#and the characters being like. pretty simplified?

[remxedmoon]

here's a philosophical conundrum for you, siffrin.

if you don't have a home to go back to, what kind of person does that make you?

if you don't have memories of your own childhood, can you still consider yourself human?

if you have forgotten something as important as your country, your childhood, your family, your own name, then are you even a person?

if something is forgotten by everyone, then has that thing ever existed?

(effect works best when zoomed in!)

teehee :3

sorry odile’s part of the mdp fight has been pinging around in my brain for like. months now. i’ve had the idea for this drawing for a while. this is also partially based on isa’s act 4 friendquest (without doing bad touch) where siffrin mentions that they didn’t really have an identity before they met the party!! i wanted to play around with transparency :3333

also, for once, i’m actually putting the colored version down here! idk! i felt like the greyscale version kinda conveys the Mood a little better?? i like both tho!!

[gamebunny-advance]

"Fluffier"

How could I *possibly* make him any fluffier?

[averlym]

some very very quick costume shorthands!

[wheucto]

wanted to draw a cat. pretty satisfied w how it came out

[stardusthuntress]

So I finally watched the 2D clone wars show, and I gotta say, it’s PHENOMENAL!!!

I now adore every second of it, in all of its sassy, oversimplified, primitively scripted, 2D glory!!!

I LOVE how Kenobi spends practically the whole time 100% done with everything, Anakin really is a disaster at heart, half the time the animators zoom in on something, just to start at a picture of a droids face while it talks - with zero motion whatsoever, Windu’s rocket punches, Yoda’s dramatic expressions, PADME and the marriage drama, the bazooka ARC (that guy had tired Rex energy, I LOVED it), a very different perspective of the moments right before Kenobi and Skywalker enter the battle of Coruscant, and it clearly was so inspirational for so many other SW shows!!! Not to mention how it flushes out so many things I’ve always wondered about!

And this is where the tradition of warning Anakin of his fate begins! And he still doesn’t get it! AND he’s 100% dramatic ALL THE TIME!!!

It’s amazing!!!

But it does bother me how many of the clones are truly treated as disposable! It’s like the only ones that make it out of the conflicts are the Jedi and the Sith! They just got mowed down left, right, and center!!! It was so cruel to them!!! And they mostly avoided giving ANY of them names!!! Cody was in it, and 1 other named guy but I couldn’t figure out what his name was. The Commander in red who led the ARCs! They were the only clones that (mostly) survived!!! It was so sad to watch them all just get disposed of so quickly and easily! They didn’t have to do that!!!

[upsidedowngrass]

erm... so this is awkward

[fallloverfic]

There are two versions of ORV: the original serialized version and the revised version, and the revision is what the manhwa is based on (it's the same for singNsong's other completed novel, The World After The Fall, which was revised after publication, and it's the revision that's being used for the manhwa adaptation of TWATF). One of the ORV arcs that was most heavily edited for the revision was the Peace Land arc. But the manhwa also adds/removes things as it goes because that's kind of the nature of adaptation.

The popular English fan translation of the novel is the unrevised version. As far as I'm aware, no one has fully translated the revised version into English. It's one thing people are wondering about with Yen Press' upcoming English translation: are they translating the revision or the unrevised version? It would make more sense that they'll do the revision because that's what singNsong have apparently said is their ideal version of ORV, and it's what's used for the ebook version of ORV.

Hi! I hope it's okay to ask, but I really want to read ORV and I'm.. a bit confused about something? How or where exactly do I read it, and which version of ORV is the one people usually recommend? Is there even a difference? I'd appreciate any and all help!

no worries! redirecting you here

as far as i know there are two versions? one is translated (the one i am directing you to) and the other is an edited version which may not be translated? and may or may not be the base for the webtoon? with some scenes added and removed? take whatever i say with a grain of salt though, i got handed the file in a dark alley by an ill meaning friend. she was out for my blood apparently.

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[alexanderwales]

Literary Greebling

Greebling is this thing from model-making where a flat expanse looks boring and unrealistic, so you add on some little bits and bobs (greebles) to break up the surface and make it seem "more".

I think this is a great concept to port over to writing.

For characters: You've got your backstory, your motivation, your emotional beats, all that stuff, right? Add in some quirks, some contradictions, some small, seemingly irrelevant details that make them feel textured and authentic. They don't drive the plot, they're probably not relevant to the story, they're not necessarily going to come up again, but they break up the surface and make everything feel like it exists at a higher resolution.

A character makes sure not to step on the cracks in the sidewalk, not out of superstition, but because he's just been doing it for a long time and likes being on a streak. A character carries around coins from different countries, fiddling with them while waiting in line. A character always knocks on doors to the tune of "shave and a haircut". Someone hums a song from a movie soundtrack.

For settings: It's pretty common for us to build up a setting in simplified terms, to have everything be a result of one thing or another, huge clashing forces. Real settings aren't like that, or aren't wholly like that. A city can have a unified architecture while also having a couple buildings that come from different traditions. A kingdom can have a tiny semi-autonomous zone inside it. You have, in theory, three branches of government, but in practice, there are edge cases where they're putting on each other's hats, and there are independent agencies which only answer to one of the three branches in a limited way, and you don't need too many of these things to have it feel rich and complex.

For magic systems: There's a beginner magic system where four to six elements are all perfectly set into a lattice, balanced against each other, perfectly mirroring each other. This works for certain applications, but I will submit to you that this is much better with greebles. You can have your lattice and your system of elemental weaknesses, but they need the little differences, the things that break up the flat expanse. Give your water magic a connection to the moon, let your fire magic affect rust, have it all have little knots and whorls and complications when you look closer.

Again, the point isn't that these things are plot relevant, they don't have to be, and maybe it's better if they're not. But the little non-conforming details help sell whatever you're trying to do.

