#and that thing jumped into my top posts

[oobbbear]

Somehow me making a silly post about how I love Stan and would forgive all his crime no matter what got twisted into I think ford and fidd are equally terrible irredeemable person as bill cipher and there’s people talking shit in my inbox now🚶‍♂️I’m going back to my cave I hate it here

[scorpiusmalfoylovesoscarwilde]

I've said it before, I'll say it again, and I'm sure it won't be the last time. I AM SICK AND BLOODY TIRED OF THESE MFS, HALF OF WHO DONT EVEN CARE ABOUT CURSED CHILD, BITCHING AND MOANING ABOUT AN ANGSTY TEEN DARING TO BE AN ANGSTY TEEN, I WILL FIGHT THE LOT OF YOU

(this is gonna be a bit long and probably incoherent so sit down and fucking listen to me 🔫 stick with me because I'm not just complaining about albus haters)

eVERYBODY wants cOoMmpllEeXx relatable HUMAN characters - and then SHIT themselves when the flaws a CHILD has isn't just 🥺 uwu im socially awkward and traumatised 🥺. that's why scorpius doesn't get this fuckass treatment, because his terrible human flaw is that he's a bit shit at conversation and gets sad about his dead mum (generalised understatement, but this post isnt about him. dont come for me i love him 🫶🏻)

god forbid albus, who feels unloved and unwanted (with valid evidence for a teenager), albus who feels completely out of place and outcast from his entire famously-close-knit family, ablus who is well known by the world by default via Harry and hates the attention and high expectations, albus who then gets targeted and bullied by his peers because he's not as perfect and brilliant as his father, albus who is then isolated from his one friend because Harry is making irrational ptsd fueled decisions, albus who tells Harry completely sincerely that he knows he's unlikeable but he'll try and change himself and be more like his siblings because he genuinely believes that's what Harry and everyone else whos had the misfortune of meeting him wants, albus who spends the entire play trying to prove himself and fix things via idiotic childish decisions BECAUSE HES A WHOLE UNSTABLE CHILD

god forbid that CHILD doesn't react like a patient, supported, well adjusted, level headed adult. god forbid he reacts outwardly. god forbid he reacts at all, my bad. clearly he should just sniffle a bit as if he doesn't feel suffocated and helpless by everything in his life, because obviously hes just a spoiled brat who doesn't know what real suffering is. god forbid he complains or feels anything negatively, or doesn't quite grasp that other people are struggling too because he is too busy trying so hard to deal with himself and his declining mental health the best he can with basically no support or understanding. god forbid he isn't completely perfect.

you all sound like some fucking boomer telling teenagers they don't know what real struggling is, they aren't mentally ill, they dont have any problems because they have a roof over their head, they should all go to war kids are too soft these days 😫😖😱 fUCKING‼️SHUT UP‼️

he does things wrong but he knows he does and he does everything he can to fix it! and he is fourteen!!! do none of you remember what being fourteen is like 😭😭 I swear half of you have got to be basically fourteen yourselves cmon man

cause I'm seeing this fucking pattern a lot recently. not just for albus, not just in this fandom, everywhere. ‼️ no one can fucking handle flawed characters anymore ‼️ the only thing any character is allowed to have wrong with them is trauma apparently, otherwise they have to be perfect, and I'm getting sick of it. characters and stories are meant to reflect real life, they're meant to help shape our world view, why are you expecting everyone to be fucking perfect??? what happened to nuance? what happened to understanding character development? you are all acting like characters and people are so black and white. either they're perfect or they're insufferable and evil. I won't lie, the most common victims i've noticed of this are women. but the flawed women are typically demonised, whereas the men are typically turned into uwu baby boys who actually aren't capable of doing anything wrong and then fanon goes nuts making them into ittle wittle victims. and I'm so fucking sick of all of it, I hate this. (obviously this is not a strict rule. Albus Potter, and also Albus Dumbledore now I mention it, are demonised beyond belief)

BRING BACK FLAWS AND BRING BACK NOT COMPLETELY WRITING OFF A CHARACTER BECAUSE THEY DARE TO BE HUMAN

I AM FED UP, ALBUS POTTER GET BEHIND ME

[sallytwo]

Jennifer nearly jumped into the water / and she was tired like no one's ever been tired

[eddie4bat-president]

I'm not a writer but i had this thought so- bear with me, yeah?

For months Eddie hears all about how cool and badass Steve Harrington is, yeah, but you know what he also hears about? How Steve and Robin are made for each other and how cool and pretty Robin is and how stupid it is that they're not a couple for some dumb reason, like Steve not wanting to be with a band geek and still clinging to high school hierarchy. And in all of the things Dustin says about Steeeve Harrington, that last part is the only thing that fits into the Munson Doctrine, so obviously everything else Henderson is saying is what's skewed in his little shrimp world view.

