#and the fact that she genuinely thinks she's the victim in all this too... what is going on in that brain

[if-chaos-was-a-boy]

Hi everyone! It's me, Eden the mod of calix and a few other ocs again.

[TW. SA, strong language, read at your own discretion and risk]

After a lot of consideration, I thought it would be best to follow up with a clearer and more detailed account of the situation with the Circe Blog. I did not initially want to make this statement but I owe it to people to give my point of view, in hopes that others can understand a little more context.

Let's start from the beginning, when I was first alerted to this situation by my friend Lilly @unhinged-waterlilly on 14th of September. [She has explained more in her own post, I strongly recommend checking it out, it is tagged at the bottom of her intro]

I was still pretty confused about the finer details and decided to ask Jack about it. I expressed my concern at the switch of Odysseus from a victim of sexual assault to a rapist. They told me that it was an AU and that it wasn't canon.

And at that point of time, I did not think too much about it, I just hid my disagreements and let the conversation end.

Jack reopened the topic by telling me about a strongly worded ask they got. And after looking through it, I agreed with the overall sentiment but did not agree with the way it was delivered.

The person who wrote the ask has since apologized to Jack and made it clear that they do not agree with the way they've worded the ask.

But after watching how jack reacted to getting this criticism, I made the decision to recommend them to write the apology.

At first I wanted Jack to write it by themselves, as it was more genuine but after hearing

some of their concerns with writing apologies regarding these important and serious issues

Seeing their plans for how they would write the apology

It was clear that if I let Jack write the apology alone, it would not have been an apology. It would have been a hole filled statement which did not address key issues. It would have done harm to others and to them. And as someone who truly considered them a close friend, I didn't want to see anyone hurt.

this is the link to my apology for writing the jack’s statement

And so, l asked Jack to blurt out everything they wanted me to reword.

And it pissed me off that in all of their rants, the word sorry did not appear once.

The context did not make an appearance as well.

At that point of time I thought it was reasonable until I caught the number of times I needed to add "I'm sorry" and "Remorseful" in the apology.

Initially they wanted to delete the Circe blog immediately, but I convinced them that it should be done AFTER the

statement/apology was up, as it would only be right because it was mentioned in the apology.

I also advised them to stay off rp for a while, to let everyone breathe and they proceeded to tell me that they were addicted to p but again, because I had no context, I did not think much of it.

Maybe I should have probed further, maybe I should have asked.

But at that point, I had just written a long, long statement and I was drained, emotionally and physically. The past is the past, I will no longer keep thinkin about the what ifs and could haves of this situation.

Then came the post Jack made after me, Lilly and Skh had made our statements. His boyfriend had come online with the intention to understand the situation.

But this whole fucking post read to me like it was made with the intention to villainise our statements. And the sheer fact that I can pick up on that is concerning to me, doesn’t matter if it’s on purpose. As soon as your question post starts sounding accusatory, something is WRONG.

What's the harm in such a post? Well.

People who see that post THEN read our statements have a filter on.

Suddenly our concerns become twisted into scathing judgment.

Our opinions and thoughts get distorted to hurtful and hateful messages.

None of us. Me, Lilly or Skh said the phrase 'I hate Jack' in any of our statements.

What drove me to make this statement is to share my side of the story, so it could be valuable to anyone who needs it.

Onto my feelings and views on the situation, I was sympathetic and supportive for most of the time period of this shitshow.

But I am upset and angry that my friend Lilly needed to make a statement that she shouldn't have to make.

I am disappointed at the management of this situation by Jack

And I am sorry that this got out of hand. This situation that should and could have been resolved so so long ago got this widespread and hurtful.

I'd like to add that i do not hate Jack. I don't hate people.

I get disappointed in people. I hate ACTIONS.

Right now, I'm feeling an immense amount of burnout, hurt and stress from this situation.

This is going to be my plan of action:

I don't think I am going to be interacting or talking to Jack. At least not in the way we used to talk. My trust has been compromised and I need time.

I am going to be less active in my main for awhile. I need time.

I am open to queries or anything, just please be respectful.

have my own views and opinions about some other things that I will not disclose right now.

I am tired.

@that-girl-cupid

@goddess-of-bubblegum

@unhinged-waterlilly

@love-lightning-forethought

@iceweavercatlover / @debacleofdaemons

@chaos-pers0nified

@stephen-the-spider

@bambi-the-dummy

@emdabitchass

@i-was-never-sane

@athenas-weirdo-daughter

@divine-wine-daughter

@kaiaalwayswins

@smileyalater

@daonedaonlyskh

@bast-the-best26

@kiaradaughterofselene

@pink-koi-lovejoy

@itsyourboyezra

@hispanic-child-of-hermes

@mireya-the-awkward-extrovert

@gellyhelio

@ariathemortal

@arisdaughter

@syd-the-nerd

@steve-the-union-man

@psychicbluebirdmiracle

@madson-of-hermes-notluke

@thegroovydaughterofhestia

@the-olympus-assassin

@heraaaaaaaa

[hopeswriting]

imagine you're luce, and you're born the heir to a mafia family. you're mafia-born, and so of course also mafia-raised, and then also a donna-to-be. you're raised to be able to take on the role, to be good and capable at it, are taught to make one of your core beliefs about how the many must come before the few, because the family must always come first. you're going to be the donna, of course you must always prioritize the family above all else, it's your foremost and most important duty.

if caring about the few too comes at the price of the many, comes at the price of the family, is it even worth it? if the happiness gained from it comes at the price of a greater suffering for others, is there even any meaning to it, even if it's your happiness we're talking about? you understand, don't you?

you're not sure if you do, but you care about your family, love it, want to do right by it once you become their donna, so you nod, listen and learn.

(you don't have to be taught the pain and loss and guilt and anger and bitterness is a fair price to pay for the pain you decide has to be inflicted and the sacrifices you decide must be made, including by yourself. it's the least you could do, even.)

imagine you're luce, and the gift of foresight runs through your blood.

you would not call it a gift. you did not ask for it either. and you'll never come to see it as something wanted by you.

you can see the future, and it happened exactly as you saw it would, so of course it's exactly the way you wanted it to go. you can see the future, and it happened exactly as you saw it would, so of course you didn't care to try hard enough to change it. you saw the future before the shape of it had yet to be breathed into existence, and who's to say it didn't come into existence only because you saw it happen? you saw the future, and it happened worse than it had to for it.

you can see the future, but you still can't make it anything else than what it was always going to be. you can even make the visions happen at your will, but you still have no say on what you see or how much you see. you still can only be the witness of it before anyone else can.

it does mean double and longer the happiness sometimes, means relief and gratefulness and hope beyond words, and it'd be cruel of you to voice out loud your feelings for others to hear the many more times it means something else.

you can see the future, and it doesn't make it any kinder on you than on anyone else, does not give you any more power or control over it than anyone else, but at least you can see the future. you're given the time to make peace with it, to brace yourself for it, to bargain with it, to plead and beg and fight against it however desperately and hopelessly, even if in the end it still happens exactly as you saw it would.

(you can see the future, and it still doesn't hurt you any less than anyone else when it happens, but you don't expect anymore for anyone to hold you any less responsible for it anyway. it would be nice for someone to do it one day, but you understand.)

you can see the future, and you decide it's a kindness to both yourself and others to keep it for yourself as much as possible whenever you can.

imagine you're luce, and your family has this set of rings they've looked after and protected for as long as your family has existed. they're one set of three of the most important artifacts in the world, ones that help in safeguarding its existence and balance. they're duty, the very first one and the most important one your family was created for.

the pacifier around your mother's neck is duty too, and the most important and powerful artifact among twenty-one in safeguarding the world and its balance. it's been passed down in your family too, from mother to daughter. it's duty, but less tied to your family and much more to the blood running through your veins. it's a curse, in fact, as it demands heavy sacrifices the rings don't, and one that can only be tied to the blood running through your veins.

(your mother looks at you as if expecting some kind of reaction from you, and you can only wonder at which point you weren't supposed to see it as a given. duty and sacrifices have been one and the same for you for a long time now. is it even duty if it doesn't require any sacrifices from you?)

imagine you're luce, and your mother dies for duty. she's the donna, and so she dies for your family. she's the sky arcobaleno, and so she dies for the world. she's your mother, but she dies anyway, doesn't fight it either, even knowing she will leave you behind, even knowing she won't ever get to see what you look like all grown-up.

everywhere you look, duty stares back at you, from your mother and the pacifier around her neck, her love for your family and the life she gives up for it, her love for you and how she dies anyway while you're still only a child. duty, from your family members and how they die for you and kill for you, how they do both at your command, how their lives are in the palms of your hands and how they weigh only as much as you allow them to at a time. duty, from the knowledge your foresight gives you and the shackles tied to the blood running through your veins.

your mother's only duty while she lives too. she loves you, but she'd have had to give birth to you anyway even if she didn't. she loves you, but she still gave birth to you even knowing the kind of life you'd have to live, the kind of hands you'd inevitably end up with, the burdens she'd have to lay on your shoulders, passing them down from her own. because she loves you, she finds the resolve to raise you to be able to face all of it head-on and come out on top, but she'd have had to raise you much the same way anyway even if she didn't.

(she doesn't die for you, doesn't fight to be able to keep living with you, and this, too, is your mother surrendering to duty one last time.)

(you're so sick of it, so angry at it, so hateful and resentful against it. you're so stifled by it to the point you've stopped being able to breathe for a long time now. or you would have been if they had taught you how to face duty in this way too.

it's for the better they didn't. a silver lining, sparing you pain that isn't necessary for you to go through. everyone you turn to only teaches you how to keep holding your breath longer, and you listen and learn, obedient and dutiful as you've ever been.

you're grateful for it too. really, you are.)

everywhere you look, there's no room for you to so much as question any of it, let alone anything more. duty is commendable, something you ought to look up to and strive towards, strive to achieve. duty is the right thing to do. of course it is.

(you exhale a breath of relief that shakes you down to your very core.

thank god, it's at least the right thing to do.

you're grateful for it beyond words. really, you are.)

imagine you're luce, and before it even happens, you know the choice you'll make when climbing that mountain, when standing on top of it, when waiting for a bright light to shine down on you from above. you know the choice you'll make then, even when pregnant with your daughter.

it doesn't matter since how long you knew, be it years, months, days, hours or minutes before. all that matters is that before you can even contemplate the idea of making another choice and all its implications and possible consequences, before the thought can even come alive in your mind, you already know the choice you'll make.

(you can see the future, but just because you already saw it, it doesn't mean it's now set in stone.

you can see the future, but just because you're given the chance to fight to change it, it doesn't mean it still won't happen every bit like you saw it.

it doesn't mean it can't still happen even worse than how you first saw it happen because you fought to change it, no matter how already dreadful it originally was.)

imagine you're luce, and before it even happens, you know they'll be others with you standing on top of that mountain. you're the only one who'll know it before it happens.

(because you can see the future.

and oh, you did not ask for it.)

they're strangers, people you don't owe anything to. adults who choose to show up at the first meeting, and to show up to every following mission after that. the chosen seven, whose ambitions and prides lead them to walk the path of the seven strongest too once laid down in front of them.

you don't force their hands in making any of those choices for them. you're not responsible for any of them.

you become coworkers then, accomplices, your hands stained in blood to various extent, but now dipping in the same pool of blood as you strive towards the same goal together. you have each other's backs, learn each other's strengths and weaknesses, learn each other's personalities, likes and dislikes. you keep having to spend more time together as the missions keep coming your way.

inevitably, you come to care about them. even more damning, they come to care about you in return. enough so they'll look after your daughter even after what'll happen on top of that mountain. enough so they'll look after your granddaughter too, warmly and fondly enough she'll call one of them uncle.

you're still the only one who knows they'll stand together with you on top of that mountain, not knowing what'll happen on it like you do.

and you do care about them, you swear you do. really, you do.

(you care about them the same way your mother cared about you, and how she still raised you to have steel in you and be made of sharp edges you know how to use. you care about them the same way you care about your family, and how you still send them to their deaths as needed so the rest of your family you care about just the same can keep on living longer and safely. this is the only way you've had the chance to learn how to care and love.

duty and sacrifices have been one and the same for you for as long as you can remember. it doesn't matter at which point sacrifices came to mean love to you too.

and most of all, you love your daughter more than anything else in the world.)

imagine you're luce, and this is who you are. this is who you've been raised to be, the only way you've been given room to grow up to be. this is the life you've lived and the kind of life that has shaped you as the person you are now. this is what you've been taught and told is the best version of yourself you could have grown up to be. this is who you ended up being by what you've been taught and told are all the right choices to make.

you're still the only one who knows what is about to happen on top of that mountain. it hasn't happened yet. the fate of the world hangs on what'll happen on top of that mountain, the same world you'll have to give birth to your daughter in. the same daughter you're currently pregnant with.

now imagine you're luce, look me in the eye and tell me you'd know how to even form the thought of the possibility of there being any other choice to make. look me in the eye and tell me you wouldn't look at the only choice in front of you, and know deep in your bones it's the only right choice to make. that it is right of you to make it. because it simply has to be.

(imagine you're luce, and you're not doomed by the narrative. of course, you're not.

why would you need to be when the narrative has painstakingly shaped you all your life to become its perfect, faithful and dutiful sacrificial lamb?

and then, imagine you're luce, and you're even grateful for it, so, so very grateful it held up its end of the bargain too.

truly, you are.)

[mx-paint]

.

[bungobble-my-balls]

Never in my life have I seen more buckwild obsession than when I stumble upon posts from whatever new account that Dazai anon has made.

