#and that still kind of influences it

[takatul]

Twisted Wonderland self-aware!Yuu except they’re empathic.

When I say self-aware!Yuu I don’t mean a scenario where Yuu transmigrated into Twisted Wonderland with memories intact.

When I say self-aware!Yuu I mean someone who knows themselves better than anyone else.

They know they have flaws. They know that, sometimes, their flaws will get in the way. Whether it’s shutting down emotionally, not being able to express themselves properly, or something to do with a physical ability. Their flaws will always follow them around. Even in Twisted Wonderland.

And yet, self-aware!Yuu is still kind. Still loving all of their strengths and flaws.

Ace needing a place to stay after Riddle off’d-his-head? “Yes, of course you can sleepover.”

Deuce breaking down after letting his delinquent side out? “No, you’re not a bad guy— you just protected me and Grim from those bullies!”

Riddle having a crisis after his overblot? “I don’t accept your apology. Not yet at least. But I can understand why acted this way… you’re allowed to feel angry about your past. You didn’t deserve that kind of treatment.”

No matter how wrong the opponent is, self-aware!Yuu always empathizes with them in the end.

Maybe one day, someone confronts them about it. I can see Leona or Azul or Rollo and maybe Jamil. They’re people who have experienced and or seen how terrible people can be.

“Why are you so nice all the time? You’re too thought. Too kind. Good people like you always end up last.”

Perhaps self-aware!Yuu will look at them with a stoic face. Perhaps a shocked expression, accompanied by a frantic gasp. Perhaps even small laugh at their question. And just as the confronting student was about to retort again, self-aware!Yuu will smile.

“Well, I’m not a good person. I just do what I think is right.”

Self-aware!Yuu will sit down, watching activities unfold around them— heart still bursting full of kindness. They’ll pat the empty space beside them. An invitation, but it’s up to the student to take the initiative.

“It’s everyone’s first time living after all. May as well make it kind.”

Soon enough, if the student plucks their courage, they’ll sit and slowly learn how to become self-aware too.

banner credit: @bunnysrph

[withthewindinherfootsteps]

something about how both wei wuxian and jin guangyao repeatedly say they ‘didn’t have a choice’ in their actions. in both cases, it’s not literal impossibility, instead determined by their mindsets and personal conduct…. but while for wei wuxian that means he can’t do something immoral, even if it means losing all his social power, for jin guangyao it means he can’t do anything to lose his social power, even if it means doing something immoral. the other option is still there, but it’s never one they’d pick.

something about how they’re trying to walk the same path but in opposite directions: wei wuxian willingly left the nice, broad road in favour of upholding morals and debts, while jin guangyao is trying to claw onto it and stay there by any means necessary. in both cases, being parted from it so easily is only possible because this nice, broad road — full of people whose social power is unconditional, given at birth, independent of their actions — was never truly theirs to begin with. but despite how it is possible to be forced off due to nothing, as we see with wang lingjiao, the positions of both these characters were ultimately due to actions they took.

(about how no matter the similarity of the paths, no matter the narrowness of the choices, the direction you take is still up to you.)

[justgleekout]

Met Dan and Phil last night at their first performance of TIT!! Sooo happy I got to give them this art I made for them and had another one signed for me to take home <333 thanks dads for the amazing show!

[annabelle--cane]

ooohhh violence. finally tracked down an old ao3 link for a deleted fic that has been haunting me for eight years, slapped that baby into the wayback machine, found a capture with the completed work before the author wiped their account, happily read the first chapter, and then found that the link to every subsequent chapter just lead to the "This work could have adult content" page and didn't have archived versions of any of the actual chapters themselves. why why whyyyy.

