#and their character arcs and then i am happy

[local-lamppost]

Act 3 Thoughts

Watched Wicked, came home, waited 20 minutes, binged Act 3. I do not recommend this lifestyle. Anyway...

I was so satisfied with where we ended up, but I would have also appreciated about 20 minutes to an hour more. It felt like some beats were skipped over, they wanted to get to specific endings and didn't have the time to wrap them up as neatly as I would've liked.

Maddie is a good example. She's a plant for Ambessa, okay but when and why did she become one? She couldn't have been one before Cait being named commander and when we next see her she's pushing for Cait to take power back from Ambessa. Did Ambessa just message her right after Cait and Vi started working together again as like a "the woman you love's actual love is back in the picture, you can either wallow or get revenge with me", but also made a smarmy remark about Cait 'at least being warm' or something. We didn't need to absolve Cait or villainize Maddie for their 'relationship' because they didn't even have a relationship-just a coping mechanism for Cait, similar to Vi's drinking. At best it was all unnecessary and at worst a waste of time.

Away from that, I want to focus on some good.

I am officially a JayVik shipper now. Them disappearing into a void together, encircled with each other, after Viktor spend however long within timelines/multiverses in hopes of finding a Jayce able to bring him back to his humanity? Come on, they needed to kiss. Especially after Jayce and Mel's low key break up. Honestly we were denied the three of them working together, because they would have been unstoppable.

Speaking of Mel, I love her. I love her design, her powers, her matricide, her taking command of Ambessa's armies, etc. I wish we could have seen more of her adapting to her new powers, finding peace with what she now is. There could have been a cool interaction with Viktor over how Arcane power has changed them both for better and worse.

I don't think Mel's story is done. With other characters, I can see them coming in for future story arcs as like, cameos or background details, but if the next LoL story is in Noxus I fully expect Mel to be a major player again.

Back to Jayce. I like Jayce, that could be my Arcane hot take, and I definitely want to write something more in depth on him. On all the characters really. For now, I'll just say that his determination to destroy everything he has built, because the only creation worth saving is his relationship with Viktor is just... glorious.

Viktor was amazing. I love Viktor in the lore, and they took his traits from the lore and amped them up to eleven. His body being destroyed and rebuilt, the process of which has chipped away his humanity and mutilated his dreams. He lives up to his own quote: "In the pursuit of great, we failed to do good. We have to make it right."

Ekko is a character I never realize I miss. That sounds mean, it probably is, but I am never the less so happy to see him every time. It's like finding the missing piece you didn't even know was lost: that is Ekko to me. His mini adventure in the parallel universe was adorable. Us getting to see what could've been alongside learning what matters most to Ekko, him getting a taste of a near perfect life and still choosing to return to his own time. That's why Ekko is the true hero of this story.

In terms of Jinx, I'll just say I'm not a hundred percent sure she's dead. The airship leaving at the end followed by her scribbled sign off, plus not getting a dead body shot. It was definitely left open ended. Her looking to do something good, to not mess up, alongside her fear of not wanting to try again because she is just tired of failure, of being a Jinx, was too real in many ways. I will go in depth on her at a later date.

Caitlyn's arc is going to be argued about, no question. It needed more time (see the start of this long post) to make her point of her anger burning away, of it not being sustainable, hit harder. I would have made her realize what her anger was doing to Vi, have Jinx point out that they really are acting the same in their treatment of Vi, and use the whole Ambessa was literally stoking the fires of her hatred to help fit what time they had left. Honestly just have Cait learn Ambessa was the one behind the memorial attack, that would be a much better way to explain her anger diminishing enough to look beyond her own hurt to realize and take account of her mistakes.

Vi, as usual, needed more screen time. Not necessarily because her story would've been helped by it like in act two, but just because I wanted her to have more time to enjoy her life. I went into act three with the sole hope that Vi would have a nice day, only for her to loose everything again. The only people she has left are Cait and Ekko, and god help anyone who tries something against those too now. Her ending being the chance to finally rest, to lean on someone else, was beautiful. She is my favorite character and please let her have only good things in the future, she was traumatized in almost every scene this season please-

Nobody tell Vi that in a universe where she died young everyone else ended up living. It would destroy her.

Vi and Cait relationship was great. I wouldn't say it was rushed in act three, because it felt like it was where it should be for a final batch of episodes, if that makes sense. It felt like the set up was Cait being genuinely remorseful and Vi just wanting someone in her life who wanted her in return. It helps that they have great chemistry and that when given the chance they fit so neatly together. I think Jinx encouraging Vi to be with Cait is what sold it to me. Jinx realizing how much Vi has given/sacrificed and giving her blessing for her sister to be happy with someone she disapproves of; not to mention Cait pulling the guards from their posts to give Vi the chance to actually meet Jinx in order to have that conversation. All in all, it comes down to Vi's "I don't care" because that's really all there is too it for them. Vi is done being miserable and Cait makes her happy, vice versa. Cait is someone Vi can rely on, Vi is someone Cait can find strength in.

Spitfire round:

Sevika being made a councilor

Every single one of Mel, Cait, and Jayce's designs were 10/10s

Vi not being given an actual uniform, just armor and the gloves

Jinx cutting her hair further to match Vi

Ekko getting his crystal sword/bats

Heimerdinger dying after living a life where he could make his city something to be proud of

I was fully expecting Vander and Silco to kiss in that one shot

Everything with Benzo

Loris' name being said

Vi humming the song and the song being their mother's lullaby

Viktor being held within the Herald

Sky leaving so Viktor was free to bring Jayce to his space mind palace

Caitlyn's rifle never surviving

Fishman McBlue being the only one of Cait's soldiers to stick to his guns and stay loyal

Sevika and Shoola side eyeing each other

Vander and little Vi and Powder with the bunny

The bunny being a passenger on Jinx's balloon

Singed's messed up family getting a happy ending

[bisexualfagdyke]

I saw someone say that Jinx got a satisfying ending because she .... was suicidal and finally got to die? Uh. Yeah, that's not satisfying dude!!!! The idea that the only happy ending for mentally ill characters is death, is such a god awful message. She struggled for 2 whole seasons and never got a break, and her whole arc ended miserably and it's so unfair to her character. I know characters can be entirely tragic, but I truly believe it is unfair. Especially because she was DOING BETTER when she had Isha, demonstrating she can begin to recover, only to have that ripped from her so she could truly give up on life again and become suicidal. I am so unhappy with Isha's character, the way she was used as a plot device for Jinx's development only to die and then Jinx's development goes down the drain and she dies too? What was the POINT?

It also makes me bitter that caitvi sex scene happened in Jinx's jail cell, not long after Jinx had directly communicated suicidal ideation to Vi and went off to attempt. It's almost portrayed in a way where Vi chooses Caitlyn (an enforcer, an oppressor) over her own sister. It makes me bitter that caitvi got a good ending despite everything Caitlyn did, which she never apologised for, and it was never properly addressed. The oppression Caitlyn and the enforcers caused the zaunites was entirely swept under the rug.