I want to put them in a jar and study them like a bug. Shake it around a little even to see what happens.

[ceaselesswatchersspecialboy]

Relistening to Checking Out, and I’ve always liked this scene in particular, as it is one that’s very open to interpretation.

I believe, from what I’ve seen personally at least, one or the most common interpretations is that Helen’s observation is either incorrect, or intentionally misleading, and that Jon’s response actually stems from touch aversion, or a degree of it, attributed to his trauma, particularly moments where he’s been left helpless and at the whims of others. E.g. Kidnapped by the Circus, almost killed by Daisy etc. And while I think this interpretation is both interesting and plausible, I don’t think I’ve seen much for the opposite interpretation, which is that Helen’s observation is correct.

It can be difficult to talk about Jon’s humanity sometimes, as there’s a lot of nuance and layers to cover. The fact is, Jon, especially in season five, does not completely think like a human. He is simultaneously a painfully human character such with deep compassion and guilt and self-loathing, while also being a being of immense knowledge who sees and understands the world in a different light, and in a way no one else can possibly comprehend, which has to be very isolating all things considered.

As with everything in TMA, Jon makes a choice, and his choice is to end the apocalypse, to stay with Martin, and to stay as human as he possibly can. We know from Annabelle that had she have taken Martin, who is presumably acting as one of his main anchors to humanity, Jon potentially would have snapped completely, the final push over the edge as she puts it. It has to be a difficult thing for him, to try and balance his existence when he is so fundamentally changed, and when this world naturally feels right to him, and you could argue that him snapping at the mother here is simply his instinct, being what he is.

He is The Archivist, the meant-to-be Pupil of the Eye, one of the most important beings present, and so it makes sense there’s almost an instinctive detachment from the victims. He is meant to Watch them, and Watching means no physical interaction. By touching him, the mother has broken this barrier, and so, instinctually, he reacts — with anger, notably.

I’d say it’s meant to contrast how we see him acting prior to the touch, where he seems genuinely sympathetic with the mother, and he is trying to help in what little way he can. Because before she touches him, that gap between Watched and Watcher is still firm in place, and so he can handle that.

Bearing in mind, I haven’t re-listened to the rest of season five with this, so I may have missed something.

I also think both interpretations can co-exist too, and that could be just as interesting to explore. Either way, I find that, with Jon, it’s important to consider his status in the Eyepocalypse and his nature vs his choices, although, his nature vs his choices goes for the whole series I think, as choice is such a consistent theme in TMA and in the Avatars.

[astonmartinii]

into the arms of another part two | max verstappen social media au

pairing: max verstappen x reader

part two to this !! part three

yourusername

liked by arthurleclerc, maxverstappen1 and 661,230 others

yourusername: winner winner chicken dinner !! congrats maxy i’m so proud of you always

view all comments

user1: i know charles’ head is hot right now

user2: i hope netflix are taking notes cause this tea is steaming hot

maxverstappen1: thank you baby, helps when i have the prettiest cheerleader in the world

yourusername: i am the sexiest sargent in all of the orange army

maxverstappen1: too right you are

user3: i miss when y/n was the head of the tifosi the red monochromatic fits ate so hard

user4: i need charles to pull his head out of his ass and apologise so we can reclaim her before monza

user5: do not even bring up the fact we may not have custody of her for monza

danielricciardo: leave some for the rest of us maxy

yourusername: no actually i think it’s illegal for max not to win sorry

danielricciardo: will that change if charlie apologises?

yourusername: considering that hasn’t happened and doesn’t look to be happening any time soon - no.

user6: CHARLES PLEASE DO SOMETHING

user7: he doesn’t have to do anything, she’s just bitter cause she’s always been the bridesmaid and never the bride. we ALL know she’s always loved charles and she can’t handle that she’s not the centre of his attention it’s kinda pathetic

maxverstappen1: what made you think you know any of us enough to comment something like this? what told you that you even had a right to talk about y/n like that? she’s everything you could ever wish to be and more and she will never ever deserve the things you people are saying about her. charles would be lucky to have y/n in his life platonically or romantically but it’s his loss

user8: boyf of the year right here

user9: charles take note ^^^ this is how you’re meant to defend your best friend

landonorris: i am once again asking for photo credits i’m not gonna be your personal photographer for free

maxverstappen1: i literally paid for your dinner

yourusername: you’re literally a millionaire

landonorris: i don’t care a man still likes to be wined and dined

yourusername: just to make it clear we are not looking for a third

user10: i promise i can change your mind give me a chance

f1tea

liked by user11, user12 and 2,349 others

f1tea: charles leclerc caught liking this tweet about the situation between him and y/n. seems like he won’t back down on this. what do you think?

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user13: i need this mans head on a spike i’m so serious

user14: i want to play pinball with the single marble in his head

user15: i think ferrari have genuinely caused real head rot in him cause no way he thinks this is a serve

user16: let's be real charles' biggest rivals are ferrari and himself

user17: not this man at his BIG AGE is liking shady tweets about his best friend

user18: i think it's safe to say they're not best friends any more

user19: also "biggest rival" my ass max and charles are fucking friends now so this whole narrative is complete horse shit

user20: i'm so bored of charles playing the victim bro YOU ARE THE INSTIGATOR YOU ARE THE PROBLEM

user21: the way charles is liking shit like this but max is writing whole ass essays in the comments defending her

user22: and that''s why i'll always back that she ended up with the right man

user23: max is so far in the lead in the championship i need him to take charles out for the narrative

user24: are we in high school? like seriously this is so fucking petty i cannot wait for media day this weekend

user25: he's either gonna be the funniest man in the world or he's gonna bite someones fucking head off

user26: and i'll back it either way

user27: i know y/n is about to have her revenge dress moment in the paddock someone get kym illman ready STAT.

f1wagsupdates

liked by lilymunhe, carmenmundt and 4,530 others

tagged: yourusername

f1wagsupdates: REVENGE DRESS MOMENT !!! y/n y/ln enters the paddock in monza in this stunning black dress, showing the world what a catch she is, oh and that is max holding the umbrella for her, what a gentleman.

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user28: mother came to slay i cannot even

user29: this right after max came for charles in the press conference is PERFECTION + NO RED IN MONZA !!

user30: i see lily and carmen in the likes in knew they'd be on the right side

user31: girl i don't think anyone is on charles' side

user32: yall see the stink eye from the red bull garage when charles walked past they have y/n's back LOL

user33: the red bull garage been ride or dies for max so it defo makes sense that they would extend that to y/n

user34: christian was defo waiting for a question about it in the press conference

user35: someone on twitter got a clip of him putting his arm around fred going out of the paddock and telling him to get his driver under control

user36: yall are we on the kardashians what the fuck is going on

user37: people may hate christian but he defends his driver so much that he's inserting himself in the relationship drama

user38: i don't even follow f1 but whoever this is this serving oh my

user39: this is so exhausting like i need charles to just apologise so we can get cute y/n x max x charles content

user40: torturing myself thinking about how cute that dynamic could be

f1

liked by yourusername, maxverstappen1 and 1,203,457 others

f1: max verstappen clinches his tenth win of the season at monza, joined by sergio perez and oscar piastri. home heroes charles leclerc and carlos sainz came together at turn one, awful showing for ferrari in monza

view all comments

user41: this narrative is so so poetic

user42: i feel bad for the tifosi at this point y'all get your hopes up every season

user43: charles you aimed the wrong way if you wanted to take max out

user44: the way max kissed y/n after winning god they're so cute

user45: also the way christian got everyone to move so y/n could get to the front to see max

user46: even marko looked happy about it what is going on?

user47: y'all we knew it was gonna be bad for ferrari y/n wasn't wearing red, call me superstitious but every time she's worn red charles has either won or been on the podium

user48: well that's just what he gets for not appreciating her

user49: as fernando would say KARMA

user50: someone check charles' blood pressure please

maxverstappen1

liked by christianhorner, yourusername and 1,304,662 others

tagged: yourusername

maxverstappen1: winning on and off the track, some of you can't relate.

view all comments

user51: parents omg

danielricciardo: fighting words maxy, not pulling your punches

maxverstappen1: i do my fighting on the track, not my fault people can't get past turn one to give me a real battle

danielricciardo: i need to be inside your brain

maxverstappen1: no there's images of y/n in my brain that no other man will ever see

danielricciardo: you crack me up maxy

yourusername: woah who's that fine ass piece of woman

maxverstappen1: she's taken sorry

yourusername: that's a shame, i hope that man is taking care of her

maxverstappen1: i don't believe she's got any complaints

yourusername: wow you sound like a gentleman, she's a lucky woman

maxverstappen1: believe me i am the lucky one.

yourusername: awwww maxy you're literally the sweetest person in the world

user52: if i was charles and i saw this after that race you'd have to restrain me i'm so serious

user53: i'm happy for y/n and max but i need them to stop being happy in my face

alexalbon: ur welcome for that first picture btw

yourusername: lily taught you well

alexalbon: so no thanks?

yourusername: i joke thank you very much sir albon

user54: so like all of the twitch quartet are on y/n's side? awkward.

yourusername

liked by maxverstappen1, georgerussell63, 706,835 others

tagged: charles_leclerc

yourusername: charles and i have been best friends since i knew what the word meant and it really hurts that is has gotten to this point. when charles got his first girlfriend i chalked it up to the excitement of the experience, but when he routinely got in and out of relationships and falling back on our friendship once scorned, i started to question what he really felt about our friendship. i overlooked it every time even when it made me doubt my worth and hoped our friendship meant more. however, the cycle continued and after being left stranded at a beach in a country i do not know i decided it was the end. i have reached out to you so, so many times and want nothing more than our friendship to work and so we can be life-long friends that we can tell our kids about. but i guess it's not worth that much to you and that's something i'll have to reconcile with. the only positive coming from this the fact that it pushed me to the love of my life, so thank you for that.

comments are turned off.

charles_leclerc

liked by joristrouche, pierregasly and 1,305,783 others

charles_leclerc: i've already got my trophy, sorry not sorry.

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user56: WHAT THE FUCK

user57: my brain is actually scrambled

user58: charles' must be as well cause no way he thought this was a good idea

landonorris: so this is a low blow

charles_leclerc: since when were you the reference point for morals

landonorris: damn dude, you're in the wrong but go off i guess

user59: why do i actually want to cry for y/n right now? she did this whole ass heartfelt post with no comments so people wouldn't be able to speculate and he replies with a pic of his gf's ASS

danielricciardo: not cool dude

charles_leclerc: i see you all took her side and our friendships mean fuck all

danielricciardo: kinda ironic you bring up respecting friendships

charles_leclerc: spare me the lecture

maxverstappen1: you're a child. but this is the closure she needs. cheers to being an asshole.

charles_leclerc: so you managed to get some of my sloppy seconds, you're welcome

maxverstappen1: she's not sloppy seconds and i can't believe you'd refer to her as that. but if you wanna talk sloppy seconds you can hold the 100 point gap between us in the championship. and y/n will never say this so i'll say it for her GO FUCK YOURSELF

user60: SHOTS FIRED

user61: men are so confusing

yourusername added to their story

[caption: taking some time for myself. thank you for your kind words and know i have an amazing support system around me now]

f1wagsupdates

liked by user65, user66 and 5,430 others

tagged: charles_leclerc

f1wagsupdates: charles leclerc spotted outside y/n y/ln's office with flowers this afternoon. idk at this point, any time i report on this man i lose more brain cells.

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user67: lol even wag page admins are done

f1wagsupdates: he gives me a lot of content but damn he needs to sort his head out

user68: lol this is gonna be an all time apology tour i can't wait

user69: i honestly don't want y/n to forgive him he doesn't deserve it.

user70: yeah max has proven ride or die for y/n so i know who she should stick with

user71: i need him to donate his brain to science cause in what world is a measly bouquet of flowers gonna cover all of this shit ?

user72: legit he's systematically ditched his best friend, let randomers on the internet drage her name through the mud and then liked it and then flaunted the fact that he didn't care about their friendship for everyone to see

maxverstappen1: lol nice try

user73: my petty king i love him so much

user74: i know y/n is taking a break from social media but i hope she knows how much love she's getting

user75: for real we're all on her side i hope she slammed that door in charles' face

user76: i hope that bouquet ended up in the bin

maxverstappen1 added to their story

[caption: special delivery for a special girl]

note: i know this was heavily requested so here it is!! i really like it and it's defo open for a third part if yall want charles and y/n to reconcile? thank you for reading xx

[drdemonprince]

The Barbie Movie is confused -- and it is confused on purpose, because it can't actually acknowledge the role that capitalism and white supremacy play in the patriarchal system that it wants to give itself credit for acknowledging. And so the film introduces patriarchy as a force with no agent or system behind it.

Ken, an oafish goof is able to find the concept of patriarchy and transmit it to the entirety of his society simply by learning about it and speaking about it to his fellow Kens. There is no use of force, no political organizing (notably, the Kens try to take over the political system after they have already taken hold of the culture), no real persuasion even -- simply by hearing about patriarchy the women in Barbieworld somehow become brainwashed by it.

This means we never have to really see the Kens as genuine antagonists, we can still laugh at their bizarrely crammed-together multiple dance numbers and forgive them when they, like the women, are freed of the patriarchy simply by women speaking about the fact that sexism exists. Both the origins of patriarchy and the solution to it is as simple as an individual person telling their story.

