#and that's the most common interpretation of it i tend to see

[illmoraineakoi]

Do you guys think that if Chosen ever learned of the 'deal' Orange made with Alan in AvA4, he'd automatically see it as Alan using it to indenture Orange to him and blow a gasket?

Especially if Orange recounted the deal incorrectly, or perhaps even if Orange himself misinterpreted or misunderstood it.

Because the original wording of the deal was "If you help me animate, I'll let you free so long as you don't wreck my computer."

Alan likely meant this to mean that so long as Orange didn't mess up the computer and helped him animate, Orange would be allowed to live on the computer. Which is already a little questionable, placing a stipulation on having a place to live. A very 'earn your keep' sort of vibe.

But the original deal makes no mention of RGBY or their role in everything. Honestly, it seems like they just kinda moved onto the desktop at some point between 2015-2017. But like most things with Orange, things tend to revolve more around them than himself, when it comes to his priorities.

So I don't think it's too out of the question to think that Orange automatically pooled them in with himself in this deal, and they became another factor of it when they originally weren't involved at all.

A common interpretation I've seen is Orange misunderstanding the deal, and thinking that if he helps Alan animate, his friends get to stay too. IE: If he doesn't, Alan reserved the right to kick them off or bar access to the computer from them. Placing a stipulation not just on Orange's own ability to have a place to live, but on his ability to see and have access to his friends. Turning it into a privilege earned by fulfilling the responsibilities expected of him.

Orange undoubtedly likes to animate with Alan, that's not an issue, but perhaps he still thinks that he has a responsibility to do it in order to maintain the status quo of not just his life, but all of their lives. Maybe he sees it as a sort of 'payment', in a way. Perhaps he doesn't even really believe that Alan would be mean enough to revoke those things from him, to do what is his right to by the terms of their deal, but there's a part of him that's secretly unwilling to chance it.

Or perhaps he doesn't even think the deal is active anymore. It's been so many years, after all, and they've ruined Alan's files multiple times (unintentionally) and nothing's happened. It could've long since become null and void.

But from Chosen's perspective, it would likely seem a lot worse than Orange ever thought it was. Perhaps even worse than ALAN realized it was.

Because Alan has put a price tag on Orange's right to even have a place to live. A price tag (potentially) on his ability to see and interact with his friends. A price tag on his nice, happy life. Maybe even a price tag on his very life.

And I think Chosen would be very upset about that. And perhaps even more upset when Orange seems confused about why he's upset about it, when Orange doesn't understand how predatory it looked from Chosen's perspective.

After all, it's not even a very big price tag. It's just a little animating. It's not that bad, and Orange likes doing it anyway, so what's the problem?

But at the end of the day, it is still little more than a ball and chain made of words and letters, binding him to doing what Alan wants him to do with the potential threat of ruthless punishment should he disobey or rebel of cause harm to the computer.

And really, what difference is there, between using a stick figure as a pop up blocker and using one as an animating assistant? Does the fact that he enjoys it really outweigh or justify the fact that you've placed a condition on his very livelihood since the day of his creation?

Yeah. Chosen would not be happy.

[peliginspeaks]

Listen, I'm sorry to the people who draw Veils in torn/bloody robes because of the whole Vake thing but you're simply wrong. Do you think Veils would Ever go out like that. Do you think it doesn't have fifteen changes of clothes ready immediately, with options depending on the day and occasion, to climb into when it comes back from killing things. Of course it does. Veils is getting home, taking a shower in the Bazaar, putting on a new perfectly clean robe with accent panels and silk trim, and then dabbing 1 (one) tasteful bloodstain on the hem of it with a claw because it's arrogant and it thinks it can get away with it. What is a Veils if it's not serving cunt. Of course it is.

[flickering-nightfall]

i am going to scream

[gensokyogarden]

I found this Twitter thread discussing Reimu and Autistic traits quite interesting. As someone both with Autism and in the process of getting my master's degree in clinical psych, I both found it relatable and think the OP made a lot of good points in their analysis (though I will note that you can't really diagnosis a fictional character but it's all for fun). So I thought I'd share it.

[cicadidae-tm9899]

the emotional whiplash i’ve been putting myself through for the last like 7 hours is insane.

[novy2sirius]

numerology notes .ᐟ

— part seven

✢ your day number is what shows your main karma/karmic lessons. similar to saturn energy a bit. example: if you’re born on a 6 day your karma could be your family (this is only one interpretation though). i will make a post going in more depth soon! also because of this, on 8 days karma is more likely to come back to you (can be positive or negative depending on your actions in life)

✢ the number that is most likely to home wreck or cheat is 5’s. this could also apply to astrology when it comes to leo’s being the 5th sign and also their letterology equaling 5. this is why i don’t agree with the people that claim leo’s are “one of the most loyal signs”. although i don’t think they’re all cheaters of course because the whole chart matters

✢ if you’re trying to have a baby and are struggling with fertility issues, try having sex on a 5 day! 5 is the number of fertility. if that doesn’t work you should likely see a fertility specialist or adopt

✢ you’ll notice a lot of mothers or parents in general of 33 life paths are 9 life paths. this is why 33’s tend to have hard lives also. a lot of them have toxic parents (9’s can be very toxic when low vibrational). the 33’s still remain family oriented and loyal through this usually though because they will do anything for the people close to them

✢ the 2nd day of every month is often the most peaceful. this is because 2 is the number of peace in numerology. the opposite of conflictual energy

✢ if you’re lacking creative energy you should wait for a day with lots of 3/23 energy to create or come up with ideas for projects. 3 is the number of creativity

✢ life path 44’s are the most psychopathic life path. even more than 7 the most psychopathic reduced number. this doesn’t mean ALL 44’s will be psychopaths though. 44 is just the most psychopathic since 4 is most voided of emotion and 8 (the reduced version 4+4) is the most power hungry. this doesn’t mean it’s the most common number for psychopaths in general though, that would be 7’s. it just means the most evil ones have it

✢ dragons are one of the most good looking vietnamese signs since dragon in letterology is 5, the number of beauty

✢ people with 7 energy are good at figuring things out. this also applies to goats in vietnamese astrology since goat in letterology equals 7. goats are one of the smartest sign

✢ if you want to schedule a doctors appointment or any kind of medical appointment like a dentist appointment, etc then you should schedule it on a 5/14/23 day if you can

comment your day number !

