#and that is so valid but also they are their own characters in their own rights !! not just “the girls” !!!

[xtaleunderverse]

Underverse 0.8 part 1 fun facts:

XChurro flipping the bird

When @cornmayor came to Chile to visit me, she was watching me draw that specific scene and she suggested to draw him like that. I accepted it because it fits him so well, especially when he did it before.

Thanks, Corn.

When I was finishing this scene, something seemed familiar. I giggled. It was a coincidence.

Toriels' fight scene, heavily inspired by the Agni Kai from The Last Airbender, and also Dragon Ball. I was animating this fight after it was announced that Akira Toriyama passed away. Rest In Peace.

Only these two scenes made Animate crash more than once. It was because every single flower was moving, so just had to animate only the ones that were closer to the camera.

The reason why I hate animating XChurro's hair and X!Toriel: They. Have. A LOT. Of LAYERS. Because of that, the rendered video's size starting from 8:16 to 12:00 is 14 GB, probably the biggest video of all Underverse so far💀(Imagine I was still posting this as GIFs on Tumblr)

THIS WAS UNINTENTIONAL, I DIDN'T KNOW ANYTHING ABOUT THE "TOO FAR" THING, I DIDN'T KNOW IT WAS A FANGAME ABOUT THAT, ABOUT FREAKING PAPYRUS, IT'S THE CRAZIEST COINCIDENCE THAT HAS EVER HAPPENED TO ME AFTER XCHURRO AND KILLUA, WHAT HAVE YOU DONE, WHAT HAVE I DONE HELP

While Nyx was hating on the sound effects, his program glitched and made Alphys run away like a Simpsons character fleeing off-screen.

(we really need a second sound designer to handle the non-fight scenes in the future)

Not everyone knows this fact, but X!Chara used to be afraid of thunders as a kid in the first timelines.

For Undynes' fight scene, I had to take a bunch of photos and videos of myself posing with a broom to figure out how the spears work in movement, internet references and even my model doll weren't enough for my brain.

Making the animatic of their fight took me almost 1 month.

Little cameos: Marine from The First Human comic by @brittninja And Clover from Undertale Yellow :D

The other little hoomans are my own interpretation.

Cross and Papyrus scene.

Inspired by a deleted angsty old comic I made on Tumblr that I was planning on using for the series.

Note: You are valid 🏳️‍⚧️💜

And the last one: There are two secrets in the intro. 👀

Stay tuned, and thank you for watching this episode 💖

[dianagpeppermintnightmare]

I'm not gonna disagree with the validity of some of these points, but I still feel the need to make some of my own.

So, "shonen", of course, is merely a demographic. It isn't a genre. When people outside of Japan use "shonen", they're often just using it as shorthand for what's an actual genre: battle manga. Shonen encompasses a great deal of genres, from sports manga, romance manga, slice of life manga, and gag manga, and even those can blend together. It still amuses me a bit that smaller slice of life gag series like Nichijou or Azumanga Daioh are both shonen and nobody seems to notice. Even a yuri manga like Bloom Into You is shonen, and was published in the same magazine as Azumanga Daioh.

It should also be noted that the vast majority of battle shonen that takes off outside Japan are the ones published by Weekly Shonen Jump, which has a particular brand and image. When people harp about alleged clichés in battle shonen (regardless of whether these clichés are actually that prevalent or if they're just going solely off Dragon Ball and Naruto), it's usually the tropes frequently utilized in these particular mangas. Which, to be honest, reflects a very narrow view? It's like simplifying American comic books to just Marvel. I'd also argue that some of them don't get enough credit for their female casts (I'd point to Gintama and Black Clover as good examples), but overall...well, splitting mangas by gendered demographics naturally leads to the aforementioned issues with female representation.

Dandadan is an example of a shonen that exists outside of the Weekly Shonen Jump bubble. It's published on Jump+, which has a looser guideline for what fits the image. It could never have been published in Weekly Shonen Jump. And I think that's a big reason why people are touting it as being this big shakeup, because it's from a different publication (still by Shueisha, sure) with more room for experimentation. There's still only a limited amount of Jump+ series that have been big hits, which is partly down to it being relatively newer. It could be a good sign for the future if Jump+ keeps having hits with this level of good writing and representation.

But seriously, don't limit yourselves with the shonen manga you read. There's still a couple with genuinely good female characters, some even protagonists! I'm gonna list a few for people to check out:

1. Undead Unluck. Great romance, great action, genuinely insane plot twists, very well-characterized female cast who all get moments to develop, and Fuuko Izumo is genuinely one of the best shonen protagonists out there. 10/10 character development. There's definitely some iffy stuff early on, but hey, same with Dandadan. And if you like romance, Undead Unluck does it VERY well.

2. Akane-banashi. So imagine a sports manga, except it's not about sports, it's about rakugo. That's this series. Incredibly engaging, Akane is a fun MC, and then you delve into deeper themes about the power of art and storytelling and you start crying.

3. Magilumiere Co. LTD. More proof that locking anime adaptations of good manga to Hulu and Prime is bullshit. A Jump+ series about magical girls as an actual business for responding to monster attacks, the main protagonist is a newbie to the world of adulting and job hunting before becoming part of a small magical girl startup. The only manga I've read where "privatizing the magic industry" is an actual plot point. And yes, there is commentary on aspects of capitalism and how valuing profit over people is bad.

And those are just the ones I'm reading. That's without going into Kindergarten Wars or Shy, both series with their own cult followings and female MC's. Or hell, Frieren got super popular, and some people don't seem to realize it's published in Weekly Shonen Sunday.

So, in short...yes, Dandadan bucks a lot of clichés associated with the most popular battle shonen, but it's still speaking from a limited point of view. There IS more variety out there, you just have to look. Don't just focus on the stuff that gets the big social media reactions from the anime adaptations, focus on the smaller cult hits too.

Ways I can think of that “DanDaDan” differs from other shonen series:

* Female MC is as important as male MC

* Canon romance gets consistent development through the series. I think that’s part of the reason why the MC ships with the rivals (Aira, Jiji) aren’t as popular with the fandom for once. The main ship is actually getting good development, so the fanbase doesn’t have to make up headcanons to fill in the space.

* Flips the found family trope on its head by having the main group despise new people whenever they show up and they even actively try to kick them out. The new people only end up staying because they keep lingering around to the point that the main group just gives up and lets them stay.

* The rivals aren’t emo or angst-ridden. Aira is a delusional tryhard popular girl while Jiji is a himbo drama queen. I’d even go as far to say that the MCs are the ones who are emo and angst-ridden.

* Supporting cast is more than just important, they become integral to the story. I’d say that the further you read into DanDaDan, the more it becomes an ensemble cast where everyone is a protagonist in their own right.

