#and that's the real issue with those three

[therealbeachfox]

"Why do we make laser grids like these?" came the chirp from across the table.

"What do you mean?" Otto responded without looking up.

"I mean, instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass?"

Otto sighed heavily and looked up from the blueprints he'd been amending and reworking to focus on his nephew. One of his nephews. One of his multitude of nephews because none of his siblings understood the concept of wrapping it up. He was at Mykola's place, so probably one of his. Too young to be Aiden, too old to be Eric. A, B, C... Connor? Conway? Conrad? One of those. At that extra annoying age where they're too curious for their own good, and have started to believe they actually know something, so get real argumentative about it when you prove they don't.

There's a reason why Otto didn't have kids. Or deal with kids. And tried to talk the Boss out of putting kids into his deathtraps. Fucking kids. Ugh.

"Because if we did that, it'd be impossible to get through." he said, hoping it'd satisfy the kid.

"But isn't that what you're trying to do?" Mykola's boy had his head twisted around to try and look at the blueprints from his uncle's perspective and was tracing out the twisting pathways with his eyes. "This whole thing is a giant 'You Can't Get In Here' tunnel. I don't understand why you're leaving holes in the security."

Well, the kid had actually asked, instead of just flat out stating that his way would be better. Otto grit his teeth and settled himself back for a proper lecture. "You're thinking too mundanely, kid." The boy looked up curiously and brushed a tangle of near-black hair out of his eyes. Slightly mollified, Otto continued. "This isn't like designing security for a bank or vault or something. This is something for my Boss. So we're already not designing like we would for the public sector, right?"

"Yeah? Yeah." Con-whatever agreed, though still looking just as confused.

"So, our issue is, whoever comes looking for whatever it is that the Boss is gonna put at the end of this is already going to be uniquely skilled and driven. Not just your average jewelry robbers or beat cops, right?"

"Right, yeah, you're going to be dealing with capes or cowls and stuff, sure. But wouldn't that mean you'd want it all extra locked down?" The kid was now looking directly at him. But with the intense look of someone who didn't understand but wanted to. It was by far more annoying than if the kid had just been flat-out disparaging of the whole process. Now Otto couldn't just tell him to shove off without feeling bad about it. Ugh.

"Well, here's the thing. If this was something the Boss really wanted to keep away from people, he'd have it put in some indistinguishable bank vault lock-box by a patsy that one of us underlings had hired through a third party, leaving two whole layers unaware of who even wanted the thing in there, and at least three whole layers who have no idea what the object even is besides. But he's not doing that, he's putting it at the end of a long tunnel of traps, alarms, and obstacles. Which means, what he wants is for whoever's coming after him to go through the whole thing. Which means it's gotta be at least theoretically possible to get through the whole thing. If you were a cowl and you came across a perfect laser grid that there was no way to squirm your way through and no way to work around, what would you do?"

Mykola's kid frowned down at the blueprints, eyebrows furrowed in tweenage concentration. "Start cutting through the walls, I guess. Either to find a way to cut the power, or to bypass the tunnel all toget-OH! Ooooooh, okay! I see, I see!" Otto grabbed the edge of the table to steady it as the kid started bouncing a little in his seat. "If you make it impossible, the cowls will start thinking outside the box and start looking for ways to end-run around the whole thing. If you make it difficult, but still possible, they're going to be too busy focusing on how to do the almost impossible thing so they're still playing by your Boss' rules instead of making up their own!"

Otto grunted and bit back the hint of a smile that wanted to cross his lips. Last thing he wanted to do was encourage the brat; then he'd be stuck answering questions all day. "Now you've got it. Make it hard enough that they waste as much time getting through it as possible without breaking out their bat-themed metal cutters or retreating and finding another way to come in altogether. Same reason why museums do it this way. Otherwise, the only way to get at shit would be to blow a hole in the floor, and that'd damage way more artifacts than whatever the thief was targeting originally."

"Okay, I think I totally get it. Is that why the HVAC ducts are big enough for sidekicks to get through? In case they can't work stuff out?"

Otto blinked and scowled back down at the blueprints to figure out what the kid was talking about, "No? No! I've got them as small as they can get without leaving the air rank, and we've got mesh grids every five feet just in case they try anyway."

The kid pointed down at one point in the blueprints and traced out a line that went way from one-third of the way through the hallway to right near the end, "Not on this one. And it's got this other branch that leads out to the bathrooms in the laundry mat you're using as a front, even!"

Otto squinted down at what the kid was pointing out. It was a second branch of the air circulation network, focused mainly on the above ground business, but with a few pipes down below ground as federally mandated backups to the system he'd been focusing on locking down. "No. That's not for the sidekicks." He growled and grabbed for an eraser and pencil and got to work grinding out alterations.

"Huh. So what about the-" the kid started.

"One thing at a time. Let me get this fixed, then you can ask the next one, okay?"