The CEOs that run Mattel in the Real World in the film are similarly cartoonish and devoid of real agency. They're even portrayed as generically interested in the idea of Barbie being inspiring to girls. The movie can't even acknowledge their profit motive, and it can't make any of the men running the company look too powerful or even too morally suspect -- but the film does still want to have Barbie encounter sexism in the real world and grapple with the harm "she" (the consumer product, and not the social forces and human beings that created her) has supposedly done.

In the Barbie Movie, patriarchy is a genie in a bottle, and no one is to blame - except maybe Barbie herself, since the movie spends a significant amount of time discussing how she is responsible for giving women unrealistic beauty standards.

And so Barbie is depicted as both sexism's victim and sexism's fault. She's dropped into a patriarchal world that the film acknowledges has a menacing, condescending quality -- but the film can't even have an underlying working theory of where this danger comes from, and who had the power to create this patriarchy in the first place, because that would require being critical of Mattel and capitalism.

And in the film, ultimately the real world with all its flaws and losses and injustices is still preferable to Barbieworld, because you get to have such depth of feeling and experience and you get a vagina, so how bad could really be? And hey, when you think about it, the Barbieworld is just an inversion of the real world, isn't it? A world with women in power is just reverse sexist, so it was justifiable for the Kens to want to take over, and what does it say that all things being equal Barbie still would prefer to leave behind her matriarchy and join the patriarchal capitalist world? That's the real world. Real world is struggle and sexism and loss and pain and capitalism and death and we must accept all of it but it's worth it..

It's not that I'm surprised the film's a clarion call for personal choice white feminism and consumer capitalism. I just expected the call to be a little more seductive or in any way coherent. I wanted to have frothy fun, and instead I was more horrified by the transparency of its manipulation than I was by even the most unsettling moments in Oppenheimer.

[visenyaism]

Heyy!! What are your thoughts on Jaeherys and Alysanne's daughters?

well when your father looks at you and only sees an incarnation of his own sister-wife because you were put on this earth for him to groom into a future child bride for his sons or summarily disposed of it is a bit of a crazymaking situation.

I think the reason Jaehaerys acted inexplicably genuinely shocked every single time one of his teenage daughters got to marrying age and someone suggested that they get married was because he thought that he was going to be the only man in their lives forever because there is something deeply wrong with him. and then their mom is arranging these crazyass matches with older men to live vicariously through them because she never got to choose a partner, so it really is just a complete and total psychosexual codependency enmeshment nightmare.

-think something had to be extremely wrong with valyrian tradwife never allowed to develop an independent identity Alyssa below the surface. because being named the golden child by responding positively to the grooming telling you to peg your brother and wanting to birth him an entire army of sons before dying at 23 definitely speaks to….something. where else do daemon‘s mommy issues come from

-Daella exists to be a victim and dies giving birth to her daughter who also exists to be a victim. sacrificial lamb parthenogenesis.

-Maegelle got out of everything else simply by being conceived with the explicit intention of being a living tithe. somehow the least crazy situation on this list. 

-I don’t know whether or not it is intentional that Saera is written exhibiting so many of the behaviors indicative of being a CSA victim. hypersexual alcoholic dysregulated fifteen year-old being held down and forced to watch her father chop her boyfriend in half by her mom‘s codependent female bodyguard is an experience you could throw the entire works of Sigmund Freud at and come up lacking. i hope lys was nice.

-Viserra being exiled for absorbing too much of the Targaryen grooming background radiation and getting falling down drunk at 15 before making a move on her brother. this just keeps happening to them. I’m sure it’s a coincidence. insane that Alysanne really felt like she was competing with her own daughter here because I know she was a #boymom with baelon and aemon.

-I think it’s interesting how no one mentions Gael ever again after she kills herself and no one seems to think of her at all given the fact that she’s daemon’s age and presumably would’ve interacted with any of the grandkids. I know it’s because textually she’s just an afterthought, but I think it would be interesting if her yellow wallpaper ass existence and the fact that she is basically a pet for her mother her entire life just sort of renders her posthumously unspeakable. no one wants to talk about what happened to her.

[iwendix]

WE'RE TIED,

WE'RE BOUNDED

request: "nsfw where we are the bride by obligation of harin and since suji arrived it caught our attention so when suji wants to recruit us to finish the pyramid game one thing leads to another or something like that". | me: well, something like that. maybe I went a little overboard with the size of the sfw part, but I hope you'll still like it!! it's actually my first time writing to request, so I'll try to be get more skilled in the future🫶🏻 |

𝘄𝗮𝗿𝗻𝗶𝗻𝗴𝘀: not proofreaded(probably misspellings, etc), smut with a plot. harin being kinda manipulative. possessive!harin, mentioning of harin's abandonment issues. fingering, rough sex, harin being mad, harin swearing, dom!harin, sub!reader, guilt bringing, guilty!reader, fingering, edging, arranged marriege(mentioned like soon to be thing), harin called reader a bitch a couple of times. y/n using, harin teasingly call reader wife/wifey.

𝗻𝗼𝘁𝗲𝘀: reader and harin have been connected since their childhood, this is something normal for the children of businessmen and you are both used to it. “You'll get married and our companies will unite, it'll be beneficial!” — that's what you always heard from your parents. though, you liked harin, really and sincerely. but when suji appeared out of nowhere with this idea of her's about destroying harin's game, you saw it as an opportunity. a mistake. you shouldn't have allowed yourself to be blinded by false hope.

you, dayeon and doah — victims of circumstances and as doah once said: “victims of your parents’ ambitions and hunger for success in business". to some extent this was true, because from the moment you were children you had to constantly spend time with harin and each other. no one cared whether you wanted it or not, the main thing was that your parents wanted it that way. doah was never delighted with this situation, but she also never resented it too much, especially openly. she is too rational to be angry about something that she can't change or control. but dayeon is a completely different matter... emotional, hot tempered and in general have absolutely no tolerance to everything that annoyed her. you and doah offen “ground” her so that she doesn’t do or say anything to harin out of emotion that would lead her to being beaten by her father. seems that in your so called friend group you were the most positive about this whole situation. of course, sometimes it made you feel depressed, like you didn't even exist as a person at all, like you only existed as just an appendage to harin. or at least, this is how your father and mother treated you. anyway, you never blamed harin for this, on the contrary, as kids you two got along very well and one even can say that you became attached to harin. maybe this is one of the reasons why you're so resigned to the fact that in the future you'll be obliged to marry her. everything went as usual: harin enjoyed her game, you sometimes spent time together and, as always, she didn't understand od felt the fact that your feelings for her were sincere, genuine and real, hat you really liked her and wasn't around only because your parents told you to be.. well, or maybe she just pretended to don't understand.

your almost calm and already familiar life has changed with the arrival of a new girl. this new girl — son suji, from the very beginning seemed somehow unusual, there was something in her that wasn't in jaeun and other students. it was something decisive, something that screamed about thw problems she can cause. when you find out about her desire to deal with the game, your first thought and instinct was to tell harin as fast as possible.i mean, she loves the game so much!... she loves this game, she finds peace in it, even though, game is leading to violence mostly. It was a difficult choice: let the game be and let harin be happy or join suji and destroy the game, but harin will be devastated. you were thinking about whether you should tell harin about suji's plan but in the end you were able to pull yourself together and keep quiet. you wanted to see harin happy, you really did, and although the game made her happy, it also destroyed her to the same extent. continuing the pyramid game harin only drowned out her pain and put it in the far corner, hiding it so deep that no one could ever reach it. but in fact, this is still the same harin, the same traumatized little girl who can't forgive people for what they did to her. you thought that if the game will end harin would have to face reality, sharply and openly, without all her so painstakingly built protective walls. it would be difficult, but you would be there for her, so it won't be that bad, right?

you tried to be careful, tried not to be suspicious and too obvious but harin is too smart and attentive not to notice your strange behavior and that you suddenly began to spend time with suji and her company. she was watching what was going on with you, she wanted to make sure exactly what you were doing, cuz accusing you of something that you were not involved in would be stupid.

one day harin called you to the principal's office. of course, even the principal herself was not there as often as harin, you, dayeon and doa were there but still. you thought that this was an ordinary meeting of your “group of friends” and when you entered the room you expected to see all three, but to your surprise only harin was here. she was sitting on the headmistress's desk, her legs crossed, and her head tilted to the side, thoughtfully. her fingers hold the cigarette, her lips wrap around the filter and she takes a puff, after a few seconds releasing a stream of smoke, making you wrinkle your nose a little from the smell of nicotine that filled the room. harin's attention switched to you when she heard the door have been opened. she looks at you up and down, as if sizing you, got up from the table and walked to the door. her shoulder brushed against yours, the door is closer. it bothered you a little but you didn't pay too much attention to it. Kharin walked again to the headmistress’s desk, leaned her elbows on it and called you closer. her eyes glare into yours and she shakes off the ashes directly onto the floor and speaks.

"how are you doing lately, wifey?" she says it indifferently, but you can't help but frown a little at her words. did she really just called you "wifey"?... this is a teasing nickname that dayeon and wooyi gave you when they first heard that yours and harin's parents were planning to get you two married. you sighed and just nodded, meaning that you're fine. harin raises an eyebrow at this and takes another drag on the cigarette, her plump, pink lips wrapped around cigarette... focus. you need to focus.

"everything's alright, you say? hm. then tell me, am I blind?"

you confused by her question but shake your head.

"then maybe I'm deaf?"

you shake your head again.

"mhm... do you think I'm stupid then?"

you're even more confused now. "no, of course i don't think so. what are you talking about, harin-ah?..."

harin takes one last drag on her cigarette before throwing it on the floor, stepping on it with the tip of her lacquered shoe and trampling cigarette. her hands rise to the collar of your shirt, first gently touching it, as if simply straightening it, and then she sharply tugs on it, pulling you towards herseld, causing you to stagger, almost falling and yelp, grabbing her shoulder to maintain your balance.

"then why do you think that I don't know what suji is planning? why do you think that I don’t know that you’re involved?" harin clicks her tongue, her hand comes up to your chin, at first just lifting it, forcing you to look into her eyes, and then squeezing it a little. "you know, I trusted you. yes, a little, but it's still more than my trust to others."

you open your mouth to speak, to explain that you didn’t do and didn’t want anything bad for her, but you are interrupted when harin squeezes your chin painfully and interrupts you. "shut up."

you fall silent, just bite the inside of your cheek, trying to distract yourself from the pain in your chin and harin's piercing gaze that digs right into your eyes.

"you know, our parents have been planning our wedding since childhood. uou never had a say in this, did you? mm, but by the way, I was kinda the initiator of this. I once said as a child that I wanted to marry you, and my grandma really took it seriously because it’s good for business. I've always thought that you're a little... more reasonable than dayeon, doa and others, that's why I chose you. i thought all this have some sense and meaning to you too. seems, I was wrong." Harin's grip on your chin weakens and her hand trails to your cheek, stroking it gently. In different situation, you would have been glad of such an affection from her, but now it felt like something empty.

"you wanted to destroy the game, right? destroy the only thing I value? and how can you do this to me, y/n? conscience doesn't gnaw you at all?"

with every word she says, you begin to feel guilt it gathers drop by drop, turning into a whole damn ocean which will overflow its shores if harin continued just a little bit longer and push just a little harder.

"silent? well, of course, of course... maybe that's why your parents don't really care about you." she shrugs as if it was the most normal thing to say. you know that when harin upset she is far from nice, so you're not surprised when she said something like that. besides, you always knew that your parents didn’t really care about you... but still, you’d be lying if you said that it didn’t upset you.

"I'm disappointed." she added, and yeah, you can see it, disappointment etched in her eyes and you can see that she is stressed too. considering her abandonment issues, the fact that you were interested in suji's plan must have hit harin harder than she lets on. suddenly harin grabs your hips and with a sharp movement turns you around, lifting you up and placing you on the principal's desk, almost pinning you to it. her fingers they found a way to the collar of your shirt, simply tearing off the top button, revealing a view of your neck. the tip of the nose touches your neck, and the tongue smoothly traces a line along your vein. she is so close that you can smell her perfume: delicate, sweet, and an admixture of such a sharp aroma of tobacco. this combination of different aroma is already familia her habds gripping your hips almost painfully, forcing you to bite your lip to keep yourself from squeeking. you know that harin is stressed and upset, she needs it. her lips leave imprints of light pink lip gloss on your neck, wet kisses placed all over your neck. her knee move between your legs, pushing your soft thighs apart, and finally her knee presses against your crotch, giving you some friction. a quiet gasp leaves you and at that moment harin nibbled on your neck and sucked on your skin, leaving red mark, which in the future will become a small bruise, she loves to leave hickeys on you, to feel control. she's a little more rough today, more harsh than usually and you understand that you really hurt her, even if you didn't mean to in the first place. harin gets rid of your shirt and pulls your skirt and panties down to your knees. she says that you are already wet, but of course, today she'll torture you a little, she'll make sure you know that she is upset with you. her gentle hands gripping your waist so tightly, that there will probably be a bruises. she pishe you more onto the table making you literally lay on it, she leans over you, her tongue extends from your neck to your collarbones, paying attention to them, and then to your chest. her lips wrap around one of your nipples, first sucking and then squeezing with her teeth and tugging it. you arch your back, the back of your head hitting the table, but you ignore it, just trying to cope with what harin is now doing to your breast. it’s a bit painful, but your nipples are hard, so this treatment aroused you too. though, harin aroused you always, no matter harsh she or gentle.

"harin..." your voice trembled, she interrupted you.

"how could you do this to me, y/n? wanted to leave me? betray for suji? no, you're mine and that's it. you're only for me... I'll keep you that way..." she sounds confident, dominant even, as if trying to clearly highlight that she is in charge now, that you don't decide anything. but there is also a little trembling in her voice, she's not only stressed but also worried too, as if she is trying to onvince herself that she is still in control of the situation and what is happening between you two.