This isn't even mentioning the other characters who got terrible endings. Ekko, especially. I am happy for caitvi and jayvik fans but I think ppl are so preoccupied with YAY! LESBIAN SEX! YAOI! That they fail to see how unsatisfying the ending was for other important major characters, or they just don't care cuz their fave ship got a decent ending. Don't pmo 😭😭 IDC IF UR FAVE GOT A GOOD ENDING!!!! IT SHOULDVE BEEN MY FAVES (JINX AND EKKO) INSTEAD!!!!!! I would've preferred to see literally any other character die than Jinx.

[eerna]

I love vi so much that I’m so sad this happened to her. Like they “probably” wanted to convey that she’s gonna stick with Cait for a while by calling her a dirt under her nails but even writing that line rn is breaking my heart idk how everyone behnd that was just “yep that’s cool and so in character” this was the girl who said this city’s gonna respect to us someday and having a whole mental breakdown in front of Cait for how desperate her hometown place is in the “oil and water” scene. Im all here for caitvi but she loved jinx MORE THAN ANYTHING she’d die and kill for this girl why did the vice versa happen suddenly? Why did the writers discarded the legit CORE of her character, the one that was making her our vi, just to make her an extension of caitlyn. Not to say she’s probably still drinking as we see in the last scene why do they forced us to believe she’s gonna be ok cause she’s got Cait? Didn’t arcane prove us the whole time that love alone isn’t enough to make one healthy?

THANK YOU FOR MENTIONING THE GLASS IN THE FINAL SCENE BECAUSE I TOO WAS LIKE "WAIT IS SHE DRINKING AGAIN, CAN WE ELABORATE ON THAT" DBSBAJKBASKJ... I don't really have anything against her arc being that she needs to learn how to let people who don't want her to hold onto them go. Really, it's super unhealthy to keep obsessing over those who have left you behind, and I do think that the only way Vi could be happy is if she learned that lesson. Then, Jinx choosing to return to her would be all the more powerful. But the way we got to that point is just. Just really sad and not very good.

I saw the shippers complaining about the criticism of the final line and the jail scene by saying the critics just don't wanna see lesbians happy, but to me it's the opposite. I love Vi so much, she is my favorite character, and I absolutely wanted to see her happy, but I simply can't ignore what the story is telling me. Vi ISN'T happy. She is a prisoner in a system that treats her like shit, and she has made peace with it. She is humming a lullaby whose meaning is literally "Zaunites should be happy with Piltover's runoff and never ask for more", she is drinking, she is demeaning herself. The show tries to tell me she is happy, but that is not the emotion I am getting at ALL, because all the subtext points to the opposite.

[applebuttercringe]

ARCANE FINALE SPOILERS AHEAD

Also this is all my personal opinion written while I am very sleep deprived like 30 seconds after I finished the finale. Take it with a grain of salt.

Jinx’s story is so irresponsible. This is a character whose suffering was shown in great detail the entire series. Her suicide attempts span across the plot. Her arc is about feeling like she ruins everything she touches, and the self harming behaviors that result from it. We watch in detail as she is beaten, screamed at, had happiness dangled in front of her and then ripped away again and again, and all throughout it she makes attempts on her own life. Then the final episode starts with one of the most graphic depictions of her suicide attempts, while a haunting song about the pain of existence and how death is a release plays. It might as well the the suicide theme song. Then the finale ends with her “sacrificing herself” while the same song plays. Smiling through the tears as she finally kills herself.

That is just such an awful end for the character. This reduces her entire arc throughout the series to just an endless pain train with no comfort. Is the moral that this is the only way she could atone, make things right. Are we supposed to believe she really is a jinx? Are we supposed to believe she is better off dead?

It is a grotesquely irresponsible portrayal of depression and suicide.

I know this is extremely individual but as someone who has struggled with self harm and suicidal ideation this scene was just viscerally upsetting.

I am so terribly disappointed in Arcane.

[phantomrose96]

Aromantically rotating this quote from Jon "The Silt Verses" Ware from the Season 2 Q&A (bold emphasis mine)

Question: I love what Paige and Hayward have going on. How would you describe their dynamic? ​ JON: I saw someone online talk about the, “the paladin and the prophet.” Which I think is a really nice way of looking at it! Whereas I saw them as two people who…both of them have come to the end of the road in their old lives. [...] I think maybe there’s also an implicit question there about whether there’s something romantic going on – maybe I’m reading into it, but that is something that’s on my mind a lot, so I’d love to talk about it more. ​ Because shipping is fantastic and it’s wonderful and it’s cool, but as a writer who’s way too online in a parasocial world, I’m really wary of how I respond to it and how I process it. ​ I personally, I don’t like writing fictional characters where the most important moment in their narrative arcs is when they get together with the person they were always meant to get together with. Generally, it’s just a bugbear of mine in fiction and I’m not sure I agree with the underlying message. ​ But I think if any writer who’s way too online sees, hey, people are getting excited about these two characters hooking up and falling in love and they keep coming back to this idea of them hooking up and falling in love, there’s a real rodent voice in the back of your head whispers, "give the people what they want. Get those likes, get that fanart." ​ Which is the wrong response! Because we don’t understand that maybe people are just having fun exploring these characters or their own interpretations of these characters, we think they must be anticipating a pay-off from us. ​ And again, I think it can send you in the wrong direction, one that ends up being essentially flattening – we don’t think, "if these characters hook up, OK, what new opportunities does that give us to explore them, to understand them in greater depth?" Instead we think we need to perform a climactic moment of love and comfort and happiness to get the audience’s approval. Which can be very much to the detriment of the complexity of the characters, but also, afterwards, where do you go with it? ​ And after we released maybe one episode of The Silt Verses, I saw a couple of folks online going ‘oh, god, I hope this isn’t going to end with Carpenter and Faulkner hooking up,’. And you go, "oh my god, I hadn’t considered that as a possibility for a second, that’s not who they are and that’s not what the relationship is here" - but of course all of us are primed for it, that enemies-to-lovers thread that is so common. ​ [...] ​ So it felt like I could introduce a connection there [with Paige and Hayward] and we could see a different way that they begin to be around each other that hopefully feels like it’s adding new dimensions to both of the characters without me looking over my shoulder going, “Am I in danger of turning this into something a bit stock by turning it into quite a straightforward romantic situation?”

[hyperions-light]

okay everyone today let’s talk about profound, overwhelming emotion as a theme in Veilguard

Sounds fun right

Gonna do like a sort of deconstructed essay thing (or I WAS, but this is an actual essay. Sigh)

Thesis: DATV is exploring how its characters confront and process emotions and events so overwhelming that they could define the characters entire lives if ignored or pushed aside; the player is encouraged to provide the characters with the appropriate emotional tools to dismantle the seemingly impossible obstacles that stand in their way, in order to complete their character arcs and contribute to the resolution of the central conflict.

WOagh this got way long, like REALLY long, so I am cutting here. I hope you didn't think the Grey Warden essay was verbose, bc this is much longer! You've been warned lol

PART I: ISATUNOLL

I feel like we have to talk about Harding first bc what’s more overwhelming than having the entire history of your race shoved on you at once? (I've decided to relocate to the computer, so you know I'm taking this seriously) So Harding gets magic rock powers, and then you have that sort of lull in her story where she's just trying to feel them out, but you can already see the game setting up the dilemma, because she's constantly checking against Rook to see what they think about it. She doesn't know how to feel-- should she be worried, excited? You can encourage her down different paths, but whatever you choose, you're providing a way for her to conceptualize this thing that (as far as she knows) has never really happened to anyone else.

