#and the worst part is he’s right

[the-inner-musings-of-a-worm]

how funny would it be if neil was nicky’s favorite child. anytime he and the twins go visit him, nicky always hugs neil first. at neil’s graduation, nicky ugly cries so hard aaron had to shield off anyone that thought there was something wrong. (“what the hell nicky you didn’t even cry this much when i graduated” “MY BABY BOY IS ALL GROWN UP”) nicky addressing all his invites for neil as “my favorite child”. andrew and aaron pretending not to be insanely jealous of nicky treating neil like his firstborn son

aaron about to lose his mind: like, i don’t care that you have his picture hung up on the fireplace but why

nicky, having the time of his life: he’s just so special to me

neil in the corner eating popcorn: i can’t help being the best son

[mikeslawyer]

[serpentface]

A braithuvi horse at rest under the close protection and watchful, scary, pale-eyed gaze of her herd's guardian, a dírgrahdain. Both are landraces developed within the Highlands. The ancestors of braithuvi (and other Highlands native horses) were brought overseas by the ancestors of the Hill Tribes, while the dogs were obtained from native livestock guardian landraces used by proto-Wardi tribes. Each have become distinct over their centuries of living in the Highlands, and dírgrahdain are have a particularly unique place in the cultural schema.

Braithuvi are a woolly horse breed (and one of many, wool horses are widespread, second only to camala in value for textiles) that are also somewhat specialized for milk production. Their meat is relatively poor (other horses are preferred), but they produce high yields of milk and thick, continuous growths of wool.

Horses are not as culturally significant as cattle to most in the Highlands, but are still highly valued animals that are critical to subsistence. Few plant-based textiles can be produced in the Highlands, and almost all in the region are made with braithuvi wool. They can eat a greater variety of forage than cattle, more efficiently converting energy intake from pastures into milk and wool. Their milk is considered to be the very best of all livestock, and is usually what is used to make the prized murre beverage.

Dogs have a very small specific place in the cultures of the Hill Tribes as utilitarian working animals (specifically for livestock and occasionally as home/village guardians), and rarely ever fill other functions. The practice of keeping dogs purely for companionship is virtually nonexistent (though affectionate bonds between people and their herding or household guard dogs will be fairly common), and their meat is considered worthless. Most dogs are not elevated within the cultural schema, and tend to be merely appreciated as useful, loyal animals. Livestock guardian dogs are an exception to this, and tend to be of more significant cultural import. They are animals that exist to protect the herds on which all subsistence depends, and thus have an elevated cultural status and roles in religion and folklore as uniquely protective entities.

Dírgrahdain are the key livestock guardian dogs in the region, and the only natively developed LGD. Their name means 'lion dog', both in reference to their maned appearance and their ability to fend off and even kill the largest of predators. The dogs are characterized by tall, long-legged builds, deep chests, a curly tail, thick hair (and a thicker winter coat), and a shaggy mane. Their bodies tend to be thinner and lankier than their fur coat suggests, but still well-muscled and powerful. Their coloration can vary wildly, but a black mask with a brown or reddish body like this is most typical. Unnerving, pale eyes are prized in these dogs, with the belief that they not only intimidate predators but are uniquely potent at fending off malicious spirits.

The dog's exclusive function is to protect livestock. They are used primarily for the defense of horses, which are small and very vulnerable to predators (lions, hyenas, king hyena, wild dogs, jackals, nechoi, and even eagles can be threats), though some dogs will usually be posted up with cattle herds to deter raiders.

Pups are most commonly born in the field among their herds. They will be carried in their master's coat while still nursing, but will be allowed to join their mother in her duties from the moment they are strong enough to follow. Dírgrahdain live with their herds day and night. Most will never see the inside of a home, and most seem to prefer it that way. They form close and protective bonds with their charges, and will thoroughly integrate themselves into the social fabric of the herd.