"spread your legs" harin saud sternly and you do as she asked. she frowned. "I said spread your fucking legs!..." you feel slap on your thigh and hard grip on your ass, you squeek and winced in pain but spread your legs further, trying to please her. harin grunted annoyedly. "what a bitch... why can't you just do what I'm telling you to..." she placed her hands on your knees and pushed them appart even more. fortunately, you have been doing gymnastics since childhood and you're flexible, cuz if you didn’t have such a flexible body, you would already be writhing in pain from such a strong pressure. you're already so wet that wetness even covered the table a little. without warning, harin suddenly pushed two fingers into you all the way, you whimpered, intuitively trying to close your legs but harin give you a stern look and you know better than upset her even more, especially since you're the one who upset her so much already. her lips kiss yours deeply, her tongue insistently pushes into your mouth, and her fingers continued pumping inside you. her movements so fast and harsh, deeper with each thrust. feels like like she's going to reach your cervix if keep moving like this. harin feels that you really lack air and takes pity on you a little, interrupting the kiss and giving you a chance to breathe. her fingers curl inside you, hitting all your sensitive spots and coaxing moans out of you.

"fucking!.... take it!..." harin growled and pushed inside you even more, thrusts so deep and hard that even she herself almost breathless. her digits literally knocks whimpers and high pitched moans out of you. your eyes watering and your legs trembling because of intensity of all this. harin feels the walls of your pussy clench around her fingers, her thumb is on your clitoris, massaging it, and her thrusts do not stop. you're literally at the peak, you can almost feel the nearing release.

"don't even think I'll let you cum now. you won't cum, or I'll fuck your brains out. don't fucking make me upset, y/n."

tears run down your cheeks due to overstimulation, you clenching around harin's fingers so much that it's even getting hard for her to move.

"please... harin i can't.... I'm sorry... I won't leave you, i swear, i never ever wanted to even..." you say, trough gasps for air. harin's eyes softenes a little, as well as her grip on your thighs. her soft spot for you getting better of her. harin's lips on yours, the kiss is much more calm and gentle than last, and her thrusts slowed down, becoming more pleasant than painful. you can't take it anymore, your walls clenching around her for the last time and you feel like everything fading away, pure pleasure etching with some pain in your sore muscles. harin pulls her fingers out off your pink and puffy from her harshness pussy, her knuckles all drenched in your juices, white and slick all over. she brings then to your lips.

"such a mess you made... as always. i guess, it's just the way you are, right? just a messy little girl who don't know better than upset her future wife. clean up, and maybe I'll think about letting you speak about what you have to say. after all, you're mine, who else will ever listen to you?"

[vaultdwellerbarbie]

hcs: going on a chase (twisters)

ft. boone gabi, javi, kate, lily, scott, and tyler (addy was barely in the movie but let me know if y'all want me to write about her too - i'm totally down! just not sure if anyone is interested)

content warning for tornadoes, imminent danger

divider credit to saradika!

boone

boone is probably the most fun person to go on a chase with! he definitely has a lot of fun with what he's doing and likes to try new things, he'll always keep you entertained.

he's very energetic, so he might get a little overexcited and tease you if you get nervous during it

but, if you genuinely are in danger or terrified of the chase, he'll stop teasing and make sure that you're doing okay. his personality can come off as a bit much sometimes, but it's so clear that he cares

boone for sure gets a look in his eyes during a chase - no matter how many times he's gone on one, he's still in awe of it

also, if it's your first time going on a chase with him, he's going to go all out to impress you

and i mean all out

he's going to make sure that there are rockets and fireworks, he's going to sing and blast music, and he's going to act incredibly confident even if he feels a little bit nervous (most of his nerves are coming from the fact that he wants to impress you)

even with how overzealous he gets, you're still going to be a top priority for him. if you somehow get hurt, he's going to do everything in his power to make sure that you recover

maybe, a bit too much! he'll try to keep you out of chases for a little while over a scratch, but when you finally convince him that you're fine, he'll praise how strong and independent you are

after chases, too, if there are any people to help in a wrecked town he's going to be the one that tries to make the people smile. in turn, your spirits are going to be lifted quite a bit from sticking by his side

gabi

the first thing about gabi going on a chase is that she's for sure going to give you her hat for 'good luck'. in theory, she could buy you a hat (and probably has) but she thinks that it's better luck for you and for the case if you're wearing her hat

every time, she's going to take a moment to make sure that she places her hat atop your head and adjusts it to make sure that it's not covering your eyes

she's also somewhat protective. even though she's been around the bush with chasing, and she knows that the team is doing everything in their power to keep things as safe as possible, things can go wrong. she'll blame herself if anything happens to you, so she makes sure to do her best to keep you safe.

that can include something as simple as putting her arm in front of you, to buckling you into your harness yourself. or, it can be something like her refusing to let you go in a car without her because she's not comfortable with you being out of her sight

if you are, for whatever reason, in a different vehicle during a chase, she's going to make sure that you're safe the moment that you're away from the action.

she also hypes you up! if you make a prediction about something, she's going to make sure that everyone listens and that she supports you!

if you make a mistake, she'll comfort you and let you know that everyone on the team has done so. she's made mistakes, even tyler has made mistakes. gabi will ensure that, no matter what, you know that you did nothing wrong.

if you're right, well nobody will ever hear the end of it. she's going to make sure that you get to speak again, that everyone thanks you, even if strangers know that it was you who predicted something, she's gonna tell them too. she'll make you feel like the smartest person in the world.

she's also so sweet when helping towns and victims of tornadoes recover. somehow, around as sweet as she is with you.

if you get injured, she'll quite literally nurse you back to health. she'll insist you go to the hospital for anything worse than a bruise, but she might be even a bit more concerned for your health than you are.

bonus, she'll tease you if you hold her hand during it but secretly she very much enjoys it.

javi

having previously lost three close friends to tornado chasing, javi is often worried about you. however, his perspective is a bit different than the others.

he stayed back to collect data when he lost his friends, and that arguably saved his life. but, he also remembers how terrifying not knowing was, and he doesn't want you to feel that. so, he agrees but makes sure that you stay with him so neither of you feel that anxiety.

going on chases with javi, he makes sure that his vehicle is equipped with anything he may need to keep you safe. whether that be investing more on more secure seatbelts, making sure that the glass is as reinforced as possible, or simply keeping an eye on you.

there is always a somewhat distracting air about how he feels after a chase if it effects other people, because it's clear that he wants to do more and feels like he can't. you often end up trying to comfort him after a chase, especially because you know that he already lives with a lot of guilt.

if you get hurt, there are some issues beyond his worry that comes along with it.

scott doesn't think it's that big a deal, and gets especially upset if it gets in the way of data collection. but javi will do everything in his power to not lose any more people that he loves. he'll take any amount of heat if it means making sure that you're safe - he'd ultimately rather put his funding in danger if it means that he doesn't lose you.

when things go well, and he doesn't need any comfort, you always feel like the ending of the chases are the best part. his wide smile, his bright eyes, the way that he looks at you if indescribable, but it makes your heart feel so warm

kate

there are two versions of chase kate - pre-losing her friends kate is a totally different person to chase with. for this, i'll be focusing on post-trauma kate.

kate is protective to a fault. she really doesn't even want you going on a chase, even though you insist that you're going to be okay. ultimately, you understand why she's so apprehensive and let her find peace with the idea herself. she needs to be the one to invite you on a chase, and she ends up coming around to the idea of it after a while of contemplation.

kate will make sure that you know exactly how to stay safe. what to do if the car flips, what to do if the tornado is stronger than expected, what to do in the event of you not being able to see through the rain, or hail, or any other event that could take you by surprise.

she's incredibly thorough, but you understand why. she doesn't want to lose anyone else because of these things.

seeing her in her element is absolutely beautiful, though. you always knew that she had a gift, but you had never been able to see it up close and personal. finally being able to see it, to see the awestruck look in her eyes, makes you wish that you could go on a million chases with her.

seeing her smile afterwards, knowing that she's made a difference in some way and that you're both safe, is also a beautiful experience. her smile is like sunshine and rainbows to you, especially after witnessing a tornado first-hand.

kate being able to go on chases with you is therapeutic for her too, after she gets past the initial fear. but, if you do get hurt in some way, she's going to be incredibly worried for you. though you understood the risks, as she did, she also can't help but think back. it'll take some convincing to let you back with her on a chase, but she ultimately does end up feeling more comfortable with you close to her during a storm than away from her.

lily

like boone, lily can be a little eccentric at times. she says things that can make you laugh even during the worst situations, and she always sticks her neck out to make sure that you're safe

granted, she might be more nervous than anyone else to go on a chase with you. the first time you ask her to take you on a chase, she's going to be apprehensive. i doubt she'll even be the deciding factor, it will probably be boone or gabi who convinces her that you're going to be okay.

seeing her during chases is always fun, though. hearing her crack little jokes that make nobody but you laugh, watching her in her element, speaking so expertly about the weather, is something that makes your heart feel warm.

she's going to keep you close, too. even though she won't insist that you ride with her, she prefers it when you do. she likes to keep an eye on you, sure, but she also just loves having you physically close.

holding your hand, wrapping an arm around you, letting you rest your head on her shoulder until you see the tornado and after you're out of harms way. she likes having you close to begin with, but it gives her a bit more confidence than she otherwise would have.

also, having you on camera holding her hand when she can naturally be a little awkward in front of the camera? it relaxes her, even though you're both still on the edge of your seat because of the work that you're doing.

lily does tend to be protective - naturally - but she's a little more shy about it so she doesn't always express it. she doesn't want you to feel overwhelmed, so you often reassure her that you don't mind if she's a little protective.

in the event of you getting hurt, she'll do everything she can to make sure that you get to a medical professional and that you're tended to in the meantime. though, i think she enjoys patching you up herself sometimes.

scott

this man will tell you straight to your face that he doesn't care if you get hurt if you ask him about it, and honestly, he probably believes that he's telling the truth.

he's going to spend most of the time worried about the numbers, worried about money and absolutely nothing else. he doesn't even seem awfully invested in the weather or storms, so much as he is in the dollar signs associated with them.

when you go on a chase with him, you don't often enjoy it at first because he can come off as so emotionless and because he really doesn't seem all that bothered by the idea of you not making it back.

things change when something actually does go wrong. if a storm is stronger than usual, he's going to be a little bit on edge. he's worried about himself, sure, but he's making sure every other second that you're not hurt and that you're alive. for someone who doesn't care, he certainly comes across like he does.

if you end up injured, he's going to insist that you never go on a chase again, and will only change his mind after you've recovered. but, after that, chases are different because not only do you know that he cares if you're hurt, but he also has found out that he cares if you're hurt.

he'll become almost overbearing with how protective he is after that, but you won't be able to be upset about it. after so long of him acting like he doesn't care at all, it's nice to have concrete proof that he'd be upset if something happened to you.

he also insists that you ride with him. he doesn't trust anyone else to keep you safe after the incident, even if it happened when he was around. he isn't going to let anyone put your life in harm's way, so he insists that you're with him at all times.

tyler

tyler is so fun to go on chases with!

he seems incredibly calm about it, even though you know for a fact that he's still just as scared of tornadoes as he was the first time that he ever saw one.

if it's your first chase, he's going to feel responsible for showing you the ropes and making sure that you know what your doing. meaning: he may as well have a binder of information that he's going to present to you.

it can be hard to forget that he's so educated with how he acts sometimes, but that fun persona is barely there when he's teaching you everything about 'chase safety' and 'what's in the truck' and 'what not to touch' and 'when to get out of the vehicle' and literally everything under the sun. some of these things are just common sense, but he's touching all his bases.

when he knows that you know what you're doing, he brings you along but makes sure that his predictions are a baby tornado. something so small that he knows you're not going to be at risk.

when he eventually lets you level up to bigger tornadoes, you get to see more of his personality. he also, like boone, likes to go all out to impress you. he totally makes sure to stock up on rockets, fireworks, flares, anything that he can really think of so he can impress you and make you smile.

but that's another fun thing about him on chases, he absolutely loves making you smile. he'll say the most out of pocket stuff out of no where just because it makes you laugh.

if you get hurt, he's absolutely petrified and will volunteer to patch up your wounds even if your injury is something as small as you twisting an ankle on the way out of the truck or your knee smacking into the glove box.