"Yeah, sure, okay!" The kid shrugged and grabbed up one of Otto's old notebooks that had the first iteration of designs for the Boss' main vault and started reading while kicking his legs.

Otto just ground his teeth and focused on his work. Only thing worse than a kid was a precociously bright kid with an honest interest in your work. Worse thing in the goddamn world.

He should message Mykola and let him know he needed to get one of his other kids to bring up snacks for the brat. He was at that age where he was going to get hungry long before Otto was done.

"Why do we make laser grids like these?" "What do you mean?" "I mean instead of a messy random arrangement of lasers that a nimble intruder might be able to jump through, why not a simple grid wall with no gaps large enough to allow a person to pass through?"

[captainjonnitkessler]

I chair my union's Women's Committee, and every once in a great while someone will make a half-joking comment about how "imagine if I suggested we have a Men's Committee though", and it's so frustrating because I would fucking love for us to have a Men's Committee!

Construction workers have sky-high rates of suicide, addiction, and overdoses, and I pin a large part of that on a culture that encourages machismo and masculine posturing. I think a lot of construction workers have lowkey trauma about the dangerous conditions they work in, but the culture insists that anyone who cares about safety isn't a real man. People accept that this job will break your body down and cause medical issues down the line, but if you take steps to protect your body - like using team lifts instead of insisting you'll carry 100 pounds of pipe up three flights of stairs by yourself - you're a wimp. Hazing the new guys often crosses into outright abuse, very often focused on ridiculing the masculinity of the victim, but if you stand up for yourself you're a pussy who can't handle a few jokes. Men in the trades are often invested in feeling like they are the provider and protector of their families, but this can make them feel like their self-worth is tied up entirely in what they can provide and not who they are as a person. Guys who have hobbies that aren't masculine enough are mocked relentlessly, because Real Men only like drinking and hunting.

Our Women's Committee focuses on issues that impact women the most, but the membership and the help we offer is open to anyone in the union regardless of gender. I would love to see a Men's Committee that works under the same idea, addressing these issues! But on the one hand, yes, I do think our business manager might reject the idea as appearing sexist or pointless. And on the other hand, I don't think the men who make those comments to me would actually be interested in a Men's Committee if we did have one, they just wanted to take jabs at me because they feel like I'm getting special treatment just for being a woman (never mind that this committee is essentially a part-time unpaid job for me).

The one guy that actually DID care about reaching out to and helping young men eventually left the union to focus on running a city-wide initiative instead, because he wasn't getting any support from his union brothers. It's fucking hard to help people who won't meet you halfway.

[alpaca-clouds]

Arcane Season 2 - How Bad Pacing Can Ruin Everything

So, Arcane season 2 ended. And I am sorry, I need to vent.

I am honestly not sure whether the rumors are true and this were originally meant to be more seasons. The Riot CEO apparently denies it, but then again, I have seen CEOs confidently go out on stages to talk about a project which they knew was cancelled at that point in time. So, sorry, but I will never ever trust a CEO. Lying is like 50% of their jobs. Being greedy is the other half. Sorry, not sorry.

I am gonna write something about disability in Arcane (overall) during the next few days, but let me just talk a bit about the pacing issues of season 2.

Spoilers for season 2 - all of it - obviously.

Believe me or not, but I know the exact issue of Arcane season 2. It is called: Too many characters. Too many plotlines. It is something that easily happens when writing an ensemble story (no matter what the format is you publish the story in - it happens in books, movies, shows, games). At times it works fine if you manage to weave the entire ensemble into the same main plot. But as soon as you wanna give everyone their own little storyarc with a bit of their own themes, it often goes haywire. Either you will end up dropping some characters to the side and not properly finish up their story, or you will end up rushing everything. Neither is gonna be good.

Here I am mainly thinking... Was the entire Black Rose/LaBlanc stuff planned to be there from the beginning? Was it put in later? I mean, given that the entire story felt like it might set up Mel as a Champion for LoL... How do I put it? Mel was too overdesigned in the show, to not be a future Champion. That was my feeling from the beginning. I don't know if they gonna make her a Champion, but man, it feels like it.

But no, the main issue really is the pacing. There is just too much stuff happening.

I will remain, that the thing that shows this better than anything was the second "arc" of season 2. Episode 4-6. And the general way the entire Caitlyn, Vi, Jinx thing plays out. We have the following things happen in the first six episodes of season 2:

Cait's mother dies

Cait swears revenge and asks Vi to assist her as an enforcer

Vi does not want to. Ends up getting drunk.

Vi decides to do it anyway.

They do a bit of chemical warfare for good measures.

They go down there. Fight Jinx. Vi cannot do it - partly because Isha.

Cait breaks up with Vi and becomes the evil fascist dictator

Vi becomes an alcohol addict.

Except, never mind, Caitlin is already feeling shitty about it next episode.

