#and that’s just how i take it idk

[qprpbj]

cw about ponyboy and his suicidal thoughts/ideation under the cut re: deaths at my door/throwing in the towel staging and my lil opinions!!!!

tonight i am thinking about how the staging & connotations of deaths at my door vaguely implies pony contemplating suicide/having suicidal thoughts (or. idk that’s how i read it anyway) particularly provoked by the lines like “i swear that [death] it’s following me / death’s shadow is long and it grows all around me ” “you should move on / you’d be better off without me” etc and how he fiddles and stares down with his open switchblade the entire song, held tight in his hand till the end when johnny convinces him to close the blade and finally hand it over, finalized by johnny holding pony’s hand/shoulder and grounding him

this is Particularly insane to me because not five minutes later, the next time we see pony, it’s him still upstage singing the final verse to throwing in the towel with darry and soda, the highest harmony, which reads like “this is the darkest hour of the darkest night / looking overhead, you don’t see no light / […] there ain’t no letting go” and “that’s what love is all about […] / there ain’t no throwing in the towel”.

pony’s night of contemplating suicide in deaths at my door is his literal self-proclaimed “darkest hour of the darkest night” but it’s his brothers and family — johnny who talks him down, and soda & darry’s spirit he can still feel within him — that save him and convince him not to “throw in the towel”. which, of course, is directly paralleling soda talking darry down from doing the same damn thing (i could talk for Ages about how parallel of characters pony and darry are, but that’s. an entirely different Thing).

idk i just think it’s SO interesting that they have pony sing this verse with both of them right after DAMD bc that literally quite WAS his “darkest hour of the darkest night”, in fact it very well could’ve been his final hour of his final night, but he was talked down and convinced by family and love and brotherhood that he fuckin needs to be here still. that he’s got people who love him, people who need him, and he can’t give up on them and leave them alone because they never gave up on him, not even when things got unimaginably hard or when they felt like “giving out” with their “heads full of doubt” etc. yk. idk sorry this is probably sooo incoherent but. idk i just have so many thoughts about ponyboy ughhh

[hinamie]

10 years later

[eruhamster]

not to be annoying but i do think a lot of people mischaracterize falin. shes got the most drastic canon v fanon thing going on. which i guess makes sense bc 1. we dont see much of her and 2. lot of the fan stuff are anime-onlies that have seen even less

but i think like a good 90% of the time i see falin-centric art or posts im like hrm hrm hrm thats all wrong no nope no-siree

she's just a cool chick that takes life as it comes, doesn't hold grudges even against a mother that apparently was trying to beat the magic outta her, finds her older brother the coolest person in the world, and has autism about observing life (and death, she loves the ghosts she has a connection to) and nature and taking care of things (including taking care of her brother, which is why she's even in the dungeons; she saw her scrawny mess of a brother and decided she had to fix that).

and i think my favorite part that people don't talk about is... she would have done the same for marcille or laios if it were one of them that was eaten. you could see it in her eyes:

it's what shuro misunderstands about her. it's easy to see her feminine, cute, good girl pieces and forget the rest of her. but she loves things to an ends-of-the-earth extent; the kind of caring that makes you a little insane. and that's how I think she and laios end up on the same page with their weirdness. they have different interests, but they are the same level of committed to those interests.

it's easy to love her, because she probably loves you just as much, if not more.

EDIT: for the love of god stop reblogging this only to add some comment or tag or reply saying 'op you forgot [BLATANTLY FANON INTERPRETATION]'. falin as we know her is not a pushover/people pleaser/infantilized, see this version of my post. also stuff like 'female shuro was in love with laios in the genderbent comic' and 'falin was going to marry shuro because she felt bad' are just things you made up in your head

[housecow]

rolls for days!!!

[spoopdeedoop]

king and harbinger, old and young

[ghosted-jazz]

I like to think breaking the canary curse via dying in the void had some effects on Lizzie

[uncharted-constellations]

Them, your honor

Anyways thank you echoes for giving poor a-ttp link a rest

[cobaltfluff]

competitive aquarium date

bonus: the night before

[hinamie]

alongside someone like you

[petricorah]

Having icons on the dashboard increases community. I don't take the time to read every username, but with a quick glance, I know who posted something. It means I can associate what they posted with them. Otherwise it's just Stuff. (It's also fun to see the icons. It's a unique personalization that makes people happy, and their prominence makes tumblr unique.) It doesn't take up space. Why take that away?

it's honestly alarming that they're making this shift to depersonalize and disintegrate community.

part of me feels like this is the progression they want:

can't tell who posts -> don't care who posts -> no connection to who is on your dash -> FYP/algorithm

and it's horrible that they seem to be taking such a beloved website and sending it in these directions. probably overreacting but it's sad and frustrating to watch it go

anyway. it's a good reminder to reblog the posts you love, because that's how the website can keep functioning like it does

[vintrage]

fire cannot kill a dragon BITCH

[bluerosefox]

Striking of the Clock

BrainDead or DeadTired idea.

During Tim's BruceQuest he uncovers hidden texts/tombs of a being that controls and watches over the Time Stream and Tim knows this being will have to be his best bet of finding Bruce while also trying to figure out on his own how to get Bruce out of the Time Stream as well.

However the being doesn't have a summoning sigil due to being an Ancient.

He does find the sigil for the Ghost King however, a being that borderlines into Ancients power territory and could in theory grant Tim an audience with the Time being if Tim plays his cards right.