And then when you go to meet the Oracle, the game introduces the idea of this overwhelming rage, this intense frustration that IS hers, but also isn't. She (probably) doesn't know what happened to the Titans by that point (you can do Regrets of the Dread Wolf pretty early but idk if it's able to be finished at that point?) but I think the stone giant you fight there is her inborn anger resonating with the much larger, dormant anger of the Titans. And you see her deny her own anger and her own feelings generally (the coffee scene with Lucanis, while tonally lighthearted, is intended to set this up). Again, Rook can intervene, and this time you also see your companions providing their own advice (Lucanis and Taash both tell her not to hide her anger/try to make people happy and Davrin repeatedly urges her to stand and face 'whatever it is' directly). So both Rook and their friends are supplying tools to deal with this upcoming confrontation.

So, the culmination of the arc comes in Isana Negat, where Harding faces the physically manifested anger of the Titans in the form of herself. She says it is her anger, and it IS, she is angry and they are angry, together; Isatunoll-- I am, we are. She did not know what to do with it, and that is why it is here; the game is positing that avoiding confrontation and acceptance of one's feelings can lead to harm for oneself AND for others. It IS Harding that is attacking you, because it was her raising the enemies in the cavern. But, at the same time, Harding is here out of a desire to protect others, and she is compassionate to this manifestation; she apologizes for not knowing how to confront it and letting it run wild in this way.

Fortunately, by this point Rook and company have already provided her with the tools to be successful in this encounter. She does not turn away from her anger, she does not attempt to run or dissemble as she might have done before. By the time Rook reaches the platform she has already absorbed the being; she is just having a hard time fully accepting it. Rook and the other companion physically grab hold of her, as Rook directs her down the path of acceptance through compassion, or acceptance through embracing anger. It is important that neither choice offers a denial. Through the strength of the unity of the team, here represented by physical closeness, and because Harding herself has changed as a character, she is able to integrate the Titans' anger and affirm that she and the other dwarves will continue to persist in spite of what was done to them. DAI players may recognize this as a well-placed echo of the conversation thread between Solas and Varric about the man who persisted in spite of losing everything; Varric said then that the fact that the man lived, that he continued, was a triumph in itself. The dwarves triumph as a race here, by not allowing the horrific violation committed against the Titans destroy them, and so does Harding.

The final piece of Harding's journey is her meeting with Stalgard and his sister outside of Isana Negat, in front of the mountain that was/is a Titan. She returns to them the knowledge that was lost for centuries, and the anger that comes with it, but affirms that they cannot return to what was; this brings change, GOOD change, to the dwarven people and will redefine them. By successfully accepting this outsized emotional trauma, Harding has helped her people, and becomes a more effective member of her team. Catharsis, acceptance, and emotional growth make her stronger.

PART II: I AM NOT THIS

When Rook meets Lucanis, he has been kept in a prison for a year, being tortured and violated by the Venatori, who have been attempting to turn him into a demon. It hasn't worked correctly, because Lucanis and Spite have an accord. However, you first see him just kind of running around killing whoever he comes across; Rook provide direction and a specific target, a chance for freedom. It is significant here that the prison is underwater; Lucanis is, metaphorically, drowning. The prison is also referred to as the Ossuary, which is a place you store the bones of the dead; the outside world believed he was dead, and, metaphorically, he did die here. You kill his torturer, but it is not enough; the woman who kidnapped him and the orchestrator of his violation still lives.

Rook returns to Treviso where Lucanis finds out that he has truly lost almost everything. His grandmother, Caterina, appears to be dead, and his city, Treviso, is occupied by the Antaam. The only thing he has left is Illario, and he immediately grabs onto the idea that Zara, who he believes killed Caterina, is going to kill Illario, too. He panics in response, but he is trained as a Crow to shut down his emotion, and practiced at doing so from his year spent constantly disassociating in the Ossuary. He says he needs to work; Illario and Teia protest, but he insists. He is returning to the thing he knows how to do, grabbing for a sense of normalcy when everything else is lost and he believes the little he has left is in danger. He will destroy the threat and this will also conveniently allow him to put off his real emotional trauma from the prior year.

Every cutscene Rook has with Lucanis between his major plot events in this section involves him trying to contain and ignore Spite. He tries to constantly stay awake to ensure that the demon cannot take over, and he tries to befriend and placate his new associates by buying them stuff (a VERY rich person thing to do) and taking care of them. He is trying to convince himself and them that he is NOT dangerous; he is not a demon, not an abomination. But he is not confronting his fear, he is only putting it off; often, in conversation with others he will be flippant about Spite, or he will deflect their concern about it. He chooses his 'bedroom' in part because it can contain Spite, and because it is the farthest possible location from the Eluvian, where Spite keeps trying to go (I just noticed that! Very fun!). In the meantime, he is also ignoring the fact that Illario is being extremely suspicious, because he doesn't want to know that his brother is the one who hurt him. Lucanis is an astute person by nature, and could certainly have observed this, had he not been deliberately trying to obscure it from himself.

Davrin is a huge problem for him because he is the most direct person in Veilguard. He shows up and tells Lucanis that if Spite overtakes him, he will kill him. This touches on Lucanis' fear of his own lack of control and drives too directly at what he wants to ignore. They are immediately at odds, which is made worse by Lucanis' 'failure' at Weisshaupt, which causes him to lash out at Davrin. He believes that the fact that he was unable to kill Ghilan'nain is indicative of him losing his abilities as an assassin, which is one of the only familiar things that he has left. Fortunately, Rook and company are there to reassure him; the situation is helped by the presence of Taash, Emmrich and Neve, who are unafraid of Spite, and whom he can rely on to control the demon if he cannot. However, the problem remains that he refuses to seriously deal with Spite in any way. As the inextricable representation of Lucanis' trauma (it would LITERALLY kill him to remove it), ignoring him means Lucanis is unable come to terms with what has happened.

This comes to a head when Illario kills Zara, and Lucanis is unable to stop Spite from almost murdering his brother with his own body in response. This is the final, most devastating loss of control. He apologizes to Rook for the lapse, and tries to refocus on Illario, who he now has definitive proof betrayed him. He says he is going to take everything away from him, but truly this is just another distraction; revenge is not going to be enough because it will just mean that he has nothing on which to focus his and Spite's combined ire, and then he will still have a demon inside him and no accord. What saves him is Rook, and finding out that Caterina is still alive. This is fantastic news because it means he hasn't lost everything, but it also presents a dilemma; is it more important to attack Illario, to seek revenge, even if it endangers Caterina's life? Does he risk what he values most-- his family-- to pursue his vengeance?

I was going to write an entirely separate post on the mind prison, my favorite part of Lucanis' arc, so I'll (try) to be brief here. The metaphorical Ossuary is a prison of Lucanis' fear; those he is scared he will hurt, or who will see him for what he believes he is: a demon. In order to get him out of it, Rook needs to cooperate with Spite, and confront each fear individually, breaking down their flawed presuppositions about Lucanis which are trapping him there. It is also significant that Lucanis himself is unable to articulate that he is trapped, and is even unable to ask for help; it is Spite who invites Rook in and concretizes Lucanis' emotional state. He can't get out alone. When Rook reaches Lucanis he admits that he has been avoiding his emotions but that, "It's just... so much. I don't know where to begin."

