Firelord, watching his daughter fall to her death while sitting on a flying bison and doing absolutely nothing to save her. ALL LIFE IS PRECIOUS (except for Azula I guess).

It's not bad because a victim doesn't get saved, it's bad because it doesn't fit in with the rest of the story.

Not only is Zuko saving Azula a very natural conclusion to his arc, but there's far more setup for Zuko reaching out to his sister and saving her than there ever was for Toya and Shoto. Both Toya and Terra are screaming at the top of their lungs "I HATE EVERYONE, YOU SHOULD ALL JUST GO TO HELL." They're both making decisions and committing to their self destruction while Azula is a 14 year old girl having a mental breakdown.

Anyway, time to quote the bad bad video again.

"When does a villain deserve a redemption arc? When do we deserve a redemption arc? I know this is gonna hurt, but characters are not people. They are tools. They are represetations of people. They can be used to say other things. They can be symbolic representation of other ideas. Azula's story is not just about a fourteen year old defeated by her brother for the throne, Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

I specifically chose to cite MHA, because of how differently it decided to use Shoto and Toya's character foiling. Shoto recognizes himself in Toya, and how different their paths were in life. This is explicitly motivates him to save Toya. It's also the culmination of everything that Shoto has learned because Shoto is a hero who believes that actions speak louder than words. It's not enough for Shoto to resolve his own inner struggle, he also has to help Dabi with his because that's showing Shoto has grown rather than telling us.

I think that is where the major difference lies between Shoto and Zuko, we're told that Zuko has chosen the path of empathy and healing, that he's learned to give people love and patience like Iroh has but instead of showing that the culmination of his arc is having a fist fight with his sister in a denny's parkinglot.

Azula is Zuko's character foil, where she is ruthless and practical, Zuko is empathetic and emotional. Where Azula's a prodigy, Zuko has to work hard to earn eve a fraction of her power.

If Zuko is empathic and emotional and that is why he's gained friends while Azula is now alone after having lost her friends due to the way she treated them, then like... what a great opportunity for Zuko to SHOW that quality of empathy.

However, Zuko doesn't do anything that Shoto does in the final fight. He's not even here for Azula, Azula's just an obstacle for taking back the crown. He doesn't talk to Azula, engage her in any way, try to de-escalate and avoid the fight.

If you want to make the tragedy that Azula and Zuko have taken such different paths in life that that Zuko fighting with his sister is unavoidable you could um... at least show Zuko being sad over the prospect of fighting his sister or being reluctant in any way.

(Before you come in here with "Zuko doesn't owe Azula anything take" this isn't about whether or not Azula is a terrible sister to Zuko, this is about the story that avatar is attempting to tell. Shoto and Dabi's fight is tragic because Shoto doesn't want to fight Dabi, he wants Dabi to come home and for their family to be complete. Zuko never expresses anything like that so where does the tragedy come from?)

If it were 100% committed to a tragedy like Terra's death then I wouldn't mind. if it were 100% committed to a story of redemption like Shoto reaching out to Toya then I wouldn't mind. My issue arises from the fact they want to have their cake and eat it too.

They want to give this tragic end to Azula, and use it to illustrate how Zuko has grown as a character. However, you can't have both.

If Zuko's growth is about learning that his father's love based on achievement and 2) learning he needed to get lost in life in order to find himself then why doesn't any of Zuko's actions demonstrate this lesson Zuko has learned about love, and about how you can be your own person outside what your father expects from you.

If Zuko has grown as a character he should be able to show those actions. He does show his new understanding of love and friendship to Team Avatar, but as I said that's easy mode. That's Shoto's attempts to save Iida, it's a step in the right direction. It's also not really Zuko demonstrating a selfless love, because he's also at the same time trying to earn their trust and earn his way into the group.

It's also not Zuko breaking the cycle of abuse in their family in any way. Shoto is trying to break free from his role of his father's masterpiece, and at the same time helping Dabi break free from his view that he's the failure.

It's also such a natural ending for Zuko's arc, to take the lessons he learned from Iroh and give them to his sister who needs them so they can both break away from their father's parenting. As I said Zuko does solve the internal conflict within himself, but he doesn't really demonstrate that by helping someone else find their balance.

If you wanted the tragic end, then it would have to be about Zuko's failure to reach out to his sister, because he hasn't learned how to reach out to her. Or because he tries and is unable to. The writers don't seem to understand that though, they think the tragedy is about Azula bringing it all on herself, and not the inherent tragedy of a fourteen year old girl being unable to be saved.

The set up is right there too, because number one avatar is about balance. So, wouldn't the true ending be finding balance between the siblings, not having Zuko rise and Azula fall. Number two, Azula being alone and friendless because of her own actions is again a parallel to where Zuko was in early season 2 at his lowest point. Except Zuko can be the better person in this situation by reaching out to her.

Zuko doesn't break the golden child / scapegoat dynamic, he just flips it so now he's the success and Azula is the failure.