[falmerbrook]

Falmer appearance and attire headcanons

(click on drawings for more details and notes!)

Hair

In Skyrim, we pretty much only see two hair styles to go off of: completely bald and the hair the "shaman" have (which are also the only females we see (a post for another day)).

In concept art, particularly Adam Adamowicz's, we see more potential hairstyles. He draws it as wispy and messy, as well as containing braids and the ties we see in the shaman in the game. This art is largely what defines my own interpretation of their hair.

I picture the typical Falmer hair as wavy, thin, wispy, and looking frizzy. Given the high number of hairless Falmer we see, I imagine baldness is common, particularly among males, and sometimes among females. Their hair can be commonly styled into braids or knots to keep it under control.

The ability to grow long, thick hair is less common, but those who can tend to style it in other unique ways. Especially among females, long hair is commonly styled into large dense locs (akin to a Polish plait) and held into shapes using ropes or leather ties.

(While I think the intention with the way their hair is drawn and modelled in the game models and concept art was that it was braided and held up with those ties, before looking at it closely I always sorta interpreted it as too stiff to just be braided. As a result, I developed the locs headcanon and have become kinda attached to it even though I have 0 in game or lore support for it)

Materials

The material used in their clothing is obviously dependent on what is accessible to them, and given their unique situation that makes the materials they use and value unique as well. In Skyrim, we see that almost all of their armor (which is mostly what we see them wearing) and homes are made of chaurus chitin (and potentially shellbug chitin), so this is likely the most common resource available to them for non-combative coverings as well. Other materials from their arthropods companions could include their cocoons, unhatched eggs, etc.

Bones from other creatures (draugr, skeevers, trolls, adventurers, bandits, etc.) underground or from aboveground raids could also be used fairly often. These could also provide a source of leather or fur, albeit not a lot of it.

Falmer groups and subcultures inside or in close proximity to Dwemer ruins probably make regular use of the materials present in those ruins as well. With all the metal and machinery present in Dwemer ruins, metal probably makes regular appearances in their clothing (and general decorations) even if they can't manipulate it themselves. Falmer more separated from Dwemer ruins would make much lesser use of these materials, however. Additionally, We see implications of Falmer preparing, cooking, and potentially cultivating fungus in-game, but see nothing indicating they have any plants in their diet, and therefore it is unlikely they regularly make or use textiles or fabrics in their clothing, and if they do they likely come form Dwemer ruins or raided adventurers/bandits/settlements from the surface.

On that note, we know that there have supposedly been incidents of Falmer coming to the surface to attack its inhabitants and travelers, as well as instances of them killing bandits, adventurers, and researchers who venture below, so it's not far fetched to believe that they have access to some materials from the surface. This could give them some access to furs from surface animals, beads, glass, jewelry, textiles, metal objects, etc. they might not otherwise have access to. The rarity of these material among the Falmer would depend on the amount of access any given group of Falmer have to the surface, but among many of them these materials could be seen as more valuable for their rarity and the difficulty to gain them.

While gemstones and ore might be accessible from both natural deposits and underground ruins, unless they had some kind of auditory function or unique texture, they might not have much value to Falmer.

General Attire/Accessories

I like to imagine that the Snow Elves, and by extension the Falmer, have an innate cold resistance in the same way Nords do, and therefore don't require clothes for the purpose of warmth even in the chilly caves of Skyrim. Additionally, their blindness likely means that wouldn't dress for visual aesthetic either. My thoughts are that they are then left with the sense of sound and touch to communicate with each other, and their clothing and accessories could reflect that.

Falmer clothing, decoration, and society in general is very heavily based on touch and texture and little on appearances. They touch each other very often for both communication, movement, and just general day-to-day interactions, and their clothes isn’t very modest, but the tactile patterns and materials used can communicate certain things such as position in society, “wealth”/power, whether they are taken, single, pregnant, with a child, etc., their roles, their age, notable achievements/skills, who is who, etc. on both their clothes and buildings. The more noise one makes, the more attention they draw and the more they drown out other noises, and the more noise making things they can “afford” to have, so the amount of noise one makes in a Falmer settlement is a status symbol. Certain types of noises or noise makers are more coveted than others (chitin beads are common, while furs are less common, and materials only gained from raiding the surface are rare and coveted).

Some noise making accessories could include:

Dangling metal, bones, beads, chitin, etc. that hangs off of their clothing or ears and jingle/clank against each other (in my drawing I show them as pretty uniform in shape and size, but they would probably be much more irregular than I depicted them)

Bells (metal or other materials) that are affixed to or dangle off of their clothing or as earrings.

Hollow bracelets, anklets, necklaces, or other accessories that are filled with rocks or beads.

Rattles tied to the body (made of chitin, dried hollow chaurus eggs, dried chaurus cocoons, beads, etc.) with leather or rope.

Flute or whistle like tubes made of metal, chitin, or dried and treated tube-like fungus that makes a woodwind-esque noise when air passes through it in a certain way. They have been designed to make noise easily from even the slightest movements.

Dried grasses (more temporary) tied to the body that make a swishy noise. More permanently, a similar thing can be achieved with hair. The hair can be sourced from Falmer (either through just cutting hair or through taking it from fallen enemies) or killed humans/mer/draugr. That sort of thing can also act as a kind of trophy.

Necklaces with various materials dangling close together that jingle against each other.

Various materials can be tied into braids or the leather ties in their hair as well.

Some textural accessories could include:

Beads. Since they wouldn't have the ability to tell the color of the beads, the patterning of beadwork would be based on the roughness, material, size, or shape of the beads. (I'm sorry I suck as drawing beads)

Furs. This wouldn't be as common since the Falmer likely don't have too much interaction with furry mammals, but some they may have access to that are big enough to make clothing/accessories out of include skeevers or trolls (and potentially rarely animals from the surface). A potential meaning of wearing furs could be as hunting trophies, but it could have other meanings as well.