[slavonicrhapsody]

What is it that you like so much regarding Eder Jori? Gonna be honest, I’m quite disappointed how much little information we get about her, granted she is the leader of a very important order. That being said, arguably one of the best themes in the ost.

honest to god it’s genuinely not even about the lore I just walked into that boss fight and saw a funny little creature casting spells and waving her little arms ringing the little bell around her neck and summoning her entire girl gang to obliterate me in increasingly hilarious ways. how could I not be charmed by that. jori sweep

ok but genuinely the lore of the inquisitor hags is super interesting and underdiscussed? I think it’s interesting that the Hornsent inquisitors are implied to be an all-female order:

and with that last sentence about how seniority is viewed as an asset to the inquisition, I think that means Jori is called the “Elder Inquisitor” because she’s literally the oldest one and that makes her the one in charge!

also, every time I’ve seen people talk about the crimes of the Hornsent, there’s surprisingly little discussion of the inquisition’s cruelty towards Midra and his followers? the implication is that the inquisitors targeted them for their supposed worship of the frenzied flame, which is forbidden to the Hornsent (for good reason)… but I think the horrors that the inquisition brought upon Midra’s Manse only strengthened the frenzied flame’s presence, since it seems to feed on suffering? the inquisition’s execution methods are particularly gruesome:

“Golden greatsword that once pierced the body of Midra, master of the manse. Used by the hornsent in the execution of a damnation like no other. The barbs that pierce the victim from within wind gently around the blade.” (Greatsword of Damnation)

“Greatstaff of Jori, elder inquisitor. The tip bristles with golden barbs symbolic of the inquisition's torture, allowing one to wield the staff as a greatspear.” (Barbed Staff-Spear)

“The arc resembles the barb, a known symbol of coercive questioning.” (Giant Golden Arc)

you can also see a bunch of people executed by golden barbs positioned in front of the Manse, as if they’re serving as an example:

but again, I think the inquisition’s cruelty towards Midra massively backfired on them because there’s a ton of inquisitors wandering around the Abyssal Woods and the Manse itself who have succumbed to the frenzied flame and are now casting frenzy incantations. I think Jori is guarding the entrance to the Abyssal Woods because she knows that the inquisition made a HUGE mistake contributing to the frenzied flame being unleashed, and she’s trying to contain it… and I think she has to summon the girl gang as spirits because she basically lost all her inquisitors down there to the frenzied flame and has no one left to help her. there’s also a lot of emphasis on the fact that the Hornsent inquisitors are targeting other Hornsent here:

“I beg you stop. Haven't I taken enough? Are we not brethren, common in our line? And yet, you offer only cruelty... I ask; what crime did great Midra commit?” (Manse Spirit NPC)

“A glove stitched together from the flayed skin of the victims of a butcherous bloodbath. Afflicts target with madness. Raises attack power when madness is triggered in the vicinity. Forged of an unyielding, black impulse toward revenge fostered in those who were hunted down as heretics by their own brethren, these are the weapons of the utterly downtrodden.” (Madding Hand)

so it’s a pretty important point that the inquisition’s cruelty is being inflicted on their own population… it wasn’t just people like the shamans who suffered at the hands of the Hornsent elites, it was their own people too!

basically this adorable creature has blood on her hands. she is a deeply sick and twisted individual

and yeah the boss music is pretty good too!

[toriangeli]

Weirdly as an Armand stan, I feel like Armand should have been...worse.

Maybe worse/better isn't putting it right.

He should have been scarier.

The Armand I think of as the "real" Armand is the one we got in 2.05. So I know they know he's like that. It isn't exactly that he's evil, but when he hurts, when he's frightened, when he's cornered, he becomes something wild and vicious. Even when he's calm, there's a cold ruthlessness to him when dealing with people he doesn't care about.

So what the fuck is up with this wishy-washy betrayal?

The narrative as displayed on the show:

-Armand realizes he and Louis don't share values, so they need to break up. -The coven confronts Armand with the trial script and give him an ultimatum (disputed in fandom, never contradicted on the show). -Armand chooses loyalty to the coven and directs the play, bowing to their wishes. There are people who overestimate the role of a director and assume this means he engineered the entire thing, but see the problems in the next section below. -The tribunal is going to kill both Claudia and Louis. -The tribunal just kills Claudia. Lestat saves Louis. -Armand is demoted and punished (confirmed by Assad). -Armand, perhaps because of guilt, rescues Louis from the wall and urges him to leave Paris. -Armand makes the split-second decision to lie about saving Louis at the trial. This ends up saving his life. He lets Louis kill everyone in the coven (presumably because he's gotten a good look at how fickle they are toward him). -Louis chooses to continue their romance to spite Lestat, who keeps Armand's secret. -Daniel exposes the fact that Armand was free to choose Louis the entire time, that he was never in danger, and he chose the coven instead.

Things that have been said by Assad that contradict this version of events:

-Claudia "had to go" because she was in the way of what Armand wanted. Thing is, Armand wanted Louis, and he was going to let Louis die, so this makes no sense. -Armand "engineered" the "deaths" of Claudia and Louis both. No motive is presented to us. Moreover, there's genuinely nothing in the show that suggests this as opposed to Armand being strong-armed by a coven he lost control over. That version of events is never contradicted in the show.

And here's the thing: if I had my way, Armand would be the force behind it all, because having him fold to his own coven makes him the very opposite of scary. He'd never do it in the books. FFS, in the books, he slaughtered more than half of his last coven in a fit of madness (and I am convinced it's one of the things he blatantly lied about in 2.03). But to see what's actually presented on the show and to hear Rolin talk, they were deeply concerned with him remaining as empathetic as possible, so it looks to me like they did that by simply making him (/plays guitar) ANEMIC ROYALTYYYYY instead of a wild little gremlin. Instead of being empathetic, he's just pathetic. Instead of making the connection between Armand's history and his present behavior, the average viewer says, "That's just how he is. He lies about everything. Who knows why. He doesn't need a reason."

I can't help but feel this season should have ended with the average viewer saying "Oh he's crazy crazy." Which they kind of said of 2.05, but by the time 2.08 rolls around, they've sort of forgotten that side of him (which isn't a side, really, it's what lies beneath the mask).

And I mean, Armand in the books is definitely prone to bouts of self-pity. That's how people react when their trauma goes unvalidated. It's not playing the victim, either, he really does feel that way.

Maybe they're counting on next season to give context to both Lestat and Armand? It would make sense for Lestat to be the one to give real perspective on Armand, because Louis doesn't really know him and Armand himself is too guarded to be forthcoming. Lestat has seen Armand at his worst, but, at least in the books, he has a crippling amount of compassion for him as well.

I just...I need the gremlin. I need him to be terrifying, because only then can he turn around and be weird. He's endearing in DM because people looked at the "uncomprehending villain" of the last two books and saw him stuffing packs of cigarettes down the garbage disposal, laughing till he cried at movies, and quizzing Daniel about why war happens because he's never understood all that shit. That last was the moment I fell for him. He understands the vampiric instinct to kill, but humans don't have that. Humans just kill and maim each other anyway. The vampire who caused so much destruction asking, "What is the physical need to destroy?"

The innocence hidden beneath the cruelty and violence.

The writers know that innocence exists, but the innocence means very little if he isn't legitimately cruel and violent. If he doesn't make hard choices in the name of survival when the issue at hand isn't a matter of survival. If people don't suffer because he thinks suffering is what everyone does all the time anyway.

They know the cruelty exists, because they showed it in 2.05. They know exactly how to write an Armand who isn't pretending to be normal.

I just worry they've undermined what makes Armand so special as a character in their quest to keep him empathetic.

[gfmima]

category : 米哈游 原神 work title : he finally gets a taste of his own medicine!

it was foreseeable, you were more bitter than a radish over your lover’s affairs in sumeru; with the pesky follower he met in the midst of his search for godhood being the victim of your ire. she should be grateful for your show of mercy to spare her life, or else you would’ve jumped on the chance in a heartbeat.

it could’ve ended well if he didn’t dangle the idiot leech of a researcher’s devotion over your head, using it to his heart’s content to keep you obedient. “haypasia would not dare to behave so insolently,” and “haypasia would’ve done what i asked without question.”

haypasia this, haypasia that.

you knew better, he never meant it beyond as the means to drive you up the wall. “you noticed the affections i hold for her!” how infuriating! you wanted to curse at him for toying with your feelings so haphazardly.

sooner or later, he’ll pay for misdeeds. and to your pleasure, it falls earlier than expected, weeks have passed and you two found yourselves walking along with the traveler and paimonnon their next destination. fontaine. you must confess, you certainly didn’t mind traveler’s company. they were awfully charming for you lover’s adversary.

you now understand why they became sort of a star for the locals to gawk at.

as usual, on your arrival, it didn’t take long for the residents, specifically, the women, to circle like a moth to a flame.

wanderer was less than pleased by the entire ordeal… in his eyes, it was stupid of traveler to bid their time wallowing in the unconditional attention these nitwits threw at him. can they go any slower? he inwardly rolled his eyes. you, on the other hand, were an opportunist and had something else in mind.

“mortals are so shameless… it’s pitiful to witness firsthand.”

“i don’t blame them. traveler’s a fascinating person after all. it’s only natural they like them.” you shrug, and he gives you a mean glare. a warning to think before you speak. undeterred, you add, “what, i’m merely stating the obvious. they’re cute, brave, and most of all, compassionate.”

“compassionate?” wanderer sneers.

you nod. “most people these days are too… unsympathetic, boorish. it should come to no shock that traveler is popular amongst my kind. they’re selfless… likeable…kind — most of all, incapable of hurting those they love.”

he narrows his eyes.

it took less than a second to put two and two together in his mind. he had the urge to scoff, he was in disbelief. you weren’t over it? he doesn’t bother arguing with you, sighing instead. he tilts his hat forward to hide the genuine distress in his eyes. 

you weren’t attracted to the traveler, were you? he tsks to himself, no, it was a ruse to get on his nerves.

the warm sense of relief was short-lived once he caught the lopsided grin they sent in your direction and you returned it. needless to say, he stayed glued to your side in the following days, assuring you had little to no interaction with the traveler.

it was not any of his intention and deep down, you believed him. he would never do anything to hurt you, he would rather suffer than deliberately cause you any harm. though, he was getting on your nerves.

his friendship with the traveler didn’t annoy you, in fact, you were happy he found another person outside of the fatui to trust; it was his need to spend time with him that did. whilst you and childe weren’t officially lovers, you were certain you both were more than friends.

it was outrageous to think you were anything less when he acted like your lover. besides his knack for confronting any man who dares to show romantic interest in you; he introduced you to his family, mailed letters to you day after day, sent your mother flowers on her birthday, plus shower you with the finest gifts mora could buy.

what childe lacks in words, he compensated in his actions.

unfortunately for him, your annoyance grows deeper at his hesitancy to place a label on your relationship. he did more damning tasks for the tsaritsa, deadly ones. why is this so difficult for him? you then justified that because he refuses to acknowledge you as his, might as well act the part. 

“it’s news to me that mr. zhongli has yet to find a woman to call his own.” you demurely trace the rime of the teacup in front of you. the corner of your lips quirk up at the sound of his chair screeching across you. “it’s very strange for such a lovely man, no?”

your eyes glance up, discovering the irked expression on his face. from an outsider’s perspective, his irritation was obscured from the public gaze. years of serving the tsaritsa under the fatui treated him well, his deadpan was absolutely exquisite.

“now, why should this concern you?” he leans back against his chair, studying your reaction closely.

“is it a crime to scout for options?”

he nearly falls out of his chair. options? for what? he tilts his head, and you bite the inner corner of your cheek to refrain from cracking a giant smile at how he quickly took the bait. he was becoming more irritated and you could tell. he had a habit of bowing his head and looking up when he was upset or mad.

it reminded you of his younger brother whenever he’d grow fussy over not getting what he desired. it was embarrassing yet endearing for a twenty-something year old man.

“what do you mean?”

you shake your head at him and stand up, dusting your skirt to make a show that you were about to leave. he wasn’t having it. he needs to know what you were implying despite already having a clear idea. he needs to hear you say it, even see it leave your lips.

“well, looks like it’s time for me to head back to work.”

“wait!” whining, he trails behind you like a lost puppy, “you didn’t answer me! what do you mean by that?”

[luveline]

𝐚 𝐬𝐨𝐥𝐢𝐭𝐚𝐫𝐲 𝐦𝐢𝐬𝐭𝐚𝐤𝐞 | 𝐚𝐚𝐫𝐨𝐧 𝐡𝐨𝐭𝐜𝐡𝐧𝐞𝐫

You're not sure you're ready to come back. Hotch has total faith in you. Or, your transition back into the team after your abduction doesn't go as smoothly as you'd hoped. 

6k words, fem!reader, bau!reader, some mutual pining, reader is suffering from effects of ptsd, allusions to kidnapping + torture, hurt/comfort, hotch has a soft spot for you (as do most of the team)

༺༻

Reid was abducted, once. 

You can remember the anxiety of it like a hand around your throat. It feels cruel to say that his abduction and torture had effected you more than if it had been a stranger, but you meet so many people, so many victims of cruelty, that the fear starts to blunt. 

Though it doesn't blur. You find it impossible to forget the people that you've failed, and failing a team mate? That had been excruciating. 

Only when you'd been taken yourself had you realised it wasn't a failure at all. 

You wish the others would understand that. 

"Are you feeling okay?" Prentiss asks as you sit down. 

You suppose you had gone down a bit hard. "Mm?" you hum in question, pulling a copy of the initial case file toward you. 

"You looked a little wobbly." 

"Long night?" Morgan asks.

There's both sympathy and mirth in his voice. If you did have a long night, it wouldn’t be from anything fun. He knows that. Everybody knows that. That's why they're treating you like glass. 

"I actually slept really well," you say softly, returning his smile with one that's entirely genuine. 

"That's good, considering," he says, bracing his forearm against the conference table. 

He's been your number one supporter since you came back. Probably because he feels very guilty about what happened. You'd been paired up at the time. 

"Actually, it's common for people who've been abducted to sleep incredibly well for a long period afterward. It's similar to the leisure sickness phenomena- Your body would have been in defence mode, and-" 

"Reid," Hotch says firmly, stepping into the room with his usual lowbrow. 

"Sorry." 

And the spiel begins. JJ lays out the details of the case she's triaged and the team gives their first input. The barest beginnings of a working theory. You try to contribute and find your tongue a leaden weight in your mouth. Ever since you got back, you've been useless. 

You can't do your job, but thank god you can sleep at night, right? 

You miss the start of his sentence, your focus latching onto Hotch's conclusive, "Wheels up in thirty." 