[redsugarx]

Hanfu in Components: General Garment Terms (pt1)

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Attempting to sort of reboot the hanfu in components thing I wrote for Newhanfu a while back in a better organized way, so I guess this is a series? Purpose is to provide a more systematic way for people to learn about hanfu terminology, which is extremely complicated and constantly changing, but has mostly settled into some agreed upon definitions among the hanfu community.

Note: This is probably going to make the most sense for people who have already been interested in hanfu for a little while but don't know the technical terms for what they're seeing in the pretty pictures. If you're just starting out this might be a little overwhelming, especially since hanfu vernacular has variations based on what time period you're talking about and stuff like that! But of course feel free to look at it anyway :>

Here are terms that you'll see a lot when referring to a general type of garment. These are the equivalents to 'shirt,' 'skirt,' 'pants' etc. in English, where it's telling you broadly what kind of a garment it is, but not really any details about its style or what it might look like. I will structure my definition headers as (traditional character)/(simplified character)/(pinyin)(tone) going forward. Also using images from Cloud9 as much as I can bc I don't wanna deal with citing image sources lol, shoutout to our models

WORDS ACTUALLY JUST MEANING "CLOTHING"

衣/衣/yi1 - General term for clothing. More often than not refers to a top/shirt or a robe, but can refer to clothing in general as well, especially in modern usage. The yi radical looks like this: "衤" Basically if a character has that symbol on the left, it’s probably related to clothing in some way.

服/服/fu2 - Also a general term for clothing. Slightly more formal/technical in tone imo. Usually combined with 衣 for 衣服 (more casual everyday way of saying clothing) or with 裝 for 服裝 (more formal way of saying clothing). Think the difference in tone between ‘clothes’ vs. ‘attire.’

TOPS (the clothing kind) & ROBES

衫/衫/shan1 - Shirt, unlined. Refers to a shirt/blouse in modern usage. Within hanfu, refers to a top (usually short, but sometimes long) that is unlined.

襖/袄/ao3 - Jacket/lined top. Refers to a parka-style jacket in modern usage (棉襖）. Within hanfu, refers to a top that is lined, typically on the thicker side. Can be long or short. More often than not it is worn as an outer layer.

袍/袍/pao2 - Robe. Refers to a top whose length extends past the knee. Usually robes are lined, but that’s not a requirement to be considered a robe. There is overlap with 衫/襖; aka a garment can be both a 袍 and a 衫 (long unlined robe) or a 袍 and an 襖 (lined robe), but not an 襖 and a 衫 (somehow lined and unlined at the same time, disobeys the laws of physics and logic, possibly quantum entity). 

深衣/深衣/shen1 yi1 - Literally ’deep clothing,’ also can be translated as robe, but more specific in that shenyi will typically be made up of a ‘top part’ and a ‘skirt part’ that are sewn together at the waist, rather than just being a really long top.

褙子/褙子/bei4 zi0 - Outer layer. Harder to define because it can refer to very different things depending on what dynasty you’re looking at. General rule though, it’s almost always an outer layer on a woman’s outfit.

BOTTOMS (the clothing kind)

裙/裙/qun2 - Skirt. Generally any garment that wraps around a person’s torso and covers the legs. 

褲/裤/ku4 - Pants/trousers. Similar to skirt except there are dedicated channels for each leg, aka there’s some separation happening at the crotch. Can be open or closed crotch, almost always worn under a skirt or robe.

Obviously there's a lot of other terms too but I'll get to them with time! Still a full time student, still learning about hanfu, blah blah blah. But yeah especially the more specific terms I will probably cover in a later post. Hope this is interesting enough for now :>

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[deerspherestudios]

I’m super curious about Atom!!!! Firstly, they’re so cute :(((( I would be so nice to them right off the bat. I could match that energy (maybe not the…liquefying people part, but I can Definitely meet the upbeat “get to know you” energy!!!!)

But I’m also curious about their little “worm transform-y” ability. There are a TON of implications to what they said about it, and I’m very interested to know which of those implications are true

So maybe I’m taking Atom too literally, but I’m pretty sure at one point they said “I can make your air.” Which, they WOULD need to make MC air, if they were to keep you in space forever. Air is limited.

But you can’t breathe in worms. So that means Atom’s worm (body?) transformation legitimately BECOMES whatever they will it to. Not just imitates. That dog food wasn’t worms, it was dog food. And the air isn’t worms, it’s air!!

And then that stretches into other questions. Could Atom take any form they wish? What would happen if they transformed all their worms? Can they feel when their worms (body??) are being transformed?

You don’t have to answer that slew of questions at the end lmao—maybe I’m reading too much into it. But!! I LOVE Atom and all the implications that their existence holds. I had a lot of fun playing the game :DD

Aaa I'm really glad you like Atom as much as you do!! I don't know if it's just new blorbo energy but I get excited to talk about them, especially in detail like this haha! I'll try to explain below the cut about their ability to create things (tw// it's long!!) but to keep it short, you're actually correct!

TLDR: Atom reconstructs their worms into different forms of matter (whether solid/liquid/gas) to produce whatever you need to survive. Because, uh,,, science. <3

Here's the lengthy explanation of what Atom can do. I'm not smart enough to explain it but I'm stealing this from another website:

Transmutation or nuclear transmutation is a process that involves a change in the nucleus of an atom. When the number of protons in the nucleus of an atom changes, the identity of that atom changes as it is turned into another element or isotope.[1] This transmutation process can be either natural or artificial.

Simplifying it further for my character, when Atom talks about being better than a planet, they kinda are! They can make anything as long as they know what it is (I've yet to come up with 'how' they discover new elements,,, it's implied in-game but I wanna flesh it out more; ask me again later keheh), and the worms that make them up is an unlimited resource/material for those exact transmutations. And if something turns into waste, like the rejected dog food, they just crunch them up to be re-used all over again.

Remember what they said about being your 'angel'? Not to be too on the nose but in a way they turned the Bidadari into your own personal terrarium, with it being the ecosystem keeping you alive in space. Which, in my personal opinion, makes the ending much more terrifying.

