#and the threat of something else

[ctimenefic]

i’m obsessed w ur mean dom george and his boy scout knots, even more so w the events of this weekend and the weird amount of flirting him and max have been doing recently!! i could totally be barking up the wrong tree with gax vibes but they have been really fun this year

Okay forgive me nonny for typing directly into the answer box, the typos will be horrendous, but I'm in a tiny french café right now and unfortunately dom george gax has seized my mind so:

Max Verstappen propping up the VIP bar at the Bellagio is not George's problem at 9.04 on Monday, when his hangover is beating a tattoo between his eyebrows that even his largest pair of sunglasses can't hide. His GPDA hours are strictly 9-5, Wednesday through Sunday. On Mondays, he gets peace, he gets quiet, he gets to order precisely one hair of the dog Bloody Mary and crunch through the celery in private.

Max orders another gin and tonic without tearing his eyes from the door, and George sighs.

He'd texted himself, last night, somewhere between the first club and the second. Assumed, naturally, that Danny's one-man tour of the US would have to hit Vegas for Max's fourth, even if he was conspicuously absent from the race itself. But when he checks now, there's still no reply.

His "G'morning" rumbles out, frightfully inarticulate, throat still whisky-burnt. Max spares him a bleary glance.

"Is it?" He sounds dopey drunk. His mouth looks sticky. George's mum loves a G&T too; she used to tuck him in at night, suddenly fond and warm and cuddly, and the smell would tickle his nose, comforting and disorienting in equal measure. It's never the gin that lingers, always the lime and the lemon. Max should switch to Hendricks, with its cucumber twist. It would suit him better.

"Are you staying here?" he asks. Max blinks, makes a nod that's half a shrug. Good enough. "Are you packed? When's your flight?"

"It's my plane," Max says mulishly, like he hasn't got at least three friends - or maybe it should be colleagues at this point - booked in for AirMax. Not George, of course. George is travelling with Toto. He's quite looking forward to it, ten hours in quiet approval, thumbing through The Times on an iPad, starting from the Sport section.

He doesn't bother pointing out the obvious, but he does allow himself a couple of disapproving tuts. It's surprising when Max's shoulders curl, slightly, a flush crawling up from under the collar of his hideous team jacket.

George checks his watch. He's got time, he supposes, to play the good Samaritan.

(When Max's red eyes flick back to the door, he thinks he might've done it anyway, his fifteen minute buffer be damned)

"Let's get you to bed, then, shall we?" It doesn't take much to haul Max upright. They're all easy enough to throw about, if you've got the strength. But he's not expecting Max to tuck into his side, nod into his shoulder and chest.

He manoeuvres them both to the lifts with minimal interruption, which is a relief. Max is more pliable than at the bar, but practically useless. He's on one of the keycard-only floors, because of course he is, four time champ and maddeningly casual about it. George has to rummage through his pockets for it; Max makes an insultingly shocked noise when George slides long fingers into the front pocket of his jeans. "Don't get excited," he scolds.

Something twitches under his fingertips. The firm hard line of the keycard is nudged into his grip.

George raises his eyebrows, tilts his chin, and turns to tap it, secure their no-stop ride through a ludicrous number of floors.

Then he spins back, and Max's inordinately large mouth is fastened to his jaw.

Detaching him takes some effort. "We are going to bed," Max argues, as George cranes his neck away.

The lifts had seemed too big before, American big, a fun house of mirrors exaggerating the gilt and gaud of it all. Now he could do with a couple of square miles more between him and the drunk determined look in Max's eye.

He's looking straight at George, but not like he's ever looked at him before. There's nothing to recognise in those eyes.

("I saw Max in the bar," he'll tell media in three days, a wry smirk on like cheap perfume. "But he didn't see me." And then he'll get the recognition he wants, surprise and a flicker of heat, quickly doused. A bit mean, to do it for the cameras. But he'll know by then, that Max likes it mean.)

"No," he says now. He fits his hand across Max's chest, between the swell of his pecs. Palm against his sternum, thumb and fingertips pressed to his collarbones. The span of it makes Max look small. His eyes have gone lidded.

