#and the protag was like. crazy to get out.

[jorrated]

could you be thinking of the haunting hour episode "really you"

Also skimmed (both parts) and its not it either. I remember the dolls weren't evil, just kinda creepy to younger me. Plus they were played by actual real life kids not doll props

[vic-does-battlecats]

Gonna miss them

[melon-official]

She wails as though a part of her has died.

oh man. i picked up the sidestory to @just-a-carrot's five-arc horror epic a couple days ago and i'm so glad i did. i'll probably be talking nonstop and/or drawing about it for days

there's a handful of whiteboard doodles with other characters under the cut, but rly i just wanted to pay a homage to the scene that hit me the hardest... enjoy

[tonyfinale]

second best damn fire emblem I ever played

[lavellane]

ive made my feelings on veilguard clear atp but i WILL say as a tragedy enjoyer act 3 really redeems sooooo much of it for me. esp having my rook-and-siblings worldstate bc let me tell u 3 rooks = 3 separate tragedies is DOING it for me rn. a bellaramancer a hardingmancer and a varricmancer walk into a bar. they all walk out single 😍

[texeoghea]

i keep thinking abt akechis unaddressed undiagnosed osdd swag

[bayofwolves]

I’ve been obsessed, obsessed, obsessed with Raisha for a while now. I know you’ve said little things about her in the past and i want to know what’s up with her/Gerathon if you’d be willing to talk about it.

I really like Raisha as a character, too! We know so little about her, but in my opinion, she's one of the most fascinating characters in the series. Unfortunately, she meets a sad end in A Revised History of Erdas.

All we know about Raisha post-infection is that she was present at the final battle in The Burning Tide, still under Zerif's control and in pretty bad shape. She vanishes off the grid after that, never mentioned again, not even in the concluding montage of Great Beast summoners reuniting with their fallen spirit animals. My retelling offers some closure, but not the good kind.

In my version of events, Raisha is flanking Zerif when he emerges from the ship with his Great Beasts. Zerif, in an act of cruel irony, saw fit to keep Raisha by his side even in her mindless, infected state. Shane, up in the archers' keep with Abeke, hardly recognizes the girl who helped steal Halawir months earlier. Later, she reappears to restrain Abeke when Zerif brings the defeated Redcloak forces to the Wyrm. When the Wyrm is killed and the parasites lose their power, though, Raisha collapses to the ground and doesn't get back up. The Wyrm had pushed her finite body to an extent that it couldn't recover from. Many people and animals in Zerif's army are the same; their possession eventually killed them. The Wyrm was a child playing with toys, the mechanics of which it couldn't possibly understand. Thankfully for it, its parasites could go on controlling a body in the event of an untimely death. Indeed, Stead raises the possibility that Raisha had been dead for some time, and the parasite was only animating a corpse.

Like I've said before, I didn't do this out of dislike for Raisha or anything like that. She was ultimately another victim of Zerif -- a young, lonely, impressionable girl he took advantage of -- and didn't deserve anything that happened to her. I'll always support AUs where she is alive and well. In my eyes, though, her story was always meant to end in tragedy. By the time she realized her mistake and reached for the light, it was too late.

Gerathon, after reemerging in southern Zhong and feeling the loss of her human partner, disappeared into the brush and is currently at large. She is only an adolescent cobra at the moment, hardly a threat... but the Great Beasts are growing, and Gerathon's time will inevitably come again. (I like the idea of her becoming a maneater as she slowly regains her former size and power, terrorizing the locals and gaining a place in their legends.) Who knows how she feels about losing Raisha. I expect, under the excruciating pain that may one day drive her to madness, there is a sweet sense of relief.

[cure-stars]

that's going to leave a scar.