What happened to Lucanis was life-alteringly traumatic. It is unsurprising that he does not have the tools to effectively confront it. However, Rook encourages him here to begin the process by creating an agreement with Spite in the short-term. Process your trauma by breaking it down and taking it one step at a time. After this section in the game, the player can hear Lucanis converse with his friends about trying to work with Spite; about how the spirit is learning to understand the physical world, and they are no longer fighting. Again, we see that ignoring his emotions was hurting both Lucanis himself and other people, and that by moving forward, no matter how slowly, he can regain control of his life and build a new one alongside Spite, accepting the new circumstance.

When he confronts Illario for what he did and, incidentally, control over the Crows, he does not kill him. He never loses control and he and Spite work together to resist the blood magic that Illario attempts to use on them. Working through his problems with the support of his team allows Lucanis to preserve what he values-- his family, the Crows-- instead of pursuing an endless and ultimately pointless crusade of death in an attempt to avoid his problems. He makes the Crows stronger and heals himself through confronting and accepting his emotions.

PART III: I WILL GO AND SEEK ATONEMENT

Hey it's Solas! Remember how this game used to be called Dreadwolf? That was probably because he's the thematic anchor of the narrative. So, here we go. (This section is going to discuss the 'good ending' for Solas, because I don't think the others really feed into this theme much.)

Solas is the instigator of the conflict in Veilguard, and he may be an antagonistic force throughout the story, depending on how Rook chooses to deal with him. This game gives confirmation that Solas is a spirit, and so the generally established rules apply: he acts as you expect him to act, he is what you expect him to be, so the player is likely to have wildly variable experiences with him.

Throughout the game the player can encounter sections which depict his greatest regrets in his life so far; taking physical form, creating the weapon that severed the Titans' dreams, incidentally creating the Blight, accidentally sending Mythal to her death, and accidentally creating the Veil (dang, nothing goes right for this guy lol). This series of decisions led, in Solas' time, to monumental harm for countless people, and it is what has led him to his current course. He cannot stop because he is utterly trapped in his regret; these moments, though degraded, surrounded him within the Lighthouse while he planned for a decade. The Caretaker tells you that his regrets are so vicious that they are the teeth with which Elgar'nan and Ghilan'nain are tearing into the Crossroads. Solas is destroying something beautiful he helped build because he is unable to let go of the past.

Although you, dear reader, may have your own opinion of him, Solas is undeniably compassionate. In DAI, he will give you massive amounts of approval for simply helping out villagers and performing menial tasks that serve no greater purpose than to alleviate suffering. The amount of suffering he (mostly) unintentionally caused could do nothing but horrify and pain him. His regret is oceanic. If you decide to persuade him to your side at the end of the game, one of the reasons he cites for continuing down his destructive path is because it would dishonor those he has wronged if he were to abandon his work. He is sunk cost fallacy-ing himself into mass murder, basically.

Part of the reason that he is doing this is because, like with Lucanis' issues, the emotion, the weight of the repeated failure is almost too big to effectively reckon with. But Rook can help him do it. Throughout the game Solas watches through his avatar in the Lighthouse; he sees Rook build their team, sees them solve the problems of the people around them and find strength in unity, and so when they appear in Minrathous he does actually believe that they can solve the problem that he cannot. He is deceiving Rook when he gives them the dagger, true, but this is his most valuable asset in the fight; if he did not believe in their success, it would be extremely foolish to give it to them and to commit himself to the comparatively lesser evil of Lusacan. So, Rook has effectively proven the Power of Friendship, as it were, through their actions in Veilguard.

To achieve the 'good end' for Solas, you need to have finished Regrets of the Dreadwolf and successfully confronted the fragment of Mythal that lives in the Crossroads. She will be impressed by your work in proportion to the amount of things in the game you've finished, so you must have bonded with your companions and you must have freed the Crossroads from the ravages of Solas' regrets. He helped make the mess, but other people can help him fix it, which is essentially the point that Mythal makes to him at the end; that he's not literally solely responsible for actually every bad thing that's ever happened.

You also have to tell the Inquisitor to attempt to reach him, which will lead to them saying something about forgiving his past actions if he stops trying to destroy the Veil presently (I assume the dialogue is similar in the friendship route; I have a Solas-romancing Inquisitor and that's basically what she said. I felt that part was general enough it probably carried over). All of these people and various pieces of Solas' past and present are here to break down the gigantic wall of regret that's preventing him from doing the right thing in this moment. All of his arguments for why he must keep going are refuted by these people he cared for, and to whom his regrets are attached.

Through Rook's actions they have demonstrated their ability to solve seemingly overwhelming problems. You can help Harding tame the anger of the Titans, you can help Lucanis confront his trauma, and you can help Solas finally see past his regret and be the hero he has always wanted to be. This is obviously not the only route the player can take through the game, but if they do, they help create a narrative that repeatedly deals with deconstructing and resolving overwhelming emotion. (Dear readers, remind me to make a post about Bioware games and participatory storytelling.) The story examines how intense emotion, ignored or denied, hurts oneself and others, and presents several solutions which all begin with asking for help. There is strength in unity, in compassion and togetherness, and if you cannot see the way forward alone, you will find it with other people.

WhEw okay if you actually finished reading that give yourself a high five and take a lollipop from the basket on your way out the door

on any other platform I think I would have hit a word limit of some kind, so thanks tumblr

edits incoming? very tired rn. Think I had some other point to make about Solas that I forgot maybe. I also think I could've added some of the other companions to this (Taash and Bellara were top candidates) but imo these two are the strongest for this particular theme. And it was already so long lol

okay I sleep soon. you can lmk what you think if you want? don't be a dick tho, I hope that goes without saying lmao

[buds-and-baubles]

(agent grayson 2014-2016 issue #1)

i felt like this panel was a good way to show how reading this made me feel.

before i get to what i feel about how it treated midnighter, i just want to say.. i am so sorry to dick grayson and helena bertinelli for being in this comic series. i'm sorry for the spyral plot. i didn't do it but somebody gotta apologize to those two.

as for midnighter? a very long array of me going like 'he would not fucking say that' which i'll explain below. also i didn't miss the chin spike at all and where is my favorite freak's smile when he fights? they made him grumpy.

it feels like some of the dialogue gets close to understanding how he is, but just tacks on pieces he wouldn't actually say. i'll provide an example that ties into another point of why he wouldn't say a particular word for what he said;

original text bubble: "not bad, boy. i can read the electrical activity inside that pretty head. no superpowers. no meatware. but you found me anyway."

how i would've written what midnighter said: "i can read the electrical activity inside your head. no superpowers, no meatware, but you found me anyway. not bad, kid."

see to me, that sounds more like how midnighter talks. he typically prefaces things with statements.

example from the authority (1999-2002) issue #2 with one of his most famous text bubbles: "i know what moves you're preparing to make. i've fought our fight already, in my head, in a million different ways. i can hit you without you even seeing me."