Your team are standing in seconds, trained in the art of quick departures. You used to be good at this part. You're a good agent, even when you're a mediocre profiler. 

"L/N?" 

You blink. "Mm?" you hum, meeting your unit chief's concerned look with a perfected blasé. 

You've come to a stand in front of the table, and everyone else has left. It's you and Hotch alone. 

"If you're not ready to go back into the field, that's okay." 

If you were Reid, or Prentiss, or especially Morgan, you'd get defensive here, and you would lie well, but you’re a bad liar and Hotch is a great detector for them, so you tell the truth. 

"I'm not sure that I'm ready, but I'd like to go. I won't be a burden. I can work effectively." 

"I know you won't be a burden." 

You tilt your head to one side and feel your hair shift over your thick sweater. You haven't felt like showing much skin, lately. Everybody has noticed, because they notice everything, and nobody has made you feel bad about it. In fact, your fellow agents have made numerous comments about the chilly weather. It's July. 

Hotch's eyes fall to your long sleeves for a split-second. 

"Do you think he's alive?" you ask.

"Sorry?" 

You nod your head toward the board, where the portrait of your kidnapping victim hangs in full colour. "Do you think he's alive?" 

"Unless there's evidence that would suggest otherwise, we shouldn't assume. You know that." 

"I know that that's the answer you're used to giving." 

His voice goes too soft, like he's talking to somebody in grief. "I think he is." 

You honestly can't stand it when he talks to you like this. You tilt your head a little further and see him the way he'd been that morning, his tenderness, his fear. He'd opened the door and suddenly you'd known you were safe. 

He hasn't looked at you right since he found you.

"I have all my best clothes in my go-bag," you offer. 

"Well, go get it. This might be a long one." 

—

The jet is a really nice jet. 

It's hard not to feel impressed by it. It's a vehicle that can take you from one crime scene to another, and it's a necessary expense, but it feels lavish. The clean smells, the comfort, the kitchenette. It has a full-sized toilet. 

"Missed this?" Morgan asks knowingly. 

You wheedle your way into one of the four seats surrounding the main table and smile when he drops down next to you. "Missed using you as my personal pillow, maybe," you tease. 

"Table hogs," Prentiss complains, sitting on the armrest of the couch in defeat. 

You laugh under your breath. Morgan pulls out his laptop and turns the screen so everyone can see Garcia, and as soon as the jet's taken off the second round of speculation begins. 

You regret sitting where you had quickly. You can feel Hotch's analysing gaze where he sits opposite. He doesn't believe you're ready to come back. 

You lick your lips.

"Why would she cut him open just to kill him straight afterward?" JJ asks. "I mean, if she didn't assault him?" 

"It's unlikely that she's a sadist," Reid infers. 

"Disembowelment is a pretty painful, horrific way to die. Maybe she realised that and killed him," Morgan suggests. 

"Remorse?" you murmur. "Could mean she's… younger. And revenge killers don't always see it through." 

"Why take another one if you can't commit to the first?" Prentiss asks. 

"Maybe that's why she took him. She wants time to work herself up," you mutter. 

You hide your hands under the table. It's hard to ignore the similarities with the current case and the one you're investigating. The unsub who'd taken you had been narcissistic and self-righteous, punishing the BAU for stopping her second murder — you'd predicted her next victim and moved him before she could take him. 

So her victimology had changed, and she'd stolen you. 

She couldn't commit to her first session of torture: hesitant cuts, loose ligatures. By your turn she'd improved, but her tentative resolve had remained and she'd run after three days. It's the worst thing she could've done, buying herself less than a week on the run and leaving you with no outside communication. 

You'd almost died of dehydration. 

"She's choosing from a specific group," Reid says. He holds up a photograph of the first victim. He'd been murdered in his bedroom, and the walls are plastered in playboy. Kill all men has been written across his forehead in red lipstick. "Our abductee, he was wearing a t-shirt featuring popular bikini model Miss Olympia. In a state of undress." 

“Is that specific?” Prentiss asks wryly.

"She's angry," you say. 

Hotch leans forward and clicks Garcia's call button. "Garcia?"  

"Sir." 

"Are there any prolific feminist groups in the area? Radicals?" 

They fall into conversation, a pulling and pushing of information. Something about online forums, flame wars, political arguments. 

It's not the strongest theory in the world but they can make it work. You should be making it work with them. 

The flight is an early morning longhaul to Idaho and you work the case the entire time you're in the air. There's an abundance of coffee that you reject because you're worried it'll rehash your on-again off-again migraine, and while your teammates are offering theories, intertwining details with bright eyes and bushy tails, you struggle to keep up. 

There's a lull before landing where everybody parts ways. JJ moves to sit with Prentiss where they talk in hushed but conspicuous giggles. You hear the words Will and dishes and back rub and decide to stop listening for your own sake. 

Morgan laughs, having heard what you just heard and liking it a far deal more, and stands. "Coffee?" he asks as you yawn.

You shake your head sluggishly. "Be quick, we'll be landing soon." 

"I know, sweetheart, I heard the same announcement as you." He takes your empty water glass with a supportive squint. "Let me get you another." 

"Thanks." 

You'd regretted your seat as soon as you'd taken it, the feeling of being boxed in having grown and grown over the course of the journey, and Morgan’s brief departure gives you some much needed space.

You squeeze your hands together until your knuckles ache. 

"L/N?" 

Hotch is looking at you. You know exactly what he sees. Someone who isn't ready to be back in the field. Someone who isn't being effective, as you'd promised. 

"You okay?" 

"Just warm,” you lie, pushing your hair away from your neck. 

You're a bad liar. He gets up to turn on the air conditioning anyway. 

You slouch down in your chair and pretend to nap for the rest of the flight. 

—

Crime scenes where people died smell bad. It's a fact. They smell like pee, the sharp stick of ammonia, and the metallic aftertaste of blood. You're trying hard not to fall into your own memories of the two. 

You need to move past what happened. The only way you're gonna be able to do that is to re-desensitise yourself, and that includes volunteering for the nasty stuff when Hotch tries to relegate you to questioning witnesses. 

"I'm not good at interviews," you'd said plainly. 

And he'd taken it for what it was and let you do what you usually do: you look for clues. If anybody could hear you think that you'd be ridiculed, but they can't. You enjoy yourself. 

Let's Scooby Doo this bitch. 

"Careful," Hotch says, holding a hand near your hip. You'd almost stepped into the largest puddle of blood still wet in the very middle. 

Right. He'd let you take the gross job but now you're being babysat. 

What did she do in this room? Why did she kill him here but abduct the second man? 

"If it weren't for the photos, I'd never link this victimology," you confess. 

The photos. The unsub had sent pictures of her abductee with Kill all men written across his forehead. In lipstick. 

What changed the MO? Why kill the first at home and steal the second? 

The political theory feels more plausible. 

"I think you would've." Hotch casts his gaze over the desk. "This is a messy one. Opportunistic but personal. Our unsub, she…" His voice turns to a mutter, as it tends to do when he hits a roadblock. "She wants attention, because the first murder didn't do what she'd hoped." 

"What is she hoping for?" 

He picks up a piece of coloured paper and holds it up to his chest so you can see it. It's a flyer for speed dating at a Café Martini, every Friday at 6PM. 

"Where was Paul last seen?" you ask. 

"Good question." 

He takes his phone from his pocket to call Garcia. 

You listen to their conversation for a while, his serious questions and her flirtatious answers. 

You look back to the floor and push the white toe of your tennis shoe into the rug until the rubber's red with blood. It's not good practice. You're now a walking biohazard. Why is the blood still wet? It should've sunk into the carpeting hours ago. How much did he bleed? 

When you'd been abducted your unsub hadn't been keen on torture. She'd made small, quick cuts over your upper arms, more to punish you than because she truly enjoyed it, and she'd hit something important by accident. 

The blood had pooled in the crook of your elbow. It had stayed wet for a long time. You remember trying to clean yourself up with your t-shirt, too drugged up to move right, and eventually the drugs had worn off and it had really, really hurt. 

This boy had been cut from hip to hip. 

"Maybe you should go sit in the car," Hotch says. 

"Why?" 

"I've been talking to you."

"I've been listening." 

"Don't lie." Hotch takes a step forward, black shoe close to your white. "Look at me." 

You look up, eyebrows raised as you try to blink yourself awake. His eye contact is something you've always struggled to hold, knowing he's learning a lot more from your expression than you are from his. You press the backs of your hands to your cheeks and find them hot with embarrassment. 

"I'm really sorry," you apologise, eyes aching. Not burning, just aching. Like a bruise. 

Hotch nods, expression impassive. "It's okay. Go sit in the car." 

He outranks you as an SSA, he's your boss for every intent and purpose. He's your friend, sometimes, and you've yet to see him make a bad call. You listen and go back out and down to the car. You've already broken your promise not to be a burden. 

Best to play along and play well. You don't want a desk job. You don't want to lose the team. 

In the car, things feel better. It smells like new and you take some time to breathe it in with slow, deep breaths. The pine tree air freshener hanging from the rear view mirror is still soft and wet to touch. You rub it between two fingers, pensive, until Hotch appears from the house. He looks severe and solemn as usual when he opens the car door and climbs inside. 

"Tell me if you can't do this," he says. He never beats around the bush. You wish that he would. 

"I don't know." 

"I need a yes or no." 

You're screaming at yourself to say yes. Hotch stalls with his hand poised at the ignition, waiting for your answer before he turns the key. If you say no, I can't do this, he'll take you back to the room. You know he won't hold it against you because he'd tried to persuade you to take more time off, as much as you needed. 

Being alone reminds you too much of your abduction. You hate how you can't stop thinking about it. At work, at home. What if this is it? This is the only thing you're going to think of for the rest of your life. 

Unless you can get some new memories. 

"I can do this." 

"I know that. Do you know that?" he asks firmly. 

You lean your head back against the headrest and turn your face to look at him fully. You hadn't been expecting any praise, any softness. You're fucking up on a time-sensitive case — he should be reprimanding you. He should send you packing to Virginia. 

"I'm sorry," you say softly.

"For what?" he asks. His eyebrows pinch up at the starts, his lips curve into a frown. 

It's startling to see so much emotion on his face on the job; Aaron Hotchner has a switch. He comes to work and he turns off everything that doesn't help the case. Only on rare occasions do you get to see him as a friend — his laughter over group dinner dates, his gentle smiles when he'd kept you company in the hospital. 

"For being- For being disorganised," you explain choppily. It is not the right word. 

He turns the key and reverses out of the parking space before speaking. "You are an asset to this team. If you can't be an asset right now, that's fine. If you need to go home-" 

"I don't need to go home." 

He doesn't seem offended at being interrupted. "Your wellbeing is more important than your effectiveness as a profiler. But you can't get in the way." 

"I won't." 

"I know you won't. Just…" He pulls his phone out of his pocket, dials a number. He's not looking at you when he finishes, "Calm down. Stay present. We need you with us." 

You turn your face to the window so he can't see your smile. He hasn't been this nice to you since your birthday. 

—

The thirty six hour mark comes to pass quickly and you find yourselves no closer to a positive ID on the unsub or their location. Any leads you follow dry up, witnesses won't cooperate, nobody has slept properly (besides yourself), and the boy's parents are hysterical. Hysterical and an irritant. 

You can hear them arguing with Hotch and the police chief in the other room. 

"You look amazing," JJ says tiredly. You can't tell if her annoyance is genuine or not. 

"Did you sleep?" you ask. 

JJ looks amazing herself despite what she might say, all perfect skin and lovely blonde hair like a moving sheet of silver-gold. You revere her pretty thin sweater with poorly hidden envy as she yawns and stretches against her straight-backed chair. 

"I slept. Bed was about as comfy as this chair," she says ruefully. 

"Ninety percent of all abduction victims are killed within the first thirty-six hours," Hotch says as he enters the room, in what Morgan would call his drill sergeant's drawl. "Every hour past that point, the percentage increases." 

Everybody in the room knows that statistic. His passive aggressive reminder serves to electrify a dozing Reid and a slumped Prentiss, both of which sit up in their chairs and pretend to be busier than they are as he makes his way into the room.

"Actually," Reid whispers to you, voice rough with fatigue, "the math isn't that simple." 

"Do you want to explain it to me?" you whisper back. 

You can't admit to really truly listening to Reid's explanation. You want him to feel heard even when you don't have the capacity for it, so you nod and hum as he explains, heads bent together as the rest of the team trade new theories. He talks surprisingly quickly for all his fatigue, and before you've realised it he's talking about something new. 

"Reid," you intrerupt gently, "can I ask you a question?" 

"Go ahead." 

You look up. Everyone seems too busy to be listening to you. You take what semblance of privacy you can and push your chair an inch closer. 

"Do you think I've been an efficient agent these last two days?" 

He juts his head forward. "You've been distracted. Tired, unfocused. But your insight on the unsub's age and what you said about her propensity for regret are both incomparable parts of the profile." 

"But easily something someone else would've suggested?" 

"Not necessarily." He smiles at you, a mirthful quirk. "Psychologically, the effect that working a case so close to your own trauma," — you bite your tongue in surprise — "would render the average person prone with memory. It also gives you a thought pattern that not everybody else would have." 

"You have it." 

"Let's focus on the behaviour pattern," Hotch says. 

You'd agreed to run point today. Or rather, Hotch had said, "L/N, you'll run point," and you hadn't argued. After all, yesterday had been telling on how much you can handle. Crime scenes are a no go. 