In the end, Tim decides it was worth a shot. He convinces Ra's to 'help' him summon the Ghost King. Ra's wanting to see if such a being could be real and to see how far Tim is willing to go to bring Bruce back, allows League resources to be used.

It takes a few weeks, with Tim also making plans to undermine not just the Council of Spiders but Ra's as well, but eventually the time to summon the Ghost King comes.

Tim honestly was expecting the large eldritch like being that showed up, he just wasn't expecting the being to be basically a formed galaxy mixed with ice and the northern lights itself.

He also really wasn't expecting when he negotiated a deal with the Ghost King, and taken into a place called the Infinite Realms when they shook hands (Tam and Prue is also taken with him, he refused to leave them with Ra's), for the being to shrink down and turn into a white haired, green eyed teen around his age who starts flirting at him.

Nor was he expecting for another being, one that apparently is able to shift aging forms, and a grandfather clock in its chest to appear next to the teen and bonk the white haired teen with a staff and tell him to stop flirting with his future new apprentice....

Wait what?

-x-x-

Danny is rarely, very rarely summoned since taking the mantle of Ghost King. Due to being a new Ancient most old sigils that was once connected to Phantom (mostly teens from Amity tired summoning him a couple of times) no longer worked and the only ones that did were the ones he gave to his friends and family or the Ghost King ones (but again rare due to how rare texts/tombs to the Ghost King is written down)

So when he felt the pull of a summoning he made sure to go in his eldritch form, mostly to see if he could scare them or at least intimidate.

Honestly he was expecting the cult, given the fact they summoned a being known as the (freaking) Ghost King, maybe not them being assassins/ninjas but still a cult.

He wasn't expecting the cute, same age as him too, guy in the room.

(CW totally paused time for a second, gave Danny a file on who and why he was summoned, discussed getting Tim Drake out of Ra's hands (and maybe allowing CW to finally have his own future apprentice because Tim is a smarty smart whose been slowly able to figure out the freaking Time Stream itself.), and then started the timeline again)

Danny decided, after striking a deal, that since he's going to be working with Tim, aka Red Robin (who Danny found out used to be Robin! From Gotham), from now on he might as well shoot his shot and flirt with him and-

"OUCH, CW REALLY?!"

"Stop flirting with my new apprentice for now My King, we have work to do."

[bacchuschucklefuck]

they tried to rebrand as The Criminals but riz is literally the city council's treasurer and also turns out people in their late 20s don't really name their friend groups. so now they're The Intrepid Heroes

[sophfandoms53]

Anyway shout out to Dewey who constantly looked like he was having the worst time of his fucking life in the pitches

Just an 11 year old pissed off at the world it seems😭

[tofixtheshadows]

So I've been thinking lately about how Mithrun is Kabru's dark mirror (more on that another time- it needs its own post), and I thought it interesting that one of their parallels is that they were both cared for by Milsiril, but in opposite directions. She took Kabru in as her foster after he was orphaned and tried to convince him not to become an adventurer. On the flip side, she helped rehabilitate Mithrun specifically so that he could rejoin the Canaries.

And I kept wondering: why?

For Kabru, obviously she loves him a whole lot- despite any other shortcomings in their relationship, I do believe that.

So I get why she tries to convince him not to go dungeoning, and, failing that, at least prepares him as thoroughly as she can.

But why help Mithrun? She used to hate Mithrun, but after realizing what a secretly twisted person he was, she actually thought of him more positively (oh, Milsiril). So it wasn't as if she held the kind of grudge that might motivate her to make his already-depleted life even more miserable by sending him back to the dungeons. And it wasn't that she felt bad for him either, since she didn't visit Mithrun for the first ~20 years of his recovery.

The Adventurer's Bible says that Utaya was the impetus for Mithrun returning to the Canaries, but Milsiril is the one who made the trip to see him and tell him about it.

Why would Milsiril work so hard to get her old coworker back into fighting fit? Why encourage him to return to such a dangerous lifestyle, when she was the one who chose not to mercy-kill him?

That last panel is such a crazy thing to hint at and then never elaborate on. Without it we could have just thought that Milsiril wanted the Canaries' work to continue without her, even if it seemed out of character. I think some people even assume she's just a natural caretaker as a foster mom and handwave it to include nursing Mithrun too. What could Milsiril's suspicious motives be? What does she gain from Mithrun joining the Canaries that isn't an altruistic desire to see dungeons safely sealed? Feeling a sense of responsibility for the work she left behind isn't an ulterior motive.

My theory is: Milsiril, knowing that Mithrun was empty save for the burning desire to face the demon again, wound him up like a clockwork doll and pointed him back at the dungeons.

Hoping that he'd eliminate the biggest threat to Kabru's life, before it was too late for him.

Milsiril the puppetmaster.

[dukeofthomas]

"Are the Robins child soldiers" It depends. If the story is super serious and into exploring complex morality and grounded from reality's standards, then yes. If the story is lighthearted, made for children, fluff, etc., then no. If it's somewhere in the middle, it might depend.

If an author wants to write a story seriously delving into the fucked up-ness of children fighting criminals, they can, and if you don't like it, you can read something else.

If an author wants to write a fun story about villains and heroes featuring Robin in a world where that's not an issue, they can, and if you don't like it, you can read something else.

If an author wants to write a serious story but not apply IRL-logic to Robin, they can, and if you don't like it, you can read something else.