These dogs are not human-oriented, and will usually only form bonds with people that they have imprinted on as puppies (and will merely be cool and polite to those met later in life). They are highly aggressive towards strangers, and introductions must be done incrementally and with great care. This is desirable, as this trait makes them an excellent line of defense against livestock raids. Their loud, booming barks can alert of intruders from a great distance, and they can often successfully intimidate khait, causing some mounted raids to end in humiliating failure. Dírgrahdain are often killed in raids, either to fend off the attacking dog or to silence it before its master can be alerted. This is not outright dishonorable, but not something one will be commended for. Cattle raiding culture here values swiftness, stealth, and strategy- such smash and grab tactics are seen as brutish (and will often result in harsher retribution).

Like most LGDs, they primarily defend their herds by displays of aggression and power, using their loud bark, fearsome growl, and powerful bodies to chase and intimidate predators away without physical contact. Even so, it is necessary for all working dírgrahdain to be willing and able to physically confront predators when necessary. A well-trained, well-bonded dog will defend their herds with their very life, and is often effective in combat against even very large wild predators. Their dense ‘manes’ offer a degree of protection from wounds to the throat, and may be supplemented with spiked collars.

If a mother dog kills a predator, it is often customary to open the carcass and lead her puppies to feed on it. This is thought to teach the pups to be fearless against their enemies, and that they will grow up to be uniquely powerful and brave adults. Pups are given names upon reaching adult size, and ones who have consumed the flesh of predators will get unique names related to their mother's kill, or epithets as supplements to a given name (the exact details of this practice culturally varies). One might encounter dogs in the Highlands named things like Lionsbane, Hyena-killer, She Who Bites Jackals, Lion-Fed Shaggy (Lion-Fed being the honorable epithet, Shaggy being the dog's name, possibly given by a very small child)

The mere gaze of a dírgrahdain is said to fend off malicious spirits, and their thundering bark can scare away even the most dangerous of mountain devils. Their shed hair is needle felted into little dolls (usually into the form of dogs themselves) and placed into the cradles of infants and worn as charms by children to protect them from harm (both mundane and supernatural). Manes taken from dead dírgrahdain have uses among some of the Hill Tribes, and are typically only allowed to be used by their masters (unless recieved as a gift). The most prominent usages are being worn to fend off evil spirits and predators while traveling alone, and some traditions involve placing the manes around the necks or across the bellies of women in labor as a means of spiritual protection for mother and child during birth.

The Hill Tribes and Wardi both identify the same constellation along the ecliptic as a dog. In the case of the former, this stellar dog is identified as Mak-Urudain, a gigantic dírgrahdain with fur the color of flame and eyes as bright as stars, who is the eternal guardian of the Celestial Fields. He allows the souls of the worthy dead to pass into the afterlife and for esteemed ancestors to descend back to the land to guide the living, while preventing malicious spirits, devils, and the dishonored dead from entry.

One Bernike tale describes her attempting to fly into the Celestial Fields to steal the heavenly cattle who graze there. She took the form of a golden eagle, pretending to be an ancestor returning from a sojourn to the world of the living in order to get past the guardian hound. Mak-Urudain was not fooled for long, and led her on a long chase through the night sky before capturing her and hurling her out of the Celestial Fields.

She was never able to even touch the ground of the Fields (much less take any cattle), but had just enough time to take a single seed of heavenly grass in her beak. She returned to her mountain (missing most of her tail feathers and much of her pride) and planted the grass in her then-barren slopes. This is why the grass on Bernike's mountain is so tall and abundant and why cattle there grow so fat and healthy, like all cattle will in the afterlife. The howling winds heard from the mountaintops are playfully suggested to be the barks and howls of Mak-Urudain, calling down from the heavens to keep the witch grounded in the world of the living.