Here's a lightning round to answer your questions because I don't know when I'll get these kinds of questions again!!

Could Atom take any form they wish?

Nope! They're still just worms! When they 'make' something it's no longer a part of them.

2. What would happen if they transformed all their worms?

Highly unlikely to happen, but let's say for experimentation's sake Atom is forced to use up all their worms and the end result is separated from it so they can't absorb it back into themselves like the dog food. It has to leave one single organism behind, but it can't really do anything. That single organism eventually will multiply all the way back to its former (mass wriggling) glory.

3. Can they feel when their worms (body??) are being transformed?

Nope! They don't really feel anything, at the most they feel pressure and temperature changes but that's it.

THANK YOU FOR COMING TO MY TEDTALK HAVE A NICE DAY! HERE'S YOUR REWARD <3

[yannisdesk]

On Arcane & Antivillains

One thing I really enjoy about Arcane is how it handles antivillains.

For one, most of the characters (main ones) would actually fall into the category of antivillain at one point, or in the case of our two protagonists, become one. Arcane is arguably ripe with them.

An antivillain is essentially the opposite of an antihero. Simplified, antiheros do good things out of selfish or questionable motives, antivillains do things that are objectively bad or evil, but for noble reasons or for a greater cause. Another term for them is "sympathetic villain" however that term is too vague (there are villains out there who are sympathetic, but are none the less traditionally evil and therefore do not qualify as antivillains), and "antivillain" is a much better term mirror to "antihero." A common thread I've noticed among antivillain characters is some level of a Machiavellian approach to achieving their goals - the ends justify the means type of philosophy is something you'll always find characters that fit this category. At the very least, they dabble with it. In their eyes their actions are always justified because they're fighting for a good cause.

To put things into perspective, I'll use two examples. Harley Quinn shifts around, but she is frequently an antihero, take her depiction in both Suicide Squad movies. She does take down bad guys, however she's not doing so out of a sense of altruism, but to get a reduced prison sentence. Very cut-and-dry example of antiheroism.

On the flip side you have Magneto. Now from what I've seen (I've dabbled in the comics, but haven't dived in all the way) in the comics he gets very dark with the antihuman action. But in the Xmen movies, he definitely does some down right villainous stuff, but his intention remains the same - he wants mutants to live in a world free of bigotry and he's willing to do anything necessary to achieve that, including committing atrocities.

Now if this sounds very confusing to you and you swear you've heard these terms interchangeably or that you can think of several characters that are labeled as type A when they should be type B or vice versa, that's pretty normal. These aren't archetypical heroes and villains we're talking about, so it can be hard to categorize them, and honestly most characters in general will go back and forth or shift at one point or another, so all you need to know is that those definitions are the ones we're working with in this post.

Here are the characters from Arcane that I think suit this label, and others that I think will.

Disclaimer: this is not me hating on the characters. I love all of these characters for this layer to their character. This is not a "oh, look, this character is bad actually," post. If anything, consider it a celebration of their gray morality and how well its explored in the show.

Silco

Duh. Silco is objectively pretty evil. Setting up a drug empire that destroys your own people, getting in-cahoots with corrupt cops, killing kids, and aiding in destroying a young girl's mental health is multiple levels of foul. However, for him, all of this was part of an elaborate plan to liberate Zaun, which is being aggressively oppressed by Piltover. They were necessary sacrifices made to the cause, and worth it because it will bring forth better days for him and his people. Now obviously, a lot of his actions definitely have to do with his own ego, however the only time Zaun isn't prioritized is when it comes to Jinx, who is like a daughter to him, and even that realization comes to smack in the face late in his arc.

Sevika

I'd argue she's even more noble than most since she truly is rooted in the cause for Zaun. Not only is she willing to do some pretty bad things for the "greater-good", she's even willing to betray people who she views as unfit or incompetent. And what's even more telling is that she doesn't do this for power (which is arguably a part of Silco's prerogative). Sure, she's his #2, but he doesn't exactly show any favoritism. And Sevika seemingly isn't even trying to become the new leader of Zaun after Silco's death from the season 2 clips, but will support Jinx, despite the fact that she probably could dethrone her. She's no true blue hero, but she's not a megalomaniac either.

The Entire Council of Piltover (Minus Mel & Jayce)

As obnoxious as they are, none of them are mustache-twirling villains. As we see with characters like Sheriff Grayson (not a council member, but they share the same sentiment), they legitimately think they're protecting the city with their neglectful leadership and oppression of Zaunites. Yes, this includes Heimerdinger, who seemingly only started caring about Zaun once he was booted out of the council, so that places him firmly in antihero territory in my opinion.

Why did I exclude Mel and Jayce? Their plots are actually upward in terms of morality, especially Jayce who by the end is closer to being a traditional hero by prioritizing peace and progress over the status quo or war, and actively makes the first move of trying to right Piltover's wrongs. Mel's arc has also moved this direction as well, as she went from arguing that Jayce and Viktor should build Hextech weapons in case of war with the Zaunites, to fully embracing peace. You could argue that Mel wanting the weapons means she was at some point an antivillain, and I might agree, but as it stands, she's firmly in the clear.

So, why are the rest of the council still considered antivillains? Honestly, we just don't know much about their motivations to say. They ultimately did a good deed in voting for peace, but you know, one good deed doesn't wash-out the bad and vice versa. They're not even on thin ice for me, they're still fighting for the surface.

Marcus

Questioning your actions does not mean you can't be an antivillain, and Marcus is a good example of that. He's is kind of like Caitlyn if she were way less compassionate and very incompetent. Marcus does not think his actions are evil, according to show runners he only places Vi in Stillwater to protect her from Silco; he gets involved with Silco because he wants justice for the building explosion and it goes out of hand. That said, he also threw a child into a dangerous prison with no charges and with the intention of keeping her there for life, and worked with a kingpin who was actively antagonizing his own people while reaping benefits from an abusive system. So yeah, Marcus falls more into being an antivillain than full-blown villain, he's still firmly an antagonist though.