While Azula's fall comes from cruelty and rejection from friends and allies it is Zuko's humility and kindness and friendship that ultimately wins the day. Him sacrifcing herself for Katara and her bringing Azula down and then her healing him. Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone. "

As I've stated above, I'm not saying Azula didn't deserve to take a fall. Her fall is actually set up from the first moment she met Ty lee. However, there's no set up for her fall being permanent.

Azula's given way more humanizing moments than characters like Terra or even Dabi. Which is why Azula being in an insane asylum for the rest of her life doesn't fit as an ending at all.

Azula is one link in the chain of abuse. Her father only gives out affection in regards to her usefulness. No matter what Azula is an asset first and a daughter second. Azula then repeats the cycle and treats her friends the same way. She has been shown through an improper model of parenting of using fear to dominate others with power and control and she replicates that in her other relationships.

Therefore, Ty lee and Mai leaving her is not only deserved, it's the perfect opportunity to pull the rug underneath Azula and to show her that her understanding of how relationships work is completely wrong.

This also mirrors Zuko's arc, because part of Zuko's arc is realizing just how wrong Ozai is for making both children earn his love, and that he doesn't need to measure his self-worth based upon his father's approval. He also learns about healthy expressions of trust and friendship from the gang.

Azula loses in part due to her own inability to form healthy relationships is losing people rapid fire, her brother leaves and joins the enemy side, Mai and Ty Lee betray her in favor of her brother, then her father in one action of leaving Azula behind and throws the title of Firelord to her after it's become completely meaningless reminds her of her place. Azula learns in about five episodes what Zuko had in 3.5 seasons to process that her father's love was always conditional and no matter what she did she would never truly "earn it."

People leaving Azula isn't exactly the problem, the problem is that Azula ends up alone permanently without being given the same chance that Zuko is. Terra, and Toya both get opportunities to turn back. They both refuse the hand that's reaching out to him. Mai and Ty Lee leaving is caused by Azula's own choices, but her ultimate end isn't. She's not even given the chance to turn away being saved like Terra and Toya do because Zuko doesn't even bother to try saving her. Her ending is not entirely brought about by her own choices, because the writers need her to take a fall to uplift Zuko.

Azula ending up imprisoned isn't something happening to a real person, it's a deliberative narrative choice by the author to say something about how people like this isolate themselves and end up alone.

I think once again it comes from the author's misunderstanding things because they don't want to look at the story from Azula's perspective, only Zuko's.

Stay at Home almost had it when he said the tragedy of Zuko and Azula was there to show how two different parenting styles affected these children.

The tragedy is that Zuko and Azula started in the same place, but Zuko had persistent guidance and someone who modeled for him a healthy kind of love. The difference is that Azula has never experienced any kind of healthy love or support on the level Zuko has, so she models all her relationships on the way her father treats her. It's not that Azula is offered some chance for change and rejects it, it's that Azula isn't even aware of the fact that there's another way because no one is there to show it to her.

Which is why I said once again, Zuko being the first one to show Azula the lessons he himself was shown by Iroh is such a natural place for his character to end.

Azula also even while completely alone and with no idea what healthy love is, knows that there is something wrong with her and is troubled by that fact in a way Dabi and Terra aren't.

Azula: I can sit here and complain about how our mom liked Zuko more than me. But I don't really care. My own mother... thoguht I was a monster... She was right of course, but it still hurt.

Then there's the famous mirror scene:

Ursa: I didn't want to miss my own daughter's coronation. Azula:Don't pretend to act proud. I know what you really think of me. You think I'm a monster. Ursa: think you're confused. All your life you used fear to control people, like your friends Mai and Ty Lee. Azula: Well what choice do I have?! Trust is for fools. Fear is the only reliable way. Even you fear me. Ursa: No. I love you, Azula. I do.

Both of these scenes indicate that Azula thinks of herself as a monster and is deeply uncomfortable with the idea. Considering Ursa is a voice in Azula's head and not a ghost, it also shows on some level Azula knew what she did to Mai and Ty Lee was wrong and feels conflicted over it.

Once again she's much more in conflict with herself than Toya and Terror ever are, and who's someone who's constantly warring with himself? Who's someone who could help resolve her inner conflict... Zuko (too bad the way the show's written he never does).

Azula doesn't choose to self-destruct the way that Terra and Toya did. Azula's ending isn't brought about by her choice not to change, because she's never given the chance to change in the first place. Her tragic ending would make sense if it was entirely of her own choices, but Azula doesn't retain her agency in the end it's literally taken away from her. She loses control of her mind, and her ending is being chained to a grate screaming and then thrown into an asylum.

I'm not arguing against Azula's ending because she's my favorite character and I don't want bad things to happen to her. It's because her tragedy isn't about her it's about Zuko, and her ending actively takes agency away from her where at least Toya and Terra both retain their agency up until the end. It's not good writing because the tragedy doesn't fit in with the rest of the story which is about balance and healing - and it's also ableist as hell.

THE UGLY

Azula's ending is unfitting to the tone of the story she's in, makes her and Zuko's arcs feel incomplete, and also is ableist as hell.