[egophiliac]

Have you heard of the "Crowley is Malleus' dad" theory going around? Where Prince Levan (or whatever his name is) didn't actually die and just went out to get some milk and is now known as Dire Crowley, the silly man? The implications of that theory is absolutely hilarious when you think about it

hold on, we can figure this out, we just need LISTS

PROS THAT CROWLEY IS SECRETLY REVAAN/LEVAN/LAVERNE/WHATEVER:

unspecified fae of some kind, with similar coloring to Mal

the animal masks are apparently a Briar Valley thing

has some kind of big blackmailable secret that was alluded to in episode 4, and then as far as I know never brought up again

(unless this was just Azul bullshitting, which is extremely possible)

based on Diablo, which...maybe means something?

has canonically worn Dad Shorts

CONS:

(gestures to Crowley's entire personality)

NO LISTEN Revaan was the guy they sent off on diplomatic missions and to take care of delicate political situations, and...look, I love this dweeb, but would you trust Crowley to be in charge of negotiating your war treaties

despite my brain insisting on reading his name as "Raven", Revaan's title does imply that he was also a dragon (or super into longan berries, I'm not ruling that out)

currently unclear why Lilia "my closest friend Revaan...he is no longer with us...I used to make fun of him for being kind of a priss about eating jerky..." Vanrouge has somehow not noticed or said anything

Malleus' Aloof Anime ~Aristocrat~ vibe had to come from somewhere, and by all accounts it was NOT his mom's side of the family

???:

turns into a bird in the opening, I don't know if that means anything but it's kinda cool, I guess

all that aside, if Malleus and Yuu are any indication, then the Draconias have...questionable taste in their social choices. so anything is possible!

[arthursfuckinghat]

"I was gonna say you're like a son to me.. but you're more than that."

"It ain't that complicated!"

How quickly that shoulder pat of comfort turned into a condescending one.

[kirby-the-gorb]

[brainrotcharacters]

"Not talking now, are ya?"

[vashtijoy]

"why not join me instead?" akechi's "invitation" in conf 7

People come and go on whether this question of Akechi's is genuine or not. Opinions run the gamut from "I hate him for trying to take you away from your friends" to "Akechi wants Joker to be his accomplice".

Myself, I don't think Akechi means this as a serious question, for a number of reasons. I think this question is rhetorical.

Quick summary:

Conf 7 illustrates the similarity between Joker and Akechi, and that they're both committed to the showdown between them;

Rather than being an invitation, Akechi's question again illustrates that parallel—that neither of them will give up the things that matter to them to join the other, as Joker has asked him to do;

"I'll think about it" does not count towards the third awakening—and I can prove it. Rather, Akechi can't conceive that Joker would ever abandon his friends, and uses it as an outrageous example of something Joker would never do;

Joker's loyalty not only to his principles but to his friends is something Akechi values so much that he won't let Joker sacrifice it;

Akechi is not so much offering Joker a way out in conf 7 (there is no way out) as he's confirming for his own sake that Joker is still in the game. Is this still a battle between rivals, or is it an execution?

Let's take a look.

what is akechi really asking?

[long post is long]

Look at this line. Look at the question he's posing:

Akechi いっそ君がこっちに来るってのは?⋯今の仲間を捨ててさ。 isso kimi ga kocchi ni kuru tte no wa?... ima no nakama o sutete sa Why not join me instead...? All you'd have to do is abandon the teammates you have now.

It's very easy to focus on the first half of this question and miss the second. But that second half is the important part, the sting in the tail. The Japanese is a great example of wa building suspense: "Instead, what if you come over to my side, (AND THEN WHAT, AKECHI???????)"

The sentence is left hanging, with the weight of it unspoken (since wa emphasises what comes after it); Akechi is obviously not done speaking. And indeed, when he continues, it's a doozy:

"though, of course, you'd have to dump the friends you have now." (Yes, I think "friends" is often a much better translation of nakama than "teammates", fight me; it's even often translated as "friend" in P5 itself, or indeed, awkwardly, as "teammates and friends".)

Akechi is using the same verb, suteru, that you use for tossing something in the trash; the parallel meaning, "ending a relationship", exists in Japanese too.

Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba, Haru, everything you've all gone through together and everything you've been—Akechi is suggesting you toss them aside like garbage. For him.