Chaurus chitin would like be the most common material in Falmer attire, and depending on the part of the chaurus body, the size of the chaurus, or the life stage of the chaurus it was sourced from it could have different textures. Some chitin parts could include large spikes and deep groves, while other parts could be smoother and less rough. The use of this chitin in clothing could take advantage of this contrast in textures. Additionally, chitin or shells from shell bugs might be a different texture from the chaurus chitin. (it's unclear to me whether shell bugs are exclusive to the caves around the Forgotten Vale or if we should consider them distributed throughout Skyrim's underground)

The placement of textured components on the body could have their own meaning to it alongside what accessories or textures are being used.

Specific Falmer Subcultures

While most Falmer settlements we see in Skyrim are just a small-ish collection of huts and chaurus corrals, there are two distinctive settlements that are larger, seemingly more organized, and I like to think have their own distinct subcultures worth mentioning: Blackreach and the Forgotten Vale. The unique scope and environment of these Falmer cities (as I like to think of them) could lend to unique clothing cultures as well.

The Falmer of Blackreach have access to a vast Dwemer settlement and have has the space to spread out throughout it more fully since it seems to be more in tact than other Dwemer ruins we see. These guys would likely have a clothing culture much more heavily based on what the can access from these Dwemer ruins (metal scraps, leftover fabrics, etc.)

The Falmer of the Forgotten Vale would also have access to unique resources, such as Vale deer, Vale sabre cats, and frost giants for fur and leather. Additionally, materials accessed from the Chantry of Auri-El such as textiles from clothing, bedding, tapestries, etc. could give them a greater access to fabrics than other Falmer groups. We don't see many close Dwemer settlements to the Vale, so they would have less Dwemeri influence in their clothing than other Falmer groups.

I like to think that the Falmer's evolution exclusively underground has made them poorly equipped to handle the outdoors during the day and has made them particularly susceptible to sunburn, necessitating the need for covering for those in the Forgotten Vale who have significant settlements outdoors. With greater access to textiles and leather, they could use them as coverings when outdoors.

Armor

I actually have very few notes on armor, for two reasons. 1) I hate designing and drawing armor. It is the bane of my existence. 2) I really like the armor they have in game! I think they look awesome aesthetically, and I like how clearly they are made from chaurus chitin. Per usual, Adam Adamowicz's designs seem to have been the major inspiration for the Falmer armor, and he did a great jobs (even if it isn't the most functional looking armor ever).

(off topic but I also just want to add that he draws them with little hairs and tufts on their ears and I love it. ok that is all)

I do have a few thoughts about armor though.

Even attire made of textiles make noise when someone moves in them, and I can imagine moving around in armor, especially armor made of hard, insect shells would make a lot of noise when someone moves around in it. When you're relying on sound to navigate your environment and pinpoint potential threats or targets, wearing something making a lot of noise would not be ideal. On the other hand, getting into a fight unarmored would be a problem.

So here's my solution: heavy armor (see below) would only be worm within the camps/settlements where noise was already high and space is more cramped (and therefore more risky in a fight) as a sort of guard in case they were attacked. Those guarding the settlements along the outside might still wear armor as well, but less of it. Those going out to scout or hunt (if they do hunt) would wear as little armor as possible, and try to wear it strategically so that it wouldn't rub against itself and make noise. This is why most Falmer we encounter in the game are wearing little except for loin cloths and kneepads.

One more idea I have for armor is a specific armor piece. On the note of guarding or protecting a camp or settlement, I imagine the noises of it all (especially with the noise based headcanons I've laid out here) would make it hard to actually catch any potential threats when you can't see. A large slightly concave piece of armor worn behind the head could block out noises from behind the wearer, as well as a help focus sounds ahead of them.

That is all! Thank you for reading! A lot of these concepts around the culture of sound I think could also be applied to their buildings and even a culture of music, but those are posts for another time.

All of the concept art I used was taken from here and all of the Skyrim screenshots are from UESP.

[cy-cyborg]

We have communities - Writing disability quick tips

So often, stories centred on disabled characters, especially in modern settings, emphasise how lonely or isolated the character is because of their disability, especially if it’s a newly acquired disability or one that non-disabled people assume would have a big impact on our ability to do “fun stuff”. This will often be accompanied by statements of “no-one understands what living with [insert disability here]” is like!

And while isolation and loneliness are things a lot of disabled people deal with, a lot of us are not completely alone either, especially in the modern day.

Just like any group of people with shared experiences, we find one another. Sometimes this is through formal systems; some spinal rehabilitation centres for example, will pair newly paralysed people up with a mentor who’s had a similar form of paralysis for much longer to help guide the person while the adjust to their new disability. Other more formal systems can look like disability sporting organisations - the one I used to work for used to specifically encourage very newly disabled people to join so they didn’t feel like the had to learn everything about their disability alone, or support groups.

Other times though, these communities are much less formal. They may look like online forums, such as the ones on Reddit, built by and for disabled people to talk about their experiences and seek recommendations from others in the same boat, or parts of larger social media sites. For example, on Tumblr, there aren’t really any formal groups, but thanks to the hashtags we use in our posts, we often find one another fairly quickly there. We sometimes also carve out our own little subsections of fandom or hobby spaces, brought together by the shared interest itself, how things like disability might impact the way you interpret or interact with it, and how we can modify it (in the case of hobbies) to make it work for us.

A lot of disability communities, formal or otherwise, also form out of necessity, such as advocacy groups run by and for disabled people, and those built around ensuring the rights of disabled people are protected.

Isolation and loneliness are problems within the disabled community that many of us deal with, but this tends to be more in the context of isolation from the wider public, exclusion from public spaces and events (despite there being laws that are supposed to stop this because they’re often not enforced), disconnect from non-disabled friends and family, etc, most of which are the result of systematic issues or the lack of understanding or care and support from non-disabled people in our lives. Not always, but often.

The communities made by and for disabled people though are often (at least in part) made to help make up for this, and they’re more common than you might think, you just have to know where to look. It would be nice to see more creators reflecting this in their work a bit more often, or at least acknowledging that they are there, even if your character chooses not to engage with them.