as for calling his head pretty? no. he wouldn't do that. i'll be repeating this as i read this series but he would not flirt or sexualize dick grayson. he never has done that to others before the new 52 from everything i've read up to (i am finishing the worldstorm arc) because it is strictly against his character. he isn't the sort to do that to another man. you want an example of why i say that?

here's a line paraphrased (because fuck ennis and his homophobia) from midnighter (2006-2008) issue #5 that helps support it: "what it means is that i'm only interested in men. one man in particular."

he's talking about apollo. his husband, his sun god, his other half. he's the only man for him and he's an utter sap about it! everytime he sees him he gives him a compliment. he's so in love it makes me so happy to the point i get nauseous in a good way.

so to all the dick grayson fans who've read agent grayson and hate it for dick's sexualization, i just wanted to let y'all know that midnighter wouldn't be doing that to him. in fact, he'd let him know he doesn't deserve it or have to take it for the sake of the job. body talk by kermit_coded on ao3 (ily friend) approaches it exactly how i would've.

so all in all, he wouldn't flirt with dick or sexualize him in any way, and he'd say less of the goofy lines he said in this. not that he can't be goofy, but it's a more.. violent goofy i guess.

so why would midnighter be there following my idea not tying to the garden or anything? well, midnighter hunting down random shit like people put under surgery to become meta bio-weapons still feels up his alley. considering him and apollo did something similar back in their first ever comic appearance in stormwatch vol 2.

where's apollo then? well, he was following up on a lead about other possible meta bio-weapons on his own and then he and m were gonna go out to dinner with jenny q. to celebrate. sadly, the fates (dick grayson) had him get hit with a laser that shot him away team rocket style. now he's gonna miss dinner with his family.

[a-midlife-krisis]

i really wish people had some fucking media literacy. i am VERY SAD about jinx and i have NEVER cried that hard watching a scene in my WHOLE LIFE. but it made absolutely perfect sense for her character arc. she got a redo of the one thing she fucked up on all those years ago, and that was to save her family. vander was gone, she gave him the end he needed. he got to see his kids one last time. she saved her sister. her plot line had no where else to go. she lost EVERYTHING except for vi, the least she could do is protect her big sis one last time. it wasn't rushed. it wasn't out of nowhere. it is DEVASTATING. and we're going to be sad about it. but do NOT whine about "plotholes" and "pacing". they did a phenomenal job and im so happy i got to experience this show.

[ismyteadoneyet]

Let's gooo (i haven't done a tag-game-thingy in a WHILE so it's about time I get back at it lol, thank you @squirrel-in-the-woods for the tag <33)

Last song: 'Sinner' by Deaf Havana ! as a recovering people pleaser, this song is such a delight because it gives me the vibe of "I'm beginnig my villain arc now !!1!1! I'm a MEANIE now !!! I'm setting BOUNDARIES And you can't stop me !!! 😤😤😤" even though that is probably not the actual intent. It's also the song I have assigned an OC of mine sooooo there's that too jsjsjdjs

(it is also funky af lol)

Currently watching: I'm incredibly bad at watching shows and movies ?? Dunno why??? But I watch quite a bit of booktube reviews and things and lately have been softly getting into drawing/art-related youtube videos I guess??? I watch a lot of random youtube essays too

Three Ships:

- I feel obligated to say Bree×Nick×Selwyn here from the Legendborn Cycle LOL. Any combination and/or mix of the three is fine with me, and I trust Tracy Deonn to make me cry of both happiness and heartache regardless of what ends up being the final endgame HSJSJD 😌😌

- Arlecchino×Furina from Genshin Impact, for the SOLE REASON of @draconicstella88888 's fanfic. I am completely unbiased here of course

- Larkin×William from The Legendborn Cycle. Have we had criminally few scenes of them together? Yes. Am I also a tumblr veteran, used to people shipping characters from completely different medias ? Also yes. I'm just gonna be thankful there is a GLIMMER of on-page chemistry between them before one or the other inevitably will probably meet their doom in the upcoming installments and I will stay delulu and happy until that moment arrives 😌😌 (but ofc, hopefully it doesn't lol)

Favorite color: i'm tempted to say "do you love the color of the sky?" because it's funny but also? Genuinely? Yes. But other than that, I seem to gather lavender/lilac/purple-colored things at an alarming rate it might also have to do with bts but we're gonna leave that can unopened okay lol

Currently consuming: behind the phone I'm typing this on is an unopened box of delicious-looking sushi and I am STARVING but I'm waiting for my parents to join me before I can dig in LOL 😭😭

First ship: how far back are we talking LOL? 💀💀 I'm gonna say Ten×Rose possibly? I don't think I got properly into shipping culture until my tumblr days and my superwholock era

Last movie: I rewatched 'Twilight' to get hold of a screenshot of the "this is the skin of a killer, Bella"-moment for a really silly Selwyn Kane cosplay and ngl, watching the movie now as an adult hits different in the absolute best way LOL

Currently working on: fanarts galore ! Finishing the BRICK that is 'Jonathan Strange & Mr. Norrell' (i am like 60 PAGES AWAY FROM FINALLY BEING DONE !! 😭😭 IT IS 774 PAGES LONG), about 4 different cosplays, and a story I hope to maybe grow into a proper novel one day, if I manage to treat it right hdjsjsj <3

Tags, (if you want to join!):

@draconicstella88888 @peanutbutter-nutella @chyuyuuz @nakaremfarlei @solovanmoln @sparrowandthesong @ficnoire2 @k0k0p3lli @totalpanik @knaveofpentacles

Tag game: tag nine people you’d like to know better.

Tagged by: @oneshoulderangel

Last song: At the moment, I have "Losing Your Memory" by Alan Star stuck in my head, which I suppose makes it my current song, not my last song. Hm. I get songs stuck in my head very easily, but the last one I had there for a significant amount of time was a mashup of different language versions of "Les Rois du Monde" for about a week. "Lehetsz Király", the Magyar version, is probably my favorite of them. It's worth a listen.

Currently watching: Normally, the answer would be "random mostly terrible old movies/shows" or "nothing much", but I currently have a hyperfixation on the musical Roméo et Juliette and have been watching it in multiple languages. (Thus, the song).

Three ships: This is hard. Maybe as a result of being on the ace and aro spectrums, I'm more likely to care about which characters are interacting than whether it's romantic or platonic. Here goes:

Kedivere/Bedikay. It can be romantic, platonic, or queerplatonic, but whichever way, I'm here for it. I probably spend too much time thinking about how in Cullwch and Olwen, when Cai gets mad at Arthur and marches out, Bedwyr stays behind, keeps acting like nothing's happened, and isn't the one to avenge Cai's death. The feeling of betrayal on both sides has a lot of unexplored potential. And the version where Bedivere dies and Kay fights to bring his body back safely while mortally wounded himself... And the version where Bedivere survives Camlann and Kay isn't said to fight in it, so they might be left together after their world has fallen apart...

Platonically or queerplatonically, Galahad and the Grail Heroine. I really like the tragic Grail Quest friendships, but I like theirs most, maybe because there's something weird and otherworldly about them both. I like it when characters are strange and endearing and doomed by the narrative.