Now, I think part of Akechi would very much like Joker to do that. But he also knows better than to expect it. Because he knows Joker so much better than that.

Akechi has seen firsthand how loyal Joker is to his friends—remember on 1/2 how he says he investigated them all? He's seen some of the things Joker will do for them. He expects that blind faith to lead Joker to his death, much as Yaldabaoth does. But he also respects it.

This boy who's never had a friend, who's convinced himself the whole idea is stupid, is still drawn to the loyalty he sees in Joker. Even as he's preparing his own ultimate betrayal, Akechi recognises Joker's commitment to others. He understands treachery is bad, even though he himself is a traitor—just as he understands that murder is bad, and that doesn't stop him, either.

This question of whether or not Joker will betray his friends (and Akechi specifically) comes back on 2/2, of course—and in force.

so why does he ask

Akechi is not proposing that the two of them run off together. He's not asking to see what Joker will say. He doesn't impulsively make the invitation, and then run away when Joker says yes. He is, in fact, not even asking. He poses the idea of Joker abandoning all his friends as a counterexample. It's supposed to be something Joker would never consider, something he will find morally repugnant.

Which is why, if Joker says yes, Akechi is shocked, and essentially tells Joker not to make such stupid spur-of-the-moment decisions. Akechi is making a rhetorical point about what Joker is asking of him.

Remember Joker's statement that leads into Akechi's question:

Yeah. Joker either suggests that Akechi should give up everything he's doing and everything he believes in (even as Akechi confabulates about what those things really are), or he suggests, with the top option, that he's already done it.

And in return, Akechi says that Joker should join him... and throw away his friends and everything he's working for and everything he believes in, of course.

It's the second response to his question, where Joker turns him down flat, that makes it most obvious that this was what Akechi meant:

Joker それは無理だ sore wa muri da I'm not doing that. No way in hell. Akechi だろうね。 darou ne I thought as much. Akechi 分かるだろ、誰だって今の立場を簡単に捨てられやしないんだよ wakaru daro, dare datte ima no tachiba o kantan ni suterare yashinai n da yo I'm sure you understand. We all have our parts to play, and we can't simply leave those behind.

See what he's saying? ima no tachiba o kantan ni suterare yashinai—"we absolutely must not lightly set aside the positions we hold now".

Incidentally, yes, that's that same verb suteru that he used before, for casting aside or throwing away. Akechi is drawing a parallel between Joker's friends and his own goals—between the things each of them holds most dear, which neither of them will sacrifice, even to save the other. (Assuming you think Akechi would even be down to save Joker—but I do think conf 7 suggests that at this point, he might not be opposed to the possibility. It's just that it doesn't exist.)

the phone call

This parallel returns in the phone call afterwards, if you again tell him that you're rivals:

It's a little hard to tell from the localisation what Akechi is getting at, so let's take a close look:

Akechi 僕らにはお互い譲れないものがあって、そのためにも負けられない。 bokura ni wa otagai yuzurenai mono ga atte, sono tame ni mo makerarenai [lit. for both of us, these are things we cannot compromise on, and because of those things we cannot suffer losing.] Neither of us can afford to lose, because we fight in service of our principles. It's the same for both of us. Neither of us can afford to lose, because of these principles we won't concede. Akechi ⋯だからこそ、もしも君が自分を曲げたりしたら絶対に赦さないよ。 ... dakara koso, moshi mo kimi ga jibun o megetari shitara zettai ni yurusanai yo [lit. that's exactly why, if you were to warp yourself [that way], I would absolutely never let such a sin (t/n: note the kanji) pass.] And that is precisely why... I cannot allow you to change. ... And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi だって、僕が負けたくないのは『君』��んだから。 datte, boku ga maketakunai no wa "kimi" nan da kara [lit. it's you as you are now who I do not want to lose to.] As you are now, as you think now... I cannot allow you to win over me. The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

Here's my attempt at a translation again, so you can see it all together:

Akechi: It's the same for both of us. Neither of us can afford to lose, because of these things we won't concede. Akechi: ...And that's precisely why, if you betrayed yourself that way... I couldn't allow it. Akechi: The person you are now, with those principles, and that determination—that's the one I won't ever allow to beat me.