Not that there's any crime scene left to analyse. Your team have spent hours and hours trying to draw blood from stone. The case hadn't felt so impossible on the jet, and now… 

"I'm benched," you murmur. 

"You're not benched," Morgan says, which is irksome because you'd been talking to Reid. "If you were benched you'd be back in Virginia typing up my paperwork." 

"She doesn't care about the crime scene, she doesn't care about the crime itself. There's nothing in it for her besides making a statement. So why take a hostage with no ransom, no instruction? Why tell us you have a hostage and cut communication?" 

You rub your eyes at Reid's questions and find you have no theories to offer. You have nothing. 

"Work the problem," you mumble to yourself. "Work the problem. Where would she go?" 

She cut that boy from hip to hip. She killed him quickly after rather than leave him in pain, but she disembowelled him for the statement it would make. For the… mess? 

You feel off-kilter enough to stand. You weave through people and hesitate in front of Hotch where he's reading over the timeline, waiting for his face to turn before you talk. 

"Hotch," you say tentatively, "what if she's like… an arsonist? Disemboweling is messy. The blood was still wet when we got here two days later, and it ruined the floor." 

He thinks for a second. "Her escalation from a private mess to a public one would make sense."

"We thought the pathway from murder to taking a hostage was a step backwards, but what if it's not about the murder at all, it's about the blood?"

"It's common for arsonists to suffer paternal violence," Reid chimes in. "Could explain the unsub targeting men with outward misogynistic attitudes." 

You turn to find the whole team looking at you, a familiar drive on each of their faces. 

They rebuild the profile. Reid fiddles with what you've said, they specify, they redirect. 

Your moment of clarity dissolves quickly but you try to help as they move on to possible locations. If the unsub wants to make a scene, light a metaphorical fire, there are plenty of places she can do it this weekend. 

Surprise surprise, Garcia confirms a 'men's rights' rally happening in around two hours, and suddenly everybody's in motion. Hotch lists instructions and the team disperses. You've done it all a hundred times before, Hotch quadruple that, Rossi octuple.

"L/N," Hotch says. 

You lift your face to his. 

He's really quite close. 

"Do you want to stay here?"

You take note of his wording. Do you want to stay here? 

His phone is already in his hand. You don't wanna waste anymore of his time. You're pretty useless during movements anyways. 

"Is that okay?" you ask. 

He doesn't say yes or no, his head doesn't give the slightest nod or shake. His eyebrows remain in their usual pushed down position. "Expand the profile. Make sure we haven't missed anything." In case the unsub isn't where you think. 

And then he leaves. 

You take your seat at a now hastily vacated table and spend an hour on the laptop with Garcia. She's mostly at the beck and call of the rest of the team, but it's nice to listen to her clicking away. 

She hangs up when the team are about to storm the rally venue and things get difficult. 

You'd passed all your psych evaluations to return. You can be an effective agent. You can work. 

You know all of this. 

It won't stick. 

You don't have a clue how long you spend staring at the table when your phone starts to ring. "Morgan?" you ask, pressing the screen to your cheek. 

"Hey, sweetheart, we got her. And Paul, safe and sound. You ready to go home?" 

"Uh," you say, trying to understand what he's said. "I'm not sure." Your migraine is coming back. 

When a person gets dehydrated your head starts to pound. It's like a heartbeat, a pulsing ache at the base of your skull and your temples. 

You know that it's all in your head, but ever since you got back you've been victim to what feels like a hundred headaches. 

Your head hurts, and you look at the floor and suddenly the floor isn't the dull blue carpeting of the police station, but the plywood of your unsub's warehouse. 

"Are you there?" 

"Morgan, I don't feel well," you say. Your mouth is full of cotton. 

"What?" 

You cast your gaze around the room. 

You leave your phone on the table, unsure if you've hung up, and make your way out of the conference room they've delegated to the BAU. You're in two minds. You know where you are, and who you are, but you feel like you're back there. The walls look like the police station walls but the floor looks like the base plywood of the warehouse. 

I'm just thirsty, you think. When you'd been kidnapped you'd become dehydrated somewhere between the fourth and fifth day, and that had come with some minor auditory and visual hallucinations. Dark spots in your peripherals shaped mildly like people, murmurings that could've been the cicadas. Right now, there's a low pitched ringing in your ears. I'm dehydrated. I'm fine. I need a drink, and I'll be okay. 

You don't have the facilities to smile at the people you pass, easing your way through officers and into an empty break room. There's nobody here. 

You round the table in the middle of the room and move to the cabinets and the sink basin. You take a mug into shaking hands and turn the faucet on. 

The water is frigid and soon your fingers are like ice. You part them in the stream, watching the water worm down your palms and wet the cuffs of your sleeves. 

"Agent L/N, is everything okay?" 

You turn with a smile, ready to assuage any fears, but it's her. 

It's obviously not her. It's not her, but she looks like her. Same face, same hair. You turn back to sink and fill your mug. 

"Agent L/N?" 

"Please," you say quietly. 

"Agent L/N?" 

"Detective, would you excuse us?" 

His voice. Your shoulders relax just enough to ease the ache in your neck. You hear the woman depart, but you're disorientated enough to ask, "Is she still here?" 

"She's not here." 

“She looked-“ like her. You press your wet hands to the bottom of the sink. It's silver and covered in scratches, a thousand scratches that glow white with the fluorescents. "I don't think I should be here," you mumble. 

"I think you're overwhelmed." 

"I am." You cringe at the numbness spreading up your arms. "I don't know how to make it go away." 

Hotch isn't just your boss. He's a father. He was a husband. He knows how to comfort somebody and he's proven that to you already, but you're still surprised when he pulls your hands out of the sink. He holds both in one palm while he turns off the faucet, and then he tears off a wad of paper towels and starts to dry your fingers. 

"You're not in any danger here," he says, turning your hands palm up. "There are a wall of people out there who would stand in front of you. Nothing is going to happen to you." 

Despite his careful reassurances you're curling in on yourself, trying to hide. You don't want to be here. You're not sure where you want to be. You have the self-awareness to know you're being awful, that this is embarrassing, and you've put Hotch in a position he likely doesn't want to be in, too.  

You blink at his chest. "Where's your suit jacket?" you ask. Your voice sounds far away in one ear and too loud in the other. 

"I left it in the car," he says lightly. "We just got back from the rally. You were waiting for us here." 

"I didn't go." 

"No. You haven't been at your best." 

"I'm trying." 

"I know," he says softly, thumbs rubbing over your warming fingers. "I know you are. You're doing really well. Why don't we sit down?" 

You let him lead you backward into a hard-backed chair. He doesn't sit with you, but he doesn't let go of your hands. They're limp in his and smaller, colder. 

You think he might be the only thing keeping you here. 

"I've never been that scared before. I've had a… gun to my head and… it wasn't even her-" You choke on it. "Her. She hurt me and it wasn't even the worst part." 

He frowns down at you. "What was the worst part?" 

You let your fingers unfurl across his open palm. He pulls your hands to his chest, sandwiches them between his own hands and his crisp white shirt. His tie feels silky soft. 

"I didn't want to be alone. I," — you close your eyes and press your chin to your chest, hiding, always hiding — "knew I wasn't going to last long by myself. I could see that bottle of water on the table and I couldn't reach it and I just kept waiting for somebody to open the door and pass it to me, and I was so scared that nobody was ever going to do that.

"I close my eyes and- and I see it. I see the wood flooring, and I see the table. I can't remember anything that she said to me anymore, but I remember thinking you weren't ever coming to get me." 

You can see the way the light from a crack in the corrugated roof had lit the water bottle up like a lamp. You barely have to think about it and the image of it is there. Your mouth had ached.

You can see him if you try a little harder. The door flying open. Hotch in his vest with his hair falling onto his forehead, a gun in one hand and a flashlight held high in the other. His broad, quick sweep, and then the way he'd leapt for you. His voice, shouting, screaming instructions. You can feel his hand behind your head, his fingers pushed roughly into your hair. 

"You're okay," he'd said. 

You trust him with your life. You've never had cause to doubt him. But you hadn't believed him then, and you're not sure you do now. 

His expression changes slowly. He moves both of your hands into one of his own and squeezes them reassuringly as he cups your cheek. It's a quick touch, a half-second of contact. 

"You made a mistake, in that case," he says, hand moving from your cheek to the hill of your shoulder. 

You tamp down a wince. "Yeah." He's being generous. You'd made hundreds of mistakes. Every opportunity to save yourself wasted. 

"Your mistake," he says, holding your eye, his voice gritty with severity, "was thinking I wouldn't find you.”

He turns to a blur the longer you stare at him, panicked tears welling up with nowhere to go. You tip your head forward so he can't see them, and he steps closer in turn, ushering your face into his abdomen. 

His hand falls to your trembling back. 

"That was your only error. You did everything else right." 

Your tears come thick and fast. Hotch doesn't baulk. 

—

You agree to take some more time off. 

Realistically, you can't be an effective agent or a reliable member of the team whilst smothered in memories as you are. You don't take it personally when Hotch insists, as he takes great care to explain to you what's happening. 

This isn't a punishment. You need more time. 

You're a safety risk. Not that your consultation isn't valuable, it is, you're still a good profiler — an amazing profiler, if your team are to be believed — but you're in the aftershocks of a traumatic event. 

A wound can't heal if it's being picked at. 

"He said that?" you ask quietly, bed sheets upto your chin. 

Hotch's voice rings scratchy with tiredness down the line, "He said you can have all of the blue ones." 

"He's generous. He gets that from his dad." 

"He's much kinder than I am." You hear a small voice on the other end, and then a muffled, "Yeah, g-man, I'll tell her. I'll tell her right now. Okay. Y/N?" 

"Yeah, still here." 

"Jack says," he recounts, parent tone in play that tells you his son is nearby, "that you can have all the blue and all of the green band-aids, if you need them." 

You stare up at the white plaster ceiling of your apartment, a tiny smile playing on your lips. 

"Tell him I said thank you. I'm sure they'll make me all better in no time." 

He tells Jack what you've said. You hear his lovely voice saying something too quiet. "What was that?" Hotch asks him. 

"I said," Jack says, voice close to the receiver, "she just needs a kiss because they always make me feel better." 

"I've been getting lots of kisses!" you promise him, turning to look at your nightstand. 

Propped up proudly is a picture of you and your team in that restaurant in Las Vegas, where Reid hadn't been able to use his chopsticks, and where Hotch had laughed so loudly you'd felt your heart skip twice. It's surrounded by a sea of 'Get Well Soon' cards, and backdropped by a small bouquet of sweetpeas. 

Tell me when they wilt, Reid had said. And I'll get you another bunch. It's been proven that flowers have a long term positive effect on moods. People who received flowers regularly reported less agitation, less depression, and an overall sense of satisfaction. 

Beside the sweetpeas, in pride of place, is a handmade card from none other than Jack himself, though the message inside was penned by an older hand. 

"I'm well looked after," you say, smiling softly. 

"You're well loved," Hotch adds. 

That, too. 

༺༻

again, im not that used to writing hotch so despite my character study he may feel a little ooc that's my bad, hard to show him pining bc he's such a professional at work. thanks so much for reading!! if you enjoyed, please consider reblogging i promise it means so much to me ♡

[stonegoldsxcrxt]

Ah, Star Wars fans. Once again perpetuating the Draco in Leather Pants trope to the point where we're all sick of it. Do I have to beat someone with the 'He's-Supposed-To-Be-Evil' Stick or something?

yeah. the acolyte itself as a show is straddling a line right now that, I'm sorry, I kind of don't think the Star Wars fandom at large is media literate enough to understand.

I've already seen a number of tiktoks and tumblr posts saying, "omg now I understand reylos," which besides being exhausting and annoying, immediately proves my point. There's obviously some differences between reylo and whatever osha/qimir is called within both production and the narrative, but overall what I'm baffled by every. single. time. is how weirdly everyone in the star wars fandom reacts to an attractive male villain blatantly manipulating a young woman.

I think the acolyte is clearly aiming for us to see and understand that Qimir is manipulating Osha. We know Qimir is clever. We saw him successfully worm his way out of being caught by the Jedi by playing up the "quirky sidekick" shtick. What I don't think a lot of the audience picks up on is just how smart he is. During one of his and Osha's conversations, he lets her suggest things and make assumptions, ie:

Osha: Where’d you get that scar?

Qimir: How do you think I got it?

Osha: Looks like someone stabbed you in the back.

Qimir: Someone who threw me away.

Osha: Your Jedi Master?

And then he doesn't correct her or elaborate. He lets her assume the worst. He lets her imagination wander. He's not interested in explaining because he knows the real story, whatever it may be, doesn't make him look as favorable as her idea. It's exchanges like that that are subtle examples of his manipulation, less obvious than the outright goading he uses against her when he gets her to admit she thinks of herself as a failure and that's why she left the Jedi.

There's also the earlier exchange:

Osha: He’s found me before, and his strength in the Force is very powerful.

Qimir: You think that’s his strength? That’s your strength in the Force, Osha. Someone ought to teach you that.

To a lot of people, that sounds like a compliment. But it isn't. Qimir makes a statement vague enough that successfully implies the Jedi have been lying to Osha about her own strength in the Force while also keeping just enough information to himself that he knows Osha will stick around to find out what he meant, instead of swimming to the ship he points out to her right after. And she does exactly that, continues to follow and engage in argument and conversation with him.

In fact, Qimir knows the more Osha talks to him, the more Osha even entertains the idea of talking to him instead of leaving, the more he can get inside her head. His naked swimming jaunt isn't him flaunting or showing off for Osha in some genuinely romantic way– it's yet another manipulation tactic. Though, if she is seduced, that helps him too.