However, as a reminder to authors and creatives: These communities, especially the online ones, are for disabled people, they are not there for you to use as a reference as a creator. Some communities are ok with you being there to learn, so long as you listen and don’t try to speak over/bombard their members with questions. Others are not. The ones that are, typically will have something written somewhere if it’s online (e.g. subreddits that accept writers wanting to write disabled characters will often have it written in the “about” section or the rules). There are also dedicated groups and platforms for non-disabled people seeking to learn more about us and our communities, which can be excellent resources for creatives like writers. Just remember to be mindful of where you are and respectful of people’s spaces and boundaries when doing your research.

[lactoseintolerentswag]

Rise Characterizations Pt. 8!!!!!!!!

This has literally been sitting in my drafts for so long I forgot it existed. Sorry to all the Baron Draxum fans (and Draxum himself, bbgirl deserves better). If you're new to my line of notes here's the beginning where I started with Raph. Alright part 8, Baron Draxum, here we go.

Language Habits:

Speaks in long and drawn out sentences, if you're getting nervous about run-on sentences you're on the right track

Due to this, tends to give speeches or monologues

Dramatizes everything fairly eloquently, look for the most exaggerated form of a word. Classic villain speak: "imbeciles", "brethren", "eliminate"

Puts emphasis on those dramatic adjectives and verbs

Occasionally refers to himself in the third person, not as often as Raph

Tends to yell or raise his voice when frustrated or lost in passion

A common gag is trailing off in a casual tone about the severity of his experiments ie his "if it works right" about the ooze causing pain when mutating that poor fish guy

Personality:

Incredibly intelligent yet impatient. It isn't known to my knowledge who taught Draxum or if he taught himself, but his mastery of alchemy and fighting makes him a truly impressive opponent. However, he's always cutting corners to get to his goal. He wasn't willing to raise through the ranks of The Foot the traditional way, he created an army of mutants rather than seek yokai, and was unwilling to spend further time interpreting the prophecy of doom towards yokai-kind

Flair for the (over)dramatic. Draxum is almost your classic evil villain kind of guy. He'll pull out all musical stops, including flowing hair and clothes. On the other end he'll completely overreact and commit to things of little matter like his position as a lunch lady.

Unyielding in his stubbornness. Draxum is not easily swayed in his belief, and even as hard as Mikey tries he is not rid of his disdain for humans by the end of the series. Guy was also incredibly persistent in his research despite his lab blowing up twice. This also allows him to hold longer grudges, even resorting to childish pettiness if he feels annoyed enough.

Affinity for muscles and power. He was drawn to Lou Jitsu for many reasons, but a main one was definitely his muscles. All his guards are usually incredibly beefy, and he was immediately drawn to Raph as "beautiful" when he's reintroduced to his specimens. As for power, he's drawn to the dark armor and is lost in the ecstasy of being imbued with so much mystic energy.

Self-absorbed and egotistical. Draxum is kind of obsessed with his title and self-proclaimed responsibility for saving yokai-kind. He's not one to easily admit his mistakes and takes great pride in his work.

Willing to toe the line of morality. Huginn and Muninn have blatantly called him their evil boss, but Draxum does see his actions for the good of yokai-kind. I don't think he really cares if he's working with evil organizations (The Foot) or doing evil things if he saves the day.

Team builder. I think it's interesting how Draxum is drawn to building teams. He's drawn to working together, all he wants to do is unite yokai and his mutants into an efficient force. This does not mean he's very successful.

Miscellaneous:

Has minor telekinesis

Was a warrior before he was an alchemist

Does not have a good relationship with the Three Heads (apparent leaders of the Hidden City)

Controls seeds that can a) grow into vines, b) expand into robotic vine gauntlets, c) encase his gauntlets into meatier gauntlets that can shoot out waxy cocoons

Is referred to as a sheep-man from the brothers, but I suppose whatever animal you interpret him as is up to you

Has a great singing voice :) ( which is subjective I suppose)

Alright now that is finally posted just gonna let you know that this Isn't the last of my rise analysis posts!! I'm so sorry for the wait!! I got lost in so many schedule things. I'll try and pump a few more analysis posts out within these next few weeks (excluding June 16-22), but I've also been busy working on miscellaneous wips. Thank you for being so sweet to me on all the other notes posts, you guys are so awesome :)

[rainesol]

Idia and self-sabotage

Disclaimer: This post talks about Idia’s tendencies to be mean, nasty and otherwise generally unpleasant. This isn’t in order to bash his character, and everything comes from an objective standpoint. If you do not like people talking about this side to him, this is not your post. You scare me.

In my opinion, Idia (whether consciously or subconsciously) often sabotages his own chances at friendship with the other characters. It’s common knowledge that he’s regularly quite insulting to the other characters, which leads to him gaining a pretty poor reputation.

Idia tends to group the other students as ‘normies’ and that him being an outlier makes him unrelatable. But in reality, the only side of Idia most characters have seen is the side that throws snide comments their way, including calling them stupid. (A major example of Idia having a good time ruined by himself is his Suitor Suit vignette)

It’s important to mention that Idia has multiple mental health issues, including a severe anxiety disorder. One thing I rarely see mentioned though, is the fact that he may be isolating himself on purpose due to poor MH, trauma or otherwise.

In book six, Idia makes it clear to Ortho that he does not feel able to be a ‘hero’, or make any friends due to his bloodline. Speaking of Ortho, pre-book six Ortho was purely mechanical. Ortho pre-book six was programmed by Idia to do what was best for him. And yet, Ortho still pushed for him to make friends, despite being solely an ai at the time.

To give another example, here is a line from Idia’s Culinary Crucible card:

This can be interpreted as Cater learning from his experience pushing Idia into socialisation. Idia takes offence that Cater thinks he’s ‘into anything as long as it’s anime’. In my opinion, however, this isn’t exactly fair on Cater. It’s safe to assume that Idia has not told Cater his interests, and this is simply an attempt at being friendly and making Idia feel welcome. Despite their similarities, Idia pushes him away. (Though, neither are aware of these similarities)

To simplify, I believe Idia avoids building bonds with people for a few core reasons: The anxiety of being known, and by extension, judged, The trauma of being unable to make friends due to his destiny, and the fact that it is so much easier to hate the world if it feels like the world hates you.