It turns out that this phone conversation, that was originally quite mystical-sounding and hard to follow (what were you trying to say, Akechi?) is quite straightforward. It ties into to his original question. "Will I join you, Joker? Well, what if you join me instead? Just throw away all your little friends for my sake? Of course you won't—because we're the same. Both of us have things we can't give up, no matter what—and if you tried to do that, I wouldn't let you, because I value you as you are...."

This parallel between the two of them is what conf 7 is about, from the text message that opens it to the phone call that concludes it:

It's the same thing again: neither of you can afford to lose, because you're fighting for your principles. The billiard table is the stage for this wider discussion.

The billiard scene, of course, is interesting for another reason—Akechi is giving Joker a chance to back out; he's testing his commitment, and perhaps hinting that he never intended to be quite where he is, either. He states at the outset that he's being indirect, that what he's saying is a metaphor—and then closes that metaphor with a very direct question: "Do you still intend to play this game?"

Akechi それでも君は、このゲームを降りる気はないの? sore demo kimi wa, kono geemu o oriru ki wa nai no? Even then... do you still intend to play this game? But despite all of that, you still won't fold, will you?

The Japanese is even more specific: Akechi asks Joker if he intends to fold—not whether he still wants to play, but whether he means to give up entirely! "This can't be what you expected, so how about it? Will you just give up? Does this mean as much to you as it does to me? Is this a game we both choose to play, or are you just a victim?"

How much of this is Akechi blowing smoke up his own ass?—casting the fact that he's about to murder the boy in front of him in a glowing, romantic light? Pretty much all of it, I'd say. He's dreamed of having a rival, someone to compete with who challenges him, but what he's got is quite a bit more than that.

Again, the rival imagery is what allows Akechi not only to accept this close relationship, but to frame it as a life-or-death contest that only one of them can win. It confirms to him that what Lavenza describes as "a truly unfair game" is actually fair. It's about making Joker's murder seem as much Joker's fault as his own.

but what happens if you say yes?

Despite all of this, you can choose to have Joker consider Akechi's "offer"—to discard Ryuji, Morgana, Ann, Yusuke, Makoto, Futaba and Haru like trash, and assist Akechi instead. It's tempting, I know.

I don't personally get the impression that Akechi likes this response, for a number of reasons. None of the three responses to his offer score confidant points, but there's something else in play: only one of these responses unlocks his third awakening.

See the F code highlighted in yellow? Only one of these three responses has it. "You're my rival" counts towards the third awakening. Rejecting him, with "I'm not doing that", does not—but more to the point, offering to be with him, with "I'll think about it", also does not!

The issue is confused because a number of us have taken option 1 (or indeed option 2, like me) and still got the third awakening on 2/2. It seems like you need some of the flagged responses, not all of them. But it remains the case that "I'll think about it" does not make Akechi more likely to have his third awakening.

What happens if you take this option?

Joker 考えておく kangaete oku I'll think about it. Akechi へえ、考えてはくれるんだ? hee, kangaete wa kureru n da? Oh? So you'll think about it, at least? What? You mean you'll consider it? Akechi ⋯でも、そういうその場限りの情はやめた方がいい。 ...demo, sou iu sono ba kagiri no jou wa yameta hou ga ii ...But I'd advise you don't say these things without their due consideration. ... Still, it would be better if you didn't trust such fleeting sentiments. Akechi 出来もしない約束はするものじゃないよ。 deki mo shinai yakusoku wa suru mono ja nai yo You shouldn't make promises that you can't keep, anyway. Don't be the sort who promises the earth and walks away.

A few grammar points:

んだ n da on a question demands an explanation; Akechi's question could almost be rendered "Why on earth would you need/want to think about it?"