Jinx gets Vi and Magic Pixie Dreamgirls her out of her new-found addiction.

Jinx and Vi are good again. They go help Vander.

Cait meets Vi for the first time since the break up. They instantly are back on the same page.

Like, there is so many plothooks in this storyline alone that do go completely unexplored.

There are two characters here, that do play a role in the last three episodes too and that felt like they were some proper characters at some point. Those two are Maddie - the Scottish-dialect enforcer girl - and... Frankly, I do not feel like looking up the name. The big burly one, who after the break-up takes care of Vi.

Those two feel like they were at some point meant to be more real characters. But because of the pacing, they are barely ideas. Maddie starts making out with Caitlyn because...? I don't know. Because I literally do not know anything about this character but "she is an enforcer", "she is queer", "she is attracted to power(?)", and thats it.

And the other guy goes with Vi because... Uhm... I don't know. I know literally nothing about this chaaracter other than that he is big and an enforcer. *shrugs*

It most certainly feels like there was some planned version of this show, in which Cait and Vi both had a proper corruption arc. In which we really saw the two of them struggle. In which we actually saw Piltover and Zaun under the control of Commander Caitlyn and Noxus, and saw the horrible things they were doing and what it was doing with Caitlyn. In which we also saw Vi struggling with addiction and stuff.

But that was not the version we got in the end. Instead in this version... things go magically well.

Hooray?

Same with Jinx. Her mental health issues just magically get better when Isha is there, because that is what the story needs to happen now.

Here, too, it also feels like huge chunks of the story are missing. It feels like there was a story going more into the relationship of Sevika and Jinx for a bit. But if that story had been there once, it was most certainly no longer there. It was hinted at, yeah, but that's it.

And then there is the entire magic plot.

Look, I think among the fans of the LoL Lore I am not the first one to say: "Yeah, trying to marry the worldbuilding of Arcane to the established Runeterra worldbuilding does not work, because of the magic." Runeterra so far was always a fairly high magic world - at least that was implied by comics and short stories. Magic was a common thing in this world. Otherwise we could not have that many magic champions and a whole place whose entire thing it had been: "We are anti-magic Nazis building mage concentration camps!"

When Riot said, that Arcane was now the main canon, A LOT of fans of the lore were like: "You get that it is not gonna work." And yeah, Arcane Season 2 clearly shows how it doesn't work.

Because the way they put in the entire "Mel is magic, also the Black Rose is a thing" stuff just... It did not fit in the entire plot around it. Because Arcane had been designed as a world where magic was very rare and strange. But now Mel had to be magic and somehow had to be connected to the Black Rose.

Also... What the fuck even happened there in the end? Why put that in? Why make Mel go against LaBlanc? I am sorry, but that was simply too much for this plot. The entire Black Rose stuff stuck out of this plot like - pardon the pun - a thorn.

Generally there are several relationships that feel, like they had at one point been a whole more explored, but then got dropped to the wayside.

As I said, Sevika and Jinx are definitely an example. Ekko and Heimerdinger as well. I also feel like what was episode 7 of the show was probably originally more than one episodes and slower paced - though it still to me was the one episode in this, that kinda worked in of itself. And that the Ekko and Jinx relationship was better established.

I also feel that Viktor and that echo of Skye was probably at some point supposed to actually have talks. Like: "I will miss talking to you." - "No, you won't." Okay? THEN SHOW ME THEM TALKING PLEASE?!

Which kinda brings me down to the main thing that happened because of the pacing issue. Season 2 of Arcane knew only two extremes in terms of "Show, don't tell". Either it goes full "music video" in whcih indeed it just shows us shit without context or dialogue - or we get the information just via dialogue, in a complete tell.

This also shows in the last episode, with the entire thing of Piltover asking the Zaunites for help, after brutally surpressing them forever. Yeah, I see where they were going with this. About being the bigger people and planting seeds and what not. But frankly, there might have been a time and space for a story like that, if properly told (you know, with giving more of the Zaunites a voice in this story, showing more of the conflict and spacing this plot out over several episodes). But a) it was not properly told, and b) a world in which several genocides happen while Trump somehow won a second term is not that world. Yes, b) is not the fault of anyone working on Arcane. That was simply bad luck on their part. But a) is very much their fault - and even if we did not have a Palestinian Genocide and no second Trump term: Without a) being done properly, it would not have worked. It would have just not felt quite as miserable.

You know, the most frustrating thing about this was, that... While I think that one way or another I would still have hated how the show handles the topic of disability (again, I will write about this during the next few days), I generally might have liked the same plot, if it had been given the needed space to breathe.

Like... Sure, I would have never really been on board with "fascist Caitlyn", or rather with "fascist Caitlyn, who gets then forgiven by everyone". But I could have somewhat swallowed it, if that forgiveness had to be earned. But because of the breakneck speed of this show, it never got earned. I am not even talking about redemption arcs here - those are always a headache - but specifically about the fact that Caitlyn gets instantly forgiven by everyone.