Ever since reading John Matthews' retelling, which I read before the original, I've had a soft spot for Caradoc and Guinier. The Story of Caradoc is very disturbing, and I have some major qualms with Caradoc over a detail Matthews cut out, but all the same, there's a reason these two have the best track record with magical fidelity tests. Each of them would go to the ends of the earth for the other, and together, they're stronger than any curse.

Favorite Color: Blue, particularly royal blue and some teals.

Currently consuming: Black licorice with chocolate.

First ship: This is a hard one, since through elementary and most of middle school, I tended to go along with whatever I thought the author's intentions were and was more likely to unship something. The first non-endgame ship I got invested in was Sonya/Nikolai in War and Peace. I didn't like Nikolai, but Sonya did, and she was my favorite character, so I wanted her to be happy. The first non-canon couple I thought was meant to be together was also in War and Peace: Marya Bolkonskaya and Julie Karagina. My eighth grade self did not think their letters could be interpreted platonically. I still don't.

Last movie: If the musical doesn't count, the last movie I watched was Quest for Camelot, which was awful. Though not Robot Monster-level bad, Robot Monster has an elegance to its simplicity which Quest for Camelot lacks.

Currently working on: Various fics, most of them Arthuriana or CotRK-related (I am woefully behind on the Badfic Bingo), and (theoretically) an epic-style poem, though I haven't gotten much of it written for quite a while now.

Tagging: @gawrkin, @emperorcandy, @wildbasil, @gorewound, @knightsofsomethingorother, @ladyminaofcamelot, @tasosotaso, @amashelle, @gingersnaptaff (I have no idea who's been tagged so far, apart from the people on @oneshoulderangel's post, so I apologize for any multi-tags)

[pacificwaternymph]

I. ADORED. S2 of Arcane.

Final thoughts on the season below the cut

Season two was incredibly emotionally fulfilling. The climax was amazing. I loved the constant butterfly effect throughout the entire show, starting with Jayce as a child in the snow and Vi and Powder pulling off a heist leading up to all of this. All of it felt like a natural progression, so many threads of fate being woven together into one.

But there is a part of me that almost wishes they hadn't raised the stakes quite so high.

I know it's literally the namesake of the show and therefore this was probably always the plan, but there's a part of me that wishes they had left the Arcane out of it and just focused on the class war that got kind of... brushed over in Act 2?

It feels like they had to brush aside the themes of classism and oppression for the sake of making room for this bigger climax. And I think a big part of the reason I feel like this is because season 1 chose to focus so much on that part rather than the Arcane plot. So maybe I would have felt this way no matter what they did. But in their defense, they didn't forget about it entirely.

The shot with Sevika joining the council and several councilors giving her disgusted or mistrustful looks is a wonderful way to show that while they may have temporarily joined forces to defeat a bigger threat, the tensions between Piltover and Zaun are not automatically resolved. And I do like how Sevika is still the only councilor from Zaun. Everyone else is still topside. It's a good way to show that while a little progress has been made, it's only the beginning, and Sevika will likely have to fight tooth and nail for any reform.

Jinx's death... well I suppose I should have seen it coming. It was a good conclusion to her arc. But I still wish it hadn't happened. I am of the personal opinion that it didn't need to happen, and now I'm just left wondering how the hell Warwick/Vander was still alive when every other construct or whatever the hell they were had already died.

Vi... my darling. Even at the very end, couldn't catch a break. She really did lose everything. I'm glad she has Cait. I'm glad we got the sesbian lex scene. I just wish she could have ended the show genuinely happy, after having suffered so much throughout her entire life. I know for Arcane it's kind of a long shot for anyone to end up truly happy, but... I still really wanted it for her.

And on a lighter note: just when I thought I couldn't be any more attracted to Mel, the character designers decided to take that as a personal challenge.

I LOVE that they gave Mel more attention this season. The whole witch plotline and Mel having magic came kind of totally out of left field, but I still really enjoyed it. It gave Mel an actual role in this season which was less focused on internal politics, which I am glad for. It meant that she wasn't pushed to the side when the final climax came up. And I liked how her being a black rose put her in direct opposition to Ambessa, as opposed to the subtlety both of them had been employing up until that point. I liked the juxtaposition between the two of them, and I liked how she became the leader of Noxus following everything. Returning home after a long exile.

The completion of Viktor and Jayce's arc together was so fulfilling. I wasn't even sad about their deaths, I was glad that they were together, and that they could finish what they started together, just as both of them had always wanted.

I know everyone ships them but honestly I don't. I don't think their bond needs to be romantic. It transcends the need for those kind of labels. What's important isn't the exact nature of the relationship, it's the depth of it. It's the fact that their destinies, their souls have always been and always will be intertwined. And honestly the fact that they weren't explicitly romantic is almost better to me, because it defies the idea that relationships that deep always have to be romantic.

Ekko, as always, was perfect. My only complaint about him at all this season is that we didn't get more of him. I so adore him, I loved his episode in arc 3, it felt so perfect for him. To see what could have been, having just briefly everything he could ever want, and then knowing he had to leave it behind in order to keep moving forward.

And gosh, what a way of tying his time travel abilities into the story. It does make me kind of question what was going on with his fight with Jinx in season 1, if it wasn't actually time travel, though? Maybe we were just seeing another timeline, and he wasn't? Idk.

I'm so glad that at the end of the day, it was him that managed to save everyone. It wasn't perfect. He didn't bring anyone back to life. He didn't reset any timelines (which I am immensely grateful for, I would not have wanted everything that happened to be erased, it would have been such lazy writing), but he turned back time just enough to let Jayce snap out of his trance and free Viktor from the emotionless shell he'd surrounded himself with. He gave them one last moment together. And that's all they needed.

I don't know how I'm ever going to be the same after this. I am so glad for Arcane's existence.

[perseidlion]

So I am a certified Catwin shipper. I have written a series that currently sits at 90k words that is casefic but also them getting together. But I am also a multishipper and have written some Payneland stories as well.

So I was understandably quite happy to hear we would've gotten Catwin in S2 because I love the dynamic and I love Lukas Gage and his performance.

But it has made me very sad to see how some people are genuinely upset by this news. I don't think it's justified, frankly. People are doing a lot of filling in the blanks, guessing, and supposition. Just because Catwin would have happened doesn't mean Payneland wouldn't have. Also, we have no idea the context in which all of this would have gone down.

It's important to remember that The Cat King also went on a journey and changed as a person throughout season 1 (as did all the characters.) He is not the same person who slapped the bracelet on Edwin when they first met and not just because he died and was resurrected.

He's matured, settled and grown. It's very possible this arc would have continued. Even if you hated TCK in S1, you may have come to love him in S2, or at least hate him less. Redemption arcs are great fodder for stories and I have no doubt the writers and Lukas would have done that kind of arc justice.

Or maybe Edwin would have had his hot girl summer and TCK was the same old lothario. In which case, he'd definitely be no threat to Payneland endgame. This scenario would make me sad for TCK because he does seem to have genuine feelings for Edwin beyond the sexual, but that was certainly a way they could have gone with it.

My point is, we're missing a lot of context. If you were to take plot points of S1 out of context as well, it would be very hard to envision the final product.