そういうその場限りの情 sou iu sono ba kagiri no jou—"sentiments that only matter here and now". Essentially, "sentiments that won't last"—or that are makeshift or ad hoc; Joker is making a stupid spur-of-the-moment decision.

yes, 出来もしない約束 deki mo shinai yakusoku translates idiomatically as "promising the earth". The point is not that Joker should not promise; the point is that he shouldn't be the sort of person who promises so much—and then doesn't follow through.

Again, this confidant is all about Akechi's expectations for Joker. It's about the weird belief he has in him, like the belief he has in Shido—that Joker has principles and friends and will stand by them, that those things are important and matter, even if they're diametrically opposed to Akechi's principles and the things he wants.

The fact that they foil each other in this way is a large part of what makes Joker such a worthy opponent for Akechi. So if Joker turns around and says, sure, Akechi, I'll dump all my friends so we can make out?

Akechi does not like that. He thinks better of him!—he loses respect if Joker offers this. Even if that little line about "promising the earth" suggests that, actually, yeah, he would quite like for the two of them to run away together—if only they lived in a world where it was possible.

what about "you're my rival"?

I've discussed this line before, but let's go into it for completeness.

Joker 明智は好敵手だ akechi wa koutekishu da You're my rival. Nah, you're my worthy opponent.

Do you see that Joker names Akechi there? He doesn't just say, "we're worthy opponents", or even "you're my worthy opponent", koutekishu da yo.

No, he picks Akechi out by name, and then tells him exactly what they are to each other. Because wa builds suspense. Akechi wa... (what?! what is he?!) koutekishu da. "I can't run away with you, because I need you to be this to me instead".

And this is the line with the F-code. This is the line that, if you choose it, will build towards Akechi's third awakening—which is centred on his trust in Joker, on the fact that Joker is worthy of that trust.

And how does Akechi respond?

He's astonished. He did not expect this at all, look:

On the left, the top screenshot where he's waiting for your answer; in the centre, the moment of shock, where he's pulled away and dropped his hand and his eyes are wide; on the right, a comparative overlay just to demonstrate that he pulled back.

smiles that aren't smiles

I have a half-assed theory that you can tell when Akechi is really smiling—because the model will smile with him. If you watch, for instance, Ryuji, the model's expressions match the sprite's almost exactly. But if you watch Akechi? Nah, not so much.

Here's an example. Akechi appears to smile quite often through conf 7—but if you glance away from the sprite and textbox to the model, the model is pokerfaced. Five smile sprites on the optimal route through conf 7, and not one of them—not even "you truly are fascinating"—matches the model:

But when you pick "You're my rival"? Suddenly the model's face springs to life:

It's obvious from everything else that this moment is of deep significance to Akechi. But this little detail with the smiles suggests we can confirm it.

and what does he say?

It doesn't take long for him to pull himself together:

Akechi 同意だね、僕らにはなれ合いより対等な関係こそふさわしい。 doui da ne, bokura ni wa nareai yori taitouna kankei koso fusawashii I agree. I think a relationship of equals suits us better than being co-conspirators, anyway...

This is another one that I find unclear in the localisation, so let's have at it.

nareai suggests an illicit or unduly-close union. It suggests "being in bed together" in the business sense—cosying up, colluding, conspiring. It suggests they're working together when they shouldn't be. Jisho uses the screamingly-outdated term "common-law marriage" (what we call "living together") as an example. Essentially, it suggests they're too close—or even co-dependent, in a way that corrupts them both.

In short? Akechi's "co-conspirators", nareai, means "accomplices"—what we might call "murder boyfriends".

taitouna kankei—literally, "an equal relationship"—is a set phrase, and we know what it means. It suggests a relationship where nobody is being cheated; where everyone gets out what they put in. Where the two of them compete on equal terms.

That's a very Akechi way to look at relationships. But it's also a relationship where nobody is in charge; nobody is dominant, and everyone has self-respect. Nobody is chasing after anyone or sacrificing unduly, as either would be if they joined the other. Everyone can be who they are and say what they want. Everyone can say no.