Also, lol. The entire thing with Ekko convincing Jinx to come along off-screen. That was unelegant.

Heck, it feels in the first four episodes, as if there was an arc being set up for Sevika in general. And it feels like that arc needed to happen, given that Sevika ends up on the COUNCIL OF PILTOVER in the epilogue. However, that Arc just does not happen. Then, like... why set it up?

That is general the issue. There is a lot of set-up and very, very little payoff to any of it.

And here is the thing. I have heard people argue about whether or not this was meant to have more seasons. But frankly: I do not think that the writers who wrote season 1 would have written this story this way had they known it would be two seasons.

Mind you, compared to some people I would not rate the writing in season 1 higher than maybe 6 or 7 of 10. It was solid, but not overwhelmingly great. But season 2 in comparison is a 2 of 10, maybe a 3 of 10, if I am being gracious.

And frankly, I do not think any writer, who is in any way worth their salt, would write a story where a main character goes evil, and then do exactly nothing with it. I mean, sorry, us writers, we are a dramatic bunch. And we will not resist the drama being served on a silver platter unless we are forced too. I cannot imagine a single writer, who will go with the end of episode 3 and then not write a bunch of angst with Caitlyn and Vi - unless they were forbidden.

And mind you, CaitVi is by far the ship I am least invested in. But it is simply such a glaring example of where the plot is rushed in a way that it hinders the character arcs.

Oh, and also... Lest. Lest in the first six episodes clearly felt like a character, who was going to play a role. Only to then disappear to not be seen again during the finale. What happened to Lest? Is she dead? Is she alive? I guess we'll never know.

*sighs* I am sorry. I really am. I am just... very disappointed. This has been a mess. And I think it would not have needed to be.

Like, the animation is still the most pretty thing ever made in the world. But man... The plot? The plot sucks balls. And not in the sexy way.

[applysome]

I’ve now been lucky enough to see Miles Kane with my own eyes (and ears) twice in two days and have been able to form more coherent thoughts (though this will still be a massive ramble!). Long post warning split up by sections so you can skim to whatever interests you!

For ease:

N1 = Night One Thursday

N2= Night Two Friday

Note: all of the below are my observations, perceptions, and speculations, I could very well be wrong about some or all things.

Crowd

Both nights I arrived fifteen minutes before Miles was due on. N1 the crowd was sparse, apart from the venue floor there were large tiered steps and a balcony, and everyone seemed to be spread out. N2 was much busier, the floor, tiered steps and balcony were all packed out. I suspect this may be to do with the Thursday / Friday and 8pm / 9pm effect. Both nights I got myself three rows back from the barrier, stage left (N2 took a little more manouvering!).

The crowd on both nights was a good mix of teenagers/early twenties, people my age (thirties) and men in their fifties. Most of the older men were back on the tiered steps and from previous experience at shows, aren’t as vocal as the younger fans (I’ve observed this over the years watching Maximo Park, I’d recommend checking their music out if you haven’t already!).

N1 Miles takes to the stage greeted by a few cheers and applause and starts to play. Not much singing along or dancing on my side apart from a few of us. Muted cheers at the end of the song. A few songs in and I’m disappointed by the crowd’s reaction; although Miles is giving his all, I feel like I can see a little disappointment on his face too. This is his homecoming show, everyone here should be really up for it. A few people on the barrier in front of me talk to each other frequently right in his eye line. It takes about two thirds of the set list for the crowd to properly warm up and bringing out Dave McCabe from The Zutons gets the loudest reaction and sing along of the night. I tried to be as responsive and loud as I could but I’m only one person.

N2 Miles takes to the stage greeted with thunderous applause, cheers, screaming, the full works. Thirty seconds in he already looks much happier than he did on N1. At several points between songs when Miles stops to catch his breath the crowd is so loud all he can do is stand there and take it in. He was visibly emotional at several points throughout at the crowd’s reaction and a few spontaneous chants of “Miles Fucking Kane” really put a smile on his face. Much more singing, especially in the call and response parts of his songs. Definitely the homecoming show he deserved.

Also noteworthy, I didn’t see anyone from N1 on N2. Although a small sample size of where I was stood in the crowd, I expected a few people would go to both shows. Perhaps there were some people more central or on the steps/balcony.

Appearance and Performance

We all love Miles primarily for his talent but let’s be honest, the man is also stunning. But I wasn’t prepared for how attractive he would be in real life up close. It was a little distracting at times on N1 😅. By N2 I was more prepared! Miles looked great as always and certainly knows how to work those boots. As someone who can’t wear heels at all I must admit I’m a little envious!