Steve Harrington thinks he's better than a band geek and that's why we won't look twice at a girl that would be perfect for him (according to Dustin Henderson, so... still questionably trustworthy information). Eddie probably assumes Dustin is talking up how close Steve and Robin actually are, just how he's exaggerating how close Dustin himself is to Harrington (like that would impress Eddie and the rest of Hellfire??? He really doesn't know how to get through to the little sheep that his worship of Hawkins' most notorious square is a detriment to his character and not something Eddie would find impressive. If it was real. Which it obviously isn't. Anyway-)

Turns out? Steve Harrington? Actually a cool dude. Not cool as in popular but cool as in "holy shit did he just bite that thing's head off???? Oh and he's not even gonna brag about that, it's just nbd, yeah sure, cool cool cool be fucking cool Eddie, oh god he's talking to me why is he talking to me" and just, chill to hang out with. After the whole shit show went down. Who would have fucking thought, huh? (except for Dustin Henderson, yeah yeah yeah, shut up)

So now Eddie has to reevaluate some other assumptions he made. Maybe Dustin was right and Steve actually is cool and badass, and he and Buckley actually are as close as he had said (and they really fucking are! He has seen them give Keith eerily matching bitchy looks for trying to schedule them on opposing shifts and basically bully the guy into changing the schedule around so they can spend as much time as possible in each other's presence. It's enough to make a guy question his own friendships when sometimes a few hours of band practice are enough to make him want to never see any of those chucklefucks again. Of course, that feeling abates but seriously, how are those two never sick of each other??)

So if they're as close as advertised but not a couple (and after meeting everyone Steve cares about and they're basically all nerds so the "Harrington thinks he's too good for a band geek" thing can't actually hold true-) what is the hold-up? Why aren't they a couple? And somehow, somehow Eddie comes to the conclusion that Steve is in love with Robin. Steve is a serial romantic (emphasis on romantic) and while his love life isn't the talk of the town post-earthquakes as it would have been before, people do still talk about the fact that he hasn't taken out a girl since it happened.

Which brings us to a day in summer, maybe fall, after Eddie has seen Steve look wistfully at a young couple with a baby, that he shows up at Robin's door step.

"Eddie? Hey what's up?"

"Good, good, how are you? Uhh can I... can I come in?" There's a nervous energy around him that is immediately infectious and she leads him to the living room where he immediately starts walking back and forth in front of the couch. She watches him for a moment, hands fluttering through different motions trying to find one that might calm him down before giving up on that. Instead Robin swerves around him, clambering onto the couch and wrapping her arms around her right leg, putting her head on her knee. She follows Eddie's path with her eyes and decides to wait before quickly realizing that she can't, actually.

"As riveting as it is watching you walk a groove into my parents' rug, do you maybe want to say something? I mean I can definitely talk enough for the both if us if that's what you want it's just that I have the slight suspicion you've got something you need to get off your chest" Eddie stopped walking halfway through her monologue and starts nodding.

"Yeah. Yeah yeah yes you're right it's just- I haven't a hundred percent made up my mind about saying something", Eddie has one arm wrapped around himself and uses the other to alternately play with his hair and gesticulate at her, "because on the one hand it's a little bit driving me crazy, maybe, but on the other hand this is none of my fucking business" And Robin who was worried at first just because Eddie is nervous, then for a second because she was scared he was going to confess to a very ill-advised crush on her, is stumped. What the fuck is this about and why did it bring him to her of all people?

"Just say it you weirdo", is what decides to comes out of her mouth but it doesn't even matter because half of her sentence is layered with his "Are you aware Steve is in love with you?"

[here we're facing the issue of me not actually being a writer and pretty much running out of steam but we also haven't reached the part that sparked this whole thing yet, which is wild - let's just pretend I wrote a very funny dialogue between those two in which Eddie confronts Robin for stringing poor Steve along ]

There's a moment when they're both silent and there's a moment when they're both talking and then there are steps coming down the stairs. They make a smirk grow on Robin's face that is starting to worry Eddie when not a parental figure but Steve Harrington steps through the doorway. He's wearing sweatpants and a shirt that might be Robin's and there's a headband pushing his hair away from his face.

"Don't yell at me for coming downstairs, you took forever and the first layer... is... dry....", he stops in his tracks the moment he looks up from his bare toes and sees Eddie. Then he very quickly rips off the headband and slings it somewhere to his right into the unknown of the hallway.

"Hi Eddie. What's... up" Eddie is going to sink into the floor and never come up for air again.

In the meantime Robin stood up on the couch to sit cross-legged on the back of it for a better vantage point and is steepling her fingers in front of her face. Eddie is getting the distinct impression he's missing some crucial information here.