I mean:

Niko gets infested with dandelion sprites that nearly kill her. These sprites manifest with cartoon sparkles around her head and they feed on attention. When they get out of her brain, they're tiny snarky humans she keeps in a terrarium.

Jenny gets set up by Niko with a quiet librarian who turns out to be psycho killer stalker.

People jump off a lighthouse and get swallowed up by a giant angler fish who is siren-ing them to their death. Their ghosts linger, and this annoys the ghost who mans the lighthouse so he hires the boys. Charles yeets the Night Nurse into the fish, and inside she has a talk with an oddly calm and optimistic man. Oh, also the fish is called Angie and she didn't do any of this maliciously.

My point is, this show is camp. That's part of the charm of it. Camp plotlines sound absolutely wild when you distill them to one-liners. When you add in inciting incidents, context and character interactions, these turn from wacky scenarios into full, entertaining stories.

Please don't catastrophize based on crumbs! Whether we get a S2 or not, it's really not worth getting that worked up over. We can't draw conclusions based on what we've been given. It's all guesses, and it could have changed a million times before the episodes were finished.

Also please don't get upset at Catwin shippers for being happy about this. We just wanted to see more of Lukas and George interacting. Most of us are Payneland fans, too and understand that would be the most likely endgame.

[blades-are-for-skating-ya-dingus]

Okay, am I the only one who feels like nobody got a satisfying ending to their character arc? Casts endings range from “dead” to miserable to just, content. And I’m not someone who needs everyone to have a happy ending all the time, but the only one who even came close to that is Vi and Caitlyn, and Vi is still heartbroken and mourning her sister, and Caitlyn learned essentially zero lessons other than “relationship problems can be solved with a good fuck sesh”. They never even talked about WHY they were upset with each other.

Another major problem I had was that they made Isha’s sacrifice mean absolutely nothing by 1: keeping Vander/Warwick evil and 2: “killing” Jinx. Either of those things by themselves could have worked but when you have them both together, they leave no choice but to ask the question, “what did Isha die for?” Yeah life sucks and things don’t always work out, but narratively it’s just bad storytelling.

The only character ending I felt had any standing on its own was Jayce and Viktor. They both invented hextech which caused all of this, so it made sense to me that it took both of them together in order to save everyone. Their ending worked for me.

Mel was given NO time to explore her new powers and what it means for her character, which made literally every second of screen time with her this season feel utterly wasted. Which breaks my heart cause she was so goddamn cool.

And the fact that ekko didn’t get a single word in the “epilogue” if you can even call it that feels so wrong to me considering he is the ONLY reason piltover survived.

I can’t in good faith say the arcane finale was “bad”, it just felt like nothing wrapped up in a satisfying way. Someone said that act 3 could have been its own season and I completely agree. This show just DESPERATELY needed more episodes.

[eerna]

What’s up with Vi catching so much strays this season. Jinx calling her a bad sister? The better universe HAVING HER DEAD and this is somehow the catalyst for all good things in the world? Her ending? Someone save her from the arcane writers (you could apply this sentiment to any of the zaun characters, sadly, but it felt like the writers on purpose hated her compared to everyone else)

Also me watching arc 3: this show has given up on writing. We are going to be HAWT, we are going monologue our THEMES, we are going to spell out our CHARACTER WRITING.

Seriously, I can’t imagine writing arc 3 and thinking ANY of this is good writing, and certainly can’t imagine a ROOM FULL OF PPL, all the same writers from season 1 too, thinking it’s good writing. I need to be in that writers room, I need be in the room where it happened, I got to be etc etc. And it wasn’t just not good, it was actively classist and ableist? Embarrassing!

Also they finally broke the jinx formula of traumatizing her and then putting her next to ppl who wanted to conform her to their ideal image of her just to kill her when she got her sister and friend to accept her. Sad! Also makes no sense for her to be accepted and then not fight for that but okay. Okay, arcane writers, whatever you saaaaay🙄😒

NO SERIOUSLY WHY WAS VI GETTING WRECKED THIS MUCH, both when the writers wanted her to suffer and when they were convinced they were writing happy scenes. "Catching strays" is the perfect way to put it bc she was seriously just tossed about like a chewtoy stuck in other people's stories. Can't have shit in Zaun, not even a satisfying ending

GOD YEah. They were here to be hot and monologue about who characters are bc they have to retcon all the showing they did in s1 by telling us. They will win 10 emmys for it. According to IMDB half the writing room changed between seasons, and who know what else was happening behind closed doors that ended with this disaster. Oh to be a fly on the wall during the 27 hours they were writing the "I am the dirt under your fingernails" line

[melmedarda]

Will be looking forward to hearing your thoughts about act3:) (if you want to share obvi)

Hello lovely! Okay so. Many thoughts and I have more gripes than anything.

First of all, the art was beautiful as always. Fortiche you will always be famous. I really loved episode 7. It meant everything to me, possible only bright spot in this entire show. And we couldn't even keep it. And then to see what Jayce when through, yeah I know he was right. I loved everything about Ekko's storyline in this Act, I'm just sad he didn't get to keep the happiness he got to experience.

But Mel's arc hit me the hardest. Like, she's lost everyone. Her lover, the man she saved even when she didn't know what she was capable of, accuses her??? Her mother slaps her in her face and when Mel makes a plea on Ambessa's love for her, her mother only scoffs. Sorry I'm killing everyone with my mind WHAT DO YOU MEANNNN

And then Jayce and Viktor. Sorry to everyone but Viktor has fallen greatly in my book. It really is fucking me up how its literally VIKTOR who starts this chain of events in the first place by giving Jayce the rune. Like.... Why did he not alter Jayce's future instead of his own? Perhaps because he knows himself. In every timeline his ambition drive him to the same thing. He can't trust himself because of his own selfishness. And then why does Jayce have to go and fix his mistakes? Why does he make him promise? And now Jayce is sworn to end Hextech because he views it as his duty.

Since Viktor was essentially shaping Jayce as a child, it makes me feel like Jayce is cheapened as a character. He has no agency because his every move is determined by Viktor. He's nothing but a contingency plan put in place by Viktor because Viktor's not strong enough to overcome his own fatal flaw. His entire life Jayce lived like a puppet on Viktor's strings :/ Its as through the writers just used Jayce to further Viktor's arc instead of fully realizing his own. I am not happy about what they did to my boy.

[sinfiltrate]

Act 3 spoilers

I just wanted to voice my opinions on the entirety of act 3, I will be making another post focusing on Jayce because I am disappointed with his story specifically.

Let's start with what I'm happy with!

The display of Mel's magic was amazing. All her scenes were so powerful.

CaitVi is canon! (which was predictable for obvious reasons but i'm still happy for them)

The music choice was perfect, as well as the quality of the episodes, as expected. No matter the storyline's flaws, the art style itself is undeniably gorgeous.

Maddie dies IMMEDIATELY after betraying Piltover, so I'm happy with that. Don't get me wrong, I think the season looked rushed, but the instant karma of that scene was enjoyable. It's well executed shock value.

The Caitlyn/Mel and Ambessa fight sequence was SICK. They really emphasized Ambessa's strength and battle IQ here, and while I dislike her, it was satisfying to watch.