It's the sort of relationship Akechi very notably does not have with Shido. Is it the sort of relationship he has with Joker, when the two of them are hiding so much from each other and lying so much, and there's so much, like, murder going on? Nah. But as an aspiration, as a suggestion of the sort of relationship Akechi would like them to have, alongside everything else he's told us about how he sees the two of them—as similar, as equals and opposites, as bound by their principles, as destined to fight—it's almost touching.

and what does joker think?

Akechi ⋯たとえこの先、何があろうともだ。 ...tatoe kono saki, nani ga arou tomo da ...No matter what else may change. ...No matter what might come next. Akechi それだけの事を言ったんだから、逃げないでよ? sore dake no koto o itta n da kara, nigenaide yo? In any case, what you just said carries great weight. Remember what you decided, and don't run from it. All right? [lit. don't run away just because of what [I/you] said, all right?]

I'm not sure about this. It feels like it should be referring back to Akechi's last line—"don't get cold feet and run away just because I alluded ominously to whatever's coming next, okay?". I guess it could be referring to Joker's commitment, with "You're my rival"? IDK, I'm out on this one, so I'm inclined to give the localisation the benefit of the doubt.

But it doesn't matter. Because the significance of what Joker does next doesn't change:

He nods. Akechi spends the whole confidant hinting that something ominous is coming, and that the two of them are heading to an inevitable confrontation, and Joker nods.

I don't think this is really consistent with interpretations where Joker is a meek little sheep in the interrogation room. Joker might not have chosen this, he might not have wanted it, he might have by far preferred to avoid it. He'd happily back out if Akechi would just drop the whole thing and agree to act sane. But he's committed to it. He agrees to fight.

Remember, conf 7 takes place after Joker hears the murder phone call. He knows what Akechi is. He knows what he's planning. He knows the stakes—and he agrees to play, to face Akechi down.

To quote @nardaviel, that's no sheep. That's a full-on "Phantom Thieves win again, motherfucker" smirk. Joker played Akechi's game, with everything he had—and he played to win.

[the-wreck-of-1852]

oh nothing just thinking about that period between xvii and xviii where flint wakes up alone in a cell, his partner’s blood drying on his face, and realizes with a terrible clarity that nothing will be the same ever again

[tetras-stuff]

everyone always talks about leon kennedys unnecessary ahh flips but did yall forget about RE5 Albert "I am the mastermind villain" Wesker literally throwing his glasses at chris to elbow him in the gut, like what was the point of that

[57sfinest]

calling harry a “can opener” was SUCH a good play for so many reasons i think about it every day.

in the context of his work, it makes him a tool. as many people have pointed out, including martin luiga, part of the hdb tragedy is that he simply cannot leave the force, and his superiors know that and are using it to their advantage. no matter what happens, even if harry hated every nanosecond of every bit of the work and wanted to leave, he can’t and won’t leave. they can leverage anything they want against him and then reel him back in with a facade of kindness when they “allow” him to keep his job, as long as he does what they want him to. the 41st knows he has this inexplicable talent with people and they use him for it. he’s a cop: that talent can be used in so many awful ways, to push so many different agendas. and they won’t even be his own. a can opener has no particular desire to open a can, aside from maybe the satisfaction of fulfilling a purpose. a can opener has no agency, it’s just a tool for someone else to use to get what they want. and he’s learned to be okay with being used as long as it means he gets to stay. his complacency with this system makes him guilty even if he’s also being harmed by it.

but in the context of his personal life you kind of... flip it. the people around him are going to be opened up whether they want to be or not, and it’s terrible for his relationships. it’s shown that the questions, the prying- the can-opening- it’s become inextricable from who he is as a person. it’s like he doesn’t know how else to communicate, except it’s hardly communication when you’re just ripping people open. he’s invasive as all hell, although whether he means to be is debatable. he’s the kind of person that wants to take things apart to see what makes them tick. he dissects people, but really that’s too delicate of a word for what he does; if he doesn’t get what he wants right up front, he’ll abandon all subtlety and go for brute force. if he can’t get your screws loose he’ll just smash you on the ground and pick through your pieces until he’s satisfied, and if what he did to you isn’t fixable? oh well, there are other cans to open. 