N1 his moves were still there and he was giving his all as always, but N2 he really went for it, obviously spurred on by the crowd’s reaction. Cardio is sometimes overlooked I think but is so important for singers, especially ones who dance or are very active on stage. Again from experience watching Muse a lot over the years, I could tell when Matt Bellamy had let his cardio slip, struggling to hold notes for as long, singing more in chest voice than belting and so on. Miles had none of these issues which is impressive given his asthma and being a heavy smoker. Obviously the boxing is working!

Performance wise, I have high expectations and can be quite critical because a lot of my favourites (again - Muse, Maximo Park) are spot on live. Across both nights there weren’t any vocal issues, missed notes, absolutely nothing. Just pure passion, excitement, dedication, determination, even when the crowd wasn’t as vocal on N1. Flawless, faultless performances.

Setlist

The set list was the exact same across both nights which I was a bit surprised at, even down to Dave McCabe with Miles on bass and the support act Ellis Murphy playing harmonica in Come Closer which was a nice addition. I wondered if the choice to keep the set list the same will be something going forward for the rest of the tour or if it was just so everyone in Liverpool had the same experience. Regardless it was a good mix of songs with Come Closer, Coup de Grace, Cry on My Guitar and Inhaler getting the biggest reactions of the night.

It was great to hear Shavambacu live though I don’t think everyone gave it the appreciation it deserved! As others have shared, the set list choice of Shavambacu - See Ya When I See Ya - Colour of the Trap was… a choice. Also nice to hear Counting Down the Days which is such a platonic song… Might have been nice to hear My Fantasy or Kingcrawler one night instead but overall no complaints! Forever holding out hope he will play Ransom or Wrong Side of Life!

Other Notable Moments

During Never Taking Me Alive on N2, Miles seemed particularly amped up proclaiming “From day one Liverpool, been doing things my own fucking way”. Maybe he’s here amongst us following yesterday’s discussion (see my previous post) 🤣 but in all seriousness it was amazing to see Miles happy, rocking the stage and getting the reception he deserves, being unashamedly himself with his heels, leopard print amps and turtle plushie.

During Come Closer on N2, someone threw a turtle plushie onto the stage and Miles proceeded to balance it on his head for the last call and response of the song, quite impressive whilst singing animatedly!

Miles on bass during You Will You Won’t on both nights was really quite something (petition for more of this please) and I could tell he was genuinely excited to be playing with Dave McCabe.

One of the teenage girls in front of me excitedly proclaimed to her friends a few times that Miles had looked at her. Well we all know really he was actually looking over her head at me 🤣 a tiny part of my delusional brain feels like he saw me both nights and “recognised” me on N2, as I was wearing the same jacket in the same spot. But really I think this is just the Miles Kane effect; his ability to connect with the audience on a personal level, making you feel like he’s playing just for you even in a room of hundreds of people.

At the end of N2, Miles lingered on stage for longer and jumped down into the crowd for handshakes and hugs (sadly not on my side!) and generally soaked up the overwhelming response from the crowd which was truly deserved.

Overall Thoughts

If you’ve made it this far you’re a trooper! Be rewarded by my very poor quality photographs (I am short and there were a lot of heads in the way!)

Miles is a born performer who gave everything he had both nights, even when the crowd wasn’t as receptive on N1. I’ve been to a lot of shows in the last twenty years and these are genuinely some of the best I’ve seen. You can just tell how much he loves music, performing and being on stage, I had a huge smile on my face throughout both shows. I know this isn’t always the case as some artists become tired or jaded and see it as “just a job”.

Best of all, I didn’t hear anyone so much as mention TLSP or anyone affiliated with them anywhere around me. Everything on both nights, but particularly N2 was about Miles Fucking Kane, as it should be.

I’m so grateful I got to see him live at all, let alone twice for his homecoming shows and I’m so happy Miles got the overwhelmingly positive reaction he deserves on N2. As a new fan (April 2024) I just hope he continues to gain momentum and grow in popularity from here.

Hopefully for Miles, The Best is Yet to Come.

[legionofpotatoes]

star wars outlaws

[xxplastic-cubexx]

From the same Storm mini-series 🥹

THE FAM 🥺

[boyfriendgideon]

as yr favorite local jason todd fan sometimes i get so fed up with the apparent inability of most dc comic writers to write a class conscious narrative about him.

and yes, i know that comics are a very ephemeral and constantly evolving and self-conflicting medium.

and yes, i know they’re a profit-driven art medium created in a capitalistic society, so there are very few times where comics are going to be created solely out of the desire to authentically and carefully and deliberately represent a character and take them from one emotional narrative place to another, because dc cares about profit and sometimes playing it safe is what sells.

and yes, i know comics and other forms of art reflect and recreate the society within which they were conceived as ideas, and so the dominant societal ideas about gender and race and class and so on are going to be recreated within comics (and/or will be responded to, if the writer is particularly societally conscious).