* World-building is all over the place, but in a good way. Most other shonen are pretty consistent with what kind of world their characters live in. MHA is superhero-based, Naruto is ninjas and magic, Bleach is spirits, and so on. DanDaDan feels like the author just throws whatever cool shit they can think of into the story. That’s actually the reason why I wrote in a different post that DanDaDan reminds me more of Marvel/DC than any other shonen series, it manages to capture the catch-all insanity of those comics.

* Doesn’t rely on hidden power-ups. The main characters either have to outsmart the villains or they have to train to get better with the powers they already have.

* The pervert comic relief guy is actually endearing for once. Not because of his pervert tendencies, but because he’s so oblivious to how socially inept he is that it’s kind of funny. This is gonna sound strange, but he sorta reminds me of Thor in Thor Ragnarok. Full of himself and oblivious to how dumb he can be. He’s Thor without the good looks lol.

* Flips the “nerdy outcast loser somehow gets a harem” trope. Instead of making Okarun cooler than how he actually is, the story emphasizes that the women who fall for Okarun are as weird as him. Momo is a weird outcast, Aira has main character syndrome, Vamola doesn’t understand how to human because she’s literally not one, Rin thought Okarun was a vampire (and wanted him to be).

* Flips the “elderly figure in charge of the teenagers” trope. I don’t really get motherly figure vibes from Seiko Ayase, I get more “cool wine aunt who is stuck with her niece” vibes. In fact, there was the arc where Okarun showed up to her in spirit mode to get her help with fighting off the alien invasion and Seiko’s response was, “Well, I’m not in the area and I have other shit to do, so you kids figure it out.”

* The series takes the piss out of the trope of mystical/magical items that the group acquired to get their powers. I mean…the main mystical MacGuffin in the series are Okarun’s balls.

* Okarun was about to go into an “I’m weak / I wish I was stronger / I want to get stronger for my friends” breakdown, but Turbo Granny told him to shut up and keep fighting.

* Not afraid to put the “cool girl” in as many funny situations as possible. Off the top of my head, the series built up Momo as this cool, tough girl who doesn’t take shit from anyone…then several chapters later, Okarun found out she got a job at a maid cafe.

(Feel free to add to the list!)

[jane-asmo]

Why I think Caitlyn didn’t ask Vi for forgiveness

(Thank 'anons' for your messages. I’ll try to respond to you through this text: )

The importance of Caitlyn’s “I know”

A key moment in Caitlyn’s character narrative is her “I know”—both its content and delivery.

The content: When Caitlyn says, “I know,” it doesn’t just mean “You’re right.” It means, “I’ve taken the time to think about this.” And thinking is what Caitlyn does best. Her “I know” conveys that she has already had this conversation with herself, over and over in her head. She’s thought about it constantly, she’s already told herself these things, and she’s already blamed herself for them.

The delivery: She screams it with violence, and we can see this represented by the boat falling apart. It’s not just that she has thought about it; it’s tormenting her. Her “I know” is incredibly powerful because it’s filled with suffering.

To me, this is as valid as an apology because asking for forgiveness is outward-facing—focused on the other person. "Asking for forgiveness" says, “Whether I’ve forgiven myself or not, whether I feel guilty or not, it’s on you to decide to forgive me.”

But here, Caitlyn’s “I know” is inward-facing. It means, “I’m not asking you to forgive me because I can’t even forgive myself.”

She knows everything you’re saying, and it torments her.

This is followed by:

"I didn’t even have time to think before they hauled her off."

This line is so telling. Everything about Caitlyn is tied to thinking and reflection.

Being a sniper means aiming and shooting. Aiming is the equivalent of thinking, and shooting is the equivalent of speaking. Everything Caitlyn does is deliberate and thought through.

This is why some people dislike her: as I’ve said before, unlike other characters, Caitlyn’s actions can’t be forgiven easily because she doesn’t do anything by accident.

Then we get to:

"We can’t erase our mistakes. None of us."

Caitlyn speak in “we.”

In the prison scene with Jinx:

"No amount of good deeds can undo our crimes."

This scene mirrors the rage she felt when she threw the boat. In this moment, she’s speaking to Jinx, but also to herself.

Caitlyn and Jinx are paralleled so many times throughout the show. Caitlyn quickly realized that, in some ways, she had become like Jinx. And so, in order to forgive Jinx, she would first have to forgive herself.

At this point in the episode, the person Caitlyn hates the most is herself.

But she no longer has the "energy" to hate, neither Jinx nor herself.

Energy comes from fuel. What she perceives as a lack of strength to keep fighting is simply the fact that the fuel that powered her hatred has disappeared. And when you stop feeding a fire, it eventually dies out. She has no energy left; she has no fuel to sustain her hatred.

It's a particular way of saying, I don’t hate you anymore, and I don’t want to hate myself anymore either, because in the end, that hatred corrupts us/everything .

In her own unique way, Jinx also says, I didn’t know your mother was there, even if it wouldn’t have changed anything. And this too is a strange way of taking a step toward the other.

We have two brilliant and intelligent women who express their emotions in unconventional ways. ----------

There’s also a whole analysis that could be done about her concept of justice and rules, "but I don’t have the energy" to dive into that here. Still, it would only lead back to the fact that Caitlyn doesn’t see herself as the right person to free Jinx (and therefore to forgive her) because she believes she herself is beyond forgiveness.

[sheree-says-stuff]

LONG LOST MCR INTERVIEW!!!! RARE!!!!! '06

Interviewer: *laughing* "Alright, welcome to this very candid interview with Frank Iero and Gerard Way. Guys, thank you for joining us today!"

**Frank Iero:** "Yeah, no problem! Always a pleasure to be here."

**Gerard Way:** *eyes glued to iPad screen* "Mm-hmm, sure." *quiet chuckle*

**Interviewer:** *glances at Gerard, then back to Frank* "So Frank, we hear you've developed a bit of an admiration for someone—or, um, something—called 'Hawk Tuah Girl'? Care to explain?"

**Frank Iero:** *grinning* "Oh, yeah, Hawk Tuah Girl. She's honestly been on my mind a lot lately. I know it sounds a little random, but there's something about her that's so... powerful, you know? She’s like, this unfiltered force of nature, just breaking through expectations and being unapologetically herself. I love that. I mean, we could all use a little more of that energy."

**Gerard Way:** *barely looking up from his iPad* "Yeah, but does Hawk Tuah Girl ever, like... flush toilets or something?" *snickers to himself*

**Interviewer:** *laughs nervously* "Uhh, Gerard, not exactly the direction I was thinking we were going in, but, Frank, back to Hawk Tuah Girl—what is it about her that stands out to you?"