Here's yet more evidence that Azula's tragic ending is poorly thought out. Azula's mental breakdown doesn't exist in service of her character, but Zuko's.

Azula's issues pop up out of nowhere after episode 15, and take place over the last 6 episode of the series. The idea of Azula having a mental breakdown isn't necessarily a bad concept, but it's executed poorly.

The first way it's executed poorly is just how rushed it is. There's basically no hints of any mental instability beforehand. Of course people can have mental breakdowns spontaenously like that in real life, but this is a story and stories require foreshadowing. Azula spontaneously developing mental issues doesn't feel like it's planned as a part of an arc. First off, because the writers don't seem too sure about what Azula's symptoms even are. Hallucination, paranoia, manic laughter, but apparently she's still able to bend lightning just fine. Secondly, the writer's intentions for giving Azula a mental breakdown are pretty transparent.

The writer's room needed to come up with a believable reason why Zuko would suddenly be able to fight on equal terms with Azula, so boom sudden mental illness. The intent was not to create a sympathetic portrayal of a young girl struggling with both paranoia and delusions. The intent was to nerf Azula because they couldn't think of any other way this plot could end, other than Zuko and Azula fighting in a denny's parkinglot.

As I said they use mental illness as a plot device to take Azula's agency and choices away from her. It's not done with the intention of humanizing her, and in fact except for one small scene with her talking to her mother in the mirror it's a pretty negative and unsympathetic portrayal of mental illness. Not because the writers hate mentally ill people, but because they needed Azula to have a mental breakdown in order for a plot point to happen. Which is why they didn't think of the potential implciations of such a writing choice at all.

Now, people are going to argue about me so I'll use one final example. Azula's ending may be controversial but it's universally agreed upon that the Game of Thrones Ending was bad, right?

Game of Thrones uses mental illness as the exact same plot device, to explain why Daenerys Targaryen turns from a hero to villain in the last few episodes with absolutely no foreshadowing. In fact, the all of the show director's interviews about that choice are just blatantly ableist.

Rant from @hamliet

This quote is (likely unintentionally) gaslighting, ableist, terrible logically, and downright offensive. 

First, ableism: why, why, why are we conflating madness with evil? She was driven to madness so she killed a bunch of people and had to be put down? And you think this is a great message in the year of our Lord 2019? [...] Additionally, while good writing is to an extent subjective, there are general consensuses on what make good writing--and Game of Thrones hit all the general consensuses for bad writing, from bad pacing to confusing character assassination. Critics are like, pretty united on this front. No one thought Dany’s turn made sense, even the ones who expect Mad Queen in the books. Maybe if people love a character who is meant to be evil you're not writing them correctly... or maybe they aren't meant to be evil. 

Daenerys and Azula are incredibly similiar characters. They're both dragon themed, alligned with the element of fire, they're both colonizers they both represent the warrior princess archetype.

I'd say Daenerys is more of a tragic heroine though, because while Danerys is essentially doing the same thing as Azula, waging war in a foreign land and a culture that's not hers, for the purpose of then bringing back soldiers to her home continent so she can wage war again - while she is definitely a war mongerer she has good intentions. Daenerys for all of her faults, genuinely wants to break the chains and help out people.

I think Azula definitely sees herself as the hero for winning the war for the fire nation's sake, but she's completely uncritical of her own culture and she doesn't really have the good intentions that Dany has. She does it more out of a sense of duty, and her belief of divine right, not because she wants to break people free.

Daenerys's problem is that she doesn't understand the culture she's invading and the complicated world she lives in and despite all good intentions, is as I described above, invading a foreign power so she can go back and wage a war to reclaim the throne. Even if Daenerys would then proceed to go on to be the bestest queen ever that wouldn't change the fact her methods to get to the throne were incredibly violent, and she's sort of failing to break free from the cycle that led the Targeryen rule to fail in the first place.

Azula's problem is she sees herself as the hero and is therefore uncritical of fire nation values. She doesn't have any nobler intentions either other than service to her country, she just like Zuko is just trying to fulfill her duties as daughter and believe her birthright puts her above others. (I mean Dany does too but digressing).

Azula's more of a tragic villain who plays the antagonist role in the story, Danerys is one of the three heroes. However, she's more of a tragic villain in the sense that she's first season zuko pre character development just way more competent.

However, while Daenerys is a much more heroic character than Azula, here's the thing. I still think she's going to die. She is foreshadowed pretty heavily to die, and fail for her quest for the throne, because her entire story is a deconstruction of the warrior princess and the liberator archetype.

However, the story that GRRM is building throughout his books with Dany as an incredibly flawed heroine is different from what we got in the show, which was Daenerys going crazy and starting to murder people. That's because Daenerys turn to darkness wasn't about her character at all, it was just making her into a plot device to move their bad idea for a plot forward. That's why the turn is so unnatural and makes little sense with her character, that's why it's so rushed.

That's also why it's ableist, because it's using mental illness as a plot device to make a character unsympathetic and monstrous and give the other characters a reason to put them down.