[batpham-discord-highlights]

A PSA for tagging DPxDC Content

This post will include:

The proper tags to use when posting

Why we use them and not the parent fandom tags

A chart of key words to help you filter

Image descriptions under the cut

We know we can't control who tags what, and how tumblr chooses to work, or not work, but these are just some general guidelines to help everyone find or block our content.

What DPxDC Tags should you use? 

General: dpxdc always

More Specific Tags: Batpham, dpxjl, dpxyj

For ALL ships please add “ship” after the ship name. For example: Dead Tired ship, Dead on Main ship, Double Edged Sword ship

What Tags should you NOT use?

Parent Fandom Tags: Danny Phantom, dp, Phandom, Phanart, Phanfic, DC Comics, DC Universe, dc, Batfamily, Batfam, Superfam 

Variations of General Tags: dp x dc, dcxdp, dc x dp, dp x jl, dp x yj, dp/dc, dc/dp, 

For ships please don’t tag JUST the ship name. For example: Dead Tired, Dead on Main, Double Edged Sword

As a general fandom tag we are using dpxdc, WITH NO SPACES.

Why no spaces? Tumblr is so glitchy it’s baffling a very functional website. Because of this we’ve received reports that sometimes if a post is tagged "dp x dc" or “dp/dc” then, even when the tag is blocked, the posts will still show up in the individual "dp" and "dc" tags. That isn’t cool.

Why is it important to tag separately?

dpxdc is a big crossover. The crossover fandom has been rapidly growing over the past year. The crossover fandom drowns out the original dp/danny phantom fandom by a lot, especially for people who may be interested in dpxdc but also want to enjoy regular phandom content. By not using the dp and danny phantom tags, it helps a lot to not drown out the main fandom's inhabitants and content. dpxdc as a fandom tends to pump out a lot of content (which is amazing), but that means that we need to be careful to not suffocate the main fandoms. "Why can't I tag the danny phantom or batfam main fandoms? it's a crossover" -- yeah, it is a crossover, but it's a crossover that is huge (especially in comparison to danny phantom) and dpxdc has taken over the main fandom tags. It's causing a lot of animosity and tension on both sides.

Additionally, the crossover (like most fandoms) comes with some common characterizations, tropes, aus, and concepts that tend to be interpretations that do not link back to the main fandom well. While fandoms come up with their own characterizations, tropes, aus, and concepts, it's important to know when a crossover fandom has existed long enough to establish its own sets of common themes that the main fandom may want nothing to do with.

This doesn’t mean you have to pick between dpxdc and its parent fandoms, like Danny Phantom or DC or Batfam. Indeed, by NOT tagging dpxdc with its parent fandoms, you are ensuring that people who want a space for dpxdc and a space for its parent fandoms can have both! We don’t have to pick sides! But in order to have both, we need to tag dpxdc content with a tag we can search (that is, dpxdc), AND we need to make sure we’re NOT tagging the parent fandoms (such as, danny phantom).

What if I don't want to see dpxdc content?

Here {link} is an in depth guide on how to block tags and filter certain content from appearing on your dash. We also ask that you please keep any venting out of the dpxdc.

However, if you’d like an easy list of terms to just put into your filters, we’ve made a chart!

Thank you!!! 🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇👻🦇

[image description: A table with 3 categories, “DC Content”, “DPxDC content” and “DP content. 

Under “DC Content” are listed: dc comics, dc, batfam, Young Justice Cartoon, Young Justice , Teen Titans, Teen Titans 2003, Batman, Gotham, Bruce Wayne, Justice League, Superman, Clark Kent, Metropolis , Jason Todd, Red Hood, Tim Drake, Red Robin, Damian Wayne, Lazarus Pit, Lazarus Water, Ras al Ghul, Watchtower, Constantine, John Constantine, Robin dc.

Under “DPxDC content” are listed: dpxdc, dp x dc, dcxdp, dc x dp, dp x dc crossover, dp x dc prompt, dp x dc fanfic, dp x dc au, dp x yj, dpxyj, dp x jl, dpxjl, dpxdc event, Batpham, Danny Fenton/Dick Grayson, Death Defying, Danny Fenton/Jason Todd, Dead on Main ship, Danny Fenton/Cassandra Cain, Dead Silent, Danny Fenton/Tim Drake, Brain Dead, Dead Tired, Danny Fenton/Damian Wayne, Dead Serious, Jazz Fenton/Jason Todd, Anger Management ship, Hardcover, Jazz Fenton/Cassandra Cain, Silent Jasmines, Dani Phantom/Damian Wayne, Serious Chaos, Double Edged ship, Dani Phantom/Mar'i Grayson, Space Princess, Demon Twins.

Under “DP content” are listed: Danny Phantom, Phandom, Phanart, Phanfic, Danny Fenton, Sam Manson, Tucker Foley, Vlad Masters, Vlad Plasmius, Ghost King Danny, Ghost Zone, Infinite Realms, A Glitch in Time, Amity Park, Nasty Burger, Everlasting Trio, Badger Cereal, Dan Phantom, Valerie Gray, Team Phantom, Jazz Fenton, Clockwork, Skulker, Fenton, Jack Fenton, Maddie Fenton, Eldritch danny, Fright Knight. end]

[raven-at-the-writing-desk]

Someone might have already asked your opinion on this but why do think Rollo became so popular in Japan? B/c I definitely think part of it is because he's voiced by Hiroshi Kamiya

Apart from having a popular VA, I believe it’s also in part because Japan has a “quiet” fandom culture. Meanwhile in the west, it’s more common to decry or brand dark (or even just potentially dark) content as problematic or to be skeptical of them; we saw this play out when Rollo was first announced in JP: Japanese fans were very excited for him whereas English speaking fans were hesitant to embrace him and made accusations about his character before he even had any real screen time. It’s taken a lot longer for English speaking fans to warm up (yes that was a pun) to him. In that sense, JP fans had more initial positive or at least more open-minded) exposure to him, meaning more of a meaningful bond was able to be established.

Another part of it is also his “aesthetic”. From what I’ve been told, religious imagery is prominent in Japanese pop culture. The fact that there are parallels to it in Rollo’s design and character probably has some kind of effect on how he’s viewed. There’s of course also religious imagery in Western pop culture, but it tends to have a more mixed reception, especially among younger members of the audience.

