#and that's perfectly fine!

[deoidesign]

How I save time on backgrounds as a full-time webcomic artist

Hi! I make webcomics for a living, and I have to be able to draw a panel extremely fast to keep up with my deadlines. I draw about 50 panels a week, which gives me about 45 minutes per panel if I want any semblance of a healthy work-life balance.

Most webtoon artists save time on backgrounds by using 3d models, which works for them and is great! but personally I hate working in 3d... I went to school for it for a year and hated it so much I completely changed career paths and vowed never to do it again! So, this is how I save time without using any 3d, for those of you out there who don't like it either!

This tactic has also saved me money (3d models are expensive) and it has helped me converting my comic from scroll format into page format for print, because I have much more art to work with than what's actually in the panels. (I'll touch on this later)

So, first, I make my backgrounds huge. my default starting size is 10,000 x 10,000 pixels. My panels are 2,500 pixels wide, so my backgrounds are 4x that, minimum. Because of this, I make them less detailed than I could or that you might expect so it doesn't look weird against my character art when I shrink portions of it down.

I personally find it much easier to add in detail than to make "removing" details look natural at smaller sizes, but you might have different preferences than I do.

I also make sure to keep all of my elements on separate layers so that I can easily remove or replace them, I can move them to simulate different camera angles more easily, and it's simple to adjust the lighting to imply different times of day.

Then I can go ahead and copy/paste them into my episodes. I move the background around until it feels like it's properly fitting how I want.

Once I've done that in every panel, I'll go back through the episode and clean up anything that looks weird, and add in solid blacks (for my art style) Here's a quick before and after of what that looks like!

This makes 90% of my backgrounds take me just a few hours. This is my tactic when I'm working in an environment that an entire scene, or multiple scenes, will take place.

But many panels will inevitably have a location that's used exactly once, and it would waste time and effort to draw a massive background for those. So in 10% of cases, I just draw the single panel background in the episode. I save all of these, just in case I can re-use it later (this happens more often with outdoor locations, but I save them all nonetheless!)

I generally have to draw about 2 big backgrounds per episode, and 3-5 single-panel backgrounds per episode! At the beginning of an arc/book the number is higher, but as the series is continuing and I'm building up an asset library of indoor and outdoor elements to re-use for the book, the number generally goes down and I save more time.

My series involves time travel and mysteries, so there's a lot of new locations in it and we're constantly moving around. If I were working on a series that was more consistent in this aspect, this process would save me even more time!

Like I said earlier, this also saves me a lot of pain and gives me a lot more options as I'm converting from scroll format to print format!

panels that look like this in scroll format...

can look like this in print!

because I drew the background like this, so I didn't need to go through the additional effort to add in the extra detail to expand it outwards at all.

Anyways, I hope this helps someone! As always if it doesn't help, just go ahead and disregard. This is what I do and what works for me, and I feel like I only ever see time-saving tips for comics that involve 3d models and workflows, which don't work for me at all! I know there's more people like me out there, so this is for you!

Enjoy!

Also obligatory "my webcomic" if you want to see this in action or check it out!

[shouga-nai]

Just a heads up regarding my portrayal of Genji:

I don't believe Mercy built his cybernetic body. To me, the lore only implies that she is majorly involved in the process, obviously in the medical aspects - monitoring his vitals throughout, making sure the procedure goes smoothly and safely etc. The actual designing and fitting of prosthesis were done by some cyberneticists.

[thepixelatedcactus]

flying the original character artist flag with pride

[chiptrillino-art]

(ID in ALT text)

continuing with the whole... cleaning up and posting old sketches from the beginning of this year

you may also like: zuko, sokka, ty lee, the SEA (khmer) and japan inspired ones are based on @ranilla-bean fic the iconoclast.

(i think its the last one i have)

[mist-the-wannabe-linguist]

Hot take

Night furies are actually perfectly evolved for hunting and killing other dragons and the only reason they aren't a dragon-hunting species like the death song or deathgrippers are is because DreamWorks couldn't have their adorable main character dragon be a "cannibal"

(below I'm gonna try to summarize what we've figured out in a convo with friends on discord)

(also tw animal death via predator)

First of all yes I'm aware that pretty much every decision made about their design was with consideration of the effect it would make on human audiences but hear me out

Night furies are most iconically known as dive-bombers. They are built for speed, high maneuverability, night-time camouflage and for striking targets from above. If we remove human settlements out of the equation (which would not have existed long enough to actually influence night fury evolution, come on), what does that leave us with?

They aren't built for catching fish for sure, they aren't very hydrodynamic and their head is round, wide, and their teeth are dull. Honestly, the monstrous nightmare is much better suited for catching fish, with its long neck, almost pelican-like jaw and rhamphorhynchus teeth

Compare to

Yeah the jaws look kinda like a porpoise of some sort but for that the whole body would have to be a lot more aquatic imo. The light fury looks a lot closer to an aquatic diver, it has a sleeker body, rounded fins instead of spikes, and a long neck.