Ambessa

I know it's very popular in the fandom to call Ambessa a traditional bad-guy type of villain, but she is actually very nuanced. For one - she does not see her actions as evil, nor are her motivations behind doing them rooted in it. Ambessa, as she states in Mel's flashback, was raised in the Noxian way. Her grandfather literally made her search the dead bodies of the people they massacred when she was a youth, and she was indoctrinated to believe that this was in the best interest of her family and the Noxian people. By showing strength and ruthlessness, she's telling the rest of the world: "Stay away from House Medarda and Noxus." Hence, why Kino's death wrecks her, because she values herself over how effective she is at warding people off from messing with her family. Her main reason for getting involved with the war between Piltover and Zaun will 100% be because Mel's life was nearly lost due to Jinx's bomb, and this is coming straight off of her son's death mind you. So, while Ambessa may definitely be one of the most ruthless people on this list, she is not at Palpatine levels of evil yet, not by a long shot.

Jinx

You guys saw this coming, right? This barely needs an explanation. Jinx grew up in the Lanes, was a victim of Piltover's oppression multiple times throughout her youth, was willing to fight for their freedom as seen in episode 2, and in the end, that desire, along with her being adopted by Silco, manifested in her doing multiple acts of violence, including terrorism against Piltover, which frequently hurt people who weren't guilty of anything. (No, blowing up the building in episode 3 doesn't count as one of her evil deeds because it was an accident.) We understand completely why Jinx does what she does, even though it hurts to see her slip farther and farther into this mindset.

Vi

Way more subtle (for now) but I'd argue she's there come episodes 8 and 9. Hell, you could argue that her arc is about her sense of morality breaking down due to realizing how impossible the situation between Zaun and Piltover is, and embracing an "ends justifies the means" type mindset that Vander tried to sway her against back in episode 2. Wanting to stop a kingpin from using this new dangerous drug to destroy your city and sister? A noble cause, indeed. Not really caring that (or being passive over the fact that) children die in process because of their approximation to said bad guy? Yikes. [EDIT: Since we're on this topic: here's a link to where I explored this aspect of her character. I did this a while ago, but I thought it best to include it here too for added context). Now, I know what some of you are going to say - how is this any different from, say, Steve Rogers telling Wanda Maximoff that sometimes there's collateral damage when doing hero work? The difference is that Steve didn't argue that those people had it coming because they're associated with the bad guys/or in their way, which Vi does. That's some dangerous conviction right there, and we'll probably see that elaborated on in season 2 given that she's becoming an Enforcer which is a position that lends itself to abuse of power (and if it goes anyway like things do with her game counterpart, she will engage in police brutality and not see an issue with it, but given that Arcane's Vi is way more well, nuanced, than her game counterpart I don't think it will go on for long). While we're on the topic of Vi, according to her prison records, she had a notorious reputation while doing time to the point that I find it funny Silco didn't put 2-and-2 together that the girl with short pink hair beating the shit out of and attempting to murder all of his goons that went to Stillwater was possibly the same girl that wiped the floor with those same goons the night Vander died.

Potential Antivillains of Season 2:

These are characters that I predict will become antivillains at some point during season 2 based off of where their season 1 arc left and clues from season 2 teasers and clips. This is not me saying for sure this will happen, only a prediction. But if it does come true, I will gladly collect $5 per accurate plot point.

Viktor

Two words: glorious evolution.

We all love Viktor. We all love good-guy Viktor, and we will also more than likely love not-so-good-guy Viktor due to how complex that arc will be. If it will go anything like his game-lore (which I suspect it will) his noble intentions will never leave him, just simply evolve to include some less-than-heroic actions and justifications. He still wants to improve the undercity, and well, humanity overall, with hextech, motivated by the injustices he's been put through his own life and his illness, but he will go about it in some very unorthodox ways, and his arc in Arcane is about him confronting if he wants to "evolve" his morality for the sake of his ultimate goal, which is progress. Viktor would definitely agree with the sentiment expressed by Gloria Steinem (character depiction, not a real quote) in Mrs. America - "Revolutions are messy, people get left behind."

Caitlyn

I'm pretty sure she actually will become apart of the antivillain roster in season 2, but noting is for certain. Caitlyn is perhaps the saddest version of this there is, because we see where she starts out. She doesn't want to be like everyone else in her circle, she tries to break free and be better. She wants to do good by both Piltover and Zaun. She has hope, gentleness, and doesn't place herself above even those who occupy the lowest levels of Zaun. She puts herself, her status, and her life on the line to discover the truth, and comes out her time with Vi steadfast in wanting to help heal Zaun. She can be a little naive and ignorant, but she never does so with malicious or ill intent. She is the kindest person in Arcane.

But, given that her mother was killed in a terrorist attack set off by the new Head Zaunite in Charge, things will change. As we see, Caitlyn becomes a sheriff on the Enforcer squad, and now her goal is no longer to sow peace between Zaun and Piltover, it's to avenge her mother by assassinating Jinx. Of course, this will be due in part that Caitlyn thinks snuffing Jinx out will solve the problem, which will be ironic and hypocritical because she told Ekko that getting revenge on Silco won't solve anything in Zaun, but now that she's in the same predicament, the tables have turned and now diplomacy is off the table. She still has that hero-complex, as she lives by the lessons of Sheriff Grayson, but now it's with a twist. The idealistic Caitlyn who believed in giving peace a chance through reform is gone, and she now believes that there's little to no cost too great for her to achieve this, even if that (possibly - again season 2 hasn't come out yet, so we shall see) means hurting innocent Zaunites. And what's scary is that Caitlyn has the intelligence, dedication, talent, and efficiency to pull it off. Truthfully, I believe we won't just be getting Sheriff Caitlyn in season 2, but also Dictator Caitlyn.

[celtrist]

Was looking at the hotel for a drawing and never realized the large degrade from the pilot design (on the left).