The same for Azula, outside of one scene where he's talking to her mother, Azula's mental illness manifests in her screaming, maniacally laughing, looking like the joker did her makeup, and her instability also makes her violent and dangerous to be around. (Ignoring the fact that most people who experience delusions in real life are harmless, and more likely to be the victims of violence).

Her sudden mental illness isn't even used to make her more sympathetic in say Zuko's eyes and make him realize she's a victim, no it's just there to nerf her so she can be violently put down. The way she's drawn, the way she acts, it's to paint her as monstrous as possible. Her last action is like sobbing and screaming while being drawn as ugly as possible. She's not even given a small hope for recovery, because it just ends there. That's a pretty great message to send people that experience delusions, not only will you not recover or be shown sympathy, you'll also get sent to a mental asylum for the rest of your life. The choice for both Azula and Dany is not to portray any kind of mental illness in a respectful way, but to make a plot point happen.

As I said I expect Dany to die in the books, but there's a difference between dying as a tragic hero succumbing to your flaws but still having your good intentions acknowledged and just turning into a villain for no reason and being put down like a rabid dog.

(This is a quote I stole from a Shigaraki post but): "Why does she need to be put down in the first place, she has trauma, not rabies."

The problem isn't bad thing happened to my favorite character, the problem with the ending is it doesn't take Dany's setup into consideration.

Stealing from @hamliet again:

The thing about tragedies is that you have to manage expectations and clearly show that your tragic hero is doomed from the very early on–ie you have to show them making steadily worse and worse decisions (see: Eren Jaeger in SnK), if not directly tell your audience at the very beginning that this is a tragic story (ie see Greek choruses and Shakespeare, the prequels from Star Wars because everyone knows Anakin is Vader–plus I’d argue Anakin’s arc only works because we know he comes back to the light in the end. Audiences don’t like reversing on set up/undoing structure. To make Dany a tragic villain is to go against the structure of her arc in both show and book. That’s why people don’t like it, even if the books makes it seem more believable.

Kate then goes onto describe a character that's much more comparable to Azula's. Honestly Arianne is closer to Azula than Daenerys is.

You know who is set up as a tragic heroine destined to descend and die because of her flaws in the books, whose arc has almost certainly been combined with Dany’s in some sense in the show? Arianne Martell. (and another character known as f!Aegon) In the books, Arianne is incredibly ambitious, and especially resents her brother and his quest for power. Like Margaery (another tragic character), Arianne seeks power and is intelligent and manipulative in her quest for it. But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising. Arianne, as her chapters hint, is going to almost certainly marry f!Aegon, playing with fire, and die burning for it.   Arianne’s grasping for her own power is never portrayed as cruel or stupid like the main human villain (Cersei); on the contrary, we empathize with a girl who truly cares about her people, but resents her father’s preferential treatment towards her brother. That’s the difference between Arianne and Cersei: Arianne cares. She is not cruel. But her pride is still going to get her killed.

There's a lot of game of throne females you could compare Azula to because GOT is full of queens, but like. Azula may be a tragic villain firmly on the side of the antagonists but she's not Cerseie. She's not queen, she doesn't wield the power that Cersei wields. In fact one of Azula's downfalls is finding out she doesn't have as much power as she thought she had, and ultimately was just a tool of her fathers.

She's not Rhaenyra or Alicent, because yes she may be grabbing for power but her character isn't affected by misogyny. Because once again, the writers simply didn't think about misogyny except for a really surface level "girls can be just as strong as boys" way so we really have no idea how women are seen in the fire nation. The show doesn't really explore if being a woman makes things harder, or makes people treat her differently than Zuko because the writers just didn't consider Azula's perspcetive on that matter.

Azula is alike to Danaerys in several ways, but as I said I think her ultimate end comes from Azula understimating her own importance in her father's eyes, and quickly realizing when her father is her only family left she never had his love or loyalty in the first place.

But Margaery’s fatal mistake is that in seeking power and prestige, she’s become more a pawn than anything else for a villain (Cersei). She chose to play with lions, and she’ll be torn apart; that’s not surprising.

Azula's most famous quote is about how Long Feng isn't even a player, only to find out her father considered her a pawn from the beginning and be broken by the revelation.

The difference being of course that Avatar is not Game of Thrones and it won't even kill the evil fascist dictator so it doesn't make a lot of sense to hand Azula the ending that Arianne got. They have the same fatal flaw.

Anyway, I made this big post but I can explain why Azula's tragic ending down't work in one sentence.

AVATAR THE LAST AIRBENDER IS NOT A TRAGEDY.

Maybe the reason Azula should get redeemed is because THE SHOW IS ABOUT F&%CKING REDEMPTION.