**Frank Iero:** "Right, right. So, Hawk Tuah Girl, for me, she represents this kind of freedom—like, the freedom to just exist and be a little weird, without needing validation from anyone else. It’s a vibe. A vibe I’m very much here for. Like, if I was ever stuck in a bad place, I think I could look to her as a reminder that being yourself is enough."

**Gerard Way:** *snorts and glances over at Frank* "So, basically, she’s your spirit animal now?"

**Frank Iero:** *laughs* "Yeah, I guess you could say that. She’s like my punk rock superhero."

**Gerard Way:** *muttering under his breath* "I need a superhero who knows how to hit the 'skip' button on Skibidi Toilet."

**Interviewer:** *laughing* "Gerard, are you... watching *Skibidi Toilet* right now?"

**Gerard Way:** *holds up iPad, showing a clip from *Skibidi Toilet* where a dancing character is wildly out of sync with the music* "Uh, yeah. It’s... art."

**Frank Iero:** *grins mischievously* "See, Gerard's whole thing is balancing deep, introspective moments with... *Skibidi Toilet*."

**Gerard Way:** *shrugs* "It’s a balance. You can’t take yourself too seriously all the time, right? Gotta laugh at the weird stuff."

**Interviewer:** *laughing* "Fair enough! So, Frank, it’s safe to say that Hawk Tuah Girl brings a lot of meaning into your life. Would you say she’s changed your perspective on your own art?"

**Frank Iero:** "Oh, definitely. I think, just like her, I’ve been learning to embrace the messiness, the weirdness. The world doesn’t need another ‘perfect’ version of anything. It needs something that feels real. And Hawk Tuah Girl, man, she’s real. She’s like a reminder to just... make noise and have fun while doing it."

**Gerard Way:** *nodding sagely* "Yeah, and *Skibidi Toilet* reminds me that anything can be art if you believe in it hard enough." *pauses* "Also, I think I might need more toilet humor in my life after this interview."

**Interviewer:** *laughing* "Well, there you have it, folks. Frank Iero finds inspiration in Hawk Tuah Girl, and Gerard... well, Gerard is watching *Skibidi Toilet*. Thank you both for such a delightful and slightly chaotic chat today."

**Frank Iero:** "Anytime. But seriously, if you haven’t checked out Hawk Tuah Girl, you need to. It’s a vibe."

**Gerard Way:** *still transfixed by his iPad* "Yeah... it’s all about the vibe." *mutters* "I’m not skipping this one."

[jollmaster]

1. your redesigns are so pretty! my favourite is your one of mortal vega / vaggie, to be honest

2. have any of the character's sexualities been changed? if i remember correctly (which i might not be) i think you stated at some point that relationships wouldn't be the main focus or a big part of your AU? and i was curious whether that impacted their sexualities in some way.

3. this is unrelated to your AU, but on the topic of ships, which would you say is your favourite? canon and / or non canon. and if you have one, is there any headcanon for the ship you particularly like / agree with?

thank you, anon 🖤 love you!

found one of very first concepts with mortal Vaggie, hurray

I adore her too, I loved painting that corset dress and pearls! Vaggie and Alastor were basically the first ones whose redesigns I did; at first it was just for fun, and now here we are, dudes

about sexualities and changes

• I had already wrote about this, the whole point is that in my AU you can think however you want (if similar to canon that's fine, if in different way that's also valid); it doesn't matter in global sence, so sexuality in this rewrite is your own headcanon

• perhaps the only small change is the fact that Angel Dust has incidental heterosexual tendencies and flirts both with men and with women: this helped him in mortal life + he doesn't see flirting as something sincere, it's just a way of domination + he was in relationship with woman in early Viv's concept

• to sum up, I just don't think that this is their biggest problem in most cases

about favourite ship

looks around

looks at own blog

well, I dunno 🤣

maybe my favourite ship is radiorose, with whom I have both drawings and fanfiction, and who are basically ship I draw all the time? 📻🥀 just look at my blog lol

headcanon, which I like and agree with: they're friends and cannibal besties at first and foremost, 100% not simple lovers

(yeah and I don't like any canon pairings in their final versions, I'll be honest, not my cup of tea, either a mess or boring)

[l-in-the-light]

About Trafalgar Law and his vitiligo

Feel free to ignore this post if you so wish, but I chose to speak up on this matter. I have seen so many fanarts that portray Law with his white skin patches, often looking like a dalmatian and it bothers me. Are you all aware that animal-like patterns for vitiligo are considered insulting? And you all might look at me weirdly now and ask "how can something so cute/wholesome/unique possibly be bothersome to anyone?!" Read further on your own risk, slight tmi.

Law's disease is of course fictional. Visually it looks the closest to vitiligo, but it has a lot in common with autoimmune skin diseases as well. I happen to know how it's like to live with a skin disease. Meds for my condition aren't really for curing anything, they just make the symptoms dimnish, but in return they leave white patches on my skin that are resistant to tanning for a long while (also those meds are very dangerous for your kidneys apparently if used too often, as a side note). Why would anyone use them? Well, because it's a hereditary skin condition: it never goes away and there's no way to cure it, those meds are literally the only thing that does anything. I just get lucky whenever symptoms aren't visible for some time until they inevitably come back anyway. And believe me, this isn't "wholesome", "cute" or "unique" to have discolored skin patches. You all probably have no idea (why would you have anyway, it's natural that you don't) how it's like in summer, when you go on a bus or tram, you wear a t-shirt because it's freaking hot and you can't hide under the clothes or you risk melting or fainting. And people see your discolored skin or red patches on your skin. You know how they react? They stare at your hands/arms and then they move away. That's the default reaction whenever your skin looks unusual. People would rather move away, just in case it's something contagious. They will also stare, a lot, and you can feel it's judgemental, even though my condition is in no way my own fault (or anyone else's who also has it), thank you very much.

That being said, I doubt Law would be happy parading openly with white patches visible on his skin. Most people wouldn't realize that's it's just a leftover from his old, cured disease. They would simply assume what people always assume: that it's something contagious. Evidence below, if you need it:

And Law's reaction to their reaction:

He doesn't look very happy, of course.

People would isolate him, avoid him and *stare* disrespectfully at him like he's a weird specimen, at best. Law would quickly learn to hide it under his clothes, long sleeves, long pants, gloves etc. No one truly wants to attract negative attention like this, especially not someone who already went through a lot of traumatic experiences, like Law. And sure, as a child he didn't really hide it:

But take into account those are the clothes he was wearing ever since Flevance happened. He didn't have any other clothes. As soon as he's accepted as part of Doflamingo's family he starts to wear different ones, and he covers up the spots on his arms by wearing long sleeves:

And oh boy, I can totally relate to that.