"Stevie, babe, platonic love of my life-", Steve nods for her to go on, "you know how we decided I get a veto on your romantic life because we realized droves of suboptimal dates actually make you miserable so we're going for quality over quanity for the first time in your small-town Casanova life?" Steve has that cute little crease between his eyebrows while he's looking back and forth between Eddie and Robin, trying to figure out what's going on but he rolls his eyes at the end of her sentence, back in familiar territory. "Yes, Robin-"

She interrupts: "And you know how I also reserved the right to give a shovel slash molotov cocktail talk to anyone we deemed worthy of being a potential future partner?" Steve's face somehow shows an emotion that can only be encapsulated by "?!" as he glances to Eddie before shifting back to Robin with just the "?" remaining.

"First I have to say I'm personally very pro, I loved this experience; Eddie here really made a fool of himself, very worried for your delicate sensibilities and how I'm breaking your sweet little heart." "...what...?"

"So: what's the verdict on a potential future partner giving me the shovel talk?"

[jamietwat]

This is how easily distracted my writing focus has been in the last twelve hours

[marswasnothere]

Thinkin about merperson shark max and marine biologist daniel

[fisherrprince]

wanted to ask, could we get a look in to how you put together your animatics?? I've been toying with the idea of trying to make one of my own, but I've got no idea where to start

oh yeah totally

though to be fair, a HUGE chunk of my time is spent listening to about 20 seconds of a song and imagining how the images move around like a little movie, and I refine a ton of stuff in my head before starting to actually put scenes down on paper. This happens with non-music boarding too, imagining different versions of how the scenes line up with dialogue/music. So step one: put a song on repeat and daydream for at least two hours. But, if you aren’t sure how to do this, I’d suggest looking at animatics, MAP projects, AMVs, animated musicals, fight scenes, etc. what do they do that’s cool? Imitate them.

after that, I have most of the main images with some blank spots im not sure how to fill until I put them down. I make something like this and get the compositions of each main image looking more or less okay in this form. This is also the stage I figure out the in between blank spots. I try not to have weird camera moves or other storyboarding don’ts, but some storyboarding donts are completely valid to break if you know what you want aesthetically. As usual. This one was actually pretty clean, but check out all the framing edits. i always have to make the frame bigger

If you really don’t know what goes in between things, don’t be afraid to focus on some little details of the scene, pull out and show us the setting, put some flowery symbolism on screen, give us some fun little comedic anime inserts, or do what cowboy standoffs do and build tension. What we used to do was draw paws stepping across the screen or eyes blinking, lol

next comes audio sync! I like to get the timing extant on copies of these rough thumbnails before moving on. It helps my brain work through smaller more animated movements + testing if the things I came up with for the blank spots work. and also just makes it happy. And also, most importantly, it tests if the compositions work. If you can see it, the whole sequence with mom was a blank spot until I sketched it. I usually do this step in roughanimator even if i don’t finish it in roughanimator. Keeps it very rough.

after this is just a lot of polishing and layers! For lots of small animatics, I just use roughanimator and leave it like that. It’s surprisingly good for a very basic program. But, for things that need tweens or lots of camera movement, I use toon boom harmony. It’s more powerful and is actually supposed to be used for animation, which. Yknow. I do. I tried storyboard pro, it wasn’t my favorite.

Here are some, I guess, miscellaneous more technical tips for making your animatics feel nice!

If you’re going for lots of movement, try out timing it so big movements or scene transitions line up with the spikes in the audio WAV. If it doesn’t feel right, move it a few frames BEFORE the spike/audio beat. Your brain usually wants to see something move barely before it hears it - this works for dialogue especially. BUT! Don’t feel like you have to do this for every beat. unless you want to feel like Wes Anderson, which you can do and I will not stop you.

If you’re going for something slower with not that much movement, try motion tweening! or adjusting something very slowly so we don’t linger on one still image for forever.

you don’t need crazy camera angles for everything, but put a few in there for spice. This all depends on your mood you want to cultivate. Slow = flatter, spacious, details; fast = lots of moves, weird angles, perspective; disorienting = slow/jerky weird angles etc etc. the camera has emotions built into it. Because the camera is you! surprise!

watch storyboarding tutorials. lots of people zoom in too much when they draw and I am not excluded. Also, keep in mind the eyesight rule. It’s hard for me to explain concisely but… you as the artist are always leading the viewers eye somewhere, with every shot you make. Don’t make them dizzy by having the center of attention jump around to six different spots for six shots straight - if you find yourself unhappy with a sequence, especially a fast one, see if your line of sight is going all over the place and try moving the subject of a shot or two somewhere else or having them move/gesture towards the new shot’s focal point so the viewers eye moves there naturally. I’m actually not great at doing this when words/lyrics are involved, pmv makers have my respect.