but jesus christ. you (the writer/writers) have a working class character who has been homeless, who has lost multiple parents, who has been in close proximity to someone struggling with addiction, who has had to steal to survive, who may have (depending on your reading of several different moments across different comics created by different people) been a victim of csa, who has clearly (subtextually) struggled with his mental health, who was a victim of a violent murder, and who has an entirely distinct and unique perspective on justice that has evolved based on his lived experiences.

and instead of delving into any of that, or examining the myriad of ways that classism in the writers’ room and the editors’ room and the readers’ heads affected jason’s character to make sure you’re writing him responsibly, or giving him a plotline where his views on what justice looks like are challenged by another working class character, or allowing him to demonstrate actual autonomy and agency in deciding what relationships he wants to have with people who he loves but sees as having failed him in different ways, or thinking carefully about what his having chosen an alias that once belonged to his murderer says about his decision-making and motivations, you keep him stuck in a loop of going by the red hood, addressing crime by occupying a position of relative power that perpetuates crime & harm rather than ever getting at the root causes, and seesawing between a) agreeing with his adoptive family entirely about fighting nonlethally in ways that are often inconsistent with his apparent motivations or b) disagreeing and experiencing unnecessarily brutal and violent reactions from his adoptive father as if that kind of violence isn’t the kind of thing he experienced as a child and something bruce himself is trying to prevent jason from perpetuating. because a comic with red hood, quips, high stakes, and familial drama sells.

it doesn’t matter if it keeps jason trapped, torn between an unanswered moral and philosophical question, a collection of identities that no longer fit him, and a family that accepts him circumstantially. it doesn’t matter if jason’s characterization is so utterly inconsistent that the only way to mesh it together is to piece different aspects of different titles and plotlines together like a jigsaw. it doesn’t matter if you do a disservice to his character, because in the end you don’t want to transform him or even understand him deeply enough to identify what makes him compelling and focus on that.

and i love jason!!!!! i love him. and i think about the stories we could have, if quality and art and doing justice to the character were prioritized as much as selling a title and having a dark and brooding batfam member besides bruce just to be the black sheep character are prioritized. and i just get a little sad.

[bunnyboy-juice]

spent the first hour and change at work deleting some old files and am having a grand ol time laughing at myself for not realizing i was a lesbian sooner

[selamat-linting]

resignation letter is the most potent painkiller. i love you resignation letter i love you one month notice <3

[helpimstuckinafandom]

JUSTICE FOR DAVINA CLAIRE I'M SO FUCKING SERIOUS FUCK OFF OH MY FUCKING GOD

[thefirstknife]

can we please. go one (1) week without the PVP obsessed people going off about how PVP is the only thing that matters in the game. im so very tired. "PVE people are probably about to find out that PVE can't carry the game because PVP is ruined and we're all gonna quit and play better games" please just can they shut up and go already instead of threatening us with a good time they never follow through on??

I saw that stuff as well, I know exactly what you're talking about. It's incredibly disingenuous and deliberately incendiary to cause more people to bitch about the game being doomed or whatever.

They are constantly using "steam numbers" to show that this is the lowest population count that Destiny 2 ever had and how that's proof that the game is being ruined and dying, that pvp bros and content creators are more important than we think they are, that Bungie needs to make Destiny 3 (yes, that is unironically stuff that people are saying) and other really incredibly tiring things.

Not to mention the vitriol towards the devs. Every time they bitch, more and more people show up in the comments saying awful shit about devs and how they are lazy, they don't work, they don't care, they are bad at development and so on. This is what eventually fuels harassment.

These "steam numbers" are disingenuous because they are taken out of context and they strip all other external reasons from the "low player count."

Is there a low player count? Yes! That is correct. Even when we account for console players, it's still low.

This is nothing new. This is a constant trend. Last month of the season ALWAYS has low numbers. People finished their story and their pinnacle grind and their seals and are doing other things.

More under for length:

Is this the lowest it's been so far? It seems to be, though the final month on steam charts isn't over so we can't fully tell yet, but it seems to be one of the lowest. However, there's been similar numbers before during seasonal end. It's quite literally nothing new. We go through this every season, except this season it's slightly lower than usual.

Why is that? Well, the chart Aztecross put to prove there's not many people playing happened on a Monday before the final Tuesday reset of the final week of the season. Yeah bro, very few people have things left to do in the season. They're not bothering. Unlike you, other people have other hobbies and games to play. I haven't played in days, I only got on on Saturday to finish my King's Fall seal and that took 10 minutes. This is what I mean by "disingenuous." It's a cheap bait tactic. Find the lowest number and ship it for cheap outrage engagement.

Others are constantly also posting the cummulative steam chart for every month of Destiny since the game came to steam and they're pointing out that we have lowest numbers now. Which is, again, posted for cheap outrage. They look at the number and see it's low and their conclusion is "game is dying." They don't care about the trend (every season end is "dying"), they don't care about external reasons (other game releases), they don't care about overall how some seasons are just weaker and have less interest (not the first time), they don't care about anything.