"No," he says again, and presses firmly. Max is lax against the mirrored wall, mouth still open. Drunk, but neither of them are passing a sobriety test right now. George's driver is probably getting a coffee right now, checking the time. George won't make him wait. He's considerate like that.

Four floors zip by in quick succession.

"Not until I say," he tells Max, firm. Forgiving.

He steps into Max's space slowly. Makes him wait, straining against the pressure of George's hand, until he deigns to lean down and lick into that gin-sour mouth.

Max is sloppy, uncoordinated. George keeps his hand where it is but lets Max grab at his waist, his arse. He grinds like a puppy when George slips a thigh between his, but his dick's either even smaller than the paddock gossip says, or suffering from one too many doubles.

It doesn't matter. It's always been enough for George to be wanted. To grant, or withhold.

It doesn't even sting now, when they're surprised to want him. All of his victories will always be a shock.

He stops Max from straying up his jawline or down his neck. He doesn't want to spend his flight sticky, grime against the prickle of a fresh shave. Keeps it to kissing, a light nip at Max's bee-stung bottom lip when he gets pushy.

He's got one eye on the dial, though, so when the door opens on Max's floor, with its implausible colonnade, George has stepped back, just a friendly finger and thumb holding Max's chin. The blue of his irises has almost disappeared behind the black of his pupil.

"Bed," George orders, sharp, and Max stumbles out with more speed than George thinks he'd get sober. Sober Max would fight all the way down; it'd take hours to get him sweet. It'd be time well spent.

He follows at his own pace, pleased to see Max holding the door open for him, hands shoved deep into his pockets in a poor show of casualness. It's lost the second George steps inside and Max is on him again, fingers scrabbling to pull George's shirt out of his pressed slacks.

When he pushes Max off this time, he wraps his hand against the base of his throat. Squeezes, just a little.

"Shirt. Jeans. Off. Bed," he orders, clipped and quiet. Max looks delightful when they hit home, stunned and open and young. George quite badly wants to put his thumb on Max's tongue, watch him drool around it. But he's being good; he's got a plane to catch. He holds himself still for the clumsy minutes it takes Max to comply, waits until Max is flat on the bed, duvet kicked down to the foot of the bed.

Bless him, he's still soft in his boxers. But his face is enough for George to know.

Daniel had liked it too, when George had put him on his back and told him to stay still. That cocky grin wiped off his face for a long minute, brown eyes blown wide. Maybe that's their problem, Max and Danny. No one to give the orders.

He allows himself just this: a trail of fingers, up the length of Max's leg, over the meat of his thigh, the softness of his stomach. A flick against a hard nipple, and a light chuckle at the full body jerk Max makes under him.

And then, with a flourish worthy of a Vegas magician, he yanks the duvet up to Max's neck. "Sleep it off, you madman."

Max's fury is a series of choked, inarticulate noises George would relish extracting in other circumstances. Luckily, Max has not regained any of his mobility; he fights against the duvet, but George has easily enough time to tuck himself up against his waistband, hidden by the fall of his trousers, and make it to the door.

"Congratulations again," he throws back, before it closes behind him. He finds he means it.

He's on the pavement, monogrammed carry on in hand, just as his driver pulls up. He makes a note to tell Alex, with some elisions. He could use a reminder of the value of punctuality.

There's a sign on the freeway, just before the airport. "What happens in..." and so on. Somehow, he's not convinced Max will see it that way come Qatar. But-

It lingers, the sight of Max's face. Not spitting angry, or dumb with lust, the need to submit. But tired and empty and hopeful nonetheless, eyes fixed on the entrance of the bar.

Disappointed not to see you in Vegas, he texts Daniel as Toto and Susie settle in opposite him. You should make it up to me.

That, Danny replies to.

to my winner? 👅👅💦

Yes, George types. Both of us.

[lgbtlunaverse]

So I've said multipe times now (here and here) that thinking nmj is just so blinded by privilege he doesn't undertand that acting out of line gets people killed is, in my opinion, a misunderstanding of his character that ignores the part where he's, you know, actively dying the whole time and thinks that's a good thing. But that doesn't mean I don't think privilege plays no role at all in how he views the world.