[rotisseries]

THAT’S SO COOL????? I’m not into video games but GOD they reincarnate and are in love every time??? princess and knight??? also I’ve been wanting to say this for ages but link is sooooo gender. you get it

so. they are in love in the sense that nintendo is queerbaiting me. queerbaiting me with a "straight" couple (they are lesbians). they are not canon they kissed only in the second ever zelda game when there was only the barest story and they were nothing more than pixel sprites and they have not been canon since. and because every game is technically a different link and a different zelda, each individual game varies on how shippable they actually are? like, I'm not very far through twilight princess yet but I've heard they're pretty much just coworkers in that one. the three latest mainline games though, they're like. they're pretty much canon in all but name like you could say it's platonic but like at that point you are running on loads of denial. the three latest mainline games are skyward sword, which is the first link and zelda, the start of the cycle. the plot ENTIRELY revolves around how much link loves zelda. cause they're best friends, hyrule as a kingdom doesn't even exist yet (they live on an island in the sky) she falls to earth and is running around having to discover that she's a reincarnated goddess (that's a whole angst factor btw bc the goddess (hylia) had to fight demise and she won but knew it was temporary and knew demise would have to be defeated again, and that he would need to be defeated with the power of the triforce, which can only be wielded by humans, so she decided basically that she'd need a loyal human knight, and so she reincarnated into a human girl because a girl is loved in the way a goddess isn't and she knew someone would love a human girl enough to save her WHICH HAPPENS so basically zelda gets to have an identity crisis was she just dragging link towards this destiny the whole time? did she truly love him? did he truly love her? are they puppets in this grand plan? "I'm still your zelda" she says to him, but is she??? drives me nuts) and he, ever loyal, keeps running after her to save her again and again and again (link is so dog coded there's a great botw fic about this), and then they defeat demise and he curses them and link is just some guy who went through ALL THIS SHIT cause he LOVED zelda. what if you were in love with your best friend and it cursed you and your descendants for the rest of time this is so francesca by hozier I'd tell them put me back in it I'd go through it again if i could hold you for a minute. and then the next two mainline games are breath of the wild and tears of the kingdom and breath of the wild involves an amnesia plot so you basically watch link fall in love with zelda a second time and then in tears of the kingdom they are. common law married. they share a house. there's only one bed. do NOT get me FUCKING STARTED on the hateno house. and nintendo still plays FUCKING COY zelda's english va has to be like "they... have a really close bond...." this is how I know they're queer you wouldn't do this with straight people. and then people also ship ocarina of time (most popular and well known game of the series most praised for its story) zelink a lot but that's an older game I haven't played yet so I can't speak on them. zelda is so transmasc in that one though this I know. I talk about link being genderqueer a fair amount and everyone on this internet knows link is trans but trust. zelink is t4t

[mobofficial]

ohhh one of these days . I must queue up some anemone talk posts about kenjaku + yuji (now that the manga has sort of split itself off from them completely) / prowl (SO many thoughts. big shoutout to ollie for the meteor that killed the dinosaurs with this guy) / the constructicons (I AM MAKING THEM MINE) / DELPHI ARC. SPECIFICALLY FIRST AID. AND PHARMA

[mekatrio]

no cuz im not fucking crazy how do you read this and not lose ur fucking mindddd. like this is coming from seto, seto who has been characterized and shown to love all types of animals from cats dogs birds and deers and look into their minds and chat w them is talking for the first time about how he Dislikes an animal like that should already be 🚨🚨🚨🚨 alarms going off. and then a few passages later there you go the reason why seto, animal lover extraordinaire, cant stand cicadas is bc they remind him of his family and friends, CUZ THEYRE BOTH GONNA DIE IN THE SUMMER.....BWBHJEBFHJ

[stabby-pal]

I gotta figure out a better name for my horse story because it’s becoming progressively more obvious that calling it my Horse Story sets up some weird expectations for what actually happens in it

[tcotmc]

maybe I should write that wish fulfillment fantasy that came to me in a COVID dream. Maybe it would be good for me

[morallysuperiorlips]

10 Ways to Ensure Your Villain's Evil Monologuing Dialogue is as Unsettling as Possible!

1.) Make sure you're mixing body language with the words themselves: You can have your villain saying the most twisted shit, but if they're just standing there like a cardboard cutout, their words probably aren't going to hit as hard. Have them touch your protag. Have them toy with a weapon as if they're going to use it. Have them pace. Have them put together the blood ritual they're ranting about. Keep them moving.

2.) Have them use personal knowledge as a tool: Does your villain have some deep dark dirt on your protag? Don't let that all go in one swoop. Let them hint at it in drops before they open the dam. Maybe they use that knowledge as a bargaining tool to get an upper hand, or use it to send the trapped protag into a frenzy because they love to watch them scream.