Sure, in ideal world, no one would assume Law has a disease just because his skin is discolored. But we're not living in ideal world. Some people, just like me, have hereditary skin conditions and feel bothered by fanarts that exoticize skin disease or skin disorder. Yeah sure, why does it matter, Law is a fictional character with fictional disease, right? But vetiligo is very similar to this and is a real condition which is part of life of real people. Those aren't freckles that are just cute and make you look unique (and some people might have freckles and still hate the extra attention drawn towards it, and it's valid if they feel like that!).

Just wanted to get that off my chest. I don't need sympathy for my disease, this is not why I wrote this post. I just wish people would realize that by drawing a vitiligo Law they're toying with a lot of emotional baggage there, please treat it respectfully. Maybe one day the world will be wholesome enough to think of it as normal (normal, not fetishized, ugly, contagious or exotic!), but I assure you it still doesn't. If you think it's just a "me" thing, check out this blog: https://www.tumblr.com/vitiligo-is-not-a-trend/765530242896003072 and many other posts of theirs. Not everyone with skin conditions might react the same way, but keep in mind people with actual vitiligo and skin diseases can and often will be really sensitive about it, and for a good reason.

Yes, that being said I also think it's wholesome if Luffy accepts vitiligo spots on Law easily like it's not a big deal, especially in comparison to the rest of the world which would fear him instead. It's definitely something Luffy would do. But that's completely different from fetishizing it. Please, you're stepping on a thin line here, tumblr.

[anonymousmoth43]

The way that most of the more traumatized and main characters in MHA were all groomed for it actually drives me insane, it’s so sad. Like we have the obvious ones in the older ones (Shigaraki who was groomed by All for One, Dabi by Endeavor, Hawks by the commission) but we also have the ones people would try to deny in the younger ones (Izuku who was groomed by All Might, Shoto by Endeavor, Momo by society)

Izuku was groomed by All Might to be the new OFA user. He found a vulnerable desperate kid and offered him something he wanted more than anything while also knowing all the pain, suffering, and trauma that is to come without telling him. Because he didn’t tell him in the first place Izuku felt so in debt to the man who gave him attention and something he felt useless without that he felt too guilty to complain.

Shoto is complicated but somewhat easy to understand if you understand the threat of abuse and abuse was used to Pavlov him into becoming the perfect number 1.

Momo deserves a million times better. She was groomed by high society and her parents into never complaining, to be a perfect show piece, to let people dress her up and control her to the point her self confidence (and sense of self) was so unstable and based on others opinions that her teacher had to step in. She was forced into revealing clothes and if she wasn’t so trained and groomed her whole life like a doll then she probably would have noticed that costumes can be made with her own hair or DNA to work with her quirk, if anything she could have made HER OWN costume that was completely covering because everything she makes is technically her own DNA so it should be able to work perfectly with her quirk.

I understand these aren’t what people would consider when consider when thinking of the traditional forms of grooming but they’re still valid.

[bunnysnuff]

Being Galinda’s girlfriend headcannons:

Pairing: Galinda Upland x f!reader.

Trigger warnings: none.

You’re Her Biggest Supporter: Galinda (or Glinda, depending on how you like to spell it) is a force of nature, and she’s constantly seeking validation and admiration from others. But when you're together, you're the one person who she can truly lean on for reassurance. You offer her genuine support without all the sparkle and glam that she’s used to from others, which means more to her than she'd admit.

Endless Sparkle, with a Twist: Galinda loves her glitz and glam, but when she's with you, she’s willing to leave the ballgowns behind for cozy nights in—well, at least as cozy as she can get. She insists on giving you "the full Glinda treatment" with spa days, facials, and candlelit baths (probably scented with something extravagant like lavender-sweet vanilla). She’s always the one to make you feel like you're royalty, even if it’s just a lazy afternoon.

Teasing and Playful Banter: There’s a lot of light-hearted teasing in your relationship. She’ll probably poke fun at you for being "so serious" or "not understanding the importance of a good hair flip," but it’s all in good fun. You love to tease her back, calling out her overly dramatic tendencies, which she pretends to be offended by—until she bursts into giggles.

She Keeps You on Your Toes: Galinda’s known for her love of making everything a little more dramatic than it needs to be. If you're in a public situation where there's a little bit of tension, she'll probably look at you with an exaggerated "save me" expression, which is both hilarious and endearing. You’re her safe person, and she knows you’ll always keep her grounded.

You’re the Yin to Her Yang: While Galinda can be a bit self-centered and bubbly, you balance her out. You might be more introverted, calm, or serious, and that contrast creates a dynamic where you complement each other perfectly. You challenge her to think deeper and act with more humility, while she teaches you to lighten up and take life with a pinch of glitter.

The Best Date Nights: Your dates could be a mix of extravagant affairs and the simplest moments. You might attend a big gala, or you might have a quiet evening where she reads to you from one of her fashion magazines while you doze off in her arms. She loves to spoil you, but she also treasures the moments where it’s just the two of you, without all the flashing lights of the world.

She’s Protective in Her Own Way: Galinda may not always show it, but she gets fiercely protective of you. If someone is rude to you or you’re facing a challenge, she’s the first one ready to defend you with a mix of fiery charm and persuasive words. While she doesn’t have the same boldness as Elphaba, Galinda will use her wit, charm, and status to make sure you're treated well.

She Has a Soft Side: Deep down, Galinda has a heart of gold. She may act superficial at times, but she’s incredibly thoughtful and has an emotional side that only comes out when she’s with you. She might surprise you with little gifts, handwritten notes, or her favorite flower because she knows it’ll make you smile. She also has a bit of a “soft and vulnerable” side that she only lets you see.

Sharing in Her Growth: As much as Galinda is known for her glamorous persona, she’s also a character with depth. Throughout the relationship, you get to see her evolve from someone obsessed with popularity to someone who’s genuinely concerned about justice and what’s right. You’re there to witness her growth, whether it's her finding her own voice or standing up for what she believes in.

You Have Her Heart: Galinda is a romantic at heart, and though she often expresses it in dramatic ways, you know she’s incredibly devoted to you. When she says she loves you, it's not just the words; it’s the look in her eyes, the soft touches, and the way she always wants to make sure you feel adored. It’s clear you’re her one true love, and she’s in it for the long haul.

[toasthaste]

ok here are some In Stars and Time thoughts: (wow! that's a lot of thoughts actually! long post warning! also warning for like every possible spoiler, don't read this if you haven't engaged with the game to your satisfaction)

I'm obsessed with the fact that the loop that ends up being the final one is the one where EVERYTHING goes wrong. I spent the whole game subconsciously building up my Perfect Final Loop in my mind, how I'd get every item to make sure I didn't miss an opportunity to use em, do all the friendquests and such... I didn't even realize I'd been building up that ideal scenario until after credits rolled! Really really cool. The timeline where Siffrin does the worst stuff he does in any loop is the one that stays. And it's still a happy ending! it's a better ending because of that! His friends saw him at his worst and still loved him! He didn't have to do everything perfect to keep them around actually! Something about that feels so right, to me.