The JayVik ending. Now, I am very conflicted with this, but I'll focus on the positive part. THIS MOMENT WAS SO TENDER!! It revealed how much Jayce truly loved and cared for Viktor, and that Viktor thought Jayce to be the only person who could ever make him acknowledge the importance of humanity. Jayce was his last and only hope, and Jayce proved Viktor right in every timeline.

Jayce defenders, we won. We got an entire episode dedicated to what Jayce and Ekko/Heimerdinger went through, and it proved that JAYCE WAS RIGHT AND HIM AND EKKO ARE OUR SAVIORS THANK YOU 🙏

Jayce looked fine asf. That is a beautiful man and I'm expecting many more edits (pretty please).

Alright, now let's get to what I'm upset about.

Jayce's wasted potential. The way I see it, they just reduced him to a pawn in Viktor's character arc, considering that his life begins and ends with Viktor. It's sweet, yes, and can be counted as a win for JayVik shippers, but I really wanted more for Jayce. And yes, I will most definitely come back to this on my Jayce-centric post.

The lack of reaction to Jinx's and Jayce's "death". I'm honestly not sure if either of them are dead (I am also somewhat in denial). Mel lost her lover, of whom brought out a softer side of herself that she didn't even know existed, and there's no reaction? Not even a scene of her finding out? The same goes for Caitlyn, since she literally saw Jayce as an older brother. Then there's Vi, who's seen completely fine with Caitlyn, and Ekko, who's having the only appropriate reaction, but even so, it's too calm. We'd have to assume that there's been another timeskip, but it couldn't have been long since the war. ALSO XIMENA, Jayce's MOTHER, she's seen putting a paper of Jayce's name to burn and honor him after his supposed death, but her expression is blank. Just simple resignation. I don't know, the lack of reaction had me questioning why I was sad.

No proper reunion scenes besides Ekko/Jinx and Mel/Jayce?????I actually liked Ekko and Jinx's reunion, but Mel and Jayce? Not even close to what I expected or wanted.

This season was rushed; that's something everyone can agree on. I think it was very focused on action rather than the complexity of these people's relationships and minds, while the first season had a balance between both. There just wasn't enough time for that balance with all the information they had to give us.

Honestly, and this is gonna sound horrible but hear me out, I would've preferred it if they had episode 6 be the last episode instead, and used the act 2 to explore Caitlyn's dictator arc and truly emphasize how long Jayce, Ekko, and Heimerdinger had been gone. I know how this sounds, but I really wanted to see more of Caitlyn and her mindset during the whole fascism plot rather than have her throw it all away three episodes later. It would've helped others understand her more, while also acknowledging how blinded she had become with anger and sadness. Also, this would've given more time for people to grow an attachment to Isha and see how she reminds Jinx of Powder!!! Just imagine it, the season closing with Jayce "killing" Viktor, no sign of Ekko or Heimerdinger, and Isha dying would have been even MORE devastating; the ultimate cliffhanger. There's no denying people would've been angry and shocked, but it would've made us want more, just like the first season did. I would be 100% willing to wait 3 or more years for the next season than have such an underwhelming ending.

Okay, I think that's it. Might add more to this post later if I come up with any other critiques, be prepared for the Jayce post because I NEED to talk about him.

[showsandstuff]

Am I the only one who is disappointed with Caitvi in season two? When I watched the first season I had the biggest caitvi brain rot because they actually gave me SUCH a fun dynamic with them. Buddy cop Caitvi was hilarious, I loved that so so much!

And season 2 started of strong imo but then it rushed through everything. I loved the scene in the cell, obviously, but it was misplaced. Your sister is about to kill herself girl what are you doing this is not the time!! And other than romantic and sexual tension there wasn't all that much left of their previous dynamic aside from the brief scene in episode six...

Idk, I think I'm just annoyed. Usually when I see a non canon gay ship get more traction than the Canon lesbian couple, I just assume it's misogyny or lesbophobia, and move on with my life. But I can't even do that here because Caitvi was WAY more popular in season 1 (as they should).

Jayvik isn't getting somewhat more popular in season 2 because people don't like lesbians, but because their arcs are connected so strongly to each other. (Also I'm not saying that Jayvik is now more popular than Caitvi, but it's like a graph where the super high stocks caitvi are still even while Jayvik is skyrocketing rn)

Wanna know why Jayvik wasn't all that popular in season 1? Because (after act 1) their arcs were mostly separate, safe for a couple of moments. Viktor worked on his body and Jayce was doing politics.

Caitlyn and Vis arcs intertwined more, they actually did shit together and it was beautiful, funny, romantic, EVERYTHING!

Also a fun opposites attract buddy cop dynamic is also just more fun than men who do science together (in my personal opinion)

Now let's look at Caitlyn and Vis relationship in season two.

It starts of strong. I momentarily thought that Caitlyn was uncharacteristically mean to Vi when she refused to become an enforcer, but she apologized for it later and I recognized the fact that Caitlyn was grieving. Then once we get to episode two and three I could already feel their relationship being a bit more odd. The kiss (though I cheered) didn't feel right. I felt like something was missing, and that was their chemistry from season one. Also I feel like we glossed over too many decisions that Caitlyn made, and I think Vi should've put a stop to it sooner. But overall I was okay with them in act 1.

Then we had a timeskip and the two were fully separated. Act 2 literally started with Caitlyn in bed with another woman, like we can see they're not together anymore. Caitlyn has obviously changed, there is not much of the sweet cupcake left that we had come to love in season 1, and Vi is boxing and getting drunk.

Then they meet and like... Vi calls Cait cupcake, and Cait switches sides IMMEDIATELY? GIRL WTF?!

I get that Caitlyn wasn't entirely on Ambessas side the entire time, but I had hoped for more drama first. So you're telling me the very next interaction the two have after their heart wrenching falling out is them making up again? Come on.

Then we had act 3 and overall it was better I think but the timing of their hot scene in the cell was just odd, like what about your sister about to kill herself? I was very happy and hyped in the moment but then I realized how rushed this was. Why? Why make em fuck right here? And in the final act, the two weren't together because again, their arcs were not as connected. And that's actually pretty cool to have a couple who do their own things! But it doesn't help their relationship when they, in turn, aren't given enough time to develop as a pair!

I feel like season 1 did this incredible job of setting these characters up, showing us why they work so well together and why they would fall for one another. And season 2 gave us pay off for it but with very little set up, which was needed because of how Cait changed throughout the season. I don't mention Vi here because she did not change. She had her drunk boxing phase, which we got nothing but a montage off, but everything else is basically season 1 Vi aside from very few things here and there. Like her becoming an enforcer wasn't a character change for Vi, her finally letting go of powder and calling her sister Jinx, wasn't a big character moment for Vi, they were pay off for a set up we didn't get enough of.

SO TO GET TO MY POINT:

S2 was rushed. We should've AT LEAST gotten 3 seasons, like minimum, because there was a whole lot of plot and very little moments in between for characterization. Especially for Caitlyn and Vi and their relationship to each other.

I still generally prefer Caitvi to Jayvik, but only because of season 1. Season 2 gave me the two things I wanted most (a sexy scene and a kiss) but forgot to give me the things that made me fall in love with this ship in the first place.

Which was the hilarious buddy cop dynamic of rich girl cop Cait, and broke butch prisoner Vi.