I think it was a good choice to simplify it down as the OG design was VERY complex compared to the new design (and some things like the carasoul up top didn't work well considering Alastor was moving his tower up to there). So while I like the pilot hotel more, 100% good move to change it to what we got.

HOWEVER, the pilot design gives that dingey, rundown feels SO MUCH better than the final design. I think background-wise the pilot is better in a lot of ways (like with colors, having them less saturated than the characters). But the hotel in the official series, especially the interior, didn't look as rundown and dingey as I think it was meant to.

You could argue "well Alastor could've spruced it up", but we see in the episode "Dad Beat Dad" a chandelier falling, cockroaches, and Lucifer clearly supposed to be unimpressed with the place. But the show had a very clean and nice looking hotel both interior and exterior. The pilot was good with it being dark and dirty feelings on both these ends. While the final design was super clean-looking but SUPPOSED to have a "roughness" to it, the pilot had a really nice exaggeration of its roughness that gave it a lot of character and made it more interesting. Between the two, I'm more interested in what's inside the pilot hotel than the final design. And it sorta sucks because season 1 ALREADY had the hotel rebuilt all nice and pretty (which like Lucifer showing up, SHOULD'VE been saved for a later season. I get why they did it, but I think the risk of not doing it in season 1 would've had a stronger payoff in the later seasons).

Again, I think it was obviously the right call not to make the hotel so complex for the show. However, there's a stronger mood and personality to the pilot hotel over the final one that feels like it wants to look super nice but it is supposed to be seen as rundown and needs to be fixed-up. And that sucks because I would've loved seeing the rundown place, but we really just got a nice-looking hotel that, in the universe, isn't supposed to be seen as "nice looking" or "clean" (and issues with the hotel concerning its structure and everything was ONLY brought up in "Dad Beat Dad". Little details like a character saying the plumbing was broken AGAIN or things breaking/falling in the background or something would've gone a long way).

It's just a bit of a bummer that the hotel really lost the mood and personality that it did have in the pilot when I really think they honestly could've kept those aspects without making it super complex. I don't dislike the final hotel design, but I don't like the lack of personality and mood it's SUPPOSED to have that the other design achieves.

[theoldkyokodied]

Hello! I really love your art! I was wondering if you have any tips on how to capture the person the facial features of the person you are drawing so well?(!) Your Billy and Stu are is amazing! Although it is in your style (which I absolutely adore) you still keep their likeness/resemblance which is very hard for me to do when trying to draw them in my style! (Sorry if the wording is confusing, any tips?) Thanks!

Ah thank you so much and sorry for taking so long to reply, but I needed to figure out how to answer this.

I have put some general tips together, but I need to point out that none of these replace the time investment of learning art. It is merely a suggestion of direction for practice, and I don’t want anyone to feel discouraged if any of these tips don’t immediately make them into a master of arts. Art practice is not easy and it can be frustrating to not be up to your own standards yet, but you will get there! :) In the meantime: be kind to yourself!

That said, let’s get to the tips I can share:

1) Use references!

I usually create a reference sheet for any character I want to draw more often, with their face in lots of different angles. Being able to know how, for example, someone’s nose looks like from the side and from the front can be essential when it comes to recognition. You basically want to be able to create a 3 dimensional object with these references. I tend to need the references less the more I draw the character, after a while i just memorise their key aspects for drawing them from most angles :)

2) Figure out key-features of a person

Try to figure out how to simplify someone in a drawing. What are their most striking features that NEED to be included? Sometimes it helps when you try to think of what features a caricaturist would accentuate in a caricature of them. Here you have some features that I personally try to focus on when I draw billy:

As mentioned in the bottom right corner, the placement of these key-features is also important. Try to figure out where things are placed in relation to other facial features and mind their size as well. this becomes easier the more you do it!

If you struggle to find out what features are important you can also look up other fan-artists stylised work you like and try to see what they chose to highlight :)

3) Do studies!

4) focus on values and contrast before considering color

doing a study without a sketch by blocking in shapes can help you figure out the planes of a characters face

as you can see here, stu’s eyebrows kind of blend in with the shadows of his brow bone, which is why I usually draw his eyebrows pretty light/in a color that doesn’t have high contrast with the skin tone, it makes him instantly more recognisable in my opinion

5) Draw (a lot)

I have been drawing basically every day since I was a child, but my ability to actually draw someone recognisable has only developed in the recent years. And I don’t think I’m done with learning. In the undying words of Bob Ross: “Talent is a pursued interest. In other words, anything that you’re willing to practice, you can do”.

I hope my tips can help a bit and and perhaps lend you some motivation for the never ending practice that every artist has to face :’) <3

[inchandescence]

How Minho is hinted to be endgame since XO Kitty S1?

(And they didn't randomly change the direction of S2 or suddenly made Minho important in S2)

Because since the very beginning, it is emphasized that Kitty has 3 main love interests, Dae, Yuri, and Minho, she will end up with one of them. XO Kitty is not very very obvious from the start like TATBILB and not back to back between brothers like TSITP.

Disclaimer: I have a job, I'm writing this on the weekend, please

1. S1 episode 1 Kitty-Minho-Yuri-Dae Relay

Series, or at least kdramas, always introduce the characters that will be the focus of the season in the beginning of the 1st ep of S1.

In 1x01 first 15 minutes (half the ep duration)

-Kitty is re-introduced: her current situation, her background aka family, her next goal, how to get to her goal, her first step to reach the goal which is arriving in Korea and then KISS

-Yuri is introduced: her current situation, daughter of a rich family, influencer, famous, potential to be a close person to Kitty cus she drove Kitty to KISS

-Dae is introduced (properly for the first time): his current situation, smart student, scholarship, not from a rich family, still in love with Kitty

Then the 2nd half of the first episodes, minute 15 until 28, Kitty and Minho and Q introduce themselves to each other, then Kitty meet Dae and Yuri again.