I keep using "ludonarrative resonance" to describe this game and yeah ok I'm huffing my own farts here whipping that out but whatever, it's REAL. The player and Siffrin are on the EXACT same emotional journey as each other, we're getting tired of seeing the exact same lines over and over again right alongside them, we're taking shortcuts because we've seen it all before and just want to grab key open door grab crest etc etc make the progress go. We're starting to find these previously-charming characters grating because we've just seem them repeat the SAME lines over and over and over and OVER again until they start feeling like caricatures of themselves who we can barely feel any real compassion for any more.... It's just so.... clean, it's so perfect, to me. It helps that Siffrin is also one of the more relatable characters I've encountered in, like, media. I don't usually relate to fictional characters much, but, man, the emotional constipation, the building scorn, the depression, the Being Weird About Touch... I mentioned in another post that it's really just Siffrin and Murderbot who I've ever found viscerally relatable, of all the characters ever in media. So like, it's a pretty rare position. (I do not relate to the pun-love though. I'm funny I'm good at goofs but bad puns are extremely tedious to me. Which perhaps goes to show how well-realized Siffrin is, given that I'm able to look the other way....)

I think they could have stood to make Loop's Whole Deal a bit more obvious. I had no clue what their fucking deal was at any point. I totally missed the interaction that lets you learn about The Incident and thus get more Loop info at the end, and... it's valid to have different endings in a game of course, but... I felt like I really missed out tbh! And I had no way of knowing I had to keep interacting with the silver coin.... idk. It felt a bit like a gotcha I suppose. And Loop's deal is really cool! Holy hell! I'm doing a quick replay of the game to see more convos with them with this context, and to get the ending with them, and like--!!! There's so much here! Loop tellins Sif to use the royal We, they even tell Siffrin, like-- Loop asks Siffrin why he doesn't just tell his friends about the loops, maybe they can help, why keep it a secret? Meanwhile... Loop!Siffrin is stuck in their own helpless timefuckery world and refusing to let Siffrin know about it! The Siffrin from the Start Again timeline never learned those lessons, they're still trying to help someone else while refusing to ask for help themselves, refusing to even let on that there's a problem! And getting more and more emotionally fucked up about it! Man it's good. I guess it does make a replay more rewarding, not knowing this until the end, the first time, but so much of the game is already a replay that, idk, it does feel weird to replay it. I've already done so many repetitions y'all.... But I guess that's pretty meta, also...

Oh I'm under the impression this is not terribly uncommon but I absolutely did get got by the ?diary? that had the story of the person making a duplicate of themselves so they had someone to talk to. Like I fully thought that was describing the King and Siffrin, I spent a long time under the mistaken impression that Siffrin was a copy of the King in some capacity. Oops.... I might try to gently lead Beloved Roomie away from this interpretation when she plays it. Planning on being pretty hands-off overall but this is one area where I feel it might be justified to violate the prime directive.... But we'll see!

I wish I liked the music more..... This is a game that I think really begs for some real heartwrenching tunes to enhance all of the everything but instead none of it does it for me at all. I think that's a real shame, it's by far my biggest complaint. I'm not asking for Undertale-tier, but, at least something I'd want to put on my playlist for the emotional resonance, y'know?

THEY ACTUALLY KILLED THE KID !!!! LIKE!!!! I guess I have some biases I might should think about but I was not expecting a game that begins with so many explicit pronouns introductions (rather than just giving us context clues) and that has no real cursing to be willing to kill the kid, even impermanently? Let alone so gruesomely? I think I was expecting a much greater level of.... idk, tweeness, fanglessness, than we actually got. In spite of being a fan of insertdisc5's comics for YEARS and years! And like! Damn! Props to them!

God. God. So, like. All the ending fakeouts were fucking great. I genuinely thought the All Friendship Quests ending might be the Real One, I was prepared to be disappointed because it felt too soon and just not.... quite.... right? But I did think that was probably where it was heading! But it wasn't! I got got and it's so heartwrenching and also so satisfying, the mood whiplash from loop to loop is fucking sublime.

And-- AND! The real ending! So like. Some of the stuff I missed was just me not pursuing specific content correctly. But some of it is genuinely just, like, stuff that has no actual purpose besides flavor. Flavor, and.... The locked passphrase door in Dormont. The four-pointed leaf you can get (but not in the final loop!), the bell chime, etc etc. You can't actually really do anything with any of this stuff. But you don't know that! It feels like there's still all these loose ends! And!!! Those loose ends do their job SO WELL! The dev knows Gamer Instincts, knows people are gonna have that mental tally of boxes-yet-to-be-checked. Left some forever unchecked on purpose, which-- At the end, the real end, when Siffrin is about to talk to the Head Housemaiden and find out, for real, if this is the final loop or if it's all going to happen again, again, again. He's scared. He's traumatized! He's thought he Had It so many times! SO many times!!! Hope is terrifying! Hope is a poison! And the game has left these loose threads, and at least for me I really was not sure it was going to work. Like it seemed likely but the same metaknowledge of story structure that made me think it was likely also told me "but wait, there's all these loose threads, and the only way for them to trick us again WOULD BE to make the ending SO elaborate and epilogue-y....." I was nervous right along with Siffrin! I was uncertain! Fucking fantastic work, using my own gamer's instincts against me. Thrilled about it.

All the characters are so well realized. They all have specific relationships with each other, not just with Siffrin (Important!!!!! Huge complaint I had with BG3, they didn't put their whole pussies into this!!!!). And, and, I love how they all have different feelings about the time loops. I love that Mirabelle doesn't want "spoilers," and meanwhile Bonnie doesn't mind them and thinks of their alt-selves as like... them-but-not-them in a very cool way.

There's something about-- the way the game starts as a regular degular videogame and then graaaadually becomes, essentially, a visual novel as the actual gameplay becomes trivialized. Which itself is like, really really cool with the themes! And also, just.... I never would have picked up a straight up visual novel, I just, don't get into them, I'd rather read a book, but! I was already invested! It got its hooks into me when there was gameplay mixing things up and those hooks weren't about to let go just because the gameplay didn't super matter any more!

Straight up when we first see Red I didn't at all process that it was a Color in a game with No Colors, Canonically. They had to spell it out for me. It didn't occur to me to be surprised. I'm just too used to colors existing I guess idk. I think I wish the colors thing had gone somewhere a bit more...? I'm GUESSING it mostly originated as just a cute little explanation for why the game is all grayscale and then fit in with enough stuff to be given elevated importance (?) But it felt... hm. Underdeveloped, maybe. I think I really want more stories in this.... "Setting" and "Universe" and "Series" are not quite the right words but hopefully you get the idea. I want more so there can be one that develops that more. Not that leaving stones unturned is, like, illegal ofc. I just find the idea very compelling....