Additionally, Disney villains are super popular over in Japan (yes, even more popular than in the West). Tokyo Disney even has a recurring Halloween event exclusive to them (Disney Villain Recruiters) where they have minions of villains go around trying to recruit park guests to their cause. The Hunchback of Notre Dame movie is also extremely big over there (this is according to my sources, who have actually lived there and/or visited Japan). So Rollo, being a morally grey pretty boy twisted from one of the most well-known Disney villains… yeah, I can see why he’s beloved.

(I want to stress this though: the JP fans like Rollo not because they think he’s the same as Frollo, and nor does liking either character mean that JP fans support what they stand for. They just like the interpretation and reimagining that is Rollo; they still treat Rollo like his own character and can still acknowledge his faults.)

[moonchild-in-blue]

So, I have recently noticed that out of all of Sleep Token's discography, there are exactly only 3 songs where Vessel isn't addressing someone directly as a dialogue (doesn't use the words you/we), and 2 of those he still mentions someone in the 3rd person.

Atlantic - doesn't use you/we. The second person (you) is implied, but the song is mostly about Vessel/his inner monologue and memories. If I'm not mistaken this is the ONLY song that mentions him crying sobbing (I've barely begun and I'm already sad).

call me // flood me // weather me // etc

Alkaline - doesn't use you/we but spends the whole song describing someone and how she affects him.

she is changing me // her molecules // she's not acid nor alkaline // i'm caught up with her design // etc

Distraction - doesn't use you/we, and the main focus is on him. Vessel mentions someone in passing (in the 3rd person), but mainly it's all about him.

she is not like any other (...)

Worth mentioning that the ONLY song that breaks the you/we // dialogue rule, that seems to be solely about Vessel and doesn't reference any other person is DYWTYLM, if you go with the most common interpretation that this is Vessel talking to himself/his reflection.

[of course it's up to personal interpretation but to me this is what makes the most sense]

Why is this interesting? BECAUSE, in literally every other song, his feelings about the person, their relationship, and even his own position tend to change a lot.

Sometimes Vessel gets extremely passive agressive and angry at them (I see you Granite). Others he is just pouring out his love and desire, and being the most romantic individual ever. Sometimes they are someone to defend or be guarded by, others they are a menace and dangerous; someone to walk away from. All of these are things he says directly to them, even if he does flourishes and dances around the question.

And yet, in all 3 of those songs, they are always painted as someone who is "good" and "unlike any other", who protects them, who is "more than he could ask for". Someone whom he loves and is content with. In Alkaline, where he mostly just talks about her, Vessel describes her as "either born in hell or heaven sent" and goes on about the dichotomy of her being, but is ultimately "into it". At no point he shows remorse or discontent regarding her.

On the other hand, he is always suffering in them (technically he is always suffering anyways but-). In none of these songs does Vessel ever takes the role of someone who could retaliate. Of someone who is strong. If we look at Atlantic and Distraction (and DYWTYLM if you want to), the only songs pretty much solely about him, he is always in pain, on the verge of collapsing completely. Even Alkaline, he is glad to be consumed and entangled by her.

In those songs, Vessel is crumbling and sobbing and falling apart, and begging to be "put to sleep"; he is willing to be drowned because "it's too late for him", offering no resistance; he is wishing to be someone else, wishing to love himself and "smile back at him", as he knows he should.

When talking directly to them, Vessel is as loving and sweet as he is angry and hurt by them. And yet on the very, very few occasions he talks to only to himself, he is always seeking refuge and declaring his love for them, while running from himself and begging for death.

Also interesting to point out that, with the exception of DYWTYLM, all of them belong to This Place Will Become Your Tomb. The depression album. The "let me be taken by the cold waves and sink to the bottom of the ocean so I don't feel anymore pain" album.

[accio-victuuri]

IF & DOVE LIVESTREAM CLUES. 🧩

we’ve been missing our bunny laoshi for quite some time now and to have back to back livestreams from him was such a treat! and well, that new haircut! anyway, here are some sus moments from those events. this post is mostly for me who missed it and want to catch up/ archive these sweets.

for the IF livestream. i think the most glaring one is when xz said “活过来了”/ “i’m revived” related to drinking. and how it’s what wyb exactly said in exploring the unknown when he was able to finally get that first sip of coffee in the morning. well, you can say that it’s a common expression someone will use but why is it always them? and how close it was that we caught it? also the way it was natural and effortless. it’s times like this that we see their connection.

they don’t show up in front of the camera and events together but little bits like this, them adapting the other’s habits tell us what is true. i also saw one person say days ago that these two now tend to insert some english words in their sentences and i was like — oh yes. that’s true. i kinda noticed that too! even the dialect sometimes and other examples. so this incidence is just one of those. that happens when you spend a lot of time or talk to someone so often.

his clothes from acne studios, which a fave between them. yeah. they are not the only two people in this world who wear this brand but you all know we love some wardrobe similarity.

and this one he was saying how he sweats easily and that he is afraid of the summer because of it. which is not a new information cause we have seen this happen. and why he always has a fan with him. but i’m cackling how OP was relating it to that one LRLG rumor where WYB said that when XZ says it’s hot, he gets two strands of white hair. meaning that stresses him out. HAHAHAHAHA! He is too sweet. He can’t stand seeing/knowing that XZ is not comfortable.

Now let’s move on to the DOVE chocolates livestream which was so fun 🍫

the first one being ( again ) another example of a similarity. how they both like crispy things, and this is what zz commented when asked. which makes sense cause he likes potato chips among other things. as for wyb, he mentioned this when he was eating that food in ETU.

another way to interpret what wyb said was that he was only appreciating the crispiness of it and not exactly saying he prefers it. he said it himself that he is not picky with food. however i agree that this is more than enough to set off our cpn alarm bells. ugh. they are so obvious sometimes.

there was also a moment where he had to make a sentence based on a word that was given to him and what he came up with was:

we can go camping on the grassland and enjoy a relaxing time together with friend

dude i know we are all sick and tired of the camping cpn but they are not. lol. they love it so much and it gives us more sweet fuel so we have to endure 😂 and not only that — together with a friend? is this the friend from the crew? 🤣🤣🤣🤣

he used a cherry for his cupcake too! he really loves it and only put one. reminds me of that cherry cpn.

there was a challenge too where he had to blow the can to move and also push it somehow. he was so persistent! it may seem simple but that’s one characteristic they have in common. they are competitive in their own way ( okay wyb is more ) and won’t give up on challenges! fans noticed too how xz looks so young with his haircut, and how his whole aura is still so innocent and playful. that’s one thing i love about them actually. they maintain or choose that kind of wonder in the world even if it hasn’t always been kind to them.