They just want people to be mad enough to harass the devs. Because like, what do they think is going to happen when they spend 2 months blogging to hundreds of thousands of people about the game being ruined by evil devs who don't do their job? When they constantly talk about how everything in the game is bad, pvp is bad, pve is boring and easy, story is bad, seasons are bad, events made for fun are bad, small community event is bad. What's going to happen is thousands of people are going to harass the devs. That's what going to happen.

I took the "steam numbers" chart that people are throwing around and I went into it in-depth to explain what the numbers mean and add context to them. You can see it here. It's a big image but you can zoom in and explore. It makes more sense when you see it separated by seasons; you can CLEARLY see the main trend of "low population at season end."

Another thing to consider with these numbers is the scheduling pattern. Shadowkeep released in October, Beyond Light released in November after a delay. October-November are usually months with a lot of other game releases and holidays. In 2019 and 2020, Bungie had an expansion themselves to cover that time. In 2021, there was no expansion in Oct-Nov; and that was the last time the game had the lowest population record ever. WHAT A SURPRISE. In this period, if Destiny doesn't have an expansion, people move on to play other games!!!! WOW! We have the technology to decipher the low numbers!

It's important to also note that back in 2021, that was the first time a game was delayed properly and significantly, so the year was without an expansion and there was a lull in Oct-Nov period. However, at that time, it was the first time this schedule happened and people generally didn't know how will it go. We were also kept in the dark about the seasonal story end (the infamous When Is Exorcism incident) so people had to keep coming back. Now, we're in the same situation; no new expansion in Oct-Nov, seasonal lull, nothing is happening. However, now, we know how this goes. People know how this schedule works AND we're not dealing with an extended season. We know when this season ends and there's nothing to wait for. People are more comfortable taking a break. So there's less people in Oct-Nov 2022 than there were in the previous lowest point, Oct-Nov 2021. It's almost as if there are reasons for this that go beyond "game is obviously dying."

These people also seem to be incapable of understanding that some players just... stop playing. For no specific reason. The game isn't dying, some people just lose interest. Content creators are especially guilty of this, because THEY can't stop playing, because they tied their income to a single live service game. To them, quitting the game is losing a job. Curious, maybe that influences their views about the game and about burnout and taking breaks and the quality of the content?

They simultaneously want Bungie to drop FOMO and reduce burnout, but they ALSO want for there to never be "content droughts." Which one is it? Because these two things cannot both be gone. If you want less FOMO and less burnout, then there will be less content. If you want more content, then you have to get on that burnout grindset.

It's the end of the god damn season. Yeah, nothing is happening. Yeah, fewer people are playing. Players finished their grind in the Destiny mines and are doing other things before the new season drops. Stop catastrophising it for cheap outrage bait. You not being able to take a break and having to keep making new content even when the season is ending and there no new content is your problem. Not Bungie's, not the other players'.

Bungie is not going to force their devs to crunch 80 hours per week so you can have brand new content every Tuesday that no regular player can catch up with. As it currently is, I want MORE downtime. I want seasons to be 4 months and to have less time and more downtime to catch up with stuff. Imagine the outrage though. Genuinely, society if these people would actually deliver on their promise and leave. Someone else will take your place, bro.

Also, as a final note before a dissertation in the tags: these pvp mains are weak. They whine about only having 2 new maps in 2 years. Gambit got -2 new maps. Like, literally we had 6 maps and now we have 4. LMAO. Crucible has a total of 24 maps and 8+ modes, constant updates, Iron Banner rework, multiple Trials reworks, incoming competitive rework, Crucible labs, three different sets of armour, prestige weapon loot, three different seals, entire twabs dedicated just to it. And they whine about not enough attention for the Crucible?

It's getting more attention than any other core playlist. Their problem is that they're not the ones being catered to. An update doesn't count if it doesn't satisfy mister Crucible Main #37. Fuck everyone else I guess! They are the most entitled selfish childish little pricks I've ever seen. They do not deserve Bungie talking the players at all.

[mcybree]

man I wanna get in fh related fandom discourse but in like a quiet way where we all go around and directly share notes with one another. maybe a power point presentation is involved

[sampilled]

i am aware that when people talk about straightbaiting they are literally just joking but also

That is literally just what happens when the woman is chubby or has a job in a male dominated field or it is an interracial couple.

[embervoices]

A very useful thread on Bluesky:

(There is a lot more. Rather than give you all the images, I've copied the full text below.)

Meredith Rose‬ ‪@mrose.ink‬ November 8, 2024

This is not going to be a repeat of 2016-2020. It will be better, it will be worse, but most of all it will be different. Here are things I want every single person to keep in mind as we head into round 2 of a Trump admin.