What is it with time loop stories and themes of loss that cannot be outsmarted. Man. I wondered, for so long, if Siffrin's country was going to be restored in people's minds, if that was one of the main big Plot Things we'd see. And it just didn't! Their memory is going to keep being bad, they're going to keep having all these huge tragic gaps and it's just. What can you do. At some point you have to either be permanently paralyzed by the horrific injustice you've suffered-- or you have to try to live a life. And. Man. I don't think I've actually ever encountered a story that was so much about that exact specific form of loss, the loss of one's culture, history, language! All of it. Gone from everywhere. It made me think of the obvious things and just. Man. What a howling void. The contrast with Odile's deal made it a lot more effective too I think. More of an expanded meditation upon these themes than just one toe dipping in, I guess? Hm.

Odile's battle profile pic when she's at low health is so fucking hot this cartoon character is so hot goddammit.

Game good. You're only reading this if you've already played it, I hope, so I can't use this space to recommend it in a meaningful way but. Heck. Game good.

[oldrockformations]

Physically disabled fan here and I have so many thoughts about the ending and Viktor’s whole arc in general!!!

A large part of Viktor’s character is his own feelings of inadequacy. A good portion of those feelings stem from him being a Zaunite, but a ton of it also stems from his disability. We see it in his flashback, when he avoids other kids his age. We see it in the way he lets Jayce be the figurehead for Hextech, when he refuses to go on stage despite Jayce wanting him there. And he has a valid reason to feel this way—he is unwelcome in Piltover. Jayce and Heimerdinger seem to be the only people who don’t treat him like absolute shit, not to mention Piltover’s lack of accessibility (note the emphasis on Salo’s wheelchair going down stairs). So it’s no wonder Viktor harbors a lot of internalized ableism. It’s what the world has shown him he should feel.

And this internalized ableism, as well as the ableism he experiences externally, is what causes him to push himself so hard. He wants to help people, and he feels he hasn’t done enough. He needs to prove himself. So when he realizes he’s dying, he abandons his own morals in favor of extending his life (note his reaction to Rio as a kid, vs him saying he understands now as he is the one dying) and continuing his work. But when he uses the hexcore to try to cure his terminal illness, the first thing it changes is his leg. All of this shows early on that Viktor is willing to cross lines in order to fix what he considers “weakness.”

Now this whole time, Jayce has always viewed Viktor as his complete equal. The reason Jayce and Viktor work so well together is they provide new perspectives for each other. Jayce is a dreamer, and Viktor shows him reality. But when Jayce gets too caught up in politics and forgets his own privilege (the whole “I’m from the undercity” scene) Viktor feels betrayed. Jayce has abandoned him, and he throws himself into his work, becoming even more reckless and resulting in the death of Sky. And at this point, Viktor is overcome with guilt and believes he is unlovable, to the point that he is suicidal.

I’ve seen a lot of folks saying that Viktor’s arc in season 2 was wildly out of character, or that the writing was ableist, but I think they’re missing the point. At the start of season 2, Viktor is still mentally at rock bottom. I don’t think his change from “I am wracked with guilt because I acted recklessly during an emotional crisis and got someone killed” to “emotions are a flaw and I need to rid myself of them” is that far of a leap considering the circumstances. Especially once you factor in the hexcore messing with his head and using a manifestation of his guilt (Sky) to manipulate him. Viktor has always wanted to help people, and when you combine that with his internalized ableism, it makes sense that he would turn to “fixing” people’s disabilities if given the chance. He genuinely believes he is helping people like he always wanted, and he’s receiving the validation and respect he craves.

So when Jayce “kills” him, effectively killing everyone Viktor has “healed,” he is once again faced with overwhelming guilt and, not knowing how to handle that, he sinks further into the mindset of the Machine Herald. He avoids taking accountability by letting the arcane take control and he justifies his actions with this Glorious Evolution.

So when Jayce, a man Viktor still loves despite everything, looks him in the eye and tells him that he is beautiful, disabilities and all, Viktor doesn’t know how to rationalize that. It doesn’t fit into his current worldview. At this point, Viktor knows that Jayce has a bad leg, he’s fought him. And Jayce is still here saying that it does not make him weak. Ableism and self hatred are ingrained so deeply within Viktor that being told he is worthy of love shatters his mask, literally and figuratively. We see his face again, and he gives up his facade of being this emotionless herald.

Jayce’s message was cheesy as hell, but it was less so about actual disability, and more so about the mindset that is drilled into you when you are disabled. I think it’s impactful to me at least because Jayce chooses to say this instead of fighting. By all accounts he should be trying to kill Viktor, but he risks everything to tell Viktor how much he loves him. That he always has and that there is nothing that could change it. It didn’t come off like a motivational poster like that type of shit usually does, it sounded like an expression of devotion.

That’s my take anyway sorry for writing a whole ass essay lmao. I am very normal about Viktor arcane and I am tired of seeing his character arc being misinterpreted!! Big win for gay people and a massive L for ableism

i’d really like to hear some disabled fans’ takes on the ending of arcane season 2!

because however cute jayce’s sentiment is, when he said:

«but you were never broken, there is beauty in imperfections»

my first instinct was:

«yeah, easy to say when you haven’t experienced being sick and in pain literally your whole life your body failing you in countless ways…»

but that’s only from absorbing stuff my disabled friends have said (i’m able bodied), so if any disabled folks in the fandom wanna weigh in, i’d love to hear your thoughts and takes!

[lotus-pear]

free will is drawing ur two favorite characters together and making them gay

[tea-cat-arts]

Shen Yuan getting transported into pidw isn't "the system punishing him for being a lazy internet hater," but instead representative of "step 1 of the creative process: getting so mad at something you decide to go write your own fucking book" in this essay I will

[jonsnowunemploymentera]

The way we discuss prophecy in fandom is genuinely fascinating. GRRM spends so much time showing how different characters have different interpretations of the same thing based on their own cultural contexts. He says that prophecy is tricky to navigate through multiple characters, showing that even the most careful practitioner can get almost everything wrong and fall victim to their own fallacies (see Mel). So tell me why the main takeaway for large parts of this fandom is “prophecy stupid, it doesn’t matter”. My brothers and sisters in R’hllor, GRRM didn’t invent multiple characters (three of whom are main POVs!!) who can see the future for this to be the conclusion. This is a FANTASY series. Please I’m begging, let us be serious 🥲

[malamilkbeats]

My thoughts? And throwing stuff in the dark, hoping it hits something

The Heart to Heart: I mean, as sweet as S2 EP4 was with them, I couldn't shake off the cynicism of it seeming staged to some degree...but I could just be paranoid from feeling thrown for a loop by his nonchalance. Circubit didn't seem the least bit surprised about being corrupted by Cyanide from the hug. And I don't see much of people-pleasing qualities from Circubit other than this scene here. I wouldn't call it people-pleasing really, only because he might have had a soft spot for her situation since it may have been relatable.