[sorrelpaws]

rick at various ages

[zevranunderstander]

number #1 tactic that people use to not sound as racist as they are when they talk to black people: 'uhh so you AMERICANS need to stop pretending everything is about YOU. why should i know this im not from the us :/' (= is talking about like. a phenomenally internationally well-known black artist)

[waitineedaname]

I realized I made some notes on how different characters fight in mob psycho, and I never posted them. here you guys go, for any reference needs

Mob: mostly simple attacks, not very showy, just waves his hand and uses telekinesis/exorcizes something, doesn’t move around much. As ???%, much more destructive, psychic force seems to just emanate off of him and destroy everything

Teru: VERY mobile, throws himself around with telekinesis, puts his whole body into the attacks and tends to use moves from normal fights (punches, slaps, kicks, etc). Utilizes a variety of psychic techniques with flexibility, very creative. Piss stance, necktie sword. Much more flashy than Mob

Ritsu: uses powers to throw people/things around. While Mob and Teru attack with just psychic blasts, Ritsu tends to use his powers to grab other things as an attack (grabbing the delinquents and throwing them against each other, throwing the Claw guards against the wall, picking up cars to sandwich Shimazaki between them). Uses his environment creatively (fire extinguisher smoke screen against Shimazaki). More flashy than Mob, but not as mobile as Teru. Hand gestures for Drama

Shou: sneaky + speed + bomb!! Tries to be as evasive as possible using invisibility/speed (probably telekinetically enhanced?) to hit from behind, using either telekinetic force (his stomp in his introduction, the shockwave hit on ???%) or his charge bomb attack. Potentially uses speed/evasive moves as defense instead of the barriers we see most everyone else use

Serizawa: likes to channel his powers into an object (umbrella, business cards). Uses that object as a shield, sword, or something to blast psychic powers out of. Not very mobile in season two, moves around much more in the yokai fight. Not particularly flashy, but looks cool regardless

Reigen: deception/surprise!!! Either tricks people into thinking he’s going to do something else and then attacking, or just outright taking them by surprise and attacking before they know what’s going on. Usually doesn’t have a follow-up move, just does the one attack and hopes for the best. Prefers to bluff his way through a situation

[medicalunprofessional]

hhhjjkkfkfkflglgpppfjrb still in the “trying to figure these guys out so only headshots for now” phase.

[lionfission]

Happy one year Anne-iversary to the end of Amphibia!

A fantastic finale to an unforgettable show. I'll always remember watching "The Hardest Thing" at 2 am with my siblings and crying my eyes out :'))

[tariah23]

THE fact that I’ve guessed this correctly from the very beginning as soon as Sukuna was introduced into the manga years ago lmfaoo. And that as soon as I as Yuuta’s domain, immediately thought “UBW!!!” I’m so smart….

[serpentface]

Do psychotropic drugs and/or ritual play a role in any of the blightseed cultures? A pretty broad question, lol

Yeah that’s a very broad question, the answer is about as much as it tends to play roles in real history. Alcohol is pretty ubiquitous (outside of cultures that abstain from intoxicants) and used for a variety of purposes, opioids are commonly used in some parts for pain relief or recreational purposes, stimulants (usually in mild, natural forms) are used to provide extra energy, and hallucinogens are most commonly used as part of a larger religious framework (rather than for recreational purposes). Any more elaborate answer kinda has to be case by case in a certain culture or part of the setting.

I'll just take this as an opportunity to talk about the one established sect that pretty much REVOLVES around psychoactive use. This is the Scholarly Order of the Root, which is a sort of mystery religion + elite community of scholars who currently occupy the Ur-Tree and its forest in the far southern Lowlands (southeast of Imperial Wardin, on the same land mass).

The Ur-Tree is the obligatory Huge Fucking Fantasy Tree (and its surrounding forest). It’s a mass of vegetation about a mile tall and almost as old as Plant Life Itself, its upper branches are primeval plants, which become more modern the nearer they get to the ground (and each 'level' holds tiny ecosystems, some containing descendants of LONG-extinct arthropods/other small animals). Its lowest branches and the surrounding forest are contemporary plant life, and all is connected and protected by an incomparably MASSIVE fungal mycelium network (which is itself a living god).

A lot of the Scholars' more secretive practices revolve around experimentation with substance use with the goal of expanding the Mind and transcending the body to fully connect to the Dreamlands, and they have a supply chain of traders and mercenaries called Rootrunners who traffic substances into the Lowlands. Most of their psychoactive use is in a very intentional capacity and not just like, for fun, but a LOT of them are just straight up addicted to cocaine (in the form of alchemically refined bruljenum, which is used for practical purposes of its stimulant effect during long hours of work).

All known psychoactives are desirable for experimentation (particularly hallucinogens), with each having properties that either allow expansion of the Mind, transcendence of the body, or outright divine communion. Their effects are logged in great detail and interpreted to form the basis of the Scholars' understanding of the natural world and reality itself.