Specifically, his view that death (at least premature or violent death) means something.

Death isn't always a tragedy to NMJ, but it is always meaningful. If you kill an evil dangerous person for your righteous cause, that death had meaning. There was evil in the world and now there is less of it. Similarly, if you die in the pursuit of your righteous cause, that death has meaning, because the sheer dedication you gave to it that you were willing to die for it will further that cause, and your bretheren will be invigorated by your sacrifice to fight even harder.

If a death isn't meaningful, that's an injustice and it is up to the living to give it meaning. That's what cuts so deep about his father's murder. There were no consequences, no changes, no meaning. Wen Ruohan was just going to get away with it! He fights and wins an entire war to make it mean something, to make it so that the unjust murder of Nie Mingjue's father is part of Wen Ruohan's downfall.

But this is a view he can only hold because he's the kind of person who's death will be meaningful. Most ordinary people's deaths are meaningless. Not ontologically, not inherently, but they are made meaningless because no one cares. For death to be meaningful you either have to be so powerful that anything you risk your life for will be impacted in some way. (Like, say, if you sacrifice a long life for immense martial power in a faustian bargain with a blade) Or if people with that kind of power care enough about you to do so for you. For most people, this isn't true. A starving street kid has no power to change the unfair world that put them there, even if they risk their life trying, and no one will do it for them once they die.

Nie Mingjue knows this in abstract, and of course rightfully believes it's wrong. But all that does is make it yet another righteous cause people should be willing to die for. Everyone's deaths should mean something, we'll make it so or die trying!

This is what the conflict between nieyao is about at its core. Because Jin Guangyao, fundamentally, cannot conceive of his own death as meaningful. Nie Mingjue grew up around powerful men who could change the world but refuse to do so because god forbid they risk a single hair on their perfect heads. Meng Yao, on the other hand, grew up in an environment where no one of importance would blink twice if you died. He was surrounded by meaningless death. Indeed his entire early life is defined by that lack of care.

Meng Shi dies and no one cares. Meng Yao gets thrown off a flight off stairs and no one cares. He has to be the one to do the caring, and once he's gone no one else will do it for him.

So he has to live.

Jin Guangyao eventually gets far enough that he actually does aquire the power to change some things... as long as he's alive. If he changes too much, holds on too tightly to his ideals, he'll die and it'll all be for nothing. He can't sacrifice himself for his goals because doing so would immediately render those goals unobtainable. No one will care about what he tried to do. He won't be a heroic sacrifice, he'll just be trash that finally cleaned itself up.

And well... Nie Mingjue dies, and someone makes it mean something. Makes it mean so much that the entire story of mdzs would not exist without it. Jin Guangyao dies and it doesn't mean anything. Most people are glad to be rid of him, and the few that are not don't do anything to change that.

[ahamkara-apologist]

okay disclaimer: ik that categorizing female characters as the 'mom friend/figure' is a legit disease in fandom caused by general misogynistic views of female characters, and it's something that personally greatly irritates me bc its not only awful to do, it also tends to ruin the characters its put upon. ESPECIALLY in D2, which is outstanding in its cast of strong female characters

however. in the case of Eramis, I do believe that the fact that she was a mother and is a genuinely caring, nurturing person at heart is something that is a deeply important core part of her character, as well as thematically important to the future of the Eliskni moving forward. It's important because in her case, I believe that her motherly inclinations are why, pre-Witness-whispering-through-the-Darkness, Eramis was such a successful kell- because unlike some other kells who sought a future for the Eliksni via domination, her main focus for them was to create a haven for her people that could be defended from Lightbearers. Riis-Reborn wasn't something to sniff at- it was the closest thing to an actual Eliksni city in a very long while. What got her was her trauma of the Whirlwind and her desire to destroy the Traveler to level the playing field for everyone involved- trauma that the Witness preyed upon in order to get to us. Like a parasite, seeking its secondary host. Eramis certainly is not the only Eliksni who lost her family during the Whirlwind, but I think that her specific brand of anger is closest to that of a mother lion whose cubs are in danger, and is lashing out in a furious fight-or-flight reflex at anything that she perceives as a threat. It's just that in this case, her 'cubs' were the Eliksni as a whole, and the threat she perceived before the Witness started torturing her was the Traveler.