Just by a stretch in assumption here, other than relating to her, he might have had that "heart to heart" with her to very well be re-corrupted and to have a possible stronghold down the line, now that he undoubtedly knows Cyanide doesnt a have stable, caring caretaker.

His Duality Form Control and its possible advantages: Another reason I came to this is that...I sort of agree from braincell's previous lore-informed theory that he was also using his corruption as a form of a second shield/form of escapism (from identity flaws, his past as a pure shape, the flexibility of alignment, etc...).

As dark as it is to think about, causing a rift between Cyanide and Dub could be a strategic benefit for Circubit now and later on. From my perspective, he has taken a more machiavellian, neutral approach to fix what has been wrong in his eyes because it's the only route he has open. He has taken his own means to an end to achieve what he could want, and it's kinda too early to tell whether that's to be a hero himself, rally an entire rebellion against Dub, and/or getting another chance to counter his tarnished reputation from the Royal family, his ex-friend, and most of the Land of Spheres. Or something else entirely.

Yeah, we know he's not completely aligning with either the heores nor the corrupted side. He's taking his own rogue path, and we don't really know where that destination really lies.

No Benefit being Pure: If he does take any of those possiblites, I would like to think his re-corruption here made sense, though. Would you think his goals could be achievable with his pure form? I don't believe so nor would his pure self even have the support from the heroes, caretakers, groups, and obviously the corrupted. We are only really sure that he needs to be corrupted to achieve what he might be looking for, whatever that may be. From the looks of Circusic's talk with Iris, bro doesn't have the best reputation outside of his corrupted form nor was anyone looking for him outside of sheer unconditional concern, other than he's a threat or some traiter in other's eyes, especially Iris, unfortunately.

From the short, Circubit's Recurring Memory, the king had already expected Circusic to raid the castle, removing what he was looking for. But it's unclear whether Circusic was going to steal the item for himself, something else, or Circusic could have been, misunderstood, purposefully misled, or framed. Regardless, there's still distrust of his character.

Back to Cyanide's confusing adventure for self-identity: Cyanide is most likely...POSSIBLY...(just a guess) going to be rejected by both Dub and the heroes, causing her to come back to the one and only place she felt a "crumb" of acceptance/validation: Circubit.

"We might meet again."

Yeah, alright, Circubit. Would it be sooner or later? Like, he knows she's failing to cope with rejection (and other's perception of distrust towards her) since he's already skated down that hall himself.

Honestly, I would be very, VERY surprised the hero gang would be fully accepting of her suddenly wanting to NOT be evil after naively being associated with the corrupts.

Idk, man, Cyanide is a confusing character, but she just baby though

LOOK AT HER. SHE BABY

I'm just curious where she's going after her talk with Circubit?

Any Thoughts/Theories On Season 1, Episode 4 Part 1 Video + Rant

Part 1

Heavily sighs God… Heavily sighs again, but longer… Hey, everyone… I know my sorry ass hasn’t posted something here for so, so long, but, considering that the next episode for Season 2 is here in the current making, might as well get started, right…?

RIGH-

The Episode (Part 1)

MAJOR SPOILERS WARNING

Allow me to explain how my first reaction went here…

So the opening scene of Season 2, Episode 4 start off showcasing on a rainy night, seeing Dub telling Cyanide of his uttered disappointment of Cyanide’s ongoing failures within her missions, telling her that she should’ve corrupted him, implying to be Iris himself I think since Season 2, Episode 1.

Cyanide apologizes to her boss, Dub for what happened from her previous mission with Circubit, as Dub then commands her to go back to Circubit, while not giving a fuck about you crying on her communication device. Cyanide, while staying silent from Dub’s command and still sad, ends the call.

Pauses the episode

Me: This next part made me laugh and got so angered out loud because I fucking predicted that Circusic was going to find Cyanide being fucking miserable in the rain!

Let me tell you something yawl… For some weird reason, we ARE NOW TALKING TO CIRCUBIT AS A PURE SHAPE HERE OUT OF KNOW WHERE?!?!

Continues the episode

Cyanide somehow recognizes Circubit in front of her while he’s a pure shape. Circubit as a pure shape, questions her that is her boss, Dub is being an asshole to her, which also causes Cyanide to analyze the cuss word…

Mega pauses the episode

Me: WOW, OK!!! THIS PIECE OF SHIT IS NOW TEACHING A CORRUPT HERO, WHO IS CANONICALLY 0 YEARS OLD CURRENTLY BTW, CUSS WORDS AND NOT GIVING AN FUCK!!!! Oh my god…. Guys, I just really don’t wanna hear these Heroes start swearing… It’s weird as fuck to me… Especially considering that they are still young and are childlike beings…

Continues the episode

After analyzing (the fucking cuss word…), Cyanide is seen trying to process how she actually feels about Dub as a caretaker (sort of) and boss due to how Circubit describes him. Circubit then sits down next to her through the aforementioned processing, telling her why bother listening to Dub. Cyanide tells Circubit that Dub is her caretaker and has to still listen to him.

Pauses the episode

Me: Well, Dub is her creator (sort of), but all Dub has been toward Cyanide is to be nothing but an insufferable asshole to her and she still listens to him regardless, despite the lack of care and support she has been given from him.

Continues the episode

Circubit tells Cyanide that she’s right, but also says that her boss, Dub is making her upset and not being a good caretaker to him. Circubit then starts giving Cyanide vague advice which I’m gonna briefly explain right now:

“Take my advice, always do whatcha feel is right.” This advice means to “encouraging you to prioritize your own gut feeling and inner judgment when making decisions, even if it goes against external advice or societal norms.” So, I think what Circubit is advising Cyanide to trust her own instincts and make decisions based on what she feels is morally correct or wrong.

Pauses the episode

Me: And also here’s the problem about this in my opinion… The progression of their relationship from Season 2, Episode 1 to Episode 4 so far feels inconsistent and frankly baffling:

S2E1: Back when they first met, Circubit appeared largely indifferent toward his collaboration with Cyanide, maintaining a neutral dynamic. For instance, the first thing he does to her is scare her and not caring about it upon her arrival to the Corrupted Royal Castle. While not caring to fix her naivety here, Circubit gives off this remark, "I'll handle everything," implied he didn’t rely heavily on her assistance, even though they were nominally teaming up, while Cyanide wasn’t doing shit with him from their first mission together. Their interactions were minimal—only about two throughout the episode and both gone for the next 2 episodes—conveying a relationship that seemed purely functional at best.