I don't really see them hunting land animals either, they just don't look like they're adapted for that minus the resemblance with large felines and even then, they're too large to effectively hunt in forests.

The one thing I can kinda imagine them hunting is large mainland megafauna, but we're working with a setting that takes place pretty much exclusively on islands. And overall, dragons are the only abundant species there with the exception of fish and human-bred sheep and chickens.

In general, night furies have duller teeth, smaller claws and are smaller than most dragons. Disregarding the movies making Toothless weirdly OP, a night fury would be disadvantaged against most dragons in a 1v1 fight and besides, it has four huge weak spots that would highly discourage it from a direct physical fight - the primary and secondary tail fins. One unlucky rip in the membrane and the night fury is fucked.

The night fury however noticeably resembles falcons, given their dive-bombing ability and high maneuverability.

Falcons too have smaller beaks and weaker claws compared to most birds of prey, and for that they compensate by simply picking up speed, balling up their talons and Punching. Really. Hard.

And they use that ability to kill other birds, even much larger ones, by knocking them right from the sky.

Here, the night fury's plasma blast works the same way as a falcon's punch. Dragons are fire-resistant, so what the plasma blast does is really just a densely packed bolt of energy that has the effect of either stunning or outright killing prey by damaging its spine. And what the plasma bolt doesn't do, rapid contact with the ground would finish. And if even that doesn't do it, the night fury's wide jaws and dull teeth are just fine for simply clamping around the unlucky dragon's neck and strangling it, like a lion or a pitbull.

The night-time camouflage allows the night fury to soar for extended periods of time perfectly unnoticed in the night sky, and by the time it strikes, the dragon wouldn't even know what's coming.

Unless

Say the hunting night fury is aware of other dragons sleeping under the trees, as most dragons probably would at night (village raids aside, most dragons seem to be diurnal), so how does the night fury get them in position where it can use its signature attack? Well, there's That Iconic Screech Of Death. Since in the movies it tends to appear not just during dive-bombings but also when charging up a blast, I imagine it's something the night fury is able to control to some degree. So by simply fake-diving in close proximity to sleeping dragons, it can effectively terrify them into leaving their hideout and fly out into the open where it can easily take them out.

I dunno, the possibility of night furies as predators to other dragons just makes so much sense to me, I really don't know what other reasons there would be for them to evolve these particular adaptations.

And one more little headcanon to add to this whole rant - since night furies are significantly smaller and less equipped for dragon vs dragon fights and are primarily speed-based predators, I imagine there is this very likely scenario:

There is one dragon who resembles a hyena, a lil bit

Ok, rant over

[trickstersaint]

i want to introduce you all to a project that is very close to my heart... or lack of one. anyway. for anyone who has ever wanted to play a poem. i'd like you to meet aromanticism

(link opens itch.io - she'll run on html in your browser! please be nice to her!)

[hirakiyois]

you're laughing. beloved network tv show 911's resident single dad with repressed homosexuality is dating three people at once and you're laughing.

[eldritchsquared]

im ready. im prepared

it’s happening

[fishsfailureson]

TBH I think that Paleontologists should be allowed to fight private collectors who purchase any specimen that is incredibly valuable to science actually.

[meat-fr]

"they're not graceful", "they're not elegant", "They're not angelic"

-and i took that personally (as a challenge!)

[scribbly-z-raid]

Nintendo has blessed me with a mainline Zelda game with a playable Zelda. I owe you my life

[musicalmoritz]

I will never understand how some ppl have such little imagination that they can’t even suspend their disbelief long enough to watch a musical without asking why the characters are singing

[mintaikk]

I love this photo because this was Aziraphale's reaction after the priest lady interrupted Crowley pinning him to a wall. And he seems bothered by it

[justathingfromthebrainvoid]

it took me 7 episodes to come to the full realization that #1 horse enthusiast Bdubs and #1 horse euthanasian Joel now exist on the same server and will for a multitude of time.

it might be nothing happens, but

[a-scary-lack-of-common-sense]

Eldritch/not-entirely-human Grunkle Stan stories have been eating away at my brain, so I have a silly little concept of Mimic!Stan.

He and his Mystery Shack are both mimics that lure tourists in as a literal "tourist trap" to gather and devour them! Since the house is alive, it raises a few (read: several) child safety concerns that lead to a LOT of rules to be created for Dipper and Mabel to follow when they eventually arrive, such as:

Be careful not to get lost in the winding hallways! The Mystery Shack is bigger on the inside, and you don't want to end up in the wrong areas.

Don't go through randomly appearing doors, they may eat you.

If you think you feel the walls around you breathing and the floor beneath you shifting, no, you don't.

If you think the walls feel a bit damp, you're imagining it.

Watch your fingers around windowsills! You wouldn't want to lose any of them.

Don't linger too long under the doorframes; it may start feeling like they are slowly constricting around you.

[breakbleheavens]

MAISIE PETERS performs LOST THE BREAKUP The Eras Tour — London, UK (Night 7) | August 19, 2024