[sukifoof]

hii i was talking about this on twitter so i think i will just copy paste it here cuz i’ll probably delete it there at some point <3 twitter frightens me but i love my mutuals here we are all insane about flowey in the same way

 i think saying “you’re the type of friend i wish i always had” is a really important thing for asriel to admit... this whole time asriel has dealt with so much grief and guilt about chara that it separated the actual person chara from the idealized version of them in his head who he has never stopped grieving. its a huge part of his character that hes unable to view them as they were because that’s just how his ptsd and guilt affects him. as someone who went through a similar thing that kind of grief can mess with your head and how you view yourself and the person who’s gone really badly. the pacifist route, for flowey’s character specifically, is a really good example of how grief and ptsd can make you feel disconnected from yourself, everyone around you, and like if only the person you lost was back everything would be perfectly fine again. the fact that he can admit they weren’t perfect and that he made the right decision is a huge character development that we don’t get to see in the no mercy route because he’s still convinced that this idealized version of them birthed from bereavement will make everything okay. similarly to how he believed toriel might have been able to fix him, he wants to believe there’s someone out there that could somehow return him to who he was before being traumatized, but the reality of it is this is just who he is.

his grief and trauma is a huge part of who he is like it is with real people, but it doesn’t have to be all of him. i think the emphasis the fandom puts on whether chara was Good Or Bad completely misses the point that it doesn’t really. matter i guess?? they were a kid people loved and now they’re gone. we're seeing people deal with the grief this brought and we know so little of who they are because there’s also a degree of separation about who they are to the people they loved as well. idk i hope this makes sense i think a lot about how chara is a kid who hated humanity and calls themself a demon. to me that just shows an EXTREMELY traumatized child with self hatred. i don’t know why there was ever this huge moral argument about chara when they’re literally just a kid with issues. they weren’t taught how to deal with how they felt and likely held themself in lower regard compared to the dreemurrs. its the same thing with asriel, he feels responsible for them being gone and his own trauma. he just wants a friend who can teach him to understand his grief or someone who can at least let him view the situation for how it really is

i just think. flowey is so well written but not understood very well by the fandom because the type of thing he’s gone through is kind of hard to grasp. it’s a weird situation that doesn’t have a completely black or white Is He Or Chara At Fault kind of answer. they were children. people are complicated and want someone to blame when something goes wrong and flowey directed that at himself. hes such a fascinating and well written character i love him dearly i hope u guys understand how insane he makes me <3

[directdogman]

Hi, I hope you're having a decent day! I'm sorry if this is an invasive set of questions - feel free not to answer - but do you still actively like DSaF as your own creation, or is it more of a "it was fun while it lasted but i outgrew it and it's for the best to leave it behind" kind of project? Do you ever regret making the games? If you knew they would get so popular, is there anything you would have changed about them? Is there anywhere I could read more of your writing.

It fluctuates a bit. These last couple of years, I've really just been sorta nostalgic for it. I've seen a lot of people discuss those games being a source of comfort during bad times in their lives, people talking about how much the characters mean to them and it's hard not to smile when you see that.

It's a funny thing for close friends of yours to see people WITH fanmade DSaF merch out in the wild, or to watch a random youtube video and being hit with a DSaF reference outta nowhere. It happens from time to time, even today. On a few occasions, I've even had a person reference my work to me in real life and not realize who they were talking to, believe it or not. It's really fun to play dumb and get someone to explain your work to you like you don't know what it is.

I certainly didn't think any of that would happen when I first made the series, or even during development. I think the normal assumption would be to look at DSaF as it exists now and assume its release was a peak for it, but believe it or not, the official discord only had 30 people in it shortly before 3 dropped! The archive listing of the series (reposted to a single page after the series ended) is now sitting at over 1.1 MILLION downloads.

People kinda assume the true heyday of something is when it's new, when it's fresh and novel. For instance, some people look back at when FNaF itself was new and see that time as its peak because it had a lot of internet cultural relevance as big new indie thing on the block. But, raw numbers don't lie. The series has been continually growing since its conception and that growth has similarly bled over to its fan projects. This explains why DSaF, despite not having a new series release in almost 6 years, seems to be inexplicably growing.

Just recently, I saw someone post footage of a scene from DSaF 2 on Twitter, which got over 16k likes. People praised its writing and largely celebrated the scene. The ironic thing about that particular scene is that I remembered being unsure if it was good or not, so I showed it off in one of the FNaF community hubs. The response was broadly lukewarm to negative. Now, it's held up as one of the best scenes in those games. That's kind of the point I'm trying to make, my thoughts on the series have certainly changed with everyone's else with years of hindsight.

Heh. I'm not sure if I've talked about this in a long time, but y'know, the very first scene I implemented in-game was actually the very first Phone Guy scene in DSaF 1, more or less exactly how it appears in-game today. This was before I'd even written the bulk of the game. I was pretty unfamiliar with visual novels as a whole, pretty unsure if something like this would be palatable to a fandom that was really just used to sit 'n' survive stuff that were far more gameplay than text. I mean, there wasn't any FNaF fangames really LIKE DSaF before that point. Closest was FNaFb, a jokey turn based RPG made in the same engine.