and he’ll use it for personal gain: we already know he is (was?) manipulative. once he knows how you operate, he knows how to make you keep him. he can yell or he can cry; he can threaten you or he can threaten himself; he can be completely suffocating or he can withdraw completely; he can be an incorrigible liar or brutally honest; he can present himself as a threat or a joke or a talent. he’s a chimera- that’s why he’s got this inexplicable magnetism, even when people know they shouldn’t like or trust him. fidelity of character means nothing to him. he’ll be whatever he needs to be as long as it gets him what he wants. the can-opening is just his way in.

[myimaginationplain]

do you ever think about how Ohkubo extremely casually dropped the fact that Spirit & Kami were teen parents & then proceeded to never expound upon that fact or bring it up ever again despite it explaining a whole lot about them & Maka

[girlmetalsonic]

something that is like the baseline of amys entire character to me is that shes lonely. shes clingy and physically affectionate in a way none of her friends really are, shes always getting pushed aside and left behind. yeah, she helps out people she doesnt know because shes a nice person, but also, she sees part of herself in them. she wont leave someone else behind because she knows the feeling —and more importantly, hates the feeling. if she doesnt have somebody to stand by her and be there for her, then shes going to be that person for everybody else. something something her obsession with sonic is really just like a manifestation of that desire for closeness with someone, and she thinks that romance is the only way to get that. idk... this hedgehog can have so many abandonment issues.

[big-tiddy-goth-ghoulfriend]

I wish more people understood that bodyshaming is wrong even when it's against someone you don't like.

EVEN WHEN IT'S SOMEONE OBJECTIVELY SHITTY.

Every single one of my friends is left-leaning and tries to educate themselves and just generally not be bigoted pieces of shit. But every single one of them will still resort to "fat" and "ugly" as go-to insults as soon as it's someone we all agree sucks. As if they were all waiting and holding back because The Fat Friend is here but now that we all agree [insert person of discussion here] is a bad person then it must be fine right? We're not hurting GOOD people's feelings.

Those celebrities you talk shit about will never see it. Trump won't know or care that you called him a fat orange fuck on twitter. Lizzo won't care that you only started insulting her weight once it was revealed that she abused her backup dancers. But we will. And then you'll be another person that we have to accept doesn't actually love us because of who we are but in spite of it. We'll know that you still associate attractiveness and thinness with goodness so you won't love us as much as you could as long as we don't fit those ideals. That as soon as we fuck up and upset you in some way, it's gonna be thrown in our faces because it's always lingering just under the surface when you look at us. That you're only ignoring respecting who we are as long as we 'behave'.

And you won't even know the damage you've done with your off-handed comment. Every single fat person I know has vivid memories of someone we care about saying fatphobic shit about someone else and realizing that said person's entire worldview is colored by their hatred of fat people. For y'all it's just Tuesday.

[xxplastic-cubexx]

Understandably So no one mentions charles when talking about the Logan movie and again Understandably So This Aint Bout Him however i do confess that as someone who had never seen Logan until like. a month ago when i was binging all the movies and without knowing a single thing about it aside from laura i cant lie i was in fact jumpscared by him being there. especially for at least like 3/4s of the movie

[kingly-court]

I’ve been listening to a lot of Epic and-

I can’t be the only one who keeps thinking about Eurylochus in ‘Puppeter’; insisting to leave behind a search party of men, probably between 6 and 10 men for a good search party if I’m being merciful, in a remaining crew of 43.

Like… How many hands are needed to run an old greek ship? Does anyone know? I need to figure out how wild that insistence is from a second in command who knows how many people are no doubt needed to run a ship-