-END.

[talonabraxas]

Aura colours and their meaning.

The aura is an extension of a person’s personality and emotional, mental and physical landscape, so it will change from day to day. It can be affected by external factors as well as the general disposition and character of the individual.

There are no hard and fast rules as to what these visual variances ‘mean’, as, with all psychic practices, it depends on the intuition and knowledge of the reader. But there are certainly common themes. For instance, those who practice yoga tend to have a ‘still’ aura or people with serious illness have a fainter aura than someone vital. Moreover, auras tend to have a ‘texture’ to them. They may be sparkly, treacly, in lines, waves or arcs.

Below, I have given a rough guide to how you might interpret auric colours only, but it is no mean a fixed manual:

The Aura Colors Meaning Chart:

Red ~ Pertains to circulation, the heart and the physical body. In its higher aspect, it is an indicator of a healthy ego, stability and being strong-willed. In its lowest aspect, red energy can give way to anger, unforgiving, anxiety or nervousness.

Orange ~ points to the reproductive organs and feelings. It is the colour of vigour, vitality and enthusiasm. In its higher aspect, orange energy shows creativity, confidence and gregariousness. In its lowest aspect, it can give way to stress and addictions.

Yellow ~ represents life energy – qi or prana. The colour of optimism, awakening, inspiration and intelligence. It has no lower aspects.

Green ~ connects to the heart centre and lungs. It is the comfortable and healthy colour of nature, representing growth, balance, healing, and depicting a love for all sentient beings and Mother Earth.

Blue ~ Pertains to the throat and the thyroid and is therefore indicative of communicators. Writers, public speakers and linguists will often have a lot of blue in their auric field. It is also a cool, calm and collected energy.

Indigo ~ Pertains to the third eye and therefore is a colour of deep feelings, intuition and sensitivity.

Violet/Lavender ~ Relating to the crown, pineal gland and the nervous systems. It is the most sensitive colour in the aura. People with a lot of violet in their auras are usually highly artistic, psychic, intuitive, visionary and magical.

“The aura is an extension of a person’s personality and emotional, mental and physical landscape, so it will change from day to day.”

Other Aura Colours:

Turquoise ~ is associated with the immune system and usually found in the auras of healers and therapists. It is a sensitive, compassionate colour.

Silver ~ pertains to spiritual and physical abundance. A lot of bright silver in an aura may indicate a spiritual awakening or financial gain.

Gold ~ typical of divine protection and enlightenment. This colour points towards strong spiritual and universal guidance, intuition, wisdom and inner peace.

Black ~ points towards pulling, capturing and transforming energy. It can indicate unreleased anger, grief or health problems. It also shows an unforgiving nature (to themselves and others) and possible past-life issues that remain unresolved.

White ~ linked to protection and deflecting other energies. Flashes of white within the auric field often signal that angels are nearby. As with most associations with white, it symbolizes purity, truth and a healthy individual.

Earth Tones/Brown ~ Colours of soil, wood, minerals and plants highlights very grounded energy and someone who works with the earth, such as a gardener or farmer. However, a more brownish hue can point to greediness, self-absorption or ignorance in its lowest aspect.

Rainbow ~ auras with stripes of colour emanating as beams of light from the hands, heart, or head indicate someone who is a healer.

Solar Aura Peter Solarz

[neonfretra]

does anyone want to discuss hrpf outside of shipping + written fic context . because i think about where what i do sits in relation to it all

for brevity i will be referring to the real person as the player and the fictionalized interpretation of the player as the character

to get things outta the way, i dont think theres very much you can say about real life people before you start crossin into real person fiction (rpf) territory LOL

transformative art is rpf. speculation is rpf. narratives is rpf. the second you start steppin away from a direct relay of the facts as is, we gettin in ficticious waters IMO. its really a neutral thing to me and my ethics begin and end at "dont show people who dont wanna see"

and its real funny to think about how i do art just because it feels like i set up way less barriers compared to people who DO write fic . i see all this talk about making sure you make your stuff login exclusive, about not sharin it to the people involved, disclaimers about how its in fact NOT a reflection of reality that your favorite athlete is mpregnant and YOU are are mfather.

and i just hit post and call it a day LOL

TO BE CLEAR there is definitely layers to it in the sense that i see similar amounts of caution with say ship art or certain degrees of raunch.

shipping in the rpf scene is funny to me in the sense of the tendency to treat shipping as THE exclusive rpf thing. like no i dont think my tomas tatar fanart is 1:1 on the reality front either. for example, nj devils hairline is not that far back and thags the only inaccuracy.

heres the kicker: mmy foot.

most of my doodles tend to evoke a degree of characterization or narrative. yeag maybe its a little less 30k slowburn and a little more fabian zetterlund shot putting a man but. that is fictional, that is a character

im not saying that rpf defines players more than the reality of them does but i do believe it does enforce certain views

in the spaces i hang around ive noticed the narrativization around certain characters being part fueled by the information that is filtered by reporters and part interpretations bounced back and forth by fandom . and when you have eyes on a story, its easy to pick out information solely as it agrees with you

maybe the most prominent narrative ive seen for the sharks has been macklin celebrini having a jock dad -> therefore he got daddy issues, joe thornton houses him -> therefore mentor and father figure joe thornton? where even though i havent seen any direct relay of information from any players (though ivent been looking LOL) a lot of the discussion around it revolves around this common understanding that it just is (the funnier part is arguably that will smith hockey has been doing more for this narrative for patrick marleau BUT NEITHER HERE NOR THERE.)