The most important substance is Ur-Root, which is root matter from subterranean levels of the Ur-Tree that have both their own intrinsic psychoactive substances and a very, very high concentration of living god mycelium. The tree root contains DMT and the mycelium has its own wholly unique effects (being an actual living god). They alchemically refine it into a purer, more potent form, and use it to expand beyond the body and directly commune with the Giants, a group of entities they have identified as the only true gods.

An Ur-Root trip starts off with minor visual distortion, which turns into shifting fractals that slowly obscure the vision. Eventually the senses are entirely taken over by a 'tunnel' of rapidly shifting fractals and geometries. In a complete trip, the experiencer gets a sense that they have been pushed through a membrane and entered another realm, finding themselves in a distinct experiential Space.

At this point they may encounter entities which communicate to them in a language impossible to describe but wholly understood. These beings are understood to be the Giants, or at least aspects of the Giants that mortals are capable of comprehending (they often take familiar tutelary forms of the Mantis or the Snake, or appear resembling the same type of sophont that the experiencer is, all composed of ever-shifting geometries). The experiencer often feels a sense of unconditional and endless love from these beings, though the Giants may be more hostile and may appear in the form of the Trickster (usually a cultural figure regarded as malicious, be it an animal or otherwise) in a bad trip.

(^Up until this point, this has mostly just been a DMT 'breakthrough' experience ft. 'machine elves' and the like).

They are then removed from this space and returned to something that feels like the real world, but is nearly unrecognizable. They have a sense of rapidly moving through time, and will usually see 'the spires' towards the beginning, which just so happen to look like this:

(source + some context via Implication- the spires are exactly what this art is depicting)

The experiencer continues to move across an unfathomable amount of time, occasionally 'seeing' other such flashes of unfamiliar landscapes and creatures, and yet also being devoid of all their senses, the 'seeing' is pure, unfiltered experience. There is a sense of interconnectedness with all life, and that one has become the forest (or even Life) itself. The sense of time is wildly distorted, the trip lasts only about 5 minutes but feels like an eternity and is understood as literal hundreds of millions of years.

The experiencer has usually lost any remaining sense of Self and individual consciousness during this phase (in which case this time distortion is usually a neutral or even peaceful experience), but some retain a fraction of their identity, and find themselves trapped and conscious while experiencing what feels like eternity (which can be LIFE-CHANGINGLY distressing, even after the fact).

(^This latter part of the trip is the effects of the Ur-Tree fungus).

The trip ends with a sense of rushing through the ground and back up into one's body, at which point they will abruptly return to their senses and consciousness. The details are then immediately retrieved via interview and recorded in immense detail. The whole experience is understood as having been full comprehension of the Dreamlands, communion with the Giants, and then a tour through the act of creation.

This is done as part of the initiatory practice into the inner mystery-religion of the scholars, and as needed for study by high scholar-priests. It is not taken lightly, both as it is absolute communion with the gods and reality, and in that it can be a very, very difficult experience. People who have gone through this often walk away with a permanently shifted perspective, often in a positive and/or comforting way- a sense of interconnectedness with all life, a peace with the concept of death, seeing less of a point in individual ego and the concept of Self, and comfort in the sense of divine love they (may have) experienced. This heavily influences the philosophy of the Scholars and has had effects by proxy in the religious worldviews of the region.

Details of this experience are closely guarded, and initiates are given absolutely no prior knowledge and expectations for their trip. This is seen as a necessity- their naivety will allow for a true, unfiltered experience, and can be used to gauge whether they should or should not be accepted. Those that have a distinctly bad trip upon initiation may be assumed to have been 'rejected' by the giants and thus denied full priesthood, though this largely depends on How they interpret their distressing trip- those who identify this as a test and harsh lesson in a journey to enlightenment may be accepted (as this is how fully initiated scholar-priests interpret and handle their bad trips).

This inner priesthood is only a small fraction of the Scholarly Order, and its greater function is as a hub of education and repository of knowledge, and Scholar-trained doctors can provide some of the best medical care available in the setting ('best medical care in this setting' only means so much but it's pretty solid, relatively speaking). Only a chosen few Scholars ever get to commune with the Ur-Root, and most of the divine secrets revealed in the process are kept hidden (though they indirectly influence the politics and worldview of the entire order).