contrast is your friend. If you want to emphasize a big fast move or big bright image, put little slow moves or simple images right before/after it. and vice versa! this counts for camera too!

easy camera shakes are just 3-4 frames of cam down/up/down less/up less, a blank tween or two (easing back into normal), and then a key for your desired normal camera location. Or left/right, whichever.

your brain needs about six frames to fully register an object as being an object. If you want someone to see and really See it, rather than just get a glimpse of it and go "What was that!" It needs more than six frames.

don’t be afraid to experiment!!!!!! And don’t get overwhelmed! Everything I just described I MOSTLY do off instinct, which you’ll get a sense for after you make one. Or like…. Ten. Does it feel good in your heart? Then that’s what’s important. Find an idea you want to make move, figure out your limits (programs, attention span, drawing capability, make sure not to commit to a minute long amv if you dont KNOW you wanna do a minute long amv), and plan around that. When I was A Child, people on youtube were just making like three amvs per second and cringe hadn’t been invented yet so they were all mostly untrained unpolished and so so important and based to me. Stop thinking so hard about it. You gotta get that animatic out there into the world or it’ll start fermenting in your brain and make you sick. So what if it doesn’t turn out exactly the way you imagined it? You’ll have another idea tomorrow. And if it matters that much, you can always do it again. Go make! Good luck!

[speakeasier]

testing a new pen out for fun.

[silvertsundere]

[binders-and-beanies]

.

[basilica-gel]

something they don’t tell you is that when you exercise regularly in your 20s it fucking rules. im not talking about going to The Gym or whatever im talking about getting silly with it. go find a rock climbing gym. take a dance class. play outside with your friends. this shit is awesome

[paimonial-rage]

I was thinking about this while helping my friend beta something yesterday like… I vaguely remember that at one time, I felt (punctuation) periods were too harsh. They had a sense of finality about them. They were too loud and vibrant. Commas were more comforting to use. They felt softer and not as exact. And then I look at my writing now and there's nothing I love more than a period. I love how sharp it is. I love its finality.

Like I can't understate enough how much a period makes a statement. Like that's what it's supposed to do, yes, but it's more than that. It tells the audience that what precedes is true. It's a fact. And when you yield a period properly, it emphasizes and highlights what is stated. It stands out. It's final. It has weight. It's such a powerful thing that it's addicting to use.

[lunarsands]

Miracles apparently can happen. All three boys on the couch being peaceful? Wow.

[jrueships]

that's right babygirl. never upset daddy.

[threegunbrainrot]

I look at the 98 anime with a fond fascination. It’s based off of only the original couple issues of Trigun plus like I want to say the first 4? Of trimax. And bc of how many things get developed and revealed much more down the line in the manga, it’s so interesting to think about this offshoot of the original source material where things didn’t quite ramp up to the same scale but still got to the heart of things anyways, where everyone’s backstories played out just a little to the left and led to a similar but different tale. Trimax is definitely my favorite, bc just everything about it is so well done to me, but 98 holds its own unique spot in my favor

i definitely agree anon ur So right

it's practically a branching timelines situation, where everything is so, SO close to being the same, but thanks to the butterfly effect everything got skewed ever so slightly and now the whole world is just that much more different

call it parallel universes, alternate dimensions, alternate timelines... i really love it all. there's so many specific parts of both trimax and 98 that shine brighter and dimmer than one another. unique pieces of the narrative that were either expounded or brushed aside.

like in 98, meryl didn't want to believe that vash was the legend she was looking for. it was a ridiculous notion that such a friendly, goofy guy could be the bloodthirsty killer she hunted for

but in the manga, she and milly took to it instantly. in fact, they jumped into it with AGGRESSION- actively getting involved in the fighting and PUSHING to calm the situation down. this panel in particular i think sums it up very well lol:

they meet him with confidence and they're not afraid to fire upon others for the sake of collective peace. vash is caught off by how readily he's approached and even defended, in a way. when the automatic reaction to learning his identity is usually either hostility or fear, it makes sense.

and i dont have a convenient shot of any particular moment in 98 that portrayed their early relationship well, but it's easy to see the differences anyway.

instead of steady confidence, meryl met vash with confusion and outright denial for awhile. she and milly both got involved in fewer fights overall i think? but i might be wrong. i won't speak much on this since i don't remember 98 very well, but i get the sense they sought out vash's fights much less in that rendition (at least early on. they went CRAZY toward the end- meryl especially).

and there's countless little differences like this.

so yeah, even if trimax is the source content, 98 is this funky little spinoff that treats vash just a little bit more nicely lmao. the whole thing is a little more watered down, i think; intentionally to make it more palatable. i still love it regardless, of course. it just oozes charm <3

[todayisafridaynight]

arasawa 'but are they You Know' can be so funny check this out. literally any scenario involving ichiban being nosy