But the ODD ONE out of this formula, the first character Kitty met was not Dae nor Yuri, but Minho. He bumped into her at the airport and then she bumped into Minho again at the party. The full introductions that we got were Kitty, then Yuri, then Dae, no Minho and yet Minho is the first person Kitty met and they bumped to eo TWICE, at the airport and then at the party. So in this case, Minho's presence is also very important to the story, foreshadowing that with the focus being these 3 characters: Kitty, Yuri, Dae first, Minho will eventually "bump" his way in to the story, he is not just Dae's friend or side character bcs he had the FIRST INTERACTION WITH KITTY.

and this whole relay in S1E1 parallels the airport relay in S1E10.

2. S1 episode 10 Kitty-Dae-Yuri-Minho Relay

In the last episode of season, we know:

1. Kitty is over Dae, but Dae still has feelings for her

2. Kitty likes Yuri who is in a relationship with Juliana

3. Minho likes Kitty

So this brings us to the obvious airport relay, first Dae runs to the airport to confess to Kitty that he still has feelings for her but when Kitty meets him, she turned him down without him confessing and they officially break up. But they both said they are eo's first love, so they still care for eo.

Then Kitty turns back and meets Yuri, she wants to confess to Yuri but they get interrupted bcs Yuri is waiting for Juliana. Yuri and Juliana reunite and Kitty walk in to the boarding gate. Yuri called her mom to convince her not to expel Kitty, showing that Yuri cares a lot about Kitty (but she ofc loves Juliana very much yes).

Then Kitty arrives at her seat, sitting down while reading her mom letters and seeing the name "Simon" but then suddenly someone beside her nudged and it's Minho. Unexpected for both Kitty and the audience. They both talk and laugh showing their good relationship, a development from their 1st meeting at the airport. This scene is pretty long and has the longest duration compared to Kitty-Dae and Kitty-Yuri at the airport earlier. Then Minho confessed his love to Kitty. Kitty was shocked and the season ends.

This last ep relay scene is actually enough as proof that Minho will be endgame and how XO Kitty will do their love triangle/hexagon/rhombus or whatever.

XO Kitty is not the usual balanced love triangle but instead, the main character (Kitty) will experience a "relay" in her love life with the 3 main love interests, to simplify it they basically gonna take turns. First love is Dae, second love is Yuri, third love is Minho.

And this concept was actually mentioned in one of the episodes in season 1 by well.. Minho himself.

3. S1 Ep 9 a reason, a season, or a lifetime

Second to last episode. Before we have that episode 10 airport relay. Opening scene.

Minho:

"A reason, a season, or a lifetime. Every relationship fits into one of those categories. I read this in a magazine. The point is, Madison and I are over. And looking back, I believe I was with her for a reason. No, she showed me I was ready for something real."

This is one of the biggest foreshadowing ever in new TV era like... ok when people watched this scene the first time they prob didn't think too deep about it, including me, because the convo is random and not that necessary? Minho can just talk about him and Madison being over without throwing a relationship quote. BUT THAT IS THE POINT. The point is that quote is random yet it was the opening scene for Ep 9. If we compare it to other opening scenes in the 1st season, the opening scenes always indicate something important for the characters' story. And most opening scenes in Season 1 are about Kitty, Yuri, and Dae then in 2nd half Minho start to show up in opening scenes.

Ep 5 opening: Kitty Dae start officially become friends and roommates

Ep 6 opening: Minho Kitty (Minho's dream)

Ep 7 opening: Kitty Yuri (Kitty's dream)

Ep 8 opening: Kitty Dae start dating

Ep 9 opening: Minho's quote

Ep 10 opening: Dae cornering Minho about Kitty

Minho said being with Madison made him realize he was ready to commit into a relationship not just hook ups or one night stand, he was serious with Stella despite her being a rebound, but sadly his first committed relationship was "fake".

While with Dae and Yuri, Kitty fell in love with Dae first and dated for more than 4 years, a season, then she liked Yuri and discovered more about her being bi, a reason.

Minho's a reason is Madison, season is Stella, lifetime is Kitty

While Kitty's season is Dae, Yuri is reason, lifetime is Minho

All left is a lifetime for both Minho and Kitty.

So Minho's quote is definitely an important foreshadowing. And Ep 9 really shows how Minho is over with Madison, but actually he went through a failed rebound, and still cares so much for Kitty.

4. The whole episode 9 of Season 1: Kitty Dae, Kitty Yuri, Kitty Minho altogether

-This ep is meant to emphasized how these 3 are Kitty's main love interests like Kitty keep having moments with them in this ep but there is this specific scene:

Foreshadowing can be through many things, characters' lines or actions are two of them, but then it's better if cinematography supports it like in this scene where Minho is standing up alone facing Kitty sitting with Yuri and Dae while calling out Yuri and Dae & defending Kitty.

It's in 1x09 where Kitty already likes Yuri while still forcing herself to date Dae and Dae still loves Kitty, means these 3 are in a love triangle rn and Yuri sitting on the floor in between Kitty and Dae, makes their sitting formation like a triangle. In 1x09 Minho alr broke up with Madison and still very much in love with Kitty, meaning we now know he IS one of Kitty's 3 main love interests.

And he is standing up while Kitty is sitting down with Yuri and Dae as a foreshadowing that Minho will have the "upper hand" after S1. And ofc he will get the "upper hand" by treating Kitty better (he defended her in this scene which is right).

"I wouldn't do that to a friend or someone I care about."

And in S2 Minho still cares so much for Kitty and also 2 of them become closer as friends.