I also think that her relationship with parenthood also makes for a very interesting character contrast to Misraaks (aka the other successful kell viewed as a source of hope for the Eliksni), and helps to set them up as antiparallels to each other. Eramis was a gentle, nurturing mother with a reverence for the Traveler who turned into the bitter, cunning warrior we see now when she lost access to her wife and children; Misraaks was a fearsome, ruthless pirate before he became a father, which gentled him and turned him towards being more pious. Eramis represents the old ways, and offers hope to the Eliksni who cannot bear to cohabitate with humanity; Misraaks represents a change in the tide, and kells the open-minded Eliksni who are willing to lay down their arms to live among the humans of Sol. Misraaks is of Light (change, forgiveness, moving forward), while Eramis is of Darkness (memory, control, looking back). They're opposites in every way except for the fact that both of them were/are amazing parents, and I'd argue that their ability to nurture and overlook others is what led to their success as kells.

Most importantly, however, is their relationship to Eido, who represents the future of the Eliksni. Misraaks was her father, and he did his best to raise her to be kind and openminded, but he also shielded her from the horrors of the past a little too well. She's outgrown that, and now that she's strong enough to handle said horrors, Eramis has been acting as a mentor to fully introduce her to the tragedy of what she lost and why elder Eliksni are so angry about it- and I don't think that she would have been receptive to Eido attempting to talk to her if it weren't for the fact that under all of her prickly armour, she's still that nurturing person at heart. It's her desire to care for others and to see a better future for her people that has kept her going despite her having no hope for herself, and it's that loving heart that has saved herself and her people from utter destruction at both our hands and Fikrul's- because if she didn't look at eido and go 'oh this child is the future of our people and i must protect her with my life', then both her and the rest of House Salvation would have been marked for death. And now here she is, continuing to care for Eido even as her father declines by telling her stories about Riis and helping her track down an apothecary to try to cure him, despite her not believing in his ways. I don't think it's entirely because she used to be a mother, but...I do think that it's playing a huge role in it.

(I also think it's personally fascinating to see how someone who used to be known for being a doting, sweet mom to her hatchlings and a caring mate to her wife can turn into someone who's a terrifying warrior on the battlefield and a cunning, politically saavy ruler, but even then, that doesn't surprise me all that much- if you've got a dearth of experience wrangling hatchlings, then being kell of a house is basically just wrangling a bunch of grown-up hatchlings. Same principles, just upped a level or two in complexity.)

[augustameretrix]

I think this one line in episode 3 sums up what didnt work for me in season 2 and that is the idea that the arcane problem is not eminently political

[aaandbackstabbed]

Goldie: When we first met, your uncle looked at me the way every woman wants to be looked.

Webby: And how’s that?

Goldie: With fear in his eyes.

[padmerrie]

sasuke&!

comfort drawing my comfort characters using a panel from my comfort manga

bookends au

[sircantus]

Same anon lol, but I need to know, WHO is investigating the murders in your mids???? (I'm assuming there's probably someone doing it? Specially with the Techno confrontation lol)

For some reason i like putting skeppy in the role, like him and techno are kinda mutual friends from highschool and Skeppy is in the police force or whatever, investigating crimes while Techno stays home watching over his brothers (since Phil got sent off to prison) and so Skeppy was there when Phil got put away (not responsible but like. He was there for support) and so he knows the vague context and also figures out later that Phil didnt actually kill anyone but took the fall for Tommy, who is still being stabby out there

So then things happen! And Techno Knows what his brothers are doing. And Skeppy comes by like “this may be hard to believe….” “Oh i know” “you what”

And perhaps some betrayal happens then. Maybe Techno almost considers killing skeppy for a second but he cant quite do that, so instead he works with wil and Tommy and they frame skeppy for the death of someone else. Maybe Badboyhalo. Those two are dating in every au i make btw

[markiafc]

it didn't hit me as hard as i was watching, but hours later, this is still the moment i keep thinking about. it's scary and the presence of this sudden, unprecedented power feels creepy ("we're dealing with a bad mofo here." + "i saw it. [...] it's the end. we're dead. we're all dead." + "the sky bleeds, the ground quakes. it's cosmic."); but it's exhilarating as well. maybe he's one of good guys, as sam says. but he's definitely not nice and dean is entirely at his mercy.