Qimir purposefully makes himself into a vulnerable state in front of her to lull her into a false sense of security. He leaves his weapon with his clothes so she has the opportunity to take it; he is signalling to her that he is "completely" disarmed, though that is not true, since we know he is far stronger in the Force and in combat, and, perhaps, more cunning than Osha. His nudity forces Osha to acknowledge he is human, and Qimir benefits from Osha thinking of him as just a quirky, charming loner who's the victim of the Jedi, who offers her soup and disrobes in front of her.

The reason I know that none of this is genuine is simple. He goes back and forth between flat out acting as if he pities Osha ("Why do you love people who can only go so far?") but that doesn't get him the reaction he's looking for, so he bounces back to antagonizing her ("Why aren’t you a Jedi, Osha?) to finally, convincing her that she is similar to him ("I understand.") None of these things are actually Qimir trying to get to know Osha. Sure, he needs to understand her to manipulate her, but he'd do or say anything to get her to stick around and allow him to corrupt her further.

to me, Qimir is kind of the Star Wars equivalent to like a mimic species in the animal world. He's smart enough to know that in order to get what he wants, he has to act a certain way that isn't necessarily his real personality, and he can exploit Osha's (and anyone else's, for that matter) feelings by molding his personality and actions to achieve his goals so his victims are less likely to notice that he's using them.

The problem is that a big portion of the audience doesn't appear to recognize it, either. We know the rules of the Star Wars universe very well by now. Force Users this deep in the Dark Side cannot actually love someone. Sure, they can be obsessed with someone, but they cannot actually reciprocate feelings as the Dark Side corrupts them.

I've come to the conclusion that the majority of people watching Star Wars are not watching with the intention of picking up on any of this, despite the fact that the acolyte is actually doing it quite masterfully. They are paying attention to Manny Jacinto's muscles, and little else. You cannot argue or convince people who do not want to listen. They did not want to listen in 2017, when the reddest of red flags "You're nothing, but not to me," line was delivered, which had all the subtlety of being hit over the head with an anvil, and they are not listening now. If people are able to be gaslit by Kylo Ren into believing his victim card was validated, they will certainly and inevitably be gaslit by Qimir, who, so far, is much more cunning.

the acolyte even *plans* for this though, deliberately and suddenly cutting to the scene of Jecki's lifeless body, reminding the audience that Qimir is not the quirky, charming, harmless loner who he presents himself to be, but actually a man who we know to be capable of unspeakable acts of violence towards even children. at this point, I can't actually see any reason why the fandom continues to act like he is in love with Osha in any kind of genuine manner when it's so mind-blowingly obvious that he is male manipulator #1.

I think does a huge disservice to the story the acolyte seems to be trying to present at this point to be so blind with lust or whatever it is the fandom feels towards this guy that his own tactics have begun to work on them. it's actually so incredible that it makes me a bit ill. they may find him hot all they want, but for the love of Leia Organa's Star Wars at least recognize his tactics for what they are instead of also allowing yourself to be fooled!!

[ofbreathandflame-archive]

This is a very long post!

These last couple of months, it’s been interesting to talk about Nesta as a character and how her subsequent characterization is so integral to pointing out the problems in the series. Whether or not you view Nesta to be ‘real’ or ‘good’ character is one thing, and often subjective. Our own personal backgrounds may muddle or influence whether we like these characters or not.

The reason why I think Nesta is an interesting character is because of how she kind of…ruins the story, or the illusion of a story we are given. There are many times in the story where I think SJM could have elaborated on the qualities that she gushes about, but she intentionally chooses not to. For example, if SJM kept Rhysand consistent, I could see him disliking Nesta and wanting to actually hurt her, but have him think about Feyre and her wants and ultimately relent to Feyre’s want. One thing about Tamlin’s abuse that I think was done well was the fact that he genuinely seems broken up by the fact he can’t control his anger, and he feels something akin to guilt, but he doesn’t stop the abuse. It highlights the effect of the victim, not the intention of the abuser. I don’t know if it was intentionally done, but I liked that element of his abuse. I also liked that the dangers that Tamlin are worried about are real – the threat is real. Why? Because I think it proves, to some extent, that we should not justify abuse, even if the abuse seems rational. It proves that in this world, these men should still adhere to the fact of self-control. How can Feyre in a relationship with Tamlin if he can’t regulate his emotions around her?

But then the story does something weird – it embodies Rhysand with these very same qualities. It also recreates Tamlin’s abuse of Feyre with…Nesta – and then justifies it. Nesta arrives in a similar position as Feyre, yet the story goes to great lengths to vilify her for not reaching out; this is a far-cry from how the story (and stans) think about Feyre. (paint scene, fire scene, solstice scene, and hiking scene). We're supposed to sympathize with the decisions being made; so much rides on the fact that the IC are doing this out of the kindness of their heart:

Did Nesta notice the faint glimmer of worry in Amren’s smoky eyes—understand how rare it was? More than that, did Nesta understand that this meeting wasn’t to condemn her, but instead came from a place of concern? Her simmering stare told him she considered this purely an attack.

We're supposed to think about the worry of the Inner Circle and not think about the way they've decided to express their worry. Its similar to this scene that we get with Lucien to Feyre about Tamlin:

“I’ve given him time,” I said. “I can’t stay cooped up in the house forever.” “He knows that—he doesn’t say it, but he knows it. Trust me. You will forgive him if his family’s own slaughter keeps him from being so … liberal with your safety. He’s lost those he cares for too many times. We all have.” Every word was like fuel added to the simmering pit in my gut. “I don’t want to marry a High Lord. I just want to marry him.”“One doesn’t exist without the other. He is what he is. He will always, always seek to protect you, whether you like it or not. Talk to him about it—really talk to him, Feyre. You’ll figure it out.” Our gazes met. A muscle feathered in Lucien’s jaw. “Don’t ask me to pick.” “But you’re deliberately not telling me things.” “He is my High Lord. His word is law. We have this one chance, Feyre, to rebuild and make the world as it should be. I will not begin that new world by breaking his trust. Even if you …”

Lucien is continually asking Feyre to place Tamlin over her own happiness; he is asking her to consider his feelings before she considers his own - partially because this is the way Lucien is characterized to handle Tamlin's abuse himself. Cassian is asking Nesta to consider the Inner Circle's intention over how she feels. Amren and Rhys immediately shame and threaten Nesta - she is valid in her anger. She has interpreted this meeting as an attack...because it was. I think its especially telling that the later scene is asking Nesta to have empathy for Amren who is arguably the most abusive, abrasive, and unproductive person in that entire meeting. The second part of Lucien's monologue end's up being true for Nesta as the Inner Circle end up doing the same thing to control Nesta's behavior -- whether that be by leveraging Elain, outright forcing her, or even the decision to withhold Nesta's power from her -- these echo the exact same plot points we see in MAF with Feyre.

Let’s compare some scenes:

It was worse than a crown, actually. Built into the box were compartments and sleeves and holders, all full of brushes and paints and charcoal and sheets of paper. A traveling painting kit. Red—the red paint inside the glass vial was so bright, the blue as stunning as the eyes of that faerie woman I’d slaughtered— “I thought you might want it to take around the grounds with you. Rather than lug all those bags like you always do.” The brushes were fresh, gleaming—the bristles soft and clean. Looking at that box, at what was inside, felt like examining a crow-picked corpse. I tried to smile. Tried to will some brightness to my eyes. He said, “You don’t like it.” (MAF: Chapter 9)

“You’re going, even if you have to be tied up and hauled there. You will follow Cassian’s lessons, and you will do whatever work Clotho requires in the library.” Nesta blocked out the memory—of the dark depths of that library, the ancient monster that had dwelled there. It had saved them from Hybern’s cronies, yes, but … She refused to think of it. “You will respect her, and the other priestesses in the library,” Feyre said, “and you will never give them a moment’s trouble. Any free time is yours to spend as you wish. In the House.” Hot rage pumped through her, so loud Nesta could barely hear the real fire before which her sister paced. Was glad of the roaring in her head when the sound of wood cracking as it burned was so much like her father’s breaking neck that she couldn’t stand to light a fire in her own home. “You had no right to close up my apartment, to take my things—” (Silver Flames; Chapter 2)

She could barely stand to hear the crack and pop of the wood. Had barely been able to endure it in Feyre’s town house. Snap; crunch. (FAS: Chapter 21)

"He had Enough of the coldness, the sharpness. Enough of the sword-straight spine and razor-sharp stare that had only honed itself these months"

He understood. He really did. It had taken him months—years—after his first battles to readjust. To cope. Hell, he was still reeling from what had happened in that final battle with Hybern, too

Another grin as he lifted the small, wrapped parcel. “Your Solstice present.” “I don’t want one (FAS)

“Nesta forged a new Trove,” Cassian said, reining in his rage at the truth of Azriel’s words. “She could create anything.” He nodded to Rhys. “She could fill our arsenals with weapons that would win us any war.” Briallyn, Koschei, and Beron wouldn’t stand a chance. “Which is why Nesta must not learn about it,” Amren said. Cassian demanded, “What?” Amren’s gray eyes held steady. “She cannot know.” Rhys said, “That seems like a risk. What if, unaware, she creates more?” “What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us…’ (SF)

He appealed to Rhys, “You’re all right with this? Because I’m sure as hell not.” “Amren’s order holds,” Rhys said, and for a heartbeat, Cassian hated him. Hated the mistrust and wariness he beheld on Rhys’s face.(SF

“No. She knows the labor will be difficult, but I haven’t told her yet that it might very well claim her life.” Rhys spoke into their minds, as if he couldn’t say it aloud, I haven’t told her that the nightmares that now send me lurching from sleep aren’t ones of the past, but of the future. Cassian squeezed Rhys’s shoulder. “Why won’t you tell her?” Rhys’s throat worked. “Because I can’t bring myself to give her that fear. To take away one bit of the joy in her eyes every time she puts a hand on her belly.” His voice shook. “It is fucking eating me alive, this terror. I keep myself busy, but … there is no one to bargain with for her life, no amount of wealth to buy it, nothing that I can do to save her.

So much is happening here – there’s actually more scenes, but I don’t want to go and find them all. I wanted to include more similarities between Feyre and Nesta (I might make a separate post with all of those). To some extent, I think a lot of these quotes, even without elaboration echo the point I’m about to make. In quote #4, Cassian’s narration berates Nesta for not being integrated into the family and not being happy at Solsitice, but we the audience know that Nesta (1) isn’t being talked to, (2) she can barely stand the sound of the fire, (3) Feyre forced Nesta to come by essentially holding her rent over her head. And there’s just way to many parallels between how Nesta feels at the NC and how Feyre felt at the Spring Court. Nesta is drowning; she tells us that – Rhysand’s subtle anger is something she not only notices, but internalizes. She specifically mentions that she doesn’t take any of Rhysand’s positions because they were pity offerings; he’s only doing it because of Feyre. The story then decides to let him spearhead the conversations around Nesta’s autonomy. In the first quote, Tamlin's overall ignorance regarding Feyre's mental state, and her aversion to things such as the color Red were considered red flags; yet when Nesta has an aversion to fire, when she is neglected and nearly dies the story spends so much time trying to tell the audience that Cassian simply didn't know - it doesn't say anything about him.

But one of the biggest indicators of this ruin of the story is the fact that Amren and Rhys believe that Nesta should not have her power because ““What if, in one of her moods,” Amren challenged, “Nesta creates what she pleases just to spite us?” (Maas). The issue, as consistently reiterated, is a control one. They don’t trust Nesta simply because they cannot control her – that is what is highlighted as the issue in the story. Furthermore, Feyre doesn’t let Nesta know, she defers to a process that she doesn’t have to. She outranks everyone in that room; if she wanted to tell Nesta was rules would stop her – that’s literally been the way Feyre has characterized (see: Wraiths, the HL meeting attacking Beron, Tarquin and the BoB, Mor/Feyre w/ the Suriel), yet in this moment when she disagrees with Rhys – she essentially defers to his command. She simply expresses a subtle wariness and then moves on. Feyre has the power to just tell Nesta is the point that I am making here. It’s Nesta’s power; they forced her to do these tasks, and when she has one moment of autonomy in making the sword – they are argue that Rhys should make himself High King and Cassian, despite his earlier provocations, believes in this. He agrees with it. And even though I am going on this long, wordy analysis, I think a lot of what I am saying is kind of really clear In these quotes even without explaining.

To bring this back, Rhys (and Feyre somewhat) are only excused because the story believes their intentions were good (see quote #7), which conflicts with what we’ve already seen. These are…the exact same justifications we get about Tamlin; he truly believes that by making her safe, he is making her happy – but we know Feyre values truth over safety. And so the story undermines its lessons by not condemning the actions of its characters and instead leans into moralistic reasons. The argument now isn't even that Nesta isn't being abused, but stans and even the story (subtextually) believe that Nesta deserves the abuse - or that it's purely a consequence of her own immaturity, yet this is a far-cry to how Feyre is perceived in similar situations. The story argues that these characters understand that Nesta is not in her right mind - but constantly the story expects her act functionally in the face of her depression, even though the very reason the decided to lock her up is because they all unanimously believed she could not function by herself. She's expected to respond appropriately to their jabs, do missions on their behalf, train, and work at the library with no pay. She cannot leave Velaris without a Chaperone and all of her Chaporene are employed officials who are gone for the entirety of the book. No one ever actually offers to ever take Nesta out to see the town. I am seriously tired, and really concerned with the way Nesta's abuse is talked about.