5. More about Dae Yuri Minho as the 3 main love interests and their "relay" with Kitty or "switch up"

First half of season 1 Ep 1-5: Kitty loves Dae but Dae is fake dating Yuri and

Second half of season 1:

Ep 6 (the middle ep of S1, the first switch up)

1. Minho dreams about Kitty

2. Minho realized he fell in love with Kitty at the party (Minho switch up from not liking Kitty to loving her)

3. Kitty fell in love with Yuri at the party (Kitty switch up from Dae)

And that's why in S2 Ep 5 (the middle ep of the season) there's another switch up from Yuri-Minho to just Minho

Part 1 (Dae):

S1 Ep 1-5: Kitty liking Dae

S1 Ep 6-9: She still dated Dae while being denial about Yuri

S1 Ep 10: Kitty tells Dae the truth about her feelings for Yuri

Part 2 (Yuri):

S1 Ep 6-10: (switch up) Kitty start liking Yuri

S2 Ep 1-4: Kitty still likes Yuri

S2 Ep 5-6: Kitty and Yuri trying to fix their friendship

Part 3 (Minho):

S2 Ep 5-6: (switch up) Everyone ignoring Kitty and she spends time with Minho only, rain scene

S2 Ep 7-8: Kitty realized her feelings for Minho

6. The Families of the 3 Main Love Interests

Many people complained 💀 "why S2 is about minho's family and everyone else's families suddenly don't have problems"

Let me break it down for you sweetheart... the keyword is "family home"

Season 1:

Focus: Kitty, Yuri, Dae families + Minho's mom cameo

-Kitty: We saw her parents, Dan and Trina, opening scene of Ep 1 is at TATBILB house

-Yuri: We saw Yuri's mom right away on Ep 1 (Jina), then her dad (Sungjin Han) in Ep 2 and then her house, and throughout season 1 there are scenes at her house

-Dae: We saw Dae's father (Mr. Kim) on Ep 1 bcs well he is Yuri's driver and he works for Yuri's father, later on we saw Dae's little sister (Bora) and just like Yuri, there are scenes at his house too

-Minho: There are 2 scenes of him face timing his mother (Dami) and we saw Minho's mom face, and there is a scene where Minho telling specifically about her mother being an actress, there are scenes of Minho telling details about his family not just "my parents are divorced"

Juliana: mention of her parents, no faces

Q: told about his conservative family background, no faces of his fam, no names

Florian: told about his family problem which is the divorce of his parents, no faces of his fam, no names

Season 2:

Focus: Kitty, Minho families + a few scenes of Dae's father, mentions of Jina

Kitty: Jiwon, her great aunt Soonja, Margot, and Peter appearances throughout the season

Minho: Minho's dad (Young Moon) appearance from S2 Ep 1, one episode of the characters at Minho's dad ski cabin, one episode of the characters at Minho's dad house, Minho's step brother (Joonho), mention of his step sisters (Bianca, Soojin)

Dae: a few scenes with Mr. Kim as Yuri's driver then the accident/hospital scene, Bora cameo

Yuri: mention of Jina (i feel like Jina actress was planned to make a cameo but maybe scheduling problem)

Juliana: mention of her parents

Q: mention of his family being doctors who are strict, no names, no face

Jin: mention of his dad being athlete too, he got pressured from his dad in being athlete, no face, no names

Stella: mention of her parents wanting her to come back to Ohio, no face, no names

Praveena: mention of her parents and their job

Then in S2 last ep we know that Han family is going through lawsuit and Mr. Kim is affected positively by the lawsuit. Then Kitty is joining Minho's family summer tour.

So... Kitty, Yuri, Dae families are the focus of Season 1 and Kitty and Minho's families are the focus of Season 2. With Kitty's 3 main love interests: Dae, Yuri, Minho families are being introduced in details with their names and faces and background and specific jobs since SEASON 1. And of course in S1 we got Kitty, Yuri, and Dae houses and S2 Minho house and Kitty's family's house in Korea :)

7. The Family Plot

Season 1:

Fake dating between Yuri and Dae are related to their families, Yuri's Dad saving his face by using Dae and Dae is trying to help his family by paying tuition on his own (and his job is fake dating Yuri) and also so he wants to be a good son and brother.

Season 2:

Minho's father Young Moon is helping the school by being the new donor and opening art classes for the students, hold a kpop competition at the end of the season.

Kitty helping Dae, Yuri, and Minho with their families:

Dae, Minho, and Yuri all 3 have their family stuffs they can relate with Kitty's....

-Dae lost her mother like Kitty, Kitty gave him her mom's necklace permanently

-Yuri knew nothing about her mother like Kitty, together they found out about their mothers' friendship and Kitty helped Yuri reconcile with her mother and find her step brother

-Minho felt rejected by his family like Kitty feels rejected by her great aunt and Jiwon at first but then Minho helps Kitty and Kitty also helps Minho reconnect with his family

All 4 characters' (Kitty, Minho, Yuri, Dae) families are important to the story

8. Fate vs Minho-Kitty natural development

Kitty always talk about love as this big grand thing, sparks, MEANT TO BE, FATE.

With Dae and Yuri "fate" keep being mentioned, how she met Dae during her first Seoul trip and turns out he goes to her mom's school, how Yuri's mom is Kitty's mom best friends.

They made Minho and his family don't have any direct connection to Kitty's family. Minho and Kitty can relate to each other without having direct past connection. In Season 2, Minho understands Kitty's feeling of being rejected by her family because he felt that throughout his life. That's also one of the reasons why he keeps helping Kitty especially in the market scene. And at the end Kitty also help Minho reconcile with his dad and brother.

When Kitty met Minho, no fate no sparks. No direct family relation. They don’t have a crazy connection that forces them together because it happened naturally just based on their time together and their own values. And they both can relate to each other's family issues which bring them closer.

Minho and Kitty happen naturally and that is the whole point. He's the only one who doesn't have a specific perception of her. They met, they misjudged each other, they disliked each other, they got closer and knew more about each other through daily lives, they became friends, they finally understand each other, they fell in love.

No strings of fate, just their choices leading them to where they are now.

Minho and Kitty are breaking the kdrama's past connection trope 🙂‍↕️🙂‍↕️🙂‍↕️

9. Minho for Kitty Moments

Minho is already written as a character who helps, saves, and do sacrifices for Kitty since season 1.