3.) When it comes to threats, certainty is key: A threat is a threat, but there's nothing like a threat being spoken as if the villain knows it's going to happen. Whether your villain has already caught your protag, or is in the process of doing so, everything they say they want to see happen to your protag needs to come with absolute certainty. Almost as if it's a certain warning, and not just something they’re saying to be scary.

4.) Contradictions are your friend: Nothing indicates a warped villainous mind more than some juicy contradictions. Your villain might be talking about how they're going to flay your protag's hide after catching them in their dungeon, only to throw in a subtle "but, you're probably safer here with me." Find ways to toss in twisted contradictions that also underline the crazy shit they might be saying.

5.) Mess with syntax: Unsettling dialogue calls for unsettling structure. Incomplete sentences, unforeseen pauses, longwinded explanations broken up by more unforeseen pauses. Whatever it is, keep the rhythm offbeat. Don't give your reader a chance to be able to tell what's coming.

6.) Expectations? Subvert those: Your protag and even your readers might be suspecting one thing from your villain, so throw them a curveball and hit them with the complete opposite. Perhaps you've reached a point in your story where it seems like the villain might kill your protag on sight. But no, have your villain mention exactly why they aren't going to do that, and why they want to wait it out.

7.) Mix quiet confidence and loud assertion: Some might say that the silent seether is scarier, while others might agree that the sudden explosive type takes the bigger unsettling prize. In my opinion, you can really capitalize on the eeriness of villain dialogue by tapping into both. A villain that speaks on with refined confidence before very suddenly exploding, without much warning, can really power up the dread behind their words.

8.) Sometimes, ambiguity is better than being straightforward: Whether it's obvious that your villain has a lot of tricks up their sleeves--or not--leaving things to the imaginations of your protag, and subsequently, your readers is great for building dread. You can use dialogue to make it clear that they're up to something, but never make them fully disclose what that is. They might show it instead of tell it, or it might just never happen. Either way, it'll likely have everyone looking over their shoulders.

9.) There might be times where silence says everything: You might be worried about penning the correct verbiage for your villain's big evil speech, but sometimes, silence speaks wonders. When used correctly, a long pause, or a bout of silence after your protag has said their piece can build a sense of uneasiness more than them actually speaking would have.

10.) Find ways for your villain to mirror the hero: A monologuing villain is better when they're throwing your hero's values and beliefs back in their face. A hero that believes in mercy? Well, have your villain talk about how they'll make them beg for it. A hero that believes in the greater good? Have your villain talk about their idea of a greater good.

As always, GO WRITE SOMETHING TODAY! <3

[gouda-nough]

Sometimes i think about all the times in pla Ingo asks the protag what they want to do and its an actual, genuine question. Idk most of the time it feels like they kinda get dragged into doing things, if they refuse Kamado would he toss them out into the wilds? Etc.

The silent protagonist having someone outright ask them what they want drives me crazy i love it so much.

[yuri-is-online]

Hi Yuri! Have you ever considered the idea of there being an alternate version of the twst boys in Yuu’s world? Since we have no clue if it’s just another planet or an entirely separate universe, it’s theoretically possible. Poor Yuu would think they are going crazy seeing a familiar face or hearing a familiar voice in another world. Perhaps it is even painful to the point Yuu tries to avoid interacting with the boy in question. - 🦐

(Also, I am well aware of how often I’ve been sharing these thoughts. If they’re annoying you or you don’t feel up to it, I don’t want you to feel pressured to respond or anything. I’m just spitballing and posting before I forget. 👉����)

OH BOY DO I HAVE SOME THOUGHTS ON THIS!!!!! (first and foremost being that you are very much not annoying <3)

An alt version of a twst boy in Yuu's world is just so yummy. There's so much angst potential depending on what the relationship is/was. Did their boy die in some horrible accident? Is he waiting for them, anxious and terrified about where Yuu went? Does this imply that twst also has a version of Yuu somewhere out there in the world? Questions questions. I did sort of write about this idea in the tags of this yan version of the soulbound au, wherein a cursed Yuu driven insane by their curse kills their soulmate before being isekaid to Twisted Wonderland and finding a different version of him, horrified with the realization that they could kill him again... but I want to cook up some dynamics for what the dorm leaders/overblot boys could be up to in Yuu's world first sooo...