The engine I made the game in is also not exactly fit for VNs out of the box either, and I wasn't 100% sure the idea would actually work. But, the very first time I added the image of the prize corner, Phone Guy, the audio of that iconic cheesy stock track and booted up a test screen, I had a little moment where I said "Oh. I think I'm onto something interesting here." I kinda remembering instantly realizing in that single moment how much potential the idea had. Over 8 years later, I still remember that moment like it was yesterday.

I think lately, that's the sort of stuff I think of when I see people coming to me and asking about the series. Yes, it's really rough around the edges, yes, there's jokes that've aged poorly. But, it is a source of comfort for people and entertains tens of thousands of people each month. And that's gotta count for something, right?

[hrtbeomi]

•   — ★ ₊˚⌗ ☁️’  I’M SO IN LOVE THAT I MIGHT STOP BREATHING !

summary. what if the txt members accidentally exposed your relationship?

pairing. txt x fem! reader wc. 0.5k                    warnings. not proofread. a/n. happy valentine's day!  i wanted to do something for this day so here it is ^^ i hope you like it <3

choi yeonjun ୨୧

.  ࣪𖤐 wanted to post a story to his close friends but instead posted it for everyone to see.

as soon as he saw it, yeonjun would totally panic. he would delete the story as soon as he uploaded it and would send you a message telling you that he accidentally exposed your relationship.

pretty boy <3

hi beautiful, just wanted to let you know that maybe

just maybe i accidentally told everyone that we were together 😄

JJUNIE WHAT*!?#($($!?

read, 5:53 pm

he'd still be a little panicked after a few days but he's relieved to see that moa still supports him and you <3

choi soobin ୨୧

.  ࣪𖤐 won an award and got so nervous he mentioned you

we all know that soobin sometimes gets nervous at award shows and get his tongue all twisted and this time was one of those times.

all his members were with him, grateful that they won and they were waiting for their leader to finish his speech. everything was going perfectly until he started thanking you.

“and thank you to my girlfriend yn for supporting me and-"

"thank you! have a good night!" yeonjun interrupted, completely freaking out while the rest of the members laughed nervously.

after his mistake, he got scolded by the ceo but nothing too bad ! in the end you found this more beneficial for your relationship since you didn't have to hide anymore <3

choi beomgyu ୨୧

.  ࣪𖤐 wanted to facetime with one of his members during a live but instead he facetimed you.

the comment section started to blow up instantly as they saw your face through beomgyu's phonescreen and when your boyfriend noticed he called you instead of yeonjun, his eyes almost popped out of his skull.

he looked straight to the camera and laughed before ending the live.

“we're public now, sorry” he said to you panicked and before you could say anything he hung up.

in the end, moa was making fun of gyu on twitter and tiktok for his mistake but they were already shipping you two and he totally appreciated that ^⁠_⁠^

kang taehyun ୨୧

.  ࣪𖤐 wanted to post some photos of him in the gym but posted one of you two instead.

as soon as he saw his mistake, he deleted the post before anyone could see it but of course, ppl already had seen it and made it trending worldwide that day but moa defended you and him, telling everyone to delete the pictures.

he hadn't told anyone about your relationship so it was a surprise for the company and his members. your boyfriend was scared they were gonna put you or him on hiatus but they only banned him from the twitter acc for a month and that was it !

huening kai ୨୧

.  ࣪𖤐 was replying to moa on weverse and accidentally said he was dating you

your boyfriend loves to talk with his fans so of course he was gonna answer a moa that asked if she could be his girlfriend but instead of saying what he wanted, hyuka replied with “i already have one” and that made the whole fandom & him to freak out.

he rushed to post that everything was a joke but no one believed him 😭 moa was already making theories and came to the conclusion that he was dating you.

they didn't get upset cuz they were already shipping you and kai so it was like a dream come true and your boyfriend was happy they took the news well and could now tell everyone how much he loved you <33

© 2024 HRTBEOMI

[dennisboobs]

not a dennis apologist but a ~dennis defender~ when i see everyone somehow missing the fact that mac is literally fucking stated to be the one pulling the strings from the shadows and has been for years while dennis, naïve, known idiot and chronic underestimater of his friends, is the one being played.

[piratecaptainscaptainpirates]

Alright, so there's been a lot of chatter about some of the most common racist takes in the fandom lately, and I know most people aren't engaging in good faith but I'm gonna spell some things out anyway. Here's a handy-dandy White Fan's Intro to Racist Fanon 101

Why is it racist to depict Ed as uncontrollably violent?

Because he's not actually depicted that way in the show. OFMD goes out of its way to depict Ed's relationship with violence as complex and intensely traumatic for him. Because he has so many hangups around violence, Ed is one of the least violent characters in a show full of violent characters. He is always shown giving people many chances before they're able to push him into reacting with violence.

Even if you think you're just doing a character study on a guy who is really very complex and nuanced, please take the time to consider if you're assigning more weight to Ed's violent actions than those of other characters or assuming he's worse than he actually is (for example, Ed never physically hurt the crew during his kraken spiral, just Izzy. His crime was being a shitty boss, not going on mindlessly violent rampages).