and its really interesting to note HOW fandom warps or weaves the story by going off common tropes or dynamics to make sense of the public facing parts we do see, which is what i think is magnified through the lens of fanworks but not (necessarily) CREATED by fanworks

which is where i feel my work is part of the. ecosystem??? life cycle??? and then we all return to the dirt and the worms eat us???

how much or how little we define the gap between player and character changes from person to person. i simply do not have that goin on here. devin cooley eats joey daccords hair take it or leave it. annnnd main tag that

other times i feel we wear the divide thin are when there is headcanon that uses facts about the player (ie a lot of ship talk) or when the character becomes the kneejerk understanding of the player (ie liveblogs. very fun way to get a read of a communitys feelings on something because of how immediate the reactions on it are)

the point of this post isnt to shame or interrogate people about participating in rpf, im not looking for those sort of feelings, im fascinated by fandom culture as a twig off the old branch and i would love to hear other perspectives on the same topic (and different communities! i dont have much involvement in fic. which is. a massive hole in my perspective on this probably)

is it possible to cross the line from rpf to plain old original content LOL (the answer is intent i know but. walk with me here its fun to think about)

naturally theres a degree of "original character" to every depiction . you gotta make up some amount of it. theres no clear separation OF rpf and original content because everything is about borrowing. you make characters with inspiration from other things. its near enough universal for someone who deals with characters to have at some point lifted a character directly out of their original context and made them their own.

its not just their face or name or some other physical attribute that makes it rpf id also argue because i have seen people using attributes of real people as "claims" for origubal characters (like a "faceclaim" to say "this is how i imagine my character to look")

on top of that there is fluctuating interest on actually depicting the player, with approaches that i have heard of ranging from "character that shares the quantitative aspects of the player and thats IT" to "character that was made heavily referencing to things the player has said/done"

its interesting when certain players in rpf have a consistent character! which trends to be in teams with a more active rpf oriented fanbase (vs interest mainly in the real life hockey played), comparing the fandom of kraken to the golden knights on tumblr for instance. its also interesting to note that more popular teams just have more rpf centric leans. because there are more people to write rpf. i mean also we are on a fandom centric site and rpf bridges that gap from narrative/character fueled media and sportsball more LOL

(if you like sports from a purely sports oriented angle do you enjoy watching it? genuine question. because at what point is it "i could just be doing this myself" because ive hit that point with other things before LMAO)

i do call the difference being more "fandom" oriented but IDK if thats correctly using the word or just less syllables. and on top of that i cant exactly tell you if its popularity or stand out personality that holds more sway. though then again i guess those two traits arent separate from each other necessarily. or even that those are the only two factors to broad appeal (probably popularity with another player is up there. but im not trying to find a formula for most attractive to make rpf of)

to return to the kraken because that is the most rpf oriented team i follow, i do notice when players portrayed consistently. i can definitely tell you like. one or two character traits about players i do not follow the media of solely from liveblogs and art. complexity of the character varies by a lot, though i do think its interesting to consider the hows and whys.

a trait or interest being highlighted by media (i tend to see this in offical media coverage that gets spread by jokes) -> the character heavily revolves around this feature in jokes or casual reference, with heavy personal interpretation

media pushing a narrative by following a more cohesive timeline or story structure (i usually see this in fanworks. easier to identify the influence of IMO) -> fairly consistent character backstory or , at least in the broad strokes of it

just general agreements about tropes that are appealing with little basis on the player -> this is usually the more relationship focused character interpretation

there isnt usually just one factor (and this isnt an exhaustive list of factors) to one characters history. unless its a super new player on the radar.

its definitely a character that belongs to the fandom! as in the unique character to the unique community! its actually really funny how they evolve. you could probably fingerprint someones influences if you tried hard enough. with how new the kraken is (and the fact the fandom leans more towards being united as one body than any other team ive seen so far) it does get pretty easy to get it down to the post but. do your own treasure search. I wont deprive you!

(also its EMBARASSING... what if the people i mention SEE... im SHY...)

harder with an older fandom like the sharks there are so many dead and defunct sources or jokes so widely spread that it gets hard to locate the origin . because dead and defunct sources. though i think its growing a new ring around the fandom tree because of the newer players! so its a thought. to think about how different events influence the size and activity of a fanbase and to ask how different fans from different. eras? of a fanbase interact (or dont).

again i notice this in the sharks fandoms by comparing fans from the playoff contending sharks era (last playoff season was 18-19? start is a little murky but ill toss out that 2012 was the year tomas hertl was drafted because tomas hertl was an era of the sharks LOL a whole 12 years! i know people younger than his professional career and those people are catching up to me in height. humbling!) and fans from when the sharks were very much not playoff contending (quite an amount of the current active fans LOL). not sure if theres much to say without looking stupid. different jokes, notable players, friend groups, feelings towards other teams. all still feel very strongly about general manager mike grier scattering players like dandellion seeds to the wind.

(AGAIN. HOPING NO SHARKS FANS NOTICE THIS. IM SHY)

how many sharks fans havent seen logan couture on ice

again i am saying all this as someone who ACTIVELY participates in this BTW!!! does anyone notice that players i dont know definitely have a flatter "whatever is the funniest thing to say" angle . or that characters of players i know a few things about have like one punchline . or even that certain characters are consistent and not just bound by direct interpretations of one moment (which i do a lot of when im liveblogging) (dont get your hopes up for anything new here, the character usually is "pathetic and a little bit of a bastard")

i keep writing these disclaimers like. if someone disagreed this strongly they would not be reading this far. hi! is anyone still here. is someone still reading.

i have created life and i dont know to kill it.

i talk about one of my depictions of a player as a separate character (that is to say, a SEPARATE character from the character intended to represent the player) and i have NO idea if this is like. an OC? a defamation case in waiting? my spawn? do i have to pay childcare. does anyone know who or what im talking about or has the character been festering in my mind like an infection.

is it just me???

my advice to you: if you dont want somethin to come back dont give it a name.

consider dissecting your personal and the more widespread fandoms take on players and characters! its fun for me but i also just like taking things apart ^_^ i fear i may not be as analytical as this post demands i do a lot of restating information and thats it