S2E4: Then, after 2 episodes, out of nowhere, Circubit begins fucking speaking in pure form for whatever reason. Upon encountering Cyanide again, the first thing he does is start teaching her cuss words ("asshole") with zero hesitation or concern btw. From there, his behavior becomes jarringly inconsistent. He suddenly starts acting like he genuinely cares about Cyanide’s well-being all of a sudden, offering her vague advice, such as to “trust her instincts.” Yet, seconds later, he's allowing Cyanide to make him become corrupted again—seemingly so he can resume his chaotic plans. Their entire dynamic so far felt forced and nonsensical, and I was utterly confused by it…

Do you see what I mean? There’s no logical progression between the neutral, detached Circubit of Season 2, Episode 1, and the suddenly supportive, seemingly empathetic Circubit of Season 2, Episode 4 BECAUSE WE NEVER SEE THAT HAPPEN BEFOREHAND UP UNTIL THIS EPISODE EVEN STARTED!!!

Continues the episode

When Cyanide asks Circubit if that’s what he has been doing, Circubit says Yep! to her, telling her that he’s hasn’t been doing anything his boss, Dub told him to do.

Quickly pauses the episode

Me: Oh my god… Dub is getting some dogshit servants…

Also also, this next part is even more baffling………

Quickly continues the episode

Cynaide, while briefly staying silent, flies up tells Circubit that she actually wants to be a hero instead of being a villain.

ABSOUTELY MEGA PAUSES THE EPISODE

Me: When did you believe that...... When did this thought finally cross your mind Cyanide after the past 3 fucking episodes you were in because there was no development progression up until this point for you to be saying that line with the help of Circubit! All you were was from the previous episodes, Season 1, Episode 9-10 to Season 2, Episode 1 is just being a poorly written woobie with a frustratingly naïve sense of morality that gets you into these dumb shenanigans with these unlikeable/selfish corrupts in the fucking first place, causing you to appear completely distrustworthy and suspicious of most of the good guys into severe depression mode!!!

You were gone for like 2 WHOLE FUCKING EPISODES (S2E2 - 3) in this season so far, which made me almost completely forget about you as a character. And within this episode, the first thing you finally come back to do here is dramatically cry in the fucking rain to make me feel so terribly sorry for you sympathetically with your situation, even though I don't care about you because of how frustrating you are to me!

Secondly, you immediately started analyzing swearing and possibly will do it more later on (which is clearly Circubit's fault btw for swearing at a canonically 0 year old hero with no hesitation), which led me to scream out a huge "WOW, OK!" Because of how unbelievably stupid or maybe even laughable that was for the past 30 something seconds in this opening scene.

FINALLY, this one is just the best topping of how frustrating your character and alignment is on my fucking birthday cake. After some brief advice you've gotten from Circubit's bitch ass, when you said, "I want to be a hero. I do not like being evil.", A few seconds later you intentionally hugged Circubit as a pure form, CAUSING HIM TO BECOME CORRUPTED ONCE AGAIN!!! LIKE, WHAT THE FUCK!!! WHERE IS THIS COMING FROM OUT OF YOUR TINY MOUTH?!?! This baffling and contradictory behavior is the cherry on top of what makes your character alignment—and overall arc so far—so unbelievably maddening.

Slams on on my spacebar to continue the episode

Circubit then tells her Great!, saying to her that they might met again. Cyanide starts quickly zooming toward Circubit, hugging and thanking him by using her head while also… FUCKING CORRUPTING HIM BACK TO HIS CORRUPT FORM FOR FUCK SAKE…!

Slams on my space to pause the episode

Me: The execution of Circubit's return as a corrupt was somewhat exciting, I suppose, but it doesn’t excuse Cyanide’s sudden desire to become a “true hero” this time around without no good development up until this point of the series. This already further shows me how fucked up her neutrality truly is. And, Cyanide STILL doesn't care about the consequences of her actions so far because she actively and intentionally facilitates Circubit's return to his corrupt form, knowingly enabling him to cause more chaos—and does so without appearing to care in the slightest!

AND WHY THE FUCK IS SHE SMILING ABOUT IT!?!? BRO!!!

Slams on on my spacebar to continue the episode

Circubit appreciatingly tells Cyanide that she doesn’t have to thank her while going back to his corrupt form, saying to her about whacha needed to know. After Circubit leaves her, Cyanide starts flashing back toward the worst episode of the TPC series, remembering Cyan's advice and after that, she fucking smiles again and leaves, presumably going back to the main gang or not.

Part 1 ends here.

Finally done, gonna cry in my closet while eating a bowl of ice cream for breakfast....

Plus, If you guys have any further theories/predictions for part 2, tell me in the comments below.

[a-star-that-burns-brightly]

I'm going to sound like such a smartass but I'm glad I'm seeing more people express that "Huh, maybe this girl who has an entire song repeating to herself over and over again that her murder was not her fault meanwhile she-

portrays herself as a giant grotesque bug in her headspace with her victim, who she clearly still holds a high opinion of, being the only human in said headspace looking at her with visible disgust and fear,

Making this expression upon realizing what she just did

These being the lyrics that follow right after, having a moment of reconsideration

Before jumping back to trying to convince herself that she was in the right, because she put her trust in us to tell her if what she did was right or not, and the answer that came out was yes... That maybe, just maybe. She thinks that what she did...

Might have been her fault."

[theflashjaygarrick]

I hate this scene so much. Just to be clear I know that this does reflect a real experience a lot of women and girls go through growing up, the realisation that you don't actually hate feminine things and you just were taught to. And to give him credit I feel like Tom King read one feminist think piece about internalised misogyny and girls growing to like pink so congrats for the effort I guess.

But the problem is, did it have to be Cassie? Cassie is one of the few characters in the Wonder family, and honestly in DC, to be gender nonconforming (in presentation). And DC if full of kickass feminine women who can hold their own and fight. Hell, that is literal the entire point of the Wonderfamily and the amazons. Cassie being butch could have been shown girls and women that there are all sorts of ways to be a woman. That being gnc or more masculine doesn't mean you have to hate other girls or femininity. It just means that it isn't you. And that's okay.

Some gnc Cassie panels:

And sure, this isn't the worset thing that happened to Cassie (New 52 was a bad time) but it still frustrates me. To me this scene low-key implies (perhaps intentionally) that Cassie being a tomboy as a character flaw that she had to grow out of and did after meeting the Wonders. That the more butch elements of her characterisation that a queer fans saw themselves in was actually just her not believing feminine women could be powerful. And considering this is written by a cishet man (not a woman reflecting her own experiences with the struggle of femininity) I am not a fan.