What do other common fanon depictions of Ed that are racist look like?

The biggest ones are depicting Ed as untidy/messy, as illiterate, and as needing a white man (most often Izzy) to clean up after him. I hope I shouldn't have to spell out why these are racist, but please keep an eye out for them in the fanon you consume so you can be critical of how you respond when they pop up.

Are you saying that all Izzy fans are racist?

Liking a character is morally neutral. Insisting that the viewpoint of an antagonistic character is the lens through which the show should be understood, though, especially when that antagonistic character's whole deal in the first season of the show was trying to control the behavior of the brown lead so he could gain power for himself, however...

Just please consider - why do you find Izzy's tears more deserving of sympathy and compassion than Ed's?

But my hot take/fic/meta doesn't say anything about Ed's skin color!

It doesn't have to. Most of the racist takes/fic/meta out there don't mention Ed's skin color explicitly. Racism doesn't just look like saying "this character is a brown man so he's bad." Everyone who grows up in a racist society (that's everyone on the planet, btw, you included) has biases to unlearn, and those biases impact how you interact with the world around you, including with the media you consume.

The thing is, OFMD isn't a subtle show. It's very consistent with telling us who Ed is, how he responds to situations, and why he behaves the way he does. If you find it easier to throw all that aside in favor of believing what a white antagonistic character tells you about him, then you should really take a bit to examine that.

And here's the most important thing to keep in mind:

This is not about you.

Trust me, it has to be pretty damn bad for fans of color to call out racism in fandom. Every time we do, we know we're gonna harrassment and just some truly awful shit in our inboxes. But you, random white fan who Did A Racism? No one is out to get you. No one thinks you're an awful person for including a racist trope in your stuff, we just wish you'd examine it so we can make this fandom a better place for everyone.

I have had amazing discussions with white fans who saw my posts on fandom racism and wanted a sensitivity read or a check so they could fix an instance where they uncritically included a racist trope. But most people who make similar mistakes will just double down and insist they didn't do anything wrong, and that makes fandom a worse place for all of us.

Fans of color deserve to feel safe and included in this fandom, and we're just tired of feeling like we have to beg to get some circles to see poc as people. You can do your part by being critical of these tropes and your reactions to them when they pop up.

[theoddest1]

Okay so this new episode that came out (Episode 4) was poorly handled.

TW /// SA

- No warning before the show starts...why? And even if there is no way for Viv to add one, for some stupid ass reason, why didn't she announce to the fandom properly "Hey, this will have very deep topics and imagery that may not be suitable for all audiences."? Why have arguments on threads and fail to do this very easy thing. At least if the episode came out, people would get a heads up, and the word would spread faster PLUS people would see that you at least TRIED

- The episode opens up with a scene of CNC porno played for laughs in an episode that tackles SA. Complete tonal whiplash. Why did it have to open up with Angel showing everyone a porno? It serves no purpose other than to get a cheap laugh (that never came) out of me or anyone else who watches and because of the topic of the episode revolved around it. I'msure that if the episode WASN'T ABOUT SA, that joke would not have been there....but it is. There was legit no good reason to start this fiasco off with such a tone deaf opening.

- Charlie is actually fucking useless and a burden in this episode, serving no other purpose other than being the gateway to further the issues that befall Angel when "trying" to help. This all screams forced. Worse of all, Charlie does nothing to actually HELP Angel out of this, even though he has a clear black eye thanks to it all and literal mirrors breaking as a result of the abuse. We never see an actual development between the two thanks to her foolishness and garbage writing, and it's resolved easily as if this is some early Disney cartoon season that's on a strict deadline. Regardless of whether she apologized or not, she essentially caused the issue and did NOTHING to actually clean her mess. The goddamn B A R T E N D E R had to be used to salvage the pieces. So far, Charlie, as a character, is utterly pathetic and has been a burden to the cast twice so far. Vaggie, who tried to prove herself (moreso Vaggie's fault for going the extra mile for no reason but an obstacle nonetheless), also had an issue that involved Charlie's utter lack of a backbone. Hey, what was it that Charlie said in the pilot that her dad taught her and one of the only thingsshe learned from him? "You don't take shit from other demons"

- Only one scene from the abuse shown was handled well, and it was when Charlie visited, screwed everything up, and Val asked Angel to come to his dressing room. Aside from that, the whole SA imagery is jarring. While this time, the fast pace of it all is not bad, the quick shift into it all with Angel switching from enjoying to hating, to smiling, to frowning, ALONG with the quick pace of it all with the PRIOR KNOWLEDGE SHOWN and the SONG PLAYING, I am getting mixed messages here. Imagery? Shows Angel getting assaulted multiple times with either a forced smile or for some reason ENJOYING sex with Val and the role play situations showcased, is he INTO his abuse? Lyrics? He seems to find arousal in Val controlling him. The song legit reads as follows

"Addicted to this feeling, I can't help but swallow"