[eggcats]

not to "uwu" Alastor in any way, but it's WILD to me how many people act like him asserting dominance to Husk as a "omg he's the worst! Husk is so innocent!!! Alastor is just as bad as Valentino!!" esp when in comparison to the V's (and to Angel and Valentino)

bc like, Husk WAS ALSO AN OVERLORD. HE ALSO BOUGHT AND SOLD SOULS. HE GAMBLED THEM, WHICH IS ALMOST WORSE, BECAUSE IF I SOLD MY SOUL TO ONE PERSON I DONT WANT THEM TO JUST SELL IT TO THE NEXT HIGHEST BIDDER!

like the 2 aren't really comparable - it's heavily implied/speculated that Val in some way tricked Angel in his contract, meanwhile Husk gambled and lost and sold his soul to Alastor to keep his powers as an overlord, just without the title or souls

I'm not saying it's not a bit fucked up with Alastor's threat to Husk and Husk's fear, I get that 1000%. But sometimes I feel like Husk fans who hate Alastor forget that Husk landed HIMSELF in that position and Alastor just took advantage of it - he could have just lost everything INCLUDING his power instead

Like he says it himself, "I sold my soul to keep my power" bro knew what he was getting into - he ALSO owned people's souls the SAME as Alastor

I'm not saying Alastor is innocent, or he's secretly a good guy, or that you even need to like him - but the hypocrisy gets me here bc we don't KNOW how Husk was as an overlord, but him being an overlord doesn't make him an innocent victim in this!

[popponn]

there is something about how when anime official art gets yoichi right fashion wise it's always a comfy bf look like look at him

very fluffy. very huggable. i want to poke and pinch his cheeks. also he often has those lil blushies when he eats and for some reason it's cute. the gap moe between on field and off field is still something else to see each time i remember it. i love it ofc 💚 but it's still something else

[gabbingwaves]

Jiyan's most dire foe yet: A sapient bubble.

[mitskiplier]

hear me out guys… casual by chappell roan x brocedes edit

[transingthoseformers]

Hear me out, my idea on ROTB!Mirage who used to be a spy and Optimus calling his trauma out in a effort to help him:

Optimus: Well, I did hear that you didn't have…the kindest of mentors.

Mirage: *shrugs* Yeah, but it's whatever man. I'm not a spy anymore.

Optimus: But that same mentor would've gone to war if someone hurt you.

Mirage: silent before he turns to Optimus What're you getting at, Prime?

Optimus: My main question is, well, how's the guilt for putting yourself first?

Mirage: ...You are too fucking loud right now.

Optimus: How am I-?

Mirage: SHUT UP. I can confront that when I'm older, until then, shut your fucking mouth about what happened on Cybertron or I swear to Primus, I will blow your spike off.

Damnnnn

That's gotta hurt, because I understand that

I understand the idea of a mentor having fucked you up but still cared deeply for you

And I understand that feeling of "I will deal with that later". until later comes.

Optimus is trying, he's trying

Oh mirage

[kuppikahvia]

i love finnish slang culture so much like for example somehow we think "mielipide" (opinion) is too long of a word and just shorten it to mp (and not only just in text but out loud too), and then we just simply disregard any inflections for the next word

so instead of "[mikä on] mielipiteesi tuoleista?" ([what's your] opinion on chairs?) we would only say "mp tuolit" (opinion chairs) and i love it

[triglycercule]

uaaghhhh why do i like to torture myself like this,,,,, jk ink and swap are DONE btw i just hate having to put effort into my creations

[cheriecoke]

it takes less effort to keep your mouth shut than it does to be a horrible person, and i hope people are aware that cruelty gets you nowhere.