[preciousbabyrat]

hey hey hey. do you think they've been so obsessed with the "saw you across the [...] and we liked your vibe" joke partially as a reference to the TIT song because it was funny that we don't recognize it as a reference yet

[sesamenom]

Quick hand sketch that turned into elrond with athelas water

I always forget to draw him with it but I headcanon him having pretty bad burn scars on his right arm/side from the kinslaying

[themissakat]

more year-end unposted work, this one is frankly a wip that i gave up on when i nearly was finished with it rip 

this is the same au as this post, which i didn’t explain at the time :3 

It’s senior year of high school, and Marcy and Anne’s Spring Break college-tour-road-trip is interrupted before it can start, when Anne is kidnapped by Marcy’s great great great great great great(?)... grandmother?

In one fell swoop, Marcy’s life is turned upside down, as she learns of her family’s hidden history on the run from their immortal vampiric matriarch, teams up with her ex-best-friend Sasha, and her Road Trip For the Future turns into a harrowing rescue mission. 

[someoneoffthestreet]

MAWS s2 thoughts before the finale:

I’ve been thinking over what we’ve seen of Krypton this season. Mostly how, even though it feels like a lot, we haven’t actually seen much at all.

Notably, most of the information we have received about Krypton is actually sourced from Brainiac, which- well. Brainiac is a certified liar, or at the very least, has a very skewed perspective of Krypton and what it was supposed to be. I do not doubt that Krypton was at one point a warmongering planet that benefited off of others’ suffering (Jor-El’s account backs this up,) but dialogue from Brainiac in 2x08 suggests that, towards the end at least, Krypton was moving away from this and pursuing a more peaceful existence.

(Speculatively, this could have angered some Kryptonians ((it’s been 20-something years and Brainiac still sounds pissed off about it)) and instigated a coup that then led to the attempted invasions against Darkseid/Apokolips and Earth, and we know how that went.)

The images we see of Krypton show the Kryptonians with superpowers on their home planet. But we don’t? Actually know? If that’s completely true?? Because it seems strange that the show would have this, but keep the red sun weakness. Did Krypton not have a red sun in this universe?

Pushing on that, the images of that Krypton are from the Black Mercy, which Kara outright states is Brainiac’s domain. The world Clark is trapped in is based off of the one Kara shows him in 2x05, but we don’t actually know where that vision originated from. It couldn’t have come from Kara, because she was also an infant when Krypton was destroyed and would have no natural memory of it. So whose memory is that? Is it a memory at all? How do we know Brainiac didn’t tamper with it?

(Like in all likelihood it was just a throwaway line, but my brain keeps getting stuck on Clark noticing Ma and Pa’s doppelgängers in Kara’s Krypton, and I keep wondering if maybe that was a result of Clark’s subconscious infecting the simulation because it isn’t an actual, tangible memory, but Kara doesn’t seem to notice anything unusual with the memory so maybe I’m stuck on nothing.)

More on that, is how all of this interacts with what we see of Krypton from Jor-El’s memories. Admittedly he gives us very little, but the contrast is pretty stark. And maybe it’s just because the planet was mere moments from exploding, but the Krypton we see back in 1x02 is a wreck, in very stark contrast to the peaceful paradise that was Krypton’s Last Days as shown in 2x05. Even more notably, neither Lara nor Jor-El do anything superhuman in Jor-El’s account. Think about that. They are rushing to save their infant son’s life, but they aren’t using flight or super speed: they are very much earthbound.

Now to be fair, there’s another explanation. Krypton was already a spacefaring civilization before the fall, so they definitely discovered how their biology reacted to different suns. Maybe they created some kind of device that could simulate the yellow sun on Krypton (like the red solar shielding around Cadmus in s1) that “blessed” all Kryptonians with superpowers; and then this device was damaged/shut off in the time before the planet’s destruction.

Like it could be both: the above point being true and Brainiac still omitting/manipulating things about how Krypton was, maybe to better preserve his idea of what it should have been.

[bumblely]

he looks so soft and adorable 🧸

I want to see more of Clarisse (Ginger & Limón founder) work with Fabio because she is behind this ✨️

the video interview was most likely shot the day they did these because he was wearing the same Kamad shirt