This doesn't read like he is "forced" it reads like he is yearning the toxic relationship. Now if this was one of the main issues with the abusive relationship, where it was a codependency built on romanticising the abuser and Angel learning to break free from that horrible view of someone who never loved him and actively harms him, this lyric would make a lot of sense....but that's not what we are shown at all. From the jump, we are shown that Angel HATES being with Val, to the point of him straight up avoiding his texts and voice messages, they actually do an okay job (despite the shoddy voice work) on showcasing how manipulative Val is and his outright explosive temper through this scene in episode 2. We see that Angel does NOT wanna have association with Val, is tired of it all, and even got drunk to down his sorrows. Yet these lyrics present it all as though it's just a very rocky love life like those songs you hear on the radio with the singer lamenting about how awful their relationship was but still miss their toxic boo-boo. It just...doesn't read like an SA song and could mean anything regarding the type of abuse he is facing. It's kinda vague in hindsight. That's MY take on the lyrics, though.

- Husk's song is a trash fire. He sees Angel is down in the dumps and proceeds to talk shit about him pretty much relaying his sorrows, saying it's okay to feed into your vices, and downplaying the actual situation at hand. So let's get this straight.

Angel- A sexual abuse victim forced into sex slavery to appease all sorts of people's sexual desires whether he likes it or not, including pleasuring his pimp who physically abuses him often all cause he sold his soul

Husk- Gambled his life away and lost his title as overlord, serves under Alastor all cause he sold his soul.

How is this even...the same at all? Even if Husk is lacking some context, he SEES that Angel normalized drinking roofied drinks and works for Val SOMEONE HUSK SHOULD KNOW ABOUT AND WHAT HE DOES but nah, screw Angel. Even if he honest to God (irony) wanted to actually help, why tf would Husk think this was sound advice? Why does Husk just SUDDENLY care? No build up, no memorable dynamic, no nothing. Realistically, CHARLIE should be the one singing with Angel or maybe Vaggie because she heard the story from Charlie. Not Husk. He is self aware enough where he knows this "advice" wouldn't work but nah. Nothing about the song makes sense. Telling someone going through it that "you're a loser" pretty much a no one, an insignificant individual, when VAL has made it clear that Angel would be nothing without him...yeah no the only reason why this whole song "worked" was cause the writers wanted it to, so Angel is happy with being a loser for being a victim of SA and selling his soul to someone who abuses him in various ways consistently.

This episode is terrible

Jarring for any newcomers

Who have no idea who these characters are

[accio-victuuri]

all the cpn : xiao zhan’s 33rd bday 🫶🏼

this could be part one of many, who knows. but i’m starting with this compilation post to keep track and enjoy the sweets. it’s the weekend and some people may be celebrating gege’s bday offline so people have a hard time looking at cpns. plus we got content too!

again, happy happy birthday to xiao laoshi 🎂🎈 this post is for fun only & not meant to take away from the celebration of xz’s life. feel free to scroll along if this is not your thing.

now let’s dive into the candies!

1. in the video post and greeting sent out by xz studio, there is a word/phrase their that they used explore new spaces which is kinda like exploring the unknown. this is not the first time this was cued and why it’s sus to us. well i just hope they get to explore new places together next time! there is also a whole conversation on how the “letter”/greeting for xz has some bits to it that is similar to wyb’s bday letter — but i’m not even gonna go there. 😂😂😂

i think it’s just gonna be one of those mysteries and if you believe it then you do, if you don’t - you don’t.

2. the post he made on his own account, people have pointed out that the format is similar to the well wishes sent out by lrlg. it’s so xz of him to also wish people well on his own bday!

3. and in his caption is 我们 ( wo men ) us/we is written. we also see that in his bday post when yibo was included. oh! how we have missed the times that they could freely greet each other!

4. having their backs facing us for their bday post by their own studios.

5. I think we will see the true details of this photo once we get more content from this shoot. but this is interesting.

who could it be? 👀👀👀

is it a self portrait or is he drawing someone else?

6. The big “paper plane” on the right. 🛫 it’s a recurring symbol between them and it’s nice to see a huge version of it here.

7. How yibo-official’s usual post for exploring the unknown was usually shared at 10:00 for the past few weeks. but today it was delayed to 10:30, probably giving way to GG’s bday timeslot of 10:05 and a bit after that. I always believe that they give way to each other.

and also how the photos shared by xzs was staggered. they have no problems sharing 18 in one go but for some reason they released 9 and then another 9 after. it has to be 18 = yibo.

8. not really cpn, but how something bjyx related trended on both of their birthdays. just goes to show how relevant and active the fandom is. whether it’s a good or bad thing is up for anyone’s interpretation. those who hate us and what we stand for as cpfs will continue to hate on us so whatever 🤷🏻‍♀️

just enjoy all the content the boys gives us and clown among ourselves.

9. THIS EDIT. and how the two look like they could have been two related videos! the streamers as decoration and the messy setup.

END.

that’s all for now, more to scream about later. hopefully. anyway, i hope everyone has a good day!