My credentials: I’m a queer female public interest attorney working on tech policy in DC. I’ve been doing this for a decade--longer than some, not as long as others. I had to navigate three different administrations, as well as Congress, regulatory agencies, courts, and the advocacy world.

FIRST: don’t let despair override your media literacy.

The left has grifters, just like every other movement. If you’re able and compelled to donate, give to orgs with established track records. Avoid giving to individuals, especially anyone who emerges overnight with a one-weird-trick “plan.”

The left is not immune to misinformation, and everyone—EVERYONE—falls for it sometimes, present company included. There is no shame in it. When (not if) it happens to you, you should acknowledge it; delete or retract the post to reduce the spread; and move on.

If a source consistently shares half-truths or outright misinformation, it is not trustworthy, no matter how much “their heart is in the right place.” Unfollow and move on.

Prediction, analysis, and reporting are three fundamentally different things. Learn to identify them for what they are. Reject attempts by amateur “analysts” to predict the future. They know as much as you do.

Real subject matter experts know and acknowledge their limits. They’re also (usually) hesitant to try and predict the future. The best frame their predictions in terms of a range of possible outcomes. Subject matter experts may also disagree with one another! It happens!

SECOND: What we know for sure about how the Trump, how he operates, and how that will impact the next four years.

Trump is a narcissist who avoids reading and doesn’t care about details. He cannot be persuaded by argument or logic; he’s moved mostly by flattery, and will agree with the last person who flattered him. He can and will upend his own administration’s work without warning, often by tweet.

As a result, most policy experts—even those "on his side"—dread him taking an interest in their field. Ask any Republican staffer who worked in Congress during the last administration, and most of them will confirm that their greatest fear was Trump tweeting about anything related to their work.

As such, people who are serious about their work will do everything to make it as invisible and boring-seeming as possible. This is the policy equivalent of defensive camouflage. Lots of “normie” work will continue in silence. (The lion’s share of tech policy ends up in this bucket.)

If you have a niche issue that you care about, now is a great time to donate to orgs that work on it. Lots of money will be funneled to big legacy orgs working on headline issues: ACLU, climate change orgs, etc. Consider sending your donations where they matter most: local, niche, established.

Trump runs his cabinet like the Apprentice. He thrives on chaos and making people compete for his approval. Not only does he not reward collaboration between his subordinates, he actively undermines it.

Moreover, everyone who works with him knows that they’re vulnerable to being thrown under the bus at a moment’s notice, for any reason (or for no reason at all). His cabinet is going to be scorpions in a bottle. They will not be able to coordinate, for good or ill.

One scorpion can still do a lot of horrific damage. But large scale inter-agency coordination is unlikely, particularly after the first few months, by which point he will likely (prediction warning!) have gone through a handful of cabinet secretaries already.

FINALLY: The view from inside civil society heading into 2025.

In 2016, Trump was a largely unknown quantity. The left and establishment right alike wasted a lot of time trying to read tea leaves and make sense of this guy, because he was completely outside the realm of what anyone had dealt with. That’s not happening now.

He did us a favor by broadcasting his plans in advance (aka Project 2025). Civil society has spent the last 2.5 years strategizing around it. We’re not starting off flat-footed.

The Biden admin did a good amount to future-proof its own achievements. Folks can speak to their own areas of expertise, but clean energy and CHIPS and Science Act (investing in domestic semiconductor production) have benefitted from huge sunk investments. That money’s not getting clawed back.

OVERALL TAKE-AWAYS:

It's going to suck. But civil society and the political left have some advantages we didn't have last time. We know him, we know his angles, and we know who he's bringing in--none of which we had in 2016.

We'll get through this. It will be grim, but we'll get through it.

John Cutting‬ ‪@johncutting.bsky.social‬

Thanks Meredith. I really valued your analysis over the past few years, and I think this is a reasonable, actionable framework to think about the upcoming storm

Meredith Rose‬ ‪@mrose.ink‬

I really cannot overstate how much time was (necessarily) wasted in 2017 trying to figure out this guy and his influences. The fact that he's not only a known quantity, but ran the most over-studied administration in this nation's recent history, makes this a very different game.

John Cutting‬ ‪@johncutting.bsky.social‬

I bet we can weaponize his narcissism. Let's say some ghoul starts making progress with a mass deportation effort, if we start calling that ghoul that "shadow president" en masse, Trump would fire him in right away and appoint Hulk Hogan or something

‪Meredith Rose‬ ‪@mrose.ink‬

This is exactly why I don't think Musk will last very long. Trump is very clear that he's the only one in the room allowed to have an ego or any kind of brand name.

[steviescrystals]

i will never shut up about how much i hate the college system in the us and the way it’s all about money because i genuinely love learning and i miss being in school so fucking bad but i simply cannot afford the education i want

[drop--pop--candy]

you ever have a group discussion in english that makes everything make sense