I had a hard time thinking about Riddle until I remembered he's a horse girl and cast Yuu in the role of bad boy ranch hand whose dad's got a job at the barn so they're forced to help take care of the horses and warn all the would be YA protags about the "special horse" who doesn't take orders from just anyone. Not that Riddle is the protagonist... he's more the well established rich petty bitch who looks down on the new girls and especially on you because you're never taking care of his horse in accordance with all his stupid rules. And in stereotypical horse movie fashion Riddle has a massive not so secret crush on bad boy ranch hand Yuu who just doesn't get why he keeps trying to talk to them.

There isn't much royalty left in the world, but imagine Leona as the son of some rich business magnate whose older brother got the company and left him with "nothing." Maybe Yuu works at a liquor store part time and Leona comes in to pick stuff up every once in a while. You wouldn't call him a friend, but you guys shoot the shit enough that you have a general feel for each other to the point he joins you on your breaks to keep up the talk and play chess.

I love the idea of student president council Azul. He's made for that trope. Born for it, he'd be such a terror with Jade as his VP and Floyd as well. Floyd. I can't see him really being a part of the student council but I had this idea the other day based off this instagram post I saw about this mom who sews right? Her daughter was running for class president and she made these bracelets with little shrimp on them and attached them to cards that said "Keep it shrimple! Vote for (kid's name)!" And I was struck with this vision of Yuu doing that so like. Yuu running against Azul with that campaign slogan and he's tearing his hair out over it being so popular because people like memes (the original idea had Floyd running as Yuu's vp but they both dropped out at the last minute because neither him or Yuu wanted to do the actual work lol.) I also like student council president Azul and delinquent Yuu... but that's because of Tsuredure Children ha

Kalim and Jamil are hard... but I think the same set up of rich businessman's kid and his bodyguard in training still fits. How Yuu meets them is beyond me, but if you were friends with either of them could you imagine how painful seeing the same tragedy play out in this new world would be? Jamil doomed to always be a servant and Kalim doomed to be betrayed by his best friend... that would be so painful for someone who cared deeply about either of them I could see it motivating Yuu to try and resolve things for twst Jamil and Kalim that much harder.

Ok so hear me out... Vil still wants to be an actor in your world but he doesn't have the connections to his dad and is working as a pharm tech with Yuu at your local drugstore while going to school and hunting for gigs. He mentions being interested in cosmetics and magical pharmacology in game... and he also mentions knowing nothing about his mom so like. Your world Vil ended up with his mom instead of his dad and you get to see him on the cusp of his big break as one of his number one supporters from the very start, only to get isekaid to a world where you get to see what things could have looked like. It's strange how similar and yet not both versions of Vil are...

Idia is the guy who comes in to buy snacks at your convenience store during the night shift who you start talking to when you notice him buying a game time card for something you also play. You're stupid awkward around each other at first, but it's nice to finally have someone to talk about your niche interest with once you've passed each other's sniff tests. You don't actually know him know him though... so getting sent to another world where there's another version of him makes you worried the more you learn about his backstory that maybe you should have been there for your Idia more. Is he doing ok back home? Did he think of you as a friend? You hope he isn't blaming himself for any of this...

Malleus is an old money trust fund baby whose family was absolutely royalty at some point and is still overly attached to it. He likes old buildings, cemeteries, long walks in the fog, you know all those good goth things. He's tall and socially awkward and so grateful for you, his first and best friend who he met one moonlight night he swore was a dream in his favorite abandoned building who spoke at length with him about all sorts of things he liked. So you know. More or less the same. Just without the world ending powers... I think this is another one that would be quite sad. Which version of Malleus needs Yuu more? Which one is the real one? I'd hate the idea of him being destined to always be lonely and lose the ones he loves.

As for Yuu avoiding them... I could see that. It would feel weird seeing someone you love so much only for it not to be them at all. I know that the Lovebrush Chronicles kiiiiind of deals with this??? I wish I had the patience to play through it has an appealing glasses wearing ro but it's a mobile otome :/ but still. It's a concept I promise I am totally normal about.