See this list I made:

-He also once again kept defending Kitty when he found out how Dae and Yuri fake dated and lied the whole time in S1.

-Minho will always be in love with Kitty. He had two rebounds (Madison and Stella) and at the end, he realized he will never be over Kitty.

-Minho's long plane confession scene with the iconic line "a little bit or a lot" which Kitty used as her line when she realized her feelings for Minho.

-Minho always hosting events in both seasons, 1st season is his party and 2nd season is the ski trip so he has always been an impactful character since S1. And both times Kitty kinda "ruined" his events and yet he still cares so much about her.

10. Mooncovey Direct Parallels with TATBILB in SEASON 1

-With Covinsky

Minho calling Kitty "Covey" like Peter calling LJ "Covey"

The Kitchen Scene

The Preference

-With Eve & Dan

The first ever parallel was in fact in S1, Kitty-Minho Chuseok and Eve Song-Daniel Covey March Thanksgiving.

Minho fell in love on Chuseok (Korean Thanksgiving, emphasized by Kitty too on 1x05) just like Dr. Covey fell in love with Kitty's Mom on Thanksgiving.

1x05 XO Kitty is lit the episode that changed everything about mooncovey and it's a whole parallel to Kitty's parents love story, Minho made the homemade food and Kitty brought the odd one, mashed potato, her canned green beans.

Then the parallels continue until S2

11. CHUSEOK EPISODE

Other than the crazy parallels in 1x05 chuseok episode. Audience who often watch kdrama must have known how impactful is Chuseok as a Korean holiday. And they gave this whole important event episode, 85% of it to mooncovey. Like..... I don't even have to explain. They literally gave the whole Chuseok to mooncovey??? And people watched this ep thinking oh they prob just gonna be closer as friends at the end??? Mind you there is no episode special whether in S1 or S2 where 85% is Kitty-Yuri or 85% Kitty-Dae like they will always be mixes with other Kitty pairings. But this Chuseok ep is lit here you go Minho with Kitty and Yuri with Dae, done. And even in this ep Dae said Kitty hasn't contacted him at all during Chuseok, like damn girl enjoying time with Minho much??

12. Lastly, Kitty-Minho having their own theme, or The Mooncovey Leitmotif

All these songs have the same leitmotif in it and they have been played for mooncovey scenes since S1 until S2

(Kitty-Dae's leitmotif only in S1 is sad/bittersweet, Kitty-Yuri don't have any)

[truthandadare]

S2’s Mistreatment of Zaun’s Independence

Season 2 was a mess; rushed, badly paced, weakly written. A show once rich with discussions of systematic oppression, brutality, and the dangers of scientific exploration felt reduced to a good vs. evil backdoor pilot (s). Breathtakingly animated yes, and there were still moments I enjoyed and forgave—but we can enjoy groundbreaking artistry while also being critical of its flaws, especially when those flaws include social issues.

Paint the Town Blue: Enforcer Violence

Season 2 we’re meant to feel bittersweet if a little triumphant when Vi dons the uniform of an Enforcer. She remains complacent as Cait uses weapons of torture on the people of the Undercity. Vi sheds her uniform not because of any ethical disagreement over the actions of oppressors but because of the desolation of a love affair. An identity shift so vast it left her feeling morally anemic.

In the final act, much like Vi, Zaunites button their new Enforcer uniforms for “the greater good”. The tone of the hand full of Zaunites crossing the bridge to join the fight against Noxus was one of heroism, of martyrdom.

Season 1 gifted us a nuanced theme of systematic oppression and cycles of brutality among enforcers. This is an unsubtle mirror of our world’s history of police violence, and as an American seeing the topic explored so vividly was a gut punch in all the right ways. Season 2 left me puzzled….did we just want to see Vi in her predestined fate as an Enforcer? Yikes!

Simplifying Silco

As much as I could gladly spend an evening with the pretty flashback, AU, and dream images of Silco, there is no escaping the mischaracterization and simplification of his character, specially as a passionate revolutionary.

Finding Vander’s letter would have made no difference. Just as an apology from Piltover would have never been enough to warrant forgiveness. He and Zaun weave together so easily in my mind. It’s easier to imagine them defanged, a “good guy” left heartbroken who just needed to let it go or else become a drug invested wasteland.

Its harder to reckon with a the poisoned man, the betrayed man, the man of rebellion and desperation. Season 1, he was a man of moral grays, pride, textured by his willingness for violence and extremes to achieve freedom for Zaun. A man who, beyond his own tragedies, knew the complexity of blame.

Violence is a cycle…yes, but by simplifying cycles of violence and placing sole blame to those unable to walk away is reckless. Cycles of violence are often birthed from subjugation, and they fester and grow as persecutors convince victims that they are the ones to blame.

The Nation of Zaun

Of all its failures, what I find the most difficult to swallow is the mistreatment of Zaun’s *not* independence and the message of forgiveness above all else.

Sevika, Councilor Sevika, is voiceless in the last Act. Not simply in her lack of lines, but in the complete mishandling of what she stands for, who she stands for. Zaun is left with one, rather reluctant and lonely Councilor at a table that was never built for her. She will remain voiceless, drowned out by the voices of those who see her fighting against Ambessa as a testament to her being “one of the good ones” as “forgiving”.

We are not meant to forgive our oppressors. Stuck beneath the boot we do not thank them for allowing us a gasp of air. Such a message in widely distributed media in a time when fascism has its head raised high, is dangerous. Yes, it’s a show based on League of Legends, but it’s also art. Art is transcendent, it reflects our world and our truths. It has power.

Instead of using this power, Arcane Season 2 had a sincere disinterest in revolution. Nuance cast to the wind to be replaced with elementary concepts of good victorious. A watered-down hoo-rah.

My hope is that this fumbling will start more conversations about the importance of thoughtful storytelling in our modern media. Continue to have those hard discussions.